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Untitled - Sexey's School Moodle

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explores the various unsettling effects the uncanny might produce on the reader. In that<br />

respect, Elizabeth Napier's The Failure of Gothic and Michelle A. Massé In the Name of<br />

Love are noteworthy because they serve as platforms for discussion of various<br />

psychoanalytical considerations and dichotomies as they pertain particularly to the<br />

Gothic, such as repression and regression, scopophilia/exhibitionism and<br />

sadism/masochism.<br />

For the discussion of Ellis’ American Psycho postmodern aesthetics of<br />

transgression, I draw from a number of essays and critiques that explore the various<br />

forms of pastiche and borrowed dialogism of the novel. While Julian Murphet’s<br />

Reader’s Guide offers a comprehensive overview of Ellis’ literary tropes, Mikhail<br />

Bakthin’s The Dialogic Imagination and Mary Harron’s film adaptation were especially<br />

helpful in determining the transgressive nature enclosed in Ellis’ satire of consumer<br />

capitalism.<br />

18

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