Download a PDF of the report - International Center of Photography

The International Center of Photography (ICP) is the 

world’s leading institution dedicated to the practice 

and understanding of photography in all its forms. 

Through our exhibitions, educational programs, and 

community outreach, we offer an open forum for 

dialogue about the role images play in our culture. 

ICP was founded in 1974 by Cornell Capa (1918- 

2008) as a tribute to his brother, legendary war 

photographer Robert Capa. Since our founding, 

we have presented more than 500 exhibitions and 

offered thousands of classes, providing instruction 

at every level. ICP is a center where photographers 

can connect to create, understand, and experience 

photography and where students, educators, 

and researchers can take advantage of our 

comprehensive resources and extensive collections.

year In revIew 

Whether as a vehicle of self-expression, a documentation of the 

world or a medium for aesthetic exploration, photography has 

served the human desire for social, intellectual, and emotional 

engagement with the world since its invention in the early 1800s. 

For nearly 40 years, the International Center of Photography (ICP) 

has established itself as the leading authority on the practice and 

impact of photography in all its forms and has built a dedicated 

community of image makers and those who understand and 

appreciate the power of images. 

Photography has changed tremendously, with the ubiquitous smart 

phone camera, the explosion of photographic software applications 

and consumer-generated content, and the many amazing 

technological advancements in the photography field that allow 

all of us to make pictures, distribute them online and reach tens of 

millions of viewers. 

The vision of Founding 

Director Emeritus 

Cornell Capa (1918-2008) 

is evidenced in the ongoing 

power of the image to occupy 

a vital and central place in 

contemporary culture. 

Many recent protests, uprisings, and subsequent conflicts 

demonstrate how photography can reflect and influence social 

change worldwide. For decades, photography has raised 

consciousness and inspired activism – it is now central to revolutions. 

Through our combination of an educational curriculum that offers 

instruction at every level, a schedule of up to 12 groundbreaking 

exhibitions a year, an award-winning publications program, extensive 

outreach programs, a collection of archival holdings of more 

than 180,000 photographic negatives and transparencies, papers, 

films, audio and video tapes, and 20,000 volumes, 50 periodicals, 

Andrew White, PJ’11 

and 2,000 vertical files of ephemera, ICP has established itself as a 

vibrant force in the global photographic community. 

ICP responds to a basic human need to communicate and make a 

difference through programming that helps people define, develop, 

and channel their skills and ideas. We strive to convert one-time 

visitors into ongoing members of the ICP community and to create 

an environment that encourages vigorous debate and a diversity of 

ideas. We embrace photography’s ability to open new opportunities 

for personal and aesthetic expression, transform popular culture, 

and continually evolve to incorporate new technologies. 

As we now know, technology continues to increase the use of 

images as a primary source for learning and the communication of 

information. Technology is enabling advancements in photography, 

not making the use of images obsolete. The ability to understand 

how images create and manipulate meaning – visual literacy – 

continues to increase in importance as well. 

The Future of ICP 

In 2009, the ICP Board of Trustees launched an extensive planning 

process designed to move the institution into the next stages of 

growth necessary to meet our community’s needs and demands. 

This robust planning process clarified our direction for the future.

Our mission-driven goals guide our plans for our future and include 

enriching community, integrating learning, and resonating globally. 

ICP will continue to be a welcoming place that encourages social 

interaction and lively dialogue. Whether one comes to ICP to learn 

to create photographs or experience challenging exhibitions, ICP 

will offer new and interactive opportunities to engage with images, 

ideas, and other people. We also plan to expand the work we do 

with underserved communities and youth. 

At ICP, students, staff, artists, and scholars work together to 

create an integrated learning environment, comprising exhibitions, 

courses, research facilities, and interdisciplinary public programs. 

Because the impact of images is a global phenomenon, ICP 

reaches beyond our local communities through an extensive group 

of international students, a program of international traveling 

exhibitions and award-winning publications that are distributed 

worldwide. Collaborations and partnerships with institutions around 

the world strengthen our ability to reach new audiences in new 

ways. We strive to provide access to learning for people at every 

stage of their lives. 

Gratitude and Appreciation 

Fiscal year 2011 marked the tenth anniversary of ICP’s expanded 

relocation to Avenue of the Americas at 43rd Street. We are grateful 

for the generosity of the Durst Organization, which has provided our 

museum space on a long-term lease at a mere fraction of market value. 

Our space across the street in the Grace Building, also part of the 

ICP “campus,” has enabled us to establish a state-of-the-art school. 

This report showcases ICP’s growth and accomplishments and 

reflects an important collaboration between the Board of Trustees 

and the staff. We have benefitted greatly from the inspired leadership 

of Board Chair Caryl Englander and President Jeffrey Rosen, 

who are well positioned to lead us into the next phase of ICP. 

We acknowledge with deep appreciation the generosity of the many 

donors who have supported ICP this year and to our dedicated 

staff who help us shape and achieve our goals. We also express 

our gratitude to our patrons, members, partners, students, alumni, 

faculty, and the many past and present donors whose support and 

involvement has enabled ICP to experience growth and progress 

and plan for an ambitious future. 

Willis E. Hartshorn 

Ehrenkranz Director 

Willis E. Hartshorn, 2012. © Lily Kesselman 

5

Letter from the chair aNd presideNt 

Fiscal year 2011 began with the Board of Trustees and staff 

continuing efforts to clarify ICP’s goals for the future. These goals 

include leveraging ICP’s critical and intellectual leadership in the 

photography field to educate, encourage creativity, and promote 

visual literacy through all of our programs. 

We know that ICP is unlike any other organization. 

Our integrated approach to learning has combined 

education, exhibitions, collections, and community 

outreach for nearly 40 years. ICP programs 

explore the power of images through a broad 

range of learning opportunities and interaction. 

In the future, these programs will expand to be 

offered online, onsite, and around the world. 

Just as photography has gone through a fundamental 

reinvention, ICP has evolved to provide a 

forum for new critical ideas, experimentation, and 

innovation. ICP is a “center” where diverse 

communities come together to share an interest 

in how pictures are made, interpreted, 

distributed, and preserved. We are committed 

to further exploring the impact ICP can make on 

the world and to achieving our ambitious goals to 

expand and support our growing community. 

New Leadership 

We moved into fiscal year 2012 with new 

leadership and a clear path for the future. As of 

March 2012, we have elected five new Trustees, 

including Doug Hansen, Renee Harbers Liddell, 

Bob Jeffrey, Scott Mead, and Fabian Onetti. 

These new Trustees bring a wealth of experience and expertise 

in a variety of fields, including technology, advertising, finance 

and philanthropy. 

Caryl S. Englander, © Lily Kesselman 

Jeffrey A. Rosen, © Lily Kesselman 

In August 2011, Ehrenkranz Director Willis E. Hartshorn informed 

the Board of Trustees of his desire to transition to a different full-time 

executive role at ICP. This transition is in progress as we near the 

end of a global search for a new Director to lead the institution. 

Known as “Buzz,” Hartshorn joined ICP in 1982 and held numerous 

positions before being named Director in 1994. During his tenure, 

the institution experienced unprecedented growth 

and stability. He led ICP through its first capital 

campaign and raised more than $20 million in 2001 

to facilitate a move from 94th Street to its current 

Midtown Manhattan sites on Avenue of the Americas 

at 43rd Street. 

Under Buzz’s leadership, ICP’s endowment grew 

significantly, its exhibition and education programs 

tripled, and outreach to underserved youth increased 

by 45 percent. In addition, the collection doubled to 

include photographs spanning three centuries and 

the archives of Roman Vishniac, Weegee, Cornell 

Capa, and Robert Capa. 

Building on Buzz’s legacy, we look forward to the 

next phase of ICP led by a new Director, who will 

focus on maintaining the institution’s continued 

preeminence in the photography field and 

implementing our ambitious plans. 

We thank Buzz for his leadership and the ICP staff 

for its talent and dedication. We are grateful to all 

those who support and champion ICP – we know 

our growth and the ability to achieve our goals are 

dependent on the generosity and encouragement 

of our donors and friends. We cannot express often enough our 

appreciation for all that you do and all that you make possible. 

Caryl S. Englander 

Chair 

Jeffrey A. Rosen 

President

Board of TrusTees and CoMMITTees 

Board of TrusTees 

Gayle G. Greenhill, Chair Emerita 

Caryl S. Englander, Chair 

Anne Ehrenkranz, Vice Chair 

Bicky Kellner, Vice Chair 

Jeffrey A. Rosen, President 

Stephanie H. Shuman, Vice President 

Jeffrey P. Williams, 

Vice President/Secretary 

Samuel L. Milbank, Treasurer 

Peggy Anderson 

Frank B. Arisman 

Diana Barrett 

Gerald D. Cohen 

Lisa Ehrenkranz 

T.J. Gottesdiener 

Douglas Hansen 

Renee Harbers Liddell 

Sue Hostetler 

Bob Jeffrey 

Karl Katz 

Ellen Kelson 

Nancy L. Lane 

Almudena Legorreta 

Andrew E. Lewin 

Raymond J. McGuire 

Scott Mead 

Fabian Onetti 

Elihu Rose 

Pat Schoenfeld 

Frederick Sievert 

Jon D. Smith, Jr. 

Marshall Sonenshine 

Janice B. Stanton 

Diane Tuft 

Artur Walther 

Lois Zenkel 

Honorary Trustees 

Douglas D. Durst 

Nina Rosenwald 

Arnold Sagalyn 

Sandra Weiner 

founding director 

Cornell Capa 1918–2008 

CoMMITTees 

acquisitions Committee 

Peggy A. Anderson 

Anne Ehrenkranz 

Kirsten J. Feldman 

Gayle Greenhill 

Ellen S. Kelson 

Gregory R. Miller 

Jeffrey A. Rosen 

Marjorie Rosen 

Stephanie H. Shuman 

Jeffrey P. Williams 

education Committee 

Bicky Kellner and 

Lois S. Zenkel, Co-Chairs 

Ondrea Barbe 

John H. Boyles 

Thomas F. Dunn 

Lisa Ehrenkranz 

Jane Houston 

Howard Kaneff 

Ray Mortenson 

George K. Moss 

Catherine Steinmann 

Robert A. Wilson 

exhibitions Committee 

Janice B. Stanton, Chair 

Cynthia B. Altman 

Renee P. Barasch 

Constance C. Ellis 

Susan L. Fleischer 

Donna Green 

Peter Guggenheimer 

Mary Heller 

Kresta T. Johnson 

Elizabeth S. Kujawski 

Almudena Legorreta 

Meryl Meltzer 

Elizabeth R. Rea 

Helena L. Sokoloff 

Sarina Tang 

Diane H. Tuft 


Alice S. Zimet 

Library Committee 

Evan Mirapaul and 

Stephanie H. Shuman, Co-Chairs 

Leelee Brown Jaffe 

Victoria D. Hansen 

Bicky Kellner 

Sanford Luger 

Ray Mortenson 

Susanne Neunhoeffer 

Andrea Stern 

Publications Committee 

Omar H. Al-Farisi 

Frank B. Arisman 

Charles Baum 

Lawrence M. Joseph 

Andrew E. Lewin 

Sanford Luger 

Ann L. Morse 

Ira M. Resnick 

Richard M. Zuckerman 

President’s Council 

B&H Photo Video Pro Audio 

Condé Nast 

Kodak 

Jed Root, Inc. 

National Geographic 

Nikon Inc. 

PENTAX Imaging Company 

7

photography collection 

The Photography 

Collection of the 

International Center 

of Photography 

includes 120,000 prints 

that span the history 

of photography and 

continues to grow, 

enriched by individual masterworks and 

new subcollections. It was established 

with the works of photojournalists and 

documentary photographers, and it 

includes comprehensive holdings of the 

work of Robert Capa, Roman Vishniac, 

Chim (David Seymour), Werner Bischof, 

Dan Weiner, Henri Cartier-Bresson, and 

Weegee. Archival holdings also include 

about 180,000 photographic negatives 

and transparencies, papers, films, audio 

and video tapes. Also included are 

substantial holdings of Alfred Eisenstaedt, 

Robert Frank, André Kértesz, Lisette 

Model, Gordon Parks, Aaron Siskind, 

James VanDerZee, and Garry Winogrand. 

Another component of the collection is 

a significant group of photographically 

illustrated magazines such as Vu, Regards, 

Picture Post, Berliner Illustrirte Zeitung, 

Arbeiter Illustrierte Zeitung, and LIFE. The 

collection also includes a distinctive survey 

of vernacular photography, including 

photographic albums, commercial 

photography, and real photo postcards. 

Recent acquisitions include key works by 

Bill Brandt, Mitch Epstein, Elliott Erwitt, 

Walker Evans, Nan Goldin, Hiroh Kikai, 

Seidou Keita, Justine Kurland, Liu Zheng, 

Gillian Laub, Louise Lawler, Susan Meiselas, 

Charles Moore, Vik Muniz, 

Shirin Neshat, Terry Richardson, 

Alessandra Sanguinetti, Collier 

Schorr, Fazal Sheikh, Stephen 

Shore, Lorna Simpson, Hank 

Willis Thomas, Mickalene 

Thomas, and Lolo Veleko. 

eMuseum is a searchable 

database of ICP’s Photography 

Collection. Each record includes 

information about the photographer, title, 

date, medium, as well as an image, when 

available. Because of the large number of 

works in the collection, not all are currently 

included in eMuseum. But new items are 

continually added to the online collection, 

and records are constantly updated with 

additional research and texts. In addition 

to searching eMuseum, users can create 

accounts and manage favorite images. 

The entire Collection is accessible to 

students, scholars, and other interested 

visitors by appointment. Visitors may view 

original prints, peruse archival documents, 

or consult the Collection’s digital catalogue. 

Each year, hundreds of students and 

scholars visit our facilities to explore the 

history of photography. 

Since June 2010, the Collection has 

acquired nearly 2,800 images, due to 

the efforts and commitment of the 

Acquisitions Committee and the 

generosity of individual donors. 

ICP is grateful for the generosity of the 

following donors, who contributed work to 

the Collection from July 2010 through July 

2011: 

Wendy and Jim Agah 

Sheila Bergman 

Cornell Capa Estate 

Alan and Phyllis Cooper 

Gary Davis 

Decaneas Archive and 

Howard Greenberg Gallery 

Anne and Joel Ehrenkranz 

Caryl and Israel Englander 

Cynthia Farnell 

William Gregory 

Lowell Handler 

Willis E. Hartshorn 

Judith Hochberg and Michael P. Mattis 

Scott Houston 

Richard E. Kremer 

Alice and Donald Lappe 

Samuel Lehr 

Dr. Stephen Nicholas 

Christopher Phillips 

Dr. Mark Reichman 

Naomi Rosenblum 

Carl Sandler 

David and Kim Schrader 

Ben Shneiderman 

Melissa Shook 

George Stephanopoulos 

Sally Strauss and Andrew Tomback 

Ray F. Tomorowitz in memory of 

Joseph R. Tomorowitz 

Brian Wallis 

Ronald Weiner 

Chim (David Seymour), [Mother nursing a baby while listening to political speech, 

near Badajoz, Extremadura, Spain], 1936. © Estate of David Seymour/Magnum.

exhibitions 

The ICP Museum is dedicated to exploring the possibilities 

of the photographic medium through dynamic exhibitions of 

historical and contemporary work. For nearly 40 years, ICP has 

hosted a variety of exhibitions—from civil rights to high fashion, 

from the Spanish Civil War to contemporary African culture. Our 

curators seek to present the crossovers between photography 

and contemporary art, as well as to showcase the work of key 

photographers and emerging artists. The museum also features 

numerous exhibitions related to documentary photography and 

photojournalism. During fiscal year 2011, from May 21, 2010 to 

August 28, 2011, ICP’s exhibitions were viewed by nearly 175,000 

visitors. 

In September 2010, ICP presented The Mexican Suitcase: 

Rediscovered Spanish Civil War Negatives by Capa, Chim, and 

Taro, a groundbreaking exhibition revealing the most famous 

group of recovered negatives of the 20th century. Considered lost 

since 1939, the so-called Mexican Suitcase is in fact three boxes 

Wang Qingsong, Follow Me, 2003. © Wang Qingsong. Courtesy the artist. 

containing 4,500 negatives documenting the Spanish Civil War 

by Robert Capa, Chim (David Seymour), and Gerda Taro. Capa, 

Chim, and Taro risked their lives to witness history and show it to 

the world, and The Mexican Suitcase contains some of their most 

important images, documenting a turning point in photojournalism. 

The images not only provide a uniquely rich and panoramic view 

of the Spanish Civil War (1936–1939) — a conflict that changed 

the course of European history — but also demonstrates how the 

work of these legendary photographers laid the foundation for 

modern war photography. The exhibition received critical acclaim 

from numerous publications and media outlets including the New 

York Times, and, due to its stunning popularity, continues to travel, 

visiting other cultural institutions around the world. 

We are grateful for the support and guidance of the Exhibitions 

Committee, chaired by ICP Trustee Janice Stanton, and the 

support of our many funders.

Ruth Gruber, Eklutna woman reading Life Magazine, Hooper Bay, Alaska, 1941–43. © Ruth Gruber. 

ICP’s exhibitions 

illuminate 

movements and 

moments 

Ed Templeton, Bird Release, San Clemente, 2007. © Ed Templeton, Courtesy Roberts & Tilton, Culver City, CA.

ExHIBITIONS DURING THE 2011 

FISCAL YEAR INCLUDE: 

Perspectives 2010: Carol Bove, 

Lena Herzog, Matthew Porter, 

Ed Templeton, Hong-An Truong 

May 21—September 12, 2010 

Lead support by the ICP Exhibitions 

Committee and Studley. Additional support 

was provided, in part, by public funds from 

the New York City Department of Cultural 

Affairs in partnership with the City Council. 

One of three boxes containing negatives by Robert 

Capa, Gerda Taro, and Chim (David Seymour) 

of the Spanish Civil War. © International Center 

of Photography. 

For All the World to See: Visual Culture 

and the Struggle for Civil Rights 

May 21—September 12, 2010 

Funded in part by the National Endowment 

for the Humanities, Trellis Fund, James 

A. Macdonald Foundation, National 

Endowment for the Arts, St. Paul Travelers 

Corporation, Communities Foundation of 

Texas, and Maryland State Arts Council. 

Additional support from CBS News 

Archives, Ed Sullivan/SOFA Entertainment, 

Sullmark Corporation, and Sony Pictures 

Entertainment, and public funds from the 

New York City Department of Cultural 

Affairs, in partnership with the City Council. 

For All the World to See was designated 

a “We the People” project by the National 

Endowment for the Humanities. 

Andrew Saint-George, Che Guevara relaxing in his room 

at La Cabaña fortress drinking Mate (a traditional South 

American drink made from Yerba Mate), 1959. 

© Andrew Saint-George. Courtesy The International 

Art Heritage Foundation. 

Cuba in Revolution 

September 24, 2010—January 9, 2011 

Organized in association with the 

International Art Heritage Foundation. 

The Mexican Suitcase: Rediscovered 

Spanish Civil War Negatives by Capa, 

Chim, and Taro 

September 24, 2010—May 8, 2011 

The exhibition and its catalogue were 

supported by the National Endowment 

for the Arts, Joseph and Joan Cullman 

Foundation for the Arts, Frank and Mary Ann 

Arisman, Christian Keesee, and by public 

funds from the New York City Department 

of Cultural Affairs in partnership with the 

City Council. Additional support from Sandy 

and Ellen Luger, Bruce and Lois Zenkel, 

the Strand Hotel, New York, the Program 

for Cultural Cooperation between Spain’s 

Ministry of Culture and United States 

Universities, and the Consulate General of 

Spain in New York. 

Take Me to the Water: Photographs of 

River Baptisms 

January 21—May 8, 2011 

Supported by public funds from the New 

York City Department of Cultural Affairs in 

partnership with the City Council. 

Jasper, Texas: The Community 

Photographs of Alonzo Jordan 


Supported by the National Endowment for 

the Arts, the Summerlee Foundation, 

and public funds from the New York City 

Department of Cultural Affairs in partnership 

with the City Council. 

Wang Qingsong: When Worlds Collide 


Supported by the ICP Exhibitions 

Committee, the E. Rhodes and Leona B. 

Carpenter Foundation, Mark McCain and 

Caro Macdonald/Eye and I, Michelle and 

Mark Edmunds, Larry Warsh, Richard 

Born, and with public funds from the New 



Elliott Erwitt: Personal Best 

May 20—August 28, 2011 

Supported by an anonymous donor and 

with public funds from the New York 

City Department of Cultural Affairs in 


Ruth Gruber, Photojournalist 

May 20—August 28, 2011 

Supported by Friends of Ruth Gruber 

and with public funds from the New York 

City Department of Cultural Affairs in 


United States Strategic Bombing Survey, Physical 

Damage Division [Distorted steel-frame structure of 

Odamasa Store, Hiroshima], November 20, 1945. 

International Center of Photography. 

Hiroshima: Ground Zero 1945 

May 20—August 28, 2011 

Supported by the ICP Acquisitions 

Committee and public funds from the New 



13

EduCation 

Through the 

School of the 

International 

Center of 

Photography, 

the practice of 

photography is 

realized in the wide variety of classes, 

workshops, public lectures, and programs 

to a diverse student body. Our student 

body represents virtually every country 

around the world and all ages and 

backgrounds. They join a community of 

committed photographers who believe 

that photography matters and that 

pictures occupy a vital place in all forms 

of communication. At ICP, students have 

access to unparalleled resources: courses 

designed for beginners and professionals, a 

state-of-the-art facility, distinguished faculty, 

the museum, collections, library, lecture 

series, special events, and most importantly, 

a community of passionate photographers— 

making ICP the ideal place to explore one’s 

creativity. As photography continues to 

evolve, so do the educational offerings of our 

school and the diversity of our offerings is a 

testament to the vitality of our programs. 

ICP education includes Continuing 

Education classes, the ICP-Bard MFA 

Program in Advanced Photographic 

Studies, One-Year Certificate Programs 

in Documentary Photography and 

Photojournalism and General Studies, 

and Community Programs. Serving more 

than 5,000 students a year, we offer more 

than 400 courses annually, ranging from 

traditional film and darkroom practice 

to digital media. Our facilities feature 

digital labs, multimedia, and digital video 

resources, black-and-white and color labs, 

and studios. 

We are proud of our talented and dedicated 

alumni and faculty. Our alumni are shaping 

our visual culture as artists, teachers, 

photojournalists, editors, and applied 

photographers. Their work is exhibited 

around the world, and published in leading 

newspapers, magazines, and monographs. 

Our faculty is dedicated to nurturing new 

talent and includes some of the world’s 

most accomplished and innovative 

practitioners, offering expert guidance and 

inside perspectives. 

Though the generosity of The Rita and 

Alex Hillman Foundation, which donated 

the Rita K. Hillman Education Gallery in 

2009, ICP presents rotating exhibitions of 

student, faculty, and alumni work in four 

cycles per year. We thank the Education and 

Community Programs Committee, under 

the leadership of Bicky Kellner and Lois 

Zenkel, which works closely with our staff 

and faculty to develop student scholarships, 

publications, and new offerings. 

Continuing Education 

The Continuing Education program 

offers Foundation, Ideas & Practice, and 

Professional Practice courses for students 

at all skill levels. Foundation courses provide 

the beginning, intermediate, and advanced 

photographer with the fundamental 

principles, techniques, and skills needed 

to support their photographic practice 

and vision. Ideas & Practice courses are 

dedicated to inspiring the photographer’s 

creative process, and Professional Practice 

courses are designed to provide students 

with myriad ways to enter and engage with 

the photographic community. Classes meet 

at all times of day and evening, seven days a 

week and provide virtually every educational 

need a photographer might imagine. 

In the fall of 2011, ICP introduced the 

Continuing Education Track Program. This 

program seeks to help students develop 

their photographic vision and technical 

proficiency in a supportive environment, and 

gives a unique opportunity to experience 

what being part of a powerful community 

can accomplish. Designed for students who 

desire to advance their photographic work 

to the next level, for a variety of outcomes, 

the CE Track Program challenges 

students to push their photography in new 

directions, whether it’s for personal growth, 

professional practice, or in preparation for an 

advanced degree in the arts. 

Full-time Programs 

The ICP-Bard MFA Program in Advanced 

Photographic Studies offers a rigorous 

exploration of all aspects of photography 

through an integrated curriculum of 

professional and studio practice, critical 

study, and Resident Artist Projects. At the 

center of the program is an exploration of 

the ways in which the photograph operates 

in society and the ways in which students’ 

own practices work for them. The ICP-Bard 

approach emphasizes creative vision and 

openness to examining the many iterations 

of the image—from photography to digital 

imaging, installation, and video. Through 

a variety of activities—including planning 

conferences and studio visits, collaborating 

on other projects in the area, publishing 

books, and participating in art fairs—our 

students emerge from our MFA program 

poised and ready to engage with an 

international community of image makers. 

Each year 12 students join our community of 

accomplished artists to further pursue their 

personal engagement with photography. 

The One-Year Certificate Programs 

in Documentary Photography and 

Photojournalism and General Studies

provide advanced students with an intensive 

yearlong course of study that strengthens 

personal vision, teaches professional 

practices, and explores the many disciplines 

that inform media and art today. 

The Documentary Photography and 

Photojournalism Program focuses on the 

investigative skills and technical knowledge 

necessary to succeed in the complex 

and constantly changing world of visual 

journalism. With ICP’s long-standing 

commitment to documentary practice, 

this program engages faculty who are 

among the foremost practitioners in the 

photographic field. Visiting photographers 

discuss new media, business, and 

methodologies, as well as political,ethical, 

and social concerns. 

The General Studies Program embraces the 

study of photographic practices, including 

fine art, editorial, fashion, documentary, and 

experimental image production. With the 

goals of broadening each student’s vision 

and building a foundation for individual 

practice, the program explores the history 

of photography, contemporary theory, 

craft and technique, and personal image 

making. The foundation seminar considers 

the questions that arise from the cultural, 

political, economic, and psychological 

uses of images. Visiting artists, critiques 

of student work, and discussions of 

contemporary ideas and artwork help 

students extend the possibilities of selfexpression, 

while defining professional and 

artistic working methods. 

Community Programs and Partnerships 

A year-round schedule of Community 

Programs brings the rewards of 

photographic expression to people of all 

ages and backgrounds and our Community 

Partnerships provide more than 250 

students from underserved communities 

with life skills and educational resources. ICP 

collaborates with schools and community- 

© Peter Snadik, MFA 2012 

based organizations to teach photography, 

writing, and public speaking with the 

goal of fostering self-esteem, community 

development, and social change. Our 

community partners include The Point 

Community Development Corporation in 

Hunts Point in the South Bronx; Friends 

of Island Academy, a support center for 

young people who attend Island Academy 

high school; the High School of Fashion 

Industries; and Mount Sinai Adolescent 

Health Center in East Harlem. 

Teen Academy 

ICP’s year-round Teen Academy offers 

programs for up to 450 high school 

students, 50 percent of whom receive 

scholarships, to develop their understanding 

and knowledge of photography. The 

programs range from 10-week classes 

to our yearlong intensive Imagemakers 

program. Our Teen Foto Fridays program 

invites high school students to participate 

in free open labs, technical workshops, 

fieldtrips to museums and galleries, and 

college portfolio preparation. 

Museum Education 

Our Museum Education program provides 

guided exhibition tours, introducing visitors 

to photography and relating the work 

exhibited in our galleries to curriculum. Led 

by Museum Educators, tours are tailored to 

the needs of each group by incorporating 

selected themes from the exhibitions into 

various subject matter and/or classroom 

learning. Through tours, ICP serves more 

than 10,000 visitors from over 250 schools 

and organizations. 

Library 

The ICP library is dedicated to the furnishing 

of information and inspiration by providing 

access to our extensive collection of photo 

books, periodicals, artist files, and digital 

resources. The library's holdings are a 

mirror and record of ICP's work, community, 

and story. Our staff and resources are 

committed to serving photographers, 

students, scholars, researchers, staff, and 

other users through on-site access to more 

than 20,000 volumes, 50 periodicals, and 

2,000 vertical files of ephemera from all over 

the world relating to photography. Each 

year, the library is visited by more than 6,000 

photo enthusiasts. 

We thank the Library Committee, chaired by 

Stephanie Shuman and Evan Mirapaul, for 

its ongoing support to increase the library’s 

holdings and create access to them, while 

acting as an advocate for the expansion 

of our programs, services, and outreach. 

Special thanks to Stephanie Shuman for 

endowing the position of Librarian, affirming 

the values of ICP having a dynamic library. 

15

external affairs 

ICP’s External Affairs team includes Development, Marketing 

and Communications staff. We are grateful for the generosity 

and commitment of all those who have made the achievements 

acknowledged in this report possible, including our members, 

donors, partners, visitors, employees, students, and faculty. 

Development 

The Development team generated more than $5 million during fiscal 

year 2011, which represents an increase of 15 percent from fiscal 

year 2010. 

individual and annual Giving 

Individual Giving includes contributions from ICP Trustees and other 

individuals, membership dues, and special event revenue. It resulted 

in the largest percentage of support in fiscal year 2011, totaling more 

than $3 million. 

Trustees contributed the largest percentage of individual giving at 

$2.5 million of total contributed income. The program committees, 

ICP’s Individual Giving programs, allow members to take an active 

role in offering funding for projects and programs. In addition to 

their own gifts, members of the Acquisitions Committee help secure 

significant new works for ICP’s Collection; the Education and 

Community Programs Committee helps sponsor education and 

outreach programs; the Exhibitions Committee supports several 

exhibitions each year; the Library Committee helps build the library’s 

collection and enhance its ability to serve thousands of annual 

visitors; and the Publications Committee promotes wider recognition 

for ICP’s award-winning catalogues. In fiscal year 2011, Program 

Committee fundraising totaled more than $250,000. 

The Annual Fund surpassed its goal by more than 50 percent, 

raising $160,000. 

membership 

Nearly 4,000 members at levels from $75 to $3,500 enjoy exhibition 

openings, private tours, and events designed for collectors, 

photographers and photography enthusiasts. Members are invited 

to all exhibition openings throughout the year, in addition to various 

© Charles Ludeke 

special events. Members’ Day is a popular benefit offering portfolio 

reviews, workshops, and lectures exclusively for members. 

Patron members at various levels receive added benefits including 

gallery talks with photographers and curators, visits to private 

collections, and behind-the-scenes tours at ICP. FOCUS, a 

membership group for younger patrons between 20–40 years old, 

attracts young collectors, photographers, and individuals interested 

in the visual arts who share a commitment to ICP. Funds from 

Membership dues totaled approximately $478,000. 

special events 

Year-round benefit events support the full-range of ICP’s programs, 

including exhibitions, education, publications, collections 

management activities, and community outreach projects. 

Since 1985, the annual ICP Infinity Awards, ICP’s largest fundraiser, 

have recognized major contributions and emerging talent in the 

fields of photojournalism, art, fashion photography, publishing, and 

writing. The awards are supported by corporate sponsors including 

Hearst Corporation and the ICP Board of Trustees, patrons, and 

friends. The 2011 Infinity Awards Committee, co-chaired by Peggy 

Anderson, Pamela Farkas, Sue Hostetler, Jed Root, and Marjorie 

Rosen, helped spearhead fundraising efforts for this gala event. 

The Lifetime Achievement, Cornell Capa, and ICP Trustee Award 

honorees are selected by the ICP Board of Trustees and senior staff. 

Other recipients are chosen by a Selection Committee from material 

submitted by an International Nominating Committee, whose 

members change each year to reflect a diversity of opinion and 

geographic origins. Revenues from the 27th Annual Infinity Awards, 

held on May 10, 2011, totaled approximately $806,000, with more 

than 530 guests in attendance.

INFINITY 2011 AWARD RECIPIENTS 

Lifetime Achievement | Elliott Erwitt 

Cornell Capa Award | Ruth Gruber 

ICP Trustees Award | The Durst Family 

Young Photographer | Peter van Agtmael 

Publication | Alec Soth 

Writing | Gerry Badger 

Art | Abelardo Morell 

Photojournalism | Adrees Latif 

Applied/Fashion/Advertising | Viviane Sassen 

Selection Committee 

Philip Gefter, Author/Critic, New York, New York 

Greg Hobson, Curator of Photographs, 

National Media Museum, Bradford, United Kingdom 

Lisa Hostetler, Curator of Photographs, 

Milwaukee Art Museum, Milwaukee, Wisconsin 

International Nominating Committee 

Morten Andersen, Photographer, Oslo, Norway 

Camilla Brown, Senior Curator, 

The Photographer’s Gallery, London, England 

Peter Charlesworth, Director, OnAsia Images, 

Bangkok, Thailand 

Jeffrey Chiedo, Director, Motus Fort Gallery, Tokyo, Japan 

Ayperi Karabuda Ecer, Vice President Pictures/Graphics, 

Reuters News Agency, Paris, France 

John Fleetwood, Head of the Market Photo Workshop, 

Johannesburg, South Africa 

Martin Parr, Photographer and Editor, London, England 

Kira Pollack, Director of Photography, 

Time Magazine, New York, NY 

Rong Rong, Founder, Three Shadows Photography Art 

Centre, Beijing, China 

Oliva María Rubio, Exhibitions Director, 

La Fabrica, Madrid, Spain 

Sam Stourdzé, Director, Musée de l’Elysée, 

Lausanne, Switzerland 

Juan Travnik, Director, FotoGalería del Teatro San Martín, 

Buenos Aires, Argentina 

Claartje van Dijk, Curatorial Assistant,Collections, 

ICP, New York, NY 

Hripsimé Visser, Curator of Photography, 

Stedelijk Museum, Amsterdam, The Netherlands 

INFINITY 2012 AWARD RECIPIENTS 

Lifetime Achievement | Daidoō Moriyama 

Cornell Capa Award | Ai Weiwei 

ICP Trustees Award | John “Launny” Steffens 

Young Photographer | Anouk Kruithof 

Publication | The Worker Photography Movement [1926-1939], 

Museo Nacional Centro de Arte Reina Sofia 

Writing | David Campany 

Art | Stan Douglas 

Photojournalism | Benjamin Lowy 

Applied/Fashion/Advertising | Maurice Scheltens 

& Liesbeth Abbenes 

Selection Committee 

Jennifer Blessing, Senior Curator, Photography, 

Guggenheim Museum, New York 

Sophie Hackett, Assistant Curator of Photography, 

Art Gallery of Ontario, Canada 

Michael Mack, Publisher, MACK, London 

International Nominating Committee 

Geoffrey Batchen, Professor, Art History, 

Victoria University, Wellington, New Zealand 

Marina Berio, Chair, General Studies Program, ICP, New York 

Sean Corcoran, Curator of Prints and Photographs, 

Museum of the City of New York, New York 

Corinne Diserens, Curator/Art Historian, Paris 

Elisabeth Gottfried, Editor-In-Chief, EIKON Magazine, Vienna 

Winfried Heininger, Publisher and Designer, Kodoji Press, 

Baden, Switzerland 

Whitney Johnson, Director of Photography, 

The New Yorker, New York 

Yossi Milo, Owner, Yossi Milo Gallery, New York 

Stephen Pinson, Curator of Photography, 

New York Public Library, New York 

Fred Ritchin, Professor, New York University Tisch School 

of the Arts, New York 

Bonnie Rubenstein, Artistic Director, 

Scotiabank CONTACT Photography Festival, Toronto 

Aveek Sen, Writer, Calcutta, India 

Wang Chunchen, Curator, Central Academy of 

Fine Arts Museum, Beijing 

Lim Young Kyun, Professor, Chung-Ang University, Seoul 

17

store publications 

The ICP Store offers visitors a wide variety of books, gifts, and 

photography-related items. It is one of the only bookstores in 

New York City devoted solely to photography. In 2011, the ICP 

Store was named one of TimeOut New York’s Top Ten Best 

Museum Stores, defining ICP as a destination for all lovers and 

students of photography. 

Throughout the year, the ICP Store hosts book signings that 

provide an opportunity for visitors to meet their favorite artists and 

interact with the photography community. ICP has hosted events 

with renowned photographers including Elliott Erwitt, Eugene 

Richards, Mitch Epstein, Ron Haviv, Mary McCartney, and Robert 

Polidori cultivating an ever-growing enthusiasm for photography 

and expanding our audience. The online ICP Store offers more than 

4,000 items. 

All Publications © International Center of Photography/Steidl 

A recognized leader in the field of visual publishing, ICP’s 

Publications team creates original, award-winning books 

available to a global audience. The publications that ICP 

produces aim to expand the visual experience for photography 

lovers who wish to delve deeper into our collections and 

exhibitions. 

In 2010, ICP produced the two-volume catalogue The Mexican 

Suitcase, which accompanied a major exhibition The Mexican 

Suitcase: The Rediscovered Spanish Civil War Negatives of Capa, 

Chim, and Taro. The catalogue features essays by Paul Preston, 

Simon Dell, David Balsells i Solé, Michel Lefèbvre, Bernard Lebrun, 

Brian Wallis, Cynthia Young, and Kristen Lubben, as well as a 

complete reproduction of the 4,500 negatives. In July 2011, The 

Mexican Suitcase was awarded the Frances Smyth-Ravenel Prize 

for Excellence in Publication Design by the American Association of 

Museums. Other recent publications coinciding with exhibitions at 

ICP include Jasper, Texas: The Community Photographs of Alonzo 

Jordan (2011) and Hiroshima: Ground Zero 1945 (2011) . 

19

Financial report 

Year ended June 30, 2011 

Statement of Financial Position 

assets 

Cash and cash equivalents 

Unconditional promises to give 

Accounts receivable 

Inventory 

Prepaid expenses and deposits 

Investments 

Cash held for long-term investments 

Fixed assets, net of accumulated depreciation 

Deferred loan costs 

Security deposit 

total assets 

Statement of Activities 

Support and revenue 

Operating contributions 

Membership 

Special events, net of $365,209 expense 

Donated facility 

Tuition and educational fees 

Store income 

Exhibition admissions 

Investment return 

License fees, exhibition loans, and other revenue 

Contributions released from temporary restrictions 

Reclassification of investment return 

Investment return utilized for operations 

Transfer for projects 

total Support and revenue 

expenses 

Programs 

Management and general 

Development 

Communications 

Donated facility 

Other lease cost 

total expenses 

increase (decrease) in net assets 

Appropriation for Acquisition of Furniture and Equipment 

Net Assets, Beginning of Year 

net assets, end of Year 

$ 934,024 

4,482,357 

383,926 

428,617 

628,875 

27,612,679 

432,297 

4,112,406 

185,404 

1,000,000 

$40,200,585 

Audited Financial Report 

The financial information presented here is excerpted from ICP's complete financial 

statements audited by the independent accounting firm Lutz ad Carr, LLP, which issued 

an unqualified opinion that the statements conform to generally accepted accounting 

principles. This excerpt does not include the Statement of Cash Flows or the footnotes, 

which are integral to a full presentation of ICP’s financial position. A complete copy of the 

audited financial statements is available online at www.icp.org/about-icp. 

operating 

$ 3,092,353 

577,848 

467,907 

2,442,867 

6,974,657 

977,135 

731,16 7 

1,313 

524,802 

15,790,049 

1,072,305 

- 

927,495 

973,981 

18,763,830 

10,066,508 

2,806,482 

1,403,302 

564,497 

2,442,867 

1,106,15 5 

18,389,811 

374,019 

(363,419) 

419,160 

$ 429,760 

Board 

designated 

$ 131,194 

- 

- 

- 

- 

- 

- 

1,607,943 

- 

1,739,137 

- 

(890,187) 

(512,367) 

(973,981) 

(637,398) 

- 

- 

- 

- 

- 

- 

- 

(637,398) 

- 

15,202,544 

$14,565,146 

liabilities 

Accounts payable and accrued expenses 

Loan interest payable 

Deferred revenue 

Loan payable 

total liabilities 

net assets 

Unrestricted 

Operating 

Board designated funds 

Property, plant, and equipment 

Total Unrestricted 

Temporarily restricted 

Permanently restricted 

total net assets 

total liabilities and net assets 

physical 

plant 

$ 16,177 

- 

- 

- 

- 

- 

- 

341,338 

- 

357,515 

- 

- 

- 

- 

357,515 

1,506,443 

364,774 

77,328 

25,981 

- 

- 

1,974,526 

(1,617,011) 

363,419 

2,331,884 

$ 1,078,292 

total 

$ 3,239,724 

577,848 

467,907 

2,442,867 

6,974,657 

977,135 

731,167 

1,950,594 

524,802 

17,886,701 

1,072,305 

(890,187) 

415,128 

- 

18,483,947 

11,572,951 

3,171,256 

1,480,630 

590,478 

2,442,867 

1,106,155 

20,364,337 

(1,880,390) 

- 

17,953,588 

$16,073,198 

temporarily 

restricted 

$ 1,336,877 

- 

- 

- 

- 

- 

- 

1,178,617 

- 

2,515,494 

(1,072,305) 

890,187 

(415,128) 

- 

1,918,248 

- 

- 

- 

- 

- 

- 

- 

1,918,248 

- 

1,222,500 

$ 3,140,748 

permanently 

restricted 

$ 206,701 

- 

- 

- 

- 

- 

- 

- 

- 

206,701 

- 

- 

- 

- 

206,701 

- 

- 

- 

- 

- 

- 

- 

206,701 

- 

10,821,683 

$11,028,384 

$ 1,143,830 

43,205 

1,016,220 

7,755,000 

$ 9,958,255 

$ 429,760 

14,565,146 

1,078,292 

16,073,198 

3,140,748 

11,028,384 

30,242,330 

$40,200,585 

Investments 

ICP has adopted investment and spending policies for its permanently and temporarily restricted 

endowments and its unrestricted Board designated funds that seek to provide a predictable 

stream of operating income while preserving the purchasing power of the original investments. 

Investments are managed on a total return basis and utilizing a broad diversification of investment 

managers. The utilization of investments for operations during the 2011 fiscal year was 5% of the 

investment portfolio’s average market value for each of the previous 12 quarters drawn quarterly. 

The total return of ICP’s investment portfolio for the year ending June 30, 2011 was 12.7%. 

unrestricted 

total 

$ 4,783,302 

577,848 

467,907 

2,442,867 

6,974,657 

977,135 

731,167 

3,129,211 

524,802 

20,608,896 

- 

- 

- 

- 

20,608,896 

11,572,951 

3,171,256 

1,480,630 

590,478 

2,442,867 

1,106,155 

20,364,337 

244,559 

- 

29,997,771 

$30,242,330

donor list 

We continue to be grateful to the Durst 

Family and the Durst Organization for their 

unwavering and generous support of ICP. 

Through the contribution of our museum 

and collections space, they are the largest 

donors to ICP. None of our accomplishments 

in fiscal year 2011 would have been 

possible without them. 

individual donors 

Gifts of $1,000 or more 

$250,000 and up 

Durst Family 


Marjorie and Jeffrey Rosen 

Stephanie and Fred Shuman 

Frederick and Susan Sievert 

The Windmill Lane Foundation 

$100,000-$249,999 

Anonymous 

Mary Ann and Frank Arisman 


Estanne and Martin Fawer 

Gayle and Robert Greenhill 

The James A. Macdonald Foundation 

Bicky and George Kellner 

Almudena and Pablo Legorreta 

Marina and Andrew Lewin 

Mark McCain and Caro 

Macdonald/Eye and I 

Clemence and William von Mueffling 

Bruce and Lois Zenkel 

$50,000-$99,999 

Peggy and Keith Anderson 

Anonymous 

The Norman and Heewon Cerk Gift Fund 

Deborah and Michael Colacino 

Ellen and Richard Kelson 

Raymond J. McGuire 

Dominique and Samuel Milbank 

Phillip and Edith Leonian Foundation 

Paula and Ira Resnick 

The Rita and Alex Hillman Foundation 

Samuel Shahid 


Janet and Howard Stein 

Diane and Thomas Tuft 


Mayree Clark and Jeffrey Williams 

Zenkel Foundation 

$25,000-$49,999 

Mr. & Mrs. Omar H. al-Farisi 

Andrew and Marina Lewin 

Family Foundation 

Anonymous 

Diana Barrett and Robert Vila 

Debra and Leon Black 

Lisa and Sanford Ehrenkranz 

Ellen Samuel and Sanford Luger 

Gillian McCain 

Ligaya and Ahrin Mishan 

Joyce and George Moss 

Susan and Elihu Rose 

Therese and Marshall Sonenshine 

Merryl and James Tisch 

$10,000-$24,999 

Anonymous 

Arpad A. Busson Foundation 

The Bernard Lee Schwartz Foundation, Inc. 

John H. Boyles III 

The Dalton Family Foundation 

Susan and Thomas Dunn 

Friends of Ruth Gruber 

Abra and T.J. Gottesdiener 

Deborah Jerome and Peter Guggenheimer 

Renee Harbers Liddell and 

Christopher Liddell 

Richard Horst 

Jane Houston 

Kresta and Todd Johnson 

Cherry and Howard Kaneff 

Christian Keesee 

Meryl and Robert Meltzer 

Jed Root 

Alice Sachs Zimet 

$5,000-$9,999 

Cynthia Bronson Altman 

Andrew Sabin Family Foundation 

Renee Preisler Barasch and 

Richard Barasch 

Ondrea Barbe 

Jennifer and Charles Baum 

Bonni Benrubi, Bonni Benrubi Gallery 

Alyce Faye Eichelberger-Cleese 

Katherine and Gerald Cohen 

Michelle and Mark Edmunds 

Constance and Corson Ellis 

Kirsten Feldman and Hugh Frater 

Linda and Bernard Ferrari 

Susan and Arthur Fleischer 

The Grace Jones Richardson Trust 

Donna Green and Michael Sternberg 

Susan and Robert Grey 

Mary and Peter Heller 

Ellen and Lawrence Joseph 

Paul Kessel 

Skip Klein 

Elizabeth Szancer Kujawski 

Jane Lombard 

Gregory R. Miller 

Ann Lawrance Morse 

Jean and Ray Mortenson 

Elizabeth Richebourg Rea 

Florence and Anthony Rodale 

Louise and Arnold Sagalyn 


Helena and Stephen Sokoloff 

Catherine and David Steinmann 

Andrea Stern 

Dana Orange and Matthew Tierney 

Emily and Antoine van Agtmael 

Zena Wiener 

Richard Zuckerman and Linda Yowell 

$1,000-$4,999 

Virginia and Andrew Adelson 

Carmen Ballve 

James Balog 

Gaby and Jamez Basora 

Anne Bass 

Brook and Roger Berlind 

Bernheim Foundation, Inc. 

Giancarla and Luciano Berti 

Sheema and Mihir Bhattacharya 

Susan Bloom 

Henry Buhl 

Robert Buxton 

C.A.L. Foundation, Inc. 

The Carl Jacobs Foundation 

Jim Colica 

Kate Cordsen 

Colleen and David Criste 

James and Lucy Danziger 

Hester Diamond 

Mia Diehl 

Melanie Sags Dunea 

Vera and Walter Eberstadt 

Bethany and Niko Elmaleh 

Barbara Foshay 

Marian Froehlich 

Suzanne Frye, M.D. 

The Gage Fund 

Marnie and Peter Gelfman 

Jerome Gottesman 

Howard Greenberg 

Doug and Joan Hansen 

Victoria D. Hansen 

21

Sue Hostetler and Jon Diamond 

Edwynn Houk 

Charlene and David Howe 

Taylor and Stephen Jackson 

Dr. Michael I. Jacobs 

Cathy Kaplan 

Jennifer and Jody Klein 

Max Kozloff 

David Krein 

Nancy L. Lane 

Larry Lederman 

Laurianne Listo 

Anne and Kurt Locher 

Susan and Peter MacGill 

Catherine and Donald Marron 

Patrick McMullan 

Ronay and Richard Menschel 

Nathalie Milbank 

Marek Milewicz 

Michelle and Dennis Mosner 

Charlotte Moss and Barry Friedberg 

Donald Mullen 

Jessica Nagle 

Susanne Neunhoeffer 

Eileen and Arthur Newman 

Maria Pia and Fabian Onetti 

Orentreich Family Foundation 

Mariacristina Parravicini 

Nigel Parry 

The Perlmutter Family Foundation 

Peter A. Pfatteicher 

Serge Plantureux 

Yvetta Rechler-Newman 

Richard Rieger 

Alberto Ruiz 

Howard Schatz and Beverly Ornstein 

Alice Shure 

Zachary Sievert 

Teresa Kirby Smith and Gary Smith 

Mary Smyth 

David Solo 

Bob Soltys 

Melissa and Robert Soros 

Sir Martin Sorrell 

Peter A. Stace 

Beverly Bartow and James Stengel 

Jennifer and David Stockman 

W. Glenn Street 

Helen Stummer 

Alex Sutton 

Felicia Anastasia 

David Teiger 

Olivia Thomson 

Carll Tucker 

Susan Unterberg 

Maarten Van Dam 

Charles Van Horne 

Diana Walker 

Suzanne and Jeffrey Walker 

Lee Walls 

Susannah and Antonio Weiss 

Nancy Wendell 

Susan White 

The William Talbott Hillman Foundation, Inc. 

Bryce Wolkowitz 

Institutional Donors 

The Altman Foundation 

The Andy Warhol Foundation for 

the Visual Arts 

Anonymous (3) 

B&H Photo Video Pro Audio 

Bank of America 

Bloomberg 

The Cambridge School of Weston, Inc. 

Canon U.S.A., Inc. 

CIT 

Citigroup Inc. 

Condé Nast 

Con Edison 

Consulate General of Spain in New York 

The Cowles Charitable Trust 

The David Berg Foundation 

The Durst Organization 

E. Rhodes and Leona B. Carpenter 

Foundation 

The Estée Lauder Companies 

Exploring the Arts, Inc. 

Ferrari Consultancy 

The Fledgling Fund 

Goldman Sachs Foundation 

The Grace Jones Richardson Trust 

The Hearst Corporation 

In Style 

ING Financial Services 

Institute of Museum and Library Services 

The International Art Heritage Foundation 

Jed Root, Inc. 

Johnson & Johnson 

Joseph Alexander Foundation 

Joseph and Joan Cullman Foundation 

for the Arts 

Kodak 

Koret Foundation 

Lily Auchincloss Foundation 

The Marc Haas Foundation 

Marsh & McLennan Companies 

May and Samuel Rudin Family Foundation 

MetLife 

Milton and Sally Avery Arts Foundation 

Mondriaan Foundation, Amsterdam 

Morgan Stanley 

National Endowment for the Arts 

National Geographic 

New York City Department of Cultural 

Affairs in partnership with the City Council 

New York State Council on the Arts 

New York State Senate 

Nikon Inc. 

Patterson Belknap Webb & Tyler LLP 

PENTAX Imaging Company 

People Magazine 

Program for Cultural Cooperation between 

Spain’s Ministry of Culture and United 

States Universities 

Righteous Persons Foundation 

The Robert Mapplethorpe Foundation 

Select Equity Group Foundation 

The Shubert Foundation 

The Shubert Organization, Inc. 

The Summerlee Foundation 

Surdna Foundation 

Taube Foundation for Jewish Life and 

Culture of the Jewish Community 

Endowment Fund 

Thomson Reuters 

White & Case LLP 

Wilkinson O’Grady & Co., Inc. 

Capa Circle 


Bicky and George Kellner 

Paula and Ira Resnick 



Campaign for ICP’s Future 

Peggy and Keith Anderson 

Diana Barrett and Robert Vila 


Lisa and Sanford Ehrenkranz 



Institute of Museum and Library Services 

Susan and Elihu Rose 



Frederick and Susan Sievert 


Mayree Clark and Jeffrey Williams 

Patron Members 

Benefactor Patrons 

Andrew Adelson 

Kate Cordsen 

Marnie Gelfman 

Robert J. Grey 

Peter Guggenheimer 

Douglas B. Hansen, Jr. 

David S. Howe

Stephen Jackson 

Joseph Klein III 

Larry Lederman 

Mr. Sanford Luger 

Patrick McMullan 

Charlotte A. Moss 

Anthony Rodale 

Gold Patrons 

Carmen Ballve 

James D. Balog, Jr. 

Anne H. Bass 

Norman Cerk 

Hester Diamond 

Walter A. Eberstadt 

Suzanne L. Frye, M.D. 

Howard Greenberg 

Paul Kessel, Ph.D. 

David Krein 

Kurt A. Locher 

Jane K. Lombard 

Dennis J. Mosner 

Donald R. Mullen Jr. 

Fabian Onetti 

David Orentreich, M.D. 

Mariacristina Parravicini 

Peter A. Pfatteicher 

Richard Rieger 

Alberto Ruiz 

Frederick J. Sievert 

Teresa K. Smith 

Mary Smyth 

Helena L. Sokoloff 

David Solo 

James L. Stengel 

W. Glenn Street, Jr. 

Alex Sutton 

Felicia Tashkovich 

David Teiger 

Charles H. Van Horne 

Jeffrey C. Walker 

Diana Walker 

Lee Walls Jr. 

Silver Patrons 

Renate A. Aller 

Ronald E. Aubert 

Sheema Bhattacharya 

Amy Binder 

Valerie Binder 

Helen Bodian 

Jim Chervenak 

Alyce Faye Cleese 

Adam M. Cohen 

John P. Duffy 

John Ehrenkranz 

Inger M. Elliott 

Bonnie Engelbardt 

Richard S. Frary 

Marianne Gerschel 

Robert W. Heathwood 

Tim Hosking 

Jennifer Klein 

Jennifer Kouvant 

Minjung Lee 

Mark Levine 

Jeffrey Levy-Hinte 

Salvatore Lopes 

Michael A. Melendez 

Richard L. Menschel 

David H. Miller 

Evan Mirapaul 

Abby Moses 

Patrick R. Pagni 

Andrew S. Paul 

Marcus Reidenberg 

David Rheingold 

Stephen C. Rood 

Marjorie Rosenthal 

Lewis Rothman 

Arthur D. Sanders 

Ben A. Shneiderman 

Karen Sobotka 

Leonard Solondz 

L. Parker Stephenson 

Judith H. Stern 

Cianni Tait 

Julian Taub 

Ellen Tsangaris 

Susan Unterberg 

Stuart E. Wunsh 

Tribute Gifts 

In Honor of Sumner Hatch 

Stanley Silverman 

In Memory of Sheila Kane 

Linda and Terry McCullough 

Daniel Phillips 

Gregory Smith 

Felicity and Jonathan Swerdlow 

The Widewaters Group, Inc. 

In Honor of Joshua Kauderer 

Shawn Delmhorst 

In Memory of Sanford Luger 

William Badertscher 

Robert Bildner 

Jane Brody 

Amy and Daniel Feinberg 

Mark Hunker 

The Sard Family Charitable Fund 

Elizabeth and Stephen Silverman 

Betty Wilson 

In Honor of Jeffrey and Marjorie Rosen 

Susannah and Antonio Weiss 

In Memory of Jeffrey WittensteIn 

Joan Custin 

Hilda Greenfield 

In Memory of Karl Wolfe 

Louise Wydra 

In Honor of Lois Zenkel 

Nancy Beres 

Joan Buehler 

Harriet Kirschenbaum 

Suzanne and Alan Waxenberg 

Donors of Gifts of Works of Art 

Please refer to the Permanent Collections 

section (page 8) 

Donors of Gifts of Equipment 

Anna Canciglia 

Canon 

Michael Colacino 

Joef Flaschner 

Sarah Fredericks 

David Jarrett 

Mrs. Eve Kingsland 

Ed Pell 

Pentax 

Theodore Shell 

Studio in a School 

Joyce Veishlow 

William von Mueffling 

Donors of Gifts of Library Books 

and Materials 

Alain Amiand 

Anonymous 

Frank Arisman 

Veronique Baisse 

Imre Bak 

Péter Baki 

Szombathy Bálint 

Zsofia Ban and Hedvig Turai 

Sophie Barbasch 

Ernesto Bazan 

Jen Beckman 

Yael Ben-Zion 

Geoffrey Biddle 

Phillip S. Block 

Blurb Photo Book Now 

Martin Bogren 

Leonie Bradbury and Shana Dumont 

Colleen Branigan 

23

Marco Breuer and Carter Foster 

David Brommer 

Tessa Bunney 

Holly Bynoe and Nadia Huggins 

Steve Cagan 

Matthew Carson 

Bernardo Carvalho 

Seung-Woo Chae 

Dean Chapman 

Jim Clinefelter 

Ken Collins 

Consejo Nacional de la Cultura y las Artes 

Mario Cresci 

Gabriella Cseh 

Peter Csikar 

Linda Cummings 

Czeslaw Czaplinski 

Bruce Davidson 

Hernease Davis 

Stefano De Luigi 

Lourdes Delgado 

Bela Doka 

Dunaújvárosiennále 2009 

Edward Earle 

Alinka Echeverria 

Nas S. Eftekhar 

Hans Eijkel8oom 

Àgnes Eperjesi 

Krisztina Erdei 

Federico Estol 

Olimpia Ferrari 

Joanne Ferreira 

FOAM 

Aliona Frankl 

Karen Furth 

Kadasz Gabor Arion 

Isabelle Gabrielli 

April Gertler 

Bente Geving and Per Bertsen 

Stephen Gil 

Ed Grazda 

Philippe Gronon 

Nadja Groux 

Sunil Gupta 

Jeff Gutterman and Russet Lederman 

Károly Halász 

Curtis Hamilton 

Geum-Sun Han 

Buzz Hartshorn 

Esther Horvath 

Diane Howse 

Irene Lewisohn Costume Reference Library 

Ivory Press 

Kudo Izumi 

Bill Jacobson 

Michi Jigarjian 

Joy of Giving Something 

Horváth M. Judit 

Mindaugas Kavaliauskas 

Zsuzsanna Kemenesi 

Gabor Kerekes 

Bo-Ryung Kim 

Jae-Kyeong Kim 

Moon-Ho Kim 

Susan Kleckner Estate 

Kalmar Lajos 

Pablo Larreta 

Mathieu LeCouturier 

Gap-Chul Lee 

Jae-Gab Lee 

Jis-Eong Lee 

Kyung-Hee Lee 

Kyu-Sang Lee 

Min-Jung Lee 

Sang-Youp Lee 

Sun-Min Lee 

Michelle Leedy 

Janusz Lesniak 

Michael Light 

Chong-Sun Lim 

Lasse Lindkvist 

Teresa LoJacono 

Pablo Lopez Luz 

Gyorgy Lorinczy 

Magnum Paris 

Katarzyna Majak 

Rony Maltz 

Sergio Mancilla 

David Marcou 

Philomena Mariani 

Phyllis Maroney 

Thomas McGovern 

Kathleen Laraia and H. Woods McLaughlin 

Bill Mindlin 

Evan Mirapaul 

William Myers 

Clark Nelson 

New York School of Interior Design 

Suzanne Nicholas 

Bernd Nobel 

Paolo Novelli 

Kim Oksun 

Toby Old 

Ara and Vahe Oshagan 

Selina Ou 

Michela Palermo 

Louie Palu 

Parsons New School 

Brian Paumier 

József Pécsi 

Mühely Pécsi 

Jorge Alberto Perez 

Szabó Péter Pettendi 

Christopher Phillips 

Libby Pratt 

Ivo Prêcêk 

James Prez 

J. John Priola 

Yan Qiu 

Isabella Quist 

Nandita Raman 

Dorothy Ricciardi O’Beirne 

Robert Richfield 

Giada Ripa 

Mark Rogovin 

Naomi Rosenblum 

Nica Ross 

Abel Ruiz de Leon 

Nadia Russ 

Davi Russo 

Hisashi Sakakura 

Tiago Santana 

Ken Schles 


School of Photography at University 

of Gothenberg 

scrapworm 

Wayne Shimbukuro 

Victor Sira 

Peter Snadik 

David Solo 

Erik Steinbrecher 

Thomas Steinert 

L. Parker Stephenson 

Dezso Szabo 

Szálirány 

Minyó Szert 

Sayaka Taninokuchi 

Balázs Telek 

Daniel Temkin 

George Tice 

Tomasz Tomaszewski 

Józse Tóth 

Judith Turner 

Zoltán Vancsó 

Peter van de Wijngaart 

Julia van Haaften and Ron Schick 

Philip van Keuren 

Magdolna Vékás 

Anna Winand 

World Press Photo 

Galerie Xippas 

Robert Yager 

Jeong-Mee Yoon 

Myung-Sook Yoon 

Se-Young Yoon 

Brian Young 

Sandra Young

Africia Heiderhoff 

Exhibitions Assistant 

Christopher George 

Imaging Technician 

Research Associates 

Claartje van Dijk 

Rachel Travis, Roman Vishniac Collection 

Nikol David, Digital Imaging Assistant, 

Roman Vishniac Collection 

Development 

Lissie Diringer 

Acting Director of Development 

Institutional Giving 

Marie Spiller 

Director of Institutional Giving 

Joseph Ketner 

Institutional Giving Manager 

Individual Giving 

Becky Lipkind 

Director of Individual and Annual Giving 

Lucig Kebranian, Membership Manager 

Samantha Mascali 

Special Events Manager 

Nathalie Berger 

Individual and Annual Giving Assistant 

Development Services 

Paul Gish 

Director of Development Services 

Jill Vora, Research Specialist 

Samantha O’Keefe 

Gift Processing Associate 

marketInG/CommunICatIonS 

Kelly Heisler 

Director of Marketing and Communications 

David Appel 

Communications Associate 

Sumy Cho 

Design and Digital Media Coordinator 

Sara Troiano 

Marketing Communications Coordinator 

FInanCe anD aDmInIStratIon 

Steve Rooney 

Deputy Director for Administration 

and Finance 

Tama O’Brien, Legal Counsel 

Joseph Engstrom 

Project Coordinator and Analyst 

administration 

Linda Freitag, Director of Administration 

Alexandra (Allie) Clark 

Human Resources Assistant 

Finance 

Victor Quinones, Controller 

Bookkeepers 

Kirk Bagwandeen 

Winnie Zhong 

Carlos Monteverde 

Assistant Bookkeeper 

Information technology 

Warren Nichols 

Director of Information Technology 

Edward Earle 

Manager of Information Systems 

Daniel Liang 

Help Desk Technician 

operations 

Charles Barrett 

Director of Building Operations 

Operations Managers 

Luisito (Chito) Castillo 

Louis Beck 

Maintenance & Building Support 

Cynthia Dixon 

Dupree Prentis 

Robert Hernandez 

Freddy Muriel 

Roberto Reyes 

David Rosa 

Community engagement 

Gigi Loizzo 

Director of Community Engagement 

Kate Cunningham 

Manager of Retail Operations 

Lead Visitor Services Assistants 

Patricia Dumas, Administration 

Benjamin Nadler, Programming 

Sarah Goldberg 

Lead Sales Associate 

Wendy Wu 

Retail Operations Assistant 

Sales Assistants 

Erica Silverman 

Michelle Yo 

Visitor Services Assistants 

Allan Gilmore 

Zoe Litaker 

Steve Moore 

Lynae Quinones 

T. Leon Kendrick 

Check Room Attendant 

publications 

Philomena Mariani 

Director of Publications 

Eli Spindel, Publications Coordinator

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