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Download PDF - The Canadian Nature Photographer

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MACROPHOTOGRAPHY TOOLS, TIPS & TECHNIQUES FOR DIGITAL PHOTOGRAPHERS 2012<br />

Electronic Flash<br />

Artificial light can consist of flood lamps, tungsten bulbs or one or more flash units. In the field, artificial<br />

lighting is usually provided by electronic flash. Depending on the lens, sometimes the on camera flash<br />

works well (e.g. 60 mm macro lens), but if the lens is too long it can produce a shadow on the subject.<br />

For this reason, I either use a flash with the light source positioned up above the camera or to the side<br />

of the camera. Some flash units offer adapters that allow the flash units to be attached to the front of<br />

the camera lens.<br />

A flash offers certain advantages in that it produces a strong, but brief pulse of light that can be used to<br />

stop movement, such as an insect in flight, or whenever one needs to hand-hold their camera.<br />

However, flash also tends to produce a harsh directional light source and may result in black<br />

backgrounds, as the light falls off quickly and can result in over-exposed foregrounds. <strong>The</strong> best way to<br />

learn how to use your flash with macrophotography is to experiment with it and compare the results<br />

you get with natural light. In general, light from an electronic flash tends to be harsh and cooler in<br />

colour, which can enhance sharpness. You can soften the light by taping Kleenex tissues over the light<br />

source or adding a plastic diffuse; for even softer light, you can attach a small, portable soft box.<br />

Above: Postman butterfly photographed with 100 mm macro lens, camera hand-held and a portable<br />

electronic flash attached to the camera. This butterfly was photographed in a butterfly room at the<br />

Calgary zoo. Due to high humidity in butterfly rooms I recommend you bring extra lens cleaning tissue.<br />

Robert Berdan | 37

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