01 Jul - Filmhouse Cinema Edinburgh
01 Jul - Filmhouse Cinema Edinburgh
01 Jul - Filmhouse Cinema Edinburgh
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tickets<br />
from £3.50<br />
See page 13<br />
1 JUL 13 1 AUG 13<br />
FILMS WORTH TALKING ABOUT<br />
HOME OF THE EDINBURGH INTERNATIONAL FILM FESTIVAL<br />
88 LOTHIAN ROAD EDINBURGH EH3 9BZ WWW.FILMHOUSECINEMA.COM BOX OFFICE <strong>01</strong>31 228 2688 PROGRAMME INFO <strong>01</strong>31 228 2689<br />
Blancanieves<br />
A film by Pablo Berger<br />
The Bling Ring<br />
Renoir<br />
Stories We Tell<br />
We Steal Secrets: The Story of WikiLeaks<br />
The Deep<br />
Wadjda<br />
Blackfish<br />
Behind the Candelabra<br />
The Enigma of Kaspar Hauser<br />
The Paradise Trilogy<br />
Michael Haneke:<br />
Presented by Drambuie<br />
Ray Harryhausen<br />
3 CINEMAS CAFE BAR
2<br />
INDEX INDEX AUDIODESCRIPTIONANDSUBTITLES<br />
SCREENING DATES AND TIMES 12-13<br />
TICKET PRICES & INFORMATION 13<br />
GENERAL INFORMATION 23<br />
The 7th Voyage of Sinbad 10<br />
71 Fragments of a Chronology of Chance 15<br />
All Stars 18<br />
Amour 16<br />
Armored Car Robbery 20<br />
BAFTA Scotland Presents: Games Industry<br />
Secrets of Success 11<br />
The Battle of the Sexes 4<br />
Beauty 21<br />
Behind the Candelabra 8<br />
Benny’s Video 14<br />
Blackfish 7<br />
Blancanieves 6<br />
The Bling Ring 4<br />
Caché 16<br />
The Castle 15<br />
Clash of the Titans 11<br />
Code Unknown 15<br />
Come and See... 19<br />
The Deep 6<br />
Despicable Me 2 19<br />
Education and Learning at <strong>Filmhouse</strong> 22<br />
The Enigma of Kaspar Hauser 8<br />
Epic 18<br />
<strong>Filmhouse</strong> Cafe Bar & Quiz 11<br />
<strong>Filmhouse</strong> Membership 24<br />
<strong>Filmhouse</strong> Player 21<br />
Fire in the Night 4<br />
Funny Games 15<br />
Funny Games U.S. 16<br />
Ghosted 22<br />
The Golden Voyage of Sinbad 10<br />
Jason and the Argonauts 11<br />
A Late Quartet 21<br />
Like Someone In Love 7<br />
Michael H - Profession: Director 14<br />
Michael Haneke: Presented by Drambuie 14-16<br />
My Neighbour Totoro 18<br />
Mysterious Island 10<br />
Our Children 4<br />
Paradise: Faith 9<br />
Paradise: Hope 9<br />
Paradise: Love 9<br />
The Paradise Trilogy 9<br />
Paris-Manhattan 7<br />
Percy Jackson and the Lightning Thief 18<br />
The Piano Teacher 15<br />
Queen Margaret University Degree Show 22<br />
Ray Harryhausen 10-11<br />
Ray Harryhausen: Special Effects Titan 10<br />
Renoir 5<br />
Richard Fleischer 20<br />
The Seventh Continent 14<br />
Sound It Out 21<br />
Spirited Away 18<br />
The Stoker 8<br />
Stories We Tell 5<br />
The Time of the Wolf 15<br />
The Vikings 20<br />
Violent Saturday 20<br />
Wadjda 6<br />
We Steal Secrets: The Story of WikiLeaks 5<br />
Weans’ World 18-19<br />
The White Ribbon 16<br />
Willow 19<br />
The Women 19<br />
<strong>Filmhouse</strong> email list For screening times, news<br />
and competitions, join our email list at www.<br />
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Twitter Follow @<strong>Filmhouse</strong> for news & updates<br />
In all three screens we have a system which<br />
enables us, whenever the necessary digital<br />
files are available, to show onscreen subtitles<br />
for customers who are deaf or hard of hearing,<br />
and provide audio description (via infra-red<br />
headsets) for those who are sight-impaired.<br />
This issue, all screenings of The Bling Ring<br />
will have audio description, and the following<br />
screenings will have subtitles:<br />
Behind the Candelabra at 6.00pm on Tue 2 <strong>Jul</strong>y<br />
The Bling Ring at 1.10pm on Sat 27 <strong>Jul</strong>y<br />
FORCRYINGOUTLOUD<br />
Screenings for carers and their babies!<br />
Renoir – Mon 8 <strong>Jul</strong>y at 11am<br />
Stories We Tell – Mon 15 <strong>Jul</strong>y at 11am<br />
Wadjda – Mon 22 <strong>Jul</strong>y at 11am<br />
Blancanieves – Mon 29 <strong>Jul</strong>y at 11am<br />
Screenings are limited to babies under 12<br />
months accompanied by no more than two<br />
adults. Baby changing, bottle warming and<br />
buggy parking facilities are available.<br />
Tickets £4.50/£3.50 concessions per adult.<br />
<strong>Filmhouse</strong>, 88 Lothian Road<br />
<strong>Edinburgh</strong> EH3 9BZ<br />
www.filmhousecinema.com<br />
Box Office: <strong>01</strong>31 228 2688 (10am - 9pm)<br />
Administration: <strong>01</strong>31 228 6382<br />
email: admin@filmhousecinema.com<br />
Twitter: @filmhouse<br />
Facebook: facebook.com/<strong>Filmhouse</strong><strong>Cinema</strong><br />
<strong>Filmhouse</strong> is a trading name of Centre for the Moving<br />
Image, a company limited by guarantee, registered in<br />
Scotland No. SC067087.<br />
Registered office, 88 Lothian Road, <strong>Edinburgh</strong> EH3 9BZ.<br />
Scottish Charity No. SC006793.<br />
VAT Reg. No. 328 6585 24
Introduction<br />
3<br />
THE ENIGMA OF KASPAR HAUSER BLANCANIEVES WADJDA<br />
THE BLING RING<br />
Good Weather is Bad Box Office<br />
As I gaze out over the Capital House car park, across the charmingly-monickered Chuckie Pend (the lane behind <strong>Filmhouse</strong>, aka Morrison<br />
Street Lane), it’s a glorious, blue-sky, June day. Whilst I would not wish to deny any of you some sunshine – heaven knows you’ve all paid<br />
your dues vis-à-vis the weather – my enjoyment of it is always tempered by the well-worn film industry adage at the top of this page.<br />
Maybe I need to get over it, leave such thoughts in the office, and enjoy the sunshine. Maybe I just need to get out more! But I suspect<br />
only your attendance in our darkened rooms can stop me worrying. My contentment, dear readers, is in your hands...<br />
By the time this programme kicks in, the awesome 2<strong>01</strong>3 edition of EIFF will just have passed, and by no coincidence whatever we find<br />
ourselves showing a lot of films they brought to the city first! (Well, he’s a man of taste is EIFF director Chris Fujiwara.) First up is Sofia<br />
Coppola’s indictment of celebrity-obsessed society, The Bling Ring; Stories We Tell is Sarah Polley’s brilliant documentary about her<br />
family’s history, and in particular the actual question of her own parentage; from Iceland, The Deep tells the miraculous true story of the<br />
sole survivor of a fishing trawler wreck; Alex Gibney’s supremely timely (given arch-leaker Bradley Manning’s ongoing trial) and feisty We<br />
Steal Secrets: The Story of WikiLeaks needs little explanation beyond that given by its title; and Fire in the Night recounts what happened<br />
the night of the worst offshore disaster the oil industry has ever seen, on the Piper Alpha North Sea platform, some 25 years ago.<br />
The Goya (Spanish ‘Oscar’)-winning Blancanieves (Snow White) is, à la the Oscar-winning The Artist of last year, a stunning, delightful<br />
homage to silent cinema; Wadjda, as well as being the first film made entirely within the kingdom of Saudi Arabia AND directed by a<br />
woman, is also a winning, handsomely crafted, utterly charming coming-of-age tale about a young girl who wants a bike, in a country<br />
were young girls don’t ride bikes; Renoir takes a beautiful, atmospheric, pastoral stroll through the latter years of the great artist (Auguste),<br />
paying particular attention to his relationship with his yet-to-be great filmmaker son (Jean); and Blackfish exposes the very dark side of<br />
keeping killer whales, including the infamous Tilikum, in captivity.<br />
Delightedly, we’re also screening the BFI restoration/reissue of Werner Herzog’s The Enigma of Kaspar Hauser, and the doyen of European<br />
cinema, Michael Haneke, gets a full feature film retrospective, which we are only able to do with the help of our very good friends at<br />
Drambuie.<br />
And lastly, does anyone out there know why Chuckie Pend is called Chuckie Pend It’s a question that crosses my mind just about every<br />
day… [Yeah, you definitely need to get out more. - Ed.]<br />
Rod White, Head of <strong>Filmhouse</strong>
4<br />
New releases<br />
OUR CHILDREN THE BATTLE OF THE SEXES<br />
FIRE IN THE NIGHT THE BLING RING<br />
NEWRELEASE<br />
Our Children À perdre la raison<br />
Mon 1 to Thu 4 <strong>Jul</strong><br />
Joachim Lafosse • Belgium/Luxembourg/France/Switzerland 2<strong>01</strong>2<br />
1h51m • DCP • French and Arabic with English subtitles<br />
15 – Contains distressing scenes<br />
Cast: Niels Arestrup, Tahar Rahim, Émilie Dequenne, Stéphane<br />
Bissot, Mounia Raoui.<br />
Based on a true story, celebrated director Joachim Lafosse’s<br />
intense, multi-layered dissection of an unorthodox family<br />
unit won Émilie Dequenne the prestigious Best Actress<br />
Award at last year’s Cannes Film Festival.<br />
Young and full of life, Murielle (Dequenne, Rosetta) has a<br />
promising future ahead of her when she meets and falls<br />
head over heels for Mounir (Tahar Rahim, A Prophet). A<br />
wedding soon follows, and the happy couple quickly set<br />
about starting a family. However, with family comes ties,<br />
and none come as tight as that between Mounir and<br />
his adoptive father Dr Pinget (Niels Arestrup, also in A<br />
Prophet).<br />
As the family grows, friction increases, and, helpless to<br />
extract her husband and children from the comfortable<br />
nest that Pinget has provided for them, Murielle is drawn<br />
into the unhealthy family dynamic. All sense of reason<br />
begins to abandon her, and there seems to be only one<br />
way out of this nightmare.<br />
NEWRELEASES<br />
The Battle Of The Sexes<br />
Mon 1 to Thu 4 <strong>Jul</strong><br />
James Erskine & Zara Hayes • UK 2<strong>01</strong>3 • 1h23m • DCP<br />
PG – Contains mild language and sex references • Documentary<br />
“I wasn’t just playing for myself. This was for everybody.”<br />
Tennis star and women’s rights activist Billie Jean King<br />
won a total of 39 Grand Slam titles, but the biggest match<br />
of her career took place in 1973 against former men’s<br />
champion Bobby Riggs, a self-proclaimed male chauvinist<br />
pig who declared that, even at the age of 55, he could beat<br />
any woman in the world. A rousing and hugely enjoyable<br />
documentary with a great soundtrack.<br />
Fire in the Night<br />
Mon 1 to Sat 6 <strong>Jul</strong><br />
Anthony Wonke • UK 2<strong>01</strong>3 • 1h33m • DCP • 15 • Documentary<br />
The world’s worst offshore disaster remembered, 25 years<br />
on.<br />
In tense detail, this riveting new documentary explores the<br />
6 <strong>Jul</strong>y 1988 disaster on the North Sea oil rig Piper Alpha.<br />
The film skilfully combines archival footage and audio<br />
recordings with present-day filmed interviews to recreate<br />
the suspense and horror of the disaster and to unfold the<br />
complex emotions of those who survived.<br />
NEWRELEASE<br />
The Bling Ring<br />
Fri 5 <strong>Jul</strong> to Thu 1 Aug<br />
Sofia Coppola • USA 2<strong>01</strong>3 • 1h30m • DCP<br />
15 – Contains strong language and drug use<br />
Cast: Katie Chang, Israel Broussard, Emma Watson, Claire <strong>Jul</strong>ien,<br />
Taissa Farmiga.<br />
Sofia Coppola’s latest is based on an incredible true story.<br />
A group of L.A. high school friends track the activities<br />
of celebrities online so that they can rob their homes.<br />
Motivated less by greed than by a fascination with status<br />
brands and famous people, the gang target Paris Hilton,<br />
Orlando Bloom, Rachel Bilson, Lindsay Lohan and others,<br />
bragging of their intimacy with their victims. A biting,<br />
stylish take on celebrity culture.<br />
AUDIODESCRIPTIONANDSUBTITLES<br />
See page 2 for details.
New releases<br />
5<br />
RENOIR STORIES WE TELL WE STEAL SECRETS: THE STORY OF WIKILEAKS<br />
NEWRELEASE<br />
Renoir<br />
Fri 5 to Thu 11 <strong>Jul</strong><br />
Gilles Bourdos • France 2<strong>01</strong>2 • 1h51m • DCP<br />
French and Italian with English subtitles • cert tbc<br />
Cast: Michel Bouquet, Christa Theret, Vincent Rottiers, Thomas<br />
Doret, Romane Bohringer.<br />
The Côte d’Azur, 1915. In his twilight years, Auguste Renoir<br />
is tormented by the loss of his wife, the pains of arthritic<br />
old age and the terrible news that his son Jean has been<br />
wounded in action. But when a beautiful young woman,<br />
Andrée, enters his world, the old painter is filled with a<br />
new, wholly unexpected energy. Back at the family home<br />
to convalesce, Jean too falls under Andrée’s spell... and,<br />
within weak-willed, battle-shaken Jean, a filmmaker begins<br />
to grow.<br />
Gilles Bourdos’s drama is a lyrical period piece with<br />
wonderful performances, based on real events and<br />
beautifully shot in the south of France.<br />
NEWRELEASE<br />
Stories We Tell<br />
Fri 12 to Thu 18 <strong>Jul</strong><br />
Sarah Polley • Canada 2<strong>01</strong>2 • 1h49m • DCP<br />
12A – Contains one use of strong language and infrequent<br />
moderate sex references • Documentary<br />
Actor and director Sarah Polley’s first feature documentary<br />
is a beautifully-structured investigation into the history<br />
of her own family – in particular her mother, who died<br />
when Polley was eleven. Layering interviews with family<br />
members and friends with archive footage and a recording<br />
of her father’s witty and revealing memoir, Polley builds<br />
up an enthralling collage of fact, hearsay and memory as<br />
she strives to find out the truth about her mother, and, by<br />
extension, herself.<br />
NEWRELEASE<br />
We Steal Secrets:<br />
The Story of WikiLeaks<br />
Fri 12 to Thu 25 <strong>Jul</strong><br />
Alex Gibney • USA 2<strong>01</strong>3 • 2h10m • DCP<br />
15 – Contains strong real images of violence and strong<br />
language • Documentary<br />
Exposing the truth behind exposing the truth.<br />
A young, unhappy American soldier presses a key on his<br />
computer and changes the world forever. Fascinating,<br />
frightening, and factual. Oscar-winning documentary<br />
director Alex Gibney (Taxi to the Dark Side, Enron:<br />
The Smartest Guys in the Room) tackles the WikiLeaks<br />
phenomenon, adjusting the conventional focus to<br />
highlight crucial background stories whilst giving chase to<br />
the controversial website’s elusive, enigmatic figurehead,<br />
<strong>Jul</strong>ian Assange.<br />
After the 5.45pm screening on Tuesday 23 <strong>Jul</strong>y there<br />
will be an open discussion on the issues raised by the<br />
film, led by a representative of the Humanist Society of<br />
Scotland.<br />
Humanism is an ethical stance which asserts that we<br />
can lead good lives guided by compassion and reason,<br />
rather than religion or superstition. Humanists are vitally<br />
concerned with issues that affect our world.
6 New releases<br />
THE DEEP BLANCANIEVES WADJDA<br />
NEWRELEASE<br />
The Deep Djúpio<br />
Fri 12 to Thu 18 <strong>Jul</strong><br />
Baltasar Kormákur • Iceland 2<strong>01</strong>2 • 1h35m<br />
DCP • Icelandic with English subtitles<br />
12A – Contains infrequent strong language and moderate threat<br />
Cast: Olafur Darri Olafsson, Jóhann G Jóhannsson, Thorbjörg<br />
Helga Thorgilsdóttir, Theodór Júlíusson, María Sigurdardóttir.<br />
Breathtaking seascapes frame this fascinating study of a<br />
reluctant national hero.<br />
When a fishing boat sinks in the stormy waters off the<br />
coast of Iceland every member of the crew perishes...<br />
except for one. What makes Gulli different and how did he<br />
manage to endure almost nine hours in the frozen sea<br />
Based on astonishing true facts, this is the story of how<br />
one man’s innate survival instinct shocked an army of<br />
medical professionals and came to symbolise the strength<br />
and determination of a nation.<br />
NEWRELEASE<br />
Blancanieves Snow White<br />
Fri 19 <strong>Jul</strong> to Thu 1 Aug<br />
Pablo Berger • Spain/France 2<strong>01</strong>2 • 1h44m • DCP<br />
Spanish with English subtitles • 12A – Contains bullfighting<br />
scenes and infrequent moderate sex references<br />
Cast: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina, Pere<br />
Ponce, Macarene García.<br />
A wildly imaginative reinvention of the Brothers Grimm<br />
fairy tale Snow White, brought to life in the style of<br />
classic silent cinema, shot in gorgeous monochrome and<br />
featuring a stirring flamenco score. The film won 10 Goyas,<br />
including Best Film and awards for both lead actresses.<br />
Set in a romanticised 1920s Seville, director Pablo<br />
Berger’s beautifully realised melodrama follows Carmen,<br />
the daughter of a famous bullfighter, who lives under<br />
the tyrannical rule of her monstrous, evil stepmother.<br />
She escapes and joins a troupe of bullfighting dwarves,<br />
and, due to her beauty and natural talent in the ring,<br />
she becomes a star. But her stepmother, jealous of the<br />
attention Carmen is receiving, plots her downfall...<br />
NEWRELEASE<br />
Wadjda<br />
Fri 19 to Thu 25 <strong>Jul</strong><br />
Haifaa Al-Mansour • Saudi Arabia/Germany 2<strong>01</strong>2 • 1h38m<br />
DCP • Arabic with English subtitles • cert tbc<br />
Cast: Reem Abdullah, Waad Mohammed, Abdullrahman Al<br />
Gohani, Ahd, Sultan Al Assaf.<br />
A groundbreaking drama, shot entirely in Saudi Arabia and<br />
the first feature by a female Saudi filmmaker, Wadjda gives<br />
us a rare glimpse of everyday life in Riyadh, and presents us<br />
with a charming and inspiring young hero in the shape of<br />
a smart, streetwise ten-year-old girl.<br />
Wadjda, lives in Riyadh with her mother, a beautiful young<br />
woman whose absentee husband is about to take a<br />
second wife. Wadjda’s dearest wish is to own a beautiful<br />
bicycle she’s spotted in a local shop – she wants be able<br />
to race her friend Abdullah, a neighbourhood boy. To<br />
raise the money she enters her school’s Koran recital<br />
competition with her eye on the cash prize. But Saudi<br />
society isn’t keen on strong-willed young girls who ride<br />
bicycles, and Wadjda has to fight for what should be hers<br />
by right.
New releases<br />
7<br />
PARIS-MANHATTAN BLACKFISH LIKE SOMEONE IN LOVE<br />
NEWRELEASE<br />
Paris-Manhattan<br />
Tue 23 to Thu 25 <strong>Jul</strong><br />
Sophie Lellouche • France 2<strong>01</strong>2 • 1h20m • DCP<br />
French with English subtitles • cert tbc<br />
Cast: Alice Taglioni, Patrick Bruel, Marine Delterme, Louis-Do<br />
de Lencquesaing, Michel Aumont.<br />
Dreamy pharmacist Alice is totally obsessed with the works<br />
of Woody Allen. She surrounds herself with images of him,<br />
continually quotes lines from his films and even prescribes<br />
her customers DVDs of his movies to help alleviate their<br />
ailments; it’s little wonder she’s still single in her thirties!<br />
Alice’s increasingly concerned family hopes to cure her<br />
fixation by setting her up with a handsome Frenchman,<br />
but he quickly realises that he’s no match for the man of<br />
her dreams... A fun and brazenly nostalgic comedy which<br />
playfully pokes fun at France’s ongoing love affair with the<br />
acclaimed New York auteur.<br />
Matinee Special!<br />
If you’re a Senior Citizen you can go to a matinee<br />
screening and get either soup of the day OR a cup<br />
of tea or coffee and a traycake for only £7!<br />
Offer runs from Mondays to Thursdays inclusive and<br />
only applies to screenings starting before 5.00pm. Ask<br />
for the Matinee Special deal at the box office and you’ll<br />
receive a voucher which can be exchanged in the café<br />
bar between 1.30pm and 5.00pm that day only. Offer is<br />
subject to availability and only available in person.<br />
NEWRELEASE<br />
Blackfish<br />
Fri 26 <strong>Jul</strong> to Thu 1 Aug<br />
Gabriela Cowperthwaite • USA 2<strong>01</strong>3 • 1h22m<br />
DCP • English and Spanish with English subtitles<br />
cert tbc • Documentary<br />
In the summer of 2<strong>01</strong>0, Dawn Brancheau, an experienced<br />
and skilful SeaWorld trainer, died following an incident<br />
involving Tilikum, a 12,000-pound orca. Media reports<br />
called it a freak accident, SeaWorld said these things<br />
almost never happened, the animals were happy and the<br />
trainers safe. But filmmaker Gabriela Cowperthwaite, who<br />
had recently visited SeaWorld with her children, wondered<br />
if there was more to the story than first appeared. Why<br />
would a highly intelligent animal attack its trainer – in<br />
effect, bite the hand that feeds it Investigating further, she<br />
was shocked to discover that Tilikum had been involved in<br />
an earlier incident at another marine park, and that attacks<br />
on humans by killer whales in captivity were actually fairly<br />
commonplace (though unheard of in the wild).<br />
This gripping and moving film, which includes distressing<br />
footage and emotional interviews, reveals how the<br />
treatment of these magnificent animals in captivity has<br />
turned them from sociable, loving creatures into potential<br />
killers.<br />
NEWRELEASE<br />
Like Someone In Love<br />
Mon 29 <strong>Jul</strong>y to Thu 1 Aug<br />
Abbas Kiarostami • France/Japan 2<strong>01</strong>2 • 1h50m<br />
DCP • Japanese with English subtitles<br />
12A – Contains moderate sex references<br />
Cast: Tadashi Okuno, Rin Takanashi, Ryo Kase, Denden, Reiko<br />
Mori.<br />
Akiko (Rin Takanashi) is a beautiful, reserved young student<br />
who works as a prostitute on the side. Takeshi (Denden)<br />
is her client, an elderly academic who could be her<br />
grandfather. Noriaki (Ryo Kase) is Akiko’s verbose, insecure<br />
boyfriend, unaware of her double life.<br />
At least that’s who they are as Abbas Kiarostami’s Tokyo-set<br />
film sets up its narrative. Yet, as always with the Iranian<br />
master’s key works, identity is a slippery, mysterious thing.<br />
In Kiarostami’s universe – and in ours – relationships are<br />
infinitely elastic and subject to context that can twist<br />
unexpectedly, upending the meaning of who we are<br />
entirely. While the film progresses, its characters refuse to<br />
play out their roles in the usual manner. Even the director,<br />
you might argue, evades and resists his usual role.
8<br />
Maybe you missed/Restored classic<br />
BEHIND THE CANDELABRA THE STOKER THE ENIGMA OF KASPAR HAUSER<br />
MAYBEYOUMISSED<br />
Behind the Candelabra<br />
Mon 1 to Thu 4 <strong>Jul</strong><br />
Steven Soderbergh • USA 2<strong>01</strong>3 • 1h58m • DCP<br />
15 – Contains strong language, sex, sex references and drug use<br />
Cast: Michael Douglas, Matt Damon, Rob Lowe, Scott Bakula,<br />
Debbie Reynolds.<br />
Before Elvis, before Elton John, Madonna and Lady<br />
Gaga, there was Liberace: virtuoso pianist, outrageous<br />
entertainer and flamboyant star of stage and television. A<br />
name synonymous with showmanship, extravagance and<br />
candelabras, he was a world-renowned performer with<br />
a flair that endeared him to his audiences and created<br />
a loyal fan base spanning his 40-year career. Liberace<br />
lived lavishly and embraced a lifestyle of excess both on<br />
and off stage. In the summer of 1977, handsome young<br />
stranger Scott Thorson walked into his dressing room and,<br />
despite their age difference, the two embarked on a secret<br />
five-year love affair. Steven Soderbergh’s sumptuous film,<br />
featuring wonderful performances from Michael Douglas<br />
and Matt Damon, takes a behind-the-scenes look at their<br />
tempestuous relationship.<br />
“Much more than a biopic about Liberace, this expertly<br />
assembled film recounts a true love story in a way we<br />
rarely see on screen: with honest humour, real feeling and<br />
startling insight.” - Shadows on the Wall<br />
SUBTITLEDSCREENING<br />
See page 2 for details.<br />
MAYBEYOUMISSED<br />
The Stoker Kochegar<br />
Mon 8 to Thu 11 <strong>Jul</strong><br />
Alexey Balabanov • Russia 2<strong>01</strong>0 • 1h27m<br />
DCP • Russian with English subtitles<br />
15 – Contains strong sex, violence and sexual violence<br />
Cast: Mikhail Skryabin, Yuri Matveev, Alexander Mosin, Aida<br />
Tumutova, Anna Korotayeva.<br />
A second chance to see <strong>Filmhouse</strong>’s first release as<br />
distributor, a fascinating, atmospheric, stylistic<br />
tour-de-force of idiosyncratic filmmaking..<br />
Set in the mid 1990s outside St Petersburg, The Stoker tells<br />
the story of an ethnic Yakut, Major Skryabin, a shell-shocked<br />
veteran of the Afghan-Soviet War, who works as a stoker.<br />
Living in the incinerator room, the Major shovels coal all<br />
day, and fills his spare time writing a novel about a Russian<br />
criminal sent into exile in Yakutia in the XIX century, whilst<br />
turning a blind eye to his former military comrade-turnedhitman,<br />
the Sergeant, who arrives to dispose of bodies. But<br />
even our compliant stoker has his limits…<br />
This harsh, disturbing, minimalist, relentlessly evenly-paced,<br />
pitch-black comedy/drama gradually and steadily assumes<br />
considerable power, as Balabanov deftly teases our<br />
expectations, most notably, perhaps, with an ironic jaunty<br />
Latin-inflected, electro-folk score which works to perfection.<br />
Also available on <strong>Filmhouse</strong> Player from 12 <strong>Jul</strong>y – see<br />
page 21 or go to www.filmhousecinema.com/player for<br />
more information.<br />
RESTOREDCLASSIC<br />
The Enigma of Kaspar Hauser<br />
Jeder für sich und Gott gegen alle<br />
Fri 5 to Thu 11 <strong>Jul</strong><br />
Werner Herzog • West Germany 1974 • 1h49m<br />
DCP • German with English subtitles • PG<br />
Cast: Bruno S, Walter Ladengast, Brigitte Mira, Willy<br />
Semmelrogge, Michael Kroecher.<br />
The best by far of the various films about the full-grown<br />
man who turned up out of the blue in 19th-century<br />
Germany, barely able to walk or talk, and became a figure<br />
of fame and controversy among doctors, scientists and<br />
educationalists of the day. Wisely, Herzog hardly bothers<br />
about Hauser’s origins and mysterious fate, choosing<br />
instead to compare Kaspar – an innocent at the mercy<br />
of a society too sure of itself – with the mostly liberal but<br />
blinkered rationalists who determine to shape his new<br />
life. Bruno S, himself something of an outcast, plays Kaspar<br />
to perfection, while Herzog brings a rare lyricism to his<br />
account of purity imperilled by contact with civilisation.<br />
Arguably his warmest and most poignant feature.<br />
Screening in a new digital restoration.
The Paradise Trilogy<br />
9<br />
PARADISE: LOVE PARADISE: FAITH PARADISE: HOPE<br />
The Paradise<br />
Trilogy<br />
Austrian iconoclast Ulrich Seidl’s Paradise trilogy<br />
is an epic thematic tapestry telling the story of<br />
three women, whose stories delicately cross<br />
over between films, each finding themselves at a<br />
turning point in their lives while on a journey to<br />
find happiness.<br />
Paradise: Love Paradies: Liebe<br />
Fri 26 to Sun 28 <strong>Jul</strong><br />
Ulrich Seidl • Austria/Germany/France 2<strong>01</strong>2 • 2h • DCP<br />
German, English and Swahili with English subtitles<br />
18 – Contains strong sex and nudity<br />
Cast: Margarete Tiesel, Peter Kazungu, Inge Maux, Dunja Sowinetz.<br />
Paradise: Love follows 50-year-old divorcee Teresa, who<br />
sends her daughter to weight loss camp before heading to<br />
the Kenyan beaches for a vacation. There, a friend introduces<br />
her to the world of sexual tourism, where older women<br />
become ‘Sugar Mamas’ for strapping young beach boys.<br />
Uncomfortable at first, Teresa eventually meets Munga, a<br />
more sensitive suitor who seems to feel a genuine affection<br />
towards the older woman. But it soon becomes unclear<br />
who is the exploiter and who is the exploited. Seidl sets the<br />
tone for the trilogy with his signature blend of realism, social<br />
commentary, and warped humour. Giving a truly brave<br />
performance is lead actress Margarete Tiesel, who embodies<br />
the tragedy of a woman looking for true romance in a<br />
society where that is the one thing money cannot buy.<br />
Paradise: Faith Paradies: Glaube<br />
Fri 9 to Sun 11 Aug at 3.30pm + 8.45pm<br />
Ulrich Seidl • Austria/Germany/France 2<strong>01</strong>2 • 1h53m<br />
DCP • German and Arabic with English subtitles • cert tbc<br />
Cast: Maria Hofstätter, Nabil Saleh, Natalya Baranova, Rene<br />
Rupnik, Daniel Hoesl.<br />
The second film of Ulrich Seidl’s Paradise trilogy follows<br />
Anna Maria (Maria Hofstatter, one of the director’s frequent<br />
collaborators), the fanatically religious self-flagellating<br />
sister of the main character from Paradise: Love, who<br />
decides to spend her vacation time doing missionary<br />
work in the suburbs of Vienna. With a foot-high statue<br />
of the Virgin Mary in tow, she travels through immigrant<br />
communities imposing her beliefs on those she meets. Her<br />
work is interrupted by the surprise return of her husband<br />
Nabil (Nabil Saleh), an Egyptian Muslim who has been<br />
absent for two years and is now confined to a wheelchair.<br />
He is shocked by the change in his wife, and the two soon<br />
engage in an abrasive theological face-off.<br />
With Paradise: Faith, Seidl gleefully examines the<br />
hypocrisies of religious zealotry through expressive<br />
confrontation, satire, and a shockingly explicit chance<br />
encounter. But the film also shows tenderness, as the<br />
relationship between husband and wife, fractured as it<br />
may have become, is their true saving grace.<br />
Paradise: Hope Paradies: Hoffnung<br />
Fri 23 to Sun 25 Aug at 3.30pm + 8.45pm<br />
Ulrich Seidl • Austria/France/Germany 2<strong>01</strong>3 • 1h40m<br />
DCP • German with English subtitles • cert tbc<br />
Cast: Melanie Lenz, Verena Lehbauer, Joseph Lorenz, Michael<br />
Thomas, Viviane Bartsch.<br />
Ulrich Seidl’s Paradise trilogy concludes as it began, with<br />
divorced mother Teresa sending her daughter Melanie off<br />
to weight loss camp, but this final chapter has a lighter<br />
touch and a surprising sweetness. A chubby 13-year-old,<br />
Melanie (Melanie Lenz) is not at all excited about this drab,<br />
industrialised campground in the middle of the woods<br />
where dieticians and fitness coaches impose a boot-camp<br />
style regimen. That is, until she meets Verena (Verena<br />
Lehbauer), a ribald cabin mate who loves to share tales of<br />
her extensive sexual experience, and even sneaks Melanie<br />
into town for a spirited night of drinking and dancing.<br />
While Paradise: Hope contains all the hallmarks of Seidl’s<br />
distinctive and provocative style, here he fills the story with<br />
a sensitive openness, with Melanie as a particularly poignant<br />
heroine, that provides an unexpected and refreshing finale<br />
to the series, ending on a true note of hope.<br />
TICKETDEALS<br />
See all three films in this season and get 15% off<br />
This offer is available online, in person and on the<br />
phone, on both full price and concession price tickets.<br />
Tickets must all be bought at the same time.
10 Ray Harryhausen<br />
MYSTERIOUS ISLAND THE GOLDEN VOYAGE OF SINBAD JASON AND THE ARGONAUTS<br />
Ray Harryhausen<br />
Ray Harryhausen, visual effects pioneer and<br />
stop-motion model animator, died on 7 May<br />
2<strong>01</strong>3 at the age of 92. Harryhausen’s influence<br />
on today’s filmmakers was enormous; Steven<br />
Spielberg, James Cameron, Peter Jackson,<br />
George Lucas, John Landis and Nick Park have<br />
cited Harryhausen as being the man whose<br />
work inspired their own creations.<br />
Harryhausen’s fascination with animated<br />
models began when he first saw Willis<br />
O’Brien’s creations in King Kong in 1933, and<br />
he made his first foray into filmmaking in 1935<br />
with home movies that featured his youthful<br />
attempts at model animation. Over the years<br />
he worked on some of the fantasy genre’s<br />
best known movies, and is perhaps best<br />
remembered for his extraordinary animation<br />
of seven skeletons in Jason and the Argonauts<br />
(1963), which took him three months to film.<br />
Harryhausen’s genius was in being able to<br />
bring his models alive. Whether they were<br />
prehistoric dinosaurs or mythological creatures,<br />
in his hands they were no longer puppets but<br />
became instead characters in their own right,<br />
just as important as the actors they played<br />
against and in most cases even more so.<br />
Mysterious Island<br />
Sat 13 <strong>Jul</strong> at 12.50pm & Sun 14 <strong>Jul</strong> at 3.30pm<br />
Cy Endfield • UK/USA 1961 • 1h41m • 35mm • U<br />
Cast: Michael Craig, Joan Greenwood, Michael Callan, Herbert Lom.<br />
During the US Civil War, a group of Union soldiers escape<br />
from a Confederate stockade in a hydrogen balloon, only<br />
to be blown out to sea by a violent storm and marooned<br />
on an uncharted island. They soon encounter the island’s<br />
bizarre wildlife – an enormous crab, a huge chicken, mansized<br />
bees – and begin to suspect they’re being watched...<br />
Ray Harryhausen: Special Effects Titan<br />
Sun 14 <strong>Jul</strong> at 1.00pm<br />
Gilles Penso • France 2<strong>01</strong>1 • 1h37m • DCP<br />
PG – Contains mild fantasy violence • Documentary<br />
A look at the pioneering work of Ray Harryhausen,<br />
featuring unprecedented access to his workshop and<br />
model collection, previously unseen footage, and<br />
interviews with Harryhausen himself plus some of the<br />
filmmakers who have been influenced by him, including<br />
Peter Jackson, Nick Park, Terry Gilliam, John Landis and<br />
Guillermo Del Toro.<br />
TICKETDEALS<br />
Buy any three (or more) tickets for films in this season<br />
and get 15% off<br />
Buy any six (or more) tickets for films in this season and<br />
get 25% off<br />
These offers are available online, in person and on the<br />
phone, on both full price and concession price tickets.<br />
Tickets must all be bought at the same time.<br />
The 7th Voyage of Sinbad<br />
Sat 20 <strong>Jul</strong> at 1.00pm & Sun 21 <strong>Jul</strong> at 3.30pm<br />
Nathan Juran • USA 1958 • 1h28m • DCP • U<br />
Cast: Kerwin Mathews, Kathryn Grant, Richard Eyer, Torin<br />
Thatcher, Alec Mango.<br />
Sinbad is sailing to Baghdad, accompanied by Princess<br />
Parisa, his future bride. A violent storm blows the ship off<br />
course, and the travellers land on the island of Colossa,<br />
where they find the sorcerer Sokurah being chased by<br />
a monstrous cyclops from whom he has stolen a magic<br />
lamp. Sinbad fends off the cyclops, and with help from<br />
the lamp’s genie they are able to escape. But that’s just the<br />
beginning of their adventures...<br />
Harryhausen’s first colour film is also one of the greatest<br />
achievements in fantasy filmmaking since King Kong,<br />
featuring a baby roc and its giant mother, a fire-breathing<br />
dragon and a sword-fighting skeleton.<br />
The Golden Voyage of Sinbad<br />
Sat 27 <strong>Jul</strong> at 1.00pm & Sun 28 <strong>Jul</strong> at 3.30pm<br />
Gordon Hessler • USA 1973 • 1h45m • 35mm • U<br />
Cast: John Phillip Law, Caroline Munro, Tom Baker, Douglas<br />
Wilmer, Martin Shaw.<br />
The second of Harryhausen’s three Sinbad epics, this film<br />
finds the titular hero played by John Phillip Law, while<br />
the principal villain, Koura, is portrayed by future Dr Who<br />
Tom Baker. The plot sends Sinbad and his crew on a quest<br />
for a valuable and magical golden tablet. Harryhausen’s<br />
‘Dynamation’ highlights include a six-armed statue, a oneeyed<br />
centaur and a flying griffin.
Ray Harryhausen/BAFTA Scotland/<strong>Filmhouse</strong> Cafe Bar<br />
11<br />
CLASH OF THE TITANS<br />
GAMES INDUSTRY SECRETS OF SUCCESS<br />
FILMHOUSE CAFE BAR<br />
Jason and the Argonauts<br />
Sat 3 Aug at 1.00pm & Sun 4 Aug at 3.30pm<br />
Don Chaffey • UK/USA 1963 • 1h44m • DCP • U<br />
Cast: Todd Armstrong, Nancy Kovack, Gary Raymond, Laurence<br />
Naismith, Honor Blackman.<br />
Jason sets out on a perilous quest to find the Golden<br />
Fleece, leading a team of adventurers called the Argonauts.<br />
Along the way they encounter a multitude of monsters<br />
including bronze giant Talos, the Harpies, the Hydra and<br />
an army of skeletons. As well as Harryhausen’s pioneering<br />
special effects, Jason and the Argonauts features an<br />
exciting score by Bernard Herrmann, who gives each<br />
monster its own theme.<br />
Clash of the Titans<br />
Sat 10 Aug at 1.00pm & Sun 11 Aug at 3.30pm<br />
Desmond Davis • USA 1981 • 1h58m • 35mm • 12A<br />
Cast: Laurence Olivier, Harry Hamlin, Claire Bloom, Maggie<br />
Smith, Judi Bowker.<br />
Perseus, the mortal son of Zeus, goes on a quest to win the<br />
hand of the beautiful Andromeda and defeat her former<br />
betrothed Calibos, who has been turned into a monster.<br />
With the help of the poet Ammon and a robot owl, Perseus<br />
must also catch and tame the winged horse Pegasus,<br />
overcome some giant scorpions, and behead the evil<br />
Medusa, all in an attempt to stop Andromeda from being<br />
sacrificed to the giant creature known as the Kraken.<br />
Don’t forget tickets for children under<br />
twelve are £3.50 for any screening!<br />
SPECIALEVENT<br />
BAFTA Scotland presents:<br />
Games Industry Secrets of Success<br />
Sat 20 <strong>Jul</strong> at 10.30am<br />
1h30m<br />
In a new partnership with <strong>Filmhouse</strong>, BAFTA Scotland will<br />
present four informative and interactive panel sessions on<br />
the screen industries, covering Games, Television, Music<br />
and Film. In this inaugural event join host Brian Baglow as<br />
we hear some Scottish success stories from our flourishing<br />
games development industry.<br />
Did you know that Scotland is home to over 80 games<br />
companies and ranks 3rd in Europe’s top 50 game<br />
developer locations Discover more about Scotland’s<br />
games industry, see some cool games in action and learn<br />
how developers are working with television and film<br />
companies to create licensed products. The panel session<br />
is followed by a Q&A where you can join the conversation.<br />
Tickets £4/3 concessions, available from <strong>Filmhouse</strong>.<br />
Free for BAFTA members – book via bafta.org/Scotland<br />
<strong>Filmhouse</strong> Cafe Bar<br />
Drop in for a cappuccino, espresso or herbal tea<br />
and enjoy one of our superb cakes.<br />
Our full menu runs from noon to 10pm seven<br />
days a week!<br />
All our dishes are prepared on the premises using<br />
fresh ingredients.<br />
We have an extensive vegetarian range with a<br />
variety of daily specials.<br />
A glass of wine Choose from nine! The bar has<br />
real choice in ales, beers and bottles.<br />
A special event Just ask, we can probably help.<br />
Or just come and relax in the ambience!<br />
Opening hours:<br />
Monday to Thursday: 8am - 11.30pm<br />
Friday: 8am - 12.30am<br />
Saturday: 10am - 12.30am<br />
Sunday: 10am - 11.30pm<br />
<strong>01</strong>31 229 5932 cafebar@filmhousecinema.com<br />
Film Quiz<br />
Sunday 14 <strong>Jul</strong>y<br />
<strong>Filmhouse</strong>’s phenomenally successful (and rather<br />
tricky) monthly quiz. Free to enter, teams of up to<br />
eight, to be seated in the cafe bar by 9pm.
12 FILMHOUSE PROGRAMME 1 <strong>Jul</strong>y - 1 August 2<strong>01</strong>3 BOX OFFICE <strong>01</strong>31 228 2688<br />
DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES<br />
Mon 1 Behind the Candelabra 2.30/6.00/8.40<br />
1 2 Our Children 3.35/6.15/8.45<br />
<strong>Jul</strong> 3 The Battle Of The Sexes 3.30/8.25<br />
3 Fire in the Night 6.10<br />
Tue 1 Behind the Candelabra 2.30<br />
2 1 Behind the Candelabra (S) 6.00 (subtitled)<br />
<strong>Jul</strong> 1 Ghosted<br />
8.15 + discussion<br />
2 Epic (WW) 1.30<br />
2 Our Children 3.35/6.15/8.45<br />
3 Fire in the Night 3.30<br />
3 Armored Car Robbery (RF) 6.30<br />
3 The Battle Of The Sexes 8.25<br />
Wed 1 Behind the Candelabra 2.30/6.00/8.40<br />
3 2 Epic (WW) 1.30<br />
<strong>Jul</strong> 2 Our Children 3.35/6.15/8.45<br />
3 The Battle Of The Sexes 3.30/6.10<br />
3 Fire in the Night 8.25<br />
Thu 1 Behind the Candelabra 2.30/5.45<br />
4 1 Queen Margaret University 8.30<br />
<strong>Jul</strong> 2 Epic (WW) 1.30<br />
2 Our Children 3.35/6.00/8.45<br />
3 Fire in the Night 3.30<br />
3 Violent Saturday (RF) 6.15<br />
3 The Battle Of The Sexes 8.25<br />
Fri 1 The Bling Ring (AD) 1.00/3.05/5.10<br />
5 1 The Bling Ring (AD) 7.15/9.20<br />
<strong>Jul</strong> 2 Renoir 1.10/3.40/6.10/8.40<br />
3 The Enigma of Kaspar Hauser 1.15/3.35/8.30<br />
3 Fire in the Night 6.00<br />
Sat 1 All Stars (WW) 1.00<br />
6 1 The Bling Ring (AD) 3.05/5.10/7.15/9.20<br />
<strong>Jul</strong> 2 Michael H... Director (MH) 1.45/6.10<br />
2 Renoir 3.40/8.20<br />
3 Fire in the Night 1.15<br />
3 The Enigma of Kaspar Hauser 3.35/8.30<br />
3 Renoir 6.00<br />
Sun 1 All Stars (WW)<br />
11.00am<br />
7 1 The Bling Ring (AD) 1.30/3.40/5.45/8.15<br />
<strong>Jul</strong> 2 Renoir 1.10/3.40/8.20<br />
2 Michael H... Director (MH) 6.10<br />
3 The Enigma of Kaspar Hauser 1.15/3.35/8.30<br />
3 The Vikings (RF) 6.00<br />
Mon 1 Renoir (B)<br />
11am (carers + babies)<br />
8 1 The Bling Ring (AD) 2.30/6.00/8.15<br />
<strong>Jul</strong> 2 Renoir 3.40/6.10/8.40<br />
3 The Enigma of Kaspar Hauser 3.30/8.30<br />
3 The Stoker 6.30<br />
Tue 1 The Bling Ring (AD) 2.30/6.00/8.15<br />
9 2 My Neighbour Totoro (WW) 1.40<br />
<strong>Jul</strong> 2 Renoir 3.40/6.10/8.40<br />
3 The Enigma of Kaspar Hauser 3.30/8.30<br />
3 The Stoker 6.30<br />
Wed 1 The Bling Ring (AD) 2.30/6.00/8.15<br />
10 2 My Neighbour Totoro (WW) 1.40<br />
<strong>Jul</strong> 2 Renoir 3.40/8.40<br />
2 The Seventh Continent (MH) 6.10<br />
3 The Enigma of Kaspar Hauser 3.30/6.15<br />
3 The Stoker 8.50<br />
Thu 1 The Bling Ring (AD) 2.30/6.00/8.15<br />
11 2 My Neighbour Totoro (WW) 1.40<br />
<strong>Jul</strong> 2 Renoir 3.40/6.10<br />
2 The Seventh Continent (MH) 8.40<br />
3 The Enigma of Kaspar Hauser 3.30/6.15<br />
3 The Stoker 8.50<br />
Fri 1 The Bling Ring (AD) 1.00/3.05/5.10<br />
12 1 The Bling Ring (AD) 7.15/9.20<br />
<strong>Jul</strong> 2 Stories We Tell 1.10/6.15<br />
2 We Steal Secrets... WikiLeaks 3.30/8.35<br />
3 We Steal Secrets... WikiLeaks 1.15<br />
3 The Deep 4.00/6.30/8.45<br />
Sat 1 Mysterious Island (RH) 12.50<br />
13 1 The Bling Ring (AD) 3.05/5.10/7.15/9.20<br />
<strong>Jul</strong> 2 Stories We Tell 1.10/8.55<br />
2 We Steal Secrets... WikiLeaks 3.30/6.15<br />
3 We Steal Secrets... WikiLeaks 1.15<br />
3 The Deep 4.00/6.30/8.45<br />
Sun 1 The Bling Ring (AD) 1.10/6.00/8.15<br />
14 1 Mysterious Island (RH) 3.30<br />
<strong>Jul</strong> 2 Ray Harryhausen... Titan (RH) 1.00<br />
2 We Steal Secrets... WikiLeaks 3.10/8.20<br />
2 Stories We Tell 5.55<br />
3 We Steal Secrets... WikiLeaks 1.15<br />
3 The Deep 4.00/6.30<br />
3 Benny’s Video (MH) 8.45<br />
Mon 1 Stories We Tell (B)<br />
11am (carers + babies)<br />
15 1 The Bling Ring (AD) 2.30/6.00/8.15<br />
<strong>Jul</strong> 2 We Steal Secrets... WikiLeaks 3.15/8.30<br />
2 Stories We Tell 6.05<br />
3 The Deep 3.30/8.45<br />
3 Benny’s Video (MH) 6.15<br />
Tue 1 The Bling Ring (AD) 2.30/6.00/8.15<br />
16 2 Spirited Away (WW) 12.45<br />
<strong>Jul</strong> 2 We Steal Secrets... WikiLeaks 3.15/6.05<br />
2 Stories We Tell 8.50<br />
3 Stories We Tell 3.30<br />
3 The Deep 6.30/8.45<br />
Wed 1 The Bling Ring (AD) 2.30/6.00/8.15<br />
17 2 Spirited Away (WW) 12.45<br />
<strong>Jul</strong> 2 We Steal Secrets... WikiLeaks 3.15/6.05<br />
2 Stories We Tell 8.50<br />
3 The Deep 3.30/8.45<br />
3 71 Fragments... (MH) 6.30<br />
Thu 1 The Bling Ring (AD) 2.30/6.00/8.15<br />
18 2 Spirited Away (WW) 12.45<br />
<strong>Jul</strong> 2 Stories We Tell 3.15/6.05<br />
2 We Steal Secrets... WikiLeaks 8.30<br />
3 The Deep 3.30/6.30<br />
3 71 Fragments... (MH) 8.45<br />
Fri 1 Blancanieves 1.00/3.30/6.00/8.30<br />
19 2 The Bling Ring (AD) 1.10/8.15<br />
<strong>Jul</strong> 2 Wadjda 3.15/5.45<br />
3 We Steal Secrets... WikiLeaks 1.15/8.20<br />
3 The Bling Ring (AD) 4.00/6.10<br />
Sat 1 The 7th Voyage of Sinbad (RH) 1.00<br />
20 1 Blancanieves 3.30/6.00/8.30<br />
<strong>Jul</strong> 2 BAFTA Scotland presents:<br />
Games Industry Secrets of Success 10.30am (£4/£3)<br />
2 The Bling Ring (AD) 1.10/8.15<br />
2 Wadjda 3.15/5.45<br />
3 We Steal Secrets... WikiLeaks 1.15/8.20<br />
3 The Bling Ring (AD) 4.00/6.10<br />
Sun 1 Blancanieves 1.00/6.00/8.30<br />
21 1 The 7th Voyage of Sinbad (RH) 3.30<br />
<strong>Jul</strong> 2 The Bling Ring (AD) 1.10/5.45<br />
2 Wadjda 3.15<br />
2 The Castle (MH) 8.00<br />
3 We Steal Secrets... WikiLeaks 1.15/6.10<br />
3 The Bling Ring (AD) 4.00<br />
3 Wadjda 8.55<br />
Mon 1 Wadjda (B)<br />
11am (carers + babies)<br />
22 1 The Bling Ring (AD) 1.30<br />
<strong>Jul</strong> 1 Blancanieves 3.45/6.00/8.30<br />
2 Wadjda 3.15<br />
2 The Bling Ring (AD) 6.10<br />
2 We Steal Secrets... WikiLeaks 8.15<br />
3 We Steal Secrets... WikiLeaks 3.30<br />
3 The Castle (MH) 6.15<br />
3 Wadjda 8.55
WWW.FILMHOUSECINEMA.COM 1 <strong>Jul</strong>y - 1 August 2<strong>01</strong>3 FILMHOUSE PROGRAMME<br />
13<br />
DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES<br />
DATE SCREEN NUMBER & FILM TITLE<br />
SCREENING TIMES<br />
Tue 1 The Bling Ring (AD) 1.30/9.00<br />
23 1 Blancanieves 3.45<br />
<strong>Jul</strong> 1 We Steal Secrets... WikiLeaks 5.45 + discussion<br />
2 P. Jackson & Lightning Thief (WW) 1.15<br />
2 Wadjda 3.45/8.15<br />
2 Blancanieves 6.00<br />
3 Paris-Manhattan 1.20/6.15<br />
3 We Steal Secrets... WikiLeaks 3.30<br />
3 Blancanieves 8.30<br />
Wed 1 The Bling Ring (AD) 1.30<br />
24 1 Blancanieves 3.45/6.10/8.30<br />
<strong>Jul</strong> 2 P. Jackson & Lightning Thief (WW) 1.15<br />
2 Wadjda 3.45/6.00<br />
2 The Bling Ring (AD) 8.15<br />
3 Paris-Manhattan 1.20/6.15<br />
3 We Steal Secrets... WikiLeaks 3.30/8.20<br />
Thu 1 The Bling Ring (AD) 1.30<br />
25 1 Blancanieves 3.45/6.10/8.30<br />
<strong>Jul</strong> 2 P. Jackson & Lightning Thief (WW) 1.15<br />
2 Wadjda 3.45/6.00<br />
2 The Bling Ring (AD) 8.15<br />
3 Paris-Manhattan 1.20/9.00<br />
3 We Steal Secrets... WikiLeaks 3.30/6.15<br />
Fri 1 The Bling Ring (AD) 1.00/8.40<br />
26 1 Blancanieves 3.30/6.15<br />
<strong>Jul</strong> 2 Blackfish 1.10<br />
2 Paradise: Love 3.15/5.50<br />
2 Blancanieves 8.30<br />
3 The Bling Ring (AD) 1.30/6.00<br />
3 Blackfish 3.45/8.15<br />
Sat 1 The Golden Voy. of Sinbad (RH) 1.00<br />
27 1 Blancanieves 3.30/6.15<br />
<strong>Jul</strong> 1 The Bling Ring (AD) 8.40<br />
2 The Bling Ring (AD) + (S) 1.10 (subtitled)<br />
2 Paradise: Love 3.15/5.50<br />
2 Blancanieves 8.30<br />
3 Blackfish 1.30/8.15<br />
3 The Bling Ring (AD) 3.45/6.00<br />
Sun 1 The Bling Ring (AD) 1.00/6.15<br />
28 1 The Golden Voy. of Sinbad (RH) 3.30<br />
<strong>Jul</strong> 1 Blancanieves 8.30<br />
2 Blackfish 1.10<br />
2 The Women 3.10<br />
2 Blancanieves 6.00<br />
2 Paradise: Love 8.20<br />
3 Paradise: Love 1.30<br />
3 Blackfish 4.05/8.45<br />
3 Funny Games (MH) 6.10<br />
Mon 1 Blancanieves (B)<br />
11am (carers + babies)<br />
29 1 Blancanieves 2.30/8.30<br />
<strong>Jul</strong> 1 The Bling Ring (AD) 6.15<br />
2 The Bling Ring (AD) 3.15<br />
2 Blancanieves 6.00<br />
2 Like Someone In Love 8.20<br />
3 Blackfish 3.30/6.30<br />
3 Funny Games (MH) 8.45<br />
Tue 1 Despicable Me 2 (WW) 1.30<br />
30 1 Blancanieves 3.40/8.40<br />
<strong>Jul</strong> 1 Willow (CS) 6.00<br />
2 Like Someone In Love 3.15/8.30<br />
2 Blancanieves 6.10<br />
3 Blackfish 3.30/8.20<br />
3 The Bling Ring (AD) 6.15<br />
Wed 1 Despicable Me 2 (WW) 1.30<br />
31 1 Blancanieves 3.40/6.15<br />
<strong>Jul</strong> 1 The Bling Ring (AD) 8.40<br />
2 Like Someone In Love 3.15/6.10<br />
2 Blancanieves 8.35<br />
3 Blackfish 3.30/8.30<br />
3 Code Unknown (MH) 6.00<br />
Thu 1 Despicable Me 2 (WW) 1.30<br />
1 1 Blancanieves 3.40/6.15<br />
Aug 1 The Bling Ring (AD) 8.40<br />
2 The Bling Ring (AD) 3.15<br />
2 Like Someone In Love 6.10<br />
2 Blancanieves 8.35<br />
3 Blackfish 3.30/6.30<br />
3 Code Unknown (MH) 8.30<br />
KEY<br />
(AD) – Audio Description (see page 2)<br />
(B) – Carer & baby screening (see page 2)<br />
(S) – Subtitled (see page 2)<br />
All screenings in 2D unless marked [3D]<br />
SEASONS:<br />
(CS) – Come and See... (page 19)<br />
(MH) – Michael Haneke: Presented by Drambuie<br />
(pages 14-16)<br />
(RF) – Richard Fleischer (page 20)<br />
(RH) – Ray Harryhausen (pages 10-11)<br />
(WW) – Weans’ World (page 18-19)<br />
Full index of films on page 2<br />
TICKET PRICES & INFORMATION<br />
MATINEES (Shows starting prior to 5pm)<br />
Mon - Thu: £6.50 full price, £4.50 concessions<br />
Friday Matinees: £5.00/£3.50 concessions<br />
Sat - Sun: £8.20 full price, £6.00 concessions<br />
EVENING SCREENINGS (Starting 5pm and later)<br />
£8.20 full price, £6.00 concessions<br />
All tickets to Weans’ World screenings (marked WW<br />
on grid) are £3.50. Tickets for children under 12 are<br />
£3.50 for any screening.<br />
For screenings in 3D add £2 to ticket price.<br />
<strong>Filmhouse</strong> Members get £1.50 off every ticket<br />
(excludes Friday matinees and Weans’ World)<br />
Concessions available for: children (under 15); students<br />
(with valid matriculation card); school pupils (15-18 years);<br />
Young Scot cardholders; senior citizens; people with<br />
disability or invalidity status (carers go free); claimants<br />
(Jobseekers Allowance, Disability Living Allowance, Housing<br />
Benefit); NHS employees (with proof of employment).<br />
We participate in the Orange Wednesdays 2 for 1 scheme.<br />
There are usually ticket deals available on film seasons.<br />
All performances are bookable in advance, in person,<br />
online at www.filmhousecinema.com or by phone on <strong>01</strong>31<br />
228 2688. We do not charge a fee for bookings made by<br />
telephone or on the website. Tickets may also be reserved<br />
without payment, in which case they must be collected no<br />
later than 30 minutes before the performance starts.<br />
Tickets cannot be exchanged nor money refunded<br />
except in the event of a cancellation of a performance.<br />
Screenings are subject to change, but only in extraordinary<br />
circumstances.<br />
All seats are unreserved. If you require seats together<br />
please arrive in plenty of time. <strong>Cinema</strong>s will be open<br />
15 minutes before the start of each screening. The<br />
management reserves the right of admission and will not<br />
admit latecomers. Children under the age of 12 must be<br />
accompanied by an adult.<br />
Double bills are shown in the same order as indicated on<br />
these pages. Intervals in double bills last 10 minutes.<br />
BOX OFFICE: <strong>01</strong>31 228 2688 (10am-9pm daily)<br />
PROGRAMME INFO: <strong>01</strong>31 228 2689<br />
BOOK ONLINE: www.filmhousecinema.com
14 Michael Haneke: Presented by Drambuie<br />
MICHAEL H - PROFESSION: DIRECTOR THE SEVENTH CONTINENT BENNY’S VIDEO<br />
Drambuie brings you<br />
A Taste of the Extraordinary...<br />
Michael Haneke<br />
Michael Haneke is one of the most brilliant and<br />
distinctive writer/directors of contemporary<br />
European cinema. We are delighted to present<br />
this retrospective, which includes every feature<br />
film made by this exceptional filmmaker plus a<br />
documentary about his work.<br />
This is the sixth and final special season of<br />
films produced in partnership with Drambuie.<br />
Drambuie’s support means <strong>Filmhouse</strong> can<br />
screen some unique cinematic programmes that<br />
showcase the unexpected and extraordinary<br />
from film history. Audiences will also experience<br />
Drambuie’s blend of Scotch whisky, spices and<br />
heather honey in an array of bespoke cocktails<br />
created to celebrate each season by Drambuie’s<br />
Brand Ambassador, Bruce Hamilton.<br />
For updates and giveaways on Drambuie’s<br />
‘A Taste of the Extraordinary’ cinema seasons,<br />
visit facebook.com/UKDrambuie or @Drambuie<br />
Michael H - Profession: Director<br />
Michael Haneke - Porträt eines Film-<br />
Handwerkers<br />
Sat 6 <strong>Jul</strong> at 1.45pm + 6.10pm & Sun 7 <strong>Jul</strong> at 6.10pm<br />
Yves Montmayeur • Austria/France 2<strong>01</strong>2 • 1h32m<br />
DCP • German and French with English subtitles<br />
18 – Contains strong bloody violence and explicit images of sex<br />
Documentary<br />
Over the last 25 years, Michael Haneke has established<br />
himself as one of the most important directors in cinema<br />
history. From his early work to Amour, he has created a<br />
unique universe, revealing like no other the darkest corners<br />
of society, our existential fears and emotional outbursts.<br />
Through interviews with his actors, Isabelle Huppert,<br />
<strong>Jul</strong>iette Binoche, Emmanuelle Riva and many more, as well<br />
as previously unseen footage, Michael H. depicts the work<br />
of a rare artist.<br />
TICKETDEALS<br />
Buy any three (or more) tickets for films in this season<br />
and get 15% off<br />
Buy any six (or more) tickets for films in this season and<br />
get 25% off<br />
Buy any nine (or more) tickets for films in this season<br />
and get 35% off<br />
These offers are available online, in person and on the<br />
phone, on both full price and concession price tickets.<br />
Tickets must all be bought at the same time.<br />
The Seventh Continent<br />
Der siebente Kontinent<br />
Wed 10 <strong>Jul</strong> at 6.10pm & Thu 11 <strong>Jul</strong> at 8.40pm<br />
Michael Haneke • Austria 1989 • 1h44m • DCP<br />
German, French and English with English subtitles<br />
18 – Contains suicide theme<br />
Cast: Birgit Doll, Dieter Berner, Leni Tanzer, Udo Samel, Silvia<br />
Fenz.<br />
Haneke’s impressive feature theatrical debut follows<br />
three members of a middle-class family as their lives and<br />
relationships slowly disintegrate. A stunning examination<br />
of the effects of emotional isolation and the inability to<br />
communicate in the modern age.<br />
Benny’s Video<br />
Sun 14 <strong>Jul</strong> at 8.45pm & Mon 15 <strong>Jul</strong> at 6.15pm<br />
Michael Haneke • Austria/Switzerland 1992 • 1h50m • 35mm<br />
German, English, Arabic and French with English subtitles<br />
15 – Contains strong violence<br />
Cast: Arno Frisch , Angela Winkler, Ulrich Mühe, Ingrid Stassner,<br />
Stephanie Brehme.<br />
A chilling look at isolation, alienation and violence, and<br />
a critique of mass media effects on behaviour. 14-yearold<br />
Benny, largely ignored by his parents, spends his<br />
time watching violent movies and filming with his video<br />
camera. One day, on a whim, he invites a girl to his house,<br />
and records the events that transpire.
Michael Haneke: Presented by Drambuie<br />
15<br />
FUNNY GAMES CODE UNKNOWN THE PIANO TEACHER<br />
71 Fragments of a Chronology of Chance<br />
71 Fragmente einer Chronologie des Zufalls<br />
Wed 17 <strong>Jul</strong> at 6.30pm & Thu 18 <strong>Jul</strong> at 8.45pm<br />
Michael Haneke • Austria/Germany 1994 • 1h40m • DCP<br />
German, Romanian and English with English subtitles<br />
12A – Contains moderate violence<br />
Cast: Lukas Miko, Otto Grünmandl, Anne Bennent, Udo Samel.<br />
A cool, cerebral meditation on violence and the media,<br />
71 Fragments follows a number of seemingly unrelated<br />
characters, gradually letting the audience know more<br />
about each one before revealing what connects them.<br />
The third film in Haneke’s so-called ‘trilogy of emotional<br />
glacification’, which began with The Seventh Continent<br />
and continued with Benny’s Video.<br />
The Castle Das Schloß<br />
Sun 21 <strong>Jul</strong> at 8.00pm & Mon 22 <strong>Jul</strong> at 6.15pm<br />
Michael Haneke • Germany/Austria 1997 • 2h3m<br />
DCP • German with English subtitles<br />
12A – Contains moderate sex<br />
Cast: Ulrich Mühe, Susanne Lothar, Frank Giering, Felix Eitner.<br />
Haneke’s made-for-TV film of Kafka’s classic is faithful<br />
in letter and spirit to the very end. K, a land surveyor<br />
(or is he), turns up at a village and undergoes endless<br />
bewildering, frustrating and demeaning experiences at the<br />
hands both of a repressive bureaucracy (the Castle, which<br />
we never actually see) and of the strangely complicitous<br />
villagers. A strong sense of absurdity imbues the overall<br />
atmosphere of guilt, paranoia, misplaced ambition, desire<br />
and impotence, and Haneke’s cool, characteristically<br />
austere direction and the stark design lend the film a<br />
strange, mesmerising logic all of its own.<br />
Funny Games<br />
Sun 28 <strong>Jul</strong> at 6.10pm & Mon 29 <strong>Jul</strong> at 8.45pm<br />
Michael Haneke • Austria 1997 • 1h49m • 35mm<br />
German and French with English subtitles • 18<br />
Cast: Susanne Lothar, Ulrich Mühe, Arno Frisch, Frank Giering.<br />
Two psychotic young men take a mother, father and son<br />
hostage in their holiday cabin and force them to play<br />
sadistic ‘games’ with one another for their amusement.<br />
“It isn’t supposed to be a film you like. What I hope is that<br />
they [the audience] find it disturbing.” - Michael Haneke<br />
Code Unknown Code inconnu<br />
Wed 31 <strong>Jul</strong> at 6.00pm & Thu 1 Aug at 8.30pm<br />
Michael Haneke • France/Germany/Romania 2000 • 1h57m<br />
35mm • French, Romanian, English, German, Arabic, Malinke and<br />
French Sign Language with English subtitles<br />
15 – Contains strong language<br />
Cast: <strong>Jul</strong>iet Binoche, Thierry Neuvic, Sepp Bierbichler, Ona Lu<br />
Yenke, Luminita Gheprghiu, Arsinée Khanijan, Alexandre Hamidi.<br />
Whereas much of Haneke’s previous work placed an<br />
extremely violent act at the centre, in Code Unknown<br />
the violence is more subtle and psychological in nature.<br />
In a kaleidoscope of tales, some interrelated, some not,<br />
Haneke delivers a sobering reflection on the nature of<br />
action and obligation. The events of the film are propelled<br />
by a fascinating opening scene where a triad of characters<br />
and stories intersect: an illegal immigrant from Romania,<br />
a man who lives in Paris with his African family, and an<br />
actress married to a war photographer constantly away on<br />
assignment.<br />
The Piano Teacher La pianiste<br />
Sun 4 Aug at 8.30pm & Mon 5 Aug at 5.45pm<br />
Michael Haneke • Austria/France/Germany 20<strong>01</strong> • 2h5m<br />
35mm • French and German with English subtitles<br />
18 – Contains strong language, violence, sexual violence, sex<br />
and sado-masochism theme<br />
Cast: Isabelle Huppert, Annie Girardot, Benoît Magimel, Susanne<br />
Lothar, Udo Samel.<br />
In her late thirties, Erika Kahut is a piano teacher at the<br />
esteemed Vienna Conservatory. She is strict, intimidating and<br />
respected; however, her personality is a diligent construction<br />
and a painful response to her constricted life. She still shares<br />
an apartment with her mother and their co-dependent<br />
relationship is stifling and even violent. Erika’s twisted<br />
regimen and careful façade are completely obliterated when<br />
Walter, a younger student, decides to seduce his teacher.<br />
The Time of the Wolf Le temps du loup<br />
Thu 8 Aug at 6.00pm & Fri 9 Aug at 8.45pm<br />
Michael Haneke • France/Austria/Germany 2003 • 1h53m<br />
35mm • French and Romanian with English subtitles<br />
15 – Contains strong language and animal slaughter<br />
Cast: Isabelle Huppert, Béatrice Dalle, Patrice Chéreau, Rona<br />
Hartner, Olivier Gourmet.<br />
The opening of The Time of the Wolf recalls Haneke’s 1997<br />
film Funny Games. Anne (Isabelle Huppert) and her two<br />
children watch in horror as her husband is gunned down by<br />
a stranger who has invaded their holiday home. But there<br />
the comparison ends. As the remaining trio go on the run<br />
through the countryside, much of the first half of the film is<br />
shrouded in darkness. It’s only after they encounter a group<br />
of what appears to be vagrants that all becomes clear.<br />
SEASON CONTINUES OVERLEAF
16 Michael Haneke: Presented by Drambuie (continued)<br />
CACHE FUNNY GAMES U.S. THE WHITE RIBBON<br />
Caché Hidden<br />
Sun 11 Aug at 8.40pm & Mon 12 Aug at 5.50pm<br />
Michael Haneke • France/Austria/Germany/Italy/USA 2005<br />
1h58m • 35mm • French with English subtitles<br />
15 – Contains strong violence<br />
Cast: Daniel Auteuil, <strong>Jul</strong>iette Binoche, Maurice Bénichou, Annie<br />
Girardot, Bernard Le Coq.<br />
Georges, a TV talk-show host, receives a mysterious<br />
videotape containing two hours of static footage of<br />
his house. More tapes follow, and Georges becomes<br />
convinced that a pivotal figure from his past is responsible.<br />
With Caché, Haneke elegantly interlaces the concepts<br />
that have long obsessed him – bourgeois complacency<br />
penetrated by strange invaders, the surfacing of<br />
subconscious guilt, the ripple effects of violence across<br />
generations.<br />
Funny Games U.S.<br />
Sun 18 Aug at 8.45pm & Mon 19 Aug at 6.00pm<br />
Michael Haneke • UK/USA/France/Austria 2007 • 1h51m • 35mm<br />
18 – Contains strong sustained threat, humiliation and violence<br />
Cast: Naomi Watts, Tim Roth, Michael Pitt, Brady Corbet, Devon<br />
Gearheart.<br />
Haneke’s English-language remake of his own 1997 film<br />
uses the viewer’s expectations against him or her. He<br />
makes a bold statement about how the indoctrination<br />
of mainstream thrillers has made violence and terror<br />
acceptable for entertainment by crafting a motion picture<br />
that is anything but entertaining. It gives you what you<br />
want and asks why you want it in the first place, and it<br />
does both those things superbly. It is cruel, cold and darkly<br />
thrilling.<br />
The White Ribbon Das weiße Band<br />
Sun 25 Aug at 8.15pm & Mon 26 Aug at 5.45pm<br />
Michael Haneke • Austria/Germany/France/Italy 2009<br />
2h24m • 35mm • German with English subtitles<br />
15 – Contains child abuse references<br />
Cast: Ulrich Tukur, Susanne Lothar, Josef Bierbichler, Mercedes<br />
Jadea Diaz, Burghart Klaußner.<br />
With this dazzlingly intelligent drama, which won him his<br />
first Palme d’or at the 2009 Cannes Film Festival (he won a<br />
second with Amour in 2<strong>01</strong>2), Haneke returns to his classic<br />
themes of guilt, denial and violence as the mysterious<br />
symptom of mass dysfunction. In a secluded northern<br />
German village on the eve of the First World War, malicious<br />
incidents – some small, some not small – begin to occur,<br />
and the very structure of this small community seems to be<br />
under threat. Impeccably acted, shot in monochrome, and<br />
directed with the filmmaker’s icily exact rigour and severity.<br />
Amour Love<br />
Sun 1 Sep at 8.30pm & Mon 2 Sep at 5.50pm<br />
Michael Haneke • Austria/France/Germany 2<strong>01</strong>2 • 2h7m<br />
DCP • French and English with English subtitles<br />
12A – Contains one use of strong language and distressing scenes<br />
Cast: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert.<br />
Haneke’s deserving Palme d’Or-winner about an otherwise<br />
comfortably-off octogenarian couple, Georges and Anne<br />
(Jean-Louis Trintignant and Emmanuelle Riva), trying to<br />
cope when a stroke leaves the wife partly paralysed and<br />
speechless, is characteristically honest and unsentimental.<br />
The film takes place in the couple’s Paris apartment; as<br />
Anne’s condition deteriorates, so their world shrinks, and<br />
visits by their daughter and others merely distract Georges<br />
from the business of deciding what’s best for his wife.
17<br />
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18 Weans’ World<br />
EPIC ALL STARS SPIRITED AWAY<br />
Weans’ World<br />
Films for a younger audience. Tickets<br />
cost £3.50 per person, big or small!<br />
Please note: although we normally disapprove of<br />
people talking during screenings, these shows<br />
are primarily for kids, so grown-ups should expect<br />
some noise!<br />
Epic<br />
Tue 2 to Thu 4 <strong>Jul</strong> at 1.30pm<br />
Chris Wedge • USA 2<strong>01</strong>3 • 1h42m • DCP<br />
U – Contains mild fantasy violence and threat<br />
With the voices of Amanda Seyfried, Beyoncé Knowles, Josh<br />
Hutcherson, Colin Farrell, Christoph Waltz.<br />
A family adventure comedy that reveals a fantastical world<br />
unlike any other. Epic tells the story of an ongoing battle<br />
between the forces of good, who keep the natural world<br />
alive, and the forces of evil, who wish to destroy it. When<br />
a teenage girl finds herself magically transported into<br />
this secret universe, she teams up with an elite band of<br />
warriors and a crew of comical, larger-than-life figures to<br />
save their world...and ours.<br />
All Stars<br />
Sat 6 <strong>Jul</strong> at 1.00pm & Sun 7 <strong>Jul</strong> at 11.00am<br />
Ben Gregor • UK 2<strong>01</strong>3 • 1h46m • DCP<br />
U – Contains mild violence and one use of very mild language<br />
Cast: Theo Stevenson, Akai Osei-Mansfield, Ashley Jensen,<br />
Kimberley Walsh, Fleur Houdijk.<br />
In this heartwarming and funny film, two kids, Ethan<br />
and Jaden, have a plan to throw an ambitious dance<br />
show in order to save their struggling youth centre from<br />
demolition. The two have to race against the clock to bring<br />
together their completely uncoordinated and misfit cast to<br />
pull off the biggest achievement of their lives…<br />
My Neighbour Totoro<br />
Tue 9 to Thu 11 <strong>Jul</strong> at 1.40pm<br />
Hayao Miyazaki • Japan 1988 • 1h27m<br />
DCP • English language version<br />
U – Contains infrequent mild scary scenes<br />
This superbly animated children’s tale is directed by Hayao<br />
Miyazaki, one of Japan’s most beloved animators. The story<br />
follows Satsuke and Mei, two young girls who find that<br />
their new country home is in a mysterious forest inhabited<br />
by a menagerie of mystical creatures named totoros. The<br />
eldest of these creatures becomes their friend, and, as their<br />
mother lies sick in the hospital, he takes the sisters on a<br />
magical adventure while also helping them to understand<br />
the realities of life.<br />
Spirited Away<br />
Sen to Chihiro no kamikakushi<br />
Tue 16 to Thu 18 <strong>Jul</strong> at 12.45pm<br />
Hayao Miyazaki • Japan 20<strong>01</strong> • 2h5m<br />
35mm • English language version<br />
PG – Contains mild peril and scary scenes<br />
Hayao Miyazaki’s Spirited Away begins as ten-yearold<br />
Chihiro and her parents discover a tunnel in the<br />
countryside that leads them into an old, abandoned<br />
theme park. While her parents help themselves to the<br />
contents of a food stand, Chihiro goes exploring. But as<br />
night falls she returns to find that mum and dad have<br />
been turned into pigs, leaving her trapped in the spirit<br />
realm. Sent to work in a bathhouse for the gods, Chihiro<br />
has to find a way to break the spell. A feast of gorgeous<br />
animation and intelligent storytelling.<br />
Percy Jackson and the Lightning Thief<br />
Tue 23 to Thu 25 <strong>Jul</strong> at 1.15pm<br />
Chris Columbus • Canada/USA 2<strong>01</strong>0 • 1h59m • DCP<br />
PG – Contains moderate fantasy violence and threat<br />
Cast: Logan Lerman, Uma Thurman, Pierce Brosnan, Sean Bean,<br />
Steve Coogan.<br />
New York teenager Percy Jackson discovers that he’s the<br />
son of Greek God Poseidon, and that his best friend Grover<br />
is actually his satyr protector, complete with goat’s legs!<br />
When Percy’s uncle Zeus suspects him of stealing his<br />
lightning bolt, Percy has to track down the real lightning<br />
thief and return the bolt before it causes a meteorological<br />
catastrophe on Earth.
Weans’ World/Come and See... Willow/The Women<br />
19<br />
DESPICABLE ME 2<br />
Despicable Me 2<br />
Tue 30 <strong>Jul</strong> to Thu 1 Aug at 1.30pm<br />
Pierre Coffin & Chris Renaud • USA 2<strong>01</strong>3 • 1h38m • DCP<br />
U – Contains very mild scary scenes and slapstick violence<br />
With the voices of Steve Carell, Kristen Wiig, Ken Jeong,<br />
Benjamin Bratt.<br />
Having turned away from his evil ways, Gru is hired by Lucy<br />
Wilde and Silas Ramsbottom from the Anti-Villian League<br />
and taken to their headquarters. There, Gru is told of a new<br />
bad guy, Eduardo, who is on the loose and causing havoc.<br />
With his experience as a villain, Gru is the perfect person to<br />
combat this new threat.<br />
WILLOW<br />
Come and See...<br />
A monthly one-off screening of a great film<br />
we simply thought you might like to see,<br />
again or for the first time, on the big screen.<br />
Willow<br />
Tue 30 <strong>Jul</strong> at 6.00pm<br />
Ron Howard • USA 1988 • 2h6m • DCP<br />
PG – Contains mild language, sex references and fantasy<br />
violence<br />
Cast: Val Kilmer, Warwick Davis, Joanne Whalley, Jean Marsh,<br />
Patricia Hayes.<br />
Willow, citizen of the Nelwyns, a race of little people,<br />
is chosen by his community to take a baby to a far-off<br />
crossroads where she can be found by her people, the<br />
Daikinis. The baby was carried to Willow’s land on a crude<br />
raft that was swept along on a river, but what Willow does<br />
not know is that the baby was placed on the raft by her<br />
mother, desperate to save her from a decree of death dealt<br />
out to all girl children by Bavmorda, the vicious queen and<br />
sorcerer, who fears her successor has been born...<br />
Screening in a new digital restoration.<br />
THE WOMEN<br />
SPECIALSCREENING<br />
The Women<br />
Sun 28 <strong>Jul</strong> at 3.10pm<br />
George Cukor • USA 1939 • 2h13m • 35mm<br />
U – Contains very mild sex references and violence<br />
Cast: Norma Shearer, Joan Crawford, Rosalind Russell, Mary<br />
Boland, Paulette Goddard, Joan Fontaine.<br />
George Cukor’s 1939 satire offers a scathing portrait of<br />
backbiting and betrayal among Manhattan socialites.<br />
Mary Haines (Norma Shearer) is the last to discover that<br />
her husband has been playing away with perfume salesgirl<br />
Crystal Allen (Joan Crawford). The subsequent outpouring<br />
of sympathy from her so-called friends is laced with<br />
venom: assuring Mary she has her best interests at heart,<br />
Sylvia (Rosalind Russell) forces her into a confrontation<br />
with the home-wrecking riff-raff, but the incident ignites<br />
public scandal. With her reputation in tatters and Crystal<br />
digging her stilettos in, Mary must decide whether to bow<br />
out gracefully or bare her claws...
20<br />
Richard Fleischer<br />
ARMORED CAR ROBBERY VIOLENT SATURDAY THE VIKINGS<br />
Richard Fleischer<br />
The final three screenings in this retrospective,<br />
a collaboration between <strong>Filmhouse</strong> and the<br />
<strong>Edinburgh</strong> International Film Festival<br />
Fleischer directed some of the most distinctive<br />
and most enduring Hollywood classics over a<br />
career that spanned six decades and ranged<br />
from film noir to science fiction. His versatility,<br />
while enabling him to achieve commercial<br />
longevity, may also be a reason why Fleischer<br />
has been consistently underrated by critics<br />
and historians. Yet his films are in the best<br />
tradition of mainstream cinema with their<br />
deft interweaving of thrilling action and<br />
psychological complexity.<br />
We are hopeful that these screenings will<br />
be introduced by Chris Fujiwara, Artistic<br />
Director of EIFF – please check our website for<br />
confirmation.<br />
www.edfilmfest.org.uk<br />
Armored Car Robbery<br />
Tue 2 <strong>Jul</strong> at 6.30pm<br />
Richard Fleischer • USA 1950 • 1h7m • 16mm • PG<br />
Cast: Charles McGraw, Adele Jergens, William Talman, Douglas<br />
Fowley, Steve Brodie.<br />
This grim and relentless B heist film, a precursor to John<br />
Huston’s The Asphalt Jungle and Stanley Kubrick’s The<br />
Killing, shows Fleischer developing his mastery over plots<br />
in which diverse individuals become involved in a web<br />
of complex action. Psychopathic criminal mastermind<br />
Dave Purvis devises a seemingly foolproof plan to rob<br />
an armoured truck at Wrigley Stadium in Los Angeles.<br />
When things go inevitably wrong as a policeman is killed,<br />
the thieves fall out with one another and the dead cop’s<br />
vengeful partner takes charge of the case.<br />
Violent Saturday<br />
Thu 4 <strong>Jul</strong> at 6.15pm<br />
Richard Fleischer • USA 1955 • 1h30m • DCP • PG<br />
Cast: Victor Mature, Richard Egan, Stephen McNally, Virginia<br />
Leith, Lee Marvin.<br />
One of Fleischer’s most brilliant films, a mix of melodrama<br />
and heist thriller, set in a small American city where<br />
three mysterious strangers arrive to plot and execute a<br />
bank robbery. Sydney Boehm’s tight and elegant script<br />
interweaves the lives of several townspeople who become<br />
innocent bystanders, victims, or nemeses of the trio’s<br />
misdeeds, including an alcoholic war hero, his unfaithful<br />
wife, a peaceful Amish farmer, and a mine supervisor<br />
who has lost his young son’s respect. The whole cast is<br />
outstanding, and Fleischer uses <strong>Cinema</strong>Scope to build<br />
continuously unfolding visual excitement.<br />
The Vikings<br />
Sun 7 <strong>Jul</strong> at 6.00pm<br />
Richard Fleischer • USA 1958 • 1h56m • DCP • PG<br />
Cast: Kirk Douglas, Tony Curtis, Ernest Borgnine, Janet Leigh,<br />
James Donald.<br />
With the aid of a physically perfect cast and Jack Cardiff’s<br />
magnificent widescreen cinematography, Fleischer brings<br />
the 10th century to vivid life in this witty and eloquent<br />
action spectacle.<br />
Kirk Douglas stars as Einar, the son of Viking king Ragnar<br />
(Ernest Borgnine). Tony Curtis is a British slave who,<br />
unknown to all, is the illegitimate son of Ragnar. The<br />
two half-brothers become bitter enemies and rivals for<br />
a beautiful princess (Janet Leigh) but come together to<br />
protect their father’s kingdom. Maiming, mutilation and<br />
mayhem ensue. Fleischer: “During the shoot, by a strange<br />
alchemy, we were all possessed by the Viking spirit.”<br />
TICKETDEALS<br />
Buy any three (or more) tickets for films in this season<br />
and get 15% off<br />
These offers are available online, in person and on the<br />
phone, on both full price and concession price tickets.<br />
Tickets must all be bought at the same time.
<strong>Filmhouse</strong> Player<br />
21<br />
SOUND IT OUT<br />
BEAUTY<br />
A LATE QUARTET<br />
Our online viewing platform allows you to enjoy a<br />
selection of <strong>Filmhouse</strong>-curated films whenever suits<br />
you and wherever you are. Some films will screen<br />
at <strong>Filmhouse</strong> as well, some will only be available<br />
online. New films are being added all the time, but<br />
here’s a small selection of what’s currently available.<br />
www.filmhousecinema.com/player<br />
The <strong>Filmhouse</strong> Player is a pilot project, in collaboration with<br />
GFT and video-on-demand providers Distrify, supported by<br />
NESTA’s Digital R&D Fund, Scotland.<br />
Sound It Out<br />
Jeanie Finlay • UK 2<strong>01</strong>1 • 1h18m<br />
12A – Contains infrequent strong language • Documentary<br />
Tucked just off the high street in Stockton-on-Tees, Sound<br />
It Out Records is one of the last surviving vinyl record<br />
shops struggling to keep afloat in the face of recession<br />
and changes in technology. A cultural haven in one of<br />
the most deprived areas in the UK, this is a distinctive,<br />
funny and intimate portrait of the North, its men and the<br />
irreplaceable role music plays in our lives.<br />
Beauty Skoonheid<br />
Oliver Hermanus • South Africa/France/Germany 2<strong>01</strong>1 • 1h45m<br />
Afrikaans and English with English subtitles<br />
18 – Contains strong real sex and sexual violence<br />
Cast: Deon Lotz, Charlie Keegan, Michelle Scott, Roeline Daneel.<br />
The first Afrikaans-language film to be screened at<br />
Cannes, Beauty tells the story of François, a middle-aged<br />
man whose well ordered existence unravels. A chance<br />
encounter with Christian, the son of a long lost friend,<br />
ignites infatuation and lust within the unhappily married<br />
François, plunging him into a confusion of self-loathing,<br />
tinged with a desperation for happiness. 27-year-old South<br />
African director Oliver Hermanus has delivered a taut,<br />
seething character study, pulsing with pent up energy.<br />
A Late Quartet<br />
Yaron Zilberman • USA 2<strong>01</strong>2 • 1h46m<br />
15 – Contains strong language and sex<br />
Cast: Christopher Walken, Philip Seymour Hoffman, Catherine<br />
Keener, Mark Ivanir, Wallace Shawn.<br />
A powerhouse cast brings vivid life to Yaron Zilberman’s<br />
engrossing drama about an illustrious string quartet,<br />
whose quarter-century anniversary precipitates a<br />
tempestuous release of repressed feelings, long-held<br />
resentments and painful betrayals. Peter (Christopher<br />
Walken), the group’s founding member, is diagnosed with<br />
a degenerative illness that forces him to confront the<br />
troubling question of who will succeed him. Meanwhile<br />
the marriage between second violinist Robert (Philip<br />
Seymour Hoffman) and violist <strong>Jul</strong>iette (Catherine Keener)<br />
goes suddenly south when infidelity rears its head.
22 Ghosted/QMU Degree Show/Education and Learning<br />
GHOSTED<br />
SPECIALEVENT<br />
Ghosted<br />
Tue 2 <strong>Jul</strong> at 8.15pm<br />
Monika Treut • Germany/Taiwan 2009 • 1h29m • Format TBC<br />
English, German and Mandarin with English subtitles • 15<br />
Cast: Inga Busch, Ke Huan-Ru, Hu Ting-Ting, Jana Schulz, Marek<br />
Harloff.<br />
German artist Sophie creates a video installation to come<br />
to terms with her Taiwanese girlfriend Ai-Ling’s untimely<br />
death. When she travels to Taipei with the artwork, she<br />
meets seductive Mei-Li, a journalist who is investigating<br />
Ai-Ling’s demise. Unable to get over Ai-Ling and confused<br />
by Mei-Li’s advances, Sophie quickly returns to Hamburg.<br />
Mei-Li unexpectedly turns up on her doorstep and they<br />
become intimate, but Sophie begins to suspect the<br />
beautiful stranger is not who she claims to be.<br />
Screening followed by Dr Leanne Dawson in<br />
conversation with filmmaker Monika Treut.<br />
This is the first in a series of events on queer,<br />
transcultural film organised by, and informed by<br />
the research of, Dr Leanne Dawson (University of<br />
<strong>Edinburgh</strong>).<br />
For further information contact: leanne.dawson@ed.ac.uk<br />
QUEEN MARGARET UNIVERSITY DEGREE SHOW<br />
DEGREESHOW<br />
Queen Margaret University<br />
Thu 4 <strong>Jul</strong> at 8.30pm<br />
2h30m<br />
The Film and Media division of Queen Margaret University<br />
presents incredible works from the next generation of<br />
talented filmmakers, ranging from fact to fantasy, drama<br />
to documentary, all in one show. How would you like to<br />
be stuck with two strangers in a dental clinic How would<br />
you deal with an unemployed wannabe pretending to<br />
be a businessman Can passion overcome a health limit<br />
to create a multi-sensory experience What if an ordinary<br />
pizza delivery driver faces a life changing experience<br />
These are just a few teasers from the collection of short<br />
films the students have prepared for you this year.<br />
EDUCATION & LEARNING AT FILMHOUSE<br />
Education and<br />
Learning<br />
CMI Education and Learning department offers<br />
a range of screenings, workshops, courses and<br />
events for all ages, year-round at <strong>Filmhouse</strong><br />
and during the <strong>Edinburgh</strong> International Film<br />
Festival.<br />
We arrange schools screenings year round,<br />
supporting a variety of curriculum areas for<br />
Primary and Secondary schools. In addition<br />
EIFF showcases films made for the <strong>Edinburgh</strong><br />
Schools Film Competition and allows young<br />
people the opportunity to speak to filmmakers<br />
and creative professionals.<br />
Details of current events can be found at<br />
www.filmhousecinema.com/learning,<br />
or for further information please email<br />
education@cmi-scotland.co.uk
23<br />
MAILINGLISTS ACCESS INFORMATION<br />
To have this monthly programme sent<br />
to you for a year, send £7 (cheques made<br />
payable to <strong>Filmhouse</strong>) with your name<br />
and address and the month you wish your<br />
subscription to start.<br />
This programme is also available to<br />
download as a PDF from our website,<br />
www.filmhousecinema.com.<br />
Alternatively, sign up to our emailing<br />
list, to find out what’s on when and hear<br />
about special offers and competitions, by<br />
going to www.filmhousecinema.com<br />
There is a large print version<br />
of the programme available<br />
which can be posted to you<br />
free of charge.<br />
Drambuie<br />
FUNDINGFILMHOUSE<br />
CORPORATESUPPORTER<br />
CORPORATEMEMBERS<br />
Line Digital Ltd<br />
EQSN<br />
<strong>Filmhouse</strong> foyer and box office are<br />
accessed from Lothian Road via a ramped<br />
surface and two sets of automatic doors.<br />
Our cafe bar and accessible toilet are also at<br />
this level. The majority of seats in the cafe<br />
bar are not fixed and can be moved.<br />
There is wheelchair access to all three<br />
screens. <strong>Cinema</strong> one has space for two<br />
wheelchair users and these places are<br />
reached via the passenger lift. <strong>Cinema</strong>s<br />
two and three have one space each and to<br />
get to these you need to use our platform<br />
lifts. Staff are always on hand to help<br />
operate them – please ask at the box office<br />
when you purchase your tickets. A second<br />
accessible toilet is situated at the lower<br />
level close to cinemas two and three.<br />
Advance booking for wheelchair spaces is<br />
recommended. If you need to bring along<br />
a helper to assist you in any way, then they<br />
will receive a complimentary ticket.<br />
There are induction loops and infra-red<br />
in all three screens for those with hearing<br />
impairments. This programme and our<br />
website carry information on which films<br />
have subtitles.<br />
We regularly have screenings with audio<br />
description for customers with visual<br />
impairments and subtitles for those with<br />
hearing difficulties – see page 2 for details<br />
of these.<br />
Email admin@filmhousecinema.com or<br />
call the box office on <strong>01</strong>31 228 2688 if you<br />
require further information or assistance.<br />
<strong>Filmhouse</strong><br />
88 Lothian Road<br />
<strong>Edinburgh</strong> EH3 9BZ<br />
www.filmhousecinema.com<br />
Box Office: <strong>01</strong>31 228 2688 (10am-9pm)<br />
Recorded Programme Info: <strong>01</strong>31 228 2689<br />
Administration: <strong>01</strong>31 228 6382<br />
Fax: <strong>01</strong>31 229 6482<br />
email: admin@filmhousecinema.com<br />
Ken Hay<br />
CEO<br />
Rod White<br />
Head of <strong>Filmhouse</strong><br />
Robert Howie<br />
Customer Experience Manager<br />
Holly Daniel & Nicola Kettlewood<br />
Knowledge & Learning<br />
<strong>Filmhouse</strong> is a trading name of Centre for the<br />
Moving Image, a company limited by guarantee,<br />
registered in Scotland No. SC067087<br />
Registered Office: 88 Lothian Road, <strong>Edinburgh</strong><br />
EH3 9BZ<br />
Scottish Charity No.: SC006793<br />
VAT Reg. No.: 328 6585 24<br />
CMI also incorporates <strong>Edinburgh</strong> International<br />
Film Festival and the <strong>Edinburgh</strong> Film Guild.<br />
<strong>Edinburgh</strong> International Film Festival<br />
www.edfilmfest.org.uk<br />
<strong>01</strong>31 228 4051<br />
<strong>Edinburgh</strong> Film Guild<br />
www.edinburghfilmguild.com<br />
<strong>01</strong>31 623 8027
FINDINGFILMHOUSE<br />
88 Lothian Road, <strong>Edinburgh</strong> EH3 9BZ<br />
www.filmhousecinema.com<br />
Nearest car parks: Semple Street,<br />
Castle Terrace, <strong>Edinburgh</strong> Quay<br />
Lothian Buses: 1, 2, 10, 11, 15, 16, 22,<br />
24, 34, 35 (www.lothianbuses.com)<br />
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