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tickets<br />

from £3.50<br />

See page 13<br />

1 JUL 13 1 AUG 13<br />

FILMS WORTH TALKING ABOUT<br />

HOME OF THE EDINBURGH INTERNATIONAL FILM FESTIVAL<br />

88 LOTHIAN ROAD EDINBURGH EH3 9BZ WWW.FILMHOUSECINEMA.COM BOX OFFICE <strong>01</strong>31 228 2688 PROGRAMME INFO <strong>01</strong>31 228 2689<br />

Blancanieves<br />

A film by Pablo Berger<br />

The Bling Ring<br />

Renoir<br />

Stories We Tell<br />

We Steal Secrets: The Story of WikiLeaks<br />

The Deep<br />

Wadjda<br />

Blackfish<br />

Behind the Candelabra<br />

The Enigma of Kaspar Hauser<br />

The Paradise Trilogy<br />

Michael Haneke:<br />

Presented by Drambuie<br />

Ray Harryhausen<br />

3 CINEMAS CAFE BAR


2<br />

INDEX INDEX AUDIODESCRIPTIONANDSUBTITLES<br />

SCREENING DATES AND TIMES 12-13<br />

TICKET PRICES & INFORMATION 13<br />

GENERAL INFORMATION 23<br />

The 7th Voyage of Sinbad 10<br />

71 Fragments of a Chronology of Chance 15<br />

All Stars 18<br />

Amour 16<br />

Armored Car Robbery 20<br />

BAFTA Scotland Presents: Games Industry<br />

Secrets of Success 11<br />

The Battle of the Sexes 4<br />

Beauty 21<br />

Behind the Candelabra 8<br />

Benny’s Video 14<br />

Blackfish 7<br />

Blancanieves 6<br />

The Bling Ring 4<br />

Caché 16<br />

The Castle 15<br />

Clash of the Titans 11<br />

Code Unknown 15<br />

Come and See... 19<br />

The Deep 6<br />

Despicable Me 2 19<br />

Education and Learning at <strong>Filmhouse</strong> 22<br />

The Enigma of Kaspar Hauser 8<br />

Epic 18<br />

<strong>Filmhouse</strong> Cafe Bar & Quiz 11<br />

<strong>Filmhouse</strong> Membership 24<br />

<strong>Filmhouse</strong> Player 21<br />

Fire in the Night 4<br />

Funny Games 15<br />

Funny Games U.S. 16<br />

Ghosted 22<br />

The Golden Voyage of Sinbad 10<br />

Jason and the Argonauts 11<br />

A Late Quartet 21<br />

Like Someone In Love 7<br />

Michael H - Profession: Director 14<br />

Michael Haneke: Presented by Drambuie 14-16<br />

My Neighbour Totoro 18<br />

Mysterious Island 10<br />

Our Children 4<br />

Paradise: Faith 9<br />

Paradise: Hope 9<br />

Paradise: Love 9<br />

The Paradise Trilogy 9<br />

Paris-Manhattan 7<br />

Percy Jackson and the Lightning Thief 18<br />

The Piano Teacher 15<br />

Queen Margaret University Degree Show 22<br />

Ray Harryhausen 10-11<br />

Ray Harryhausen: Special Effects Titan 10<br />

Renoir 5<br />

Richard Fleischer 20<br />

The Seventh Continent 14<br />

Sound It Out 21<br />

Spirited Away 18<br />

The Stoker 8<br />

Stories We Tell 5<br />

The Time of the Wolf 15<br />

The Vikings 20<br />

Violent Saturday 20<br />

Wadjda 6<br />

We Steal Secrets: The Story of WikiLeaks 5<br />

Weans’ World 18-19<br />

The White Ribbon 16<br />

Willow 19<br />

The Women 19<br />

<strong>Filmhouse</strong> email list For screening times, news<br />

and competitions, join our email list at www.<br />

filmhousecinema.com/email/subscribe<br />

<strong>Filmhouse</strong> mailing list To have this monthly<br />

programme sent to you for a year, send £7<br />

(cheques payable to <strong>Filmhouse</strong> Ltd) with your<br />

name and address and the month you wish your<br />

subscription to start, or subscribe in person at the<br />

box office or by phone on <strong>01</strong>31 228 2688.<br />

Facebook News, updates and competitions:<br />

www.facebook.com/filmhousecinema<br />

Twitter Follow @<strong>Filmhouse</strong> for news & updates<br />

In all three screens we have a system which<br />

enables us, whenever the necessary digital<br />

files are available, to show onscreen subtitles<br />

for customers who are deaf or hard of hearing,<br />

and provide audio description (via infra-red<br />

headsets) for those who are sight-impaired.<br />

This issue, all screenings of The Bling Ring<br />

will have audio description, and the following<br />

screenings will have subtitles:<br />

Behind the Candelabra at 6.00pm on Tue 2 <strong>Jul</strong>y<br />

The Bling Ring at 1.10pm on Sat 27 <strong>Jul</strong>y<br />

FORCRYINGOUTLOUD<br />

Screenings for carers and their babies!<br />

Renoir – Mon 8 <strong>Jul</strong>y at 11am<br />

Stories We Tell – Mon 15 <strong>Jul</strong>y at 11am<br />

Wadjda – Mon 22 <strong>Jul</strong>y at 11am<br />

Blancanieves – Mon 29 <strong>Jul</strong>y at 11am<br />

Screenings are limited to babies under 12<br />

months accompanied by no more than two<br />

adults. Baby changing, bottle warming and<br />

buggy parking facilities are available.<br />

Tickets £4.50/£3.50 concessions per adult.<br />

<strong>Filmhouse</strong>, 88 Lothian Road<br />

<strong>Edinburgh</strong> EH3 9BZ<br />

www.filmhousecinema.com<br />

Box Office: <strong>01</strong>31 228 2688 (10am - 9pm)<br />

Administration: <strong>01</strong>31 228 6382<br />

email: admin@filmhousecinema.com<br />

Twitter: @filmhouse<br />

Facebook: facebook.com/<strong>Filmhouse</strong><strong>Cinema</strong><br />

<strong>Filmhouse</strong> is a trading name of Centre for the Moving<br />

Image, a company limited by guarantee, registered in<br />

Scotland No. SC067087.<br />

Registered office, 88 Lothian Road, <strong>Edinburgh</strong> EH3 9BZ.<br />

Scottish Charity No. SC006793.<br />

VAT Reg. No. 328 6585 24


Introduction<br />

3<br />

THE ENIGMA OF KASPAR HAUSER BLANCANIEVES WADJDA<br />

THE BLING RING<br />

Good Weather is Bad Box Office<br />

As I gaze out over the Capital House car park, across the charmingly-monickered Chuckie Pend (the lane behind <strong>Filmhouse</strong>, aka Morrison<br />

Street Lane), it’s a glorious, blue-sky, June day. Whilst I would not wish to deny any of you some sunshine – heaven knows you’ve all paid<br />

your dues vis-à-vis the weather – my enjoyment of it is always tempered by the well-worn film industry adage at the top of this page.<br />

Maybe I need to get over it, leave such thoughts in the office, and enjoy the sunshine. Maybe I just need to get out more! But I suspect<br />

only your attendance in our darkened rooms can stop me worrying. My contentment, dear readers, is in your hands...<br />

By the time this programme kicks in, the awesome 2<strong>01</strong>3 edition of EIFF will just have passed, and by no coincidence whatever we find<br />

ourselves showing a lot of films they brought to the city first! (Well, he’s a man of taste is EIFF director Chris Fujiwara.) First up is Sofia<br />

Coppola’s indictment of celebrity-obsessed society, The Bling Ring; Stories We Tell is Sarah Polley’s brilliant documentary about her<br />

family’s history, and in particular the actual question of her own parentage; from Iceland, The Deep tells the miraculous true story of the<br />

sole survivor of a fishing trawler wreck; Alex Gibney’s supremely timely (given arch-leaker Bradley Manning’s ongoing trial) and feisty We<br />

Steal Secrets: The Story of WikiLeaks needs little explanation beyond that given by its title; and Fire in the Night recounts what happened<br />

the night of the worst offshore disaster the oil industry has ever seen, on the Piper Alpha North Sea platform, some 25 years ago.<br />

The Goya (Spanish ‘Oscar’)-winning Blancanieves (Snow White) is, à la the Oscar-winning The Artist of last year, a stunning, delightful<br />

homage to silent cinema; Wadjda, as well as being the first film made entirely within the kingdom of Saudi Arabia AND directed by a<br />

woman, is also a winning, handsomely crafted, utterly charming coming-of-age tale about a young girl who wants a bike, in a country<br />

were young girls don’t ride bikes; Renoir takes a beautiful, atmospheric, pastoral stroll through the latter years of the great artist (Auguste),<br />

paying particular attention to his relationship with his yet-to-be great filmmaker son (Jean); and Blackfish exposes the very dark side of<br />

keeping killer whales, including the infamous Tilikum, in captivity.<br />

Delightedly, we’re also screening the BFI restoration/reissue of Werner Herzog’s The Enigma of Kaspar Hauser, and the doyen of European<br />

cinema, Michael Haneke, gets a full feature film retrospective, which we are only able to do with the help of our very good friends at<br />

Drambuie.<br />

And lastly, does anyone out there know why Chuckie Pend is called Chuckie Pend It’s a question that crosses my mind just about every<br />

day… [Yeah, you definitely need to get out more. - Ed.]<br />

Rod White, Head of <strong>Filmhouse</strong>


4<br />

New releases<br />

OUR CHILDREN THE BATTLE OF THE SEXES<br />

FIRE IN THE NIGHT THE BLING RING<br />

NEWRELEASE<br />

Our Children À perdre la raison<br />

Mon 1 to Thu 4 <strong>Jul</strong><br />

Joachim Lafosse • Belgium/Luxembourg/France/Switzerland 2<strong>01</strong>2<br />

1h51m • DCP • French and Arabic with English subtitles<br />

15 – Contains distressing scenes<br />

Cast: Niels Arestrup, Tahar Rahim, Émilie Dequenne, Stéphane<br />

Bissot, Mounia Raoui.<br />

Based on a true story, celebrated director Joachim Lafosse’s<br />

intense, multi-layered dissection of an unorthodox family<br />

unit won Émilie Dequenne the prestigious Best Actress<br />

Award at last year’s Cannes Film Festival.<br />

Young and full of life, Murielle (Dequenne, Rosetta) has a<br />

promising future ahead of her when she meets and falls<br />

head over heels for Mounir (Tahar Rahim, A Prophet). A<br />

wedding soon follows, and the happy couple quickly set<br />

about starting a family. However, with family comes ties,<br />

and none come as tight as that between Mounir and<br />

his adoptive father Dr Pinget (Niels Arestrup, also in A<br />

Prophet).<br />

As the family grows, friction increases, and, helpless to<br />

extract her husband and children from the comfortable<br />

nest that Pinget has provided for them, Murielle is drawn<br />

into the unhealthy family dynamic. All sense of reason<br />

begins to abandon her, and there seems to be only one<br />

way out of this nightmare.<br />

NEWRELEASES<br />

The Battle Of The Sexes<br />

Mon 1 to Thu 4 <strong>Jul</strong><br />

James Erskine & Zara Hayes • UK 2<strong>01</strong>3 • 1h23m • DCP<br />

PG – Contains mild language and sex references • Documentary<br />

“I wasn’t just playing for myself. This was for everybody.”<br />

Tennis star and women’s rights activist Billie Jean King<br />

won a total of 39 Grand Slam titles, but the biggest match<br />

of her career took place in 1973 against former men’s<br />

champion Bobby Riggs, a self-proclaimed male chauvinist<br />

pig who declared that, even at the age of 55, he could beat<br />

any woman in the world. A rousing and hugely enjoyable<br />

documentary with a great soundtrack.<br />

Fire in the Night<br />

Mon 1 to Sat 6 <strong>Jul</strong><br />

Anthony Wonke • UK 2<strong>01</strong>3 • 1h33m • DCP • 15 • Documentary<br />

The world’s worst offshore disaster remembered, 25 years<br />

on.<br />

In tense detail, this riveting new documentary explores the<br />

6 <strong>Jul</strong>y 1988 disaster on the North Sea oil rig Piper Alpha.<br />

The film skilfully combines archival footage and audio<br />

recordings with present-day filmed interviews to recreate<br />

the suspense and horror of the disaster and to unfold the<br />

complex emotions of those who survived.<br />

NEWRELEASE<br />

The Bling Ring<br />

Fri 5 <strong>Jul</strong> to Thu 1 Aug<br />

Sofia Coppola • USA 2<strong>01</strong>3 • 1h30m • DCP<br />

15 – Contains strong language and drug use<br />

Cast: Katie Chang, Israel Broussard, Emma Watson, Claire <strong>Jul</strong>ien,<br />

Taissa Farmiga.<br />

Sofia Coppola’s latest is based on an incredible true story.<br />

A group of L.A. high school friends track the activities<br />

of celebrities online so that they can rob their homes.<br />

Motivated less by greed than by a fascination with status<br />

brands and famous people, the gang target Paris Hilton,<br />

Orlando Bloom, Rachel Bilson, Lindsay Lohan and others,<br />

bragging of their intimacy with their victims. A biting,<br />

stylish take on celebrity culture.<br />

AUDIODESCRIPTIONANDSUBTITLES<br />

See page 2 for details.


New releases<br />

5<br />

RENOIR STORIES WE TELL WE STEAL SECRETS: THE STORY OF WIKILEAKS<br />

NEWRELEASE<br />

Renoir<br />

Fri 5 to Thu 11 <strong>Jul</strong><br />

Gilles Bourdos • France 2<strong>01</strong>2 • 1h51m • DCP<br />

French and Italian with English subtitles • cert tbc<br />

Cast: Michel Bouquet, Christa Theret, Vincent Rottiers, Thomas<br />

Doret, Romane Bohringer.<br />

The Côte d’Azur, 1915. In his twilight years, Auguste Renoir<br />

is tormented by the loss of his wife, the pains of arthritic<br />

old age and the terrible news that his son Jean has been<br />

wounded in action. But when a beautiful young woman,<br />

Andrée, enters his world, the old painter is filled with a<br />

new, wholly unexpected energy. Back at the family home<br />

to convalesce, Jean too falls under Andrée’s spell... and,<br />

within weak-willed, battle-shaken Jean, a filmmaker begins<br />

to grow.<br />

Gilles Bourdos’s drama is a lyrical period piece with<br />

wonderful performances, based on real events and<br />

beautifully shot in the south of France.<br />

NEWRELEASE<br />

Stories We Tell<br />

Fri 12 to Thu 18 <strong>Jul</strong><br />

Sarah Polley • Canada 2<strong>01</strong>2 • 1h49m • DCP<br />

12A – Contains one use of strong language and infrequent<br />

moderate sex references • Documentary<br />

Actor and director Sarah Polley’s first feature documentary<br />

is a beautifully-structured investigation into the history<br />

of her own family – in particular her mother, who died<br />

when Polley was eleven. Layering interviews with family<br />

members and friends with archive footage and a recording<br />

of her father’s witty and revealing memoir, Polley builds<br />

up an enthralling collage of fact, hearsay and memory as<br />

she strives to find out the truth about her mother, and, by<br />

extension, herself.<br />

NEWRELEASE<br />

We Steal Secrets:<br />

The Story of WikiLeaks<br />

Fri 12 to Thu 25 <strong>Jul</strong><br />

Alex Gibney • USA 2<strong>01</strong>3 • 2h10m • DCP<br />

15 – Contains strong real images of violence and strong<br />

language • Documentary<br />

Exposing the truth behind exposing the truth.<br />

A young, unhappy American soldier presses a key on his<br />

computer and changes the world forever. Fascinating,<br />

frightening, and factual. Oscar-winning documentary<br />

director Alex Gibney (Taxi to the Dark Side, Enron:<br />

The Smartest Guys in the Room) tackles the WikiLeaks<br />

phenomenon, adjusting the conventional focus to<br />

highlight crucial background stories whilst giving chase to<br />

the controversial website’s elusive, enigmatic figurehead,<br />

<strong>Jul</strong>ian Assange.<br />

After the 5.45pm screening on Tuesday 23 <strong>Jul</strong>y there<br />

will be an open discussion on the issues raised by the<br />

film, led by a representative of the Humanist Society of<br />

Scotland.<br />

Humanism is an ethical stance which asserts that we<br />

can lead good lives guided by compassion and reason,<br />

rather than religion or superstition. Humanists are vitally<br />

concerned with issues that affect our world.


6 New releases<br />

THE DEEP BLANCANIEVES WADJDA<br />

NEWRELEASE<br />

The Deep Djúpio<br />

Fri 12 to Thu 18 <strong>Jul</strong><br />

Baltasar Kormákur • Iceland 2<strong>01</strong>2 • 1h35m<br />

DCP • Icelandic with English subtitles<br />

12A – Contains infrequent strong language and moderate threat<br />

Cast: Olafur Darri Olafsson, Jóhann G Jóhannsson, Thorbjörg<br />

Helga Thorgilsdóttir, Theodór Júlíusson, María Sigurdardóttir.<br />

Breathtaking seascapes frame this fascinating study of a<br />

reluctant national hero.<br />

When a fishing boat sinks in the stormy waters off the<br />

coast of Iceland every member of the crew perishes...<br />

except for one. What makes Gulli different and how did he<br />

manage to endure almost nine hours in the frozen sea<br />

Based on astonishing true facts, this is the story of how<br />

one man’s innate survival instinct shocked an army of<br />

medical professionals and came to symbolise the strength<br />

and determination of a nation.<br />

NEWRELEASE<br />

Blancanieves Snow White<br />

Fri 19 <strong>Jul</strong> to Thu 1 Aug<br />

Pablo Berger • Spain/France 2<strong>01</strong>2 • 1h44m • DCP<br />

Spanish with English subtitles • 12A – Contains bullfighting<br />

scenes and infrequent moderate sex references<br />

Cast: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina, Pere<br />

Ponce, Macarene García.<br />

A wildly imaginative reinvention of the Brothers Grimm<br />

fairy tale Snow White, brought to life in the style of<br />

classic silent cinema, shot in gorgeous monochrome and<br />

featuring a stirring flamenco score. The film won 10 Goyas,<br />

including Best Film and awards for both lead actresses.<br />

Set in a romanticised 1920s Seville, director Pablo<br />

Berger’s beautifully realised melodrama follows Carmen,<br />

the daughter of a famous bullfighter, who lives under<br />

the tyrannical rule of her monstrous, evil stepmother.<br />

She escapes and joins a troupe of bullfighting dwarves,<br />

and, due to her beauty and natural talent in the ring,<br />

she becomes a star. But her stepmother, jealous of the<br />

attention Carmen is receiving, plots her downfall...<br />

NEWRELEASE<br />

Wadjda<br />

Fri 19 to Thu 25 <strong>Jul</strong><br />

Haifaa Al-Mansour • Saudi Arabia/Germany 2<strong>01</strong>2 • 1h38m<br />

DCP • Arabic with English subtitles • cert tbc<br />

Cast: Reem Abdullah, Waad Mohammed, Abdullrahman Al<br />

Gohani, Ahd, Sultan Al Assaf.<br />

A groundbreaking drama, shot entirely in Saudi Arabia and<br />

the first feature by a female Saudi filmmaker, Wadjda gives<br />

us a rare glimpse of everyday life in Riyadh, and presents us<br />

with a charming and inspiring young hero in the shape of<br />

a smart, streetwise ten-year-old girl.<br />

Wadjda, lives in Riyadh with her mother, a beautiful young<br />

woman whose absentee husband is about to take a<br />

second wife. Wadjda’s dearest wish is to own a beautiful<br />

bicycle she’s spotted in a local shop – she wants be able<br />

to race her friend Abdullah, a neighbourhood boy. To<br />

raise the money she enters her school’s Koran recital<br />

competition with her eye on the cash prize. But Saudi<br />

society isn’t keen on strong-willed young girls who ride<br />

bicycles, and Wadjda has to fight for what should be hers<br />

by right.


New releases<br />

7<br />

PARIS-MANHATTAN BLACKFISH LIKE SOMEONE IN LOVE<br />

NEWRELEASE<br />

Paris-Manhattan<br />

Tue 23 to Thu 25 <strong>Jul</strong><br />

Sophie Lellouche • France 2<strong>01</strong>2 • 1h20m • DCP<br />

French with English subtitles • cert tbc<br />

Cast: Alice Taglioni, Patrick Bruel, Marine Delterme, Louis-Do<br />

de Lencquesaing, Michel Aumont.<br />

Dreamy pharmacist Alice is totally obsessed with the works<br />

of Woody Allen. She surrounds herself with images of him,<br />

continually quotes lines from his films and even prescribes<br />

her customers DVDs of his movies to help alleviate their<br />

ailments; it’s little wonder she’s still single in her thirties!<br />

Alice’s increasingly concerned family hopes to cure her<br />

fixation by setting her up with a handsome Frenchman,<br />

but he quickly realises that he’s no match for the man of<br />

her dreams... A fun and brazenly nostalgic comedy which<br />

playfully pokes fun at France’s ongoing love affair with the<br />

acclaimed New York auteur.<br />

Matinee Special!<br />

If you’re a Senior Citizen you can go to a matinee<br />

screening and get either soup of the day OR a cup<br />

of tea or coffee and a traycake for only £7!<br />

Offer runs from Mondays to Thursdays inclusive and<br />

only applies to screenings starting before 5.00pm. Ask<br />

for the Matinee Special deal at the box office and you’ll<br />

receive a voucher which can be exchanged in the café<br />

bar between 1.30pm and 5.00pm that day only. Offer is<br />

subject to availability and only available in person.<br />

NEWRELEASE<br />

Blackfish<br />

Fri 26 <strong>Jul</strong> to Thu 1 Aug<br />

Gabriela Cowperthwaite • USA 2<strong>01</strong>3 • 1h22m<br />

DCP • English and Spanish with English subtitles<br />

cert tbc • Documentary<br />

In the summer of 2<strong>01</strong>0, Dawn Brancheau, an experienced<br />

and skilful SeaWorld trainer, died following an incident<br />

involving Tilikum, a 12,000-pound orca. Media reports<br />

called it a freak accident, SeaWorld said these things<br />

almost never happened, the animals were happy and the<br />

trainers safe. But filmmaker Gabriela Cowperthwaite, who<br />

had recently visited SeaWorld with her children, wondered<br />

if there was more to the story than first appeared. Why<br />

would a highly intelligent animal attack its trainer – in<br />

effect, bite the hand that feeds it Investigating further, she<br />

was shocked to discover that Tilikum had been involved in<br />

an earlier incident at another marine park, and that attacks<br />

on humans by killer whales in captivity were actually fairly<br />

commonplace (though unheard of in the wild).<br />

This gripping and moving film, which includes distressing<br />

footage and emotional interviews, reveals how the<br />

treatment of these magnificent animals in captivity has<br />

turned them from sociable, loving creatures into potential<br />

killers.<br />

NEWRELEASE<br />

Like Someone In Love<br />

Mon 29 <strong>Jul</strong>y to Thu 1 Aug<br />

Abbas Kiarostami • France/Japan 2<strong>01</strong>2 • 1h50m<br />

DCP • Japanese with English subtitles<br />

12A – Contains moderate sex references<br />

Cast: Tadashi Okuno, Rin Takanashi, Ryo Kase, Denden, Reiko<br />

Mori.<br />

Akiko (Rin Takanashi) is a beautiful, reserved young student<br />

who works as a prostitute on the side. Takeshi (Denden)<br />

is her client, an elderly academic who could be her<br />

grandfather. Noriaki (Ryo Kase) is Akiko’s verbose, insecure<br />

boyfriend, unaware of her double life.<br />

At least that’s who they are as Abbas Kiarostami’s Tokyo-set<br />

film sets up its narrative. Yet, as always with the Iranian<br />

master’s key works, identity is a slippery, mysterious thing.<br />

In Kiarostami’s universe – and in ours – relationships are<br />

infinitely elastic and subject to context that can twist<br />

unexpectedly, upending the meaning of who we are<br />

entirely. While the film progresses, its characters refuse to<br />

play out their roles in the usual manner. Even the director,<br />

you might argue, evades and resists his usual role.


8<br />

Maybe you missed/Restored classic<br />

BEHIND THE CANDELABRA THE STOKER THE ENIGMA OF KASPAR HAUSER<br />

MAYBEYOUMISSED<br />

Behind the Candelabra<br />

Mon 1 to Thu 4 <strong>Jul</strong><br />

Steven Soderbergh • USA 2<strong>01</strong>3 • 1h58m • DCP<br />

15 – Contains strong language, sex, sex references and drug use<br />

Cast: Michael Douglas, Matt Damon, Rob Lowe, Scott Bakula,<br />

Debbie Reynolds.<br />

Before Elvis, before Elton John, Madonna and Lady<br />

Gaga, there was Liberace: virtuoso pianist, outrageous<br />

entertainer and flamboyant star of stage and television. A<br />

name synonymous with showmanship, extravagance and<br />

candelabras, he was a world-renowned performer with<br />

a flair that endeared him to his audiences and created<br />

a loyal fan base spanning his 40-year career. Liberace<br />

lived lavishly and embraced a lifestyle of excess both on<br />

and off stage. In the summer of 1977, handsome young<br />

stranger Scott Thorson walked into his dressing room and,<br />

despite their age difference, the two embarked on a secret<br />

five-year love affair. Steven Soderbergh’s sumptuous film,<br />

featuring wonderful performances from Michael Douglas<br />

and Matt Damon, takes a behind-the-scenes look at their<br />

tempestuous relationship.<br />

“Much more than a biopic about Liberace, this expertly<br />

assembled film recounts a true love story in a way we<br />

rarely see on screen: with honest humour, real feeling and<br />

startling insight.” - Shadows on the Wall<br />

SUBTITLEDSCREENING<br />

See page 2 for details.<br />

MAYBEYOUMISSED<br />

The Stoker Kochegar<br />

Mon 8 to Thu 11 <strong>Jul</strong><br />

Alexey Balabanov • Russia 2<strong>01</strong>0 • 1h27m<br />

DCP • Russian with English subtitles<br />

15 – Contains strong sex, violence and sexual violence<br />

Cast: Mikhail Skryabin, Yuri Matveev, Alexander Mosin, Aida<br />

Tumutova, Anna Korotayeva.<br />

A second chance to see <strong>Filmhouse</strong>’s first release as<br />

distributor, a fascinating, atmospheric, stylistic<br />

tour-de-force of idiosyncratic filmmaking..<br />

Set in the mid 1990s outside St Petersburg, The Stoker tells<br />

the story of an ethnic Yakut, Major Skryabin, a shell-shocked<br />

veteran of the Afghan-Soviet War, who works as a stoker.<br />

Living in the incinerator room, the Major shovels coal all<br />

day, and fills his spare time writing a novel about a Russian<br />

criminal sent into exile in Yakutia in the XIX century, whilst<br />

turning a blind eye to his former military comrade-turnedhitman,<br />

the Sergeant, who arrives to dispose of bodies. But<br />

even our compliant stoker has his limits…<br />

This harsh, disturbing, minimalist, relentlessly evenly-paced,<br />

pitch-black comedy/drama gradually and steadily assumes<br />

considerable power, as Balabanov deftly teases our<br />

expectations, most notably, perhaps, with an ironic jaunty<br />

Latin-inflected, electro-folk score which works to perfection.<br />

Also available on <strong>Filmhouse</strong> Player from 12 <strong>Jul</strong>y – see<br />

page 21 or go to www.filmhousecinema.com/player for<br />

more information.<br />

RESTOREDCLASSIC<br />

The Enigma of Kaspar Hauser<br />

Jeder für sich und Gott gegen alle<br />

Fri 5 to Thu 11 <strong>Jul</strong><br />

Werner Herzog • West Germany 1974 • 1h49m<br />

DCP • German with English subtitles • PG<br />

Cast: Bruno S, Walter Ladengast, Brigitte Mira, Willy<br />

Semmelrogge, Michael Kroecher.<br />

The best by far of the various films about the full-grown<br />

man who turned up out of the blue in 19th-century<br />

Germany, barely able to walk or talk, and became a figure<br />

of fame and controversy among doctors, scientists and<br />

educationalists of the day. Wisely, Herzog hardly bothers<br />

about Hauser’s origins and mysterious fate, choosing<br />

instead to compare Kaspar – an innocent at the mercy<br />

of a society too sure of itself – with the mostly liberal but<br />

blinkered rationalists who determine to shape his new<br />

life. Bruno S, himself something of an outcast, plays Kaspar<br />

to perfection, while Herzog brings a rare lyricism to his<br />

account of purity imperilled by contact with civilisation.<br />

Arguably his warmest and most poignant feature.<br />

Screening in a new digital restoration.


The Paradise Trilogy<br />

9<br />

PARADISE: LOVE PARADISE: FAITH PARADISE: HOPE<br />

The Paradise<br />

Trilogy<br />

Austrian iconoclast Ulrich Seidl’s Paradise trilogy<br />

is an epic thematic tapestry telling the story of<br />

three women, whose stories delicately cross<br />

over between films, each finding themselves at a<br />

turning point in their lives while on a journey to<br />

find happiness.<br />

Paradise: Love Paradies: Liebe<br />

Fri 26 to Sun 28 <strong>Jul</strong><br />

Ulrich Seidl • Austria/Germany/France 2<strong>01</strong>2 • 2h • DCP<br />

German, English and Swahili with English subtitles<br />

18 – Contains strong sex and nudity<br />

Cast: Margarete Tiesel, Peter Kazungu, Inge Maux, Dunja Sowinetz.<br />

Paradise: Love follows 50-year-old divorcee Teresa, who<br />

sends her daughter to weight loss camp before heading to<br />

the Kenyan beaches for a vacation. There, a friend introduces<br />

her to the world of sexual tourism, where older women<br />

become ‘Sugar Mamas’ for strapping young beach boys.<br />

Uncomfortable at first, Teresa eventually meets Munga, a<br />

more sensitive suitor who seems to feel a genuine affection<br />

towards the older woman. But it soon becomes unclear<br />

who is the exploiter and who is the exploited. Seidl sets the<br />

tone for the trilogy with his signature blend of realism, social<br />

commentary, and warped humour. Giving a truly brave<br />

performance is lead actress Margarete Tiesel, who embodies<br />

the tragedy of a woman looking for true romance in a<br />

society where that is the one thing money cannot buy.<br />

Paradise: Faith Paradies: Glaube<br />

Fri 9 to Sun 11 Aug at 3.30pm + 8.45pm<br />

Ulrich Seidl • Austria/Germany/France 2<strong>01</strong>2 • 1h53m<br />

DCP • German and Arabic with English subtitles • cert tbc<br />

Cast: Maria Hofstätter, Nabil Saleh, Natalya Baranova, Rene<br />

Rupnik, Daniel Hoesl.<br />

The second film of Ulrich Seidl’s Paradise trilogy follows<br />

Anna Maria (Maria Hofstatter, one of the director’s frequent<br />

collaborators), the fanatically religious self-flagellating<br />

sister of the main character from Paradise: Love, who<br />

decides to spend her vacation time doing missionary<br />

work in the suburbs of Vienna. With a foot-high statue<br />

of the Virgin Mary in tow, she travels through immigrant<br />

communities imposing her beliefs on those she meets. Her<br />

work is interrupted by the surprise return of her husband<br />

Nabil (Nabil Saleh), an Egyptian Muslim who has been<br />

absent for two years and is now confined to a wheelchair.<br />

He is shocked by the change in his wife, and the two soon<br />

engage in an abrasive theological face-off.<br />

With Paradise: Faith, Seidl gleefully examines the<br />

hypocrisies of religious zealotry through expressive<br />

confrontation, satire, and a shockingly explicit chance<br />

encounter. But the film also shows tenderness, as the<br />

relationship between husband and wife, fractured as it<br />

may have become, is their true saving grace.<br />

Paradise: Hope Paradies: Hoffnung<br />

Fri 23 to Sun 25 Aug at 3.30pm + 8.45pm<br />

Ulrich Seidl • Austria/France/Germany 2<strong>01</strong>3 • 1h40m<br />

DCP • German with English subtitles • cert tbc<br />

Cast: Melanie Lenz, Verena Lehbauer, Joseph Lorenz, Michael<br />

Thomas, Viviane Bartsch.<br />

Ulrich Seidl’s Paradise trilogy concludes as it began, with<br />

divorced mother Teresa sending her daughter Melanie off<br />

to weight loss camp, but this final chapter has a lighter<br />

touch and a surprising sweetness. A chubby 13-year-old,<br />

Melanie (Melanie Lenz) is not at all excited about this drab,<br />

industrialised campground in the middle of the woods<br />

where dieticians and fitness coaches impose a boot-camp<br />

style regimen. That is, until she meets Verena (Verena<br />

Lehbauer), a ribald cabin mate who loves to share tales of<br />

her extensive sexual experience, and even sneaks Melanie<br />

into town for a spirited night of drinking and dancing.<br />

While Paradise: Hope contains all the hallmarks of Seidl’s<br />

distinctive and provocative style, here he fills the story with<br />

a sensitive openness, with Melanie as a particularly poignant<br />

heroine, that provides an unexpected and refreshing finale<br />

to the series, ending on a true note of hope.<br />

TICKETDEALS<br />

See all three films in this season and get 15% off<br />

This offer is available online, in person and on the<br />

phone, on both full price and concession price tickets.<br />

Tickets must all be bought at the same time.


10 Ray Harryhausen<br />

MYSTERIOUS ISLAND THE GOLDEN VOYAGE OF SINBAD JASON AND THE ARGONAUTS<br />

Ray Harryhausen<br />

Ray Harryhausen, visual effects pioneer and<br />

stop-motion model animator, died on 7 May<br />

2<strong>01</strong>3 at the age of 92. Harryhausen’s influence<br />

on today’s filmmakers was enormous; Steven<br />

Spielberg, James Cameron, Peter Jackson,<br />

George Lucas, John Landis and Nick Park have<br />

cited Harryhausen as being the man whose<br />

work inspired their own creations.<br />

Harryhausen’s fascination with animated<br />

models began when he first saw Willis<br />

O’Brien’s creations in King Kong in 1933, and<br />

he made his first foray into filmmaking in 1935<br />

with home movies that featured his youthful<br />

attempts at model animation. Over the years<br />

he worked on some of the fantasy genre’s<br />

best known movies, and is perhaps best<br />

remembered for his extraordinary animation<br />

of seven skeletons in Jason and the Argonauts<br />

(1963), which took him three months to film.<br />

Harryhausen’s genius was in being able to<br />

bring his models alive. Whether they were<br />

prehistoric dinosaurs or mythological creatures,<br />

in his hands they were no longer puppets but<br />

became instead characters in their own right,<br />

just as important as the actors they played<br />

against and in most cases even more so.<br />

Mysterious Island<br />

Sat 13 <strong>Jul</strong> at 12.50pm & Sun 14 <strong>Jul</strong> at 3.30pm<br />

Cy Endfield • UK/USA 1961 • 1h41m • 35mm • U<br />

Cast: Michael Craig, Joan Greenwood, Michael Callan, Herbert Lom.<br />

During the US Civil War, a group of Union soldiers escape<br />

from a Confederate stockade in a hydrogen balloon, only<br />

to be blown out to sea by a violent storm and marooned<br />

on an uncharted island. They soon encounter the island’s<br />

bizarre wildlife – an enormous crab, a huge chicken, mansized<br />

bees – and begin to suspect they’re being watched...<br />

Ray Harryhausen: Special Effects Titan<br />

Sun 14 <strong>Jul</strong> at 1.00pm<br />

Gilles Penso • France 2<strong>01</strong>1 • 1h37m • DCP<br />

PG – Contains mild fantasy violence • Documentary<br />

A look at the pioneering work of Ray Harryhausen,<br />

featuring unprecedented access to his workshop and<br />

model collection, previously unseen footage, and<br />

interviews with Harryhausen himself plus some of the<br />

filmmakers who have been influenced by him, including<br />

Peter Jackson, Nick Park, Terry Gilliam, John Landis and<br />

Guillermo Del Toro.<br />

TICKETDEALS<br />

Buy any three (or more) tickets for films in this season<br />

and get 15% off<br />

Buy any six (or more) tickets for films in this season and<br />

get 25% off<br />

These offers are available online, in person and on the<br />

phone, on both full price and concession price tickets.<br />

Tickets must all be bought at the same time.<br />

The 7th Voyage of Sinbad<br />

Sat 20 <strong>Jul</strong> at 1.00pm & Sun 21 <strong>Jul</strong> at 3.30pm<br />

Nathan Juran • USA 1958 • 1h28m • DCP • U<br />

Cast: Kerwin Mathews, Kathryn Grant, Richard Eyer, Torin<br />

Thatcher, Alec Mango.<br />

Sinbad is sailing to Baghdad, accompanied by Princess<br />

Parisa, his future bride. A violent storm blows the ship off<br />

course, and the travellers land on the island of Colossa,<br />

where they find the sorcerer Sokurah being chased by<br />

a monstrous cyclops from whom he has stolen a magic<br />

lamp. Sinbad fends off the cyclops, and with help from<br />

the lamp’s genie they are able to escape. But that’s just the<br />

beginning of their adventures...<br />

Harryhausen’s first colour film is also one of the greatest<br />

achievements in fantasy filmmaking since King Kong,<br />

featuring a baby roc and its giant mother, a fire-breathing<br />

dragon and a sword-fighting skeleton.<br />

The Golden Voyage of Sinbad<br />

Sat 27 <strong>Jul</strong> at 1.00pm & Sun 28 <strong>Jul</strong> at 3.30pm<br />

Gordon Hessler • USA 1973 • 1h45m • 35mm • U<br />

Cast: John Phillip Law, Caroline Munro, Tom Baker, Douglas<br />

Wilmer, Martin Shaw.<br />

The second of Harryhausen’s three Sinbad epics, this film<br />

finds the titular hero played by John Phillip Law, while<br />

the principal villain, Koura, is portrayed by future Dr Who<br />

Tom Baker. The plot sends Sinbad and his crew on a quest<br />

for a valuable and magical golden tablet. Harryhausen’s<br />

‘Dynamation’ highlights include a six-armed statue, a oneeyed<br />

centaur and a flying griffin.


Ray Harryhausen/BAFTA Scotland/<strong>Filmhouse</strong> Cafe Bar<br />

11<br />

CLASH OF THE TITANS<br />

GAMES INDUSTRY SECRETS OF SUCCESS<br />

FILMHOUSE CAFE BAR<br />

Jason and the Argonauts<br />

Sat 3 Aug at 1.00pm & Sun 4 Aug at 3.30pm<br />

Don Chaffey • UK/USA 1963 • 1h44m • DCP • U<br />

Cast: Todd Armstrong, Nancy Kovack, Gary Raymond, Laurence<br />

Naismith, Honor Blackman.<br />

Jason sets out on a perilous quest to find the Golden<br />

Fleece, leading a team of adventurers called the Argonauts.<br />

Along the way they encounter a multitude of monsters<br />

including bronze giant Talos, the Harpies, the Hydra and<br />

an army of skeletons. As well as Harryhausen’s pioneering<br />

special effects, Jason and the Argonauts features an<br />

exciting score by Bernard Herrmann, who gives each<br />

monster its own theme.<br />

Clash of the Titans<br />

Sat 10 Aug at 1.00pm & Sun 11 Aug at 3.30pm<br />

Desmond Davis • USA 1981 • 1h58m • 35mm • 12A<br />

Cast: Laurence Olivier, Harry Hamlin, Claire Bloom, Maggie<br />

Smith, Judi Bowker.<br />

Perseus, the mortal son of Zeus, goes on a quest to win the<br />

hand of the beautiful Andromeda and defeat her former<br />

betrothed Calibos, who has been turned into a monster.<br />

With the help of the poet Ammon and a robot owl, Perseus<br />

must also catch and tame the winged horse Pegasus,<br />

overcome some giant scorpions, and behead the evil<br />

Medusa, all in an attempt to stop Andromeda from being<br />

sacrificed to the giant creature known as the Kraken.<br />

Don’t forget tickets for children under<br />

twelve are £3.50 for any screening!<br />

SPECIALEVENT<br />

BAFTA Scotland presents:<br />

Games Industry Secrets of Success<br />

Sat 20 <strong>Jul</strong> at 10.30am<br />

1h30m<br />

In a new partnership with <strong>Filmhouse</strong>, BAFTA Scotland will<br />

present four informative and interactive panel sessions on<br />

the screen industries, covering Games, Television, Music<br />

and Film. In this inaugural event join host Brian Baglow as<br />

we hear some Scottish success stories from our flourishing<br />

games development industry.<br />

Did you know that Scotland is home to over 80 games<br />

companies and ranks 3rd in Europe’s top 50 game<br />

developer locations Discover more about Scotland’s<br />

games industry, see some cool games in action and learn<br />

how developers are working with television and film<br />

companies to create licensed products. The panel session<br />

is followed by a Q&A where you can join the conversation.<br />

Tickets £4/3 concessions, available from <strong>Filmhouse</strong>.<br />

Free for BAFTA members – book via bafta.org/Scotland<br />

<strong>Filmhouse</strong> Cafe Bar<br />

Drop in for a cappuccino, espresso or herbal tea<br />

and enjoy one of our superb cakes.<br />

Our full menu runs from noon to 10pm seven<br />

days a week!<br />

All our dishes are prepared on the premises using<br />

fresh ingredients.<br />

We have an extensive vegetarian range with a<br />

variety of daily specials.<br />

A glass of wine Choose from nine! The bar has<br />

real choice in ales, beers and bottles.<br />

A special event Just ask, we can probably help.<br />

Or just come and relax in the ambience!<br />

Opening hours:<br />

Monday to Thursday: 8am - 11.30pm<br />

Friday: 8am - 12.30am<br />

Saturday: 10am - 12.30am<br />

Sunday: 10am - 11.30pm<br />

<strong>01</strong>31 229 5932 cafebar@filmhousecinema.com<br />

Film Quiz<br />

Sunday 14 <strong>Jul</strong>y<br />

<strong>Filmhouse</strong>’s phenomenally successful (and rather<br />

tricky) monthly quiz. Free to enter, teams of up to<br />

eight, to be seated in the cafe bar by 9pm.


12 FILMHOUSE PROGRAMME 1 <strong>Jul</strong>y - 1 August 2<strong>01</strong>3 BOX OFFICE <strong>01</strong>31 228 2688<br />

DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES<br />

Mon 1 Behind the Candelabra 2.30/6.00/8.40<br />

1 2 Our Children 3.35/6.15/8.45<br />

<strong>Jul</strong> 3 The Battle Of The Sexes 3.30/8.25<br />

3 Fire in the Night 6.10<br />

Tue 1 Behind the Candelabra 2.30<br />

2 1 Behind the Candelabra (S) 6.00 (subtitled)<br />

<strong>Jul</strong> 1 Ghosted<br />

8.15 + discussion<br />

2 Epic (WW) 1.30<br />

2 Our Children 3.35/6.15/8.45<br />

3 Fire in the Night 3.30<br />

3 Armored Car Robbery (RF) 6.30<br />

3 The Battle Of The Sexes 8.25<br />

Wed 1 Behind the Candelabra 2.30/6.00/8.40<br />

3 2 Epic (WW) 1.30<br />

<strong>Jul</strong> 2 Our Children 3.35/6.15/8.45<br />

3 The Battle Of The Sexes 3.30/6.10<br />

3 Fire in the Night 8.25<br />

Thu 1 Behind the Candelabra 2.30/5.45<br />

4 1 Queen Margaret University 8.30<br />

<strong>Jul</strong> 2 Epic (WW) 1.30<br />

2 Our Children 3.35/6.00/8.45<br />

3 Fire in the Night 3.30<br />

3 Violent Saturday (RF) 6.15<br />

3 The Battle Of The Sexes 8.25<br />

Fri 1 The Bling Ring (AD) 1.00/3.05/5.10<br />

5 1 The Bling Ring (AD) 7.15/9.20<br />

<strong>Jul</strong> 2 Renoir 1.10/3.40/6.10/8.40<br />

3 The Enigma of Kaspar Hauser 1.15/3.35/8.30<br />

3 Fire in the Night 6.00<br />

Sat 1 All Stars (WW) 1.00<br />

6 1 The Bling Ring (AD) 3.05/5.10/7.15/9.20<br />

<strong>Jul</strong> 2 Michael H... Director (MH) 1.45/6.10<br />

2 Renoir 3.40/8.20<br />

3 Fire in the Night 1.15<br />

3 The Enigma of Kaspar Hauser 3.35/8.30<br />

3 Renoir 6.00<br />

Sun 1 All Stars (WW)<br />

11.00am<br />

7 1 The Bling Ring (AD) 1.30/3.40/5.45/8.15<br />

<strong>Jul</strong> 2 Renoir 1.10/3.40/8.20<br />

2 Michael H... Director (MH) 6.10<br />

3 The Enigma of Kaspar Hauser 1.15/3.35/8.30<br />

3 The Vikings (RF) 6.00<br />

Mon 1 Renoir (B)<br />

11am (carers + babies)<br />

8 1 The Bling Ring (AD) 2.30/6.00/8.15<br />

<strong>Jul</strong> 2 Renoir 3.40/6.10/8.40<br />

3 The Enigma of Kaspar Hauser 3.30/8.30<br />

3 The Stoker 6.30<br />

Tue 1 The Bling Ring (AD) 2.30/6.00/8.15<br />

9 2 My Neighbour Totoro (WW) 1.40<br />

<strong>Jul</strong> 2 Renoir 3.40/6.10/8.40<br />

3 The Enigma of Kaspar Hauser 3.30/8.30<br />

3 The Stoker 6.30<br />

Wed 1 The Bling Ring (AD) 2.30/6.00/8.15<br />

10 2 My Neighbour Totoro (WW) 1.40<br />

<strong>Jul</strong> 2 Renoir 3.40/8.40<br />

2 The Seventh Continent (MH) 6.10<br />

3 The Enigma of Kaspar Hauser 3.30/6.15<br />

3 The Stoker 8.50<br />

Thu 1 The Bling Ring (AD) 2.30/6.00/8.15<br />

11 2 My Neighbour Totoro (WW) 1.40<br />

<strong>Jul</strong> 2 Renoir 3.40/6.10<br />

2 The Seventh Continent (MH) 8.40<br />

3 The Enigma of Kaspar Hauser 3.30/6.15<br />

3 The Stoker 8.50<br />

Fri 1 The Bling Ring (AD) 1.00/3.05/5.10<br />

12 1 The Bling Ring (AD) 7.15/9.20<br />

<strong>Jul</strong> 2 Stories We Tell 1.10/6.15<br />

2 We Steal Secrets... WikiLeaks 3.30/8.35<br />

3 We Steal Secrets... WikiLeaks 1.15<br />

3 The Deep 4.00/6.30/8.45<br />

Sat 1 Mysterious Island (RH) 12.50<br />

13 1 The Bling Ring (AD) 3.05/5.10/7.15/9.20<br />

<strong>Jul</strong> 2 Stories We Tell 1.10/8.55<br />

2 We Steal Secrets... WikiLeaks 3.30/6.15<br />

3 We Steal Secrets... WikiLeaks 1.15<br />

3 The Deep 4.00/6.30/8.45<br />

Sun 1 The Bling Ring (AD) 1.10/6.00/8.15<br />

14 1 Mysterious Island (RH) 3.30<br />

<strong>Jul</strong> 2 Ray Harryhausen... Titan (RH) 1.00<br />

2 We Steal Secrets... WikiLeaks 3.10/8.20<br />

2 Stories We Tell 5.55<br />

3 We Steal Secrets... WikiLeaks 1.15<br />

3 The Deep 4.00/6.30<br />

3 Benny’s Video (MH) 8.45<br />

Mon 1 Stories We Tell (B)<br />

11am (carers + babies)<br />

15 1 The Bling Ring (AD) 2.30/6.00/8.15<br />

<strong>Jul</strong> 2 We Steal Secrets... WikiLeaks 3.15/8.30<br />

2 Stories We Tell 6.05<br />

3 The Deep 3.30/8.45<br />

3 Benny’s Video (MH) 6.15<br />

Tue 1 The Bling Ring (AD) 2.30/6.00/8.15<br />

16 2 Spirited Away (WW) 12.45<br />

<strong>Jul</strong> 2 We Steal Secrets... WikiLeaks 3.15/6.05<br />

2 Stories We Tell 8.50<br />

3 Stories We Tell 3.30<br />

3 The Deep 6.30/8.45<br />

Wed 1 The Bling Ring (AD) 2.30/6.00/8.15<br />

17 2 Spirited Away (WW) 12.45<br />

<strong>Jul</strong> 2 We Steal Secrets... WikiLeaks 3.15/6.05<br />

2 Stories We Tell 8.50<br />

3 The Deep 3.30/8.45<br />

3 71 Fragments... (MH) 6.30<br />

Thu 1 The Bling Ring (AD) 2.30/6.00/8.15<br />

18 2 Spirited Away (WW) 12.45<br />

<strong>Jul</strong> 2 Stories We Tell 3.15/6.05<br />

2 We Steal Secrets... WikiLeaks 8.30<br />

3 The Deep 3.30/6.30<br />

3 71 Fragments... (MH) 8.45<br />

Fri 1 Blancanieves 1.00/3.30/6.00/8.30<br />

19 2 The Bling Ring (AD) 1.10/8.15<br />

<strong>Jul</strong> 2 Wadjda 3.15/5.45<br />

3 We Steal Secrets... WikiLeaks 1.15/8.20<br />

3 The Bling Ring (AD) 4.00/6.10<br />

Sat 1 The 7th Voyage of Sinbad (RH) 1.00<br />

20 1 Blancanieves 3.30/6.00/8.30<br />

<strong>Jul</strong> 2 BAFTA Scotland presents:<br />

Games Industry Secrets of Success 10.30am (£4/£3)<br />

2 The Bling Ring (AD) 1.10/8.15<br />

2 Wadjda 3.15/5.45<br />

3 We Steal Secrets... WikiLeaks 1.15/8.20<br />

3 The Bling Ring (AD) 4.00/6.10<br />

Sun 1 Blancanieves 1.00/6.00/8.30<br />

21 1 The 7th Voyage of Sinbad (RH) 3.30<br />

<strong>Jul</strong> 2 The Bling Ring (AD) 1.10/5.45<br />

2 Wadjda 3.15<br />

2 The Castle (MH) 8.00<br />

3 We Steal Secrets... WikiLeaks 1.15/6.10<br />

3 The Bling Ring (AD) 4.00<br />

3 Wadjda 8.55<br />

Mon 1 Wadjda (B)<br />

11am (carers + babies)<br />

22 1 The Bling Ring (AD) 1.30<br />

<strong>Jul</strong> 1 Blancanieves 3.45/6.00/8.30<br />

2 Wadjda 3.15<br />

2 The Bling Ring (AD) 6.10<br />

2 We Steal Secrets... WikiLeaks 8.15<br />

3 We Steal Secrets... WikiLeaks 3.30<br />

3 The Castle (MH) 6.15<br />

3 Wadjda 8.55


WWW.FILMHOUSECINEMA.COM 1 <strong>Jul</strong>y - 1 August 2<strong>01</strong>3 FILMHOUSE PROGRAMME<br />

13<br />

DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES DATE SCREEN NUMBER & FILM TITLE SCREENING TIMES<br />

DATE SCREEN NUMBER & FILM TITLE<br />

SCREENING TIMES<br />

Tue 1 The Bling Ring (AD) 1.30/9.00<br />

23 1 Blancanieves 3.45<br />

<strong>Jul</strong> 1 We Steal Secrets... WikiLeaks 5.45 + discussion<br />

2 P. Jackson & Lightning Thief (WW) 1.15<br />

2 Wadjda 3.45/8.15<br />

2 Blancanieves 6.00<br />

3 Paris-Manhattan 1.20/6.15<br />

3 We Steal Secrets... WikiLeaks 3.30<br />

3 Blancanieves 8.30<br />

Wed 1 The Bling Ring (AD) 1.30<br />

24 1 Blancanieves 3.45/6.10/8.30<br />

<strong>Jul</strong> 2 P. Jackson & Lightning Thief (WW) 1.15<br />

2 Wadjda 3.45/6.00<br />

2 The Bling Ring (AD) 8.15<br />

3 Paris-Manhattan 1.20/6.15<br />

3 We Steal Secrets... WikiLeaks 3.30/8.20<br />

Thu 1 The Bling Ring (AD) 1.30<br />

25 1 Blancanieves 3.45/6.10/8.30<br />

<strong>Jul</strong> 2 P. Jackson & Lightning Thief (WW) 1.15<br />

2 Wadjda 3.45/6.00<br />

2 The Bling Ring (AD) 8.15<br />

3 Paris-Manhattan 1.20/9.00<br />

3 We Steal Secrets... WikiLeaks 3.30/6.15<br />

Fri 1 The Bling Ring (AD) 1.00/8.40<br />

26 1 Blancanieves 3.30/6.15<br />

<strong>Jul</strong> 2 Blackfish 1.10<br />

2 Paradise: Love 3.15/5.50<br />

2 Blancanieves 8.30<br />

3 The Bling Ring (AD) 1.30/6.00<br />

3 Blackfish 3.45/8.15<br />

Sat 1 The Golden Voy. of Sinbad (RH) 1.00<br />

27 1 Blancanieves 3.30/6.15<br />

<strong>Jul</strong> 1 The Bling Ring (AD) 8.40<br />

2 The Bling Ring (AD) + (S) 1.10 (subtitled)<br />

2 Paradise: Love 3.15/5.50<br />

2 Blancanieves 8.30<br />

3 Blackfish 1.30/8.15<br />

3 The Bling Ring (AD) 3.45/6.00<br />

Sun 1 The Bling Ring (AD) 1.00/6.15<br />

28 1 The Golden Voy. of Sinbad (RH) 3.30<br />

<strong>Jul</strong> 1 Blancanieves 8.30<br />

2 Blackfish 1.10<br />

2 The Women 3.10<br />

2 Blancanieves 6.00<br />

2 Paradise: Love 8.20<br />

3 Paradise: Love 1.30<br />

3 Blackfish 4.05/8.45<br />

3 Funny Games (MH) 6.10<br />

Mon 1 Blancanieves (B)<br />

11am (carers + babies)<br />

29 1 Blancanieves 2.30/8.30<br />

<strong>Jul</strong> 1 The Bling Ring (AD) 6.15<br />

2 The Bling Ring (AD) 3.15<br />

2 Blancanieves 6.00<br />

2 Like Someone In Love 8.20<br />

3 Blackfish 3.30/6.30<br />

3 Funny Games (MH) 8.45<br />

Tue 1 Despicable Me 2 (WW) 1.30<br />

30 1 Blancanieves 3.40/8.40<br />

<strong>Jul</strong> 1 Willow (CS) 6.00<br />

2 Like Someone In Love 3.15/8.30<br />

2 Blancanieves 6.10<br />

3 Blackfish 3.30/8.20<br />

3 The Bling Ring (AD) 6.15<br />

Wed 1 Despicable Me 2 (WW) 1.30<br />

31 1 Blancanieves 3.40/6.15<br />

<strong>Jul</strong> 1 The Bling Ring (AD) 8.40<br />

2 Like Someone In Love 3.15/6.10<br />

2 Blancanieves 8.35<br />

3 Blackfish 3.30/8.30<br />

3 Code Unknown (MH) 6.00<br />

Thu 1 Despicable Me 2 (WW) 1.30<br />

1 1 Blancanieves 3.40/6.15<br />

Aug 1 The Bling Ring (AD) 8.40<br />

2 The Bling Ring (AD) 3.15<br />

2 Like Someone In Love 6.10<br />

2 Blancanieves 8.35<br />

3 Blackfish 3.30/6.30<br />

3 Code Unknown (MH) 8.30<br />

KEY<br />

(AD) – Audio Description (see page 2)<br />

(B) – Carer & baby screening (see page 2)<br />

(S) – Subtitled (see page 2)<br />

All screenings in 2D unless marked [3D]<br />

SEASONS:<br />

(CS) – Come and See... (page 19)<br />

(MH) – Michael Haneke: Presented by Drambuie<br />

(pages 14-16)<br />

(RF) – Richard Fleischer (page 20)<br />

(RH) – Ray Harryhausen (pages 10-11)<br />

(WW) – Weans’ World (page 18-19)<br />

Full index of films on page 2<br />

TICKET PRICES & INFORMATION<br />

MATINEES (Shows starting prior to 5pm)<br />

Mon - Thu: £6.50 full price, £4.50 concessions<br />

Friday Matinees: £5.00/£3.50 concessions<br />

Sat - Sun: £8.20 full price, £6.00 concessions<br />

EVENING SCREENINGS (Starting 5pm and later)<br />

£8.20 full price, £6.00 concessions<br />

All tickets to Weans’ World screenings (marked WW<br />

on grid) are £3.50. Tickets for children under 12 are<br />

£3.50 for any screening.<br />

For screenings in 3D add £2 to ticket price.<br />

<strong>Filmhouse</strong> Members get £1.50 off every ticket<br />

(excludes Friday matinees and Weans’ World)<br />

Concessions available for: children (under 15); students<br />

(with valid matriculation card); school pupils (15-18 years);<br />

Young Scot cardholders; senior citizens; people with<br />

disability or invalidity status (carers go free); claimants<br />

(Jobseekers Allowance, Disability Living Allowance, Housing<br />

Benefit); NHS employees (with proof of employment).<br />

We participate in the Orange Wednesdays 2 for 1 scheme.<br />

There are usually ticket deals available on film seasons.<br />

All performances are bookable in advance, in person,<br />

online at www.filmhousecinema.com or by phone on <strong>01</strong>31<br />

228 2688. We do not charge a fee for bookings made by<br />

telephone or on the website. Tickets may also be reserved<br />

without payment, in which case they must be collected no<br />

later than 30 minutes before the performance starts.<br />

Tickets cannot be exchanged nor money refunded<br />

except in the event of a cancellation of a performance.<br />

Screenings are subject to change, but only in extraordinary<br />

circumstances.<br />

All seats are unreserved. If you require seats together<br />

please arrive in plenty of time. <strong>Cinema</strong>s will be open<br />

15 minutes before the start of each screening. The<br />

management reserves the right of admission and will not<br />

admit latecomers. Children under the age of 12 must be<br />

accompanied by an adult.<br />

Double bills are shown in the same order as indicated on<br />

these pages. Intervals in double bills last 10 minutes.<br />

BOX OFFICE: <strong>01</strong>31 228 2688 (10am-9pm daily)<br />

PROGRAMME INFO: <strong>01</strong>31 228 2689<br />

BOOK ONLINE: www.filmhousecinema.com


14 Michael Haneke: Presented by Drambuie<br />

MICHAEL H - PROFESSION: DIRECTOR THE SEVENTH CONTINENT BENNY’S VIDEO<br />

Drambuie brings you<br />

A Taste of the Extraordinary...<br />

Michael Haneke<br />

Michael Haneke is one of the most brilliant and<br />

distinctive writer/directors of contemporary<br />

European cinema. We are delighted to present<br />

this retrospective, which includes every feature<br />

film made by this exceptional filmmaker plus a<br />

documentary about his work.<br />

This is the sixth and final special season of<br />

films produced in partnership with Drambuie.<br />

Drambuie’s support means <strong>Filmhouse</strong> can<br />

screen some unique cinematic programmes that<br />

showcase the unexpected and extraordinary<br />

from film history. Audiences will also experience<br />

Drambuie’s blend of Scotch whisky, spices and<br />

heather honey in an array of bespoke cocktails<br />

created to celebrate each season by Drambuie’s<br />

Brand Ambassador, Bruce Hamilton.<br />

For updates and giveaways on Drambuie’s<br />

‘A Taste of the Extraordinary’ cinema seasons,<br />

visit facebook.com/UKDrambuie or @Drambuie<br />

Michael H - Profession: Director<br />

Michael Haneke - Porträt eines Film-<br />

Handwerkers<br />

Sat 6 <strong>Jul</strong> at 1.45pm + 6.10pm & Sun 7 <strong>Jul</strong> at 6.10pm<br />

Yves Montmayeur • Austria/France 2<strong>01</strong>2 • 1h32m<br />

DCP • German and French with English subtitles<br />

18 – Contains strong bloody violence and explicit images of sex<br />

Documentary<br />

Over the last 25 years, Michael Haneke has established<br />

himself as one of the most important directors in cinema<br />

history. From his early work to Amour, he has created a<br />

unique universe, revealing like no other the darkest corners<br />

of society, our existential fears and emotional outbursts.<br />

Through interviews with his actors, Isabelle Huppert,<br />

<strong>Jul</strong>iette Binoche, Emmanuelle Riva and many more, as well<br />

as previously unseen footage, Michael H. depicts the work<br />

of a rare artist.<br />

TICKETDEALS<br />

Buy any three (or more) tickets for films in this season<br />

and get 15% off<br />

Buy any six (or more) tickets for films in this season and<br />

get 25% off<br />

Buy any nine (or more) tickets for films in this season<br />

and get 35% off<br />

These offers are available online, in person and on the<br />

phone, on both full price and concession price tickets.<br />

Tickets must all be bought at the same time.<br />

The Seventh Continent<br />

Der siebente Kontinent<br />

Wed 10 <strong>Jul</strong> at 6.10pm & Thu 11 <strong>Jul</strong> at 8.40pm<br />

Michael Haneke • Austria 1989 • 1h44m • DCP<br />

German, French and English with English subtitles<br />

18 – Contains suicide theme<br />

Cast: Birgit Doll, Dieter Berner, Leni Tanzer, Udo Samel, Silvia<br />

Fenz.<br />

Haneke’s impressive feature theatrical debut follows<br />

three members of a middle-class family as their lives and<br />

relationships slowly disintegrate. A stunning examination<br />

of the effects of emotional isolation and the inability to<br />

communicate in the modern age.<br />

Benny’s Video<br />

Sun 14 <strong>Jul</strong> at 8.45pm & Mon 15 <strong>Jul</strong> at 6.15pm<br />

Michael Haneke • Austria/Switzerland 1992 • 1h50m • 35mm<br />

German, English, Arabic and French with English subtitles<br />

15 – Contains strong violence<br />

Cast: Arno Frisch , Angela Winkler, Ulrich Mühe, Ingrid Stassner,<br />

Stephanie Brehme.<br />

A chilling look at isolation, alienation and violence, and<br />

a critique of mass media effects on behaviour. 14-yearold<br />

Benny, largely ignored by his parents, spends his<br />

time watching violent movies and filming with his video<br />

camera. One day, on a whim, he invites a girl to his house,<br />

and records the events that transpire.


Michael Haneke: Presented by Drambuie<br />

15<br />

FUNNY GAMES CODE UNKNOWN THE PIANO TEACHER<br />

71 Fragments of a Chronology of Chance<br />

71 Fragmente einer Chronologie des Zufalls<br />

Wed 17 <strong>Jul</strong> at 6.30pm & Thu 18 <strong>Jul</strong> at 8.45pm<br />

Michael Haneke • Austria/Germany 1994 • 1h40m • DCP<br />

German, Romanian and English with English subtitles<br />

12A – Contains moderate violence<br />

Cast: Lukas Miko, Otto Grünmandl, Anne Bennent, Udo Samel.<br />

A cool, cerebral meditation on violence and the media,<br />

71 Fragments follows a number of seemingly unrelated<br />

characters, gradually letting the audience know more<br />

about each one before revealing what connects them.<br />

The third film in Haneke’s so-called ‘trilogy of emotional<br />

glacification’, which began with The Seventh Continent<br />

and continued with Benny’s Video.<br />

The Castle Das Schloß<br />

Sun 21 <strong>Jul</strong> at 8.00pm & Mon 22 <strong>Jul</strong> at 6.15pm<br />

Michael Haneke • Germany/Austria 1997 • 2h3m<br />

DCP • German with English subtitles<br />

12A – Contains moderate sex<br />

Cast: Ulrich Mühe, Susanne Lothar, Frank Giering, Felix Eitner.<br />

Haneke’s made-for-TV film of Kafka’s classic is faithful<br />

in letter and spirit to the very end. K, a land surveyor<br />

(or is he), turns up at a village and undergoes endless<br />

bewildering, frustrating and demeaning experiences at the<br />

hands both of a repressive bureaucracy (the Castle, which<br />

we never actually see) and of the strangely complicitous<br />

villagers. A strong sense of absurdity imbues the overall<br />

atmosphere of guilt, paranoia, misplaced ambition, desire<br />

and impotence, and Haneke’s cool, characteristically<br />

austere direction and the stark design lend the film a<br />

strange, mesmerising logic all of its own.<br />

Funny Games<br />

Sun 28 <strong>Jul</strong> at 6.10pm & Mon 29 <strong>Jul</strong> at 8.45pm<br />

Michael Haneke • Austria 1997 • 1h49m • 35mm<br />

German and French with English subtitles • 18<br />

Cast: Susanne Lothar, Ulrich Mühe, Arno Frisch, Frank Giering.<br />

Two psychotic young men take a mother, father and son<br />

hostage in their holiday cabin and force them to play<br />

sadistic ‘games’ with one another for their amusement.<br />

“It isn’t supposed to be a film you like. What I hope is that<br />

they [the audience] find it disturbing.” - Michael Haneke<br />

Code Unknown Code inconnu<br />

Wed 31 <strong>Jul</strong> at 6.00pm & Thu 1 Aug at 8.30pm<br />

Michael Haneke • France/Germany/Romania 2000 • 1h57m<br />

35mm • French, Romanian, English, German, Arabic, Malinke and<br />

French Sign Language with English subtitles<br />

15 – Contains strong language<br />

Cast: <strong>Jul</strong>iet Binoche, Thierry Neuvic, Sepp Bierbichler, Ona Lu<br />

Yenke, Luminita Gheprghiu, Arsinée Khanijan, Alexandre Hamidi.<br />

Whereas much of Haneke’s previous work placed an<br />

extremely violent act at the centre, in Code Unknown<br />

the violence is more subtle and psychological in nature.<br />

In a kaleidoscope of tales, some interrelated, some not,<br />

Haneke delivers a sobering reflection on the nature of<br />

action and obligation. The events of the film are propelled<br />

by a fascinating opening scene where a triad of characters<br />

and stories intersect: an illegal immigrant from Romania,<br />

a man who lives in Paris with his African family, and an<br />

actress married to a war photographer constantly away on<br />

assignment.<br />

The Piano Teacher La pianiste<br />

Sun 4 Aug at 8.30pm & Mon 5 Aug at 5.45pm<br />

Michael Haneke • Austria/France/Germany 20<strong>01</strong> • 2h5m<br />

35mm • French and German with English subtitles<br />

18 – Contains strong language, violence, sexual violence, sex<br />

and sado-masochism theme<br />

Cast: Isabelle Huppert, Annie Girardot, Benoît Magimel, Susanne<br />

Lothar, Udo Samel.<br />

In her late thirties, Erika Kahut is a piano teacher at the<br />

esteemed Vienna Conservatory. She is strict, intimidating and<br />

respected; however, her personality is a diligent construction<br />

and a painful response to her constricted life. She still shares<br />

an apartment with her mother and their co-dependent<br />

relationship is stifling and even violent. Erika’s twisted<br />

regimen and careful façade are completely obliterated when<br />

Walter, a younger student, decides to seduce his teacher.<br />

The Time of the Wolf Le temps du loup<br />

Thu 8 Aug at 6.00pm & Fri 9 Aug at 8.45pm<br />

Michael Haneke • France/Austria/Germany 2003 • 1h53m<br />

35mm • French and Romanian with English subtitles<br />

15 – Contains strong language and animal slaughter<br />

Cast: Isabelle Huppert, Béatrice Dalle, Patrice Chéreau, Rona<br />

Hartner, Olivier Gourmet.<br />

The opening of The Time of the Wolf recalls Haneke’s 1997<br />

film Funny Games. Anne (Isabelle Huppert) and her two<br />

children watch in horror as her husband is gunned down by<br />

a stranger who has invaded their holiday home. But there<br />

the comparison ends. As the remaining trio go on the run<br />

through the countryside, much of the first half of the film is<br />

shrouded in darkness. It’s only after they encounter a group<br />

of what appears to be vagrants that all becomes clear.<br />

SEASON CONTINUES OVERLEAF


16 Michael Haneke: Presented by Drambuie (continued)<br />

CACHE FUNNY GAMES U.S. THE WHITE RIBBON<br />

Caché Hidden<br />

Sun 11 Aug at 8.40pm & Mon 12 Aug at 5.50pm<br />

Michael Haneke • France/Austria/Germany/Italy/USA 2005<br />

1h58m • 35mm • French with English subtitles<br />

15 – Contains strong violence<br />

Cast: Daniel Auteuil, <strong>Jul</strong>iette Binoche, Maurice Bénichou, Annie<br />

Girardot, Bernard Le Coq.<br />

Georges, a TV talk-show host, receives a mysterious<br />

videotape containing two hours of static footage of<br />

his house. More tapes follow, and Georges becomes<br />

convinced that a pivotal figure from his past is responsible.<br />

With Caché, Haneke elegantly interlaces the concepts<br />

that have long obsessed him – bourgeois complacency<br />

penetrated by strange invaders, the surfacing of<br />

subconscious guilt, the ripple effects of violence across<br />

generations.<br />

Funny Games U.S.<br />

Sun 18 Aug at 8.45pm & Mon 19 Aug at 6.00pm<br />

Michael Haneke • UK/USA/France/Austria 2007 • 1h51m • 35mm<br />

18 – Contains strong sustained threat, humiliation and violence<br />

Cast: Naomi Watts, Tim Roth, Michael Pitt, Brady Corbet, Devon<br />

Gearheart.<br />

Haneke’s English-language remake of his own 1997 film<br />

uses the viewer’s expectations against him or her. He<br />

makes a bold statement about how the indoctrination<br />

of mainstream thrillers has made violence and terror<br />

acceptable for entertainment by crafting a motion picture<br />

that is anything but entertaining. It gives you what you<br />

want and asks why you want it in the first place, and it<br />

does both those things superbly. It is cruel, cold and darkly<br />

thrilling.<br />

The White Ribbon Das weiße Band<br />

Sun 25 Aug at 8.15pm & Mon 26 Aug at 5.45pm<br />

Michael Haneke • Austria/Germany/France/Italy 2009<br />

2h24m • 35mm • German with English subtitles<br />

15 – Contains child abuse references<br />

Cast: Ulrich Tukur, Susanne Lothar, Josef Bierbichler, Mercedes<br />

Jadea Diaz, Burghart Klaußner.<br />

With this dazzlingly intelligent drama, which won him his<br />

first Palme d’or at the 2009 Cannes Film Festival (he won a<br />

second with Amour in 2<strong>01</strong>2), Haneke returns to his classic<br />

themes of guilt, denial and violence as the mysterious<br />

symptom of mass dysfunction. In a secluded northern<br />

German village on the eve of the First World War, malicious<br />

incidents – some small, some not small – begin to occur,<br />

and the very structure of this small community seems to be<br />

under threat. Impeccably acted, shot in monochrome, and<br />

directed with the filmmaker’s icily exact rigour and severity.<br />

Amour Love<br />

Sun 1 Sep at 8.30pm & Mon 2 Sep at 5.50pm<br />

Michael Haneke • Austria/France/Germany 2<strong>01</strong>2 • 2h7m<br />

DCP • French and English with English subtitles<br />

12A – Contains one use of strong language and distressing scenes<br />

Cast: Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert.<br />

Haneke’s deserving Palme d’Or-winner about an otherwise<br />

comfortably-off octogenarian couple, Georges and Anne<br />

(Jean-Louis Trintignant and Emmanuelle Riva), trying to<br />

cope when a stroke leaves the wife partly paralysed and<br />

speechless, is characteristically honest and unsentimental.<br />

The film takes place in the couple’s Paris apartment; as<br />

Anne’s condition deteriorates, so their world shrinks, and<br />

visits by their daughter and others merely distract Georges<br />

from the business of deciding what’s best for his wife.


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18 Weans’ World<br />

EPIC ALL STARS SPIRITED AWAY<br />

Weans’ World<br />

Films for a younger audience. Tickets<br />

cost £3.50 per person, big or small!<br />

Please note: although we normally disapprove of<br />

people talking during screenings, these shows<br />

are primarily for kids, so grown-ups should expect<br />

some noise!<br />

Epic<br />

Tue 2 to Thu 4 <strong>Jul</strong> at 1.30pm<br />

Chris Wedge • USA 2<strong>01</strong>3 • 1h42m • DCP<br />

U – Contains mild fantasy violence and threat<br />

With the voices of Amanda Seyfried, Beyoncé Knowles, Josh<br />

Hutcherson, Colin Farrell, Christoph Waltz.<br />

A family adventure comedy that reveals a fantastical world<br />

unlike any other. Epic tells the story of an ongoing battle<br />

between the forces of good, who keep the natural world<br />

alive, and the forces of evil, who wish to destroy it. When<br />

a teenage girl finds herself magically transported into<br />

this secret universe, she teams up with an elite band of<br />

warriors and a crew of comical, larger-than-life figures to<br />

save their world...and ours.<br />

All Stars<br />

Sat 6 <strong>Jul</strong> at 1.00pm & Sun 7 <strong>Jul</strong> at 11.00am<br />

Ben Gregor • UK 2<strong>01</strong>3 • 1h46m • DCP<br />

U – Contains mild violence and one use of very mild language<br />

Cast: Theo Stevenson, Akai Osei-Mansfield, Ashley Jensen,<br />

Kimberley Walsh, Fleur Houdijk.<br />

In this heartwarming and funny film, two kids, Ethan<br />

and Jaden, have a plan to throw an ambitious dance<br />

show in order to save their struggling youth centre from<br />

demolition. The two have to race against the clock to bring<br />

together their completely uncoordinated and misfit cast to<br />

pull off the biggest achievement of their lives…<br />

My Neighbour Totoro<br />

Tue 9 to Thu 11 <strong>Jul</strong> at 1.40pm<br />

Hayao Miyazaki • Japan 1988 • 1h27m<br />

DCP • English language version<br />

U – Contains infrequent mild scary scenes<br />

This superbly animated children’s tale is directed by Hayao<br />

Miyazaki, one of Japan’s most beloved animators. The story<br />

follows Satsuke and Mei, two young girls who find that<br />

their new country home is in a mysterious forest inhabited<br />

by a menagerie of mystical creatures named totoros. The<br />

eldest of these creatures becomes their friend, and, as their<br />

mother lies sick in the hospital, he takes the sisters on a<br />

magical adventure while also helping them to understand<br />

the realities of life.<br />

Spirited Away<br />

Sen to Chihiro no kamikakushi<br />

Tue 16 to Thu 18 <strong>Jul</strong> at 12.45pm<br />

Hayao Miyazaki • Japan 20<strong>01</strong> • 2h5m<br />

35mm • English language version<br />

PG – Contains mild peril and scary scenes<br />

Hayao Miyazaki’s Spirited Away begins as ten-yearold<br />

Chihiro and her parents discover a tunnel in the<br />

countryside that leads them into an old, abandoned<br />

theme park. While her parents help themselves to the<br />

contents of a food stand, Chihiro goes exploring. But as<br />

night falls she returns to find that mum and dad have<br />

been turned into pigs, leaving her trapped in the spirit<br />

realm. Sent to work in a bathhouse for the gods, Chihiro<br />

has to find a way to break the spell. A feast of gorgeous<br />

animation and intelligent storytelling.<br />

Percy Jackson and the Lightning Thief<br />

Tue 23 to Thu 25 <strong>Jul</strong> at 1.15pm<br />

Chris Columbus • Canada/USA 2<strong>01</strong>0 • 1h59m • DCP<br />

PG – Contains moderate fantasy violence and threat<br />

Cast: Logan Lerman, Uma Thurman, Pierce Brosnan, Sean Bean,<br />

Steve Coogan.<br />

New York teenager Percy Jackson discovers that he’s the<br />

son of Greek God Poseidon, and that his best friend Grover<br />

is actually his satyr protector, complete with goat’s legs!<br />

When Percy’s uncle Zeus suspects him of stealing his<br />

lightning bolt, Percy has to track down the real lightning<br />

thief and return the bolt before it causes a meteorological<br />

catastrophe on Earth.


Weans’ World/Come and See... Willow/The Women<br />

19<br />

DESPICABLE ME 2<br />

Despicable Me 2<br />

Tue 30 <strong>Jul</strong> to Thu 1 Aug at 1.30pm<br />

Pierre Coffin & Chris Renaud • USA 2<strong>01</strong>3 • 1h38m • DCP<br />

U – Contains very mild scary scenes and slapstick violence<br />

With the voices of Steve Carell, Kristen Wiig, Ken Jeong,<br />

Benjamin Bratt.<br />

Having turned away from his evil ways, Gru is hired by Lucy<br />

Wilde and Silas Ramsbottom from the Anti-Villian League<br />

and taken to their headquarters. There, Gru is told of a new<br />

bad guy, Eduardo, who is on the loose and causing havoc.<br />

With his experience as a villain, Gru is the perfect person to<br />

combat this new threat.<br />

WILLOW<br />

Come and See...<br />

A monthly one-off screening of a great film<br />

we simply thought you might like to see,<br />

again or for the first time, on the big screen.<br />

Willow<br />

Tue 30 <strong>Jul</strong> at 6.00pm<br />

Ron Howard • USA 1988 • 2h6m • DCP<br />

PG – Contains mild language, sex references and fantasy<br />

violence<br />

Cast: Val Kilmer, Warwick Davis, Joanne Whalley, Jean Marsh,<br />

Patricia Hayes.<br />

Willow, citizen of the Nelwyns, a race of little people,<br />

is chosen by his community to take a baby to a far-off<br />

crossroads where she can be found by her people, the<br />

Daikinis. The baby was carried to Willow’s land on a crude<br />

raft that was swept along on a river, but what Willow does<br />

not know is that the baby was placed on the raft by her<br />

mother, desperate to save her from a decree of death dealt<br />

out to all girl children by Bavmorda, the vicious queen and<br />

sorcerer, who fears her successor has been born...<br />

Screening in a new digital restoration.<br />

THE WOMEN<br />

SPECIALSCREENING<br />

The Women<br />

Sun 28 <strong>Jul</strong> at 3.10pm<br />

George Cukor • USA 1939 • 2h13m • 35mm<br />

U – Contains very mild sex references and violence<br />

Cast: Norma Shearer, Joan Crawford, Rosalind Russell, Mary<br />

Boland, Paulette Goddard, Joan Fontaine.<br />

George Cukor’s 1939 satire offers a scathing portrait of<br />

backbiting and betrayal among Manhattan socialites.<br />

Mary Haines (Norma Shearer) is the last to discover that<br />

her husband has been playing away with perfume salesgirl<br />

Crystal Allen (Joan Crawford). The subsequent outpouring<br />

of sympathy from her so-called friends is laced with<br />

venom: assuring Mary she has her best interests at heart,<br />

Sylvia (Rosalind Russell) forces her into a confrontation<br />

with the home-wrecking riff-raff, but the incident ignites<br />

public scandal. With her reputation in tatters and Crystal<br />

digging her stilettos in, Mary must decide whether to bow<br />

out gracefully or bare her claws...


20<br />

Richard Fleischer<br />

ARMORED CAR ROBBERY VIOLENT SATURDAY THE VIKINGS<br />

Richard Fleischer<br />

The final three screenings in this retrospective,<br />

a collaboration between <strong>Filmhouse</strong> and the<br />

<strong>Edinburgh</strong> International Film Festival<br />

Fleischer directed some of the most distinctive<br />

and most enduring Hollywood classics over a<br />

career that spanned six decades and ranged<br />

from film noir to science fiction. His versatility,<br />

while enabling him to achieve commercial<br />

longevity, may also be a reason why Fleischer<br />

has been consistently underrated by critics<br />

and historians. Yet his films are in the best<br />

tradition of mainstream cinema with their<br />

deft interweaving of thrilling action and<br />

psychological complexity.<br />

We are hopeful that these screenings will<br />

be introduced by Chris Fujiwara, Artistic<br />

Director of EIFF – please check our website for<br />

confirmation.<br />

www.edfilmfest.org.uk<br />

Armored Car Robbery<br />

Tue 2 <strong>Jul</strong> at 6.30pm<br />

Richard Fleischer • USA 1950 • 1h7m • 16mm • PG<br />

Cast: Charles McGraw, Adele Jergens, William Talman, Douglas<br />

Fowley, Steve Brodie.<br />

This grim and relentless B heist film, a precursor to John<br />

Huston’s The Asphalt Jungle and Stanley Kubrick’s The<br />

Killing, shows Fleischer developing his mastery over plots<br />

in which diverse individuals become involved in a web<br />

of complex action. Psychopathic criminal mastermind<br />

Dave Purvis devises a seemingly foolproof plan to rob<br />

an armoured truck at Wrigley Stadium in Los Angeles.<br />

When things go inevitably wrong as a policeman is killed,<br />

the thieves fall out with one another and the dead cop’s<br />

vengeful partner takes charge of the case.<br />

Violent Saturday<br />

Thu 4 <strong>Jul</strong> at 6.15pm<br />

Richard Fleischer • USA 1955 • 1h30m • DCP • PG<br />

Cast: Victor Mature, Richard Egan, Stephen McNally, Virginia<br />

Leith, Lee Marvin.<br />

One of Fleischer’s most brilliant films, a mix of melodrama<br />

and heist thriller, set in a small American city where<br />

three mysterious strangers arrive to plot and execute a<br />

bank robbery. Sydney Boehm’s tight and elegant script<br />

interweaves the lives of several townspeople who become<br />

innocent bystanders, victims, or nemeses of the trio’s<br />

misdeeds, including an alcoholic war hero, his unfaithful<br />

wife, a peaceful Amish farmer, and a mine supervisor<br />

who has lost his young son’s respect. The whole cast is<br />

outstanding, and Fleischer uses <strong>Cinema</strong>Scope to build<br />

continuously unfolding visual excitement.<br />

The Vikings<br />

Sun 7 <strong>Jul</strong> at 6.00pm<br />

Richard Fleischer • USA 1958 • 1h56m • DCP • PG<br />

Cast: Kirk Douglas, Tony Curtis, Ernest Borgnine, Janet Leigh,<br />

James Donald.<br />

With the aid of a physically perfect cast and Jack Cardiff’s<br />

magnificent widescreen cinematography, Fleischer brings<br />

the 10th century to vivid life in this witty and eloquent<br />

action spectacle.<br />

Kirk Douglas stars as Einar, the son of Viking king Ragnar<br />

(Ernest Borgnine). Tony Curtis is a British slave who,<br />

unknown to all, is the illegitimate son of Ragnar. The<br />

two half-brothers become bitter enemies and rivals for<br />

a beautiful princess (Janet Leigh) but come together to<br />

protect their father’s kingdom. Maiming, mutilation and<br />

mayhem ensue. Fleischer: “During the shoot, by a strange<br />

alchemy, we were all possessed by the Viking spirit.”<br />

TICKETDEALS<br />

Buy any three (or more) tickets for films in this season<br />

and get 15% off<br />

These offers are available online, in person and on the<br />

phone, on both full price and concession price tickets.<br />

Tickets must all be bought at the same time.


<strong>Filmhouse</strong> Player<br />

21<br />

SOUND IT OUT<br />

BEAUTY<br />

A LATE QUARTET<br />

Our online viewing platform allows you to enjoy a<br />

selection of <strong>Filmhouse</strong>-curated films whenever suits<br />

you and wherever you are. Some films will screen<br />

at <strong>Filmhouse</strong> as well, some will only be available<br />

online. New films are being added all the time, but<br />

here’s a small selection of what’s currently available.<br />

www.filmhousecinema.com/player<br />

The <strong>Filmhouse</strong> Player is a pilot project, in collaboration with<br />

GFT and video-on-demand providers Distrify, supported by<br />

NESTA’s Digital R&D Fund, Scotland.<br />

Sound It Out<br />

Jeanie Finlay • UK 2<strong>01</strong>1 • 1h18m<br />

12A – Contains infrequent strong language • Documentary<br />

Tucked just off the high street in Stockton-on-Tees, Sound<br />

It Out Records is one of the last surviving vinyl record<br />

shops struggling to keep afloat in the face of recession<br />

and changes in technology. A cultural haven in one of<br />

the most deprived areas in the UK, this is a distinctive,<br />

funny and intimate portrait of the North, its men and the<br />

irreplaceable role music plays in our lives.<br />

Beauty Skoonheid<br />

Oliver Hermanus • South Africa/France/Germany 2<strong>01</strong>1 • 1h45m<br />

Afrikaans and English with English subtitles<br />

18 – Contains strong real sex and sexual violence<br />

Cast: Deon Lotz, Charlie Keegan, Michelle Scott, Roeline Daneel.<br />

The first Afrikaans-language film to be screened at<br />

Cannes, Beauty tells the story of François, a middle-aged<br />

man whose well ordered existence unravels. A chance<br />

encounter with Christian, the son of a long lost friend,<br />

ignites infatuation and lust within the unhappily married<br />

François, plunging him into a confusion of self-loathing,<br />

tinged with a desperation for happiness. 27-year-old South<br />

African director Oliver Hermanus has delivered a taut,<br />

seething character study, pulsing with pent up energy.<br />

A Late Quartet<br />

Yaron Zilberman • USA 2<strong>01</strong>2 • 1h46m<br />

15 – Contains strong language and sex<br />

Cast: Christopher Walken, Philip Seymour Hoffman, Catherine<br />

Keener, Mark Ivanir, Wallace Shawn.<br />

A powerhouse cast brings vivid life to Yaron Zilberman’s<br />

engrossing drama about an illustrious string quartet,<br />

whose quarter-century anniversary precipitates a<br />

tempestuous release of repressed feelings, long-held<br />

resentments and painful betrayals. Peter (Christopher<br />

Walken), the group’s founding member, is diagnosed with<br />

a degenerative illness that forces him to confront the<br />

troubling question of who will succeed him. Meanwhile<br />

the marriage between second violinist Robert (Philip<br />

Seymour Hoffman) and violist <strong>Jul</strong>iette (Catherine Keener)<br />

goes suddenly south when infidelity rears its head.


22 Ghosted/QMU Degree Show/Education and Learning<br />

GHOSTED<br />

SPECIALEVENT<br />

Ghosted<br />

Tue 2 <strong>Jul</strong> at 8.15pm<br />

Monika Treut • Germany/Taiwan 2009 • 1h29m • Format TBC<br />

English, German and Mandarin with English subtitles • 15<br />

Cast: Inga Busch, Ke Huan-Ru, Hu Ting-Ting, Jana Schulz, Marek<br />

Harloff.<br />

German artist Sophie creates a video installation to come<br />

to terms with her Taiwanese girlfriend Ai-Ling’s untimely<br />

death. When she travels to Taipei with the artwork, she<br />

meets seductive Mei-Li, a journalist who is investigating<br />

Ai-Ling’s demise. Unable to get over Ai-Ling and confused<br />

by Mei-Li’s advances, Sophie quickly returns to Hamburg.<br />

Mei-Li unexpectedly turns up on her doorstep and they<br />

become intimate, but Sophie begins to suspect the<br />

beautiful stranger is not who she claims to be.<br />

Screening followed by Dr Leanne Dawson in<br />

conversation with filmmaker Monika Treut.<br />

This is the first in a series of events on queer,<br />

transcultural film organised by, and informed by<br />

the research of, Dr Leanne Dawson (University of<br />

<strong>Edinburgh</strong>).<br />

For further information contact: leanne.dawson@ed.ac.uk<br />

QUEEN MARGARET UNIVERSITY DEGREE SHOW<br />

DEGREESHOW<br />

Queen Margaret University<br />

Thu 4 <strong>Jul</strong> at 8.30pm<br />

2h30m<br />

The Film and Media division of Queen Margaret University<br />

presents incredible works from the next generation of<br />

talented filmmakers, ranging from fact to fantasy, drama<br />

to documentary, all in one show. How would you like to<br />

be stuck with two strangers in a dental clinic How would<br />

you deal with an unemployed wannabe pretending to<br />

be a businessman Can passion overcome a health limit<br />

to create a multi-sensory experience What if an ordinary<br />

pizza delivery driver faces a life changing experience<br />

These are just a few teasers from the collection of short<br />

films the students have prepared for you this year.<br />

EDUCATION & LEARNING AT FILMHOUSE<br />

Education and<br />

Learning<br />

CMI Education and Learning department offers<br />

a range of screenings, workshops, courses and<br />

events for all ages, year-round at <strong>Filmhouse</strong><br />

and during the <strong>Edinburgh</strong> International Film<br />

Festival.<br />

We arrange schools screenings year round,<br />

supporting a variety of curriculum areas for<br />

Primary and Secondary schools. In addition<br />

EIFF showcases films made for the <strong>Edinburgh</strong><br />

Schools Film Competition and allows young<br />

people the opportunity to speak to filmmakers<br />

and creative professionals.<br />

Details of current events can be found at<br />

www.filmhousecinema.com/learning,<br />

or for further information please email<br />

education@cmi-scotland.co.uk


23<br />

MAILINGLISTS ACCESS INFORMATION<br />

To have this monthly programme sent<br />

to you for a year, send £7 (cheques made<br />

payable to <strong>Filmhouse</strong>) with your name<br />

and address and the month you wish your<br />

subscription to start.<br />

This programme is also available to<br />

download as a PDF from our website,<br />

www.filmhousecinema.com.<br />

Alternatively, sign up to our emailing<br />

list, to find out what’s on when and hear<br />

about special offers and competitions, by<br />

going to www.filmhousecinema.com<br />

There is a large print version<br />

of the programme available<br />

which can be posted to you<br />

free of charge.<br />

Drambuie<br />

FUNDINGFILMHOUSE<br />

CORPORATESUPPORTER<br />

CORPORATEMEMBERS<br />

Line Digital Ltd<br />

EQSN<br />

<strong>Filmhouse</strong> foyer and box office are<br />

accessed from Lothian Road via a ramped<br />

surface and two sets of automatic doors.<br />

Our cafe bar and accessible toilet are also at<br />

this level. The majority of seats in the cafe<br />

bar are not fixed and can be moved.<br />

There is wheelchair access to all three<br />

screens. <strong>Cinema</strong> one has space for two<br />

wheelchair users and these places are<br />

reached via the passenger lift. <strong>Cinema</strong>s<br />

two and three have one space each and to<br />

get to these you need to use our platform<br />

lifts. Staff are always on hand to help<br />

operate them – please ask at the box office<br />

when you purchase your tickets. A second<br />

accessible toilet is situated at the lower<br />

level close to cinemas two and three.<br />

Advance booking for wheelchair spaces is<br />

recommended. If you need to bring along<br />

a helper to assist you in any way, then they<br />

will receive a complimentary ticket.<br />

There are induction loops and infra-red<br />

in all three screens for those with hearing<br />

impairments. This programme and our<br />

website carry information on which films<br />

have subtitles.<br />

We regularly have screenings with audio<br />

description for customers with visual<br />

impairments and subtitles for those with<br />

hearing difficulties – see page 2 for details<br />

of these.<br />

Email admin@filmhousecinema.com or<br />

call the box office on <strong>01</strong>31 228 2688 if you<br />

require further information or assistance.<br />

<strong>Filmhouse</strong><br />

88 Lothian Road<br />

<strong>Edinburgh</strong> EH3 9BZ<br />

www.filmhousecinema.com<br />

Box Office: <strong>01</strong>31 228 2688 (10am-9pm)<br />

Recorded Programme Info: <strong>01</strong>31 228 2689<br />

Administration: <strong>01</strong>31 228 6382<br />

Fax: <strong>01</strong>31 229 6482<br />

email: admin@filmhousecinema.com<br />

Ken Hay<br />

CEO<br />

Rod White<br />

Head of <strong>Filmhouse</strong><br />

Robert Howie<br />

Customer Experience Manager<br />

Holly Daniel & Nicola Kettlewood<br />

Knowledge & Learning<br />

<strong>Filmhouse</strong> is a trading name of Centre for the<br />

Moving Image, a company limited by guarantee,<br />

registered in Scotland No. SC067087<br />

Registered Office: 88 Lothian Road, <strong>Edinburgh</strong><br />

EH3 9BZ<br />

Scottish Charity No.: SC006793<br />

VAT Reg. No.: 328 6585 24<br />

CMI also incorporates <strong>Edinburgh</strong> International<br />

Film Festival and the <strong>Edinburgh</strong> Film Guild.<br />

<strong>Edinburgh</strong> International Film Festival<br />

www.edfilmfest.org.uk<br />

<strong>01</strong>31 228 4051<br />

<strong>Edinburgh</strong> Film Guild<br />

www.edinburghfilmguild.com<br />

<strong>01</strong>31 623 8027


FINDINGFILMHOUSE<br />

88 Lothian Road, <strong>Edinburgh</strong> EH3 9BZ<br />

www.filmhousecinema.com<br />

Nearest car parks: Semple Street,<br />

Castle Terrace, <strong>Edinburgh</strong> Quay<br />

Lothian Buses: 1, 2, 10, 11, 15, 16, 22,<br />

24, 34, 35 (www.lothianbuses.com)<br />

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