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Download - Chicago Federation of Musicians

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Terryl Jares<br />

April is Jazz Appreciation Month<br />

Through the years, the Music Performance Trust Fund (MPTF) has partnered<br />

with the Smithsonian Institution to present jazz performances. Jazz<br />

Appreciation Month (JAM) was created to be an annual event that would pay<br />

tribute to jazz as both a living and as historic music. Schools, organizations<br />

and even governments celebrate JAM with events ranging from free concerts to<br />

educational programs. Established in 2001, the program was initially funded by<br />

the Ella Fitzgerald Charitable Foundation.<br />

The MPTF is once again proud to act as a co-sponsor for these events. They<br />

will fund up to 50% <strong>of</strong> the total cost <strong>of</strong> a JAM program. This is a great way to<br />

showcase emerging artists in our community as well as our CFM musicians.<br />

How do you get funding First, you need to find a presenter that will co-pay<br />

a performance <strong>of</strong> jazz music. It must be a non-for-pr<strong>of</strong>it business and the<br />

performance must be free and open to the public. Call Gwen at the CFM to get<br />

a request form. Complete the form and send it to the CFM along with a letter<br />

from the presenter asking for the performance. Once we receive the request,<br />

we will send it <strong>of</strong>f to the MPTF for their consideration.<br />

Remember, the performances must be performed in April <strong>of</strong> 2013. Jazz<br />

concerts as well as educational jazz programs will qualify for funding. If you<br />

have any questions on the procedure, don’t hesitate in giving me or Gwen<br />

a call.<br />

Local 10-208 <strong>of</strong><br />

AFM AFL-CIO<br />

CHICAGO FEDERATION OF MUSICIANS<br />

OFFICERS – DELEGATES<br />

2011-2013<br />

Gary Matts<br />

President<br />

Terryl Jares<br />

Vice-President<br />

Spencer Aloisio Secretary-Treasurer<br />

BOARD OF DIRECTORS<br />

Robert Bauchens<br />

Bob Lizik<br />

Rich Daniels Janice MacDonald<br />

Frank Donaldson Leo Murphy<br />

B.J. Levy<br />

CONTRACT DEPARTMENT<br />

Terryl Jares – Vice-President<br />

Nancy Van Aacken<br />

ASSISTANTS TO THE<br />

PRESIDENT - JURISDICTIONS<br />

Terryl Jares - Vice-President<br />

Supervisor - Entire jurisdiction<br />

including theaters<br />

(Cell Phone: 312-310-4100)<br />

Dean Rolando<br />

Recordings, Transcriptions,<br />

Documentaries, Etc.<br />

(Cell Phone: 708-380-6219)<br />

DELEGATES TO CONVENTIONS OF THE<br />

ILLINOIS STATE FEDERATION OF LABOR<br />

AND CONGRESS OF INDUSTRIAL<br />

ORGANIZATIONS<br />

Spencer Aloisio<br />

Gary Matts<br />

Terryl Jares<br />

DELEGATES TO CHICAGO<br />

FEDERATION OF LABOR AND<br />

INDUSTRIAL UNION COUNCIL<br />

Rich Daniels<br />

Gary Matts<br />

Terryl Jares<br />

DELEGATES TO CONVENTIONS OF THE<br />

AMERICAN FEDERATION OF MUSICIANS<br />

Spencer Aloisio<br />

Terryl Jares<br />

Rich Daniels<br />

Gary Matts<br />

Frank Donaldson<br />

Alternates:<br />

Leo Murphy<br />

Larry Bowen<br />

EDITOR, THE INTERMEZZO<br />

Terryl Jares<br />

PRESIDENT EMERITUS<br />

Ed Ward<br />

VICE-PRESIDENT EMERITUS<br />

Tom Beranek<br />

BOARD OF DIRECTORS EMERITUS<br />

Ruth Marion Tobias<br />

Open Daily, except<br />

Saturday, Sunday and Holidays<br />

Office Hours 9 A.M. to 5 P.M.<br />

All Phones: 312-782-0063 (24 Hrs.)<br />

AFM WEB SITE: www.afm.org<br />

CFM WEB SITE: www.cfm10208.com<br />

Address all e-mail to the<br />

Secretary/Treasurer:<br />

saloisio@cfm10208.org<br />

The <strong>Chicago</strong> Sinfonietta instituted two programs in 2008,<br />

The Project Inclusion Orchestra Fellow (PIOF) and the<br />

Project Inclusion Ensemble (PIE) with the mission <strong>of</strong><br />

promoting diversity and inclusion in classical music and to<br />

add significantly to the orchestra’s ability to differentiate<br />

itself from all other orchestras in the United States.<br />

PIO Fellows are awarded fellowships that provide<br />

opportunities for participants to rehearse and perform with<br />

the orchestra, receive mentoring, and prepare auditions for<br />

future employment.<br />

PIE fellowships provide opportunities for participants to<br />

receive ensemble performance coaching, mentoring and<br />

small ensemble performance opportunities.<br />

The program manager for both organizations is<br />

Rene´e Baker.<br />

<strong>Chicago</strong> Sinfonietta PIOF and PIE Fellows<br />

Accomplishments<br />

Class I 2008-2010<br />

Andrew Dowd, viola, completed his Masters degree in<br />

viola and secured a position with the <strong>Chicago</strong> Sinfonietta.<br />

He also performs regularly with the Illinois Philharmonic<br />

and other local orchestras.<br />

Stefan Smith, violin, received a full scholarship from USC<br />

at the conclusion <strong>of</strong> his first year as a PIOF. He is now<br />

working as composer and freelancer in Los Angeles, and<br />

has been invited to audition for the <strong>Chicago</strong> Symphony<br />

Orchestra. The <strong>Chicago</strong> Sinfonietta performed one <strong>of</strong> his<br />

compositions in 2009.<br />

Christian Dillingham, bass, won positions with two<br />

pr<strong>of</strong>essional orchestras including the Kalamazoo<br />

Symphony Orchestra and the <strong>Chicago</strong> Sinfonietta. In<br />

addition, he has won spots in the coveted theatre arena in<br />

<strong>Chicago</strong>.<br />

Takahiro Kim, tuba, is playing pr<strong>of</strong>essionally in <strong>Chicago</strong>,<br />

subbing with the <strong>Chicago</strong> Symphony Orchestra, and<br />

performing regularly with orchestras abroad.<br />

Demarus Allen-Batieste, clarinet, is working with a<br />

pr<strong>of</strong>essional orchestra in Germany. He received a full<br />

scholarship after completing his PIOF from the Manhattan<br />

School <strong>of</strong> Music and graduated with a Masters Degree.<br />

Brandon Mitchell, bass, is working with two pr<strong>of</strong>essional<br />

orchestras in <strong>Chicago</strong> and also performs in ensembles on<br />

cruise ships.<br />

Class II 2010-2012<br />

Kimberly Galva, violin, established a teaching studio at<br />

the conclusion <strong>of</strong> her fellowship, formed her own chamber<br />

group that plays regularly around the city, and continues to<br />

perform with <strong>Chicago</strong> Sinfonietta. She recently performed<br />

a concert with Yo-Yo Ma as a part <strong>of</strong> the <strong>Chicago</strong><br />

Community Trust’s 96th Anniversary celebration.<br />

Yoo Jin Hong, flute, won an arts administration job with<br />

the Civic Orchestra <strong>of</strong> <strong>Chicago</strong>.<br />

Elizabeth Diaz, flute, established a teaching studio and<br />

secured an arts administration position with a youth<br />

orchestra. She also performed with Yo-Yo Ma.<br />

Mark Alan Longo, flute, dropped out <strong>of</strong> the program<br />

midway through his fellowship due to financial hardship.<br />

His current status is unknown.<br />

Shawnita Tyus, violin, won a highly competitive teaching<br />

position at a <strong>Chicago</strong> public high school as Orchestra<br />

Director, graduated with Masters Degree while in our<br />

program, and performed with Yo-Yo Ma.<br />

Ricardo Ferreira, violin, finished his Masters Degree at<br />

DePaul.<br />

Tamara Gonzalez, violin, secured a position as<br />

Dean <strong>of</strong> the Suzuki Institute <strong>Chicago</strong> at the Sherwood<br />

Conservatory.<br />

Kevin Lin, viola, is going to Peabody Institute in the Fall.<br />

He received his BA while in our program and was one <strong>of</strong><br />

the PI musicians who performed with Yo-Yo Ma at the<br />

above-mentioned event.<br />

Cover illustration provided by<br />

Chris Nolan Creative.<br />

Tasha Lawson, French Horn, established a music ministry<br />

for prisons.<br />

2 Intermezzo March 2013<br />

March 2013 Intermezzo 3

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