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Jacob_mj_select CV - Mary Jane Jacob

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MARY JANE JACOB<br />

CURRICULUM VITAE<br />

Chicago, The Arts Club of Chicago, Art Gallery of Ontario donor’s forum (lecture on<br />

Chicago public art)<br />

Chicago, ArtTable,“Breakfast at Christie’s Conversations in Arts & Culture” (interview)<br />

2010<br />

Madrid, ARCO, 4th International Contemporary Art Experts Forum (section keynote)<br />

Moscow, US Embassy lecture tour on “American Cultural Scene: The Concept of Public<br />

Art and Its Role in American Society”: American Center, Russian State University for the<br />

Humanities, Stroganov Moscow State University of Arts and Industry, and telecast to forum<br />

in Yekaterinburg (lectures)<br />

Helsinki, Pro Arte Foundation, IHME Days (keynote)<br />

Cambridge, Harvard University “Urban Futures” Opportunities and Challenges for<br />

Transforming the Urban Landscape,” conference celebrating 40 Years of the Loeb<br />

Fellowship (panelist)<br />

New York, Independent Curators International “The Curatorial Intensive: Curating in the<br />

Public Realm” (course instructor)<br />

Derry, Ireland, International Cultural Arts Network, “Exchange: Collaborative<br />

Arts/Conflict Transformation” (keynote)<br />

Biella, Italy, Fondazione Pistoletto, “Methods: Processes of Change” workshop (speaker)<br />

Mestre, Italy, Contemporary Art Center (lecture)<br />

Charleston, College of Charleston (lecture)<br />

Chicago, College Art Association, Public Art Dialogue (keynote at PAD’s annual meeting)<br />

SELECT BILIOGRAPHY OF OTHER TEXTS<br />

Chronological listing (excluding catalogues of exhibitions and public projects curated and noted<br />

above):<br />

Chicago Makes Modernism, co-edited with Jacquelynn Baas (Chicago: University of Chicago Press,<br />

2012). Also contributed introduction, essay “Like Minded: <strong>Jane</strong> Addams, John Dewey, and Laszlo<br />

Moholy-Nagy,” and two interviews (Michelangelo Pistoletto and artway of thinking)<br />

Exhibition Histories: Culture in Action and Project UNITÉ (London: Afterall Books, Exhibition Histories<br />

series, 2013)<br />

Beyond Biennials, ed. Bruce Altschuler (London: Phaidon, 2013), chapter on “Places with a Past”<br />

and “Places with a Future”<br />

Show Time: Changing Exhibitions, ed. Jens Hoffmann (London: Thames and Hudson, 2012), chapters<br />

on “Places with a Past” and “Culture in Action,” and interview<br />

Also these forthcoming books devote chapters to <strong>Jacob</strong>’s curatorial projects:<br />

Duke University Press’s Cooperation (ed. Tom Finkelpearl)<br />

Pew Trust’s anthology on innovative exhibition-making since the 1960s (eds. Ralph<br />

Rugoff and Paula Marincola)<br />

Huey Copeland’s Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural<br />

America (University of Chicago Press, 2012).<br />

<strong>Mary</strong> <strong>Jane</strong> <strong>Jacob</strong>, Robert Pippin, and Walter Benn Michaels, “Changes in art and society: A<br />

View form the Present,” Platypus Review 46 (May 2012)<br />

http://platypus1917.org/2012/05/01/changes-in-art-and-society/<br />

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