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AmateurPhotographer

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Testbench IN THE FIELD<br />

Timing is everything when you<br />

shoot a wedding. The D5’s 12fps<br />

continuous burst was used to<br />

capture this spray of confetti<br />

Nikon<br />

D5<br />

Professional wedding photographer<br />

Ed Godden puts the Nikon D5 to the<br />

test to find out if it’s a worthy stand-in<br />

substitute for his pair of D750 DSLRs<br />

At a glance<br />

● 20.8-million-pixel, FX-format<br />

CMOS sensor<br />

● ISO 100-102,400 (expandable to<br />

ISO 50-3,280,000)<br />

● 12fps burst (up to 14fps with mirror up)<br />

● 153-point autofocus system with<br />

3D tracking<br />

● Dual XQD or CompactFlash (CF) slots<br />

● 200 NEF (raw) buffer<br />

● 4K video (30p/25p/24p)<br />

● £5,199 (body only)<br />

Ihave been a photographer<br />

for 20 years, 19 of them<br />

spent using Nikon<br />

equipment. A brief fl ing<br />

with Canon at the start of my<br />

career was quickly brought to an<br />

end when someone introduced me<br />

to a Nikon F90 fi lm camera. A few<br />

heavier fi lm cameras later and the<br />

digital world came calling. First, the<br />

Nikon D1, then the D100, D2,<br />

D200, D2HS – and then I hit a<br />

wall. As a press and sports<br />

photographer, I found that using a<br />

bulky camera with a 300mm lens<br />

on a daily basis was killing my back.<br />

Today, I shoot weddings. These can<br />

take up to 14 hours. I’m constantly<br />

on my feet, forever lugging my<br />

kit around.<br />

That’s why, a few years ago, I<br />

started using the Nikon D600.<br />

Size and weight-wise, with a<br />

full-frame sensor and great image<br />

quality, this camera was perfect for<br />

me. Upgrades to the D610 and<br />

D750 soon followed. I’m currently<br />

shooting all my weddings with two<br />

D750 bodies and a D610 body as<br />

a spare/back-up that always stays<br />

in the car on wedding days.<br />

I love my Nikon D750 cameras,<br />

but recently they were subjected<br />

to the dreaded Nikon recall. Both<br />

required new shutter units. This<br />

was annoying, since I had been<br />

through this before when my<br />

D600 bodies were recalled for<br />

dust and oil-spot issues on their<br />

sensors. It made me wonder<br />

whether I shouldn’t splash out<br />

on a D3 or D4 – and then I<br />

heard that the D5 was due to be<br />

launched. I decided to look into<br />

this beast of a camera.<br />

Initial impressions<br />

I was pretty shocked at the weight<br />

and size of the D5. Even without a<br />

lens, it felt heavier than my two<br />

D750 bodies combined. With the<br />

24-70mm f/2.8 lens attached,<br />

I slung the camera around my<br />

neck and, in an instant, thought<br />

there was no way I could shoot<br />

a 10-hour wedding with it. If you<br />

drop a D750 on your foot it may<br />

hurt a bit, but if you drop a D5 on<br />

your foot chances are you’ll be<br />

off to hospital.<br />

I’d clearly been spoiled by the<br />

light and compact D750 and the<br />

previous DSLRs I’d owned, but<br />

not being the type to rely on fi rst<br />

impressions, I decided to explore<br />

it further by taking a few test<br />

photos of my brother’s dog.<br />

Setting up the camera was very<br />

easy and a similar experience to my<br />

D750. I loved the new touchscreen<br />

feature, which I found surprisingly<br />

responsive. In fact, I used it quite a<br />

bit during my few weeks with the<br />

camera. From sliding my fi nger<br />

across to review images, to<br />

42 14 May 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 1113

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