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THE OUTLAW SPIRIT<br />
By Robert Sentinery<br />
BUZZ<br />
This month we celebrate the independent spirit of Phoenix, with stories on such<br />
diverse topics as filmmaking, the tech industry and a tribute to one of our city’s<br />
musical greats—Waylon Jennings. If Waylon were alive today, he would be<br />
celebrating his 79th birthday on June 15. He loved this place and left an indelible<br />
mark on it. Although he passed in 2002, his influence continues today—in the<br />
outlaw spirit that permeates not only our music scene but our creative climate as<br />
a whole. To honor his legacy, we feature Waylon tribute artist August Manley.<br />
Manley not only looks and dresses the part but seems to exude the spirit of<br />
Waylon during his heyday in the ’70s, both on and off stage. Besides performing<br />
with his local band, The Outlaw, Manley also tours the country as part of The<br />
Highwaymen Live tribute act, performing as Jennings, alongside others who<br />
do Johnny Cash and Willie Nelson. Manley talks about growing up with classic<br />
country on his grandpa’s ranch outside Tacoma, Washington, and how upon<br />
visiting the Valley he felt a kind of spiritual connection. A pilgrimage to Waylon’s<br />
gravesite in Mesa sealed the deal, and he relocated here about two years ago<br />
(see “The Outlaw: A Waylon Jennings Tribute with August Manley,” p. 8).<br />
Lawdan Shojaee, CEO of Scottsdale-based software company Axosoft, is changing<br />
the way tech companies do business in Arizona and beyond. Female CEOs are still<br />
fairly rare, and Shojaee brings a very different sensibility to the workplace for<br />
her employees. Large, open spaces with wide windows framing mountain views,<br />
a gym and climbing wall, yoga spaces, showers and a large lunchroom with a<br />
welcoming atmosphere are just some of the things that have earned Axosoft<br />
recognition for being one of the best companies to work for in Arizona.<br />
The #ItWasNeverADress campaign to encourage more women to enter the tech<br />
industry was conceived by Shojaee and Axosoft’s in-house artist/provocateur<br />
Tania Katan. The image, which co-opts the international symbol for woman,<br />
highlights the dress portion, showing it instead as a superhero cape, along with<br />
the catchphrase. Official versions of the #ItWasNeverADress symbol also feature<br />
an “(Em)powered by Axosoft” graphic (see “Lawdan Shojaee: Axosoft CEO and<br />
Cultural Harvester,” p. 12).<br />
Filmmaker JoAnn Lujan is a native Phoenician who grew up in the heart of<br />
the city. Her father was a mariachi musician, and all forms of creativity were<br />
encouraged in her household. Being an only child, Lujan learned to entertain<br />
herself by creating stories that played like filmstrips in her imagination. When it<br />
came to choosing a career, filmmaking seemed like a natural for her.<br />
Fiercely independent, Lujan completed seven solo backpacking trips through<br />
Europe by age 22. She then pursued her dream of living in New York City,<br />
supporting herself as holistic health practitioner while immersing herself in film<br />
culture. She has since returned to the Valley to help care for her aging parents<br />
and recently completed a degree in filmmaking from SCC. While in college she<br />
met hip hop artist Candyman, and they have been collaborating on a hip hop<br />
documentary for the last year and a half. With Candyman’s industry connections<br />
and Lujan’s can-do attitude, the team has been gathering footage and interviews<br />
with many of the hip hop greats (see “Filmmaker JoAnn Lujan,” p. 34).