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MMoCA Fall 2016 Newsletter

Madison Museum of Contemporary Art Fall 2016 newsletter, featuring the Wisconsin Triennial and Reconfigured Reality

Madison Museum of Contemporary Art Fall 2016 newsletter, featuring the Wisconsin Triennial and Reconfigured Reality

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MADISON MUSEUM<br />

OF CONTEMPORARY ART fall <strong>2016</strong>


EXHIBITIONS<br />

WISCONSIN TRIENNIAL<br />

September 24 through January 8<br />

2<br />

The <strong>2016</strong> Wisconsin Triennial, <strong>MMoCA</strong>’s exploration<br />

of contemporary art statewide, will feature<br />

works by 34 individual artists and three pairs of artists<br />

working in collaboration. The museum’s curatorial staff<br />

selected new works of art by established and emerging<br />

artists through a rigorous review process, organizing an<br />

exhibition that will provide audiences with a visually<br />

compelling and thought-provoking experience.<br />

Opening with a celebratory reception beginning at<br />

6 pm on Friday, September 23, the Wisconsin Triennial<br />

will be on view in the museum's lobby, State Street<br />

Gallery, Imprint Gallery, main galleries, and Rooftop<br />

Sculpture Garden through January 8, 2017. A cornerstone<br />

of <strong>MMoCA</strong>'s programming since 1978, the<br />

Triennial represents a longstanding tradition within<br />

the history of the institution while simultaneously<br />

retaining a freshness that imbues the exhibition with<br />

continued significance. It reflects the state of art in<br />

Wisconsin today, capturing the richness and variety of<br />

creative expression and showcasing prevalent themes<br />

being addressed within the contemporary art world.<br />

The <strong>2016</strong> Triennial will feature site-specific sculptures<br />

and installations designed for distinct spaces<br />

within the museum, as well as completed pieces<br />

selected from artists’ existing bodies of work. Paintings,<br />

drawings, prints, photographs, sculpture, performance,<br />

and new media and video are among the media represented,<br />

reflecting the diversity of approaches artists<br />

undertake in their explorations of process and content.<br />

The included artworks will address topical issues such<br />

as ecology and the consequences of environmental<br />

destruction, personal identity and its representation<br />

through visual storytelling, and the individual and<br />

communal impacts of our current political and racial<br />

climate.<br />

Some highlights of this exhibition include:<br />

Emily Arthur is a printmaker who works within<br />

the tradition of the natural history print to address contemporary<br />

environmental concerns. Her recent body<br />

of work layers together scientific diagrams of DNA<br />

sequencing, maps tracking forced wildlife migrations,<br />

and delicate renderings of birds, butterflies, and plant<br />

life varieties. The elements in each print combine to<br />

poetically express the ways in which species of flora and<br />

fauna carry the story of human impact on the natural<br />

world.<br />

Brendan Baylor is an interdisciplinary artist who<br />

mobilizes his various mediums to explore the history,<br />

economy, and ecology of specific places, including<br />

his current home of Ashland, Wisconsin. Blending<br />

together rigorous research and artistic practice, he creates<br />

work that interrogates the motivations behind land<br />

management practices, giving image to those entities<br />

(human, animal, vegetative, etc.) least served by the<br />

economic and political systems governing land use. His<br />

print-based works that are included in the Triennial<br />

question the far-reaching consequences of a nonholistic<br />

approach to the landscape, and even map<br />

the artist’s own unintended environmental impact,<br />

OPENING<br />

RECEPTION<br />

Friday, September 23<br />

6–9 pm


due to resource and energy<br />

consumption.<br />

Lois Bielefeld photographs<br />

the people and communities<br />

around her, creating<br />

bodies of work inspired by the<br />

emotion behind daily life. In<br />

her Weeknight Dinner series,<br />

Bielefeld explores the nightly<br />

ritual of eating a meal.<br />

Although all of her subjects<br />

engage in the same custom,<br />

each photograph takes us<br />

inside the private space of the<br />

home, and reveals the nuances<br />

inherent in this shared convention.<br />

From mother and daughter<br />

sharing a box of delivered pizza, to a plated meal on<br />

a gold lame couch within an elaborately decorated living<br />

room, to a lonely dinner from a Tupperware container,<br />

these photographs offer us a poignant and thoughtful<br />

portrait of domestic life.<br />

James Cagle is an accomplished photographer<br />

who, in his most recent work, seeks the beauty of the<br />

commonplace. For his photographs<br />

within the Domestic Images series,<br />

Cagle used his apartment complex<br />

in Sturgeon Bay as a backdrop for<br />

discovering everyday objects and<br />

overlooked spaces. In isolating<br />

those things and moments found<br />

within his immediate surroundings—a<br />

box of Kleenex, a laundry<br />

cart, a hallway staircase, sunlight<br />

on a wall—he achieves a deeply<br />

personal vision within the idiom<br />

of modernist photography.<br />

Sky Hopinka is a member of the Ho-Chunk<br />

Nation of Wisconsin and a descendent of the Pechanga<br />

Band of Luiseño Indians, an identity he weaves into his<br />

video work through a dense layering of moving image,<br />

text, and sound. Hopinka draws<br />

on his interest in indigenous<br />

linguistic concepts to explore<br />

representations of personal and<br />

collective memory, and narratives<br />

of tribal history, homeland,<br />

and heritage. In Jáaji Approx.,<br />

the artist merges audio recordings<br />

of his father recalling stories<br />

and singing songs, new and<br />

traditional, with footage of landscapes<br />

both men have travelled,<br />

to create a powerful video that<br />

obliquely expresses his personal<br />

connection to his father.<br />

T.L. Solien paints autobiographical<br />

narratives that<br />

wed personal experience with cultural allusions and a<br />

mysterious iconography both witty and ominous. His<br />

caricatured and carnival-like figures are drawn from<br />

EXHIBITIONS<br />

COVER: Emily Arthur, Scrub Sage (with red bird shadows), <strong>2016</strong>. Acrylic medium on glazed paper with screen printed elements and chine-collé,<br />

30 x 22 inches. Courtesy of the artist. OPPOSITE: Brendan Baylor, 50 Million Acres, 2015. Woodcut and screenprint on paper, 48 x 96 inches.<br />

Courtesy of the artist. THIS PAGE, TOP: Lois Bielefeld, Wednesday: Willie Mae. 2013, from the series Weeknight Dinners, 2013–present. Color<br />

photograph, 25 x 36 inches. Courtesy of the artist. THIS PAGE, MIDDLE: James Cagle, Domestic Image (Jar with Edge), 2015. Archival digital pigment<br />

print, 12 x 18 inches. Courtesy of the artist. THIS PAGE, BOTTOM: Sky Hopinka, Jáaji Approx., 2015. Video, 07:35 min. Courtesy of the artist.<br />

3


EXHIBITIONS<br />

pop culture, the deepest recesses of his<br />

memory, and a spirited imagination.<br />

His wry sense of humor is caught in his<br />

self-description as a “depressive painter<br />

of Nordic descent."<br />

The lead corporate sponsor of<br />

the <strong>2016</strong> Wisconsin Triennial is BMO<br />

Private Bank.<br />

Additional generous support has<br />

been provided by the David and Paula<br />

Kraemer Fund; Ellen Rosner and<br />

Paul J. Reckwerdt; BioSentinel INC;<br />

Future Foam; National Guardian<br />

Life Insurance; Hiebing; University<br />

Research Park; Gina and Michael<br />

Carter; Dynee and Barney Sheafor;<br />

Smith & Gesteland LLP; a grant from<br />

the Wisconsin Arts Board with funds<br />

from the State of Wisconsin and the<br />

National Endowment for the Arts; and<br />

<strong>MMoCA</strong> Volunteers.<br />

WISCONSIN TRIENNIAL<br />

RAY CHI SCULPTURE<br />

<strong>MMoCA</strong>’s<br />

curators<br />

commissioned Ray<br />

Chi, a multidisciplinary<br />

artist based<br />

in Milwaukee, to<br />

create a site-specific<br />

installation for the<br />

museum’s Rooftop<br />

Sculpture Garden.<br />

Combining his background<br />

in architecture<br />

with his artistic<br />

sensibilities and a<br />

highly inventive approach to materials, he built a sinuous<br />

and continuously looping sculpture using foam pool<br />

noodles.<br />

Although anchored to the ground at a single location,<br />

the piece will meander around the rooftop garden:<br />

reaching upwards to curve and twist in the air, swooping<br />

down to arch over and hook around architectural<br />

elements, the sculpture curls, bends, and worms its way<br />

through the space. The normally-buoyant floatation<br />

toys are secured to each other and to the rooftop with<br />

an armature of steel<br />

hidden beneath the soft,<br />

cylindrical tubes.<br />

With its freeform,<br />

curvilinear shape, Chi’s<br />

sculpture feels gestural<br />

in nature, embodying<br />

the expressive language<br />

of lyrical abstraction.<br />

However, moving<br />

beyond the elements of<br />

color, shape, and line<br />

that characterize purely<br />

formalist explorations,<br />

the artist connects his work to the here and now by<br />

using recognizable, every-day material. The rounded<br />

forms and bright colors of foam noodles also resemble<br />

contemporary playground designs, an intentional visual<br />

congruency that enabled Chi to cleverly use sculptural<br />

abstraction to hint at the familiar. In reference to his<br />

work, the artist noted that he hopes to focus our familiarity<br />

with certain forms, objects, and structures as a<br />

way to engage and activate our sense of playfulness and<br />

imagination.<br />

4<br />

THIS PAGE, TOP: T.L. Solien, A-Hole <strong>Fall</strong>s, 2015. Acrylic and enamel on canvas, 84 x 84 inches. Courtesy of the artist. THIS PAGE, BOTTOM:<br />

Ray Chi, Noodle Around (detail), <strong>2016</strong>. Polyethylene foam and steel, dimensions variable. Courtesy of the artist. OPPOSITE PAGE, TOP: Cindy<br />

Sherman, Untitled Film Still #30, 1979. Gelatin silver print, 7 x 9 inches. Collection of the Madison Museum of Contemporary Art. Purchase,<br />

through a National Endowment for the Arts grant. Courtesy of the artist and Metro Pictures, New York. OPPOSITE PAGE, BOTTOM: Lorie<br />

Novak, Self-Portrait (Ellis Island), 1998. Cibachrome print, 22 ¾ x 18 ¾ inches. Collection of the Madison Museum of Contemporary Art. Gift<br />

of Karen Novak and Daniel Dickson.


RECONFIGURED REALITY<br />

Reconfigured<br />

Reality:<br />

Contemporary<br />

Photography from<br />

the Permanent<br />

Collection, presents<br />

an overview<br />

of developments<br />

since 1970 that<br />

have helped<br />

define contemporary<br />

photography.<br />

From the time it<br />

was commercially<br />

introduced in<br />

1839, photography<br />

has undergone continuous technical and conceptual<br />

changes—from the first daguerreotypes to today’s<br />

digital prints.<br />

Through the majority of the twentieth century,<br />

the film-based, black-and-white print served as the<br />

standard format for photography. Over the past several<br />

decades, however, artists have transformed the<br />

medium by exploring new technologies and adopting<br />

older approaches in innovative ways, thereby opening<br />

up photography to fresh perspectives. As evidenced by<br />

works included in Reconfigured Reality, these contemporary<br />

approaches include an ambitious adoption of<br />

color, as seen in the pervasive luminescent red of Carl<br />

Corey’s 2090—At Random, Milwaukee (2008); the large<br />

format photograph,<br />

such as the<br />

impressive 5 x 4<br />

foot dimensions of<br />

JoAnn Verberg’s<br />

Sans Sepolchro<br />

Diptych (1991);<br />

an exploration of<br />

vintage processes<br />

to express contemporary<br />

concerns,<br />

including<br />

J. Shimon & J.<br />

Lindemann’s use<br />

of the nineteenthcentury<br />

ambrotype<br />

in J.S. Mounting Tractor (2012); the staged photograph,<br />

with Cindy Sherman’s re-enactment of a female movie<br />

stereotype in her Untitled Film Still #3 (1979); the<br />

manipulated photograph, as in the double-exposed<br />

wall projection of Lori Novak’s Self-Portrait, Ellis Island<br />

(1988); and conceptual strategies like the photograph<br />

within a photograph of Kenneth Josephson’s New York<br />

State (1970).<br />

What contemporary photography has amply discredited—and<br />

which, in fact, applies retroactively to the<br />

entire history of photography—is the narrow view that<br />

the camera is a recording device only, not a creative tool,<br />

and that its purpose is strictly representational. Laid to<br />

rest, too, is the notion that the camera can ever capture<br />

objective reality.<br />

Despite the extraordinary technical shifts and proliferation<br />

of the photographic image, which has become<br />

the pervasive visual language of our time, great photographs<br />

continue to be what they have always been. In<br />

the hands of gifted and creative photographers, they<br />

are personal accounts that manifest poetic or critical<br />

reflections about the world.<br />

Exhibitions in the Henry Street Gallery are generously<br />

funded through an endowment established by the<br />

Pleasant T. Rowland Foundation.<br />

EXHIBITIONS<br />

ON VIEW DEC 2, <strong>2016</strong>–<br />

NOV 12, 2017<br />

OPENING RECEPTION<br />

FRIDAY, DEC 9 • 6–9 PM<br />

COMPASSIONATE EYE: THE ART OF FRANCES MYERS<br />

HAS BEEN EXTENDED THROUGH NOVEMBER 7<br />

IN THE HENRY STREET GALLERY.<br />

5


EDUCATION PROGRAMS AND EVENTS<br />

TALKS AND DISCUSSIONS<br />

Thursday, September 29 • 1–1:30 PM<br />

Indirect Take: Observing Habitat and Endangered<br />

Species through Printmaking–Emily Arthur<br />

Emily Arthur’s work in printmaking seeks to bring<br />

a forward-thinking perspective on how plant and<br />

animal species carry the story of human impact on the<br />

environment. She will discuss her work on view in the<br />

Wisconsin Triennial that addresses a controversy surrounding<br />

a threatened songbird population.<br />

Friday, September 30 • 6:30–7 PM<br />

Wildlife Conservation: The Blending of Art<br />

and Science–Professor David Drake<br />

Aldo Leopold, father of modern day ecology, argued<br />

that artists are necessary to help the public understand<br />

the aesthetics of land, and thereby create a cultural<br />

shift for a true appreciation of healthy lands and wildlife<br />

conservation. Alternatively, artists can also bring<br />

attention to the perils of wildlife—habitat loss, pollution,<br />

disease, among others. Focusing on works in the<br />

Wisconsin Triennial that portray endangered species,<br />

UW-Madison associate professor and wildlife specialist<br />

David Drake will discuss the causes of species<br />

decline and endangered species management.<br />

Friday, October 7 • 6:30–7 PM<br />

Compassionate Teaching: The Legacy of<br />

Frances Myers–Rachel Bruya<br />

Well-known as an innovative printmaker, Frances<br />

Myers was also an inspired educator who had a significant<br />

impact on generations of students. Rachel Bruya,<br />

a former student of Frances Myers now teaching at the<br />

University of Wisconsin-Stout, will speak on Myers’s<br />

influential and far-reaching teaching legacy.<br />

Thursday, October 20 • 1–1:30 PM<br />

Art in a Liminal Space–Gregory Vershbow<br />

Gregory Vershbow photographs art objects within<br />

environments and circumstances ordinarily beyond<br />

public view. In museum storage facilities and conservation<br />

laboratories, and at restoration sites, he photographs<br />

objects removed from their usual context<br />

and in often near-dark conditions, offering a rare<br />

opportunity to view otherwise hidden details and<br />

consider these artifacts in unassuming and ironic<br />

juxtapositions.<br />

Friday, November 4 • 6:30–7 PM<br />

Beads, Birds, and Bombs–John Hitchcock<br />

John Hitchcock frequently uses the medium of printmaking<br />

to explore relationships of community, land,<br />

and culture, and ideas about safety, security, and<br />

protection. Through imagery influenced by beadwork,<br />

landforms, and his native culture, Hitchcock’s work<br />

speaks symbolically of historical trauma and interprets<br />

stories told by his Kiowa/Comanche grandparents.<br />

Thursday, December 1 • 1–1:30 PM<br />

A Word is a Thing in Motion–Helen Lee<br />

Helen Lee will talk about her investigation through<br />

glass of the morphological nature of language. The<br />

talk will focus on Lee’s work in the Wisconsin<br />

Triennial that explores language as a bodily experience<br />

and how cultural identity is inscribed through<br />

literal mistranslations, slippery interpretations, and<br />

other unintentional consequences of bilingualism.<br />

Friday, December 9 • 6:30–7 PM<br />

Not Just Your Black-and-White Photo<br />

Richard H. Axsom<br />

Drawing upon works in Reconfigured Reality:<br />

Contemporary Photography from the Permanent<br />

Collection, <strong>MMoCA</strong> senior curator Richard H. Axsom<br />

will discuss the hallmark features of contemporary<br />

photography. Seen as having its origins in the early<br />

1970s, contemporary photography is yet another chapter<br />

in the history of a medium that has undergone<br />

continuous technical and conceptual change since its<br />

commercial inception in 1839.<br />

DROP-IN TOURS<br />

SATURDAYS, 1 PM<br />

October 8, November 12,<br />

and December 10<br />

Drop by <strong>MMoCA</strong> for lively and informal<br />

discussions of the <strong>2016</strong> Wisconsin Triennial.<br />

Expertly led by <strong>MMoCA</strong>’s docents, these free,<br />

30-minute guided tours consider artists’ creative<br />

decisions and provide insight into their methods,<br />

ideas, and influences. Meet in the museum lobby.<br />

6<br />

Photography © Robert Stebler


<strong>MMoCA</strong>’s Spotlight Cinema features premieres<br />

of critically acclaimed and awardwinning<br />

documentary and feature films. Curated by<br />

Mike King, Spotlight Cinema is held on Wednesday<br />

evenings throughout the fall; visit mmoca.org for<br />

the full schedule and program details.<br />

One of eight films to be screened this fall,<br />

Homo Sapiens (pictured above), is described by<br />

Berlinale Forum as “…a disquieting scenario<br />

SPOTLIGHT CINEMA<br />

Wednesdays, September 28 to November 16 • 7–9 pm • Lecture hall<br />

whereby the world made by people is slowly won<br />

back by nature: it is science fiction and documentary<br />

in equal measure, equal parts contemporary and<br />

post-apocalyptic.”<br />

Admission is free for <strong>MMoCA</strong> members and<br />

$7 per screening for the general public. Ticket<br />

sales begin at 6:30 pm in the museum’s lobby. The<br />

series is generously funded by maiahaus, Venture<br />

Investors, LLC, and an anonymous donor.<br />

MMOCA ART ON TOUR<br />

Art on Tour, <strong>MMoCA</strong>’s<br />

award-winning museum-schools<br />

program, is set<br />

to re-launch in September.<br />

Through Art on Tour,<br />

original works of art from<br />

the museum’s permanent<br />

collection will travel to<br />

ten public elementary and<br />

middle schools in Dane<br />

County for three years. The<br />

program supports interdisciplinary<br />

learning through<br />

visual art and provides students with unique opportunities<br />

to experience original, museum-quality<br />

art in their schools through a series of themed<br />

exhibitions.<br />

Schools applied to <strong>MMoCA</strong> for the opportunity<br />

to participate in Art on Tour and represent the<br />

diversity of student populations living in this region<br />

of the state. Participating schools host a different<br />

Art on Tour exhibition each year of the three-year<br />

program partnership. For the upcoming program<br />

cycle, Art on Tour exhibitions will be offered at<br />

Eastside Elementary School,<br />

Sun Prairie (art teacher<br />

Sara Zallar); Kegonsa and<br />

Sandhill elementary schools,<br />

Stoughton (art teachers Rita<br />

Yanny and Natalie Ergas);<br />

Oregon Middle School (art<br />

teacher Meghan Touhey);<br />

Mendota, Midvale, and<br />

John Muir elementary<br />

schools, Madison (art teachers<br />

Nate Kirley, Meri Lau,<br />

and Kristine Gruninger);<br />

Waunakee Middle School (art teacher Julie Gross);<br />

West Middleton Elementary School (art teacher<br />

Marnie Hyland); and Winnequah Elementary<br />

School, Monona (art teacher Jennifer Goodnough).<br />

<strong>MMoCA</strong> Art on Tour is generously supported<br />

by American Girl Fund for Children and an anonymous<br />

donor.<br />

TOP: Still image from Homo Sapiens (Austria, <strong>2016</strong>). Nikolaus<br />

Geyrhalter, director. 94 minutes. BOTTOM: Juan Sanchez, Un<br />

Sueño Libre, 1987. Lithograph, 22 x 19 inches. Museum Purchase<br />

Fund. Collection Madison Museum of Contemporary Art. ©<br />

Juan Sanchez/Guariken Arts, Inc.<br />

EDUCATION PROGRAMS AND EVENTS<br />

7


EDUCATION PROGRAMS AND EVENTS<br />

KIDS’ ART ADVENTURES<br />

Kids’ Art Adventures invite families to make art together<br />

in <strong>MMoCA</strong>’s classroom following guided discussion of<br />

art on view in the museum’s exhibitions. Six- to ten-yearolds<br />

and their families should meet at 1 pm in <strong>MMoCA</strong>’s<br />

lobby; children must be accompanied by an adult. Space at<br />

Kids’ Art Adventures is limited to thirty children.<br />

Sunday, October 9 • 1–2:30 PM<br />

FREE FAMILY RESOURCES<br />

Who inspires you? For this art adventure, bring a picture<br />

of someone who is important to you. We'll look<br />

at Romano Johnson's vibrant, glitter-filled paintings<br />

of cultural icons, and create colorful portraits honoring<br />

important people in our lives.<br />

Sunday, November 13 • 1–2:30 PM<br />

Observe the silhouettes of endangered birds and fragile<br />

habitats in Emily Arthur's large-scale prints. The artist<br />

depicts plant and animal species living along the coast<br />

of California, a fragile ecosystem threatened by human<br />

development. In the workshop, learn about Wisconsin's<br />

endangered and threatened species, such as the gray wolf,<br />

sheepnose mussel, and whooping crane. Create a work of<br />

art that raises awareness and shows your concern for one<br />

of these species.<br />

Sunday, December 11 • 1–2:30 PM<br />

Search for Derrick Buisch's paintings situated throughout<br />

the museum in unexpected places. Notice how the artist<br />

designed each piece for a special place in the building. For<br />

this activity, children are invited to create a site-specific<br />

work of art for display in <strong>MMoCA</strong>'s workshop! Each<br />

artist will be given a unique location in the room to transform<br />

with a work of art.<br />

<strong>MMoCA</strong>KIDS ARTPACK<br />

Stop by the museum’s lobby welcome desk and<br />

ask for the <strong>MMoCA</strong>kids ArtPack, the museum’s<br />

hands-on discovery kit for exploring art<br />

throughout the museum that includes a special<br />

take-home activity developed for the Wisconsin<br />

Triennial.<br />

LEARNING CENTERS<br />

<strong>MMoCA</strong>'s Learning Centers offer families a<br />

variety of fun and engaging resources related to<br />

<strong>MMoCA</strong>’s exhibitions. A range of kid-friendly,<br />

hands-on activities and books promote imaginative<br />

play inspired by works of art.<br />

8<br />

John Hitchcock, Beads, Birds and Bombs 3 (detail), 2015. Screenprint and dye on paper, 22 x 30 inches.


MMOCA NIGHTS<br />

Save the date for two upcoming <strong>MMoCA</strong> Nights<br />

celebrations. <strong>MMoCA</strong> Nights mark exhibition<br />

openings, film screenings, and other special programs.<br />

The evenings feature live music, complimentary seasonal<br />

hors d’oeuvres from Fresco, a cash bar, and<br />

engaging visual art programs. The evenings are always<br />

free for <strong>MMoCA</strong> members / $10 for non-members.<br />

<strong>MMoCA</strong> Nights are sponsored by Newcomb<br />

Construction Company and the Alexander Company;<br />

with additional support from Fresco and media support<br />

from Isthmus.<br />

Friday, September 23 • 6–9 PM<br />

Join us at <strong>MMoCA</strong> on Friday, September 23 for a<br />

special <strong>MMoCA</strong> Nights event dedicated to the opening<br />

of the <strong>2016</strong> Wisconsin Triennial. Widely regarded<br />

as the state's most prestigious showcase of contemporary<br />

art by Wisconsin-based artists, the Triennial<br />

captures the richness and variety of creative expression<br />

taking place within our own state. Join the artists and<br />

other art supporters at this celebration. Enjoy music<br />

from DJ Nick Nice, refreshments, and hors d'oeuvres<br />

in the <strong>MMoCA</strong> lobby.<br />

Friday, December 9 • 6–9 PM<br />

On Friday December 9, come to <strong>MMoCA</strong> to explore<br />

Reconfigured Reality: Contemporary Photography from<br />

the Permanent Collection. This exhibition presents an<br />

overview of developments since 1970 that have helped<br />

define recent photography. At 6:30 pm <strong>MMoCA</strong><br />

senior curator Richard H. Axsom will discuss distinguishing<br />

features of contemporary photography.<br />

Guests will enjoy live music from Clocks in Motion<br />

Percussion and art making in the <strong>MMoCA</strong> lobby.<br />

Hors d’oeuvres from Fresco will be passed and cocktails<br />

will be available at a cash bar.<br />

UNDER THE<br />

INFLUENCE<br />

Thursday, November 10<br />

Experience <strong>MMoCA</strong> after-hours at Under the<br />

Influence on Thursday, November 10. Begin the<br />

evening with a brief discussion of works in the <strong>2016</strong><br />

Wisconsin Triennial. Then, move to the museum’s<br />

Education Workshop to enjoy selected food and beverage<br />

pairings from Fresco as you create your very own<br />

masterpiece, influenced by the works you’ve just seen.<br />

Doors open at 6 pm. Program begins at 6:30 pm.<br />

Supplies for Under the Influence are generously<br />

donated by Artist & Craftsman Supply. For more<br />

information and to reserve your place, please visit<br />

mmoca.org/undertheinfluence or contact Kaitlin<br />

at 608.257.0158 x224 or kaitlin@mmoca.org.<br />

2017 dates: Feb 23, May 11, Aug 10, Nov 9<br />

GALLERY NIGHT<br />

Friday, October 7<br />

Citywide 5–9 PM<br />

After Party at <strong>MMoCA</strong> 9–11 PM<br />

Organized by the <strong>MMoCA</strong>, Gallery Night is a<br />

citywide event that offers patrons an opportunity<br />

to enjoy a variety of visual art. Galleries, artist<br />

studios, non-profit organizations, and other local<br />

businesses that showcase original artwork open their<br />

doors and host special exhibitions, demonstrations,<br />

and receptions for this semi-annual event that is a<br />

Madison tradition.<br />

Mark your calendar for October 7, and celebrate<br />

Gallery Night! Tour Madison’s vibrant arts scene from<br />

5 to 9 pm and then join the after party in <strong>MMoCA</strong>’s<br />

lobby from 9 to 11 pm, for live music from DJ Phil<br />

Money, refreshments, and hands-on art activities.<br />

At 6:30, Rachel Bruya, a former student of Frances<br />

Myers now teaching at the University of Wisconsin-<br />

Stout, will speak on Myers’s influential and farreaching<br />

teaching legacy.<br />

Share your Gallery Night experience on social media<br />

using #MADGalleryNight.<br />

ARTS BALL<br />

Saturday, November 19<br />

Mark your calendar for the 46th anniversary of<br />

the Arts Ball. “Autumn Leaves” will be held on<br />

Saturday, November 19, <strong>2016</strong> at Nakoma Golf Club.<br />

Gather for cocktails, hors d'oeuvres, a silent auction,<br />

delectable dining, music, and dancing.<br />

A celebration of the Madison Museum of<br />

Contemporary Art and the Madison Symphony<br />

Orchestra, Arts Ball is an occasion to build and<br />

renew friendships while contributing to the continued<br />

financial health of two of Madison's most beloved<br />

cultural institutions. Tickets are $150 per person and<br />

may be purchased online at mmoca.org or by calling<br />

608.257.0158.<br />

Photography © Larry Chua<br />

PROGRAMS AND EVENTS<br />

9


PROGRAMS AND EVENTS<br />

HOLIDAY ART FAIR PREVIEW<br />

Photography © John Murray<br />

This November 18-20, <strong>MMoCA</strong> will present the<br />

46th annual Holiday Art Fair, an important fundraiser<br />

for the museum. Come and you will enjoy a funfilled<br />

weekend of shopping artist booths, live music and<br />

dance performances, gourmet treats, and styled rooms<br />

to help you envision placing new works of art in your<br />

home.<br />

During the fair, the many spaces throughout<br />

<strong>MMoCA</strong> and the Overture Center for the Arts transform<br />

into an amazing marketplace filled with some 100<br />

booths of art, fine craft, and specialty treats. The fair<br />

takes place the weekend before Thanksgiving, making<br />

it well timed for thoughtful holiday gift-giving.<br />

New this year, <strong>MMoCA</strong> will be taking reservations<br />

beginning in October for an exclusive member preview<br />

tasting and shopping event in <strong>MMoCA</strong>'s lobby.<br />

Guests attending this opening event will sample and<br />

sip delectable treats, and will have the entire Holiday<br />

Art Fair to themselves for an interlude of crowdfree<br />

shopping. The fair’s Silent Auction will offer a<br />

variety of works from the fair’s exhibitors, and those<br />

looking for objects with a bit of history will enjoy the<br />

Rediscovered Treasures & Art Sale.<br />

Holiday Art Fair Hours<br />

Friday, November 18 • 2:30–7 pm<br />

Saturday, November 19 • 10 am–5 pm<br />

Sunday, November 20 • 10 am–3 pm<br />

MMOCA TO EXPAND ACCESS TO ART<br />

IN PERMANENT COLLECTION<br />

The Madison Community<br />

Foundation (MCF)<br />

awarded <strong>MMoCA</strong> a $40,000<br />

grant to help increase online<br />

access to the exceptional artwork<br />

in the museum’s permanent<br />

collection. <strong>MMoCA</strong>'s<br />

permanent collection is<br />

recognized for particular<br />

strengths in Chicago Imagist<br />

art, Mexican Modernism,<br />

contemporary photography,<br />

as well as works by Wisconsin<br />

and regional artists.<br />

“It is exciting to imagine<br />

the educators, art enthusiasts,<br />

and scholars who will<br />

find value in this online<br />

resource,” stated Stephen<br />

Fleischman, museum director.<br />

“As <strong>MMoCA</strong> continues<br />

to reach individuals beyond its<br />

building, this initiative will expand access to and engagement<br />

with artworks often only experienced in Madison,<br />

within our galleries. This effort<br />

will also help the museum<br />

attract additional gifts that will<br />

strengthen the collection and<br />

build an even greater cultural<br />

resource for our community.”<br />

<strong>MMoCA</strong> holds one of the<br />

preeminent institutional collections<br />

of Chicago Imagist<br />

paintings, prints, drawings,<br />

and sculptures worldwide, and<br />

this collection continues to<br />

grow as major collectors look<br />

to <strong>MMoCA</strong> as the preferred<br />

home to gift their Imagist<br />

works. The museum will use<br />

the MCF grant to make these<br />

holdings broadly accessible<br />

by developing a rich, online<br />

presence for the works. The<br />

initiative will also provide a<br />

framework and model for highlighting<br />

online other areas of strength in <strong>MMoCA</strong>’s permanent<br />

collection.<br />

10<br />

TOP: Victor Marsh, Cooking Out of the Box. Photo courtesy of the artist. BOTTOM: Roger Brown, American, 1941-1997. Sudden Avalanche,<br />

1972. Oil on canvas, 72 1/8 x 47 7/8 inches. The Bill McClain Collection of Chicago Imagism. © The School of the Art Institute of Chicago<br />

and the Brown family.


MMOCA’S BUSINESS COUNCIL<br />

<strong>MMoCA</strong>’s corporate members—known as the <strong>MMoCA</strong> Business Council—support a vibrant community<br />

by contributing to museum exhibitions, education programs, and ongoing operations. With these important<br />

contributions, <strong>MMoCA</strong> can offer compelling, thought-provoking programming, and Business Council<br />

members become known as generous community leaders. For information on corporate membership and its<br />

many benefits, contact Elizabeth Tucker at elizabeth@mmoca.org or 608.257.0158 x245. <strong>MMoCA</strong> thanks the<br />

following businesses and organizations for their support:<br />

BENEFACTORS ($10,000+)<br />

Ajenda Interactive Media<br />

The Alexander Company<br />

BioSentinel INC<br />

BMO Private Bank<br />

Eugenie Mayer Bolz Family<br />

Foundation<br />

Flad Architects<br />

Future Foam<br />

Hiebing<br />

J.H. Findorff & Son, Inc.<br />

Madison Community Foundation<br />

Madison Magazine<br />

Madison Print Club<br />

National Guardian Life Insurance<br />

Nimick Forbesway Foundation<br />

Pleasant T. Rowland Foundation<br />

Steinhauer Charitable Trust<br />

W. Jerome Frautschi Foundation<br />

Wisconsin Arts Board<br />

Zendesk Inc.<br />

SPONSORS ($5,000-9,999)<br />

Affiliated Engineers Inc.<br />

American Transmission Company<br />

Brava Magazine<br />

The Century House<br />

CUNA Mutual Foundation<br />

CYC Fitness<br />

Dane Arts<br />

Evjue Foundation Inc.,<br />

the charitable arm of<br />

The Capital Times<br />

Footlights<br />

Great Dane Pub & Brewing Co.<br />

Habush Habush and Rottier S.C.<br />

Ho-Chunk Gaming Madison<br />

Husch Blackwell LLP<br />

ImagesPlus<br />

Isthmus<br />

maiahaus<br />

MG&E Foundation<br />

Mid-West Family Broadcasting<br />

MillerCoors<br />

MINI of Madison<br />

Newcomb Construction<br />

Company<br />

Pepsi of Madison<br />

Perkins Coie LLP<br />

Promega Corporation<br />

Reinhart, Boerner,<br />

Van Deuren, S.C.<br />

Summit Credit Union<br />

Svedvick Collective and<br />

Post Foods<br />

Venture Investors, LLC<br />

Webcrafters-Frautschi<br />

Foundation, Inc.<br />

Wildwood Productions<br />

Wisconsin Public Radio<br />

WISC-TV Channel 3<br />

WKOW-TV Channel 27<br />

LEADERS ($2,500-4,999)<br />

Access Information Management<br />

Adams Outdoor Advertising<br />

The Artful Home<br />

Associated Bank<br />

Capital Newspapers<br />

Celebrations Entertainment<br />

Cricket Design Works, Inc.<br />

Cummings Christensen Family<br />

Foundation<br />

Design Concepts<br />

DeWitt Ross & Stevens S.C.<br />

Dines, Inc.<br />

DoubleTree by Hilton Madison<br />

Food Fight Restaurant Group<br />

Ganser Company<br />

Hooper Copration / General<br />

Heating & Air Conditioning<br />

Johnson Bank<br />

Kramer Printing<br />

Orosz Properties<br />

Roman Candle Pizzeria<br />

RSM<br />

Smith & Gesteland LLP<br />

Staff Electric<br />

TDS Telecom<br />

The Terry Family Foundation<br />

Think Ink & Design<br />

US Bank<br />

Whole Foods Market<br />

Wisconsin Lottery<br />

Woodman's Food Market, Inc.<br />

Yelp Madison<br />

PARTNERS ($1,000-2,499)<br />

5NINES<br />

Atmosphere Commercial<br />

Interiors<br />

Axley Brynelson, LLP<br />

Bicycle Federation of Wisconsin<br />

The Capital Times Kids Fund<br />

Colony Brands, Inc.<br />

Custer Financial Services<br />

Econoprint<br />

ERDMAN<br />

Faith Technologies<br />

First Business Bank of Madison<br />

Foley & Lardner<br />

Full Compass Systems, Ltd.<br />

Godfrey & Kahn, S.C.<br />

Greater Madison Convention &<br />

Visitors Bureau<br />

Hausmann-Johnson Insurance<br />

J.F. Ahern Co.<br />

Johnson Controls<br />

Knothe & Bruce Architects, LLC<br />

Knox Family Foundation<br />

M3 Insurance<br />

Macy’s<br />

Madison Arts Commission<br />

Metcalfe Markets, Inc.<br />

Michael Best & Friedrich<br />

Milwaukee Valve Company<br />

Oakbrook Corporation<br />

RBC Wealth Management<br />

Sara Investment Real Estate LLC<br />

Shulfer Architects<br />

Sport & Spine Physical Therapy<br />

Sprinkman Real Estate<br />

Wisconsin Chamber Orchestra<br />

DONORS ($500-999)<br />

Access Wisconsin<br />

Artist & Craftsman Supply<br />

GMA Engineers<br />

John Thompson Investment<br />

Management<br />

Madison Veterinary Specialists<br />

Neckerman Insurance Services<br />

RS+K<br />

Shine United LLC<br />

Stoddard's Meat Market &<br />

Catering<br />

SUPPORTERS ($250-499)<br />

Amanti Art<br />

Benjamin CPA<br />

Credo Product Design<br />

Eminent Domain Services LLC<br />

Gail Ambrosius Chocolatier<br />

Gordon Flesch Company<br />

JPC Law<br />

KJWW P.C.<br />

Madison MAGNET<br />

OPN Architects<br />

Piano Fondue<br />

Plantes Company<br />

Russell Arts Law<br />

TheoryThree Interactive<br />

Wingra School<br />

SPECIAL PROJECT<br />

UNDERWRITERS<br />

Admission underwriting provided<br />

through a bequest of Dr.<br />

Margaret C. Winston. A major<br />

gift from the Nimick Forbesway<br />

Foundation supports the museum’s<br />

general operations.<br />

Brand strategy and design<br />

support is contributed by Hiebing.<br />

Design and technical guidance for<br />

<strong>MMoCA</strong>’s website is donated by<br />

Ajenda Interactive Media.<br />

MEMBERSHIP AND GIVING<br />

11


MEMBERSHIP AND GIVING<br />

<strong>MMoCA</strong> Board<br />

of Trustees<br />

Officers<br />

Rick Phelps, President<br />

Joe Alexander, Vice-President<br />

Jason Knutson, Vice-President<br />

Leslie Smith III, Vice-President<br />

Kathie Nichols, Secretary<br />

John Sylla, Treasurer<br />

Other Trustees<br />

Marian Bolz, Life Trustee<br />

Bryan Chan<br />

Karen Christianson<br />

Charlotte Cummins<br />

Tami Dodge<br />

John Fritsch<br />

Sara Guyer<br />

Cedric Johnson<br />

Valerie Kazamias, Chair,<br />

The Langer Society<br />

Elizabeth Kirchstein<br />

Oscar Mireles<br />

Bret Newcomb<br />

Margaret Pyle<br />

JoAnne Robbins<br />

John Ronzia<br />

Ellen Rosner<br />

Katie Howarth Ryan<br />

John Sims<br />

Sylvia Vaccaro<br />

Marc Vitale<br />

Kathleen Woit<br />

Jim Yehle, Past President<br />

New Langer Society<br />

Members: May 1–July 15<br />

Jess Anderson<br />

Maria Bazo and Dean Pichette<br />

Allyson Dill and Andrew Yake<br />

Brinda Dixit and Jesse Bair<br />

Zachary Helmen and<br />

Raechel Gulledge<br />

Steve and Martha Johannsen<br />

Cary and Brenda McNatt<br />

Samuel Ryan and Sarah Hagberg<br />

Kim Schultz and<br />

Howie Schlichting<br />

Peter and Marjorie Van Beek<br />

New Regular Members: May 1–July 15<br />

Liz Amundson and Jennifer Foster, Delores Annen, Joyce Apfel, Erica Berman and<br />

Henry Thompson, Maureen Berryman and Will Holthaus, Brock and Jill Burnard,<br />

Karina Cutler-Lake, Catherine and Bryan Davis, Stuart Deets, Erin Detwiler,<br />

Ken Disch and Mary Sanchez, Jane and Anthony Earl, Daniel Evans, Treena Fischer,<br />

Sharon Fry Pasic, Stanley Fuka, Linda and Tony Granato, Erynn Grueter and<br />

Michael Hollender, Erick and Barb Hallick, Deborah Kades, Daniel and Erin<br />

Kelso, Sylvia Kruger, Greta Linde, Adele Martin Boyle and John Boyle, Eva Maxwell,<br />

Jacob Mertens, Vincent Mollica, Donna Olson Danowski, Elizabeth Perry and<br />

Rita Mae Reese, Shari and Michael Porte, Jonah Primiano and Elizabeth Yonce,<br />

Amy Robertson, Mary Ross, Susan Schneider and David Gipson, Carl Schroedl and<br />

Rebecca Andresen, Megan Sheehan, Laurie Short, Kayce Spear, Elaine Strassburg,<br />

Leslie Thompson and Brian Jubeck, Ngan Tran, Teri Venker, Lauren Wojcik,<br />

Mushka Yurkew<br />

STAY IN TOUCH<br />

sign up for weekly emails at<br />

mmoca.org/mmoca-notes<br />

PRIVATE EVENTS<br />

Photography © Robert Stebler.<br />

Photography © Shanna Wolf<br />

With gorgeous spaces such as the lobby and the rooftop sculpture<br />

garden, as well as an elegant and high-tech lecture hall,<br />

<strong>MMoCA</strong> is the perfect place to host your next event. Langer Society<br />

members, Business Council members, and nonprofit groups receive<br />

discounted rates. For more information, contact Bob Sylvester at<br />

bob@mmoca.org.<br />

DR. MARGARET C. WINSTON'S LEGACY<br />

Dr. Margaret C. Winston touched the lives<br />

of many people through her devotion<br />

to arts and culture. Anonymously,<br />

she gave generously to many organizations.<br />

Her passion motivated her<br />

to underwrite <strong>MMoCA</strong> admissions,<br />

providing free entry to all visitors to<br />

create wide access to the transformative<br />

power of visual art.<br />

A ground-breaking radiologist,<br />

Winston was brilliant, a lover of ideas and<br />

discovery. She perceived the threads running<br />

through seemingly disparate disciplines.<br />

Many organizations benefited from<br />

her keen mind and active support,<br />

although she wanted no recognition<br />

in return, simply the gratification<br />

that she helped make our community<br />

richer for all to enjoy.<br />

<strong>MMoCA</strong> is profoundly grateful<br />

for Dr. Winston’s long-time<br />

support and her bequest that will help<br />

keep admission to the museum free for<br />

many years to come.<br />

12


SEPTEMBER<br />

M T W T F S S<br />

1 2 3 4<br />

5 6 7 8 9 10 11<br />

12 13 14 15 16 17 18<br />

19 20 21 22 23 24 25<br />

26 27 28 29 30<br />

SEPTEMBER<br />

OCTOBER<br />

M T W T F S S<br />

1 2<br />

3 4 5 6 7 8 9<br />

10 11 12 13 14 15 16<br />

17 18 19 20 21 22 23<br />

24 25 26 27 28 29 30<br />

23 6–9 pm <strong>MMoCA</strong> Nights<br />

Opening Reception:<br />

Wisconsin Triennial<br />

28 Spotlight Cinema<br />

29 1–1:30 pm Talk: Emily Arthur<br />

Indirect Take:<br />

Observing Habitat<br />

and Endangered<br />

Species through<br />

Printmaking<br />

30 6:30–7 pm Talk: David Drake<br />

Wildlife Conservation:<br />

The Blending of Art<br />

and Science<br />

NOVEMBER<br />

2 Spotlight Cinema<br />

4 6:30–7 pm Talk: John Hitchcock<br />

Beads, Birds and Bombs<br />

9 Spotlight Cinema<br />

10 6:30–9 pm Under the Influence<br />

12 1–1:30 pm Drop-in Tour<br />

13 1–2:30 pm Kids' Art Adventures<br />

16 Spotlight Cinema<br />

18–20 Holiday Art Fair<br />

31<br />

19 Arts Ball<br />

NOVEMBER<br />

M T W T F S S<br />

1 2 3 4 5 6<br />

7 8 9 10 11 12 13<br />

14 15 16 17 18 19 20<br />

21 22 23 24 25 26 27<br />

28 29 30<br />

OCTOBER<br />

DECEMBER<br />

DECEMBER<br />

M T W T F S S<br />

1 2 3 4<br />

5 6 7 8 9 10 11<br />

12 13 14 15 16 17 18<br />

19 20 21 22 23 24 25<br />

26 27 28 29 30 31<br />

5 Spotlight Cinema<br />

7 4–9 pm Museum Store Trunk Show<br />

5–9 pm Gallery Night<br />

6:30–7 pm Talk: Rachel Bruya<br />

Compassionate Teaching:<br />

The Legacy of Frances Myers<br />

8 1–1:30 pm Drop-in Tour<br />

9 1–2:30 pm Kids' Art Adventures<br />

12 Spotlight Cinema<br />

19 Spotlight Cinema<br />

20 1–1:30 pm Talk: Gregory Vershbow<br />

Art in a Liminal Space<br />

26 Spotlight Cinema<br />

1 1–1:30 pm Talk: Helen Lee<br />

A Word is a Thing in Motion<br />

9 6–9 pm <strong>MMoCA</strong> Nights<br />

Explore Reconfigured Reality<br />

6:30–7 pm Talk: Richard H. Axsom<br />

Not Just Your Black-and-<br />

White Photo<br />

10 1–1:30 pm Drop-in Tour<br />

11 1–2:30 pm Kids' Art Adventures<br />

CALENDAR OF EVENTS ( TEAR OUT AND ENJOY)<br />

Sky Hopinka, Jáaji Approx. (detail), 2015. Video, 07:35 min.<br />

13


ABOUT<br />

MEMBERS MAKE IT<br />

POSSIBLE.<br />

Support from members of<br />

the Madison Museum of<br />

Contemporary Art ensures<br />

outstanding exhibitions and<br />

educational programs<br />

remain free for all.<br />

Located on the rooftop<br />

of the Madison Museum of<br />

Contemporary Art, Fresco is a<br />

modern dining space boasting<br />

panoramic views of the city. Enjoy<br />

exceptional views of Madison while<br />

sipping cocktails and sampling artfully<br />

prepared food.<br />

Serving dinner or small plates<br />

and cocktails. Visit www.frescomadison.com<br />

to see a menu, regularly<br />

changing with the seasons,<br />

always fresh.<br />

THANK YOU!<br />

About the Museum The Madison Museum of Contemporary Art<br />

is an independent, nonprofit organization presenting exhibitions by local,<br />

regional, national, and international artists. A permanent collection of over<br />

5,000 works of art is maintained and enlarged through gifts and purchases.<br />

The museum’s education department presents programs to increase public<br />

understanding and appreciation of modern and contemporary art.<br />

Hours Museum hours are Tues–Thurs: noon–5; Fri: noon–8; Sat: 10–8;<br />

and Sun: noon–5. The museum is closed on Mondays. Administrative offices<br />

are open Mon–Fri: 9–5.<br />

Accessibility Exhibitions, lectures, tours, and special events at the<br />

Madison Museum of Contemporary Art are accessible to people with<br />

disabilities. Please contact the museum at 608.257.0158 regarding accommodations<br />

for persons with limited mobility, sight, or hearing. Relay Service<br />

is available by dialing AT&T @ 711.<br />

Membership <strong>MMoCA</strong> members enjoy many privileges, including free<br />

admission to exhibition openings and <strong>MMoCA</strong> Nights; discounts at the<br />

Museum Store, at Fresco and other Food Fight restaurants, and on films,<br />

education programs, and travel opportunities; invitations to special membership<br />

events and previews; opportunities to meet artists; a subscription to<br />

<strong>MMoCA</strong>’s newsletter; and tax deductions for contributions.<br />

Volunteering Enthusiastic volunteers are vital to <strong>MMoCA</strong>’s success.<br />

Visit mmoca.ivolunteer.com for current volunteer opportunities.<br />

<strong>MMoCA</strong> Members<br />

Receive a 10% discount<br />

at Fresco and all Food<br />

Fight ​restaurants.<br />

Join today at<br />

mmoca.org<br />

Change of Address Please notify the office of address changes so that<br />

your mailings are not interrupted.<br />

Join Our Email List <strong>MMoCA</strong> Notes, the museum’s email bulletins,<br />

will keep you informed about upcoming events and exhibitions. Sign up<br />

online at mmoca.org.<br />

To Contact the Museum<br />

608.257.0158 • info@mmoca.org • www.mmoca.org<br />

© Madison Museum of Contemporary Art. Artworks © the artist unless<br />

otherwise noted. Artworks may not be reproduced without permission of<br />

the copyright holder.<br />

14


ART FAIR ON THE SQUARE <strong>2016</strong><br />

This year's Art Fair on the Square was one of the most<br />

successful on record. <strong>MMoCA</strong> would like to extend<br />

sincere thanks to the artists, patrons, performers, vendors,<br />

members, volunteers, and sponsors who made it great.<br />

Generous sponsorship of the Fair was provided by<br />

MINI of Madison, Post Foods/Great Grains, American<br />

Transmission Company, Habush Habush & Rottier S.C.,<br />

Pepsi of Madison, Wildwood Productions, Artful Home,<br />

Associated Bank, Dines Incorporated, DoubleTree by Hilton<br />

Madison, Ganser Company, Ho-Chunk Gaming, The Lux,<br />

Wisconsin Lottery, Econoprint, Whole Foods Market,<br />

Greater Madison Convention & Visitors Bureau, Madison<br />

Magazine, Isthmus, Magic 98, Wisconsin Public Radio,<br />

Wisconsin State Journal, and WKOW Channel 27.<br />

Artist Clifton Henri with patron.<br />

Photography © Shanna Wolf<br />

<strong>MMoCA</strong> premiered the Emerging<br />

Artist Block, on the 100 block of State<br />

Street, showcasing early-career artists.<br />

EVENTS AND SUPPORTERS<br />

Photography © Shanna Wolf<br />

Artist Sofie Kennedy with patrons.<br />

Photography © Carrie Romant<br />

MMOCA NIGHTS: CLAIRE STIGLIANI<br />

On June 3, <strong>MMoCA</strong> welcomed Claire<br />

Stigliani for a talk on her exhibition, Half-<br />

Sick of Shadows. Guests enjoyed live music and<br />

refreshments from Fresco on the rooftop, and<br />

Rooftop Cinema opened for its 11th season.<br />

Photography © Sharon Vanorny<br />

15


227 State Street<br />

Madison, WI 53703<br />

Nonprofit Org.<br />

U.S. Postage<br />

PAID<br />

Madison, Wisconsin<br />

Permit No. 1143<br />

MUSEUM STORE<br />

Back to school special<br />

Welcome back students and faculty! Throughout the month of September, we are offering<br />

a 15% discount on all backpacks. (No other discounts or coupons can be added on.)<br />

The Museum Store is the perfect place to shop for that special everyday or holiday gift, honoring<br />

someone in your life. Every purchase supports <strong>MMoCA</strong>'s free exhibitions and educational<br />

programs. Local and regional artists are always featured in our award-winning store.<br />

October 7<br />

Trunk show during Gallery Night! See new work by Sheboygan<br />

jeweler Susan Richter O’Connell on Friday October 7, 4–9 pm.<br />

November 25<br />

8 am–noon (ONLY) Black Friday Special<br />

25% discount on one non-consignment item.<br />

Members may add their 10–20%<br />

discounts onto this once-a-year special!<br />

Extended hours December 1–23<br />

(Open late during most Overture<br />

performances in December.)<br />

Sunday • noon–5 pm<br />

Monday • noon–6 pm<br />

Tues–Thurs • 10 am–6 pm<br />

Fri–Sat • 10 am–8 pm<br />

December 24 • open 8 am–3 pm<br />

December 25 & 26 • closed<br />

December 31 & January 1 • closed<br />

Closed all Mondays in January<br />

December 27–January 30 • All holiday items on sale

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