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structure you build,” he explains. “I’m very big on the final product and not the<br />

tools that got you there.” When shooting a portrait, he’s able to engage with the<br />

subject without hiding behind the lens and viewfinder. His process is simple, and he<br />

often observes the space for only a few minutes before knowing how to proceed.<br />

“Stars to Satellites” has retained an intimate, engaging aesthetic throughout the<br />

series. Darr invites viewers into the creative refuge of the subject’s home. There is<br />

an element of voyeurism as a sense of privacy falls away. He brings you in, but<br />

the subjects themselves at times appear wary and unsure of how to pose in the very<br />

space where they should feel most comfortable. Some spaces are cluttered, others<br />

clean and well organized, each revealing the nuances of the individual pictured.<br />

Many of the subjects are easily recognizable to anyone familiar with the Phoenix<br />

arts community—Tato Caraveo, Lalo Cota and Sierra Joy, to name a few.<br />

For Darr, they are friends, colleagues, former professors and other important<br />

figures in his life, who act as pieces of the puzzle.<br />

What does it mean to be an artist? Darr’s portraits have brought him closer to<br />

creating his own definition. “I’ve become more educated on what being an artist<br />

means and have gained a unique insight by going to artists’ spaces and talking to<br />

them about their process and their vision,” he said.<br />

This is a collection of people whom the 35-year-old Darr aspires to, because<br />

of their work ethic and passion. They are the stars and Darr is their satellite,<br />

orbiting around them. While the series is ongoing, he has no end goal in mind,<br />

except one: to look at these portraits years from now and remember the people<br />

who inspired him. “Down the road when it’s all over,” Darr says, “I’m going to be<br />

happy that it was documented and recorded.”<br />

www.chardarr.com<br />

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