Java.FEB.2017
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structure you build,” he explains. “I’m very big on the final product and not the<br />
tools that got you there.” When shooting a portrait, he’s able to engage with the<br />
subject without hiding behind the lens and viewfinder. His process is simple, and he<br />
often observes the space for only a few minutes before knowing how to proceed.<br />
“Stars to Satellites” has retained an intimate, engaging aesthetic throughout the<br />
series. Darr invites viewers into the creative refuge of the subject’s home. There is<br />
an element of voyeurism as a sense of privacy falls away. He brings you in, but<br />
the subjects themselves at times appear wary and unsure of how to pose in the very<br />
space where they should feel most comfortable. Some spaces are cluttered, others<br />
clean and well organized, each revealing the nuances of the individual pictured.<br />
Many of the subjects are easily recognizable to anyone familiar with the Phoenix<br />
arts community—Tato Caraveo, Lalo Cota and Sierra Joy, to name a few.<br />
For Darr, they are friends, colleagues, former professors and other important<br />
figures in his life, who act as pieces of the puzzle.<br />
What does it mean to be an artist? Darr’s portraits have brought him closer to<br />
creating his own definition. “I’ve become more educated on what being an artist<br />
means and have gained a unique insight by going to artists’ spaces and talking to<br />
them about their process and their vision,” he said.<br />
This is a collection of people whom the 35-year-old Darr aspires to, because<br />
of their work ethic and passion. They are the stars and Darr is their satellite,<br />
orbiting around them. While the series is ongoing, he has no end goal in mind,<br />
except one: to look at these portraits years from now and remember the people<br />
who inspired him. “Down the road when it’s all over,” Darr says, “I’m going to be<br />
happy that it was documented and recorded.”<br />
www.chardarr.com<br />
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