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702675 Australian Building Analysis<br />

<strong>Victorian</strong> <strong>interiors</strong>


COMMONWEALTH OF AUSTRALIA<br />

Copyright Regulations 1969<br />

Warning<br />

This material has been reproduced and communicated to you<br />

by or on behalf of the University of Melbourne pursuant to Part<br />

VB of the Copyright Act 1968 (the Act).<br />

The material in this communication may be subject to copyright<br />

under the Act. Any further copying or communication of this<br />

material by you may be the subject of copyright protection<br />

under the Act.<br />

do not remove this notice


general principles<br />

hall – dark, rich, masonry/timber theme, baronial<br />

overtones<br />

dining room – similar, but some rich colours, dark<br />

chimneypiece, dado<br />

drawing room – lighter, more feminine, dado rare, light<br />

chimneypiece<br />

breakfast room – east side, light colouration, dado, often<br />

trompe l’oeil<br />

bedrooms – as for drawing room but less formal<br />

billiards/music room – similar to ding room, masculine,<br />

raised platform, monitor rooflight


a <strong>Victorian</strong><br />

interior:<br />

schematic<br />

sketch<br />

<strong>Miles</strong> <strong>Lewis</strong>


chimneypieces & grates


'Barwon Park', Winchelsea by Davidson & Henderson,<br />

completed 1869: chimneypiece in drawing room<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Barwon Park', Winchelsea by Davidson & Henderson,<br />

completed 1869: chimneypiece & grate in nw bedroom<br />

<strong>Miles</strong> <strong>Lewis</strong>


square tiled grates advertised in Melbourne, 1886<br />

Australasian Ironmonger, I, 7 (1 October 1886), p xvii


floorcoverings


linoleum mats<br />

Suzanne Forge,<br />

<strong>Victorian</strong> Splendour:<br />

Australian Interior<br />

Decoration 1837-1901<br />

(Melbourne 1981), p 135


‘Barwon Park’, Winchelsea: inlaid lino in rear hall<br />

<strong>Miles</strong> <strong>Lewis</strong>


conservative lushness


advertisement by W H Rocke & Co, 1880<br />

? Melbourne International Exhibition 1880, Official Record (Melbourne 1882), p 79


R E N Twopeny, Town Life in Australia (London 1883),<br />

pp 40-41<br />

On entering the drawing-room [you find] the regulation white<br />

marble mantelpiece, more or less carved, and a gilt mirror ...<br />

you sit down on one of the chairs. There are nine in the room<br />

besides the sofa - perhaps an ottoman - and you can take your<br />

choice between the 'gent's' armchair, the lady's low-chair, and<br />

the six high ones ... Occasional chairs have only lately been<br />

introduced, and the whole suite is in unison ... The wood of<br />

which the chairs are made is mahogany, walnut or cedar. The<br />

large round or oval table which stands in the middle of the room<br />

is of the same wood, and so are the card-table, the Davenport,<br />

the chiffonier, and that Jacob's-ladder-like what-not in the<br />

corner ... On the chimney-piece is a Louis XVI. clock and a<br />

pair of ornaments to match.


'Bedervale', near<br />

Braidwood, NSW, 1836<br />

and later: detail of the<br />

drawing room<br />

Forge, <strong>Victorian</strong> Splendour, p 30


'Wardlow', 114 Park Drive, Parkville, 1886.<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Wardlow’: front door from<br />

inside, view down hall<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Wardlow', detail of hall ceiling<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Wardlow', drawing room<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Wardlow’ drawing room:<br />

window bay & door<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Wardlow', ceiling of drawing room<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Wardlow', view of dining room<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Wardlow' dining<br />

room: celing &<br />

cornice detail<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Wardlow' dining room,<br />

wall & detail of filler<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Wardlow', dado of dining room<br />

<strong>Miles</strong> <strong>Lewis</strong>


Clowance


'Clowance', 518 Barkly St, Ballarat<br />

Lorraine Huddle


'Clowance', 518 Barkly St, Ballarat: hall<br />

Lorraine Huddle


'Clowance', hall wall & dado detail<br />

Lorraine Huddle


'Clowance‘<br />

a ceiling<br />

hearth tiling<br />

Lorraine Huddle


the grander conservatism


Government House, Sydney: ballroom ceiling design by John Lyon, 1879<br />

Don Ellsmore, '19th Century Decorators' in Maisy Stapleton, Historic Interiors: a Collection of Papers<br />

(Glebe [New South Wales] 1983), p 41


‘Drawing room Ceiling’, Woollahra House, gouache by Lyon, Cottier & Co, 1896: Mitchell Library<br />

Lane & Serle, Australians at Home, p 206


Mintaro


'Mintaro', Monegeetta, Victoria, by James Gall, 1882<br />

<strong>Miles</strong> <strong>Lewis</strong>


Mintaro<br />

column of hall<br />

arch<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Mintaro’<br />

hall wall<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro', dining room, view under restoration<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro', dining room dado<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro', dining room wall surface<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro’<br />

decoration of<br />

south-east<br />

bedroom<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro',<br />

south-east<br />

bedroom<br />

filler & dado<br />

band<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro', south-east bedroom dado<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro‘<br />

north-east<br />

bedroom<br />

filler & dado<br />

band<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro', north-east bedroom dado<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mintaro‘<br />

bell push<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba<br />

44 Walmer St, Kew<br />

[1853/5] 1882-3<br />

hall ceiling<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, entry hall, frieze detail with photographic putti<br />

offprint from the Australian Antique Collector


Villa Alba, entry hall,<br />

frieze detail with<br />

signature of W. Carey<br />

9/9 1883<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, dining room ceiling<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba<br />

dining room frieze<br />

with scenes from<br />

Walter Scott, Rob<br />

Roy<br />

offprint from the Australian<br />

Antique Collector<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, drawing room<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, drawing room cornice & ceiling detail<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, drawing room fireplace<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, room 9 ceiling<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, detail of room 9 ceiling<br />

Andrew Montana, The Art Movement in Australia (Carlton South [Victoria] 2000), np


Villa Alba, monogram<br />

in room 9 ceiling<br />

Andrew Montana, The Art<br />

Movement in Australia (Carlton<br />

South [Victoria] 2000), np


Villa Alba, rom 9 centre flower<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, room 9 door<br />

<strong>Miles</strong> <strong>Lewis</strong>


Villa Alba, transverse gallery: Sydney Harbour<br />

<strong>Miles</strong> <strong>Lewis</strong>


enlightened design


horse chestnut<br />

leaves by Owen<br />

Jones<br />

Owen Jones, The Grammar of<br />

Ornament, illustrated by<br />

examples from various styles<br />

of ornament (London 1856 pl<br />

XCI 'Leaves from Nature No.1'


Horse chestnut paper by Bruce Talbert or an associate, from a set of<br />

fourteen specimen panels by Bruce Talbert, Andrew Brophy, Brightwen<br />

Binyon & possibly others, produced by Jeffrey & Co, c 1877-80<br />

Oman & Hamilton, Wallpapers, p 250


Mandeville Hall',<br />

Toorak, front by<br />

Charles Webb,<br />

1878-9: horse<br />

cghestnut stencil<br />

in the hall<br />

Montana, The Art<br />

Movement, np


horse chestnut leaves by Owen<br />

Jones<br />

a tile from the hall fireplace,<br />

Abercrombie House, Bathurst,<br />

NSW, by G A Mansfield, 1870-8<br />

Jones, The Grammar of Ornament, pl XCI; <strong>Miles</strong><br />

<strong>Lewis</strong>


hall fireplace, Abercrombie House, Bathurst<br />

<strong>Miles</strong> <strong>Lewis</strong>


the Traveller's Tree,<br />

by Christopher<br />

Dresser<br />

Christopher Dresser, The Art<br />

of Decorative Design (London<br />

1862 [facsimile, Watkins Glen<br />

(New York) 1977]), p 76


specimens of ornament, by Christopher Dresser<br />

Dresser, Art of Decorative Design, pl VI.


plant ornament with repetition, by Christopher Dresser<br />

Dresser, Art of Decorative Design, pl VIII.


ornamental device & hobgoblin by Christopher Dresser<br />

Dresser, Art of Decorative Design, pls XXVI, XVII.


'Woodlands',<br />

Wimmera, by<br />

Crouch &<br />

Wilson, 1868:<br />

frieze in upstairs<br />

vestibule: view<br />

& detail<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Woodlands’: the library<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Woodlands’: detail of the library ceiling<br />

<strong>Miles</strong> <strong>Lewis</strong>


decorative scheme for the<br />

billiard room of James<br />

Gurney, Regent's Park, by<br />

Owen Jones, 1870<br />

Brenda Greysmith, Wallpaper (New<br />

York 1976), p 130


The 'Peacock Room' of F R Leyland's house, designed by Thomas Jekyll and<br />

painted by J M Whistler, 1877 [now in the Freer Gallery, Washington]<br />

Elizabeth Aslin, The Aesthetic Movement: Prelude to Art Nouveau (London 1969), pl 59


'Solanum' wallpaper,<br />

by C L Eastlake,<br />

produced by Jeffrey<br />

& Co, 1869<br />

Greysmith, Wallpaper, p 123


'Mandeville Hall', Toorak, front by Charles Webb, 1878-9<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Mandeville Hall’, detail of front door glazing<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Mandeville Hall’: the drawing room in 1904<br />

Melbourne Punch, 7 January 1904


‘Mandeville Hall’: the<br />

drawing room doors to the<br />

conservatory<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mandeville Hall',<br />

drawing room<br />

ceiling and cornice<br />

in the window bay<br />

Irvine Green<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mandeville Hall',<br />

drawing room<br />

chimneypiece<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Mandeville Hall', detail<br />

of bathroom wall<br />

<strong>Miles</strong> <strong>Lewis</strong>


Bruce Talbert wallpapers: original design for 'Sunflower' wallpaper<br />

[manufactured by Jeffery & Co, 1878]; sets of dado, filler & frieze, 1877<br />

Aslin, The Aesthetic Movement, pls 9, 13, 12


Japanese influence<br />

paper from the Price collection, post-?1880; frieze and filler by Leissner & Louis, New<br />

York, in Japanesque style paper by Christopher Dresser, possibly for Wilson &<br />

Fennimores, Philadelphia, showing Japanese influence<br />

<strong>Miles</strong> <strong>Lewis</strong>; Greysmith, Wallpaper, p 145; Cooper-Hewitt Museum of Decorative Arts and Design, Smithsonian<br />

Institution, New York


An unused oriental [?Japanese] paper intended for use at 'Mynda', 5<br />

Molesworth St, Kew, designed by Lloyd Tayler, 1885 & detail<br />

Jessie Serle


William Morris papers: honeysuckle design, 1876,<br />

'Blackthorn', printed by Jeffrey & Co, 1892<br />

Aslin, The Aesthetic Movement, pl 26; Greysmith, Wallpaper, p 131


hand printed papers by <strong>Lewis</strong> F Day<br />

'Apple Blossom', printed by Jeffrey & Co, 1878<br />

'Trellis Dado', printed by W B Simpson & Sons, c 1877<br />

Asplin, The Aesthetic Movement, pl 10, 11


cabinet with<br />

painted panels,<br />

made in ebonised<br />

wood, designed by<br />

T E Collcutt,<br />

attributed to<br />

Colbourn & Cook,<br />

1871<br />

Asplin, The Aesthetic<br />

Movement, pl 54


W H Rocke & Co, 1880<br />

'Art Furniture and Carpets', advertisement; 'Dining Room and Decoration' from W H<br />

Rocke & Co stand, 1880 Exhibition<br />

Melbourne Bulletin, 15 October 1880; Illustrated Australian News, 31 December 1880.


NATIONALISM


Pediment for Natural History Museum, by Lucien Henry<br />

Powerhouse Museum, Sydney, p 3325


Lucien Henry: stenocarpus column, four types of capital; waratah column<br />

Powerhouse Museum, Sydney, p 3005-1; R T Baker, Australian Flora in Applied Art. Part I.<br />

The Waratah in Applied Art and Literature (Sydney 1915), fig 11


waratah wallpapers (the second with waratahs of NSW,<br />

Victoria and Tasmania)<br />

Baker, Australian Flora in Applied Art, figs 58, 56


'Rio Vista', Cureton Avenue, Mildura, 1891<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Rio Vista’: stair hall<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Rio Vista’: hall wallpaper<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Rio Vista‘<br />

hall window<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Rio Vista', library/smoking room, view & detail<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Pastoria', near Kyneton, extended 1892-4: view from the north-west<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Pastoria', south<br />

gable<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Pastoria', old photo<br />

of the dining room,<br />

and modern view<br />

from the dining room,<br />

into the drawing room<br />

<strong>Miles</strong> <strong>Lewis</strong>


Pastoria papers compared with (right) unused papers from<br />

the Price collection of wallpaper, same as at Pastoria.<br />

<strong>Miles</strong> <strong>Lewis</strong>


‘Pastoria’ hall<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Pastoria‘: embossed paper in the upper hall<br />

<strong>Miles</strong> <strong>Lewis</strong>


5 Harkness Street,<br />

Bendigo, by W C<br />

Vahland, 1898<br />

old photo on site<br />

modern view from the<br />

north<br />

<strong>Miles</strong> <strong>Lewis</strong>


5 Harkness St,<br />

detail of<br />

weatherboards<br />

<strong>Miles</strong> <strong>Lewis</strong>


5 Harkness St, hallway: old photo on site; modern view<br />

<strong>Miles</strong> <strong>Lewis</strong>


5 Harkness St: Union Jack ceiling in the bedroom<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Boisdale' homestead,<br />

Maffra, by Guyon Purchas,<br />

1892: woven dado in the<br />

?smoking room<br />

<strong>Miles</strong> <strong>Lewis</strong>


art nouveau


'Purrumbete', near Camperdown, extended by Guyon Purchas, 1901<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Purrumbete', drawing room<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Purrumbete', hall<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Purrumbete', painted<br />

panels by Walter<br />

Withers on the west<br />

side of the hall and<br />

detail of one panel<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Purrumbete' hall<br />

carving beside<br />

the stair<br />

<strong>Miles</strong> <strong>Lewis</strong>


'Purrumbete', repoussé metal grille windows<br />

<strong>Miles</strong> <strong>Lewis</strong>


the<br />

Federation<br />

interior


Federation interior,<br />

showing a combined<br />

living space 'hall and<br />

living room'<br />

Maisy Stapleton, 'Federation<br />

Interiors, p 51


'A cosy arrangement for a sitting room<br />

Building, II, 8 (16 April 1908), p 62


'Eryldene', Gordon, NSW, by W Hardy Wilson, 1913-14: sitting room<br />

Howard Tanner, 'Interior Design in the 20th Century', p 57


'A suggestion for a "Green Bedroom"'<br />

Building, II, 8 (16 April 1908), p 61

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