flucht und verwandlung nelly sachs, schriftstellerin, berlin / stockholm
flucht und verwandlung nelly sachs, schriftstellerin, berlin / stockholm
flucht und verwandlung nelly sachs, schriftstellerin, berlin / stockholm
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In May 1940, Nelly Sachs fled from Berlin on one of the last passenger<br />
aircraft to leave the city. Behind her lay more than half a life, now <strong>und</strong>er<br />
threat after the 1933 Nazi takeover. Ahead of her lay thirty years in<br />
exile, as well as the significant part of a literary œuvre for which she was<br />
awarded the Nobel Prize in Literature in 1966.<br />
For the first time, Sachs’ life and work is now being explored in a<br />
large travelling exhibition. Against a backgro<strong>und</strong> of numerous hitherto<br />
unknown photographs, texts, and witness accounts, the growing<br />
radicality of her poetry emerges along with the cultural and historic<br />
context in which it came about. Who was the unknown lover of the Berlin<br />
years, who would later become known as »the dead bridegroom«? What<br />
happened in the »cuddy,« measuring four square metres, that Sachs<br />
regarded as the centre of her poetic universe? What happened when<br />
her friend Paul Celan visited Stockholm in the autumn of 1960 to offer<br />
his support in connection with the mental illness which marked the last<br />
years of her life?<br />
»Flight and Metamorphosis« shows the circumstances in which<br />
Sachs’ writing developed: in remembrance of a familiar but lost world,<br />
in contact with a new but foreign culture. In short: in a time of crisis<br />
and upheaval. With the help of so far unknown documents, the<br />
coordinates of Sachs’ »invisible universe« can be traced for the first<br />
time. The ab<strong>und</strong>ant material, as well as insights into important friendships<br />
with Paul Celan and Gunnar Ekelöf, Margaretha Holmqvist and<br />
Rosi Wosk, paint the portrait of one of the twentieth century’s most<br />
important poets.