Sven-Ingo Koch, Doppelgänger, Partitur
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<strong>Sven</strong>-<strong>Ingo</strong> <strong>Koch</strong><br />
<strong>Doppelgänger</strong><br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
für Klarinette und Orchester<br />
<strong>Partitur</strong><br />
(2009–2010)<br />
SIK001
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton
<strong>Sven</strong>-<strong>Ingo</strong> <strong>Koch</strong><br />
<strong>Doppelgänger</strong><br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
für Klarinette in B und großes Orchester<br />
Ein Kompositionsauftrag des Bayerischen Rundfunks / musica viva<br />
Uraufführung: 11.2.2011 in München durch Chen Halevi, Klarinette<br />
und das Symphonieorchester des Bayerischen Rundfunks unter der Leitung von Brad Lubman
Orchester-Besetzung<br />
2 Piccolo-Flöten (2te auch dritte große Flöte)<br />
2 große Flöten<br />
2 Oboen (2te auch Englisch Horn)<br />
2 Klarinetten (B)<br />
1 Bassklarinette (B)<br />
2 Fagotte (2te auch Kontrafagott)<br />
4 Hörner (F)<br />
3 Trompeten (C)<br />
3 Posaunen (3te ist Tenor-Bass-Posaune)<br />
1 Tuba (ad lib. KB-Tuba)<br />
Pauken (1 Spieler) : D-H, F-d, A-fis<br />
3 (oder mehr) Schlagzeuger<br />
Klavier (I)<br />
Celesta, auch Klavier II<br />
(Klavier I und II ganz links und ganz rechts im Orchester)<br />
Harfe<br />
Streicher (nach Möglichkeit: 14-12-10-8-6)<br />
Schlagzeug-Instrumente<br />
Schlagzeug I:<br />
• Vibraphon<br />
• Marimbaphon (so zwischen Schlagzeug I und II aufgestellt, dass auch der zweite Schlagzeuger dies spielen kann)<br />
• 4 Becken (das höchste leicht sizzelnd)<br />
• 4 Woodblocks (mittel bis hoch)<br />
• Kleine Trommel<br />
Schlagzeug II:<br />
• Triangel<br />
• Donnerblech<br />
• 2 Paar Bongos<br />
• 2 Congas<br />
<br />
<br />
<br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
<br />
Die Bongos in möglichst gleichen Abständen so stimmen, dass sie die Congas fortsetzen.<br />
Die Woodblocks von Schlagzeug I dabei so auswählen, dass der Eindruck entsteht,<br />
sie setzten Congas und Bongos von Schlagzeug II nach oben fort.<br />
Schlagzeug III:<br />
• Crotales (2 Oktaven)<br />
• Röhrenglocken (mit Schlegeln, nicht Hammer anschlagen)<br />
• Tamtam<br />
• Kleine Trommel<br />
• Große Logdrum<br />
• Große Trommel (Gran Cassa)
Erläuterungen<br />
Allgemein<br />
Vorschläge vor die Zeit.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Äusserst schneller Vorschlag<br />
Weniger schneller Vorschlag<br />
Glissando<br />
Gibt Tonhöhenposition des Glissandos an<br />
(nicht betonen oder verweilen)<br />
Gibt nur Dauer (und nicht Tonhöhe des Glissandos an)<br />
Crescendo aus dem Nichts.<br />
Decrescendo ins Nichts.<br />
All jene Instrumente, die in klassischen <strong>Partitur</strong>en transponierend<br />
notiert sind, sind dies auch hier. Hörner klingen auch im Bassschlüssel<br />
eine Quinte tiefer als notiert.<br />
Vorzeichen<br />
Ein Vorzeichen gilt nur für die Tonhöhe, der es direkt vorangeht.<br />
Dennoch sind ausnahmsweise und eindeutigkeitshalber gelegentlich<br />
Auflösungszeichen notiert.<br />
<br />
<br />
<br />
<br />
Erhöhung um einen Viertelton<br />
Erhöhung um einen 3/4-Ton<br />
Erniedrigung um einen Viertelton<br />
Erniedrigung um einen 3/4-Ton<br />
Bei Vorzeichen, die zusätzlich mit einem Pfeil ( )<br />
versehen sind, ist die Tonhöhe um einen Achtelton nach oben bzw. unten<br />
entsprechend der Pfeilrichtung zu verändern.<br />
/ <br />
/ <br />
<br />
<br />
Erhöhung um einen Achtelton<br />
Erniedrigung um einen Achtelton<br />
,<br />
, , , , ...<br />
Schlagzeug<br />
<br />
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<br />
Harfe<br />
Alles abdämpfen.<br />
Weicher Schlegel<br />
Mittelharter Schlegel<br />
Harter Schlegel<br />
Jazzbesen<br />
Kerbenstock<br />
Bürstenkopf (von Besen), eher grob. Körniger Klang.<br />
Mit gekerbtem Schlegel am Instrument entlangziehen.<br />
Der Kerbenstock sollte lang genug sein, um einen Richtungswechsel<br />
innerhalb der angegebenen Dauer zu vermeiden.<br />
Wischen (z.B. mit Jazzbesen oder Bürste)<br />
Akkorde nur dort (und zwar schnell) arpeggieren, wo dies ausdrücklich<br />
durch eine Schlängellinie notiert ist.<br />
Solo-Klarinette<br />
<br />
Streicher<br />
kleiner Akzent<br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
poco tenuto<br />
s.p.: sul ponticello. m.s.p.: molto sul ponticello.<br />
s.t.: sul tasto m.s.t.: molto sul tasto<br />
c.l.: col legno<br />
Flautato / flaut.: etwas geräuschhaftes Streichen mit weniger<br />
Tonhöhenanteil. Minimaler Bogendruck<br />
Mindestens zwei der Kontrabässe müssen 5-Saiter sein.<br />
Kontrabassflageoletts sind klingend notiert.<br />
<br />
Dauer: ca. 14-15 Minuten
www.sven-ingo-koch.de<br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
Notensatz: notensatzstudio.de<br />
Druck: WEGA-Verlag GmbH, Mainz
Piccolo<br />
(2. auch 3. Fl.)<br />
Flöte<br />
Oboe<br />
(2. auch Englischhorn)<br />
Klarinette<br />
in Bb<br />
Bassklarinette<br />
in Bb<br />
Fagott<br />
(2. auch Kontrafagott)<br />
Horn<br />
in F<br />
Trompete<br />
in C<br />
Posaune<br />
Tuba<br />
Pauken<br />
Perkussion<br />
Klavier<br />
Celesta<br />
Harfe<br />
1<br />
2<br />
1<br />
2<br />
1<br />
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2<br />
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I <br />
III <br />
Tamtam<br />
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q ≈ 76 (e ≈ 152)<br />
<strong>Doppelgänger</strong><br />
<strong>Sven</strong>-<strong>Ingo</strong> <strong>Koch</strong><br />
für Klarinette und Orchester<br />
(* 1974)<br />
accel. poco rit. a tempo<br />
accel. poco<br />
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ppp<br />
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pppp<br />
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ppp<br />
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ppp<br />
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ppp<br />
ppp<br />
ppp<br />
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ppp<br />
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pppp ppp (ppp)<br />
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pppp<br />
II <br />
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ppp<br />
( )<br />
hf <br />
pp ppp p pppp p<br />
3<br />
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(entferntes Meeresrauschen)<br />
Donnerblech T<br />
STICHPROBEN<br />
Notensatzstudio<br />
T<br />
Darius Heise-Krzyszton<br />
p<br />
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ppp<br />
5<br />
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(sim.)<br />
ppp pp p<br />
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Becken<br />
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pp<br />
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mp<br />
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Klarinette solo<br />
in Bb<br />
Violine I<br />
Violine II<br />
Viola<br />
Violoncello<br />
Kontrabass<br />
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q ≈ 76 (e ≈ 152)<br />
div.<br />
pizz.<br />
ppp<br />
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div.<br />
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pizz.<br />
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ppp<br />
pizz.<br />
ppp<br />
pizz.<br />
ppp<br />
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accel. poco rit. a tempo<br />
accel. poco<br />
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pp mf pp<br />
pizz.<br />
div.<br />
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p<br />
mf<br />
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pp mf pp<br />
unis.<br />
div. <br />
div. <br />
unis.<br />
pp<br />
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pp mf pp<br />
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pp<br />
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pp<br />
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p<br />
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mp<br />
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mp<br />
mp<br />
p mp pp<br />
p mp pp<br />
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© 2010 by <strong>Sven</strong>-<strong>Ingo</strong> <strong>Koch</strong>, Düsseldorf<br />
SIK001
6<br />
Bkl.<br />
(Bb)<br />
7<br />
<br />
<br />
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<br />
(accel. poco) rit. più rit. (q ≈ 69)<br />
accel. poco<br />
<br />
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p ppp pp<br />
<br />
pp<br />
<br />
<br />
a tempo<br />
(q ≈ 76)<br />
<br />
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<br />
<br />
q ≈ 52<br />
Fg.<br />
(ppp)<br />
1 <br />
2 <br />
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Hr.<br />
(F)<br />
1<br />
3<br />
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Tr.<br />
(C)<br />
1<br />
2<br />
(1.)<br />
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<br />
<br />
mp<br />
mp<br />
Dämpfer (cup) auf<br />
<br />
<br />
Pos.<br />
Tb.<br />
Pk.<br />
Perk.<br />
Hfe.<br />
Vl. I<br />
Vl. II<br />
Va.<br />
Vc.<br />
1 <br />
2 <br />
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3 <br />
I<br />
II<br />
III<br />
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Becken<br />
Tamtam<br />
p<br />
p<br />
p<br />
Bongos<br />
Congas<br />
<br />
ppp<br />
pp ppp p<br />
mf<br />
mp<br />
pp mp mp<br />
pp<br />
(accel. poco) rit. più rit. (q ≈ 69)<br />
accel. poco<br />
mp<br />
unis.<br />
pp mp mp mf<br />
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mp mp mf<br />
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pp<br />
5 5<br />
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pp weich mp p mf<br />
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pp<br />
ppp<br />
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pp mp p pp<br />
p<br />
ppp<br />
3 3<br />
ppp<br />
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p<br />
ppp<br />
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5<br />
pp<br />
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mp<br />
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l.v. pp ppp<br />
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pp<br />
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mp<br />
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unis.<br />
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pp<br />
pp<br />
div. unis.<br />
pp<br />
unis.<br />
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div.<br />
p<br />
a tempo<br />
(q ≈ 76)<br />
p<br />
p<br />
p<br />
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Dämpfer auf<br />
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q ≈ 52<br />
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unis.<br />
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STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
<br />
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Kb.<br />
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mp mp mf<br />
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pp<br />
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p<br />
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SIK001
Picc.<br />
Fl.<br />
Kl.<br />
(Bb)<br />
Bkl.<br />
(Bb)<br />
Fg.<br />
Hr.<br />
(F)<br />
Tr.<br />
(C)<br />
Pos.<br />
Pk.<br />
Perk.<br />
Cel.<br />
Hfe.<br />
Klarinette<br />
solo<br />
(Bb)<br />
Vl. I<br />
Vl. II<br />
div.<br />
6-fach<br />
Va.<br />
Vc.<br />
Kb.<br />
1<br />
2<br />
1<br />
2<br />
15<br />
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(l.v.) pp<br />
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(q ≈ 52) accel. q ≈ 69 A q ≈ 92 (e. = q)<br />
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Solo<br />
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3<br />
ppp 3 f 3 ppp<br />
Solo 3 3 <br />
3<br />
ppp<br />
f<br />
1 <br />
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1<br />
2<br />
1<br />
3<br />
2<br />
4<br />
1<br />
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3<br />
1<br />
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1.<br />
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pppp pp<br />
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ppp pp<br />
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ppp<br />
pppp<br />
pp<br />
pp<br />
pp<br />
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2 <br />
I<br />
II<br />
III<br />
3 <br />
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Bongos<br />
<br />
Congas<br />
Röhrenglocken mp p mp<br />
3 3<br />
<br />
p<br />
kurz und hart,<br />
im Dialog mit Woodblocks<br />
Solo<br />
ppp<br />
pp mp ppp<br />
p<br />
Woodblocks 6 6<br />
mp<br />
3 3<br />
pp<br />
pp<br />
mp<br />
mp<br />
(q ≈ 52) accel. q ≈ 69 q ≈ 92 (e. = q)<br />
pp<br />
f mp<br />
p arco<br />
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con sord. <br />
mp<br />
mp<br />
f<br />
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p<br />
mf<br />
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ppp<br />
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ppp<br />
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pp<br />
mp<br />
mf mp 5<br />
pp mp<br />
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6<br />
6 3 6<br />
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mp<br />
ppp<br />
p pp p mp f p mf<br />
3<br />
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mp<br />
3<br />
f<br />
mf<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
<br />
3 3 3<br />
3 étouffé,<br />
5<br />
subito alles abdämpfen secco<br />
3<br />
Solo 3<br />
<br />
<br />
<br />
6<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
6<br />
(l.v.)<br />
(l.v.)<br />
(dämpfen) mp p<br />
5<br />
mp 5<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mp <br />
<br />
<br />
<br />
<br />
pp<br />
mp<br />
f<br />
<br />
<br />
p f<br />
<br />
archaisch, appassionato <br />
<br />
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G<br />
<br />
<br />
<br />
<br />
<br />
<br />
G<br />
5<br />
<br />
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f<br />
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f<br />
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ff<br />
pp<br />
pp<br />
pp<br />
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<br />
f<br />
<br />
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<br />
<br />
<br />
mf<br />
p<br />
mf<br />
p<br />
f<br />
mp<br />
p<br />
f<br />
arco<br />
mp<br />
p<br />
ff<br />
f<br />
<br />
<br />
<br />
Tutti<br />
div.<br />
<br />
1.-4.<br />
pizz.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
arco mp<br />
mp<br />
con sord.<br />
<br />
con sord. mp<br />
<br />
arco<br />
mp<br />
mp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pppp pp<br />
<br />
<br />
<br />
cup mutes<br />
1. Dämpfer ab<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ppp p pp<br />
<br />
cup mute<br />
Dämpfer ab<br />
<br />
<br />
<br />
<br />
ppp p pp<br />
<br />
<br />
f <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
(pizz.)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f mp<br />
p<br />
mf<br />
div.<br />
unis. div.<br />
(pizz.)<br />
<br />
<br />
<br />
<br />
<br />
f<br />
mp<br />
mf <br />
p<br />
(pizz.)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
mp<br />
<br />
( )<br />
<br />
<br />
<br />
ff<br />
ff<br />
ff<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
mf<br />
<br />
7<br />
<br />
<br />
<br />
<br />
SIK001
8<br />
Picc.<br />
Fl.<br />
Kl.<br />
(Bb)<br />
Bkl.<br />
(Bb)<br />
Hr.<br />
(F)<br />
Tr.<br />
(C)<br />
Pos.<br />
Pk.<br />
Perk.<br />
Hfe.<br />
Klarinette<br />
solo<br />
(Bb)<br />
Vl. I<br />
Vl. II<br />
div.<br />
6-fach<br />
Va.<br />
Vc.<br />
Kb.<br />
1<br />
2<br />
21<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
rit.<br />
<br />
q ≈ 88<br />
2. Picc. nimmt 3. Fl.<br />
<br />
<br />
<br />
1 <br />
<br />
2<br />
3<br />
1<br />
2<br />
1<br />
3<br />
2<br />
4<br />
<br />
<br />
<br />
<br />
mf f <br />
mf f <br />
f<br />
<br />
p<br />
p<br />
<br />
<br />
<br />
<br />
<br />
1 <br />
<br />
2 <br />
<br />
<br />
<br />
p<br />
p<br />
(senza sord.)<br />
(cup)<br />
Solo <br />
<br />
<br />
mf<br />
<br />
3 3<br />
3 <br />
<br />
I<br />
II<br />
1<br />
2<br />
3<br />
III<br />
<br />
<br />
<br />
Woodblocks<br />
p<br />
p<br />
p<br />
3<br />
mf<br />
3<br />
mf<br />
3<br />
mf<br />
mf<br />
<br />
mf<br />
<br />
3<br />
p<br />
<br />
p<br />
<br />
mp<br />
mp<br />
3 3<br />
Solo<br />
(senza sord.)<br />
pp<br />
3<br />
p<br />
p<br />
mp<br />
p<br />
<br />
p<br />
<br />
p <br />
<br />
<br />
<br />
<br />
p<br />
mit Halbventilgriffen<br />
gliss.<br />
3<br />
f p fp p<br />
<br />
<br />
<br />
<br />
pp mfpp <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Bongos 5<br />
3<br />
<br />
<br />
Congas<br />
p mf p mf<br />
Röhrenglocken<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
f<br />
3<br />
3<br />
ff<br />
<br />
<br />
5<br />
<br />
<br />
<br />
<br />
f <br />
<br />
3<br />
mp <br />
f ff f ff<br />
p<br />
rit.<br />
unis.<br />
q ≈ 88<br />
f <br />
<br />
<br />
<br />
3<br />
pp<br />
<br />
<br />
mf<br />
p<br />
<br />
pp<br />
mfpp<br />
mp<br />
<br />
<br />
mf<br />
f<br />
mp<br />
3 3<br />
3<br />
6<br />
l.v.<br />
<br />
p<br />
<br />
alles<br />
abdämpfen<br />
mf ff mf fp ffff ff mf ff 5 mf<br />
<br />
<br />
<br />
Dämpfer ab<br />
<br />
senza sord.<br />
p<br />
mf<br />
Dämpfer ab<br />
pizz.<br />
<br />
senza sord.<br />
<br />
<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
unis.<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
unis.<br />
<br />
f<br />
<br />
pizz.<br />
mf<br />
pizz.<br />
mf<br />
Dämpfer ab<br />
senza sord. pizz.<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
non div.<br />
(pizz.)<br />
mf<br />
(pizz.)<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mp <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
div.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
(pizz.)<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
p<br />
p<br />
p<br />
p<br />
p<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
Solo<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf p f mf 5 p f<br />
3<br />
<br />
mf p f p<br />
f <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
3<br />
<br />
<br />
<br />
l.v. mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
f<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
hf <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
SIK001
Fl.<br />
Kl.<br />
(Bb)<br />
Bkl.<br />
(Bb)<br />
Fg.<br />
Hr.<br />
(F)<br />
Tr.<br />
(C)<br />
Pos.<br />
Tb.<br />
Pk.<br />
Perk.<br />
Cel.<br />
Hfe.<br />
Klarinette<br />
solo<br />
(Bb)<br />
Vl. II<br />
div. 3-fach<br />
Va.<br />
Vc.<br />
Kb.<br />
1<br />
2<br />
3<br />
1<br />
2<br />
1<br />
2<br />
1<br />
3<br />
2<br />
4<br />
27<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
q ≈ 58 q ≈ 92<br />
Solo<br />
2. Solo<br />
<br />
<br />
<br />
3. Fl. nimmt 2. Picc.<br />
<br />
1. Solo<br />
<br />
ppp<br />
p<br />
p<br />
pp<br />
p<br />
p<br />
p<br />
<br />
<br />
<br />
<br />
5<br />
mf (sub.)<br />
<br />
<br />
<br />
ppp<br />
ppp<br />
1 <br />
Hörner: kleine Atempausen möglichst unmerklich und nicht gemeinsam<br />
6<br />
<br />
p<br />
<br />
<br />
p<br />
mp<br />
B<br />
<br />
<br />
pp<br />
pp<br />
pp<br />
<br />
<br />
pp<br />
<br />
<br />
<br />
<br />
<br />
mp pp<br />
<br />
<br />
<br />
<br />
mp p pp<br />
6<br />
Dämpfer ab<br />
2 <br />
<br />
<br />
<br />
mp p pp <br />
<br />
1 <br />
<br />
<br />
<br />
2 <br />
<br />
3 <br />
I<br />
II<br />
III<br />
pp mp pp<br />
pp mp pp<br />
ppp pp mp pp<br />
<br />
<br />
<br />
<br />
<br />
pp <br />
<br />
<br />
<br />
<br />
<br />
Becken (nicht im Hintergrund)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Bongos<br />
<br />
Congas<br />
Röhrenglocken<br />
<br />
<br />
p<br />
mp<br />
<br />
<br />
Donnerblech<br />
(entferntes Meeresrauschen)<br />
alle Glocken dämpfen<br />
<br />
U<br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
T<br />
pp mp pp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
1.-4. <br />
pp p pp<br />
pp<br />
5<br />
mf (sub.)<br />
arco <br />
q ≈ 58<br />
m.s.t. <br />
<br />
<br />
q ≈ 92<br />
mp pp<br />
<br />
arco <br />
m.s.t.<br />
<br />
<br />
arco<br />
m.s.t.<br />
pp<br />
arco m.s.t.<br />
p<br />
pp<br />
<br />
<br />
pp sempre legato arco m.s.t<br />
mp pp<br />
5<br />
altre <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
arco m.s.t.<br />
div.<br />
ppp<br />
unis.<br />
<br />
<br />
<br />
<br />
<br />
pp p pp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pp sempre legato mp pp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
5<br />
<br />
<br />
p<br />
<br />
<br />
<br />
unis.<br />
pizz.<br />
pp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
<br />
<br />
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<br />
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<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
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<br />
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<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
<br />
3 3<br />
ff mp f ff p dolce espr. p p<br />
5<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
pp<br />
div.<br />
<br />
unis.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
9<br />
SIK001
10<br />
Picc.<br />
Fl.<br />
Ob.<br />
Kl.<br />
(Bb)<br />
Fg.<br />
Hr.<br />
(F)<br />
Tr.<br />
(C)<br />
Pos.<br />
Tb.<br />
Pk.<br />
Perk.<br />
Cel.<br />
Hfe.<br />
Klarinette<br />
solo<br />
(Bb)<br />
Vl. I<br />
Vl. II<br />
Va.<br />
Vc.<br />
Kb.<br />
1<br />
2<br />
1<br />
33<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
div.<br />
1.-8. <br />
arco <br />
<br />
<br />
<br />
<br />
<br />
rit. q ≈ 80<br />
mp<br />
pp<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f pp <br />
<br />
<br />
mp<br />
2 <br />
3<br />
mp<br />
<br />
<br />
1<br />
2<br />
1<br />
2<br />
1<br />
2<br />
<br />
<br />
<br />
p<br />
mp mf f<br />
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mf alle nehmen<br />
a 2<br />
cup mute<br />
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Becken<br />
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3 alle Becken abdämpfen<br />
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II<br />
III<br />
altri<br />
Donnerblech<br />
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mf<br />
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f<br />
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1.-6. <br />
altri<br />
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l.v.<br />
mf<br />
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gliss. accel.<br />
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pp<br />
mf<br />
3<br />
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f (l.v.)<br />
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p<br />
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ord.<br />
div. arco<br />
fff<br />
mp<br />
fp ff f<br />
3<br />
ff<br />
mp<br />
mf<br />
rit.<br />
sofort alle Saiten<br />
abdämpfen<br />
pp<br />
p<br />
f ppp pppp<br />
m.s.t<br />
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q ≈ 80<br />
l.v.<br />
pp<br />
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3<br />
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mp<br />
5<br />
ppp<br />
alle Streicher T. 39-42:<br />
pro Viertel ein Achtelton glissando<br />
m.s.t<br />
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f ppp<br />
pppp<br />
arco<br />
m.s.t<br />
/ 0<br />
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3 f ppp pppp<br />
3 mp<br />
m.s.t<br />
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/<br />
0<br />
p f ppp pppp<br />
1.-4ṁp 3<br />
ord. div. arco<br />
m.s.t<br />
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p arco p f ppp pppp<br />
(div.)<br />
m.s.t<br />
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mf<br />
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f ppp pppp<br />
arco<br />
m.s.t<br />
div.<br />
f<br />
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f <br />
f<br />
G<br />
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<br />
STICHPROBEN<br />
Notensatzstudio<br />
Darius Heise-Krzyszton<br />
<br />
<br />
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ppp<br />
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pppp<br />
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0<br />
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6<br />
1.<br />
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<br />
f<br />
pp<br />
mf<br />
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3<br />
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mf 3<br />
mp<br />
mf 3<br />
3<br />
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mp<br />
3<br />
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3<br />
mf mp<br />
3<br />
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mp<br />
3<br />
mp<br />
subito alles<br />
abdämpfen<br />
<br />
<br />
<br />
3<br />
sfz<br />
<br />
SIK001
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