die problematik der nachahmung bei jmr lenz und georg lukács
die problematik der nachahmung bei jmr lenz und georg lukács
die problematik der nachahmung bei jmr lenz und georg lukács
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ABSTRACT<br />
The present work deals with the concept of mimesis/imitation in art and literature,<br />
in particular with its use and interpretation by J.M.R. Lenz and Georg<br />
Lukács. Mimesis/Imitation as the basic concept of the arts plays a significant<br />
role in the development of realism both authors support. Both Lenz and<br />
Lukács share Aristotle's views on the Mimesis/imitation as the nature of poetry<br />
and see its origins in anthropology. However, in contrast to Aristotle Lenz emphasizes<br />
the empirical side of imitation; in principle awarding the artist the critical<br />
role and responsibility for the capture and reflection of the whole. Lukács<br />
converts his earlier metaphysics into a Marxist philosophy of history. In a homogeneous<br />
medium of art it should be possible for realistic art to show the<br />
essence and the particulars of the society of its time.<br />
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