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IKURO 100901

Xaver Paul Thoma (geb. 1953) | Lieder für Stimme und Klavier von Hugo Wolf übertragen für Stimme und Streichquartett Op. 164 (xpt)

Xaver Paul Thoma (geb. 1953) | Lieder für Stimme und Klavier von Hugo Wolf
übertragen für Stimme und Streichquartett Op. 164 (xpt)

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H. Wolf / X. P. Thoma - Lieder für Stimme und Streichquartett (xpt 164)<br />

Hugo Wolf<br />

Xaver Paul Thoma (* 1953)<br />

Lieder<br />

für Stimme und Klavier<br />

übertragen für<br />

Stimme und Streichquartett<br />

opus 164 (xpt)


Hugo Wolf<br />

(1860-1903)<br />

Lieder nach Texten von<br />

Goethe, Eichendorff, Mörike<br />

für stimme und Klavier<br />

übertragen<br />

für Stimme und Streichquartett<br />

von<br />

Xaver Paul Thoma<br />

(* 1953)<br />

opus 164 (xpt) (2009)<br />

Partitur<br />

<strong>IKURO</strong> <strong>100901</strong><br />

Alle Rechte vorbehalten / All rights reserved<br />

Copyright 2010 by <strong>IKURO</strong> Edition, 71679 Asperg, Gemany<br />

Erstausgabe / FIRST EDITION / Printed in Germany<br />

Vervielfältigungen jeglicher Art sind gesetzlich verboten.<br />

Any unauthorized reproduction is prohibited by law.


Xaver Paul Thoma *1953 in Haslach im Kinzigtal<br />

Mit fünf Jahren erhielt er den ersten Violinunterricht bei<br />

seinem Großvater Karl Thoma, mit zwölf Jahren unternahm<br />

er die ersten Kompositionsversuche. 1968 begann er sein<br />

Musikstudium in Karlsruhe; sein Violin- und Violalehrer<br />

war zunächst Albert Dietrich und später Jörg-Wolfgang<br />

Jahn. Musiktheoretische Studien erfolgten bei Roland Weber<br />

und Eugen Werner Velte. Intensives Streichquartettspiel als<br />

Bratschist im Wahlquartett (1972 – 1980). Zunächst festes<br />

Mitglied eines Opernorchesters (1973 – 1977, Badische<br />

Staatskapelle Karlsruhe), und seit 1977 Mitglied des Bayreuther<br />

Festspielorchesters, begann 1977 seine freie Tätigkeit als<br />

Bratschist, Pädagoge, und vor allem als Komponist. Nach<br />

Jahren der freien Mitarbeit in Orchestern von Hannover,<br />

Hamburg und Bremen lebt der Komponist heute in Kirchheim<br />

unter Teck, und ist seit vielen Jahren dem Staatsorchester<br />

Stuttgart eng verbunden.<br />

Im Jahre 2008 umfasst das Werkverzeichnis von Xaver<br />

Paul Thoma über einhundertsechzig Werknummern:<br />

Kammermusik, Vokalmusik, Orchesterwerke, Instrumental-<br />

Konzerte und einige musiktheatralische Werke, zum Beispiel<br />

die Oper „Draussen vor der Tür“ nach Wolfgang Borchert<br />

(UA 1994 – 1996 in Hannover, Neuinszenierung in Leipzig<br />

1995 – 1998), sowie das abendfüllende Ballett „Kafka“,<br />

UA 1997 Staatsoper Hannover.<br />

Neben vielen anderen Auftragswerken - zum Beispiel für<br />

Dresden, Freiburg, Augsburg – erhielt Xaver Paul Thoma<br />

zur 400-Jahrfeier des Württembergischen Staatsorchesters<br />

Stuttgart zwei Aufträge: die Hölderlin-Fragmente (UA 1994<br />

mit Wolfgang Bünten, Tenor – Michael Gielen als Dirigent)<br />

und das Joachim Schall gewidmete Violinkonzert „...wie<br />

ein zerrissen Saitenspiel“, dessen UA unter dem Dirigat von<br />

Philippe Auguin 1995 stattfand.<br />

Nach der Beschäftigung mit Franz Kafka (Ballett 1997)<br />

entsteht zehn Jahre später mit dem Opernprojekt „Milena“ ein<br />

weiteres Werk, das inhaltlich eng mit der Person Franz Kafkas<br />

verbunden ist.


1. Harfenspieler I [Goethe] ...................................................................................................................................................<br />

2. Harfenspieler II [Goethe] .................................................................................................................................................<br />

3. Harfenspieler III [Goethe] ................................................................................................................................................<br />

1<br />

5<br />

8<br />

4. Verschwiegene Liebe [Eichendorff]...............................................................................................................................<br />

5. Nachtzauber [Eichendorff] ..............................................................................................................................................<br />

6. Liebesglück [Eichendorff] ...............................................................................................................................................<br />

7. Seemanns Abschied [Eichendorff] ................................................................................................................................<br />

11<br />

14<br />

20<br />

24<br />

8. Abschied [Mörike] ............................................................................................................................................................<br />

9. Verborgenheit [Mörike] ....................................................................................................................................................<br />

31<br />

38


Xaver Paul Thoma<br />

Lieder von Hugo Wolf für Singstimme und Streichquartett<br />

opus 164 (xpt)<br />

Der 150. Geburtstag von Hugo Wolf (1860-1902)<br />

war der Anlass für die neue Klanggestalt dieser Lieder, die<br />

eigentlich für Singstimme und Klavier komponiert wurden.<br />

Diese Fassung der Lieder für Stimme und Streichquartett<br />

entstand im Sommer 2009 auf Anregung des Baritons Bernd<br />

Valentin.<br />

Durch die Übertragung des Klavierparts auf vier<br />

Streichinstrumente entsteht eine neue Ebene an lyrischer<br />

Dichte und die dramatischen Inhalte erfahren dadurch eine<br />

noch höhere Konzentration. Gleichzeitig jedoch wurde eine<br />

Bearbeitung geschaffen, die möglichst nahe am originalen<br />

Notentext bleibt und größere Eingriffe in die Komposition<br />

vermeidet.<br />

Xaver Paul Thoma<br />

Kirchheim / Teck, im Frühjahr 2010


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<strong>IKURO</strong> <strong>100901</strong>


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<strong>IKURO</strong> <strong>100901</strong>


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Harfenspieler II<br />

Komponiert am 29.10.1888<br />

Hugo Wolf<br />

(1860-1903)<br />

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<strong>IKURO</strong> <strong>100901</strong><br />

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Kirchheim / Teck<br />

14. Juni 2009


8<br />

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Violine I<br />

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Viola<br />

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J. W. v. Goethe Komponiert am 30.10.1888<br />

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p piu p pp<br />

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am Steg ord.<br />

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Hugo Wolf<br />

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10<br />

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Kirchheim / Teck<br />

14. Juni 2009<br />

<strong>IKURO</strong> <strong>100901</strong>


Eichendorff<br />

Komponiert am 31.08.1888 Hugo Wolf<br />

(1860-1903)<br />

Sanfte Bewegung und immer sehr zart<br />

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<strong>IKURO</strong> <strong>100901</strong>


12<br />

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<strong>IKURO</strong> <strong>100901</strong>


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bayreuth<br />

26. Juli 2009<br />

<strong>IKURO</strong> <strong>100901</strong>


Stimme<br />

Violine I<br />

Violine II<br />

Viola<br />

Violoncello<br />

St.<br />

Vln. I<br />

Vln. II<br />

5<br />

<br />

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pizz.<br />

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Hörst<br />

sul tasto<br />

Nachtzauber<br />

14<br />

Eichendorff<br />

Komponiert 1887<br />

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(pizz. immer deutlich)<br />

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più p<br />

Hugo Wolf<br />

(1860-1903)<br />

du nicht die quel-len<br />

ge - hen zwi-schen<br />

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St.<br />

Vln. I<br />

<br />

9<br />

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Vln. II<br />

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Vla.<br />

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<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

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<br />

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12<br />

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wo die Mar - mor - bil - der steh - - en<br />

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poco a poco cresc.<br />

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poco a poco cresc.<br />

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15<br />

<strong>IKURO</strong> <strong>100901</strong>


16<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

22<br />

<br />

<br />

<br />

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pp<br />

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St.<br />

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<br />

St.<br />

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25<br />

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<br />

<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

31<br />

<br />

17<br />

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<br />

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<br />

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35<br />

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p poco a poco cresc.<br />

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<br />

<strong>IKURO</strong> <strong>100901</strong>


18<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

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Vln. II<br />

<br />

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Vla.<br />

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Ruhig<br />

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<br />

<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

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55<br />

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<br />

<strong>IKURO</strong> <strong>100901</strong><br />

<br />

19<br />

bayreuth<br />

09. August 2009


20<br />

Eichendorff<br />

Stimme<br />

Sehr lebhaft und drängend<br />

Liebesglück<br />

Komponiert am 27.9.1888<br />

<br />

Hugo Wolf<br />

(1860-1903)<br />

<br />

Violine I<br />

Violine II<br />

Viola<br />

Violoncello<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

Vc.<br />

3<br />

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p (mf) p<br />

p (mf) p f<br />

simile<br />

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cresc.<br />

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hab' ein Lieb-chen<br />

lieb recht von Her - zen, hell - fri - sche Au - gen hat's wie zwei Ker - zen,<br />

(mf)<br />

mf<br />

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<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

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Vln. II<br />

Vla.<br />

Vc.<br />

7<br />

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11<br />

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das Feld, ach wie so lu - stig glän - zet die<br />

p f p f<br />

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p f p f<br />

p f p f<br />

Welt! Wie in der Wald - nacht zwi - schen den Schlüf - ten<br />

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plötz-lich<br />

die Tä - ler son - nig sich klüf - ten, fun-keln<br />

die Strö - me, rauscht him - mel-<br />

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21<br />

<strong>IKURO</strong> <strong>100901</strong>


22<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

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Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

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Vln. II<br />

Vla.<br />

Vc.<br />

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13<br />

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so ist mein<br />

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ff p f<br />

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im blau - en, zu - ruft der däm-mern-den<br />

Erd' wo sie blieb,<br />

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<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

<br />

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19<br />

21<br />

23<br />

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rech<br />

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- - - - te Lieb'!<br />

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ff sempre<br />

<br />

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ff sempre<br />

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ff sempre<br />

ff sempre<br />

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23<br />

Vla.<br />

Vc.<br />

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<br />

<br />

bayreuth<br />

11. August 2009<br />

<strong>IKURO</strong> <strong>100901</strong>


24<br />

Eichendorff<br />

Stimme<br />

Stürmisch bewegt<br />

Seemanns Abschied<br />

Komponiert am 21.09.1888<br />

<br />

<br />

Hugo Wolf<br />

(1860-1903)<br />

<br />

Violine I<br />

Violine II<br />

Viola<br />

Violoncello<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

3<br />

<br />

<br />

6<br />

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<br />

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ff<br />

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ff<br />

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ff<br />

Stürmisch bewegt<br />

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simile<br />

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- de mein Schatz, du<br />

mocht'st mich nicht, ich war dir zu ge - rin - ge.<br />

simile<br />

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Vln. II<br />

Vla.<br />

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<br />

<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

Vc.<br />

9<br />

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und hörst ein sü - ßes Klin - gen:<br />

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denk' an mich, 's ist mei ne<br />

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25<br />

<strong>IKURO</strong> <strong>100901</strong>


26<br />

St.<br />

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Vln. II<br />

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Vla.<br />

Vc.<br />

St.<br />

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<br />

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St.<br />

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22<br />

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dern!<br />

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<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

Vc.<br />

<br />

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<br />

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30<br />

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34<br />

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37<br />

bäumt und ü - ber-schlägt<br />

sich schier vor man - chem Fel sen<br />

pizz.<br />

ff<br />

(arco)<br />

(geheimnisvoll)<br />

- - schlos - se.<br />

Der Was - ser-mann<br />

bei blit - zes-schein<br />

taucht<br />

pp<br />

ff ppp pp<br />

pizz. (pizz.) arco<br />

ff<br />

ff<br />

(arco) pizz. arco<br />

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pizz.<br />

arco<br />

ppp pp f<br />

pizz.<br />

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pizz.<br />

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27<br />

<strong>IKURO</strong> <strong>100901</strong>


28<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

<br />

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40<br />

43<br />

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pizz.<br />

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3 3<br />

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f ff ff<br />

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pizz.<br />

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ten!<br />

ff<br />

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arco <br />

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ff<br />

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Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

Vc.<br />

<br />

<br />

<br />

45<br />

ff<br />

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<br />

<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

Vc.<br />

<br />

<br />

<br />

<br />

<br />

<br />

47<br />

<br />

<br />

51<br />

55<br />

(p) (ein wenig breiter)<br />

Streckt nur auf eu<br />

p<br />

p<br />

p<br />

p<br />

Voriges Zeitmaß<br />

etwas gedehnt<br />

- rer bä - ren-haut<br />

da - heim die fau - len Glie - der, Gott<br />

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etwas gedehnt<br />

poco rit.<br />

Va - ter aus dem Fen - ster schaut, schickt sei-ne<br />

Sünd-flut<br />

wie - der.<br />

Voriges Zeitmaß<br />

poco rit.<br />

Sehr flott<br />

Feld<br />

p<br />

- we- bel, Rei - ter, Mus - ke - tier, sie müs - sen all' er - sau - fen, der<br />

Sehr flott<br />

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cresc.<br />

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29<br />

<strong>IKURO</strong> <strong>100901</strong>


30<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

<br />

<br />

<br />

59<br />

63<br />

67<br />

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weil mit fri - schem Win - de wir im Pa - ra - dies ein - lau -<br />

fen.<br />

fff<br />

fff<br />

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cresc.<br />

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cresc.<br />

ff<br />

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cresc.<br />

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ff<br />

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<br />

bayreuth<br />

17. August 2009<br />

<strong>IKURO</strong> <strong>100901</strong>


Stimme<br />

Violine I<br />

Violine II<br />

Viola<br />

Violoncello<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

7<br />

<br />

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12<br />

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Ziemlich lebhaft<br />

p<br />

Un - an - ge -klopft<br />

ein Herr tritt A-bends<br />

bei mir ein: "Ich ha-be<br />

die Ehr'<br />

Ziemlich lebhaft<br />

pp sul tasto<br />

pp sul tasto<br />

pp sul tasto<br />

pp sul tasto<br />

Ihr Re-zen-sent<br />

zu sein!"<br />

Schnell<br />

Schnell<br />

sfz sfz sfz sfz sfz<br />

Tempo I<br />

Tempo I<br />

Abschied<br />

Mörike Komponiert 08.03.1888 Hugo Wolf<br />

<br />

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f<br />

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f sfz pp<br />

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(1860-1903)<br />

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31<br />

Vln. II<br />

Vla.<br />

Vc.<br />

<br />

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pp<br />

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pp<br />

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<br />

<br />

<strong>IKURO</strong> <strong>100901</strong>


32<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

<br />

Vla.<br />

Vc.<br />

St.<br />

Vln. I<br />

Vln. II<br />

Vla.<br />

Vc.<br />

<br />

<br />

<br />

<br />

<br />

<br />

18<br />

<br />

24<br />

30<br />

be - sieht lang mei - nen Schat-ten<br />

an der Wand, rückt nah und fern:<br />

<br />

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pp<br />

"Nun, lie<br />

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cresc.<br />

cresc.<br />

cresc.<br />

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<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

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Vla.<br />

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33<br />

<strong>IKURO</strong> <strong>100901</strong>


34<br />

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<strong>IKURO</strong> <strong>100901</strong>


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35<br />

<strong>IKURO</strong> <strong>100901</strong>


36<br />

St.<br />

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<br />

<strong>IKURO</strong> <strong>100901</strong>


St.<br />

Vln. I<br />

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bayreuth<br />

22. August 2009<br />

<strong>IKURO</strong> <strong>100901</strong>


38<br />

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Verborgenheit<br />

Komponiert 13.03.1888<br />

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lass mich sein! Lo - cket nicht mit Lie - bes- ga - ben, lasst dies Herz al-<br />

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Hugo Wolf<br />

(1860-1903)<br />

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- ne ha - ben sei - ne Won - ne, sei - ne Pein!<br />

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<strong>IKURO</strong> <strong>100901</strong>


St.<br />

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und die hel - le Freu - de zücket<br />

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<strong>IKURO</strong> <strong>100901</strong>


40<br />

St.<br />

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durch die Schwere, so mich drücket, won - nig-lich<br />

in meiner brust.<br />

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Lass, o Welt, o lass mich sein! Lo - cket nicht mit Lie - bes-ga<br />

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Tempo I<br />

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lasst dies Herz al - lei - ne ha - ben sei - ne Won - ne, sei-ne<br />

Pein!<br />

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9. April 2005<br />

<strong>IKURO</strong> <strong>100901</strong>


<strong>IKURO</strong> EDITION<br />

Werke von Xaver Paul Thoma (* 1953)<br />

06061 Streichsextett opus 130 (xpt) (2 Vl, 2 Vla, 2 Vc) / Partitur<br />

06062 Streichsextett opus 130 (xpt) (2 Vl, 2 Vla, 2 Vc) / Stimmen<br />

06071 “Ein langes Warten ...” opus 127 (xpt) für Kontrabass solo<br />

06072 Kleine Duette für zwei Violinen (Band I) opus 129 (xpt)<br />

07032 Kleine Duette für zwei Violinen (Band II) opus 129 (xpt)<br />

06073 “Roland-Walzer” opus 142 (xpt) (Bassettkl. (Viola), Vl, Vla, Vc)<br />

06074 “Meditation” opus 132 (xpt) für Violine und Orgel<br />

06081 “Die Blumen II” opus 146 A (xpt) Version für Stimme allein<br />

und opus 146 B (xpt) Version für Stimme und Bratsche<br />

06121 Streichquintett opus 116 (xpt) (2 Vl, 2 Vla, Vc) / Partitur<br />

06122 Streichquintett opus 116 (xpt) / Stimmen<br />

06123 IN MEMORIAM H. K. opus 124 (xpt) für Violoncello solo<br />

06124 7 Splitter für Violine und Klavier opus 149 (xpt)<br />

07021 Terzettino piccolo opus 144 (xpt) (2 Vl, Vc) / Spielpartituren<br />

07031 Schwingungen von 14 Saiten opus 150 (xpt) (Vl, Vla, Gitarre) / Spielpartituren<br />

07052 Ausblicke I-III opus 125 (xpt) (Saxophon-Quartett) / Partitur<br />

07053 Ausblicke I-III opus 125 (xpt) (Saxophon-Quartett) / Stimmen<br />

07071 Klarinettenquintett opus 151 (xpt) (Klar. A, 2 Vl, Vla, Vc) / Partitur<br />

07072 Klarinettenquintett opus 151 (xpt) (Klar. A, 2 Vl, Vla, Vc)/ Stimmen<br />

08021 Sieben Gesänge (R. M. Rilke) opus 154 A für Bariton und Klavier (2 Spielpartituren)<br />

08022 Magnificat (R. M. Rilke) opus 154 B (xpt) (Bariton, Vl, Vc) / Spielpartituren<br />

08023 Vier Stücke für Violine solo opus 147 (xpt) (2006/07)<br />

08031 Eine kleine Streichmusik opus 153 (xpt) (2007) (Bratsche, chinesisches Becken, Tam-tam,<br />

singende Säge) / Spielpartituren<br />

08123 Petitesse a Quattro opus 158/B (xpt) (2008) Viola, 2 Hörner, Violoncello / Spielpartituren<br />

09051 Streichtrio II opus 152 (xpt) (2007/09) (Vl, Vla, Vc) / Partitur und Stimmen<br />

100304A Weihnachtslieder für zwei Bratschen (xpt 159) / Spielpartituren<br />

100304B Weihnachtslieder für zwei Violoncelli (xpt 159) / Spielpartituren<br />

100305 „Annäherung an die Wirklichkeit“ opus 161 (xpt) 2009 Musik für Bratsche<br />

und Marimbaphon / Spielpartituren<br />

100501 Japanische Kinderlieder in freier Bearbeitung für 2 Violinen (Band I) opus 160 (xpt)<br />

100502 Japanische Kinderlieder in freier Bearbeitung für 2 Violinen (Band II) opus 160 (xpt)<br />

100503 4. Sonate für Viola solo op. 158 A (xpt)<br />

<strong>100901</strong> Hugo Wolf: Diverse Lieder für Stimme und Streichquartett gesetzt opus 164 (xpt)<br />

Partitur und Stimmen<br />

100902 Sieben Lieder nach Texten von Goethe und Eichendorff für Bariton und Streichquartett<br />

opus 165 (xpt) / Partitur und Stimmen<br />

100904 Samuel Barber: Drei Lieder für Stimme und Streichquartett gesetzt opus 163 (xpt)<br />

Partitur und Stimmen<br />

<strong>IKURO</strong> EDITION<br />

Roland Heuer Bergweg 1 71679 Asperg, Germany<br />

Telefon: +49 (0)7141-260013 Fax: +49 (0)7141-6499959<br />

Email: info@ikuro-edition.de

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