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A JUGGLER’S TALE | REGIE: STEFFEN WORLD OBERLE OF GRA & ENZIO | DIRECTING: PROBST, CLARA PRODUCER: DEITMAR, DOMINIK PRODUCING: SCHÖN JULIUS DORSEL<br />
ANIMATIONSINSTITUT<br />
FILMAKADEMIE BADEN-WÜRTTEMBERG<br />
ENGLISH
SIX REASONS<br />
TO STUDY AT<br />
ANIMATIONSINSTITUT<br />
<strong>Animationsinstitut</strong> at Filmakademie Baden-Württemberg trains<br />
outstanding talents at the highest level in the fields of Animation,<br />
Visual Effects, Technical Directing, Animation/Effects Producing<br />
and Interactive Media. In addition, the institute runs a Research & Development<br />
department and curates the annual international conference FMX.<br />
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6.<br />
INTEGRAL APPROACH & SPECIALIZATION<br />
We provide our students with an understanding of the overall<br />
context of animation. On this basis, we enable them to specialize<br />
step by step.<br />
PERSONAL DEVELOPMENT<br />
We encourage and support our students as they discover and<br />
develop their authenticity.<br />
PROJECT WORK AND TEAMWORK<br />
Working in teams, our students develop and realize projects of<br />
exceptional quality.<br />
TECHNOLOGICAL ADVANTAGE<br />
Close links with national and international research projects also<br />
give our students a decisive advantage on the forefronts of technology.<br />
TALENT PROMOTION & NETWORKING<br />
We make it easy for our students and alumni to get settled in<br />
the industry, define their roles, network, and develop their skills.<br />
HEIMAT & INTERNATIONALITY<br />
<strong>Animationsinstitut</strong> is the home base. FMX is where the community<br />
meets. It is also a career springboard for our students and alumni.<br />
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MOBILE | DIRECTING: VERENA FELS, PRODUCING: FRANZISKA SPECHT & REGINA WELKER<br />
2
FILMAKADEMIE<br />
BADEN-WÜRTTEMBERG<br />
INTERDISCIPLINARY FILM & MEDIA EDUCATION<br />
<strong>Animationsinstitut</strong> is part of the Filmakademie Baden-Württemberg, one of<br />
the world’s leading educational institutions in film and media.<br />
From first year on, training in theory and practice is organised in interdisciplinary<br />
teams. The teams consist of students from several courses such as<br />
Animation, Cinematography, Documentary Directing, Screenplay, TV Journalism,<br />
Film Music, Film Sound/Sound Design, Interactive Media, Montage/<br />
Editing, Motion Design, Production, Production Design, Fiction Directing, Series<br />
and Advertising Film.<br />
This means the school produces over 250 film and media projects every year.<br />
Our 500 students are supported by over 300 visiting lecturers and 120 staff.<br />
They help our students to find their unique style and develop the courage to<br />
take risks in their work.<br />
UNIQUE & GLOBALLY CONNECTED CAMPUS<br />
The Filmakademie is located on a campus which is shared with <strong>Animationsinstitut</strong>,<br />
the Academy of Performing Arts Baden-Württemberg and the Atelier<br />
Ludwigsburg-Paris, a one-year programme of continuous education for European<br />
filmmakers in the fields of production and distribution. That is why the<br />
Filmakademie offers students a broad and unique interdisciplinary qualification.<br />
Further, our partnerships with universities and international programmes<br />
mean our students have access to international networks of creatives.<br />
www.filmakademie.de<br />
www.animationsinstitut.de<br />
www.adk-bw.de<br />
www.atelier-ludwigsburg-paris.com<br />
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FILMAKADEMIE BADEN-WÜRTTEMBERG & ANIMATIONSINSTITUT | CAMPUS<br />
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STUDIES<br />
FIELDS OF STUDIES<br />
<strong>Animationsinstitut</strong> at Filmakademie Baden-Württemberg offers the following<br />
fields of studies:<br />
Animation (i.e. Character Animation)<br />
Visual Effects<br />
Animation/Effects Producing<br />
Technical Directing<br />
Interactive Media<br />
BASIC STUDIES & PROJECT/POSTGRADUATE STUDIES<br />
During their two years of basic studies (1st and 2nd year), all students of<br />
Filmakademie receive training collectively and in an interdisciplinary manner to<br />
learn the basic concepts and methods of filmmaking. During the following two<br />
and a half years of project/postgraduate studies (3rd and 4th year), the students<br />
work on their own projects in their chosen specialization. Direct entry into project<br />
studies is possible. In order to qualify, candidates for project or postgraduate<br />
studies must already hold a degree in a relevant subject area or provide proof of<br />
sufficient work experience. All lectures in project study courses are held in <strong>English</strong>.<br />
Animation/Effects Producing, Technical Directing and Interactive Media are offered<br />
as postgraduate studies and no tuition fees are charged for EU citizens. Candidates<br />
must already hold a degree from a university or equivalent institution (Bachelors,<br />
Masters or Diploma) and provide proof of practical experience.<br />
Training at <strong>Animationsinstitut</strong> is hands-on and project related. The students<br />
receive support through seminars, weekly classes and mentoring as well as<br />
individual supervision. All fields of studies at <strong>Animationsinstitut</strong> are fulltime<br />
courses and start in the winter semester. Upon successful completion<br />
of their studies, students receive the Filmakademie’s diploma.<br />
FOR MORE INFO, PLEASE SCAN CODES<br />
5<br />
STUMBLEBEE | DIRECTING: MONIKA TENHÜNDFELD, PRODUCING: MONIKA TENHÜNDFELD & CHRISTIAN ZEHETMEIER
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INTERNATIONAL<br />
OUTLOOK<br />
Animation is a global art form. The VFX, games and animation industries act<br />
multinationally, with many of the studios working across various continents.<br />
As a globally connected school, <strong>Animationsinstitut</strong> supports artistic cooperation<br />
across borders and cultures. Its <strong>English</strong> language curriculum, especially<br />
in project study and postgraduate courses, makes it an international hub for<br />
talents from all over the world where they can thrive creatively.<br />
At the same time, <strong>Animationsinstitut</strong> enables its students to network internationally<br />
and to gather work experience around the globe during their studies.<br />
Within a mobility year after the basic study course, they can not only<br />
do internships but also participate in student exchange programs. For this<br />
purpose, <strong>Animationsinstitut</strong> cooperates with partnering schools and universities<br />
worldwide, whose students also come to Ludwigsburg to realize projects<br />
together with students of <strong>Animationsinstitut</strong>.<br />
“Animation is a universal language with 1000 faces, and animation<br />
projects need many voices and diverse perspectives. That is why we want<br />
to welcome talents from all over the world as our students”<br />
Dr. Tina Ohnmacht, Head of International Network <strong>Animationsinstitut</strong><br />
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BILD VON MOODY BOOTY, KATHRIN KÜHNER 2020<br />
MOODY BOOTY | DIRECTING: KATHRIN KUHNERT, PRODUCING: LENA-CAROLIN LOHFINK & MAREIKE KELLER<br />
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ANIMATION<br />
9<br />
BLIESCHOW | DIRECTING: CHRISTOPH SAROW, PRODUCING: LENA-CAROLIN LOHFINK
“There are no limits to animation – anything we can imagine can be brought<br />
to life through animation.”<br />
Prof. Andreas Hykade, Head of <strong>Animationsinstitut</strong> & Senior Lecturer Animation<br />
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ANIMATION<br />
Hardly any other sector of the creative industry sets less limits to your imagination<br />
than the world of animation.<br />
<strong>Animationsinstitut</strong> of Filmakademie offers you artistic and technical education<br />
in the field of animation. Whether computer animation, hand-drawn animation,<br />
stop motion, real-time animation, or interactive applications – our technologically<br />
sophisticated infrastructure gives you the opportunity to learn all<br />
relevant production techniques.<br />
The objective is to develop your individual artistic style. To this end, you carry<br />
out your own projects and are given the space and freedom to experiment in a<br />
variety of ways together with other Filmakademie students. You are supported<br />
by highly qualified lecturers and even while studying you will meet important<br />
players in the national and international industry.<br />
“For me, my studies had exactly the right mixture of structure and<br />
freedom. On the one hand, there was the professional infrastructure and<br />
high-quality technical equipment. On the other hand, creative teaching,<br />
workshops and a motivating environment that enables you to realize<br />
your own projects.”<br />
Christoph Sarow, Alumnus Animation<br />
11<br />
ROLLIN` WILD | DIRECTING: KYRA BUSCHOR, CONSTANTIN PAEPLOW, PRODUCING: PAUL MARESCH
Course of study<br />
Entry options<br />
Duration<br />
Teaching language<br />
Tuition fees<br />
(per Semester)<br />
Job profiles<br />
Film & Media<br />
Basic Studies (BS) & direct entry into Project Studies (PS)<br />
BS 2 Years, PS 2 ½ Years (Full-time study)<br />
German & <strong>English</strong><br />
EU Citizens: BS & PS € 0 or € 650 (second degree) respectively<br />
Non-EU: BS & PS € 1,500<br />
Concept Artist, 2D/3D Artist, CG Artist, Stop Motion<br />
Director, Animation Director<br />
A BLINK OF AN EYE | DIRECTING & PRODUCING: KIANA NAGHSHINEH<br />
12
CHARACTER<br />
ANIMATION<br />
CHARACTER ANIMATION<br />
Within the Animation course, <strong>Animationsinstitut</strong> offers unique training in<br />
Character Animation in all its forms and functions. You acquire all relevant<br />
skills for this specialised field.<br />
Learn the art of breathing life into characters for the film and game industries<br />
using performing arts, traditional animation, and modern techniques. Industry<br />
renowned lecturers will help you kick-start your career in the film and media<br />
industry.<br />
“As a result of a growing worldwide demand for highly qualified Character<br />
Animators, this specialization is an important part of <strong>Animationsinstitut</strong>’s<br />
curriculum and is unique in Germany. Industry renowned lecturers<br />
and cutting-edge technology give students the opportunity to develop<br />
expertise in a key skill, which helps them kick-start a successful career.”<br />
Urte Zintler, Senior Lecturer Character Animation<br />
13<br />
RATATOSKR | DIRECTING: MEIKE MÜLLER, PRODUCING: LENA-CAROLIN LOHFINK & MALTE STEHR
Course of study<br />
Entry options<br />
Duration<br />
Teaching language<br />
Tuition fees<br />
(per Semester)<br />
Job profiles<br />
Film & Media<br />
Basic Studies (BS) & direct entry into Project Studies (PS)<br />
BS 2 Years, PS 2 ½ Years (Full-time study)<br />
German & <strong>English</strong><br />
EU Citizens: BS & PS € 0 or € 650 (second degree) respectively<br />
Non-EU: BS & PS € 1,500<br />
Character Animator, Animation Director<br />
EVANGELINE | DIRECTING: NADINE SCHWENK, PRODUCING: NINA SCHWARZ<br />
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VISUAL<br />
EFFECTS<br />
15<br />
ON THE SET OF “LOVE AND FIFTY MEGATONS” | DIRECTING: CORNELIUS SCHICK, PRODUCING: MARVIN MARTE & JOSE-<br />
PHINE ROSS
“The specialization VFX deals with the planning and creation of visual effects<br />
from script to final image at the highest level.”<br />
Prof. Juri Stanossek, Senior Lecturer Visual Effects<br />
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VISUAL EFFECTS<br />
With visual effects (VFX), there are no limits for you to tell your story. Hardly<br />
any film, game or spot is made without the use of VFX these days.<br />
Studying at <strong>Animationsinstitut</strong> gives you an artistic and technical education<br />
in the implementation of VFX in films, games, and other formats. Our technologically<br />
sophisticated infrastructure allows you to learn all relevant techniques<br />
for VFX production.<br />
You carry out your own projects and have the space and freedom to experiment<br />
in a variety of ways together with other Filmakademie students. Highly<br />
skilled lecturers support you, and even while studying you get to meet important<br />
players in the national and international industry.<br />
“The most important thing I learned here was teamwork and multifaceted<br />
thinking. Everyone brings special skills to their studies so that everyone<br />
learns from each other.”<br />
Pascal Schelbli, Alumnus Visual Effects & Student Academy Award Winner<br />
17<br />
BREAKINGPOINT | DIRECTING: MARTIN LAPP, PRODUCING: ANICA MARUHN & TOBIAS GERGINOV
Course of study<br />
Entry options<br />
Duration<br />
Teaching language<br />
Tuition fees<br />
(per Semester)<br />
Job profiles<br />
Film & Media<br />
Basic Studies (BS) & direct entry into Project Studies (PS)<br />
BS 2 Years, PS 2 ½ Years (Full-time study)<br />
German & <strong>English</strong><br />
EU Citizens: BS & PS € 0 or € 650 (second degree) respectively<br />
Non-EU: BS & PS € 1,500<br />
VFX Supervisor, VFX Artist, Digital Matte Painter, Lighting/<br />
Shading/Texturing Artist, Previz Artist, Modeling Artist, VFX<br />
Compositor, VR Director<br />
THE BEAUTY | DIRECTING: PASCAL SCHELBLI, PRODUCING: TINA VEST & ALEKSANDRA TODOROVIC<br />
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ANIMATION/<br />
EFFECTS<br />
PRODUCING<br />
19<br />
MULM (FMX TRAILER 2020) | DIRECTING: CAROL RATAJCZAK & TOBIAS TREBELJAHR, PRODUCING: LAURA MESSNER
“By working on various animation projects the future producers, creative<br />
producers, and line producers get to know their tasks first-hand.”<br />
Prof. Lilian Klages, Senior Lecturer Animation/Effects Producing<br />
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ANIMATION/EFFECTS PRODUCING<br />
Be the one who pulls all the strings: As a producer of films or games you are<br />
involved in every phase of a project, from idea to marketing. You are the one<br />
who makes it all happen!<br />
The course Animation/Effects Producing at <strong>Animationsinstitut</strong> teaches you the<br />
production-related implementation of animation, game, and effects projects.<br />
You will become a professional in matters of budgeting, timing, resource<br />
management, team leadership and more.<br />
In addition to these theoretical foundations, the focus of your studies is on<br />
practical work and project realization together with other students. The objective<br />
is to teach you a problem-based, joined-up way of thinking to help you<br />
with the competent development and implementation of project ideas.<br />
“Here at <strong>Animationsinstitut</strong>, we have various possibilities to try different<br />
technologies and learn so many things by really producing different types<br />
of productions.”<br />
Jiayan Chen, Alumna Animation/Effects Producing<br />
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ON THE SET OF “BURNED” | DIRECTING: JUSTIN BRAUN, PRODUCING: ISABELLA BRAUN
Course of study<br />
Entry options<br />
Duration<br />
Teaching language<br />
Tuition fees<br />
(per Semester)<br />
Job profiles<br />
Entry<br />
Requirements<br />
Film & Media or Production<br />
Basic Studies in Production at FABW (BS)<br />
& Postgraduate Studies (PGS)<br />
BS 2 Years, PGS 2 ½ Years (Full-time study)<br />
German & <strong>English</strong><br />
EU Citizens: BS € 0 or € 650 (second degree) respectively,<br />
PGS € 0<br />
Non-EU: BS & PGS € 1,500<br />
Animation Producer, VFX Producer, Production Coordinator,<br />
Production Manager, Project Manager<br />
First degree in economics, management, media, design,<br />
communication, or another related field; Organizational<br />
skills; Ideally, industry experience in producing<br />
TEAM OF “PARIS YOU GOT ME” | DIRECTING: JULIE BOEHM, PRODUCING: ALEKSANDRA TODOROVIC &<br />
ANN-KATRIN BOBERG<br />
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TECHNICAL<br />
DIRECTING<br />
23<br />
LED WALL SET, STUDIO 1, FILMAKADEMIE
“The students learn to master the technological challenges that are required<br />
for the realization of projects in the fields of animation, VFX, virtual production,<br />
and immersive media. With their knowledge of using new technology, they<br />
are able to contribute to sustainable production processes.”<br />
Prof. Volker Helzle, Senior Lecturer Technical Directing & Head of Research & Development<br />
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TECHNICAL DIRECTING<br />
As a Technical Director with a background in computer science, you set new<br />
tech trends in the film and game industry. You create the link between art and<br />
technology in the production of films, games, or immersive media projects.<br />
You manage any technical aspects.<br />
After you have completed your studies of computer science or a similar subject<br />
area, you are comprehensively trained as a Technical Director at <strong>Animationsinstitut</strong>.<br />
You implement Animation and VFX projects, research new software<br />
solutions, and are free to experiment in a variety of ways together with other<br />
Filmakademie students.<br />
For example, you program suitable software solutions, automate animation or<br />
VFX processes, and define workflows. Another important part of your studies<br />
is your research work at <strong>Animationsinstitut</strong>.<br />
“I see a Technical Director as a mixture between an artist and a person<br />
who likes technology and programming. It’s the perfect mixture of art<br />
and math.”<br />
Hanna Binswanger, Alumna, Rigging TD at Animal Logic<br />
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IMMERSIVE EXPERIENCES WORKSHOP
Course of study<br />
Entry options<br />
Duration<br />
Teaching language<br />
Tuition fees<br />
(per Semester)<br />
Job profiles<br />
Entry<br />
Requirements<br />
Animation/Technical Directing<br />
Postgraduate Studies (PGS)<br />
PGS 2 ½ Years (Full-time study)<br />
<strong>English</strong><br />
EU Citizens: PGS € 0<br />
Non-EU: PGS € 1,500<br />
Technical Director (TD), Technical Artist, Creature TD,<br />
Pipeline TD, Research TD, Shading & Lighting TD, FX TD,<br />
Virtual Production TD, Rigging TD<br />
First degree in computer science, or related field;<br />
Enthusiasm for animation and VFX projects.<br />
VIRTUAL FILMMAKING WORKSHOP<br />
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INTERACTIVE<br />
MEDIA<br />
27<br />
INSTALLATION “SCHWEBEPUNKTE” (NEULAND FESTIVAL) | MALTE HARTLEB, CLARA DEITMAR & JANNIK JOCHIM
“Format openness, curiosity, eagerness to experiment – interactive<br />
media are a playground of possibilities.”<br />
Anna Brinkschulte, Senior Lecturer Interactive Media<br />
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INTERACTIVE MEDIA<br />
A game or a visionary app for the world of the future – create impressive,<br />
interactive experiences! By specializing in Interactive Media at <strong>Animationsinstitut</strong>,<br />
you learn how to design, plan, and implement games, apps, VR<br />
experiences, media installations, and other interactive experiences. You can<br />
choose from the three specializations Transmedia/Games Director, Transmedia/Games<br />
Artist or Transmedia/Games Producer.<br />
The leitmotif of the course is “Games & Beyond”. The focus is on the social as<br />
well as playful interaction of users and observers with the possibilities offered<br />
by media. You have unlimited room to experiment with formats. The objective<br />
is to develop ideas as well as your own artistic and technical design language.<br />
Projects of students with such specialization have won several awards, including<br />
“Deutscher Computerspielpreis” (German Computer Games Award) and<br />
awards by the internationally important SIGGRAPH Asia.<br />
“At <strong>Animationsinstitut</strong>, the great influence of other creative students<br />
creates very individual ideas and ways of looking at the usual design<br />
processes.”<br />
Dominik Schön, Alumnus Interaktive Medien & Winner German Developer Award<br />
29<br />
SIX HATS | DIRECTING: FABIAN FIESS, PRODUCING: VINCENT WALTAN
Course of study<br />
Entry options<br />
Duration<br />
Teaching language<br />
Tuition fees<br />
(per Semester)<br />
Job profiles<br />
Film & Media or Production respectively<br />
Basic Studies (BS) & Postgraduate Studies (PGS)<br />
BS 2 Years, PGS 2 ½ Years (Full-time study)<br />
German & <strong>English</strong><br />
EU Citizens: BS € 0 or € 650 (second degree) respectively,<br />
PGS € 0<br />
Non-EU: BS & PGS € 1,500<br />
Game Designer, UX Designer, Content Director,<br />
Creative Director, Creative Technologist, Art Director,<br />
Artist, Tech Artist, Media Producer<br />
SUPER SIZE HERO – ANIPLAY | DIRECTING: TILL SANDER-TITGEMEYER, PRODUCING: JIAYAN CHEN<br />
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WHICH REQUIREMENTS DO I NEED TO MEET TO STUDY<br />
AT FILMAKADEMIE?<br />
In general, applicants need a high school diploma equivalent to the German<br />
Abitur. Practical experience in the media sector (basic studies: 12 months,<br />
project/postgraduate studies: 6 months) must be proven. If applicants do not<br />
possess a university entrance degree, they have the option of proving their<br />
specific artistic proficiency in a particular test. In addition, all applicants must<br />
prove their suitability by submitting a work sample.<br />
Candidates for postgraduate studies should hold a first degree in a related field.<br />
WHAT IS THE MAIN TEACHING LANGUAGE?<br />
German is still the primary on-site language at <strong>Animationsinstitut</strong>, however,<br />
in the project and postgraduate studies an increasing number of lectures and<br />
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workshops are held in <strong>English</strong> by international lecturers. You still need to obtain<br />
a DSH German certificate to apply at <strong>Animationsinstitut</strong>, except for Technical<br />
Directing, which is taught exclusively in <strong>English</strong>.<br />
DO YOU CHARGE TUITION FEES?<br />
EU Students: No tuition fees are charged for first degree studies or for<br />
the postgraduate studies Animation/Effects Producing, Technical Directing<br />
and Interactive Media.<br />
International Students from non-EU countries: Tuition fees are<br />
€ 1,500 per semester. In some cases, tuition fee waivers are available.<br />
For further information please contact:<br />
studienreferat@filmakademie.de<br />
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BEYOND STUDY<br />
Beyond study, <strong>Animationsinstitut</strong> encourages cooperation and exchange<br />
between students, alumni, lecturers, and employees. This leads to a lively<br />
community in which members support each other regarding the development<br />
of ideas and projects, teambuilding, networking, a transfer of knowledge and<br />
technology, productions, and more.<br />
ALUMNI<br />
Graduates keep in touch with each other and with <strong>Animationsinstitut</strong>. Regular<br />
Alumni-Meetings, the Alumni-Newsletter of Filmakademie, and personal<br />
profiles on the graduate portal (www.filmakademie-alumni.de) build the<br />
framework of the dynamic Alumni-Network of <strong>Animationsinstitut</strong>.<br />
TALENT<br />
In accordance with the motto “lifelong learning”, <strong>Animationsinstitut</strong> offers<br />
students and alumni to participate in programs such as Animation Sans Frontières<br />
(ASF). This EU-funded international training program brings together<br />
young creatives from all over Europe to develop animation-related projects.<br />
Also, to kickstart professional careers, <strong>Animationsinstitut</strong> supports its graduates<br />
in the matters of intellectual property, sustainable production, and<br />
entrepreneurship.<br />
3RD PARTY PRODUCTIONS<br />
With and for external companies, institutions, and organizations, <strong>Animationsinstitut</strong><br />
realizes a wide variety of commissioned productions and third-party<br />
funded projects in accordance with market conditions. These projects enable<br />
recent graduates to continue to work on ideas, approaches, and team works<br />
that were created during their studies, often in collaboration with <strong>Animationsinstitut</strong>’s<br />
Research and Development department.<br />
“To complement the wide range of courses, a strong, lively, and open<br />
<strong>Animationsinstitut</strong>-community provides room for developments, collaborations,<br />
initiatives, and a diverse variety of formats, in cooperation with<br />
external partners.”<br />
Christian Müller, 3rd Party Productions & Alumni<br />
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OUR FORMER STUDENTS WORK AT...<br />
Pixar, Walt Disney Animation Studios, Industrial Light & Magic, Weta,<br />
Framestore, MPC, ScanlineVFX, Mackevision, Pixomondo, Rise FX, Studio<br />
Film Bilder, Ravensburger, M.A.R.K. 13, Studio Soi, Studio Seufz, Woodblock,<br />
Studio Fizbin, Zeitland Media & Games, and many more or founded their<br />
own studios.<br />
ALUMNI MEETING AT FMX<br />
S.M.I.L.E. (GAME) | DANIEL BAHR, DANIELA DREWKE, JASMIN DREYER<br />
34
UNIQUE STUDY<br />
ENVIRONMENT<br />
RESEARCH & DEVELOPMENT<br />
Practical education at <strong>Animationsinstitut</strong> is complemented by academic<br />
research carried out by the R&D department. Together with its national and<br />
international partners, the department conducts diverse research projects<br />
focusing on technical innovations for film and media productions. In particular,<br />
Technical Directing students are encouraged to contribute to the department’s<br />
research projects. Further activity of <strong>Animationsinstitut</strong>s’ research and<br />
development centers on providing a foundation for ecologically sustainable<br />
productions based on new technologies at Filmakademie and beyond.<br />
TECHNICAL EQUIPMENT<br />
<strong>Animationsinstitut</strong> offers facilities with state-of-the-art technology. All<br />
students have their own workstation with all current tools as well as special<br />
project-based solutions. They also have access to all of Filmakademie’s infrastructure.<br />
“State-of-the-art techniques such as motion capture and virtual camera<br />
as well as tailored equipment and periphery of the student workstations<br />
represent the ‘hand tools’ of all animation students. Technology must<br />
not hinder the work of our students but should promote and spur their<br />
creativity.”<br />
Joachim Genannt, Head of Technology <strong>Animationsinstitut</strong><br />
35
VIRTUAL FILMMAKING WORKSHOP<br />
LED WALL SET, STUDIO 1, FILMAKADEMIE<br />
36
FMX<br />
Each year, <strong>Animationsinstitut</strong> organizes FMX. The non-profit<br />
<strong>English</strong>-speaking event is a globally influential conference dedicated<br />
to animation, visual effects, interactive and immersive media.<br />
At FMX creative minds and international experts gather from around the<br />
world. Top-class speakers provide deep insights into industry developments<br />
in presentations, workshops, master classes and company suites. The latest<br />
tools, technologies and business models are introduced and discussed. Wellknown<br />
studios and companies scout for new talent at the Recruiting Hub.<br />
On the School Campus, students from around the world can exchange ideas.<br />
At FMX, <strong>Animationsinstitut</strong>’s students have the chance to gain first-hand<br />
information on the latest trends and innovations in art and technology. Also,<br />
they can present their study projects to an international audience as part of<br />
the conference program and establish useful contacts for their future career<br />
in the industry.<br />
“FMX is an important part of <strong>Animationsinstitut</strong>’s curriculum. It is a big<br />
plus for students that they can build a network for their future careers<br />
there.”<br />
Prof. Andreas Hykade, FMX Conference Chair<br />
www.fmx.de<br />
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FMX
FILM & MEDIA EXCHANGE<br />
FMX | FILM & MEDIA EXCHANGE<br />
FMX 2022_AI <strong>Broschüre</strong>_17-11-2021.indd 1 17.11.2021 17:03:23<br />
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ANIMATIONSINSTITUT<br />
HEAD OF ANIMATIONSINSTITUT<br />
Prof. Andreas Hykade (Head of <strong>Animationsinstitut</strong>, FMX Conference Chair),<br />
Heike Mozer (Head of Finance/Management),<br />
Ann-Kathrin Eglsoer (Executive Assistant)<br />
STUDIES<br />
Senior Lecturers<br />
Prof. Andreas Hykade (Animation),<br />
Anna Brinkschulte (Interaktive Medien),<br />
Prof. Lilian Klages (Animation/Effects Producing),<br />
Prof. Volker Helzle (Technical Directing)<br />
Curriculum Coordination<br />
Constanze Bühner, Claudia Baumgartner, Isabel Gimber<br />
International Network<br />
Dr. Tina Ohnmacht<br />
Production<br />
Anna Matacz, Yannick Petzold<br />
Third-Party-Productions & Alumni<br />
Christian Müller<br />
Project Mentoring<br />
Lisa Forelli, Stefan Michel, Philipp Obländer, Andreas Ulmer<br />
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RESEARCH & DEVELOPMENT<br />
Prof. Volker Helzle (Head of Research & Development),<br />
Simon Spielmann, Jonas Trottnow, Tonio Freitag, Paulo Scatena<br />
MANAGEMENT<br />
Selina Schmutz, Marco Neuert, Anja Fellerhoff, Nataša Predojević<br />
Communication<br />
Theresa Seitz, Franziska Ullrich<br />
TECHNOLOGY<br />
Joachim Genannt (Head of Technology)<br />
IT<br />
Viet Nguyen, John Holth, Thomas del Popolo, Elmar Weinhold<br />
Post Production<br />
Michael Schott, Stefan Binggeser<br />
STAFF POSITIONS<br />
Dr. Alexander Kreische (Coordination Online Projects & Media Production),<br />
Christiane Geyer (Project Management IT-Applications),<br />
Anke Kletsch (Coordination Festivals)<br />
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PRIZES & AWARDS<br />
1000 INTERNATIONAL PRIZES FOR STUDENT PROJECTS<br />
Student Academy Awards, Annie Awards, SIGGRAPH, SIGGRAPH Asia, VES<br />
Awards, BAFTA, The Rookie Awards, Deutscher Computerspielpreis, Gamescom,<br />
Ottawa International Animation Festival, Cannes Lions, Cartoon d’Or, AMAZE,<br />
Lumière Awards, Stuttgart Festival of Animated Film, Anima Mundi, Ars Electronica,<br />
First Steps Awards<br />
AWARDS ANIMATIONSINSTITUT<br />
The Hollywood Reporter<br />
The Top 10 Visual Effects Schools 2019,<br />
The Top 15 International Film Schools 2017<br />
Focus Money<br />
Germanys best public arts college 2018<br />
The Rookies<br />
Best Visual Effects School 2017, Runner-up Best Animation School 2018, 2nd<br />
Place Visual Effects & Animation School Production Excellence 2021<br />
VFX Voice<br />
Among the “Leading VFX programs” 2019<br />
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TEAM OF “THE BEAUTY” AT THE VES AWARDS CEREMONY IN LOS ANGELES
CONTACT<br />
If you have any questions on how to apply at <strong>Animationsinstitut</strong>,<br />
please feel free to contact us:<br />
study@animationsinstitut.de (<strong>Animationsinstitut</strong>)<br />
studienreferat@filmakademie.de (Filmakademie in general)<br />
Filmakademie Baden-Württemberg GmbH<br />
<strong>Animationsinstitut</strong><br />
71638 Ludwigsburg<br />
Akademiehof 10<br />
Germany<br />
+49 7141 969 82 800<br />
info@animationsinstitut.de<br />
Take a look behind the scenes and connect with students, lecturers, and<br />
alumni:<br />
www.animationsinstitut.de<br />
www.filmakademie.de<br />
“Studying at <strong>Animationsinstitut</strong> offers a lot of flexibility, especially in<br />
the project studies. You can choose which areas you’d like to focus on,<br />
we encourage you to give feedback and suggest guest lecturers from the<br />
industry. If you want to initiate a project or contribute to somebody else’s<br />
project, is up to you. So if you are looking for a practice-oriented course<br />
you can actively shape yourself, this is the place to be.”<br />
Constanze Bühner, Curriculum Coordination<br />
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„In respect of financial, organizational, and legal matters, the<br />
management is committed to successfully implement projects of the<br />
students and the academic departments. In this process, we feel<br />
obliged to consider values such as equality and diversity. Regardless of<br />
their origin, gender, belief, social background, or physical condition,<br />
students and employees shall be able to unfold their talents and<br />
strengths at <strong>Animationsinstitut</strong>.“<br />
Heike Mozer, Head of Management <strong>Animationsinstitut</strong><br />
„<strong>Animationsinstitut</strong> is characterized not only by a professional<br />
atmosphere but also a very familiar one. We support students quite<br />
individually in their creative development and try to provide the best<br />
framework possible to realize their ideas. In this regard, there are<br />
many possibilities because of the intensive cooperation with other<br />
departments of the Filmakademie. Furthermore, there is a high level of<br />
quality in production, as the project teams are supervised by industryexperienced<br />
mentors.“ Anna Matacz, Head of Production <strong>Animationsinstitut</strong><br />
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THE GIANT AND THE SEED | DIRECTING: SARA SHABANI HESARI, PRODUCING: SARA SHABANI HESARI & SASKIA STIRN
„If someone is still unsure to apply, one should please not hesitate to get<br />
in contact with us via study@animationsinstitut.de. If something seems<br />
unclear or there are yet questions, we are happy to support applicants<br />
where possible.“ Claudia Baumgartner, Curriculum Coordination <strong>Animationsinstitut</strong><br />
„We support students if they have any questions about their participation<br />
in festivals around the globe, and we help them with submitting their<br />
projects. Every year we have numerous acceptations and can see much<br />
success because of the high level of quality of the works.“<br />
Anke Kletsch, Coordination Festivals <strong>Animationsinstitut</strong><br />
„We offer student projects the chance to get publicity and focus the<br />
attention on the people behind them. There are a lot of stories to tell, and<br />
it is fun to spread the word over our channels about <strong>Animationsinstitut</strong>s’<br />
great creative output.“ Theresa Seitz, Management Communication <strong>Animationsinstitut</strong><br />
HALLWAY ANIMATIONSINSTITUT<br />
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BLIESCHOW | REGIE/DIRECTOR: WORLD OF CHRISTOPH GRA | DIRECTING: SAROW, PRODUCER: CLARA DEITMAR, LENA-CAROLIN PRODUCING: LOHFINK JULIUS DORSEL<br />
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