Review Fall 2020 English

Fall 2020

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deutscherkunstverlag.de

Dear Friends of Deutscher Kunstverlag,
Dear Readers,
It is my great pleasure to be able to present
our preview for the fall of 2020 in a
new design. The Deutscher Kunstverlag has
undergone many changes in the past few
years. But our passion for books that capture
the diversity of art and architecture has
remained a constant.
So, discover the cosmos of Aby Warburg and
the connection between art and quilts
with us. Encounter the Norwegian artist
Johan Christian Dahl or learn more
about the architectural history of the 1960s
to 1980s. I wish you lots of interesting
insights and inspiring moments!
Dr. Pipa Neumann
Editorial Director

OUR PARTNERS
Archäologisches Landesmuseum Baden-Württemberg, Konstanz
Bayerische Staatsgemäldesammlungen, Pinakotheken, Munich
Bayerisches Landesamt für Denkmalpflege, Munich
Bayerisches Nationalmuseum, Munich
Berlinische Galerie, Berlin
Dehio Vereinigung e.V., Wiesbaden
Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg
Deutsches Forum für Kunstgeschichte / Centre Allemand d’Histoire de l’Art, Paris
Franz Marc Museum, Kochel am See
Georg Kolbe Museum, Berlin
Grisebach GmbH, Berlin
Hans Purrmann Stiftung, Munich
Institut für Architekturtheorie und Baugeschichte, Leopold-Franzens-Universität Innsbruck
Institut für Kunstgeschichte, Bauforschung und Denkmalpflege, Technische Universität, Vienna
Klassik Stiftung Weimar
Kulturhistorisches Museum Magdeburg
Kunsthistorisches Institut der Universität Bonn
Max-Planck-Institut – Kunsthistorisches Institut in Florenz, Florence
Kunstmuseum Basel
Kunstmuseum Kloster Unser Lieben Frauen Magdeburg
Kunstmuseum Stuttgart
Kunstsammlungen Chemnitz
Kunstsammlungen der Veste Coburg
Kunstsammlungen und Museen Augsburg
Landesstelle für die nichtstaatlichen Museen in Bayern, Munich
Leibniz-Institut für Geschichte und Kultur des östlichen Europa (GWZO), Leipzig
Lindenau-Museum Altenburg
Institut für Kunstgeschichte – Ludwig-Maximilians-Universität München, Munich
LVR-LandesMuseum Bonn
LWL-Museum für Kunst und Kultur, Münster
Museum für Gegenwartskunst Siegen
Museum Pfalzgalerie Kaiserslautern
Museum Villa Stuck, Munich
Museum Wiesbaden
Staatliche Akademie der Bildenden Künste Stuttgart
Staatliche Graphische Sammlung München, Munich
Staatliche Kunsthalle Karlsruhe
Staatliche Kunstsammlungen Dresden
Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz
Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin
Staatsgalerie Stuttgart
Stiftung Museum Kunstpalast, Düsseldorf
Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam
Stiftung Seebüll Ada und Emil Nolde, Seebüll
tim – Staatliches Textil- und Industriemuseum Augsburg
Tiroler Landesmuseum, Tyrol
Vereinigung der Landesdenkmalpfleger, Wiesbaden
Zentralinstitut für Kunstgeschichte, Munich

CONTENTS
ART
Passion Leidenschaft 4
Ada und Emil Nolde − Luise und Gustav Schiefler 6
Between Cosmos and Pathos 8
Von der Renaissance zum Barock (1570−1670) 10
Dehio-Handbuch. Polen 12
Dehio-Handbuch. Hessen 12
wohnen 60 70 80 13
Porzellan der KPM Berlin 1918−1988 14
Amish Quilts Meet Modern Art 15
Joachim Tielke 16
Zwischen Ems und Elbe 16
Jenseitsbilder 17
Christoph Schwarz 17
Ludwig Knaus 18
Dahls Norwegen 19
Disziplinierung der Pflanzen 19
Deutscher Expressionismus in Frankreich 20
Xanti Schawinsky 20
Stürmische Zeiten 21
Andere Horizonte 22
(Wieder-)Entdecken 23
Werkzeuge 24
Temperierung 24
Mathematisch-Physika lischer Salon – Masterpieces 25
Italien in Potsdam (Art guide) 26
BACKLIST
Selected titles 27

DEUTSCHER KUNSTVERLAG
4
Pauwels Franck, known Paolo Fiammingo, “Amori”: Il frutto dell‘amore (The Passion), 1585/89, oil on canvas, 158,7 x 257,3 cm, Vienna,
Kunsthistorisches Museum, Gemäldegalerie, Inv. No. GG 2360

Herrmann Arnhold on behalf of the
Landschaftsverband Westfalen-Lippe
(LWL) (Ed.)
Passion Leidenschaft
Die Kunst der großen Gefühle
Pages 304
Ills. 230 color
Format 30.0 × 24.0 cm
HC 978-3-422-98423-3 ca. € 48.00
ca. $ 55.99
ca. £ 43.50
GERMAN
OCTOBER 2020
DEUTSCHER KUNSTVERLAG
Exhibition
LWL-Museum für Kunst und Kultur
(Westfälisches Landesmuseum), Münster
October 9th, 2020 to February 14th, 2021
Ignaz Günther, St. Teresa of Avila with angel, 1771, limewood, h. 62 cm,
Munich, Bayerisches Nationalmuseum, Inv. No. 54/4
5
Envy and anger, love and hate, desire
and jealousy—the depiction of heartrending,
very dramatic, deeply exhilarating,
or deeply upsetting figures
and scenes has been a central theme
throughout the history of European
art. Great emotions change the world,
influence our thinking and beliefs, lead
to war and resistance. In politics and
society, emotions are more relevant
than ever. In a large special exhibition
at the LWL-Museum für Kunst und
Kultur in Münster and the accompanying
catalogue, some 160 artworks
provide a historical overview from the
beginnings in antiquity until the present
day. Brought together are paintings,
sculptures, photos, and video
installations by Matthias Grünewald,
Leonardo da Vinci, Peter Paul Rubens,
Camille Claudel, Edvard Munch, Käthe
Kollwitz, Bill Viola, Maria Lassnig, and
many more.
Essays by Stephanie Eichberg, Ute
Frevert, Ursula Frohne, Ulrich Heinen,
Petra Marx, Klaus Niehr, Kerstin
Thomas, Susanne Witzgall
Great emotions in the visual art of Europe:
a fascinating and substantial foray from
ancient times until today
With expert texts from the field of emotion
research from the perspectives of art history,
philosophy, and the history of medicine
Martha Rosler, POINT & SHOOT, a mourning thought (though I am more enraged than
in mourning), 2016, Digital print

DEUTSCHER KUNSTVERLAG
6
Emil Nolde, “Johanna”, 1911, lithography with watercolor, 50 x 43 cm, Nolde Stiftung Seebüll

Indina Woesthoff,
Nolde Stiftung Seebüll (Eds.)
Ada und Emil Nolde –
Luise und Gustav Schiefler.
Briefwechsel
Volume 1: “Es ist immer ein Fest, wenn ein Brief von
Ihnen ankommt.” 1906–1914
Volume 2: “Möchten wir noch ein recht weites und
gutes Stück Leben mit einander gehen.” 1915–1956
Pages
Ills.
Format
1100 (two-volume edition)
200 color
24.0 × 16.0 cm
HC 978-3-422-98257-4 € 119.95
$ 137.99
£ 109.00
GERMAN
OCTOBER 2020
DEUTSCHER KUNSTVERLAG
Over 700 letters in fifty years: a rare stroke
of luck for the Nolde research
Access to an unparalleled source on Nolde’s
life and work
A pleasure to read, also for non-experts
7
Gustav Schiefler, a lawyer from Hamburg,
and his wife, Luise, were for
decades among Emil Nolde’s trusted
friends and patrons. It is a rare stroke
of luck that the correspondence between
the artist couple and collector
friends, with over 700 letters, has
been preserved nearly in its entirety.
The correspondence shows a lively
and detailed picture of Nolde’s life
and work from 1906 into the 1950s.
This makes it possible for the dating
of works, trips, and encounters to be
veri fied conclusively and in part anew
and to shed critical light on the image
he cultivated. Journal entries by
Schiefler and other letters and documents
from the estates supplement
the exchange of letters. An in-depth
commentary makes the two-volume
edition a pleasure to read, not only for
art scholars.
Indina Woesthoff,
art historian
Nolde Stiftung Seebüll
Emil Nolde, “Steam-Trawler”, 1910, woodcut, 30.2 x 38.5/6 cm,
Nolde Stiftung Seebüll
Emil Nolde, “Joy in Life”, 1905, etching,
17.9 x 12 cm, Nolde Stiftung Seebüll

DEUTSCHER KUNSTVERLAG
8
Panel 55 from the Bilderatlas Mnemosyne, October 1929 (with Cat. 31, 32, 33)

Neville Rowley, Jörg Völlnagel (Eds.)
Zwischen Kosmos
und Pathos / Between
Cosmos and Pathos
Berliner Werke aus Aby Warburgs Bilderatlas
Mnemosyne / Berlin Works from Aby Warburg’s
Mnemosyne Atlas
Pages 120
Ills. 75 color
Format 26.0 × 19.0 cm
SC 978-3-422-98288-8 € 29.00
$ 33.99
£ 26.50
GERMAN/ENGLISH
ALREADY PUBLISHED
DEUTSCHER KUNSTVERLAG
Exhibition
Staatliche Museen zu Berlin – Preußischer
Kulturbesitz, Gemäldegalerie 2020
9
Aby Warburg, one of the most important
art-historians of the late
nineteenth and early twentieth century,
studied the “afterlife” of ancient
motifs in European culture since the
Renaissance. Warburg’s final work was
his Mnemosyne Atlas, a collection of
nearly 1000 images summarizing his
studies and showing new directions in
visual culture. The book for the exhibition
at the Gemäldegalerie, Berlin,
presents nearly fifty original artworks
from ten collections of the Staatliche
Museen zu Berlin that Warburg selected
for the atlas. They illustrate relationships
between works and cultures
that transcend the boundaries of time
and space and simultaneously explain
the complex thinking that underlies
Warburg’s atlas exemplarily.
Essays by Neville Rowley and
Jörg Völlnagel
Catalogue for the special presentation of the
Staatliche Museen zu Berlin in cooperation
with the Haus der Kulturen der Welt, Berlin,
and the Warburg Institute, London
Restaging of the Mnemosyne Atlas with works
from the collections in Berlin

DEUTSCHER KUNSTVERLAG
Andreas Bemer, Johann Scholz and Johann Pfister, Boim Chapel, L’viv (Lemberg), cathedral, 1609–17
10
Karel Škréta, “The Family of Precious Stone Cutter Miseroni”, 1653, National Gallery, Prague, Inv.-Nr. O 560

Agnieszka Gąsior, Marius Winzeler (Eds.)
Von der Renaissance
zum Barock (1570−1670)
Handbuch zur Geschichte der Kunst
in Ostmitteleuropa 5
Pages 656
Ills. 650 color
Format 27.5 × 21.0 cm
HC 978-3-422-06962-6 € 98.00
$ 112.99
£ 89.00
GERMAN
DECEMBER 2020
A first in-depth consideration of the art history
of Eastern Europe
DEUTSCHER KUNSTVERLAG
A look at the production of art in the era of the
Great Wars
The migration of artists in Bohemia, Poland,
and Hungary
11
The Leibniz Institute for the History
and Culture of Eastern Europe’s
(GWZO) nine-volume edition project
takes a look for the first time at 1500
years of cultural heritage in the region
between the Adriatic, Baltic, and
Black Sea from a transnational, overall
European perspective. The era from
1570 to 1670 was shaped by big crises
in Europe. The denominational and
military conflicts of the sixteenth and
seventeenth century changed the conditions
for artistic work in East-Central
Europe. But this in no way led to a decline
in art production. It instead defined
new tasks and functions for art,
promoted artistic exchange and the
migration of artists, helped ad vance
new artistic centers, and gave rise to
new dynamics of representation.
Agnieszka Gąsior,
The Leibniz Institute for the History
and Culture of Eastern Europe (GWZO)
Marius Winzeler,
Director of the Collection of Old Masters,
National Gallery Prague
Already published
Christian Lübke,
Matthias Hardt (Eds.)
Vom spätantiken Erbe
zu den Anfängen der
Romanik (400–1000)
Handbuch zur Geschichte
der Kunst in Ostmitteleuropa 1
Pages 652
Ills. 600 color
Format 27.5 x 21.0 cm
HC 978-3-422-06958-9
€ 98.00
$ 112.99
£ 89.00
GERMAN
Ottavio Miseroni and Jan Vermeyen, bowl with
young Bacchus, ca. 1600/05, Kunsthistorisches
Museum, Kunstkammer, Vienna, Inv.-Nr. 1871

Viewing
Monuments
Without
Dehio?
NEW
3 volumes
in
slipcase
The Handbuch der
Deutschen Kunstdenkmäler,
a handbook of German
cultural monuments
established by Georg Dehio
more than 100 years ago,
has remained a highly
reliable guide to Germany’s
monument landscape.
It is published by the
Dehio-Vereinigung and
the Vereinigung der
Landesdenkmalpfleger
(VDL, an association of
state conservators).
Dehio
HANDBUCH DER
KUNSTDENKMÄLER IN POLEN
Kleinpolen Volume I – III
2056 pages
92 b/w and 16 color illustrations
Format 18,0 × 12,0 cm
HC € 78.00 [D]; $ 89.99; £ 71.00
ISBN 978-3-422-03125-8
MAY 2020
NOW
as a set
The Dehio-Handbuch is
an ideal travel companion
for informing readers
about the origins and
eventful histories of
German monuments.
Numerous plans, ground
plans and maps make
orientation easy.
Dehio
HANDBUCH DER DEUTSCHEN
KUNSTDENKMÄLER
Hessen Volume I + II
2016 pages
149 plans and 17 color maps
Format 18,0 × 12,0 cm
HC € 68.00 [D]; $ 78.99; £ 62.00
ISBN 978-3-422-98215-4
JUNE 2020

Vereinigung der Landesdenkmal pfleger
(Ed.)
wohnen 60 70 80
Junge Denkmäler in Deutschland
Pages 264
Ills. 315 color
Format 28.0 × 21.0 cm
HC 978-3-422-98154-6 € 39.90
$ 45.99
£ 36.50
GERMAN
SEPTEMBER 2020
DEUTSCHER KUNSTVERLAG
The 1960s, 70s, and 80s become a focus in
historical monument preservation
Hitherto unknown references to residential
architecture
Also for readers with no expert knowledge
13
This book provides an overview of
residential buildings and housing developments
in Germany from this time
that have been recognized as historical
monuments. Numerous buildings in
various areas, including single-family
houses, residential developments,
high-rise buildings, and experimental
structures are thus brought into the
current research discussion anew
based on a broad range of ma terials.
In light of the current wave of reconstruction,
the book focuses on
an architectural era whose historical
monument quality has not yet been
accepted as a matter of course. The
well-documented buildings vividly
relate the history of construction and
housing in the young Federal Republic
of Germany and German Democratic
Republic. The book is richly illustrated
and addressed to both experts as well
as a broader audience.
Members of AG Inventarisation,
Vereinigung der Landesdenkmalpfleger
(VDL)
Meinhard von Gerkan, Volkwin Marg, Wilfried Köhnemann: Köhnemann
house, garden view, Sarenweg 38, Hamburg, 1968/69
Günther Vogel, Günter Meißgeier, Ralf Reif, Karlheinz Günther: high-rise
building Heinrichstraße 27–45, Gera, 1959–63, block 14, upper floor, vestibule,
2018

Tim D. Gronert
Porzellan der KPM Berlin
1918−1988
Pages Vol. 1: 492 p. / Vol. 2: 440 p. / Vol. 3: 472 p.
(3 volumes in slipcase)
Ills. numerous
Format 30.0 × 24.0 cm
HC 978-3-422-97147-9 € 168.00
$ 193.99
£ 152.50
DEUTSCHER KUNSTVERLAG
GERMAN
ALREADY PUBLISHED
14
Three volumes in slipcase: First comprehensive
standard and reference work on the KPM
For specialists, porcelain lovers, and laypeople
Photographs of 2,000 objects as well as hitherto
unpublished original designs, archival pictures,
and private photos
The three-volume work is dedicated to
the years when the Königliche Porzellan-Manufaktur
(KPM) operated under
the name “Staatliche Porzellan-Manufaktur
Berlin” and thus closes a striking
gap in the research. The author
Tim D. Gonert presents the history of
the factory in the twentieth century
and provides an overview of the huge
variety of forms and artistic decorations
in the modern porcelain produced
in Berlin based on over 2,000
compiled objects. The objects, all of
which have been photographed anew,
are accompanied by scholarly texts
and archival photos resulting from
research and work with documentary
materials over years. The volume of
biographies describes the life and
work of the most important designers
in over sixty essays and thus rounds
off this wonderful reference work for
craftsmanship and design.
Tim D. Gronert,
art dealer and porcelain collector,
Berlin

Staatl. Textil- und Industriemuseum
Augsburg, Karl Borromäus Murr,
Tanja Kreutzer (Ed.)
Amish Quilts Meet
Modern Art
Pages 216
Ills. 80 color
Format 26.5 × 23.0 cm
HC 978-3-422-98279-6 € 24.00
$ 27.99
£ 22.00
ENGLISH/GERMAN
ALREADY PUBLISHED
High-quality historical Amish quilts and
contemporary art by Winfred Gaul, Robert
Motherwell, Urs Lüthi, and Beate Passow,
among others
DEUTSCHER KUNSTVERLAG
New scholarly insights into the technique
and subjects of original Amish quilts
15
How can historical Amish quilts and
con temporary art enter into a dialogue
with one another that is not limited to
merely formal similarities? This question
is addressed in the catalogue
accompanying a special exhibition at
the Staatliches Textil- und Industrie museum
in Augsburg (State Textile and
Industry Museum; tim). The unique juxtaposition
of original Amish quilts from
the time between 1890 and 1950 with
high-quality works by con temporary
artists breaks down bounda ries between
genres, time, and space. The
focus is on a search for answers to
fundamental questions of human existence.
What thus result are illuminating
insights into the foundations and
abysses of life today, traditional moral
concepts, and contemporary art.
Karl Borromäus Murr and Tanja
Kreutzer,
Staatl. Textil- und Industriemuseum
Augsburg (tim)
Exhibition
Staatliches Textil- und Industriemuseum Augsburg (tim)
May 19th to October 25th, 2020

Presentation of newly discovered musical
instruments made by Joachim Tielke
New insights into Tielke’s work
Clarification of the dating of his instruments
DEUTSCHER KUNSTVERLAG
Barbara and Friedemann Hellwig
Joachim Tielke
Neue Funde zu Werk und Wirkung
Pages 80
Ills. 50 color
Format 28.0 × 21.0 cm
HC 978-3-422-98211-6 € 29.95
$ 34.99
£ 27.00
GERMAN
JUNE 2020
Joachim Tielke was an outstanding instrument
maker in the Baroque period
who is famous above all for his elaborately
decorated works. The book
presents new musical instruments
made by him that have only recently
become known. This has made it possible
to expand on various aspects of
his work and to clarify questions regarding
dating more precisely.
This book provides new insights into
Tielke’s work and supplements the
extensive volume Joachim Tielke. Kunstvolle
Musikinstrumente des Barock
(2011).
Friedemann Hellwig,
violin maker, restorer of historical
musical instruments
Barbara Hellwig,
art historian, Hamburg
16
A unique survey of the art-historical development of
Lower Saxony, Hamburg, and Bremen from 800 to
the present
Urs Boeck
Zwischen Ems
und Elbe
1200 Jahre Kunst in Niedersachsen,
Hamburg und Bremen
Pages 256
Ills. 120 color
Format 28.0 × 19.5 cm
HC 978-3-422-07441-5 € 39.90
$ 45.99
£ 36.50
GERMAN
JUNE 2020
Urs Boeck’s survey undertakes nothing
less than an integrated view of the art
landscape of Lower Saxony, Hamburg,
and Bremen since Saxony was incorporated
culturally into the Frankish
realm around 800, up to the World
Expo in Hannover in 2000. As the former
main conservator of Lower Saxony,
Boeck confidently leads readers
through the disparate art landscape
between the Rhine and the Elbe, the
North Sea and the Harz. With in-depth
expert knowledge and an eye for the
big picture, he sheds light on central
artistic achievements in architecture,
sculpture, and painting and classifies
them within their temporal and spatial
context. References to artistic events
across national borders in Europe in
particular make this book a unique reference
work for art in Lower Saxony,
Hamburg, and Bremen.
Urs Boeck,
Niedersächsisches Landesamt für
Denkmalpflege

Innovative consideration of the relationship
between text and image in the Middle Ages
New understanding of the reception of Dante in
medieval visualizations of the afterworld
Contemporary study on Dante’s Commedia and its
continued life in the arts shortly before the 700th
anniversary of Dante’s death in 2021
Theresa Holler
Jenseitsbilder
Dantes Commedia und ihr Weiterleben
im Weltgericht bis 1500
Italienische Forschungen des Kunsthistorischen
Institutes in Florenz, I Mandorli 29
Pages 368
Ills. 132 b/w, 30 color
Format 24.0 × 17.0 cm
SC 978-3-422-98131-7 € 48.00
$ 55.99
£ 43.50
GERMAN
AUGUST 2020
Dante’s Commedia intensively influenced
the concept of the afterlife for
people in Italy. But how did artists
react to Dante’s imaginary world of
images in their visual constructions of
the Last Judgment? Based on cycles
of wall paintings by artists from Giotto
to Signorelli, the author shows how
the Commedia altered the traditional
picture theme of Judgment Day for
the first time. Dante’s landscape of
the afterlife enabled painters to visualize
new pictorial spaces that did not
necessarily have a direct connection
to the text, but make reference to it
nevertheless. The consideration of this
complex pictorial program that is undertaken
in this book in turn opens up
new ways of understanding the reception
and interpretation of the Commedia,
so that text and image enter into a
productive dialogue.
Theresa Holler,
University of Bern
DEUTSCHER KUNSTVERLAG
17
First in-depth monograph on Christoph Schwarz
Includes a complete overview of his works and a
catalogue of works by artists he influenced
With summaries in English
Sandra-Kristin Diefenthaler
Christoph Schwarz
Hofkünstler der Wittelsbacher
im konfessionellen Zeitalter
Pages 600
Ills. 190 b/w, 182 color
Format 28.0 × 21.0 cm
HC 978-3-422-07465-1 € 68.00
$ 78.99
£ 62.00
GERMAN
JUNE 2020
Christoph Schwarz (ca. 1545–1592)
was among the most influential artists
at the court of the Bavarian Dukes
Albrecht V and Wilhelm V in Munich.
In his early years, he designed much
acclaimed façade paintings whose
lively compositions reveal an examination
of Venice. With Wilhelm V’s
accession to power, he became the
preferred painter for the monumental
altar pictures of the Jesuits.
For the first time, an in-depth monograph
is being dedicated to one of the
most important court painters of the
end of the sixteenth century.
It examines Schwarz’s ambivalent
position between city and court and
the signifi cance of his pictorial themes
in the period of the Protestant Reformation.
The extensive publication
includes a complete overview of his
works and a catalogue of works by
artists he influenced.
Sandra-Kristin Diefenthaler,
Staatsgalerie Stuttgart

Museum Wiesbaden,
Peter Forster, Rebecca Krämer (Eds.)
Ludwig Knaus
Homecoming
Pages 224
Ills. 300 color
Format 25.6 × 24.3 cm
HC 978-3-422-98280-2 € 44.00
$ 50.99
£ 40.00
DEUTSCHER KUNSTVERLAG
GERMAN
ALREADY PUBLISHED
“New York is the market for Knaus.”
(Samuel Putnam Avery, 1889) – major works
never shown in Germany before, which were
already sold overseas during the artist‘s
lifetime
For the most part, drawings by the master of
poetic realism being published for the first time
18
Ludwig Knaus (* 1829 in Wiesbaden
† 1910 in Berlin) is one of the most
important German artists of the 19 th
century. With his works, which were
successful both in Germany and
abroad, he shaped a genre and helped
genre painting achieve a unique popularity.
He thus set new standards, but
was also successful as a portraitist.
With the exhibition and the catalogue,
a link is made to the zenith of Knaus’s
career. The fact that important major
works by the artists were sold to the
United States during his lifetime plays
a central role in this. His captivating
drawings of outstanding quality published
in the catalogue can by all
means be regarded as equal to his
those of Adolph von Menzel; they provide
important insights into the genesis
of his paintings and contribute to
understanding Knaus’s artistic cosmos.
Essays by Jo Briggs, Peter Forster,
Nikolas Werner Jacobs, Rebecca
Krämer, Bernd Küster, Matthias
Memmel
Exhibition
Museum Wiesbaden
February 14th to August 2nd, 2020

First German-language monograph on Johan
Christian Clausen Dahl
First translation and incorporation of numerous
Scandinavian sources
Presentation of Dahl’s national-cultural
“discovery” of stave churches as Norwegian
cultural monuments
Marie-Louise Monrad Møller
Dahls Norwegen
Die künstlerische Erfindung
einer norwegischen Nationalkultur
Pages 368
Ills. 80 b/w, 30 color
Format 28.0 × 21.0 cm
SC 978-3-422-98140-9 € 69.95
$ 80.99
£ 63.50
GERMAN
JULY 2020
At the start of the nineteenth century,
Johan Christian Clausen Dahl
(1788–1857) recognized the political
potential of landscape painting. Firmly
an chored in the discursive surroundings
of the European cultural elite,
from Dresden, he contributed to forming
the national identity of Norway, his
home country.
Less well known is the fact that his
work was also reflected in the protection
of historical monuments and in
journalism. As a painter, monument
conservationist, and journalist, Dahl
combined scholarly, topographical,
aesthetic, historical, political, and
mythological aspects with a Nordic
and national discourse on identity.
The first German-language monograph
on Dahl addresses the multifaceted
work of this artistic personality
from the perspective of the history
of art and culture.
Marie-Louise Monrad Møller,
art historian
DEUTSCHER KUNSTVERLAG
19
New insights into vegetal patterns and plants as a
figure of knowledge
Artworks by Karl Blossfeldt, Moritz Meurer,
Fratelli Alinari, Ernst Haeckel, et al.
Judith Elisabeth Weiss
Disziplinierung
der Pflanzen
Bildvorlagen zwischen Ästhetik und Zweck
Pages 200
Ills. 100 color
Format 24.0 × 17.0 cm
SC 978-3-422-98293-2 € 29.90
$ 34.99
£ 27.00
GERMAN
NOVEMBER 2020
In the second half of the nineteenth
century, plants gained great popularity
as providers of ideas for artistic
form. Collections of designs whose
didactic imagery has so far been little
research ed circulated at art schools
and in the applied arts.
The book not only makes a contribution
to the theory and history of images
of plants, but also shows the great
topicality of the vegetal in the art of
today. It examines notions of cultural
renewal, which are always connected
with the rhythm of the sprouting,
growing, and blooming of plants as
well as the political exploitation of
flora in the categories of the homegrown
and the national. The image of
plants thus unfolds at the intersection
of botany and aesthetics.
Judith Elisabeth Weiss,
Leibniz Centre for Literary and Cultural
Research (ZfL), Berlin

Multifaceted source material on the process of
cultural reconciliation between Germany and
France
New insights into the belated recognition of German
Expressionism in France
Bilateral perspective on exhibition history as a
contribution to the writing of art history from a
transnational perspective
DEUTSCHER KUNSTVERLAG
Sandra Duhem
Deutscher Expressionismus
in Frankreich
Späte Anerkennung im Pariser Musée
national d’art moderne 1960–1978
Pages 336
Ills. 3 b/w, 17 color
Format 24.0 × 17.0 cm
SC 978-3-422-98141-6 € 49.95
$ 57.99
£ 45.50
GERMAN
SEPTEMBER 2020
German Expressionism was first presented
in France’s most important
museum of modern art, the Musée
national d’art moderne in Paris, starting
in the 1960s, more than fifty years
after its emergence. In light of the
numerous contacts between German
artists and the art scene in Paris at the
start of the twentieth century, this is
surprising.
Based on source material on four special
exhibitions in Paris between 1960
and 1978 that presented Expressionist
works from Germany, the author
analyzes an eventful German-French
history of perception that was shaped
for a long time, until into the 1970s, by
national and nationalistic discourses.
Written from a bilateral German­
French perspective, the book makes
an important contribution to the writing
of art history from a transnational
perspective.
Sandra Duhem,
France Centre of Saarland University,
Saarbrücken
20
New insights into hitherto unpublished sources
from the estate
A look at the up to now almost undiscovered early
work of Schawinsky
Annegret Laabs, Torsten Blume,
Kunstmuseum Magdeburg,
Bauhaus Dessau Foundation (Eds.)
Xanti Schawinsky
Vom Bauhaus in die Welt
From the Bauhaus into the World
Pages 128
Ills. 70 color
Format 28.0 × 21.5 cm
SC 978-3-422-07470-5 € 29.90
$ 34.99
£ 27.00
GERMAN/ENGLISH
OCTOBER 2020
Xanti Schawinsky (1904–1979) was a
master of improvisation – in the field
of stage design, as a photographer,
and as a creator of exhibition buildings
and large-scale photomontages.
His early works have remained nearly
undiscovered. New documents from
the estate facilitate an unobstructed
view of this protagonist of the Bauhaus
Dessau.
The publication focuses on Schawinsky’s
early work, his position as head
of the graphic design department of
the building authority in Magdeburg
starting in 1929, his designs for theater
stages in Zwickau, and the photomontages
that he created in cooperation
with Gropius for the German Building
Exhibition of 1931 and the Pennsylvania
Pavilion for the World Fair of 1939.
These works show Schawinsky to be
an innovative photographer and trailblazer
in modern design.
Annegret Laabs,
Kunstmuseum Kloster Unser Lieben
Frauen, Magdeburg
Torsten Blume,
Bauhaus Dessau Foundation

Felix Billeter, Maria Leitmeyer (Ed.)
Stürmische Zeiten
Eine Künstlerehe
in Briefen 1915–1943
Hans Purrmann und
Mathilde Vollmoeller-Purrmann
Edition Purrmann Briefe
Pages 256
Ills. 50 color
Format 21.0 × 13.5 cm
SC 978-3-422-98242-0 € 18.00
$ 20.99
£ 16.50
GERMAN
OCTOBER 2020
DEUTSCHER KUNSTVERLAG
Annotated selection of 100 letters from the
holdings of the Purrmann House in Speyer and
the Hans Purrmann Archive in Munich
With an essay by Karin Althaus, Lenbachhaus,
and texts by the editors Felix Billeter and
Maria Leitmeyer
21
The correspondence of Hans Purrmann
(1880–1966) and Mathilde
Vollmoeller-Purrmann (1876–1943),
an important painter couple of classical
modernism, provides fascinating
insights into the art world of the first
half of the twentieth century.
Following the volume Sehnsucht
nach dem Anderen (Longing for the
Other) about the years in Paris at the
Académie Matisse, which was published
in 2019, the second volume,
Stürmische Zeiten (Stormy Times),
continues the story of the artists’ marriage
in the years from 1915 to 1943.
While in Berlin, Langenargen, Rome,
and Flor ence, Hans Purrmann and
Mathilde Vollmoeller-Purrmann were
also firmly anchored in the artistic
avant-garde of Europe at this time,
with all its historical, artistic, and personal
upheavals.
Felix Billeter,
Hans Purrmann archive Munich
Maria Leitmeyer,
Purrmann-Haus Speyer
Already published
Felix Billeter, Maria
Leitmeyer (Eds.)
Sehnsucht nach dem
Anderen. Eine Künstlerehe
in Briefen 1909–1914
Pages 184
Ills. 50 color
Format 21.0 x 13.5 cm
SC 978-3-422-89286-6
€ 14,90
$ 17.99
£ 13.50
GERMAN
Hans Purrmann, portrait of Mathilde
Vollmoeller, 1924, oil on canvas, private
The Purrmann family visiting Pompeii,
ca. 1923, Hans Purrmann archive, Munich

Anna-Carola Krausse
Andere Horizonte
Ostdeutsche Nachkriegsmoderne im Schatten
des Sozialistischen Realismus
Pages 320
Ills. 300 color
Format 28.0 × 24.0 cm
HC 978-3-422-07483-5 € 34.90
$ 40.99
£ 31.50
DEUTSCHER KUNSTVERLAG
Anna-Carola Krausse
andere horizonte
Ostdeutsche Nachkriegsmoderne
im Schatten des Sozialistischen Realismus
GERMAN
NOVEMBER 2020
Multifacetted presentation of artists of the
early GDR, whose work defies the common
cliché of uniform state art
Unique visual material, with some works
published for the first time
Published in the anniversary year: thirty years
of reunification
22
Artists: Manfred Böttcher, Fritz Dähn,
Kate Diehn-Bitt, Achim Freyer, Wasja
Götze, Dieter Goltzsche, Erhard Hippold,
Hedwig Holtz-Sommer, Edmund
Kesting, Hans Kinder, Ulrich Knispel,
The richly illustrated publication
presents artists who were repeatedly
accused of “formalism” in the German
Democratic Republic (GDR) of the
1950s and 1960s. The presentation of
this early artistic opposition impressively
shows how purposefully and
self-confidently painters and graphic
artists clung to the autonomy of art
even in phases of rigid cultural policies,
and successively contributed
to expanding the artistic corset by
persistently testing out and boldly
overstepping narrow boundaries. The
presentation of representative pictures
by some thirty artists and the examination
of the genesis of exemplary
works facilitate a differentiated view
of the art of the early GDR, in which it
is not so much art policy, but instead
Hans Körnig, Siegfried Korth, Wilhelm
Lachnit, Roger Loewig, Carl Lohse,
Harald Metzkes, Otto Niemeyer-Holstein,
Georg Pütter, Hans Theo Richter,
Ernst Schroeder, Hanfried Schulz, Max
the artwork itself that is the subject
of interrogation and assessment.
Anna-Carola Krausse,
art historian and curator, Berlin
Schwimmer, Hans Vent, Herbert Wegehaupt,
Horst Zickelbein, Gerhard Altenbourg,
Kurt Bunge, Hans Christoph,
Heinrich Ehmsen, Hermann Glöckner,
Ernst Hassebrauk, Elisabeth Voigt
Horst Zickelbein, Liegender Akt, Darß, 1965, Gouache
and tempera on cardboard, 45,5 x 64,5 cm
Dieter Goltzsche, Strahlen, 1966, Watercolor on
paper, 21 x 29,7 cm
Roger Loewig, Untitled
(Leskowiak dreimal), 1957,
Gouache on paper, 91 x 95 cm

(Wieder-)Entdecken – Die Kunsthalle 1933 bis 1945 und die Folgen
(Wieder-)Entdecken
Die Kunsthalle 1933 bis 1945
und die Folgen
Johan Holten, Mathias Listl (Eds.)
(Wieder-)Entdecken –
Die Kunsthalle Mannheim
1933 bis 1945 und die
Folgen
Pages 120
Ills. numerous ills. in color
Format 28.0 x 20.5 cm
HC 978-3-422-98427-1 € 19.50
$ 22.90
£ 17.50
GERMAN
JUNE 2020
Insights into the fascinating investigations of
provenance research
Reconstruction of the modernist collection
of the Kunsthalle Mannheim destroyed by the
National Socialists
DEUTSCHER KUNSTVERLAG
Honoring the Jewish benefactors of the
Museum
23
On the occasion of the opening of the
new museum complex in 2018, the
Kunsthalle Mannheim occupied itself
intensively with the impacts of National
Socialism on the institution. A permanent
exhibition and catalogue shed
light on the complete loss of over
500 works due to the seizures of “degenerate
art” in 1937, but also on the
propaganda exhibition that was presented
in 1933, at the beginning of the
National Socialists’ smear campaigns
against the modern avant-garde. The
book also traces the life journeys of
five Jewish families from Mannheim,
who, despite flight and expulsion, still
remained connected with the museum
as benefactors after 1945. The complicated
search for art looted by the National
Socialists becomes comprehensible—and
also the museum’s efforts
to reveal the injustices committed and,
if possible, to right the wrongs.
Mathias Listl,
Kunsthalle Mannheim
Exhibition
Kunsthalle Mannheim
June 2nd, 2018 to October 4th (at least), 2020
Ernst Ludwig Kirchner, Gelbes Engelufer, Berlin, 1912

Defining tools reliably
Richly illustrated guide through the world of tools
DEUTSCHER KUNSTVERLAG
Gitta Böth, Manfred Hartmann,
Viktor Pröstler
Werkzeuge
Eine Typologie für Museen und Sammlungen
Volume 1: Axt; Feile, Raspel, Schaber; Hacke,
Haken, Harke, Haue
MuseumsBausteine 20, 1
Pages 144
Ills. numerous
Format 24.0 × 17.0 cm
SC 978-3-422-07477-4 € 14.90
$ 17.99
£ 13.50
GERMAN
JULY 2020
Tools are found in the collection holdings
of most museums of history and
culture. They reflect the work and
hand craft of past centuries. Defining
tools and their function always presents
a challenge as a result of their
diverse tasks or special uses.
This fully illustrated compendium
deals with three groups of tools, and
explains their use and history: axes
and hatchets; files, rasps, and scrapers;
and picks, hooks, rakes, and hoes.
The book thus proves to be an indispensable
resource for inventorying
collection objects and is sim ul tane ously
a knowledgeable compendium for
everyone who is interested in historical
and modern types and forms of hand
tools.
Gitta Böth, Manfred Hartmann, Viktor
Pröstler et. al.; ed. by Landesstelle für
die nichtstaatlichen Museen in Bayern,
LWL-Freilichtmuseum Hagen and
LWL-Museumsamt für Westfalen
24
THE handbook on temperature control – concise,
comprehensible, and practical
A practical manual on stabilizing climate
A guide for the correct use of temperature control
in day-to-day operations
Landesstelle für die nichtstaatlichen
Museen in Bayern (Ed.)
Temperierung
Ein Leitfaden für die Museumspraxis
MuseumsBausteine 21
Pages 96
Ills. 20 b/w, 16 color
Format 24.0 × 17.0 cm
SC 978-3-422-97994-9 € 19.90
$ 22.99
£ 18.00
GERMAN
JUNE 2020
Museums – which are often housed in
historical buildings – require a particular
climate: sensitive museum pieces
need special temperature and humidity
values, while visitors and personnel
are nonetheless supposed to feel
comfortable. This can be achieved
by means of temperature control, a
simple and effective method of heat
distribution. Its main characteristic is
the continuous heating of the shell of
the building.
The book clearly explains fundamental
aspects of interior climate and heating
and the nature of temperature control.
It provides practical tips on operation,
for instance, in the phase of finetuning,
on measuring climate, and on
installation and operating costs. Another
chapter deals with supplementary
building technology: ventilation,
humidification and dehumidification,
cooling and heating.
Ed. by Landesstelle für die nichtstaatlichen
Museen in Bayern

Rüstkammer
im Residenzschloss
Meisterwerke
rüstkammer
im residenzschloss
meisterwerke
Peter Plaßmeyer
Mathematisch-
Physikalischer Salon –
Masterpieces
Collection at the Zwinger, Staatliche Kunstsammlungen
Dresden
Pages 160
Ills. 30 b/w, 120 color
Format 25.5 × 21.0 cm
SC En 978-3-422-97987-1 € 22.00
SC Ger 978-3-422-07186-5 € 22.00
$ 17.99
£ 13.50
ENGLISH
IN PREPARATION
GERMAN
SUMMER 2020
Presentation of the collection of the oldest
museum in the world
DEUTSCHER KUNSTVERLAG
mathematisch-physiKalischer salon
staatliche
KunstsammlunGen
dresden
zwinger
im semperbau
meisterwerke
A first overview after the reopening in 2013
Milestones in the history of science and our
civilization
25
In 1728, Augustus II the Strong erected
the “Royal Cabinet of Mathematical
and Physical Instruments” in the Royal
Palace at the Zwinger in Dresden as
an independent museum that collected
tools and scientific instruments
for calculating the altitude of stars or
the next solar eclipse, or for aligning
cannons. Until today, the Salon houses
numerous showpieces from the world­
famous collection. It includes terrestrial
and celestial globes, fascinating
optical, astronomical, and geodesic
devices, and historical aids for calculating,
drawing, and measuring. The
new museum guide takes readers and/
or visitors through the large exhibition,
which reopened in 2013, documents
the sovereigns’ passion for collecting,
and shows laypeople and specialists
the foundations on which our world of
today is based.
Peter Plaßmeyer,
Director of the Mathematisch-Physikalischer
Salon, Staatliche Kunstsammlungen
Dresden
Other titles planned in the series
KURFÜRSTLICHE GARDEROBE
STAATLICHE
KUNSTSAMMLUNGEN
DRESDEN
Jutta Charlotte von Bloh
Kurfürstliche Garderobe –
Meisterwerke
Pages 200
Ills. 190 color
Format 25.5 × 21.0 cm
Jutta Charlotte von Bloh
Auf dem Weg zur Kurfürstenmacht –
Meisterwerke
Pages 180
Ills. 180 color
Format 25.5 × 21.0 cm
SC 978-3-422-98128-7
€ 22.00
$ 17.99
£ 13.50
GERMAN
IN PREPARATION
auf Dem Weg zur fürstenmacht
staatliche
Kunstsammlungen
DresDen
SC 978-3-422-98129-4
€ 22.00
$ 17.99
£ 13.50
GERMAN
IN PREPARATION

Italy in Potsdam
Have you ever noticed
how much from Italy
can be found in Potsdam?
ITALIEN IN POTSDAM
Approx. 52 pages
50 illustrations
SC € 5.95 [D]; $6.99; £5.50
ISBN 978-3-422-98424-0
MAY 2020
Frederick the Great was the first person
to want to give the small city on the
Havel River a more cosmopolitan spirit and
elegance and thus had numerous Italian
buildings and squares recreated there.
A Palace Barberini is found, namely, not only
on the Quirinal in Rome, but also on the
Alter Markt in Potsdam, an ancient round
temple not only in Tivoli, but also not far
from the Glienicke Bridge, and Roman Baths
are found near the Charlottenhof Palace.
The art guide accompanies you on a
stroll through Italian Potsdam, with more than thirty points of interest,
and takes you from large, magnificent squares to unique parks
and small, hidden details that first reveal their kinship to Italy at
second glance.
SCHLOSS SANSSOUCI
Print SC € 4.95 [D];
$5.99; £4.50
ISBN 978-3-422-04035-9
DAS MARMORPALAIS
IM NEUEN GARTEN
SC € 4.95 [D]; $5.99; £4.50
978-3-422-04034-2
SCHLOSS CECILIENHOF
SC € 5.95 [D]; $6.99; £5.50
978-3-422-98308-3

The Multicultural Modernism of
Winold Reiss (1886–1953)
(Trans)National Approaches to His
Work
Frank Mehring (Ed.)
2020. 336 pages 30.0 × 23.0 cm
320 color ills.
HC 978-3-422-98052-5 En
€ 29.90 / $ 34.99 / £ 27.00
Steven D. Lavine.
Failure is What It’s All About
A Life Devoted to Leadership
in the Arts
Jörn Jacob Rohwer
2020. 160 pages 16.0 × 22.0 cm
34 duplex ills.
HC 978-3-422-98155-3 Ger
€ 33.95 / $ 39.99 / £ 31.00
Der Tierbildhauer Josef Pallenberg
(1882–1946)
Martin Bartelmus, Stefan Schweizer
(Eds.), Stefan Curth
2020. 256 pages 28.0 × 22.0 cm
Numerous ills.
HC 978-3-422-97983-3 En/Ger
€ 34.90 / $ 40.99 / £ 31.50
Hans Baldung Grien
heilig | unheilig
Holger Jacob-Friesen (Ed.)
2019. 504 pages 30.0 × 24.0 cm
500 color ills.
HC 978-3-422-97981-9 Ger
€ 39.90 / $ 45.99 / £ 36.50
Carl Haag
Viktorianischer Hofmaler und reisender
Abenteurer zwischen Orient und
Okzident
Walter Karbach, Catherine Allison
2019. 328 pages 22.5 × 14.0 cm
26 b/w ills., 16 color ills.
HC 978-3-422-07481-1 Ger
€ 34.90 / $ 40.99 / £ 31.50
Hans Baldung Grien
Neue Perspektiven auf sein Werk
Holger Jacob-Friesen, Oliver Jehle
(Eds.)
2019. 320 pages 30.0 × 24.0 cm
260 color ills.
HC 978-3-422-97982-6 En/Ger
€ 29.90 / $ 34.99 / £ 27.00
Von Barbizon bis ans Meer
Carl Malchin und die Entdeckung
Mecklenburgs
Tobias Pfeifer-Helke, Staatliche
Schlösser, Gärten und Kunstsammlungen
Mecklenburg-Vorpommern (Ed.)
2019. 256 pages 30.0 × 24.0 cm
280 color ills.
HC 978-3-422-98028-0 Ger
€ 29.90 / $ 34.99 / £ 27.00
Die Kunst der Interpretation
Rubens und die Druckgraphik
Hans Jakob Meier
2019. 424 pages 32.0 × 22.5 cm
half-cloth bound
9 b/w ills., 732 color ills.
HC 978-3-422-98064-8 Ger
€ 98.00 / $ 112.99 / £ 89.00
herman de vries, all all all – Werke
1957–2019.
Gerhard-Altenbourg-Preis 2019.
Roland Krischke, Lindenau-Museum
Altenburg (Ed.), Laura Rosengarten
2019. 160 pages 30.5 × 24.0 cm
100 color ills.
HC 978-3-422-98125-6 Ger
€ 39.90 / $ 45.99 / £ 36.50
DEUTSCHER KUNSTVERLAG
27
Emy Roeder. Bildhauerin und
Zeichnerin
Das Kosmische allen Seins
Henrike Holsing, Marlene Lauter (Eds.)
2018. 248 pages 28.0 × 23.0 cm
190 color ills.
HC 978-3-422-07490-3 Ger
€ 24.90 / $ 28.99 / £ 22.50
Walter Leistikow − Briefe von 1889
bis 1908
Erschlossen und kommentiert von
Sabine Meister. Mit zwei Essays
Margrit Bröhan (Ed.), Sabine Meister
2018. 192 pages 24.0 × 21.6 cm
21 b/w ills.
HC 978-3-422-07484-2 Ger
€ 24.90 / $ 28.99 / £ 22.50
Lotte Laserstein
Meine einzige Wirklichkeit
Anna-Carola Krausse
2018. 248 pages 28.0 × 23.0 cm
72 b/w ills., 92 color ills.
HC 978-3-422-07454-5 Ger
€ 29.90 / $ 34.99 / £ 27.00
Sep Ruf 1908–1982
Irene Meissner
2nd edition
2018. 512 pages 28.0 × 21.0 cm
382 b/w ills., 132 color ills.
HC 978-3-422-07494-1 Ger
€ 49.90 / $ 57.99 / £ 45.50
Philipp Hainhofer
Handeln mit Kunst und Politik
Michael Wenzel
2020. 456 pages 28.0 × 21.0 cm
91 b/w ills., 99 color ills.
HC 978-3-422-98073-0 Ger
€ 98.00 / $ 112.99 / £ 89.00
Kunstschätze der Zaren
Meisterwerke aus Schloss Peterhof
Christof Trepesch, Kunstsammlungen
und Museen Augsburg (Ed.)
2019. 288 pages 28.0 × 24.0 cm
321 color ills.
HC 978-3-422-98193-5 Ger
€ 29.90 / $ 34.99 / £ 27.00
Artistische Wanderer
Die Künstler(e)migranten der Französischen
Revolution
Gerrit Walczak
2019. 448 pages 24.0 × 17.0 cm
148 b/w ills., 18 color ills.
SC 978-3-422-98120-1 Ger
€ 48.00 / $ 55.99 / £ 43.50
Piranesi und sein Museum / Piranesi
and his Museum
Die Restaurierung der Antike und
die Entstehung des Style Empire
in einer sich globalisierenden Welt
/ The restoration of antiquity and
the genesis of the empire style in a
globalizing world
Zentralinstitut für Kunstgeschichte
(Ed.), Caroline van Eck
2019. 144 pages 21.0 × 12.5 cm
25 color ills.
Treue Freunde
Hunde und Menschen
Frank Matthias Kammel, Bayerisches
Nationalmuseum (Ed.)
2019. 320 pages 27.0 × 21.0 cm
265 color ills.
SC 978-3-422-98108-9 Ger
€ 29.95 / $ 34.99 / £ 27.00
SC 978-3-422-90000-4 En/Ger
€ 14.90 / $ 17.99 / £ 13.50

Johann Gottlob von Quandt
(1787−1859)
Kunst fördern und ausstellen
Andreas Rüfenacht, Schweizerischer
Nationalfonds (SNF)
2019. 288 pages 28.0 × 21.0 cm
5 b/w ills., 140 color ills.
HC 978-3-422-96683-3 Ger
€ 52.00 / $ 59.99 / £ 47.50
Königliche Geschenke
Die Porzellane der Berliner Manufaktur
am mecklenburgischen Hof
Antje Marthe Fischer, Staatliches
Museum Schwerin (Ed.)
2019. 136 pages 27.0 × 21.0 cm
80 color ills.
SC 978-3-422-98149-2 Ger
€ 19.95 / $ 22.99 / £ 18.00
Lehrer Rembrandt – Lehrer Sumowski
Achim Riether (Ed.)
2019. 136 pages 23.0 × 17.0 cm
8 b/w ills., 80 color ills.
HC 978-3-422-98060-0 Ger
€ 24.95 / $ 28.99 / £ 22.50
E-Book
978-3-422-98145-4 Ger
DEUTSCHER KUNSTVERLAG
Echters Werte
Zur Bedeutung der nachgotischen
Baukultur um 1600 unter Fürstbischof
Julius Echter von Mespelbrunn
Stefan Bürger, Iris Palzer (Eds.)
2019. 224 pages 24.0 × 17.0 cm
80 b/w ills.
SC 978-3-422-96901-8 Ger
€ 24.90 / $ 28.99 / £ 22.50
Valenciennes' Ratgeber für den
reisenden Landschaftsmaler
Zirkulierendes Künstlerwissen um
1800
Claudia Denk (Ed.)
2019. 280 pages 24.0 × 17.0 cm
70 b/w ills.
Maximilianus
Die Kunst des Kaisers
Lukas Madersbacher, Erwin Pokorny
(Eds.)
2019. 350 pages 24.5 × 28.0 cm
numerous illustrations
HC 978-3-422-98038-9 Ger
€ 34.95 / $ 40.99 / £ 32.00
Das inszenierte Meisterwerk
Alexandra Enzensberger
2019. 320 pages 26.0 × 19.5 cm
94 b/w ills., 73 color ills.
HC 978-3-422-96536-2 Ger
€ 48.00 / $ 55.99 / £ 43.50
Das erweiterte Museum
Medien, Technologien und Internet
Regina Franken-Wendelstorf, Sybille
Greisinger, Christian Gries, Astrid
Pellengahr (Eds.)
2019. 160 pages 24.0 × 17.0 cm
58 color ills., 1 monochrome drawings
SC 978-3-422-07436-1 Ger
€ 19.90 / $ 22.99 / £ 18.00
E-Book
978-3-422-98101-0 Ger
Licht und Leinwand
Fotografie und Malerei im 19.
Jahrhundert
Leonie Beiersdorf, G. Ulrich Großmann,
Pia Müller-Tamm (Eds.)
2019. 288 pages 30.0 × 24.0 cm
236 color ills.
SC 978-3-422-97991-8 Ger
€ 49.90 / $ 57.99 / £ 45.50
SC 978-3-422-97984-0 Ger
€ 32.00 / $ 36.99 / £ 29.00
28
Herbert von Einem
Erinnerungen
Roland Kanz (Ed.), Thomas W.
Gaehtgens
2020. 120 pages 21.5 × 13.5 cm
9 b/w ills.
SC 978-3-422-98172-0 Ger
€ 14.90 / $ 17.99 / £ 13.50
Alltag als Exemplum
Religiöse und profane Deutungsmuster
der frühen Genrekunst
Jürgen Müller, Sandra Kaden, Stefano
Rinaldi (Eds)
2020. 176 pages 30.0 × 23.0 cm
120 b/w ills.
HC 978-3-422-07453-8 Ger
€ 34.90 / $ 40.99 / £ 31.50
Zwischen “exemplum” und “opus
absolutum”
Studien zum Abzeichnen im italienischen
Tre- und Quattrocento
zwischen Mustertransfer und Kopie
Marion Heisterberg
2020. 608 pages 24.0 × 17.0 cm
324 b/w ills., 84 color ills.
SC 978-3-422-98123-2 Ger
€ 94.00 / $ 108.99 / £ 85.50
Parlare dell'arte nel Trecento
Kunstgeschichten und Kunstgespräch
im 14. Jahrhundert in Italien
Lisa Jordan, Annette Hoffmann, Gerhard
Wolf (Eds.)
2020. 288 pages 24.0 × 17.0 cm
39 b/w ills., 16 color ills.
SC 978-3-422-98051-8 En/Ger/It
€ 48.00 / $ 55.99 / £ 43.50
Projektionen
Der Platz als Bildthema
Stephanie Hanke, Brigitte Sölch (Eds.)
2019. 272 pages 24.0 × 17.0 cm
80 b/w ills., 33 color ills.
HC 978-3-422-98135-5 En/Ger/It
€ 48.00 / $ 55.99 / £ 43.50
Rahmenbilder
Konfigurationen der Verehrung im
frühneuzeitlichen Italien
Isabella Augart
2018. 352 pages 24.0 × 17.0 cm
107 b/w ills., 10 color ills., 2 monochrome
maps
SC 978-3-422-07486-6 Ger
€ 48.00 / $ 55.99 / £ 43.50
Platz-Architekturen
Kontinuität und Wandel öffentlicher
Stadträume vom 19. Jahrhundert bis in
die Gegenwart
Elmar Kossel, Brigitte Sölch (Eds.),
Claudia Tittel, Klaus Jan Philipp,
Magdalena Nieslony, Felix Schmuck,
Ole W. Fischer, Leonie Beiersdorf,
Ulrich Knufinke
2018. 384 pages 24.0 × 17.0 cm
242 b/w ills.
Victor Burgin
Gradiva
Eva Schmidt, Joseph Imorde (Eds.),
Alexander Streitberger
2019. 90 pages 20.0 × 13.0 cm
12 b/w ills.
SC 978-3-422-98057-0 Ger
€ 19.80 / $ 22.99 / £ 18.00
Das Museum im Buch
Paolo Giovios Elogia und die Porträtsammelwerke
des 16. Jahrhunderts
Lea Hagedorn
2020. 367 pages 24.0 × 17.0 cm
140 b/w ills., 14 color ills.
SC 978-3-422-98122-5 Ger
€ 48.00 / $ 55.99 / £ 43.50
HC 978-3-422-07457-6 En/Ger/Multi
€ 48.00 / $ 55.99 / £ 43.50

Raumerzählung
Narration und räumliche Disposition
hagiographischer Bilderzyklen des
Tre- und Quattrocento
Hanna Christine Jacobs
2019. 480 pages 28.0 × 21.0 cm
257 b/w ills., 99 color ills.
HC 978-3-422-07491-0 Ger
€ 98.00 / $ 112.99 / £ 89.00
Camillo Rusconi
Ein Bildhauer des Spätbarock in Rom
Birgit Laschke-Hubert, Stefan Nehlig
(Eds.), Frank Martin
2018. 400 pages 28.0 × 21.0 cm
255 b/w ills.
HC 978-3-422-07485-9 Ger
€ 78.00 / $ 89.99 / £ 71.00
Glanzlichter der Raimundsreuter
Hinterglasmalerei
Eine Bilddokumentation
Wolfgang Steiner
2018. 352 pages 31.5 × 24.0 cm
335 color ills.
HC 978-3-422-91317-2 Ger
€ 68.00 / $ 78.99 / £ 62.00
Hafnergeschirr aus Altbayern
Bayerisches Nationalmuseum (Ed.)
2018. 624 pages 25.0 × 17.0 cm
651 color ills.
HC 978-3-422-07461-3 Ger
€ 58.00 / $ 66.99 / £ 52.50
Planen und Bauen im Grenzraum
Klaus Tragbar, Volker Ziegler (Eds.)
2019. 215 pages 24.5 × 17.4 cm
86 b/w ills., 45 color ills.
SC 978-3-422-98018-1 En/Ger
€ 39.90 / $ 45.99 / £ 36.50
Bildnis – Maske – Galanterie
Das portrait historié zwischen Grand
Siècle und Zeitalter der Aufklärung
Marlen Schneider
2018. 272 pages 24.0 × 17.0 cm
86 b/w ills., 16 color ills.
SC 978-3-422-07487-3 Ger
€ 38.00 / $ 36.99 / £ 29.00
Neues Bauen Neues Leben
Die 20er Jahre in Magdeburg
Christian Antz, Christian Gries,
Ute Maasberg, Regina Prinz (Eds.)
2018. 252 pages 28.0 × 21.0 cm
175 b/w ills., 14 color ills.
SC 978-3-422-92628-8 Ger
€ 29.90 / $ 34.99 / £ 27.00
Von allen Seiten anders
Die akademische Aktstudie 1650–1850
Susanne Müller-Bechtel
2018. 520 pages 28.0 × 21.0 cm
Numerous ills.
HC 978-3-422-07422-4 Ger
€ 98.00 / $ 112.99 / £ 89.00
Ruf des Progressiven
Jugendstil und Symbolismus im
Museum Wiesbaden
Peter Forster, Museum Wiesbaden
(Ed.)
2019. 336 pages 30.0 × 24.0 cm
225 color ills.
HC 978-3-422-98137-9 Ger
€ 29.90 / $ 34.99 / £ 27.00
DEUTSCHER KUNSTVERLAG
29
Radikal schön – Jugendstil und
Symbolismus
Die Sammlung Ferdinand Wolfgang
Neess
Peter Forster, Sabine Panchaud,
Museum Wiesbaden (Eds.)
2019. 608 pages 30.0 × 24.0 cm
Numerous ills.
HC 978-3-422-98049-5 Ger
€ 49.95 / $ 57.99 / £ 45.50
Einblattholzschnitte des 15. Jahrhunderts
Staatliche Graphische Sammlung
München (Ed.), Achim Riether
2019. 560 pages 29.0 × 23.0 cm
600 color ills.
HC 978-3-422-97985-7 Ger
€ 58.00 / $ 66.99 / £ 52.50
Biografien der Bilder
Provenienzen im Museum Berggruen
Petra Winter, Doris Kachel, Sven Haase
(Eds.)
2019. 224 pages 27.0 × 21.0 cm
26 b/w ills., 251 color ills.
SC 978-3-422-07482-8 Ger
€ 29.00 / $ 33.99 / £ 26.50
Franz von Pocci
Phantasie und Spott
Max Oppel, Andreas Strobl
2019. 128 pages 24.0 × 17.0 cm
85 color ills.
SC 978-3-422-92200-6 Ger
€ 19.90 / $ 22.99 / £ 18.00
Grande Decorazione
Italienische Monumentalmalerei in der
Druckgraphik
Staatliche Graphische Sammlung
München (Ed.), Kurt Zeitler
2018. 352 pages 30.0 × 24.0 cm
230 color ills.
HC 978-3-422-07489-7 Ger
€ 58.00 / $ 66.99 / £ 52.50
Florentiner Malerei
Alte Pinakothek. Die Gemälde des
14. bis 16. Jahrhunderts
Andreas Schumacher, Annette Kranz,
Annette Hojer (Eds.)
2017. 744 pages 28.5 × 23.5 cm
Numerous ills.
HC 978-3-422-07413-2 Ger
€ 78.00 / $ 89.99 / £ 71.00
Dolche und Schwerter
Erkennen. Bestimmen. Beschreiben
Ulrike Weller
2020. 312 pages 24.0 × 17.0 cm
360 b/w ills., 100 color ills.
SC 978-3-422-97992-5 Ger
€ 19.90 / $ 22.99 / £ 18.00
Fibeln
Erkennen. Bestimmen. Beschreiben
Landesstelle für die nichtstaatlichen
Museen in Bayern, Archäologisches
Landesmuseum Konstanz et al. (Eds.),
Ronald Heynowski
3rd edition
2019. 168 pages 24.0 × 17.0 cm
260 b/w ills., 55 color ills.
Äxte und Beile
Erkennen. Bestimmen. Beschreiben
Ulrike Weller
2018. 112 pages 24.0 × 17.0 cm
Numerous ills.
SC 978-3-422-07243-5 Ger
€ 19.90 / $ 22.99 / £ 18.00
SC 978-3-422-98098-3 Ger
€ 19.90 / $ 22.99 / £ 18.00

INDEX OF AUTHORS AND EDITORS
A
Allison, Catherine 27
Antz, Christian 29
Archäologisches Landesmuseum
Konstanz 29
Arnhold, Herrmann 5
Augart, Isabella 28
B
Bartelmus, Martin 27
Bayerisches Nationalmuseum 27, 29
Beiersdorf, Leonie 28
Billeter, Felix 21
Bloh, Jutta Charlotte von 25
Blume, Torsten 20
Boeck, Urs 16
Böth, Gitta 24
Bröhan, Margrit 27
Bürger, Stefan 28
C
Curth, Stefan 27
D
Denk, Claudia 28
Diefenthaler, Sandra-Kristin 17
Duhem, Sandra 20
E
Eck, Caroline van 27
Enzensberger, Alexandra 28
F
Fischer, Antje Marthe 28
Fischer, Ole W. 28
Forster, Peter 18, 29
Franken-Wendelstorf, Regina 28
G
Gaehtgens, Thomas W. 28
Gąsior, Agnieszka 11
Greisinger, Sybille 28
Gries, Christian 28, 29
Gronert, Tim D. 14
Großmann, G. Ulrich 28
H
Haase, Sven 29
Hagedorn, Lea 28
Hanke, Stephanie 28
Hartmann, Manfred 24
Heisterberg, Marion 28
Hellwig, Barbara 16
Hellwig, Friedemann 16
Heynowski, Ronald 29
Hoffmann, Annette 28
Hojer, Annette 29
Holler, Theresa 17
Holsing, Henrike 27
Holten, Johan 23
I
Imorde, Joseph 27
J
Jacob-Friesen, Holger 27
Jacobs, Hanna Christine 29
Jehle, Oliver 27
Jordan, Lisa 28
K
Kachel, Doris 29
Kaden, Sandra 28
Kammel, Frank Matthias 27
Kanz, Roland 28
Karbach, Walter 27
Knufinke, Ulrich 28
Kossel, Elmar 28
Krämer, Rebecca 18
Kranz, Annette 29
Krausse, Anna-Carola 22, 27
Kreutzer, Tanja 15
Krischke, Roland 27
Kunstmuseum Magdeburg 20
L
Laabs, Annegret 20
Landesstelle für die nichtstaatlichen
Museen in Bayern 24, 29
Landschaftsverband
Westfalen-Lippe (LWL) 5
Laschke-Hubert, Birgit 29
Lauter, Marlene 27
Leitmeyer, Maria 21
Lindenau-Museum Altenburg 27
Listl, Mathias 23
M
Maasberg, Ute 29
Madersbacher, Lukas 28
Martin, Frank 29
Mehring, Frank 27
Meier, Hans Jakob 27
Meissner, Irene 27
Meister, Sabine 27
Monrad Møller, Marie-Louise 19
Müller-Bechtel, Susanne 29
Müller-Tamm, Pia 28
Müller, Jürgen 28
Murr, Karl Borromäus 15
Museum Wiesbaden 18, 29
N
Nehlig , Stefan 29
Nieslony, Magdalena 28
Nolde Stiftung Seebüll 7
O
Oppel, Max 29
P
Palzer, Iris 28
Panchaud, Sabine 29
Pellengahr, Astrid 28
Pfeifer-Helke, Tobias 27
Philipp, Klaus Jan 28
Plaßmeyer, Peter 25
Pokorny, Erwin 28
Prinz, Regina 29
Pröstler, Viktor 24
R
Riether, Achim 28, 29
Rinaldi, Stefano 28
Rohwer, Jörn Jacob 27
Rosengarten, Laura 27
Rowley, Neville 9
Rüfenacht, Andreas 28
S
Schmidt, Eva 27
Schmuck, Felix 28
Schneider, Marlen 29
Schumacher, Andreas 29
Schweizer, Stefan 27
Schweizerischer Nationalfonds (SNF) 28
Sölch, Brigitte 28
Staatl. Textil- und Industriemuseum
Augsburg 15
Staatliche Graphische Sammlung
München 29
Staatliche Schlösser, Gärten und
Kunstsammlungen Mecklenburg-
Vorpommern 27
Staatliches Museum Schwerin 28
Steiner, Wolfgang 29
Stiftung Bauhaus Dessau 20
Streitberger, Alexander 27
Strobl, Andreas 29
T
Tittel, Claudia 28
Tragbar, Klaus 29
Trepesch, Christof 27
V
Vereinigung der Landesdenkmal pfleger 13
Völlnagel, Jörg 9
W
Walczak, Gerrit 27
Weiss, Judith Elisabeth 19
Weller, Ulrike 29
Wenzel, Michael 27
Winter, Petra 29
Winzeler, Marius 11
Woesthoff, Indina 7
Wolf, Gerhard 28
Z
Zeitler, Kurt 29
Ziegler, Volker 29
Zentralinstitut für Kunstgeschichte 27
IMAGE CREDITS
Cover: Agnolo di Donnino del Mazziere,
Portrait of a Young Woman, 1485–1490,
Staatliche Museen zu Berlin, Gemäldegalerie
(cat. 16), Photo: Jörg P. Anders;
4: © KHM-Museumsverband; 5 at the top:
© Bayerisches Nationalmuseum München,
Photo: Bastian Krack; 5 bottom: © Martha
Rosler, Courtesy: the artist and Galerie
Nagel Draxler Berlin/Cologne/Munich;
6/7: all: © Nolde Stiftung Seebüll/photo:
Dirk Dunkelberg, Berlin; 8: © The Warburg
Institute, London; 10 above: photo Jan
Mehlich; 10 below: National Gallery, Prague,
Inv.-Nr. O 560; 11: Kunsthistorisches
Museum, Kunstkammer, Wien, Inv.-Nr. 1871;
13 left: © Heiner Leiska; 13 right:
© Werner Streitberger, TLDA Erfurt;
15 left: Cat. p. 128/129; 15 right: Cat.
p. 190/191; 21 left: © VG Bild-Kunst;
21 right: Hans Purrmann archive Munich;
22 left: © Wolfgang Schönborn, Berlin;
22 middle: © Herbert Boswank, Dresden;
22 right: © Roger Loewig Gesellschaft,
Berlin; 23: © Kunsthalle Mannheim,
Bildarchiv.