Preview Fall 2023 English

KUNST

FRÜHJAHR 2021

ART

FALL 2023

PUBLISHER

CONTACT

Deutscher Kunstverlag

Lützowstraße 33

10785 Berlin

T +49 (0)30 279076 0

F +49 (0)30 279076 11

deutscherkunstverlag.de

De Gruyter

Neumarkter Straße 28

81673 München

T +49 (0)89 76902 0

F +49 (0)89 76902 491

degruyter.com

Dr. Katja Richter

Editorial Director

T +49 (0)89 769 023 13

richter@deutscherkunstverlag.de

katja.richter@degruyter.com

Kathleen Herfurth

Acquisitions Editor Deutscher Kunstverlag

T +49 (0)30 279 076 61

herfurth@deutscherkunstverlag.de

Dr. Pablo Schneider

Acquisitions Editor Deutscher Kunstverlag

T +49 (0)30 260 054 50

schneider@deutscherkunstverlag.de

Dr. Anja Weisenseel

Acquisitions Editor De Gruyter / Deutscher Kunstverlag

T +49 (0)89 769 023 88

weisenseel@deutscherkunstverlag.de

anja.weisenseel@degruyter.com

Luzie Diekmann

Editor – Art Guides Deutscher Kunstverlag

M +49 (0)173 385 291 7

diekmann@deutscherkunstverlag.de

Katharina Holas

Editor – De Gruyter Edition Angewandte

T +43 (0)1 353 600 031

katharina.holas@birkhauser.ch

Nicole Schwarz

Management Press and Marketing

M +49 (0)174 584 501 7

nicole.schwarz@degruyter.com

Max Dornemann

Press and Marketing

T +49 (0)30 260 051 63

max.dornemann@degruyter.com

Kevin Schneider

Press and Marketing

T +49 (0)30 260 053 70

kevin.schneider@degruyter.com

Dear Friends and Readers,

This autumn, we are again presenting an exciting program

with high-quality exhibition catalogues, historically significant

anniversary publications, current academic studies,

and new art guides. Join us in discovering the Spanish

painter Ignacio Zuloaga or the highlights of the Eva Felten

photography collection and celebrating 250 years of the

Kunstakademie Düsseldorf and 300 years of the Belvedere

in Vienna. Immerse yourself in current debates on the

authenticity of digital images and Michelangelo criticism

in the Early Modern Period, or travel with our exhibition

guide to the Dresden Armory, one of the world's most

magnificent costume collections. Speaking of travel, there

is now a new offer to help you on your way: Finally, the

Dehio, Handbuch der deutschen Kunstdenkmäler, is available

as an ebook, as a “Germany Set” or as individual volumes

for your digital hand luggage.

I hope you enjoy discovering these and many other exciting

titles in our preview.

Katja Richter

Editorial Director Arts

CONTENTS

Matisse, Derain and Friends. Paris Avant-Garde 1904–1908 4

Mythos Spanien. Ignacio Zuloaga 1870–1945 6

Rudolf Levy. Magier der Farbe 8

Michael Müller & Lukas Töpfer. Am Abgrund der Bilder – „Birkenau“ 11

Hoover Hager Lassnig 12

Die Kunstakademie Düsseldorf 1773–2023. Kunstgeschichte einer Institution 14

The Belvedere: 300 Years a Venue for Art 16

This is Me, This is You. The Eva Felten Photography Collection 18

Kunstfiguren. Ästhetische Strategien und performative Praktiken von künstlerisch gestalteten Identitäten 22

New Media in Art History. Tensions, Exchanges, Situations 23

Louisa Clement. human error 24

Ruth Schnell – WORKBOOK. Mirrors of the Unseen 25

Doors to Hidden Worlds. The Power of Visualization in Science, Media, and Art 26

Fiction Fiction. Language Arts and the Practice of Spatial Storytelling 27

Baldwin & Guggisberg. Dans la labyrinthe: Un voyage liminal 28

Glass in Architecture from the Pre- to the Post-industrial Era. Production, Use and Conservation 29

Leben machen. Die Zoëpolitik der synthetischen Biologie 30

Bilder unter Verdacht. Praktiken der Bildforensik 31

Hans Haacke und Pierre Huyghe. Non-Human Living Sculptures seit den 1960er-Jahren 32

Allan Kaprows Activities. Intimität und Sozialität der Kunst der 1970er-Jahre 33

Bildersammlungen als Denkmaterial. Materialismus und Kunsttheorie (1900 – 1960) 34

Objects and Organisms. Vivification – Reification – Transformation 35

Kunstraub für den Sozialismus. Zur rechtlichen Beurteilung von Kulturgutentziehungen in SBZ und DDR 36

Gerecht und fair? Die Empfehlungspraxis des österreichischen Kunstrückgabebeirats im Lichte der Washingtoner

Prinzipien 37

International Yearbook of Futurism Studies 38

Vorträge aus dem Warburg-Haus 39

Jugendstil in Berlin 40

Emil Orlik. Das druckgraphische Werk 41

Symphonie in Schwarz. Eine Spurensuche zwischen Lebensreform, Frauenbewegung und Bohème 42

Tracing Wiener Werkstätte Textiles. Viennese Textiles from the Cotsen Textile Traces Study Collection 43

Säkularisation und Kunst in Köln. Die Entdeckung und Rettung der Tafelbilder der Alten Meister

und ihre frühen Sammler 44

École de Paris global. Die Erfindung von Paris als Kunstzentrum in internationalen Ausstellungen

zwischen 1921 und 1946 45

Das Bild der Herrscherin. Franz Xaver Winterhalter und die Gattungspolitik des Porträts im 19. Jahrhundert 46

Taking the Alhambra to St. Petersburg. Neo-Moorish Russian Architecture and Interiors 1830–1917 47

Im Wandel der Zeit. Die Darstellung der Vier Jahreszeiten in der bildenden Kunst des 18. und

frühen 19. Jahrhunderts 48

Tischbein im Kontext. Ausstattungsprogramme für die Landgrafen von Hessen-Kassel 49

Grenzgänger. Figuren des deutsch-französischen Kulturtransfers 50

Networks and Practices of Connoisseurship in the Global Eighteenth Century 51

Romantische Thermodynamik. Dichtung, Natur und die Verwandlung der Kräfte 1770–1830 52

Das prächtige Rathaus der Stadt Augsburg. Salomon Kleiners Originalzeichnungen aus den

Jahren 1727/28 in der Staats- und Stadtbibliothek Augsburg für die Edition der Kupferstichfolge

des Augsburger Rathauses 53

Das Werk im Zentrum. Kunstgeschichte mit Objekten aus dem Städel Museum und der Liebieghaus

Skulpturensammlung. Festschrift für Jochen Sander zum 65. Geburtstag 54

Zeichnungssammlungen in Wien und Mitteleuropa. Akteure – Praktiken – Rahmendiskurse 55

Die Freiheit der Linie. Callot, Della Bella, Castiglione und die Radierung im 17. Jahrhundert 56

Die verlorene Spur. Ästhetische Reflexionen zur Schraffur in der Vormoderne 58

Restoration as Fabrication of Origins. A Material and Political History of Italian Renaissance Art 59

Bad und Akt. Studien zu Badedarstellungen der Frühen Neuzeit 60

Gegen Michelangelo. Die Bildparodie in der nord- und mittelitaliensichen Kunst des Cinquecento 61

Bramantes Pergamentplan. Eine Architekturzeichnung im Kontext wissenschaftlicher Kontroversen 62

Bilder der Alterität – Alterität der Bilder. Zum transkulturellen Potenzial von Bildern

in Übersetzungsprozessen zwischen Neuspanien und Europa im 16. Jahrhundert 63

Zur Intermaterialität geschnitzter Kästen aus Holz.

Die Imitation von Elfenbein, Seide und Gold im Hoch- und Spätmittelalter 64

The Nietzsche Archive 66

The Electoral Wardrobe. Guide to the Dresden Rüstkammer 67

Paulskirche 68

Burgruine Henneberg in Südthüringen 69

Arm- und Beinringe. Erkennen. Bestimmen. Beschreiben. 70

Garden and Metaphor. Essays on the Essence of the Garden 71

BACKLIST

Ausgewählte Titel 73

Arthur Fink, Claudine Grammont,

Josef Helfenstein (Eds.)

Matisse, Derain and

Friends

Paris Avant-Garde 1904–1908

Pages 352

Ills. 200 color

Format 28.5 × 21.5 cm

HC 978-3-422-80119-6 En ca. € 58.00

ca. $ 63.99

ca. £ 50.50

ENGLISH

SEPTEMBER 2023

DEUTSCHER KUNSTVERLAG

Fauvism – the first avantgarde movement of

the 20th century

Brilliant colour experiments in a break with

academic conventions

4

Exhibition

Kunstmuseum Basel, New building

September 2, 2023 to January 2, 2024

9 783422 801196

At the beginning of the 20th century,

a group of artists around Henri Matisse

and André Derain were carrying out

revolutionary colour experiments. The

art critic Louis Vauxcelles gave them

their name in 1905: the “Fauves”.

Translated into English, this means

something like “beasts” or “wild animals”.

This catalogue is being published

for the first survey exhibition on

the Fauves staged in Switzerland for

decades. It presents the expressive

painting style and unusual colour combinations

employed by Matisse, Derain

and their companions in the years

1904 to 1908, situating them in the

aesthetic and socio-political debates

of that time. The male connotation of

the term Fauves already suggests the

exclusion of women artists on a conceptual

level. The exhibition and catalogue

challenge this traditional view

and draw attention to female protagonists

on the Paris art scene. Richly

illustrated and supplemented by new

art-historical research contributions,

the publication offers an insight into

the diversity of the colourful painting

by the “beasts”.

With contributions by

Elena Degen, Arthur Fink, Claudine

Grammont, Josef Helfenstein,

Gabrielle Houbre, Béatrice Joyeux-

Prunel, Peter Kropmanns, Maureen

Murphy, Pascal Rousseau

5

Roger Diederen, Nerina Santorius,

Carlos Alonso Pérez-Fajardo (Eds.)

Mythos Spanien

Ignacio Zuloaga

1870–1945

Pages 224

Ills. 168 color

Format 29.0 × 24.0 cm

HC 978-3-422-80094-6 Ger ca. € 48.00

ca. $ 55.99

ca. £ 41.50

GERMAN

SEPTEMBER 2023


Preliminary cover

Catalogue for the first posthumous

exhibition on Ignacio Zuloaga outside Spain

- the formative artist of Spain’s image abroad

around 1900

6

Exhibition

Kunsthalle München

September 15, 2023 to February 4, 2024

Bucerius Kunst Forum Hamburg

February 17 to May 26, 2024

9 783422 800946

Few other artists have shaped the

image of Spain abroad around 1900 as

much as Ignacio Zuloaga (1870-1945):

proud toreros and spirited flamenco

dancers; the simple life of the rural

population, ascetics and penitents in

vast, barren landscapes, and beggars,

diminutive people and witches who

invoke the legacy of old masters such

as Diego Velázquez and Francisco de

Goya. In times of massive industrialisation

and Spain’s increasing orientation

towards European modernism, Zuloaga

aimed to preserve the “Spanish

soul” with such scenes. The artist’s

painting was celebrated internationally

during his lifetime. This volume is the

first comprehensive monographic

publication on the artist to appear in

German.


Carlos Alonso Pérez-Fajardo, Katrin

Dyballa, Charlotte Ewers, Ralf Junkerjürgen,

Mikel Lertxundi Galiana, Helena

Pereña, Nerina Santorius, Johanna

Schumm, Birgit Thiemann

7

Steffen Egle, Sören Fischer,

Annette Reich (Eds.)

Rudolf Levy

Magier der Farbe

Pages 320

Ills. 200 color

Format 27.0 × 22.0 cm

HC 978-3-422-80166-0 Ger ca. € 44.00

ca. $ 48.99

ca. £ 38.50

GERMAN

NOVEMBER 2023


Rediscovery of a great classic of modernism

to mark a first retrospective in Germany –

Project in international cooperation with the

Uffizi Gallery in Florence

Standard work on Rudolf Levy in German

Including a contemporary art and text

contribution by Edmund de Waal

8

Exhibition

Museum Pfalzgalerie Kaiserslautern

October 28, 2023 to February 11, 2024

(Under the patronage of Federal President Frank-Walter Steinmeier)

9 783422 801660

Painter Rudolf Levy (1875-1944) was a

central figure in the Munich and Paris

avant-gardes, and enjoyed great success

with his colourful portraits, landscapes

and still lifes in Berlin during

the 1920s, including in the legendary

Flechtheim Gallery. When the National

Socialists seized power, this brought

his career to an abrupt end. After an

odyssey of flight, Levy was able to

settle in Florence, where his work

reached a final impressive climax before

his deportation and murder in

Auschwitz concentration camp.

The Pfalzgalerie Kaiserslautern is the

first German exhibition house to dedicate

a retrospective to the work and

life of Rudolf Levy. The catalogue

opens the perspective on an artist of

European standing whose rich pictorial

world can be rediscovered again

and again. Contributions by renowned

authors shed light on Levy’s fate as a

persecuted artist and as a persecuted

Jew, on the artistic kaleidoscope of his

time, his years in exile in Florence, and

the reception and re-canonisation of

his art in the young Federal Republic.


Felix Billeter, Brigitte Bruns, Steffen

Egle, Sören Fischer, Vanessa Gavioli,

Carlo Gentile, Kristina Hoge, Julie Kennedy,

Philipp Kuhn, Patricia Nünning,

Annette Reich, Susanne Thesing, Eike

Schmidt, Julia Voss

9

REDISCOVERED!

Inge Herold, Johan Holten (Eds.)

Hanna Nagel

2022. 216 pages

29 b+w and 195 color illustrations

27.0 × 22.5 cm

HC

German / English Edition

€ 42.00 / US$ 48.99 / £ 36.50

ISBN 978-3-422-98949-8

Ingrid von der Dollen

Der Maler Leo von König

Ein Zeitbild im Spiegel seiner

Porträts

2022. 192 pages


24.0 × 17.0 cm

SC

€ 36.00 / US$ 41.99 / £ 31.50

ISBN 978-3-422-98770-8

Anna-Carola Krausse

Lotte Laserstein

Meine einzige Wirklichkeit

2 nd updated Edition 2022.

248 pages


28.0 × 23.0 cm

HC

€ 29.90 / US$ 34.99 / £ 26.00

ISBN 978-3-422-99029-6

Felix Billeter,

Angelika Grepmair-Müller

Sachlichkeiten -

Sichtbarkeiten

Der Münchner Maler und Grafiker

Joseph Mader (1905–1982)

2022. 200 pages

150 color illustrations

24.0 × 17.0 cm

SC

€ 24.90 / US$ 28.99 / £ 22.50

ISBN 978-3-422-98637-4

Johannes Schmidt,

Barbara Stark (Eds.)

Franz Lenk

Der entwirklichte Blick

2022. 160 pages


26.0 × 21.0 cm

HC

€ 28.00 / US$ 32.99 / £ 24.50

ISBN 978-3-422-98905-4

Alien Athena Foundation for Art,

Gero Heschl (Eds.),

Michael Müller &

Lukas Töpfer

Am Abgrund der Bilder –

„Birkenau“

Pages 108

Ills. 55 color

Format 31.5 × 25.0 cm

HC 978-3-422-80126-4 Ger € 32.00

$ 35.99

£ 28.00

GERMAN

MAY 2023


Can the horror of the Holocaust be depicted?

– Müller questions Gerhard Richter’s cycle

“Birkenau” using the means of painting

Exhibition

St. Matthäus-Kirche, Berlin

April 23 to September 3, 2023

11

9 783422 801264

This book is devoted to works by

Michael Müller commenting on four

paintings by Gerhard Richter entitled

“Birkenau”. The aim is to reappraise

the cruel historical fact of Auschwitz II/

Birkenau extermination camp using

various artistic approaches, focusing

on the so-called Sonderkommando, a

work detachment of Jewish prisoners.

From 1942 to 1944/45, they were

forced to prepare for and clear up

after the extermination of their fellow

human beings under SS supervision

and facing a constant threat to their

lives.

Direct as the critical comments on

Richter may be, they are accompanied

by many less conspicuous, quieter, one

might even say wounded works by

Müller, which are contextualised in a

comprehensive essay by art historian

Lukas Töpfer.

Michael Müller,

Conceptual Artist, Berlin

Lukas Töpfer,

Carl von Ossietzky Universität

Oldenburg

Also of interest

Michael Müller. Ernstes Spiel.

Catalogue Raisonné

Vol. 1.1

HC 978-3-422-99666-3

E-Book 978-3-422-80127-1

Vol. 1.2

HC 978-3-422-99718-9

E-Book 978-3-422-80128-8

Vol. 1.3

HC 978-3-422-99720-2

E-Book 978-3-422-80129-5

Vol. 1.4

HC 978-3-422-99725-7

E-Book 978-3-422-80120-2


Hoover Hager Lassnig

Pages each 64

Ills. 108 color

Format 23.7 × 16.5 cm

HC 978-3-422-80173-8 Ger ca. € 38.00

ca. $ 41.99

ca. £ 33.50

ENGLISH/GERMAN

NOVEMBER 2023


Art, body, (self-)perception – a focused,

concentrated introduction to the work and

biography of three 20th century women

artists

12

Exhibition

Kunsthalle Mannheim

November 10, 2023 to February 11, 2024

9 783422 801738

Nan Hoover, Anneliese Hager and

Maria Lassnig are women artists who

expressed themselves experimentally

and innovatively in various media.

They were interested in alienation

effects, body perception, and reflections

about time and space. All three

explored Surrealism early on and

found their own individual visual language

in different ways: the common

denominator is a preoccupation with

light, space and the body, as well as

the existential question of self-perception

and one’s place in the world.

While American Hoover was one of

the pioneers of international light,

video and performance art and produced

a surprising painterly early

oeuvre close to pop art, Hager, who is

one of the most interesting female

photographers of the 20th century,

remains very little known. Today, Austrian

painter Lassnig is one of the

most important female artists of the

20th century, but she only achieved

her international breakthrough late

– in the 1980s. This publication, three

books in one, enables readers to rediscover

the three artists, or even discover

them for the first time.


Inge Herold, Lynette Roth, Christina

Bergemann

13

Johannes Myssok (Ed.)

Die Kunstakademie

Düsseldorf 1773 – 2023

Kunstgeschichte einer Institution

Pages 400

Ills. 180 color

Format 30.0 × 24.0 cm

HC 978-3-422-80165-3 Ger € 48.00

$ 52.99

£ 42.00

GERMAN

OCTOBER 2023


Opulently illustrated volume on the

250 th anniversary of the Kunstakademie

Düsseldorf

Art historical overview of the traditional and

influential institution

14

9 783422 801653

Founded in 1773, the Düsseldorf Art

Academy is one of the most important

institutions of its kind in the world.

During its 250-year history, many

internationally significant artists have

trained here, and some have returned

to the institution as professors during

their careers. This volume, published

for the anniversary, offers a first overview

of the various art movements

that originated here or were closely

linked to the institute, and introduces

the artists who shaped it. The contributions,

based on the latest research,

focus e.g., on the 19th-century Düsseldorf

School of Painting, while others

deal with Joseph Beuys and his work

at the Academy or take a look at the

Becher School and the tradition of

photography at the Academy.

Johannes Myssok,

professor of art history, Kunstakademie

Düsseldorf

15

Stella Rollig, Christian Huemer (Eds.)

The Belvedere: 300 Years

a Venue for Art

Pages 398

Ills. 268 color

Format 28.0 × 23.0 cm

HC 978-3-11-118631-3 En € 49.00

$ 56.99

£ 44.50

E-Book 978-3-11-118651-1 En € 49.00

$ 56.99

£ 44.50

ENGLISH

JUNE 2023

DE GRUYTER

Anniversary publication of the

Österreichische Galerie Belvedere: a critical

homage to a place of art with a diverse history

spanning centuries

Contributions by Thomas DaCosta

Kaufmann, Thomas W. Gaehtgens, Sabine

Plakolm-Forsthuber, Nora Sternfeld,

Matthew Rampley, Wolfgang Ullrich, Luisa

Ziaja, and others

16

Exhibition

Lower Belvedere, Vienna

December 2, 2022 to January 7, 2024

9 783111 186313

2023 marks the 300th anniversary of

the completion of Vienna’s Upper

Belvedere. Built by Johann Lukas von

Hildebrandt for Prince Eugene of Savoy,

the palace complex has provided

a home for fine art since its inception

and continues to do so today, with a

stunning variety of collections and

exhibitions.

In 1777, the Belvedere became one of

the world’s first public museums. By

ordering its collection according to

schools of art it greatly influenced the

museum world as well as the field of

art history. The intention behind the

creation of the Moderne Galerie in

1903 – to present Austrian art in an

international context – remains its core

orientation to the present day.

This publication opens up new research

on the history of the museum.

It answers questions such as, what

ordering concepts are evident in art

presentation? How contemporary

were these presentations in an international

context? What kind of public

were they aimed at?

Stella Rollig,

General and Artistic Director

Belvedere, Vienna

Christian Huemer,

Director Belvedere Research Center,

Vienna

17

Monika Bayer-Wermuth,

Museum Brandhorst (Eds.)

This is Me, This is You

The Eva Felten

Photography Collection

Pages 256

Ills. 220 color

Format 23.0 × 32.0 cm

HC 978-3-422-80116-5 En/Ger € 54.00

$ 59.99

£ 47.00

ENGLISH/GERMAN

OCTOBER 2023


Subscription price

until April 7, 2024 only € 45.00

Works by Diane Arbus, Robert Frank,

Gordon Parks, Richard Avedon,

Sherrie Levine, Richard Prince, Roni Horn,

Arthur Jafa, Deana Lawson and many more

Key works from the history of international

photography

18

Exhibition

Museum Brandhorst Munich

October 19, 2023 to April 7, 2024

9 783422 801165

With over 1,000 works by a total of

more than 140 artists from the 1930s

to the present, Eva Felten has built up

a unique photo collection over the

past four decades, which is presented

in this catalog for the first time. This Is

Me, This Is You is dedicated to the

photographic view of people, reflecting

on questions of intimacy and desire as

well as power relations and structural

inequalities inscribed in the medium.

The book provides an in-depth look at

the collection, which includes a variety

of renowned positions in the history of

photography and contemporary art,

from Vivian Maier, Robert Frank,

Evelyn Hofer, Gordon Parks, Richard

Avedon, Sherrie Levine, Richard

Prince as well as Roni Horn, Arthur

Jafa, Deana Lawson, Zoe Leonard

und LaToya Ruby Frazier.

Monika Bayer-Wermuth,

Museum Brandhorst, Munich

19

PHOTOGRAPHY

Magazine

Rundbrief Fotografie

4 issues per year

English/German

Print or Electronic

SC € 98.00 [D] / $ 113.00 / £ 80.00

Print and Electronic

SC € 118.00 [D] / $ 136.00 / £ 97.00

Online-ISSN 2751-0476

Print-ISSN 0945-0327

Rosa-Luxemburg-Stiftung (Ed.)

Davor Konjikušić

Red Glow

Yugoslav Partisan Photography and

Social Movement, 1941–1945

2022. 423 pages


26.0 × 19.5 cm

HC

€ 48.90 [D] / $ 55.99 / £ 41.50

ISBN 978-3-422-98640-4

E-Book ISBN 978-3-422-98648-0

Kunststiftung K52 (Ed.)

Nicolaus Schmidt

India Tecton

Gebautes Indien / Architectural

Expressions in India

2022. 256 pages


24.0 × 30.0 cm

HC

English / German Edition

€ 42.00 [D] / $ 48.99 / £ 38.00

ISBN 978-3-422-98762-3

Frédéric Mougenot

Auschwitz. Bild und Hinterbild

Fotografien

2022. 88 pages


17.0 × 24.0 cm

SC

€ 32.00 [D] / $ 36.99 / £ 28.00

ISBN 978-3-422-98721-0

Katharina Steidl

Am Rande der Fotografie

Eine Medialitätsgeschichte des

Fotogramms im 19. Jahrhundert

2019. 408 pages


24.0 × 17.0 cm

HC

€ 79.95 [D] / $ 91.99 / £ 72.50

ISBN 978-3-11- 056780-9

E-Book ISBN 978-3-11-056907-0

PHOTOGRAPHY

Sandra Badelt, Robert Pledge

Lu Guang. Black Gold and China

2021. 160 pages


21.3 × 32.0 cm

SC

€ 40.00 [D] / $ 46.99 / £ 35.00

ISBN 978-3-422-98881-1

Jadwiga Kamola (Ed.)

Artist Complex

Images of Artists in Twentieth-

Century Photography

Studies in Theory and History of

Photography, Volume 11

2021. 206 pages


28.0 × 21.0 cm

SC

€ 51.95 [D] / $ 59.99 / £ 45.00

ISBN 978-3-11-068646-3

E-Book ISBN 978-3-11-074016-5

Johanna Spanke

Photomurals

Fotografische Wandbilder in transnationalen

Aushandlungsprozessen zwischen

Mexiko und den USA

Verflechtung – Aushandlung – Opazität,

Volume 1

September 2023. 624 pages


24.0 × 17.0 cm

HC

€ 79.95 [D] / $ 91.99 / £ 72.50

ISBN 978-3-11-078924-9

E-Book ISBN 978-3-11-107537-2

Katja Müller-Helle (Ed.)

Bildzensur

Löschung technischer Blider

Bildwelten des Wissens, Volume 16

2020. 112 pages


23.0 × 15.5 cm

SC

€ 19.95 [D] / $ 22.99 / £ 18.00

ISBN 978-3-11-070999-5

E-Book ISBN 978-3-11-071529-3

Birgit Koschies, Axel Koschies (Eds.)

KOSCHIES – SURFACES

2022. 160 pages


21.0 × 33.2 cm

HC

English / German Edition

€ 48.00 [D] / $ 55.99 / £ 41.50

ISBN 978-3-422-98947-4

Fabiana Senkpiel, Sibylle Heim,

Mira Kandathil (Eds.),

Kunstfiguren

Ästhetische Strategien und performative

Praktiken von künstlerisch gestalteten Identitäten

Pages 160

Ills. 22 b/w, 11 color

Format 24.0 × 17.0 cm

SC 978-3-11-077913-4 Ger € 39.00

$ 42.99

£ 35.50

E-Book 978-3-11-077920-2 Ger Open Access

GERMAN

OCTOBER 2023

DE GRUYTER

Who are Maria Marshal, Jilet Ayşe, Müslüm,

and Soya the Cow?

The representational form of artistic

characters is investigated scientifically for

the first time

22

9 783110 779134

Lady Gaga, Jilet Ayşe, Müslüm, Andy

Warhol and Sun Ra are nationally and

internationally known artistic characters.

This publication deals with artistically

designed identities at the intersections

of visual art, performance, theatre,

film, cabaret, stand-up comedy and

music, analysing the currently widespread

but as yet rarely explored

nature of such artistic characters’

representation. These are fictional

identities that artists create for themselves,

with which they appear in various

contexts and media. The contributions

focus on aesthetic strategies and

performative practices as well as the

field of tension between the performing

artist and the artistic character performed.

Fabiana Senkpiel, Sibylle Heim,

Mira Kandathil,

Bern Academy of the Arts,

Switzerland

Régine Bonnefoit, Melissa Rérat,

Samuel Schellenberg (Eds.)

New Media in Art History

Tensions, Exchanges, Situations

Pages 144

Ills. 55 color

Format 21.0 × 14.7 cm

HC 978-3-11-118592-7 En € 42.00

$ 46.99

£ 38.50

E-Book 978-3-11-118600-9 En € 42.00

$ 46.99

£ 38.50

ENGLISH

SEPTEMBER 2023

DE GRUYTER

With new research findings, this book bridges

the gap between art history and media studies

With contributions by Aline Guillermet,

Catherine Toulouse / Dominik Lengyel,

Nina Zschocke, and others

Cooperative project between the Swiss

Association of Art Historians (VKKS) and

the University of Neuchâtel

23

9 783111 185927

The history of art and new media are

inextricably linked — both historically

and in the present day. This publication

can be described as an interdisciplinary

reflection: it examines the confrontation

and interaction between art history

and new media, highlighting key

developments, opportunities, and

tensions.

In eight studies, eleven researchers

present new findings and explore the

techniques and methods of new

media — from electronic to digital and

post-digital media — and the challenges

these pose for art history. The book

covers a wide range of topics, from

the history and historiography of new

media to their practical application,

use, and reception, as well as creative

processes, material conservation, and

mediation.

Régine Bonnefoit,

professor, University of Neuchâtel

Melissa Rérat,

University of Applied Arts Vienna

Samuel Schellenberg,

Le Courrier, Geneva

HUMAN

ERROR

LOUISA

CLEMENT

Frank Schmidt (Ed.)

Louisa Clement

human error

Pages 96

Ills. 40 color

Format 24.5 × 19.0 cm

SC 978-3-422-80164-6 En/Ger ca. € 32.00

$ 35.99

£ 28.00

ENGLISH/GERMAN

SEPTEMBER 2023


Paula Modersohn-Becker Museum

One of today’s most popular young artists

Current social issues such as AI, questions

about body and self-image, and possibilities

of digital storage

24

Exhibition

Paula Modersohn-Becker Museum Bremen

September 2, 2023 to January 21, 2024

9 783422 801646

The question of identity has always

preoccupied artists. Louisa Clement is

no different, her central theme is the

human being and the human in the

digital. In her art, she starts out from

herself, but ventures much further,

asking how identity will be shaped in

the future and examining forms of

transformation. In the series of works

Repräsentantinnen (Representatives),

she creates AI-equipped, adaptive

images of herself, with which visitors

can converse. In photographic works,

the master pupil of Andreas Gursky

continues this examination of the

body and its possible optimisations

and deals with military legacies under

the aspect of transformation.

This publication is appearing for an

exhibition at the Paula Modersohn-Becker

Museum - both artists are

united in their search for self-expression,

as Paula Modersohn-Becker’s

Self-portrait on 6th wedding anniversary

from 1906 demonstrates in a

succinct manner.


Frank Schmidt, Katharina Rüppell,

Museen Böttcherstraße, Bremen, and

Armin Grunwald, Professor for Philosophy

of Technology and Ethics of

Technology at the Karlsruhe Institute

of Technology

Peter Weibel,

Katharina Gsöllpointner (Eds.)

Ruth Schnell –

WORKBOOK

Mirrors of the Unseen

Edition Angewandte

Pages 360


Format 27.0 × 21.0 cm

SC 978-3-11-124998-8 En € 45.00

$ 49.99

£ 41.00

E-Book 978-3-11-125010-6 En € 45.00

$ 49.99

£ 41.00

ENGLISH

OCTOBER 2023

DE GRUYTER

40 years of media art production open up new

paths and dimensions in a singular way

Extensive section on the body of work; with

prefaces by Peter Weibel and Katharina

Gsöllpointner, as well as contributions by

Claudia Giannetti, Chris Salter, and Jill

Scott

Digital link to the artist’s video archive

via QR codes

25

9 783111 249988

Ruth Schnell’s work interrogates

historical concepts of reality that are

now being called into question by

apparative perception. In the field of

media art, Schnell has made a significant

contribution to the understanding

of this radical transformation: she has

gone beyond the moving image, involved

viewers in a participatory manner,

and expanded object-like or sculptural

art into immersive environments.

Deeply inscribed in her artistic approach

is the reference to sociopolitical

questions and the latest developments

in technology. The monograph offers a

documentary reappraisal and contextualization

of Ruth Schnell’s work since

1983 and provides stimulus for enhancing

competence in the field of media.

Peter Weibel,

1944–2023, media artist, theorist,

curator, Chairman ZKM Karlsruhe

Katharina Gsöllpointner,

media theorist, University of Applied

Arts Vienna

Alfred Vendl, Martina Fröschl (Eds.)

Doors to Hidden Worlds

The Power of Visualization in Science,

Media, and Art

Edition Angewandte

Pages 400

Ills. 290 color

Format 24.0 × 21.0 cm

HC 978-3-11-125000-7 En € 52.00

$ 57.99

£ 47.50

E-Book 978-3-11-125012-0 En € 52.00

$ 57.99

£ 47.50

ENGLISH

OCTOBER 2023

DE GRUYTER

Insight into the thinking and working

methods of renowned scientists, media

experts, and artists

Lavish publication with numerous

illustrations and AR features

With contributions by Ina Conradi /

Mark Chavez, Thomas Matzek,

Ruth Schnell, Victoria Vesna /

James K. Gimzewski, Manfred Wakolbinger,

and others

26

9 783111 250007

The visualization of often-encrypted

data reveals new, previously hidden,

but quite real worlds to humankind.

Art adopts these insights and uses

them to create new dimensions.

This book brings together a wide

range of contributions on visualization

in science, media, and art. Renowned

experts and associates of the Science

Visualization Lab at the University of

Applied Arts Vienna present examples

of outstanding and innovative visualization

projects and provide insight

into their working methods. The book

follows a variety of approaches to

expanding perception and rendering

the invisible visible.

“If the doors of perception were

cleansed, every thing would appear to

man as it is, infinite.” — William Blake

Alfred Vendl,

professor, Science Visualization Lab,


Martina Fröschl,

Senior Scientist, Science Visualization

Lab, University of Applied Arts Vienna

Elena Peytchinska, Thomas Ballhausen

Fiction Fiction

Language Arts and the Practice of

Spatial Storytelling

Edition Angewandte

Pages 320

Ills. 100 color

Format 19.5 × 12.5 cm

SC 978-3-11-125136-3 En € 42.00

$ 46.99

£ 38.50

E-Book 978-3-11-125199-8 En € 42.00

$ 46.99

£ 38.50

ENGLISH

SEPTEMBER 2023

DE GRUYTER

Literature and/as artistic research, following

on from FAUNA (2018) and FLORA (2020)

Artistic reflections on contemporary

philosophy and its sociocritical contexts

With contributions by Lucia D’Errico,

Sabina Holzer, Elisabeth Schäfer, and

Ferdinand Schmatz

27

9 783111 251363

With Fiction Fiction, visual artist Elena Peytchinska and poet Thomas

Ballhausen are continuing their linguistic/artistic exploration of

space and language, as well as with the intertwining of illustration

and literature. While their previous works FAUNA (2018) and FLORA

(2020) focused on strategies of rapprochement between the arts

and the sciences based on linguistic-artistic premises, their latest

work interrogates the relationship between the science of fiction

and the fiction of science. Fiction Fiction presents a relational,

practice-oriented model of operative fiction, which not only

encounters the supposedly unthinkable other but integrates it as

an active and necessary part of thought and creative processes.

Elena Peytchinska, Thomas Ballhausen

investigate the connection between space and language; they live

and work in Vienna.

Francine Giese, Sarah Tabbal

Vitromusée Romont (Eds.)

Baldwin & Guggisberg

Dans le labyrinthe: Un voyage liminal

Pages 96

Ills. 50 color

Format 24.0 × 24.0 cm

SC 978-3-11-105426-1 En/Fr € 39.00

$ 44.99

£ 35.50

ENGLISH/FRENCH

SEPTEMBER 2023

DE GRUYTER

Never-before-exhibited works from the

artists’ most recent creative period

Exclusive insight into the artistic practice of

contemporary glass art

28

Exhibition

Vitromusée Romont

June 4, 2023 until Januar 21, 2024

9 783111 054261

This catalog accompanies the eponymous

exhibition at the Vitromusée

Romont, for which Philip Baldwin

(b. 1947) and Monica Guggisberg

(b. 1955) explore the theme of the

labyrinth and present several works of

glass art from their recent exhibitions

in France, England, and Denmark, as

well as new works created especially

for the Vitromusée Romont.

Their preoccupation with ancient history,

the migratory nature of humanity,

and the interconnected relationships

of objects with form, function, aesthetic

beauty, and symbolic meaning

combine in ways that illustrate the artists’

unique perspectives across civilizations

going back thousands of years.

With contributions from internationally

renowned specialists, the catalog

reflects the reinterpretation of a

classical theme in contemporary

glass art.

Francine Giese, Sarah Tabbal,

Vitromusée Romont, Switzerland

Sophie Wolf, Laura Hindelang,

Francine Giese, Anne Krauter (Eds.)

Glass in Architecture

from the Pre- to the

Post-industrial Era

Production, Use and Conservation

Arts du verre/Glass Art/Glaskunst 2

Pages 320

Ills. 165 color

Format 24.0 × 17.0 cm

HC 978-3-11-079340-6 En/Ger/Fr € 49.00

$ 53.99

£ 45.00

E-Book 978-3-11-079346-8 En/Ger/Fr Open Access

ENGLISH/GERMAN/FRENCH

DECEMBER 2023

DE GRUYTER

A multi-disciplinary survey of the history of

the production and use of flat glass

From the Roman times to the present day

New insights on sheet glass as building

material and cultural heritage

29

9 783110 793406

Glass is one of the most fascinating

and versatile building materials in

architectural history. The new insights

into glass in architecture are the result

of research at the intersection of glass

production, construction technology

and building culture. Coming from a

variety of disciplines, the contributions

bridge the divide between natural sciences,

humanities and the preservation

and restoration of cultural heritage.

They explore the crucial role of flat

glass in shaping architecture,

particularly since the 18th century, and

discuss the in-situ restoration of

historic windows and glass façades

and the importance of preserving this

fragile heritage. The topics range from

the manufacture of sheet glass in

pre-industrial times to the possibilities

of repair and reusability of insulating

glazing.

Sophie Wolf, Francine Giese,

Vitrocentre Romont

Laura Hindelang,

University of Bern

Anne Krauter,

Bern Academy of the Arts (HKB)

Martin Müller

Leben machen

Die Zoëpolitik der synthetischen Biologie

Pages 256


Format 24.0 × 17.0 cm

SC 978-3-11-100397-9 Ger € 69.00

$ 75.99

£ 63.00


GERMAN

OCTOBER 2023

DE GRUYTER

First historical-critical monograph about

synthetic biology and CRISPR

New theory of power and life

30

9 783111 003979

Synthetic biology is developing new

hybrid forms of life for industrial applications,

attempting to “resurrect” long-extinct

species to preserve collapsing ecosystems,

and intervening directly in the

human germline with CRISPR.

Martin Müller combines approaches from

cultural history and theory with those

from media studies and design theory as

well as the history of knowledge to develop

a critique of Promethean biology. In

his Genealogy of Zoëpolitics, he formulates

a new theory of the “vivification of

power” that has occurred around 1800.

He shows how the “will to make life”

intensified during the molecular revolution

in the 20th century and is now escalating

with the emergence of synthetic

biology. Nature, from atom to atmosphere,

has become a field of intervention

for rigorous engineering and design.

Martin Müller,

Cluster of Excellence “Matters of Activity.

Image Space Material”,

Humboldt University, Berlin

Also of interest

Linn Burchert, Iva Rešetar (Eds.)

Atem / Breath

Morphological, Ecological and Social

Dimensions / Gestalterische, ökologische

und soziale Dimensionen

Pages 401

Ills 47 b/w, 56 color

Format 17.0 × 24.0 cm

SC.

978-3-11-070183-8 En/Ger

€ 29.95

$ 34.99

£ 26.00

ENGLISH/GERMAN

NOVEMBER 2021

DE GRUYTER

Roland Meyer (Hg.)

BILDER UNTER

VERDACHT

Praktiken der Bildforensik

Roland Meyer

Bilder unter Verdacht

Praktiken der Bildforensik

Bildwelten des Wissens 19

Pages 120

Ills. 100 b/w

Format 23.0 × 15.5 cm

SC 978-3-11-108520-3 Ger € 29.95

$ 34.99

£ 27.00


GERMAN/ENGLISH

NOVEMBER 2023

DE GRUYTER

Bildwelten

des

Wissens

Band 19

Interdisciplinary overview of current debate

on the truth content of digital images

Including essays on professional, popular and

artistic forms of image forensics

31

9 783111 085203

Digital images have long been suspected

of manipulation, not only since

discussions of “deepfakes” and generative

AI. Although in the 1990s any

digital image evidence seemed questionable,

pragmatic responses have

now prevailed. In many cases, whether

and how digital images have been

manipulated can be proven by means

of image analysis procedures and

comparative data evaluation. This

volume focuses on such practices of

image forensics. A look at scientific as

well as aesthetic procedures, at criminalistic

methods, popular television

series, and artistic practices reveals

how a suspicion of images becomes

productive in itself: not only producing

fresh images but also a new, processual

understanding of digital imagery.

Roland Meyer,

collaborative research centre VIrtual

Worlds, Ruhr University Bochum

Ursula Ströbele

Hans Haacke und

Pierre Huyghe

Non-Human Living Sculptures

seit den 1960er-Jahren

Schriftenreihe des Studienzentrums zur

Moderne – Bibliothek Herzog Franz von Bayern

am Zentralinstitut für Kunstgeschichte 5

Pages 544

Ills. 260 color

Format 24.0 × 17.0 cm

SC 978-3-11-102711-1 Ger € 79.00

$ 86.99

£ 72.000


GERMAN

NOVEMBER 2023

DE GRUYTER

First comprehensive academic study of socalled

Non-Human Living Sculptures

Re-reading of the historiography of 20th

century sculpture

Sculptural aesthetics of the living

32

9 783111 027111

Since the 1960s, artists have questioned

the traditional idea of opposition

between art and nature. They

have incorporated animals and plants

as co-actors in their work, and so established

a sculptural aesthetic of the

living, which called for a redefinition of

the sculptural genre. This study is the

first to examine so-called Non-Human

Living Sculptures using the examples

of Hans Haacke and Pierre Huyghe.

Following a re-reading of the historiography

of modernist sculpture, the

author re-evaluates and expands on

existing theories in individual work

analyses. She shows how Haacke’s

real-time systems, determined by US

systems theory, biology and cybernetics,

as well as his rejection of the object

aesthetic have shaped contemporary

positions such as Huyghe’s

situational-aesthetic works.

Ursula Ströbele,

Study Center for Modern and

Contemporary Art, Zentralinstitut für

Kunstgeschichte Munich

Clara Wörsdörfer

Allan Kaprows Activities

Intimität und Sozialität in der

Kunst der 1970er-Jahre

Phoenix. Mainzer kunstwissenschaftliche

Bibliothek 9

Pages 296

Ills. 82 b/w

Format 28.0 × 24.0 cm

HC 978-3-11-099761-3 Ger € 82.00

$ 90.99

£ 75.00

E-Book 978-3-11-102715-9 Ger € 82.00

$ 90.99

£ 75.00

GERMAN

NOVEMBER 2023

DE GRUYTER

On Allan Kaprow’s work after the

Happenings

New art- and cultural-historical perspectives

on the participatory art of the 1970s

33

9 783110 997613

Allan Kaprow is regarded as a key figure of the 1960s happening

scene. Little known, however, are the “activities” that he developed in

California during the 1970s — exercises for couples, realised without

an audience on the basis of a written score. They constitute an attempt

to create a participatory art form intended to enable participants

to engage actively in the shaping of interpersonal relationships.

For the first time, the activities are explored with all their

formal and thematic complexity, and discussed in detail. Examined

in conjunction with the procedures and concerns of the social

sciences and psycho- disciplines in the 1970s, they emerge as an

independent, exciting contribution to a new discourse on intimacy.

Clara Wörsdörfer,

research assistant, Johannes Gutenberg University Mainz

Bilder

S a MMlungen

alS DenKMaterial

MaterialiSMuS

unD KunSttHeorie (1900–1960)

Herausgegeben von

Carolin Behrmann und Steffen Haug

Carolin Behrmann, Steffen Haug (Eds.)

Bildersammlungen als

Denkmaterial

Materialismus und Kunsttheorie (1900–1960)

Pages 256

Ills. 100 b/w

Format 24.0 × 17.0 cm

SC 978-3-11-063484-6 En/Ger € 39.95

$ 45.99

£ 36.50

ENGLISH/GERMAN

NOVEMBER 2023

DE GRUYTER

New insights in materialistic approaches in

art history

Critical art history

34

9 783110 634846

At the beginning of the 20th century,

a materialist theory emerged that

dealt with the economic and social

conditions of art production. This was

accompanied by a critique of the previous

canon, now considering formerly

excluded everyday objects, children’s

drawings, folk art or photographs as

the material conditions of a culture.

Collections of artworks and artefacts

became contexts of thought leading

to a redefinition of the relationship

between history, form, and society.

The contributions to this volume discuss

how collections of materials and

images were assembled on the basis

of theoretical assumptions and had an

impact on these assumptions in their

turn. Examples cited include Frederik

Antal, Walter Benjamin, Bernard

Berenson, Wilhelm Fraenger, Sigmund

Freud, Henri Foçillon, Vernon Lee,

Meyer Schapiro and Aby Warburg.

Carolin Behrmann,

Ruhr University Bochum

Steffen Haug,

Warburg Institute, London

Also of interest

Martina Griesser-Stermscheg,

Nora Sternfeld, Luisa Ziaja (Eds.)

sich mit Sammlungen anlegen

Gemeinsame Dinge und

alternative Archive

pages 304

Ills. 2 b/w, 23 in color

Format 14.7 × 21.0 cm

Br.

978-3-11-070044-2 De

€ 39,95 / $ 45.99 / £ 36.50

German

SEPTEMBER 2020

DE GRUYTER

Ella Beaucamp, Romana Kaske,

Thomas Moser (Eds.)

Objects and Organisms

Vivification – Reification – Transformation

Object Studies in Art History 5

Pages 236

Ills. 59 color

Format 24.0 × 17.0 cm

HC 978-3-11-069415-4 En/Ger € 59.95

$ 68.99

£ 54.50

E-Book 978-3-11-119970-2 En/Ger € 59.95

$ 68.99

£ 54.50

ENGLISH/GERMAN

MARCH 2023

DE GRUYTER

Innovative, interdisciplinary object-scientific

contribution to critical ecology

From the early modern period into the

21st century

35

9 783110 694154

The interrelations between objects

and organisms take many forms, from

the microbes known to inhabit medieval

manuscripts to the biomorphic forms

observable in Art Nouveau lamps, and

from the androids cast in American

superhero comics to the coral found

on Chinese porcelain recovered from

shipwrecks. The contributions to this

volume investigate various interactions

between inanimate and animate matter

in art, literature, technology, and other

areas of human perception and expression.

The book highlights how certain

characteristics allow objects to be

understood as living organisms, and vice

versa. Via a range of dynamics involving

vivification and reification, objects and

organisms emerge as unstable, transforming

within evolving situations.

Ella Beaucamp,

researcher, Turin

Romana Kaske,

researcher, Toronto/Munich

Thomas Moser,

Vienna University of Technology

Thomas Finkenauer, Jan Thiessen

Kunstraub für

den Sozialismus

Zur rechtlichen Beurteilung von

Kulturgutentziehungen in SBZ und DDR

Provenire. Schriften des Deutschen Zentrums

Kulturgutverluste Special Volume

Pages 160

Format 24.0 × 17.0 cm

SC 978-3-11-114495-5 Ger € 39.00

$ 42.99

£ 35.50

E-Book 978-3-11-127981-7 Ger € 39.00

$ 42.99

£ 35.50

GERMAN

OCTOBER 2023

DE GRUYTER

First legal compendium on the confiscation

of cultural property in the Soviet Occupation

Zone and the GDR

Legal analysis and regulatory

options for action

Reference work for provenance research

36

9 783111 144955

What should be done about cultural

property confiscated in the Soviet

Occupation Zone and the GDR? This

legal appraisal commissioned by the

Deutsches Zentrum Kulturgutverluste

(German Lost Art Foundation) enables

public institutions and their funding

providers to assess the legal position

of collection items seized in the Soviet

Occupation Zone and the GDR, and

identifies legal options for action.

Thomas Finkenauer and Jan Thiessen

present a compendium classifying 13

case groups along with the historical

circumstances of their confiscation

and the legal consequences. The report

also serves provenance research

through this overview, which has not

been available in such a form before.

Thomas Finkenauer,

Faculty of Law, University of Tübingen

Jan Thiessen,

Faculty of Law, Humboldt University

Berlin

Recently published

Matthias Deinert, Uwe Hartmann,

Gilbert Lupfer (Eds.)

Enteignet, entzogen, verkauft

Zur Aufarbeitung der Kulturgutverluste

in SBZ und DDR

Provenire 3

Pages 326


Format 24.0 × 17.0 cm

Nadine Bahrmann, Andrea

Baresel-Brand, Gilbert Lupfer

(Eds.)

Kunstfund Gurlitt

Wege der Forschung

Provenire 2

Pages 188

Ills. 36 color

Format 24.0 × 17.0 cm

SC.

978-3-11-074450-7 Ger

€ 39,95 / $ 45.99 /

£ 36.50

SC.

978-3-11-065813-2 Ger

€ 39,95 / $ 45.99 /

£ 36.50

GERMAN

MARCH 2022

DE GRUYTER

GERMAN

MAY 2020

DE GRUYTER

Anne Dewey

Gerecht und fair?

Die Empfehlungspraxis des österreichischen

Kunstrückgabebeirats im Lichte der

Washingtoner Prinzipien

Schriftenreihe der Forschungsstelle

Provenienzforschung, Kunstund

Kulturgutschutzrecht 2

Pages 392

Format 24.0 × 17.0 cm

SC 978-3-11-078993-5 Ger € 99.00

$ 108.99

£ 90.00

E-Book 978-3-11-078994-2 Ger € 99.00

$ 108.99

£ 90.00

GERMAN

NOVEMBER 2023

DE GRUYTER

First exhaustive systematisation of the Art

Restitution Advisory Board’s practice

Clear guidelines for a “just and fair solution”

Highly relevant for the German restitution

debate

37

9 783110 789935

The Washington Principles of 1998 call

for “just and fair solutions” in handling

Nazi-looted art. At that same time,

Austria was the only European state to

pass its own art restitution law, based

on which the Art Restitution Advisory

Board has developed a comprehensive

practice of recommendation. In Germany,

too, the voices calling for a legal

solution are growing louder. The practice

of the Art Restitution Advisory

Board is often seen as a role model

there. But does it truly constitute the

“just and fair solution” called for? For

the first time, the author develops a

comprehensive systematisation of this

practice, subjects it to a critical analysis

in light of the Washington Principles,

and thus offers an indispensable

comparative perspective for the German

restitution debate.

Anne Dewey,

legal scholar, Berlin

Recently published

Ulrike Saß, Matthias Weller, Christoph Zuschlag

(Eds.)

Provenienz und Kulturgutschutz

Juristische und kunsthistorische Perspektiven

Schriftenreihe der Forschungsstelle Provenienzforschung,

Kunst- und Kulturgutschutzrecht 1

Pages 128


Format 24.0 × 17.0 cm

SC.

978-3-11-066282-5 Ger

€ 49,95 / $ 57.99 / £ 45.50

GERMAN

SEPTEMBER 2022

DE GRUYTER

tti. Marinetti’s Technical Manifesto of Futurist Literature is praised for its “vivifying

Günter Berghaus, Dalila Colucci,

Tim Florian Klähn (Eds.)

International Yearbook of

Futurism Studies

Volume 13

Pages ca. 540

Ills. 40 b/w

Format 23.0 × 15.5 cm

HC 978-3-11-131829-5 € 139.00

$ 152.99

£ 126.50

ENGLISH

NOVEMBER 2023

DE GRUYTER

Interdisciplinary contributions to neofuturism

as a global phenomenon

38

9 783111 318295

This thirteenth volume of the International

Yearbook of Futurism Studies

explores some of the many facets of

Neo-Futurism from the second half of

the twentieth century to the present

day. It looks both at the revival and

the continuation of Futurist aesthetics,

whether in explicit or palimpsest form,

in a variety of media: literature, visual

art, design, music, architecture, theatre

and photography.

The essays delve into the broad spectrum

of artistic research and offer a

good dozen case studies that document,

with a transnational and interdisciplinary

orientation, the manifold

forms of Neo-Futurism in various parts

of the world. They investigate how

historical Futurism's intellectual and

artistic perspective was appropriated

and developed further in a more or

less conscious, faithful and original

way, all the while confronting its progenitor's

cultural, social and political

misconceptions.

Günter Berghaus,

University of Bristol

Dalila Colucci,

University of Sevilla

Tim Klähn,

McGill University, Montreal

256 Odile Cisneros

Russian Futurism and Brazilian Avant-garde Poetry: Incorporation, Translation, Convergence 257

316 Tenley Bick

Postcolonial Retro-Futurism: Alessandro Ceresoli’s Linea Tagliero Prototypes 317

Fig. 1: Ardegno Soffici’s poem “Tipografia” (Typography”) from BÏF§ZF+18: Simultaneità, Chimismi lirici

(BÏF§ZF+18: Simultaneity and Lyrical Chemistry, 1915).

impulses”, however, Haroldo de Campos also points out that Futurism’s inability to

create works with a “minimum of constructive organization” was the product of

their “descriptive cinematics, […] subjectivist freneticism, [and] excessive romanticism

hypostatized in the machine.”¹⁷

Décio Pignatari, the son of Italian immigrants and confrère of the Campos

brothers, was more sympathetic to things Italian. He was fluent in the language

and, in December 1957, published translations of Italian Futurist poetry in a series

curated by the poet Mário Faustino for the Sunday supplement of the Jornal do

Brasil.¹⁸ The works included “simultaneities” from Marinetti’s Il poema africano

della Divisione “28 Ottobre” (African Poem of the Division “28 October”, 1937),

and passages from Il club dei simpatici (The Club of the Friendly Ones, 1931),

which he compared to Oswald de Andrade’s Manifesto antropófago (Cannibalist

Manifesto, 1928). Pignatari also translated works by Francesco Cangiullo, the creator

of pentagram poems, Antonio Bruno and Benedetta Cappa’s Viaggio di Gararà:

Romanzo cosmico per teatro (Gararà’s Journey: Cosmic Novel for the Theatre, 1931).

All of these examples show that Futurism resonated with the Noigandres group,

but mainly insofar as it had the same synthetic-ideographic orientation as Concrete

Poetry.

Alongside Pignatari’s translations, Faustino, a poet friendly to the Noigandres

group, offered an appraisal that could well sum up their attitude. He acknowledged

Futurism’s merit in instilling an anti-past attitude that made artistic renewal possible.

Their experiments, he argued, also contributed to Joyce’s prose and to the poetry

of Eliot and Pound, but he claimed that Cubism was more influential for poetry.

Moreover, besides criticizing Marinetti for his connections with Fascism,

Faustino, in an echo of Haroldo de Campos’s statement quoted above, faulted Futurism

for an absence of “final products” that could justify its transformation from

avant-garde into an authentic literary school. Futurism, in his view, lacked “poets

and poems that, in time, become integrated to the human and aesthetic experience

of poetry.”¹⁹ Still, the fact that Faustino devoted five editions of his newspaper column

“Poesia – Experiência” (Poetry – Experience) to Italian Futurism bespeaks his

admiration for how the movement “awakened artistic consciousness everywhere –

including Brazil.”²⁰

17 Ibid., p. 97

18 Faustino and Pignatari: “Futurismo, IV: Marinetti e Soffici”, p. 5. There is precious little scholarship

on the discussions of Futurism in Faustino’s didactic series “Poesia – Experiência”, a fascinating

series aimed at introducing avant-garde tendencies to general audiences in Brazil.

19 Ibid., p. 7.

20 Ibid., p. 7.

ist cities”.³ The “volant structure” of the Fiat Tagliero station, as Denison has called

it, with its impressive ‘wingspan’ and glass-surrounded upper-storey office, is the

paragon of this phenomenon;⁴ its innovative structure and monumentality align it

with characteristics of Antonio Sant’Elia’s work.⁵ Other scholars have positioned

the Tagliero station as an iconic example of Fascist architecture, due to its references

to technological achievements by a State that sought to construct symbols of

power and authority. While colonial architecture in Asmara typically used spatial

division as a means of articulating Italian supremacy over Indigenous communities,

the Tagliero station articulates power through its recollection of aviation, technological

modernity and military warfare.⁶

Fig. 2: Giuseppe Pettazzi: Fiat Tagliero Service Station (1938).

The two-storey station was inspired by Futurist architettura aerea and its related

manifestations of a Futurist aerovita (aeropainting, aeropoetry, aerosculpture and

aeromusic), associated with technological achievement and at times with imperial

3 Denison: “Fiat Tagliero Service Station”, pp. 134–135.

4 Ibid.

5 De Seta: Architettura futurista, pp. [3] and [5].

6 Scarlett: “Preserved for whom: Reappraising Asmara’s Colonial-Era Architecture”, pp. 184–185.

conquest.⁷ The building exemplifies Italy and Italian Futurism’s fascination with

aviation, emerging in the early twentieth century when it seized the popular

and artistic imaginary of the country and its new avant-garde, becoming aeromania

by the 1930s.⁸ Marinetti celebrated aeroplanes in countless manifestos, from La

fondazione e manifesto del futurismo (The Foundation and Manifesto of Futurism,

1909) to L’aeropittura dei bombardamenti: Manifesto futurista (Aeropaintings of

Bombings: Futurist Manifesto, 1940). He described their use by Italian colonial military

in the first air raids in military history during the Libyan or Italo-Turkish War

(1911–12), as “the most beautiful aesthetic spectacle” he had ever seen.⁹ Decades

later, during the Second World War, Futurists would again celebrate Italian aerial

bombing, as in Ennio Concini’s collection of poems, Aeropoesie futuriste di bombardamenti

(Futurist Aeropoems of Bombings, 1941).¹⁰ The Fiat Tagliero service station,

when related to such bellicose aspects of Futurist production of the 1930s

and 1940s, begs complicated questions from contemporary viewers, as can be

seen in Ceresoli’s Linea Tagliero project.

The Linea Tagliero Prototypes mimic the Futurist (and futuristic)¹¹ design of

the colonial-era Fiat station through mirroring, doubling and skewed reproduction,

altering forms and translating them into objects for a house interior. The objects

are made of transparent mirrored glass and are sometimes illuminated with

neon lighting housed inside the structures. They hint at the design elements of

the Tagliero building in terms of material, colour and aesthetic. With Ceresoli’s references

in mind, for instance, the grouping of a trio of low-profile glass tables

reads like a formation of aeroplanes (see Fig. 1). The frame of an ornate wall mirror

(Prototype 04; see Fig. 3a) is composed of curved segments of glass; closer com-

7 See the Manifesto futurista dell’architettura aerea by F. T. Marinetti, Angiolo Mazzon and Mino

Somenzi (1934). For an overview of Futurist architecture of the 1930s, see Sabatino: “Architecture”,

pp. 75–79.

8 Günter Berghaus has estimated the aero genres also helped to popularize Futurism, given the

popular appeal of aviation under the régime. See Berghaus: Futurism and Politics, p. 247.

9 “Fu il più bello spettacolo estetico della mia vita.” F. T. Marinetti: Letter to Aldo Palazzeschi, January

1912, in Marinetti and Palazzeschi: Carteggio con un’appendice di altre lettere a Palazzeschi, p.

61. Marinetti also closes the founding manifesto with a reference to aeroplanes: “Eventually, they

will find us, […] far away in the country, huddling anxiously together beside our airplanes.” Marinetti:

Critical Writings, p. 16. On the topic of flight and aero-Futurism, see Berghaus: “Futurism

and the Technological Imagination Poised between Machine Cult and Machine Angst”, pp. 12–14;

on aeromania, Fascism and aero-Futurism, see Pizzi: Italian Futurism and the Machine, pp. 222–

225.

10 For a reproduction of the cover of this book, which features aeroplanes dropping bombs, see

Berghaus: Futurism and Politics, plate 15.

11 Ceresoli describes the Fiat Tagliero station as “la futuristica stazione di benzina” (the futuristic

petrol station). See Ceresoli: Ritorno al futuro, s. p.

Vorträge aus dem

Warburg-Haus

Volume 16

Pages ca. 124

Ills. 39 b/w

Format 24.0 × 17.0 cm

SC 978-3-11-132921-5 Ger € 39.95

$ 45.99

£ 36.50

VORTRÄGE

AUS DEM WARBURG-HAUS

Barbara Schellewald

Band 11

GERMAN

NOVEMBER 2023

DE GRUYTER

Victor I. Stoichita

Gregor Wedekind

Wolfram Pichler

Katharina Sykora

Highlights from the lecture program of the

Warburg House, Hamburg

Interdisciplinary contributions by renowned

researchers

39

9 783111 329215

The 16 th volume of lectures from the

Warburg House brings together contributions

covering a spectrum ranging

from the different modes of perception

of late antique and medieval

mosaics in the light of modern reproduction

techniques to Las Hilanderas

of Diego Velázquez, the afterlife of

Théodore Géricault’s Raft of the Medusa

and René Magritte's „images

peintes“ to new reflections on femininity,

the gaze and the „afterlife“ of the

Shoah in the work of Boris Lurie. With

contributions by Barbara Schellewald,

Victor I. Stoichita, Gregor Wedekind,

Wolfram Picher, and Katharina Sykora.

Barbara Schellewald,

University of Basel

Victor I. Stoichita,

University of Fribourg

Gregor Wedekind,

University of Mainz

Wolfram Pichler,

University of Wien

Katharina Sykora,

Ruhr University Bochum

Birgit Ströbel

Jugendstil in Berlin

Pages 448

Ills. 293 color

Format 24.0 × 17.0 cm

HC 978-3-422-80068-7 Ger € 52.00

$ 59.99

£ 45.00

E-Book 978-3-422-80169-1 Ger € 52.00

$ 59.99

£ 45.00

GERMAN

NOVEMBER 2023


First comprehensive account of Art

Nouveau in Berlin

40

9 783422 800687

The first comprehensive account of

Art Nouveau in Berlin introduces seven

artists who shaped Art Nouveau here:

Bruno Möhring, Alfred Grenander, Otto

Eckmann, Henry van de Velde, August

Endell, Theodor Schmuz-Baudiß and

Peter Behrens. The second part

unfolds a panorama of Art Nouveau

works in both public and private

spaces, which presented themselves

to contemporaries but have largely

disappeared today: public and private

buildings, transportation buildings,

design and furnishings of offices,

stores and private homes. Art stores

and department stores presented

works and goods in Art Nouveau in a

great variety and quality. It can be

seen that Berlin was a center of Art

Nouveau to a far greater extent than

previously assumed.

Birgit Ströbel,

historian and librarian

Peter Voss-Andreae (Ed.)

Emil Orlik

Das druckgraphische Werk

I Holzschnitte

II Radierungen 1891–1915

III Radierungen 1916–1930

IV Lithographien

Pages Vol. 1 240 pages

Vol. 2 368 pages

Vol. 3 336 pages

Vol. 4 656 pages

Ills. ca. 2300

Format 31.0 × 25.0 cm

Four volumes in a slipcase

HC 978-3-422-98841-5 Ger € 198.00

$ 227.99

£ 180.00

GERMAN

JULY 2023


The first catalogue raisonné of Emil Orlik’s

extensive graphic oeuvre (ca. 2,300 works)

Bibliophile edition—four volumes, embossed

linen cover, in a covered slipcase

41

9 783422 988415

Emil Orlik (1870–1932) was a painter,

graphic artist, photographer, medallion

maker, and craftsman: an all-round

talent. A decisive factor in his artistic

development was a trip to Japan in

1900–01, during which he learned the

art of woodcarving from Japanese

masters. He was a member of the

Secession in Vienna, and was appointed

in 1904 as a professor in Berlin, where

he created designs for stage sets and

costumes for Max Reinhardt. His

portraits of personalities from art,

theater, music, literature, film, cabaret,

and politics are a kaleidoscope of the

intellectual, cultural, and economic

life of the Weimar Republic. Orlik’s

extensive graphic oeuvre — woodcuts,

etchings, and lithographs — has now

been documented in detail for the first

time and is presented in this catalogue

raisonné.

With a preface by

Peter Voss-Andreae


Birgit Ahrens

Andreas Dehmer, Susanna Partsch

Symphonie in Schwarz

Eine Spurensuche zwischen Lebensreform,

Frauenbewegung und Bohème

Pages 112

Ills. 60 color

Format 13.0 × 21.0 cm

HC 978-3-422-80115-8 Ger € 24.00

$ 26.99

£ 21.00

GERMAN

MAY 2023


Following the mystery of a modern

Mona Lisa

A fascinating view of the intertwining of art

and life around 1900

42

9 783422 801158

In 1904, Saxon artist Oskar Zwintscher

painted the portrait of a lady smoking

a cigarette. Her hair loose, a burning

cigarette held casually in her hand, the

sitter in a black reform dress is sitting

in front of a black curtain. But who is

behind the young woman who looks

out of the picture so confidently?

Andreas Dehmer and Susanna Partsch

embark on a fascinating search for

clues to the identity of the lady smoking.

They find emancipated women

who earned their living as artists,

actors or writers, preferred reform

dress to the corset, and regarded

smoking as a symbol of independence.

They follow them to metropolises like

Berlin, Dresden or Munich, where they

lived as part of the bohemian scene.

A captivating picture of the way art

and life intertwined around 1900

emerges in this search for the

unknown.

Andreas Dehmer,

Dresden State Art Collections

Susanna Partsch,

art historian and non-fiction author,

Munich

Régine Bonnefoit,

Marie-Eve Celio-Scheurer (Eds.)

Tracing Wiener

Werkstätte Textiles

Viennese Textiles from the Cotsen Textile Traces

Study Collection

Pages 208


Format 24.0 × 17.0 cm

Geb. 978-3-0356-2764-0 En € 52,00

E-BOOK 978-3-0356-2771-8 En $ 57.99

£ 45.50

ENGLISH

SEPTEMBER 2023

BIRKHÄUSER

New research and archival findings on the

Wiener Werkstätte textile design

International project by the University of

Neuchâtel, George Washington University

Museum / Textile Museum, University of

Applied Arts Vienna

Contributions by Susan Brown / Caitlin

Condell, Rebecca Houze, Janis Staggs,

and others

Exhibition

George Washington University Museum /

Textile Museum, Washington, D.C.

July 8 to November 5, 2023

43

9 783035 627640

This book presents new research and

archival findings on the textile and

fashion designs of the Wiener Werkstätte

movement (1903–1932). Textile

specialists, art and design historians

offer insights into the most important

collections and archives in Austria,

Switzerland, and the US. The publication

explores works by lesser- known

female textile artists; the influence of

Eastern European folk art, Japanese

patterns, and ornamentation textbooks

on textile designs; applications

in fashion, interior design, film, theater;

and marketing strategies used to enter

new markets in the US. It includes

numerous illustrations of textile samples,

many drawn from the Cotsen

Textile Traces Study Collection

(George Washington University Museum

/ Textile Museum), one of the largest

collections of Wiener Werkstätte

fabrics in the US.

Régine Bonnefoit,

professor of art history and museology,

University of Neuchâtel

Marie-Eve Celio-Scheurer,

Musée d’art et d’histoire, Geneva

Andrea Deichmann

Säkularisation und Kunst

in Köln

Die Entdeckung und Rettung der Tafelbilder der

Alten Meister und ihre frühen Sammler

Pages 352

Ills. 31 color

Format 24.0 × 17.0 cm

HC 978-3-422-80112-7 Ger € 68.00

$ 76.99

£ 64.00

E-Book 978-3-422-80162-2Ger € 68.00

$ 76.99

£ 64.00

GERMAN

NOVEMBER 2023


First chronological monograph on the history

of the collection of Cologne panel paintings

during the secularization

Source-based elaboration

Inclusion of previously unnoticed collectors

44

9 783422 801127

In 1794, the almost 20-year-long

French foreign rule began in Cologne.

Interwoven with the historical events,

the study follows the medieval panel

paintings from their rediscovery in the

monasteries and foundations, whose

existence was threatened, to the private

rooms of their collectors and to

the first exhibition in 1817. In addition

to the well-known personalities, neglected

and unknown collectors in the

literature come into focus. In addition,

the question of which collectors provided

decisive impetus for the establishment

of the exhibition and a public

gallery is explored. The analysis of

early writings on medieval painting,

which promoted the recognition and

re-evaluation of the Middle Ages, completes

the elaboration.

Andrea Deichmann,

researches Franco-German art transfer

in the 19th century and works freelance

in paleography

Annabel Ruckdeschel

École de Paris global

Die Erfindung von Paris als Kunstzentrum in internationalen

Ausstellungen zwischen 1921 und 1946

Pages 464

Ills. 200 color

Format 24.0 × 17.0 cm

SC 978-3-422-99067-8 Ger € 68.00

$ 74.99

£ 59.50


GERMAN

DECEMBER 2023


Offers a new perspective on the “École de

Paris”

History of exhibitions of modern art

Catalog of the café exhibitions in

Montparnasse and the international

exhibitions of the “École de Paris”

45

9 783422 990678

The story of Paris as the international

center of art at the start of the 20th

century has been told many times.

This book asks what contribution exhibitions

between 1921 and 1946 made

to the development and propagation

of this story. It sheds light on exhibitions

in the cafés of the Montparnasse

quarter of Paris and the international

exhibitions of the “École de Paris”. The

emphasis is on competing views of

Paris as a center and crossing point

for the art world. This book provides

a chronological and topographical

overview of these exhibitions for the

first time. It also detaches art-historical

research on the “École de Paris” from

a perspective focusing on Paris and

analyzes its subject matter on the

horizon of transcultural dynamics.

Annabel Ruckdeschel,

research assitant at the Justus- Liebig-

Universität, Giessen

Titia Hensel

Das Bild der Herrscherin

Franz Xaver Winterhalter und die Gattungspolitik

des Porträts im 19. Jahrhundert

Ars et Scientia 26

Pages 416


Format 24.0 × 17.0 cm

HC 978-3-11-108487-9 Ger € 79.00

$ 86.99

£ 72.00

E-Book 978-3-11-108507-4 Ger € 79.00

$ 86.99

£ 72.00

GERMAN

NOVEMBER 2023

DE GRUYTER

Fundamental study on portraiture of

female rulers

New perspectives on one of the most

successful and productive 19th century

court artists

Women in positions of political leadership

46

9 783111 084879

Franz Xaver Winterhalter, one of the

most sought-after and productive

artists of the 19th century, developed

various types of portraits in strategically

composed portraiture programmes,

which shaped the image of male and

female rulers across different political

systems. This example is taken in order

to discuss how recognition of rulership

is conferred in concrete terms, and to

what extent the visualisation of claims

to power is dependent on office and

gender. The author identifies three

reproducible patterns of legitimation,

defining new terms of investigation —

fashion, regalia and virtue portraits —

that will assist future research across

epochs.

Titia Hensel,

University of Siegen

Katrin Kaufmann

Taking the Alhambra

to St. Petersburg

Neo-Moorish Russian Architecture and Interiors

1830–1917

Pages 368

Ills. 290 color

Format 28.0 × 22.0 cm

HC 978-3-11-071065-6 En € 84.00

$ 96.99

£ 76.50

E-Book 978-3-11-114137-4 En Open Access

ENGLISH

DECEMBER 2023

DE GRUYTER

The first examination of St. Petersburg’s

orientalizing architecture in a

pan-European context

Russian architects as pioneers of the

Moorish Revival

47

9 783110 710656

Little is known of Russian architects’

in-depth engagement with Ibero-

Islamic architecture, especially the

medieval Nasrid palaces of the

Alhambra in Granada, in the so-called

Moorish Revival. This study, rich in

material, analyzes 19th-century

Orientalizing buildings and interiors in

St. Petersburg and traces the routes

by which the formal vocabulary of the

Alhambra reached Russia from Spain.

Incorporating essential aspects of

Russian cultural history and 19th century

European notions of the Orient, it

shows that Russian architects and the

Imperial Academy of Arts were among

the pioneers of the Moorish Revival.

Katrin Kaufmann,

University of Zurich

Friederike Voßkamp

Im Wandel der Zeit

Die Darstellung der Vier Jahreszeiten

in der bildenden Kunst des 18. und frühen

19. Jahrhunderts

Kunstwissenschaftliche Studien

Pages 360


Format 24.0 × 17.0 cm

SC 978-3-422-98686-2 Ger € 68.00

$ 74.99

£ 59.50

E-Book 978-3-422-80110-3 Ger € 68.00

$ 74.99

£ 59.50

GERMAN

JUNE 2023


First monographic study of the subject

Pointed presentation on the basis of four

selected examples of works across genres and

countries

embedding in the history of science

References to Enlightenment research,

literature, music and natural sciences

48

9 783422 986862

Natural phenomena such as the four

seasons have always been part of

human experience and are increasingly

coming to the fore in the wake of

current climatic changes. Present in

art since antiquity, the motif reached

the peak of its popularity in the 18th

and early 19th centuries. At the same

time, a change in the conception and

the mode of representation can be

observed. This publication focuses on

these processes of revision and

detachment from conventional ideas

and, using selected examples of works

by William Hogarth, Jean-Antoine

Houdon, Caspar David Friedrich and

Bertel Thorvaldsen, explores the transformation

of the image of the seasons

in the face of increasing scientification,

an altered experience of nature and an

enlightened understanding of the

world.

Friederike Voßkamp,

research associate and head of

collection at the Max Ernst Museum

Brühl of the Landschaftsverbands

Rheinland (LVR)

Hessisches Landesmuseum (Ed.), Justus

Lange, Malena Rotter,

Christiane Ehrenforth

Tischbein im Kontext

Ausstattungsprogramme für die Landgrafen

von Hessen-Kassel

Museumslandschaft Hessen Kassel –

Wissenschaftliche Reihe

Pages 107

Ills. 61 color

Format 21.8 × 14.2 cm

SC 978-3-422-80111-0 Ger € 15.00

$ 16.99

£ 13.50

GERMAN

MARCH 2023


Object history in art history and art

technology

New research on the landgraviate of

Hessen-Kassel

Anniversary of Johann Heinrich Tischbein

the Elder

49

9 783422 801110

Johann Heinrich Tischbein the Elder

(1722–1789) played an important role

for Kassel. His decades of activity

as court painter to the Landgraves of

Hesse-Kassel meant that many works

of his authorship are still present

today in the historic buildings and

various collections of the Museumslandschaft

Hessen Kassel. The rediscovery

and restoration of three ceiling

paintings from the former Kassel

Residence Palace put a spotlight on

his work as decorative artist. Their

programmatic orientation and position

within Tischbein’s activities as a decorator

for the Hessian landgraves is the

subject of the present volume and is

completed by an art-technological

contribution on the latest restoration

project.

Justus Lange,

Director of the Old Masters Picture

Gallery, Kassel

Malena Rotter,

Research Associate of the Old Masters

Picture Gallery, Kassel

Phoenix. Mainzer kunstwissenschaftliche BiBliothek

Winfried Eckel, Gregor Wedekind (Eds.)

Grenzgänger

Figuren des deutsch-französischen Kultur transfers

Phoenix. Mainzer kunstwissenschaftliche

Bibliothek 10

Pages 192

Ills. 15 b/w

Format 24.0 × 17.0 cm

HC 978-3-11-132119-6 € 48.00

$ 52..99

£ 42.00

GERMAN/FRENCH

DECEMBER 2023

DE GRUYTER

Winfried Eckel, Gregor Wedekind (Hrsg.)

GrenzGänGer

Figuren des deutsch-Französischen

KulturtransFers

New perspectives on intercultural exchange

between Germany and France

50

9 783422 801196

Having grown up in Germany or

France, they have crossed the border

between the linguistic and cultural

areas several times, both literally and

metaphorically. As border crossers/

frontaliers, they have also become

cultural mediators/passeurs de culture.

In their respective fields – art,

literature, science – they have provided

impulses and opened up new possibilities

by building bridges. They

have developed cultural syntheses

that others have been able to build

upon, whether in Germany, France or

beyond.

This volume brings together individual

studies on David d'Angers, Louis Aragon,

Ernst Robert Curtius, Émile

Durkheim, Hans Hartung and Wols,

Victor Hugo, Julius Meier-Graefe,

Edgar Quinet, Germaine de Staël and

Johann Georg Wille.

Winfried Eckel, Gregor Wedekind

Johannes Gutenberg University, Mainz

Also of interest

Valérie Kobi, Alexander Linke,

Stephanie Marchal (Eds.)

Spannungsfeld Museum

Akteure, Narrative und Politik in

Deutschland und Frankreich um 1900

Pages 299

Ills. 17 s/w

Format 17.0 × 24.0 cm

HC.

978-3-11-053096-4 Ger

€ 59,95 / $ 68.99 / £ 54.50

GERMAN/ENGLISH/FRENCH

JULY 2019

DE GRUYTER

Valérie Kobi, Kristel Smentek, Chonja Lee

(Eds.)

Networks and Practices

of Connoisseurship in

the Global Eighteenth

Century

Pages 256

Ills. 75 color

Format 24.0 × 17.0 cm

SC 978-3-11-099695-1 € 49.00

$ 53.99

£ 45.00

E-Book 978-3-11-123541-7 En/Ger Open Access

ENGLISH

DECEMBER 2023

DE GRUYTER

Expansive focus on practices and networks in

India, Japan, and Europe in the 18th century

Complexities and asymmetries of

connoisseurship in an expanding world

51

9 783110 996951

The 18th century was the age of the

connoisseur. It was also an era of an

expanding global consciousness born

of accelerating trade and imperial

conquest. This volume puts into dialogue

the consolidation of connoisseurship

as an empirical mode of artistic

analysis in Europe and Asia and the

increasing exposure to different

modes of artmaking facilitated by

local and global networks over the

course of the long 18th century. Focusing

on exchanges between India, Japan,

China and Europe, the contributions

examine the complex and

nuanced impacts on connoisseurial

practice of encounters with artworks

from different regions of the globe,

the international networks that made

those encounters possible, and the

intricate transactions through which

connoisseurial knowledge of art was

generated.

Valérie Kobi,

Assistant Professor of Early Modern

Art History and Museology, University

of Neuchâtel, Switzerland

Kristel Smentek,

Associate Professor of Art History at

MIT, Cambridge (MA), USA

Chonja Lee,

lecturer in Early Modern Art History,

University of Neuchâtel, Switzerland

Romantische

Thermodynamik

Dichtung, Natur und die Verwandlung

der Kräfte 1770-1830

Cornelia

Zumbusch

Cornelia Zumbusch

Romantische

Thermodynamik

Dichtung, Natur und die Verwandlung

der Kräfte 1770–1830

Imaginarien der Kraft 5

Pages 424

Ills. 2 b/w

Format 24.0 × 15.0 cm

HC 978-3-11-125297-1 Ger € 59.00

$ 64.99

£ 54.00

E-Book 978-3-11-125320-6 Ger € 59.00

$ 64.99

£ 54.00

ImagI narI en

der Kraft

GERMAN

NOVEMBER 2023

DE GRUYTER

Rewrites the long history of force in natural

philosophy and poetics of the 17th and

18th centuries

Takes up current initiatives of energy studies

Goethe and Novalis as observers of the entry

into fossil combustion cultures

52

9 783111 252971

The power of poetry, a topos since

Plato, undergoes a radical transformation

in literary texts between 1770 and 1830.

Concepts of divine or unconscious

inspiration or of the overwhelming

impacts of poetry are recast in notions

of the transformative potentials of

poetry. The author discusses these

reconfigurations of poetic power in

the context of early thermodynamic

thinking, where the world presents

itself not as a mechanism but as a

self-organised metabolism. In images

of nature as well as in machine-like

arrangements for burning and

consuming, breathing and eating,

Goethe and Novalis develop models

of a formal dynamic that, along with

Herder and W. v. Humboldt, can be

understood as energeia, i.e., as

continuous shaping and reshaping.

Cornelia Zumbusch,

University of Hamburg, co-directress

Warburg-Haus and DFK-Centre for

Advanced Studies Imaginaria of Force

Recently published

Adrian Renner, Frederike

Middelhoff (Eds.)

Forces of Nature

Dynamism and Agency in

German Romanticism


Pages 256

Format 24.0 × 15.0 cm

SC

ENGLISH

AUGUST 2022

DE GRUYTER

978-3-11-078377-3 En

€ 59,95 / $ 68.99 /

£ 54.50

Thomas Moser, Wilma

Scheschonk (Eds.)

Energetic Bodies

Sciences and Aesthetics of

Strength and Strain


Pages 196


Format 24.0 × 15.0 cm

SC

ENGLISH

MAY 2022

DE GRUYTER

978-3-11-076706-3 En

€ 49,95 / $ 57.99 /

£ 45.50

Augsburg_Rathaus_Layout.indd 15 09.03.23 16:08

Augsburg_Rathaus_Klapptafel.indd 27 09.03.23 16:23

Staats- und Stadtbibliothek

Augsburg (Ed.),

Karl-Georg Pfändtner

Das prächtige Rathaus

der Stadt Augsburg

Salomon Kleiners Originalzeichnungen aus den

Jahren 1727/28 in der Staats- und Stadtbibliothek

Augsburg für die Edition der Kupferstichfolge

des Augsburger Rathauses

Schatzkiste – Preziosen der Staats- und

Stadtbibliothek Augsburg 1

Pages 52

Ills. 79 color

Format 29.0 × 45.0 cm

HC 978-3-422-80107-3 Ger € 48.00

$ 63.99

£ 50.50

GERMAN

JUNE 2023


An historical documentation of the

“best parlour of Augsburg” rediscovered –

a minor sensation, even outside Augsburg!

A publication on the occasion of the

anniversary of Elias Holl, builder of the

Augsburg City Hall

53

9 783422 801073

Salomon Kleiner, born in Augsburg in

1700, is a famous veduta artist and

engraver. In 1732, Jeremias Wolff’s

heirs published Das prächtige Rath

Hauß der Stadt Augspurg, an edition

of copper engravings with views,

ground plans and elevations of the

famous town hall in Augsburg and its

magnificent, richly furnished interiors,

created by Elias Holl from onwards.

Little known to researchers, Augsburg

State and City Library holds the original

drawings by Kleiner produced for

this edition and presents them for the

first time here in their original size and

colours, with the same view from the

1732 prints on the opposite pages. The

text explains the originals, describes

the interior views in detail, and presents

the paintings that have survived

to the present day in colour illustrations.

Karl-Georg Pfändtner

is director of the Augsburg State and

City Library since 2017 and is a specialist

in book art.

Almut Pollmer-Schmidt, Berit Wagner,

Heidrun Lange-Krach (Eds.)

Das Werk im Zentrum.

Kunstgeschichte mit

Objekten des Städel

Museum und der Liebieghaus

Skulpturensammlung

Festschrift für Jochen Sander zum 65. Geburtstag

Pages 384

Ills. 130 color

Format 24.0 × 17.0 cm

HC 978-3-422-80088-5 Ger ca. € 78.00

ca. $ 89.99

ca. £ 68.00

GERMAN

JUNE 2023


Highlights from the collection of the Städel

Museum and the Liebieghaus collection of

sculpture from the Middle Ages to the present

day

54

9 783422 800885

Developing an art-historically relevant

and innovative question based on a

key object is a complex matter. Each

focused examination not only opens

up specialist knowledge; at the same

time, it provides a deep insight into a

living piece of art history. With this in

mind, the present volume brings together

over 40 contributions by international

authors who subject objects

from the Frankfurt collections of the

Städel Museum and the Liebieghaus

collection of sculptures to focused

analysis using various methodological

approaches. Individual questions are

developed and trenchant art history(s)

told on the basis of works from the

Middle Ages to the present day. These

objects are showcased in order to

reveal their many facets, somewhat

like a kaleidoscope. Jochen Sander,

who is closely associated with both

collections, has advanced object-centred

research in numerous publications

and broken new methodological

ground. This book is dedicated to him.

Jochen Sander,

Städel Museum; Goethe-Universität

Frankfurt am Main

Berit Wagner,

Goethe-Universität Frankfurt am Main

Almut Pollmer-Schmidt,

Landesmuseum Württemberg,

Stuttgart

Heidrun Lange-Krach,

Goethe-Universität Frankfurt am Main

Christof Metzger, Stephanie Andrea

Sailer, Sebastian Schütze (Eds.)

Zeichnungssammlungen

in Wien und Mitteleuropa

Akteure – Praktiken – Rahmendiskurse

Sammler, Sammlungen, Sammlungskulturen

in Wien und Mitteleuropa 5

Pages 352

Ills. 127 color

Format 24.0 × 17.0 cm

HC 978-3-11-119798-2 En/Ger € 69.95

$ 76.99

£ 64.00

E-Book 978-3-11-123541-7 En/Ger € 69.95

$ 76.99

£ 64.00

ENGLISH/GERMAN

AUGUST 2023

DE GRUYTER

Drawings as a distinct area of collecting

Tracing the beginnings of the graphic

cabinets in Berlin, Dresden, Hamburg, and

Vienna

55

9 783111 197982

The contributions to this volume shed

light on the emergence of important

collections of drawings in Vienna and

Central Europe, many of which form

the basis of today’s large museum

holdings in Vienna, Berlin, Dresden

and Hamburg, for example. They investigate

the relevant players and their

international connections and motivation,

special collection foci and acquisition

strategies, as well as systems of

storage and classification. The media

dissemination of the collections in

reproductive engravings or through

catalogues is discussed as well as the

structures of the art and auction trade

and the interplay between collecting,

connoisseurship and the study of

graphic art. The volume also shows

the extent to which collections of

drawings influenced art history and

the methodological development of

the discipline, especially in the 18th

and 19th centuries.

Christof Metzger,

Albertina, Vienna

Stephanie Sailer, Sebastian Schütze,

University of Vienna

Generaldirektion Kulturelles Erbe

Rheinland-Pfalz (Ed.)

Die Freiheit der Linie

Callot, Della Bella, Castiglione und die Radierung

im 17. Jahrhundert

Pages 208

Ills. 150 color

Format 28.0 × 22.0 cm

HC 978-3-422-80113-4 Ger € 42.00

$ 46.99

£ 37.00

GERMAN

SEPTEMBER 2023


New state of research on Baroque etching

56

Exhibition

Landesmuseum Mainz

September 8 to December 3, 2023

9 783422 801134

Etching, the origins of which as an

intaglio technique can be traced back

to the beginning of the 16th century,

unfolded its full glory in the 17th century.

Famous engravers such as Albrecht

Dürer had rejected etching as

an inferior technique to copperplate

engraving, but a century later it experienced

its Baroque heyday. The

etching technique owes its albeit late

success to the freedom of its lines.

Unlike the laborious method of copperplate

engraving, the artist’s hand

can playfully transpose the drawing

onto the etching plate with ease. This

catalogue provides fascinating insights

into the working processes and

aesthetics of Baroque printmaking.

The focus is on works by three artists

who excelled in the etching technique:

Jacques Callot, Stefano della Bella and

Giovanni Benedetto Castiglione.


Maria Aresin, Marion Heisterberg,

Stefan Morét, Ad Stijnman

57

Elvira Bojilova

Die verlorene Spur

Ästhetische Reflexionen zur Schraffur

in der Vormoderne

Pages 288


Format 24.0 × 17.0 cm

SC 978-3-11-076280-8 Ger € 79.00

$ 86.99

£ 72.00

E-Book 978-3-11-076286-0 Ger € 79.00

$ 86.99

£ 72.00

GERMAN

SEPTEMBER 2023

DE GRUYTER

First monograph on the technique of

hatching in the early modern period

Artworks by Michelangelo, Hendrick

Goltzius, Luca Ciamberlano, Claude Mellan

and others

58

9 783110 762808

This publication is devoted to a hitherto

little examined aspect of hand drawing

and printmaking: How was hatching

reflected upon in the period between

c. 1500 and 1700? Central aspects of

the artistic technique are examined on

the basis of five case studies. The

perspective extends beyond European

national borders. Methodologically,

approaches of discourse history and

reception aesthetics are combined.

The promising source situation discloses

a treasure trove of historical

texts, many of which were transcribed

and translated for the first time in this

context. Detailed image analyses show

the full potential of hatching and the

way it functions in the artworks and

their viewing.

Elvira Bojilova,

University of Düsseldorf

Henri de Riedmatten, Fabio Gaffo,

Mathilde Jaccard (Eds.)

Restoration as

Fabrication of Origins

A Material and Political History

of Italian Renaissance Art

Pages 200

Ills. 92 color

Format 24.0 × 17.0 cm

SC 978-3-11-107227-2 En/Fr € 49.00

$ 56.99

£ 44.50

E-Book 978-3-11-107273-9 En/Fr Open Access

ENGLISH/FRENCH

AUGUST 2023

DE GRUYTER

Restoration practices in Italian Renaissance

art

Reassessing the concept of Renaissance

Recoding of ancient works for

political purposes

59

9 783111 072272

The aim of this publication is to clarify

the relationships between material

restoration and politics in Italian

Renaissance art. The focus of this

research is on the question of origin as

a foothold for political, patrimonial,

and cultural identity. These claims

were enacted within a system which,

rather than restoring the initial forms

and meanings of existing objects,

remodeled the past according to new

identity requirements: spaces were

reorganized, and works of art invested

with new meanings. Their material and

aesthetic reality was thus transformed

and redefined. The aim is therefore

to analyze the potential physical

modifications of these artefacts in

light of their symbolic recoding.

Henri de Riedmatten, Fabio Gaffo,

Mathilde Jaccard,

University of Geneva, Switzerland

Jan-David Mentzel

Bad und Akt

Studien zu Badedarstellungen der Frühen Neuzeit

Pages 368


Format 24.0 × 17.0 cm

HC 978-3-422-98875-0 Ger € 48.00

$ 55.99

£ 41.50

E-Book 978-3-422-80106-6 Ger € 48.00

$ 55.99

£ 41.50

GERMAN

OCTOBER 2023


Well-founded overview of the rich pictorial

world of the bath in the 15th and 16th

centuries

New evaluation of bath depictions as a field

of artistic experimentation

Presentation of the most important bath

iconographies in painting, graphic art and

book art

60

9 783422 988750

Physical cleansing is an anthropological

constant. The bath serves hygienic as

well as ritual purposes and can also

refer to spiritual healing in a figurative

sense. Above all, however, it refers to

the body in need of care, which must

be uncovered for washing. Mythology,

theology and medicine cannot be

imagined without this theme. Representations

of bathing people are

correspondingly diverse. Jan-David

Mentzel uses selected works of art to

present the rich pictorial world

surrounding the bath and traces the

manifold cultural connections of the

theme. In doing so, he shows how

artists such as Jan van Eyck and

Albrecht Dürer used the subject as a

field of experimentation during the

Renaissance in order to test new

images of the body.

Jan-David Mentzel,

director of the Museum of Faience in

Kellinghusen

Giuseppe Peterlini

Gegen Michelangelo

Die Bildparodie in der nord- und

mittelitalienischen Kunst des Cinquecento

edition

Pages 260


Format 30.0 × 23.0 cm

HC 978-3-422-80108-0 Ger € 98.00

$ 107.99

£ 85.50

E-Book 978-3-422-80109-7 Ger € 98.00

$ 107.99

£ 85.50

Giuseppe Peterlini

Gegen

Michelangelo

Die Bildparodie in der nord- und

mittelitalienischen Kunst des Cinquecento

GERMAN

NOVEMBER 2023


The first comprehensive study of pictorial

and written criticisms of Michelangelo in

16th-century northern and central Italy

A study of the theory, function, and

manifestations of pictorial parody in the early

modern period

61

9 783422 801080

The European art scene of the 16th

century was dominated by the person

and work of Michelangelo Buonarroti.

However, Michelangelo’s rapid artistic

rise, loud adoration, and elevation to

the status of norm and unsurpassable

authority in art triggered criticism as

early as the Cinquecento. One of the

critical art techniques used at the time

to delegitimize norms, disparage

competitors, and vituperatively discredit

works of art was image parody. This

study is dedicated to examining this

particular technique of comization and

devaluation through a systematic and

exemplary exploration of the “negative”

reception of Michelangelo in northern

and central Italian art of the period.

Giuseppe Peterlini,

assistant at the Chair of Art History at

the University of Bamberg.

Steffen Krämer

Bramantes

Pergamentplan

Eine Architekturzeichnung im Kontext

wissenschaftlicher Kontroversen

Pages 103

Ills. 35 color

Format 24.0 × 17.0 cm

SC 978-3-422-80102-8 Ger € 28.00

$ 30.99

£ 24.50

E-Book 978-3-422-80103-5 Ger € 28.00

$ 30.99

£ 24.50

GERMAN

MARCH 2023


Reappraisal of Bramante’s parchment plan

in the context of art historical text- and

image-materials

Answer to the question of whether the

parchment plan is a central- or

longitudinal-building

Critical review of the existing research

literature

62

9 783422 801028

The planning history of St. Peter’s in

Rome at the beginning of the 16th

century has been an important topic

of art historical research since the 19th

century. The so-called parchment plan

by Donato Bramante, which has only

been preserved as a draft fragment, is

the focus of the scientific investigations.

In the present study, this plan is

comprehensively analyzed and placed

in a historical context with other textand

image-materials, ranging from

architectural precursors from the late

antique imperial period to the baroque

planning phase of St. Peter’s in the

17th century. On the basis of various

scientific approaches, the fundamental

question should be answered as to

whether the parchment plan was a

central- or longitudinal- building.

Steffen Krämer,

lecturer at the Munich Institute

for Art History and director of the

Winckel mann Academy for Art History

Julia Kloss-Weber

Bilder der Alterität –

Alterität der Bilder

Zum transkulturellen Potenzial von Bildern in

Übersetzungsprozessen zwischen Neuspanien

und Europa im 16. Jahrhundert

Pages ca. 560

Ills. 240 color

Format 17.0 × 24.0 cm

HC 978-3-11-129428-5 € 68.00

$ 69.99

£ 65.50

GERMAN

OCTOBER 2023

DE GRUYTER

Mexican art of the 16th century analyzed as a

testimony of transcultural processes

63

9 783111 294285

This study focuses on mural paintings,

sculptures, picture writings and body

images from 16th-century Mexico. Julia

Kloss-Weber analyses the extent to

which many of the images produced

during the New Spain mission address

alterity, i.e. identity-creating otherness.

At the same time, she investigates the

form of alterity assigned to images as

fields of tension within an “iconic difference”

(Gottfried Boehm). This

brings together two areas of discourse

that had developed largely independently

of each other: Reflections

on constructions of the “other” in the

context of postcolonial studies, and

debates on image theory. Thus it

emerges that images not only mediate

between cultures, but are also themselves

the subject of processes of

transcultural negotiations.

Julia Kloss-Weber,

University of Hamburg

Also in preparation

Johanna Spanke

Photomurals

Verflechtung – Aushandlung –

Opazität 1

Pages 400

Ills. 100 s/w, 20 in Farbe

Format 24,0 × 17,0 cm

HC.

GERMAN

SEPTEMBER 2023

DE GRUYTER

978-3-11-078924-9 Ger

€ 79.95 / $ 91.99 / £ 72.50

Maria Schaller

Das Herz in den Bildmedien

religiöser Frauengemeinschaften

Verflechtung – Aushandlung –

Opazität 2

Pages 520

Ills. 151 s/w, 32 in Farbe

Format 24,0 × 17,0 cm

HC.

GERMAN

NOVEMBER 2023

DE GRUYTER

978-3-11-102778-4 Ger

€ 69.95 / $ 80.99 / £ 63.50

Arne Leopold

Die Materialität

geschnitzter Kästen

aus Holz

Zur Imitation von Elfenbein,

Seide und Gold im Hoch- und Spätmittelalter

Materialität und Produktion

Pages 700

Ills. 60 color, 1 tables

Format 24.0 × 17.0 cm

HC 978-3-11-119357-1 Ger € 99.95

$ 109.99

£ 91.00

E-Book 978-3-11-119310-6 Ger € 99.95

$ 109.99

£ 91.00

GERMAN

DECEMBER 2023

DE GRUYTER

Comprehensive examination of carved boxes

from the 12 th to 14 th centuries

Innovative contribution to research on the

relations and interactions of materials,

production and reception in the mediaeval

period

64

9 783111 193571

How does materiality affect artistic

processes of object creation and reception?

This volume examining

carved boxes from the High and Late

medieval periods deals with interrelations

between material and technique.

It compiles details of the origin, provenance

and function of numerous boxes,

and embeds production techniques,

material preferences and

reception aesthetics into the context

of contemporary awareness. One focus

is on interactions and transfers of

materials. Wood was used to imitate

and evoke ivory, silk and gold, which

might bring about social rapprochement

between the lower nobility and

the higher nobility, or between the

carving craftsmen and the bourgeoisie.

This analysis of intermateriality

establishes that materials, forms and

techniques cannot be grasped in isolation.

Arne Leopold,

Heinrich Heine University Düsseldorf

Now! Digitally

on the road

with

Dehio!

Dehio. Handbuch der deutschen Kunstdenkmäler

Hessen II. Der Regierungsbezirk Darmstadt

The Handbuch der Deutschen

Kunstdenkmäler, a handbook of German

cultural monuments established by

Georg Dehio more than 100 years ago,

has remained a highly reliable guide to

Germany’s monument landscape.

It is published by the Dehio-Vereinigung

and the Vereinigung der Landesdenkmalpfleger

(VDL, an association of state

conservators). The “Dehio” is an ideal

travel companion, informing readers

about the origins and eventful histories

of German monuments. Numerous plans,

layouts and maps make orientation easy.

And now also as an E-Book—

individually or as a set Deutschland.

Dehio E-Book Set Deutschland

HANDBUCH DER DEUTSCHEN

KUNSTDENKMÄLER

ISBN 978-3-422-80171-4

999.00 € [D]; 869.00 £; 1,100.00 $

Oktober 2023

NEW!

All volumes

available as

E-Books.

Klassik Stiftung Weimar (Ed.)

The Nietzsche Archive

Im Fokus

Pages 136

ills.. 47 b/w, 79 col.

Format 23.0 × 15.0 cm

SC 978-3-422-98716-6 En € 14.90

$ 17.99

£ 13.00

ENGLISH

AUGUST 2023


The Nietzsche cult has a home: the Nietzsche

Archive

A MUST-HAVE for Nietzsche fans and

lovers of Art Nouveau

Weimar beyond the classics: discover new

places

66

9 783422 987166

Villa Silberblick where a mentally deranged

Friedrich Nietzsche spent the

final years of his life, was originally a

middle-class home. Nietzsche’s sister

Elisabeth Förster-Nietzsche not only

looked after her ill brother but also

exploited the cult-like admiration the

philosopher enjoyed for her own ends

and installed the Nietzsche Archive in

the building. Initially very popular

amongst Europe’s avant-garde later

Elisabeth Förster-Nietzsche allowed

the archive to be instrumentalized by

the National Socialists before it became

a taboo topic in the GDR. Featuring

many colored illustrations, the

book relates the turbulent history of a

memorial that reflects the ambivalence

of modernism.


Alexandra Bauer, Helmut Heit, Katrin

Junge, Jonah Martensen, Franziska

Rieland, Christoph Schmälzle, Corinna

Schubert, Sabine Walter

Staatliche Kunstsammlungen Dresden,

Marius Winzeler (Eds.)

The Electoral Wardrobe

Guide to the Dresden Rüstkammer

Pages 144

Ills. 100 in Farbe

Format 23.0 × 15.0 cm

SC 978-3-422-80137-0 En ca. € 19.00

$ 20.99

£ 17.00

ENGLISH

NOVEMBER 2023


Clothes make the man – clothes make

politics: rulers’ costumes and haute couture

from the period 1550 to 1650

67

The permanent exhibition in the north

wing of Dresden’s Royal Palace presents

the surviving, magnificent vestments

from the possessions of the

Saxon electors, dating from around

1550 to 1650. This unique treasure

trove of European fashion and textile

history from the Renaissance and early

Baroque has now been re-opened to

the public after more than 80 years in

storage and many years of conservation

and restoration measures. This

exhibition guide is the first work to do

justice to a collection rich in silk, gold

and silver. It covers all the rulers’ robes

on display, including complete costume

ensembles, suits with doublet

and trousers, ladies’ dresses, and individual

garments. There are also introductions

to the many portraits, accessories

and sumptuous armoury on

display.


Jutta Charlotte von Bloh, Christine

Nagel, Viktoria Pisareva

Walter Lachner, Christian Welzbacher

Paulskirche

2nd edition

Publikationen der Frankfurter Bürgerstiftung

Pages 96


Format 20.0 × 12.0 cm

SC 978-3-422-80132-5 Ger € 12.00

$ 13.99

£ 10.50

GERMAN

APRIL 2023


Will appear on the occasion of the

Paulskirchenfest on May 18, 2023

68

9 783422 801325

Among the towers of high finance, one

of the most important buildings in

German history appears almost modest.

Built of red Main sandstone between

1789 and 1833, the Paulskirche

served as Frankfurt’s main Protestant

church until 1944. In 1848/49, the delegates

of Frankfurt National Assembly,

the first freely elected representative

body of the people, met in its classicist

rotunda. Incorporating a wealth of

visual material, this volume describes

the architectural significance and the

history of this national monument to

the present day.

Christian Welzbacher,

Art Historian and Journalist

Ines Spazier

Burgruine Henneberg in

Südthüringen

First Edition

Amtliche Führer der Stiftung Thüringer Schlösser

und Gärten

Pages 80

Ills. 40

Format 13.0 × 19.0 cm

SC 978-3-422-80172-1 Eng/Ger € 6.80

$ 7.99

£ 6.00

ENGLISH/GERMAN

AUGUST 2023


Impressive ruins in the Bavarian-Thuringian

border area

Surveillance tower in the military restricted

area of the GDR during the time of German

division

69

9 783422 801721

The ruins of Henneberg Castle, located

in southern Thuringia near the Bavarian

border, are among the most important

testimonies to a long-gone dynasty. In

the High and Late Middle Ages, the

Counts of Henneberg not only had a

decisive influence on events in southern

Thuringia and Lower Franconia;

they also played a prominent role in the

history of the Empire.

Few remains of the castle destroyed in

the Peasants' War of 1525 have been

preserved. Archaeological excavations

and the work of historians and building

researchers have, however, contributed

significantly to illuminating

the historical inventory. It is worth

seeing the late medieval curtain wall,

the mighty keep, and especially the

remains of the wooden parlour – one

of the oldest structures of its kind at

castles in German-speaking countries.

Ines Spazier,

Prehistorian Dr. Ines Spazier from the

Thuringian State Office for the Preservation

of Monuments and Archaeology

is an expert on the castle complex. As

the former area officer for Southern

Thuringia, she supervised the archaeological

excavations at Henneberg

Castle and has now written a comprehensive

monograph.

Angelika Abegg-Wigg,

Ronald Heynowski

Arm- und Beinringe

Erkennen. Bestimmen. Beschreiben.

Bestimmungsbuch Archäologie 9

Pages 448


Format 24.0 × 17.0 cm

SC 978-3-422-80138-7 € 22.00

$ 24.99

£ 19.50

GERMAN

DECEMBER 2023


First comprehensive systematics of pre- and

early historical arm and leg ornaments

Suitable for academics as well as interested

amateurs

70

9 783422 801387

Arm-rings are among the most common

items of jewellery. From the earliest

times, they have appeared in various

shapes and materials. The wearing

of leg-rings was limited to the Bronze

and Iron Ages. Together with spiral

rings and mountings, arm- and legrings

form an essential aspect of our

archaeological legacy. They not only

decorated the body but also accumulated

value.

This volume offers a comprehensive,

systematic guide to the object groups.

Typical forms are presented, described,

and illustrated in a study of

jewellery in German-speaking countries

from the Palaeolithic era to the

Middle Ages. This reference work is

aimed at any interested reader but

also provides a practical tool for recording

and indexing museum and

archaeological collections.

Angelika Abegg-Wigg,

Museum für Archäologie Schloss

Gottorf, Schleswig

Ronald Heynowski,

Landesamt für Archäologie Sachsen,

Dresden

Recently published

Ulrike Weller, Ronald Heynowski

(Eds.)

Messer und Erntegeräte

Erkennen. Bestimmen.

Beschreiben.

Bestimmungsbuch Archäologie 8

Pages 200

Ills. 131 b/w, 16 in color

Format 24.0 × 17.0 cm

SC.

978-3-422-98924-5 Ger

€ 19,90 / $ 22.99 / £ 17.50

GERMAN

JULY 2022


ANA KUČAN

MATEJA KURIR

(EDS.)

Ana Kučan, Mateja Kurir (Eds.)

Garden and Metaphor

Essays on the Essence of the Garden

Pages 320


Format 24.0 × 17.0 cm

Geb. 978-3-0356-2655-1 En € 40,00

E-BOOK 978-3-0356-2656-8 EN $ 47.00

£ 35.00

ENGLISH

OKTOBER 2023

BIRKHÄUSER

The importance of the garden for our present

time and in the future

ESSAYS ON THE ESSENCE

OF THE GARDEN

BIRKHÄUSER

Internationally renowned authors

A beautifully designed, attractive volume

with photography by Anne Schwalbe

71

9 783035 626551

Never before had the garden to fulfil

so many demands as it does today. It

is a refuge from digitalised life and

acts as a bridge to nature. As a manmade

place where plants grow, it is

cultivated and untamable at the same

time. While for centuries the gardener’s

ambition was to control and subjugate

nature, today it serves more as

a place for retreat, a possible surrogate

for wilderness, a habitat for animals

or it fulfils the dream of self-sufficiency.

In this book, landscape

architects, sociologists, architects,

artists, philosophers and historians

illuminate different aspects of the

garden in the Anthropocene in six

chapters: the garden as a place of

community, garden as art, garden as a

place of enchantment and rapture,

opening up questions of what garden

as a model could stand for.

Ana Kučan,

professor of Landscape Architecture,

University of Ljubljana

Mateja Kurir,

philosopher, researcher, editor, Ljubljana

INDEX OF AUTHORS AND EDITORS

72

A

Abegg-Wigg, Angelika 70

Ahrens, Birgit 41

Aresin, Maria 56

B

Bahrmann, Nadine 36

Ballhausen, Thomas 27

Baresel-Brand, Andrea 36

Bauer, Alexandra 66

Bayer-Wermuth, Monika 18

Beaucamp, Ella 35

Behrmann, Carolin 34

Berghaus, Günter 38

Billeter, Felix 8

Bloh, Jutta Charlotte von 67

Bojilova, Elvira 58

Bonnefoit, Régine 23, 43

Bruns, Brigitte 8

Burchert, Linn 30

C

Celio-Scheurer, Marie-Eve 43

Colucci, Dalila 38

D

Degen, Elena 4

Dehmer, Andreas 42

Deichmann, Andrea 44

Deinert, Matthias 36

Dewey, Anne 37

Diederen, Roger 6

Dyballa, Katrin 6

E

Eckel, Winfried 50

Egle, Steffen 8

Ehrenforth, Christiane 49

Ewers, Charlotte 6

F

Fink, Arthur 4

Finkenauer, Thomas 36

Fischer, Sören 8

Fröschl, Martina 26

G

Gaffo, Fabio 59

Gavioli, Vanessa 8

Gentile, Carlo 8

Giese, Francine 28, 29

Grammont, Claudine 4

Griesser-Stermscheg, Martina 34

Grunwald, Armin 24

Gsöllpointner, Katharina 25

H

Hartmann, Uwe 36

Haug, Steffen 34

Heim, Sibylle 22

Heisterberg, Marion 56

Heit, Helmut 66

Helfenstein, Josef 4

Hensel, Titia 46

Herold, Inge 12

Heschl, Gero 11

Heynowski, Ronald 70

Hindelang, Laura 29

Hoge, Kristina 8

Holten, Johan 12

Houbre, Gabrielle 4

Huemer, Christian 16

J

Jaccard, Mathilde 59

Joyeux-Prunel, Béatrice 4

Junge, Katrin 66

Junkerjürgen, Ralf 6

K

Kandathil, Mira 22

Kaske, Romana 35

Kaufmann, Katrin 47

Kennedy, Julie 8

Klähn, Tim Florian 38

Kloss-Weber, Julia 63

Kobi, Valérie 50, 51

Krämer, Steffen 62

Krauter, Anne 29

Kropmanns, Peter 4

Kučan, Ana 71

Kuhn, Philipp 8

Kurir, Mateja 71

L

Lachner, Walter 68

Lange, Justus 49

Lange-Krach, Heidrun 54

Lee, Chonja 51

Leopold, Arne 64

Lertxundi Galiana, Mikel 6

Linke, Alexander 50

Lupfer, Gilbert 36

M

Marchal, Stephanie 50

Martensen, Jonah 66

Mentzel, Jan-David 60

Metzger, Christof 55

Meyer, Roland 31

Middelhoff, Frederike 52

Morét, Stefan 56

Moser, Thomas 35, 52

Müller, Martin 30

Murphy, Maureen 4

Myssok, Johannes 14

N

Nagel, Christine 67

Nünning, Patricia 8

P

Partsch, Susanna 42

Pereña, Helena 6

Pérez-Fajardo, Carlos Alonso 6

Peterlini, Giuseppe 61

Peytchinska, Elena 27

Pfändtner, Karl-Georg 53

Pichler, Wolfram 39

Pisareva, Viktoria 67

Pollmer-Schmidt, Almut 54

R

Reich, Annette 8

Renner, Adrian 52

Rérat, Melissa 23

Rešetar, Iva 30

Riedmatten, Henri de 59

Rieland, Franziska 66

Rollig, Stella 16

Roth, Lynette 12

Rotter, Malena 49

Rousseau, Pascal 4

Ruckdeschel, Annabel 45

Rüppell, Katharina 24

S

Sailer, Stephanie Andrea 55

Santorius, Nerina 6

Saß, Ulrike 37

Schaller, Maria 63

Schellenberg, Samuel 23

Schellewald, Barbara 39

Scheschonk, Wilma 52

Schmälzle, Christoph 66

Schmidt, Eike 8

Schmidt, Frank 24

Schubert, Corinna 66

Schumm, Johanna 6

Schütze, Sebastian 55

Senkpiel, Fabiana 22

Smentek, Kristel 51

Spanke, Johanna 63

Spazier, Ines 69

Sternfeld, Nora 34

Stijnman, Ad 56

Stoichita, Victor I. 39

Ströbel, Birgit 40

Ströbele, Ursula 32

Sykora, Katharina 39

T

Tabbal, Sarah 28

Thesing, Susanne 8

Thiemann, Birgit 6

Thiessen, Jan 36

V

Vendl, Alfred 26

Voss, Julia 8

Voss-Andreae, Peter 41

Voßkamp, Friederike 48

W

Wagner, Berit 54

Walter, Sabine 66

Wedekind, Gregor 39, 50

Weibel, Peter 25

Weller, Matthias 37

Weller, Ulrike 70

Welzbacher, Christian 68

Winzeler, Marius 67

Wolf, Sophie 29

Wörsdörfer, Clara 33

Z

Ziaja, Luisa 34

Zumbusch, Cornelia 52

Zuschlag, Christoph 37

Monika Huber

Archive OneThirty

Monika Huber, Bernhart Schwenk,

Ernst Alphen, Mieke Bal, James W.

Davis, Antje Kapust, Ute Schaeffer,

Ulrich Wilmes

2023. 192 pages. 28.0 × 20.0 cm

100 color ills.

SC 978-3-422-80081-6 Ger

978-3-422-80085-4 En

€ 48.00 / $ 55.99 / £ 41.50

E-Book 978-3-422-80098-4

€ 48.00 / $ 55.99 / £ 41.50

Machine Room of the Gods

How Our Future Was Invented

Vinzenz Brinkmann (Ed.)

2023. 280 pages. 25.5 × 17.5 cm

350 color ills.

HC 978-3-422-99636-6 En

€ 45.00 / $ 51.99 / £ 39.00


Catalogue Raisonné

Vol. 1.1, Painting 1982–2016

Michael Müller (Ed.),

Anne-Marie Bonnet, Tobias Vogt

2023. 352 pages. 31.5 × 24.0 cm

144 color ills.

HC

978-3-422-99666-3 En/Ger/Cn

€ 119.00 / $ 130.99 / £ 103.50

E-Book

978-3-422-80127-1 En/Ger/Cn

€ 119.00 / $ 130.99 / £ 103.50

not yet published

not yet published


Catalogue Raisonné

Vol. 1.2, Painting 2017–2019

Martin Engler

2023. 328 pages. 31.5 × 24.0 cm

140 color ills.

HC

978-3-422-99718-9 En/Ger/Cn

€ 119.00 / $ 130.99 / £ 103.50

E-Book

978-3-422-80128-8 En/Ger/Cn

€ 119.00 / $ 130.99 / £ 103.50

not yet published


Catalogue Raisonné

Vol. 1.3, Painting 2020–2021

Lukas Töpfer, Rudolf Zwirner,

Oliver Koerner von Gustorf

2023. 496 pages. 31.5 × 24.0 cm

131 color ills.

HC

978-3-422-99720-2 En/Ger/Cn

€ 119.00 / $ 130.99 / £ 103.50

E-Book

978-3-422-80129-5 En/Ger/Cn

€ 119.00 / $ 130.99 / £ 103.50


Catalogue Raisonné

Vol. 1.4, Der geschenkte Tag:

Kastor & Polydeukes

Hubertus von Amelunxen,

Rudolf Zwirner

2023. 420 pages. 31.5 × 24.0 cm

138 color ills.

HC

978-3-422-99725-7 En/Ger/Cn

€ 68.00 / $ 78.99 / £ 59.00

E-Book

978-3-422-80051-9 En/Ger/Cn

978-3-422-80120-2 En/Ger/Cn

€ 68.00 / $ 78.99 / £ 59.00

Sabine Groschup –

DER DOPPELTE (T)RAUM

Barbara Kolb, Karl Borromäus

Murr, tim Staatliches

Textil- und Industriemuseum

Augsburg (Eds.),

Silvia Eiblmayr, Katja Gasser,

Peter Weibel

2023. 156 pages. 26.5 × 23.0 cm

52 color ills.

HC 978-3-422-99564-2 Ger

€ 32.00 / $ 36.99 / £ 28.00

Kunst, Musik und

Peter Brötzmann

Free Music Art Production

Sarah Czirr, Jürgen Wiener (Eds.)

2023. 160 pages. 23.0 × 15.5 cm

15 b/w ills., 25 color ills.

SC 978-3-422-99065-4 Ger

€ 24.00 / $ 26.99 / £ 21.00

E-Book 978-3-422-80049-6 Ger

€ 24.00 / $ 26.99 / £ 21.00

WERNER REINISCH

Salut

Werner-Reinisch-Institut e.V. (Ed.),

Andreas Kühne

2022. 96 pages. 21.5 × 33.0 cm

100 color ills.

978-3-422-99032-6 Ger/Fr

€ 32.00 / $ 36.99 / £ 28.00

Detlef Waschkau

Urban Vibes

Gerhard van der Grinten

2022. 80 pages. 29.7 × 21.0 cm

60 color ills.

HC 978-3-422-99930-5 Ger

€ 29.00 / $ 33.99 / £ 25.00

Der geschundene Mensch

Günther Ueckers konzeptuelle

Historienbilder

Günther Uecker Institut e.V. (Ed.),

Katrin Nahidi

2022. 96 pages. 21.0 × 14.8 cm

28 color ills.

SC

978-3-422-80077-9 En/Ger

€ 24.00 / $ 27.99 / £ 21.00

LOVE STORM

Ein interdisziplinäres

Kulturprojekt

Gesellschaft für Deutsch-

Chinesischen kulturellen

Austausch e.V. (Ed.)

2022. 88 pages. 21.0 × 15.0 cm

45 color ills.

HC

978-3-422-99752-3 Ger/Cn

€ 25.00 / $ 28.99 / £ 21.50

73

Die Jenaer Hofvernissagen

1986–1989

Autonome Kunst und Kultur in

der späten DDR

Katharina Kempken,

Michaela Mai (Eds.), Anna Ebert

2022. 160 pages. 23.0 × 16.5 cm

70 color ills.

SC 978-3-422-80078-6 Ger

€ 26.00 / $ 29.99 / £ 22.50

Liebermann zeichnet

Das Berliner Kupferstichkabinett

zu Gast im Max Liebermann Haus

Evelyn Wöldicke, Anna Marie

Pfäfflin, Andreas Schalhorn (Eds.)

2022. 160 pages. 28.5 × 23.0 cm

136 color ills.

SC 978-3-422-80071-7 Ger

€ 28.00 / $ 32.99 / £ 24.50

Schwarz-Weiß

Max Liebermanns Druckgrafik

Lucy Wasensteiner (Ed.)

2022. 128 pages. 28.5 × 23.0 cm


SC 978-3-422-98682-4 Ger

€ 28.00 / $ 32.99 / £ 25.50

Schmähung –

Provokation – Stigma

Medien und Formen der

Herabsetzung

Lea Hagedorn, Marina Münkler,

Felix Prautzsch (Eds.)

2023. 120 pages. 24.0 × 17.0 cm

62 color ills.

SC 978-3-422-98948-1 Ger

€ 24.00 / $ 27.99 / £ 21.00

„Schreibe mir nur immer viel.“

Ein Briefwechsel zwischen Hans

und Lea Grundig

Kathleen Krenzlin (Ed.)

2022. 244 pages. 24.0 × 16.5 cm

139 color ills.

SC 978-3-422-80060-1 Ger

€ 24.00 / $ 27.99 / £ 21.00

Hans Purrmann und

Willibald Gänger

Ein Briefwechsel über die Kunst

und Kultur der 1950er-Jahre

Sören Fischer

2022. 128 pages. 21.0 × 13.5 cm

38 color ills.

SC 978-3-422-98813-2 Ger

€ 18.00 / $ 20.99 / £ 16.50

Briefedition

Friedrich Preller d. Ä.

Ich habe die Feder in Bewegung

gesetzt

Reinhard Wegner

2023. 696 pages. 24.0 × 17.0 cm

60 b/w ills.

HC 978-3-422-99064-7 Ger

€ 98.00 / $ 112.99 / £ 85.00

E-Book 978-3-422-80117-2 Ger

€ 98.00 / $ 112.99 / £ 85.00

Hinterglasgemälde aus vier

Jahrhunderten im

Schaezlerpalais Augsburg

Bestandskatalog der

Kunstsammlungen und Museen

Augsburg aus der Sammlung

Steiner

Kunstsammlungen und Museen

Augsburg (Eds.),

Wolfgang Steiner, Christof

Trepesch, Alexandra Ulrich

2022. 336 pages. 30.0 × 24.0 cm

150 color ills.

HC 978-3-422-99231-3 Ger

€ 68.00 / $ 78.99 / £ 59.00

Der Barockbildhauer Philipp

Jakob Straub

Sein künstlerisches Schaffen mit

Blick über die Alpen

Christina Pichler

2023. 320 pages. 24.0 × 17.0 cm


HC 978-3-422-80074-8 Ger

€ 82.00 / $ 94.99 / £ 71.50

E-Book 978-3-422-80075-5 Ger

€ 82.00 / $ 94.99 / £ 71.50

Kunstkammer

Weltsicht und Wissen um 1600

Staatliche Kunstsammlungen

Dresden (Eds.),

Christine Nagel, Dirk Syndram

2023. 144 pages. 25.5 × 21.0 cm

72 color ills.

SC 978-3-422-80095-3 Ger

€ 26.00 / $ 29.99 / £ 22.50

Ein Gebet der Tat

Die frühe Genrekunst und die

Frömmigkeit

Sandra Braune

2023. 464 pages. 24.0 × 17.0 cm


HC 978-3-422-98864-4 Ger

€ 58.00 / $ 66.99 / £ 50.50

E-Book 978-3-422-80114-1 Ger

€ 58.00 / $ 66.99 / £ 50.50

Altar von Schloss Tirol

Kunsttechnische Studien zum

Reliquienretabel von 1370

Peter Assmann,

Laura Resenberg (Eds.)

2023. 256 pages. 26.0 × 21.0 cm

500 color ills.

HC 978-3-422-80079-3 Ger

ca. € 48.00 / $ 55.99 / £ 41.50

not yet published

Schloss und Park Altenstein

Daniel Rimbach, Thimm Günther,

Doris Fischer, Susanne Rott

2nd edition

2023. 88 pages. 19.0 × 13.0 cm


SC 978-3-422-80093-9 Ger

€ 6.80 / $ 7.99 / £ 6.00

Frankreich in Potsdam

Stiftung Preußische

Schlößer (Ed.)

2023. 72 pages. 17.0 × 12.0 cm

61 color ills.

SC 978-3-422-80099-1 Ger

€ 6.95 / $ 7.99 / £ 6.50

Dampfmaschinenhaus

(Moschee) von Sanssouci

Stiftung Preußische

Schlößer (Ed.)

2023. 32 pages. 17.0 × 12.0 cm


SC 978-3-422-80100-4 Ger

€ 5.95 / $ 6.99 / £ 5.50

74

Der Dom zu Magdeburg

Giselher Quast, Jürgen Jerratsch

4th edition

2023. 96 pages. 24.0 × 16.5 cm

90 color ills.

SC 978-3-422-80084-7 Ger

€ 14.90 / $ 17.99 / £ 13.00

Dolche und Schwerter

Erkennen. Bestimmen.

Beschreiben

Ulrike Weller

2nd edition

2022. 312 pages. 24.0 × 17.0 cm


SC 978-3-422-99027-2 Ger

€ 19.90 / $ 22.99 / £ 17.50

Glaspasten

im Martin von Wagner Museum

der Universität Würzburg, Vol. 2

Martin von Wagner Museum der

Universität Würzburg (Ed.),

Erika Zwierlein-Diehl

2023. 584 pages. 28.0 × 21.0 cm

543 b/w ills.

HC 978-3-422-80058-8 Ger

€ 109.00 / $ 125.99 / £ 95.00

E-Book 978-3-422-80082-3 Ger

€ 109.00 / $ 125.99 / £ 95.00

E-Book Vol. 1

978-3-422-80163-9 Ger

Open Access

Dekoloniale Kunstgeschichte

Eine methodische Einführung

Carolin Overhoff Ferreira

2022. 302 pages. 24.0 × 17.0 cm

110 b/w ills.

SC 978-3-422-98758-6 Ger

€ 32.00 / $ 35.99 / £ 28.00

E-Book 978-3-422-80086-1 Ger

€ 32.00 / $ 35.99 / £ 28.00

Der Sammler Curt Glaser

Vom Verfechter der Moderne

zum Verfolgten

Anita Haldemann, Judith Rauser

(Eds.)

2022. 240 pages. 28.0 × 22.0 cm

360 color ills.

SC 978-3-422-98876-7 Ger

€ 42.00 / $ 48.99 / £ 36.50

Der Sammler Curt Glaser /

The Collector Curt Glaser

Vom Verfechter der Moderne

zum Verfolgten / From Champion

of Modernism to Refugee

Anita Haldemann,

Judith Rauser (Eds.)

2022. 288 pages. 28.0 × 22.0 cm

360 color ills.

SC

978-3-422-98879-8 En/Ger

€ 48.00 / $ 55.99 / £ 41.50

(German book with English

supplement)

Tanz auf dem Vulkan

Leben und Glauben im Schatten

des Vesuv

Diözesanmuseum Freising (Ed.),

Christoph Kürzeder,

Steffen Mensch, Dieter Richter,

Carlo Knight, Erri De Luca

2022. 412 pages. 27.0 × 20.0 cm

200 color ills.

SC 978-3-422-98854-5 Ger

€ 42.00 / $ 48.99 / £ 36.50

Kunst und Leben 1918 bis 1955

Karin Althaus, Sarah Bock,

Lisa Kern, Matthias Mühling,

Melanie Wittchow, Städtische

Galerie im Lenbachhaus und

Kunstbau München (Eds.)

2022. 400 pages. 24.0 × 17.0 cm

180 color ills.

SC 978-3-422-99066-1 Ger

€ 58.00 / $ 66.99 / £ 50.50

Becoming CoBrA

Anfänge einer europäischen

Kunstbewegung


2022. 240 pages. 27.0 × 22.5 cm

200 color ills.

HC

978-3-422-99091-3 En/Ger

€ 42.00 / $ 48.99 / £ 36.50

Das Stundenbuch der Herzogin

Philippa von Geldern

Jean Coene IV. und die

Buchmalerei in Paris um 1500

Ina Nettekoven

2022. 144 pages. 28.0 × 21.0 cm

120 color ills.

HC 978-3-422-98695-4 Ger

€ 38.00 / $ 43.99 / £ 34.50

E-Book 978-3-422-80010-6 Ger

€ 38.00 / $ 43.99 / £ 34.50

Goldgrund und Perspektive

Fra Angelico im Glanz des

Quattrocento

Saskia C. Quené

2023. 332 pages. 24.0 × 17.0 cm

111 color ills.

HC 978-3-422-98938-2 Ger

€ 42.00 / $ 48.99 / £ 36.50

E-Book 978-3-422-80053-3 Ger

€ 42.00 / $ 48.99 / £ 36.50

Die Kreuzigung Petri von Rubens

Andrea Pufke (Ed.)

2022. 256 pages. 29.7 × 21.0 cm

128 color ills.

HC

978-3-422-98952-8 En/Ger

€ 48.00 / $ 55.99 / £ 41.50

Körperbilder der Macht in

Europa: 1300–1800

Beiträge zu einer Ikonographie

des Politischen in Aktion

Jörge Bellin, Ulrich Pfisterer (Eds.)

2022. 456 pages. 24.0 × 17.0 cm


HC 978-3-422-98767-8 Ger

€ 54.00 / $ 62.99 / £ 49.00

E-Book 978-3-422-80087-8 Ger

€ 54.00 / $ 62.99 / £ 49.00

Watteau – kolonial

Herrschaft, Handel und

Galanterie im Frankreich des

Régence

Zentralinstitut für

Kunstgeschichte (Ed.),

Charlotte Guichard

2022. 128 pages. 21.0 × 12.5 cm

35 color ills.

SC

978-3-422-99046-3 En/Ger

€ 16.90 / $ 19.99 / £ 14.50

Reframing Friedrich Nerly

Landschaftsmaler, Reisender,

Verkaufstalent

Claudia Denk, Kai Uwe Schierz,

Thomas von Taschitzki (Eds.),

2022. 320 pages. 24.0 × 17.0 cm

190 color ills.

SC 978-3-422-98950-4 Ger

€ 68.00 / $ 78.99 / £ 59.00

Lotte Laserstein

Meine einzige Wirklichkeit

Anna-Carola Krausse

2nd edition

2022. 248 pages. 28.0 × 23.0 cm


HC 978-3-422-99029-6 Ger

€ 29.90 / $ 34.99 / £ 26.00

Franz Lenk

Der entwirklichte Blick

Johannes Schmidt,

Barbara Stark (Eds.)

2022. 160 pages. 26.0 × 21.0 cm

150 color ills.

HC 978-3-422-98905-4 Ger

€ 28.00 / $ 32.99 / £ 24.50

Das subversive Bild

Festschrift für Jürgen Müller

Bertram Kaschek, Teresa Ende,

Jan-David Mentzel,

Frank Schmidt (Eds.)

2022. 448 pages. 24.0 × 17.0 cm

138 b/w ills.

HC 978-3-422-98769-2 Ger

€ 98.00 / $ 112.99 / £ 89.00

E-Book 978-3-422-80067-0 Ger

€ 98.00 / $ 112.99 / £ 89.00

Hanna Nagel


2022. 216 pages. 27.0 × 22.5 cm


HC

978-3-422-98949-8 En/Ger

€ 42.00 / $ 48.99 / £ 36.50

See the World Like a

Human Being

Drawings and Short Stories

About the Future

half past selber schuld

2022. 192 pages. 24.0 × 17.0 cm

140 color ills.

SC 978-3-422-98955-9 En

€ 28.00 / $ 32.99 / £ 24.50

Future Bodies from a Recent Past

Sculpture, Technology, and the

Body since the 1950s

Patrizia Dander, Museum

Brandhorst (Eds.)

2023. 240 pages, 29.0 × 22.0 cm

201 color ills.

HC 978-3-422-99024-1 En

€ 49.00 / $ 56.99 / £ 42.50

75

Naga Land

Voices from Northeast India

Stiftung Humboldt Forum (Ed.)

2023. 96 pages. 26.5 × 21.5 cm

100 color ills.

SC 978-3-422-99080-7 En

€ 22.00 / $ 25.99 / £ 19.00

Against the Current

The Omaha. Francis La Flesche

and His Collection


2023. 128 pages. 26.5 × 21.5 cm

100 color ills.

SC 978-3-422-99076-0 En

€ 22.00 / $ 25.99 / £ 19.00

Ancestors, Goddesses,

and Heroes

Sculptures from Asia, Africa,

and Europe


2023. 96 pages. 26.5 × 21.5 cm

100 color ills.

SC 978-3-422-99090-6 En

€ 22.00 / $ 25.99 / £ 19.00

Contemporary Art in the

Humboldt Forum


2022. 192 pages. 28.0 × 24.0 cm

150 color ills.

HC 978-3-422-99031-9 En

€ 34.00 / $ 39.99 / £ 29.50

HANS SCHAROUN.

Architektur auf Papier

Visionen aus vier Jahrzehnten

(1909–1945)

Eva-Maria Barkhofen

2022. 322 pages. 23.0 × 27.0 cm


HC 978-3-422-98763-0 Ger

€ 52.00 / $ 59.99 / £ 47.50

Vom Zauber der Handbewegung

Eine Geschichte der Zeichnung

im 20. und 21. Jahrhundert

Sören Fischer (Ed.)

2022. 304 pages. 30.0 × 23.0 cm

200 color ills.

HC 978-3-422-98870-5 Ger

€ 40.00 / $ 46.99 / £ 35.00

Can Art History be Made Global?

Meditations from the Periphery

Monica Juneja

2023. 348 pages. 24.0 × 17.0 cm


SC 978-3-11-071629-0 En

€ 49.00 / $ 45.00 / £ 44.50

E-Book 978-3-11-121706-2 En

€ 49.00 / $ 45.00 / £ 44.50

Francis Bacon –

In the Mirror of Photography

Collecting, Preparatory Practice

and Painting

Katharina Günther

2022. 446 pages. 24.0 × 17.0 cm

107 b/w ills., 51 color ills., 1 tables

HC 978-3-11-072062-4 En

€ 59.90 / $ 68.99 / £ 52.00

E-Book 978-3-11-072064-8 En

€ 59.90 / $ 68.99 / £ 52.00

Aby Warburg – Briefe

Michael Diers, Steffen Haug (Eds.),

Thomas Helbig

Aby Warburg Gesammelte

Schriften - Studienausgabe V

2021. 1430 pages. 24.0 × 17.0 cm

418 b/w ills.

HC 978-3-11-053369-9 Ger

€ 89.95 / $ 103.99 / £ 82.00

A General History of

Chinese Art, vol. 1–6

Xifan Li (Ed.)

2022. 2701 pages. 26.5 × 21.0 cm


SC 978-3-11-079063-4 En

€ 799.00 / $ 920.00 / £ 726.50

China and the West

Reconsidering Chinese Reverse

Glass Painting

Elisa Ambrosio, Francine Giese,

Alina Martimyanova, Hans Bjarne

Thomsen (Eds.)

2022. 292 pages. 24.0 × 17.0 cm

152 color ills.

HC 978-3-11-071175-2 En

€ 49.95 / $ 57.99 / £ 45.50

E-Book 978-3-11-071177-6 En

Open Access

Angkor Wat – A Transcultural

History of Heritage

Volume 1:

Angkor in France. From Plaster

Casts to Exhibition Pavilions.

Volume 2:

Angkor in Cambodia.

From Jungle Find to Global Icon

Michael Falser

2019. 1150 pages. 28.0 × 21.0 cm

Numerous ills.

HC 978-3-11-033572-9 En

€ 172.95 / $ 198.99 / £ 150.50

E-Book 978-3-11-033584-2 En

€ 172.95 / $ 198.99 / £ 150.50

Handbuch

Werkverzeichnis – Œuvrekatalog

– Catalogue raisonné

Ingrid Pérez de Laborda,

Aya Soika, Eva Wiederkehr

Sladeczek (Eds.)

2023. 392 pages. 24.0 × 17.0 cm


HC 978-3-11-073887-2 Ger

€ 79.95 / $ 91.99 / £ 72.50

E-Book 978-3-11-073449-2 Ger

€ 79.95 / $ 91.99 / £ 72.50

Energetic Bodies

Sciences and Aesthetics

of Strength and Strain

Thomas Moser,

Wilma Scheschonk (Eds.)

2022. 196 pages. 24.0 × 15.0 cm


SC 978-3-11-076706-3 En

€ 49.95 / $ 57.99 / £ 45.50

E-Book 978-3-11-076716-2 En

€ 49.95 / $ 57.99 / £ 45.50

Forces of Nature

Dynamism and Agency in

German Romanticism

Adrian Renner,

Frederike Middelhoff (Eds.)

2022. 256 pages. 24.0 × 15.0 cm

SC 978-3-11-078377-3 En

€ 59.95 / $ 68.99 / £ 54.50

E-Book 978-3-11-078382-7 En

€ 59.95 / $ 68.99 / £ 54.50

76

The Sculptural in the

(Post-)Digital Age

Mara-Johanna Kölmel, Ursula

Ströbele (Ed.)

2023. 242 pages. 24.0 × 17.0 cm

68 b/w ills.

SC 978-3-11-077505-1 En

€ 59.95 / $ 68.99 / £ 54.50

E-Book 978-3-11-077514-3 En

€ 59.95 / $ 68.99 / £ 54.50

Photomurals

Fotografische Wandbilder

in transnationalen Aushandlungsprozessen

zwischen Mexiko

und den USA

Johanna Spanke

2023. 624 pages. 24.0 × 17.0 cm


HC 978-3-11-078924-9 Ger

€ 79.95 / $ 91.99 / £ 72.50

E-Book 978-3-11-107537-2 Ger

Open Access

Dynamis of the Image

Moving Images in a Global World

Emmanuel Alloa,

Chiara Cappelletto (Eds.)

2020. 388 pages. 24.0 × 17.0 cm


HC 978-3-11-052874-9 En

€ 59.95 / $ 68.99 / £ 52.00

E-Book 978-3-11-053054-4 En

€ 59.95 / $ 68.99 / £ 52.00

Gestalterinnen

Frauen, Design und Gesellschaft

im Wien der Zwischenkriegszeit

Elana Shapira,

Anne-Katrin Rossberg (Eds.)

2023. 272 pages. 24.0 × 17.0 cm


SC

978-3-11-077188-6 En/Ger

€ 59.95 / $ 68.99 / £ 54.50

E-Book

978-3-11-077194-7 En/Ger

Open Access

New Apelleses and New Apollos

Poet-Artists around the Court

of Florence (1537–1587)

Diletta Gamberini

2022. 296 pages. 24.0 × 17.0 cm


HC 978-3-11-074355-5 En

€ 69.95 / $ 80.99 / £ 61.00

E-Book 978-3-11-074366-1 En

€ 69.95 / $ 80.99 / £ 61.00

Les Français et la Renaissance

Idées et représentations de

l’architecture, 1760–1880

Antonio Brucculeri

2023. 456 pages. 24.0 × 17.0 cm

218 color ills.

HC 978-3-11-069956-2 Fr

€ 79.95 / $ 87.99 / £ 73.00

Looking Into the Rain

Magic – Moisture – Medium

Barbara Baert

2022. 235 pages. 24.0 × 17.0 cm


SC 978-3-11-072684-8 En

€ 99.00 / $ 113.99 / £ 86.00

E-Book 978-3-11-076062-0 En

€ 99.00 / $ 113.99 / £ 86.00

Britain and the Continent

1660–1727

Political Crisis and Conflict

Resolution in Mural Paintings at

Windsor, Chelsea, Chatsworth,

Hampton Court and Greenwich

Christina Strunck

2021. 528 pages. 28.0 × 21.0 cm


HC 978-3-11-072961-0 En

€ 99.95 / $ 114.99 / £ 87.00

E-Book 978-3-11-075077-5 En

€ 99.95 / $ 114.99 / £ 87.00

Art and Protest

The Role of Art during the

Campaign which led to the New

Forest Act (1877)

Charlotte Yeldham, Tim Craven,

Jonathan Spencer

2023. 76 pages. 23.0 × 15.5 cm

11 color ills.

SC 978-3-11-102335-9 En

€ 48.00 / $ 55.99 / £ 43.50

E-Book 978-3-11-102545-2 En

€ 48.00 / $ 55.99 / £ 43.50

Broken Myths

Charles Sheeler's Industrial

Landscapes

Andrea Diederichs

2022. 267 pages. 24.0 × 17.0 cm

102 color ills.

SC 978-3-11-076945-6 En

€ 89.95 / $ 103.99 / £ 82.00

Possession and Dispossession

Performing Jewish

Ethnography in Jerusalem

Lea Mauas, Michelle MacQueen,

Diego Rotman (Eds.)

2022. 312 pages. 20.0 × 15.0 cm

80 color ills.

SC 978-3-11-078578-4 En

€ 42.95 / $ 49.99 / £ 39.00

E-Book 978-3-11-078627-9 En

Open Access

The Colors of Photography

Bettina Gockel (Ed.),

Nadine Jirka, Stella Jungmann

2020. 333 pages. 24.0 × 17.0 cm

113 color ills.

SC 978-3-11-065028-0 En

€ 49.95 / $ 57.99 / £ 43.50

E-Book 978-3-11-066148-4 En

€ 49.95 / $ 57.99 / £ 43.50

Towards a New Culture

of the Material

Frank Bauer, Yoon-Ha Kim,

Sabine Marienberg, Wolfgang

Schäffner (Eds.)

2023. 304 pages. 24.0 × 17.0 cm

115 color ills.

SC 978-3-11-071467-8 En

€ 39.95 / $ 45.99 / £ 36.50

E-Book 978-3-11-071488-3 En

Open Access

Notions of Temporalities

in Artistic Practice

Anamarija Batista (Ed.)

2022. 172 pages. 24.0 × 17.0 cm


SC 978-3-11-073803-2 En

€ 29.90 / $ 34.99 / £ 26.00

E-Book 978-3-11-072092-1 En

Open Access

Silvia Gertsch

Licht und Gegenlicht /

Lumière et contre-jour

Francine Giese, Vitromusée

Romont (Eds.)

2022. 124 pages. 24.0 × 24.0 cm

80 color ills.

SC

978-3-11-076043-9 Ger/Fr/It

€ 39.95 / $ 45.99 / £ 36.50

Thilo Westermann

et l'art de dessiner sous verre

Francine Giese,

Elisa Ambrosio (Eds.)

2022. 278 pages. 21.0 × 14.8 cm

119 color ills.

SC

978-3-11-078419-0 En/Ger/Fr

€ 49.95 / $ 57.99 / £ 45.50

The End of Diversity in

Art Historical Writing

North Atlantic Art History

and its Alternatives

James Elkins

2020. 221 pages. 24.0 × 17.0 cm

7 color ills.

SC 978-3-11-068110-9 En

€ 33.95 / $ 39.99 / £ 29.50

Image Acts

A Systematic Approach

to Visual Agency

Horst Bredekamp

2nd edition

2021. 361 pages. 24.0 × 17.0 cm

199 color ills.

SC 978-3-11-072569-8 En

€ 29.95 / $ 34.99 / £ 26.00

E-Book 978-3-11-072247-5 En

€ 33.95 / $ 39.99 / £ 29.50

E-Book 978-3-11-072582-7 En

€ 29.95 / $ 34.99 / £ 26.00

A plus minus Z

Payer Gabriel. Abwesenheit –

Zufall / Absence – Accidental

Payer Gabriel

2023. 246 pages. 28.5 × 20.5 cm

85 color ills.

SC

978-3-11-106624-0 En/Ger

€ 45.00 / $ 51.99 / £ 41.00

E-Book

978-3-11-106658-5 En/Ger

€ 45.00 / $ 51.99 / £ 41.00

Wenn der Wind weht /

When the Wind Blows

Luft, Wind und Atem in der

zeitgenössischen Kunst /

Air, Wind, and Breath in

Contemporary Art

Liddy Scheffknecht,

Ernst Strouhal (Eds.)

2022. 232 pages. 30.0 × 24.0 cm


SC 978-3-11-078520-3 En/Ger

€ 48.00 / $ 55.99 / £ 43.50

E-Book

978-3-11-078524-1 En/Ger

€ 48.00 / $ 55.99 / £ 43.50

Friedl Dicker-Brandeis

Works from the Collection

of the University of Applied

Arts Vienna

Stefanie Kitzberger,

Cosima Rainer,

Linda Schädler (Eds.)

2022. 352 pages. 24.0 × 16.5 cm


HC 978-3-11-078906-5 En

€ 49.95 / $ 57.99 / £ 45.50

E-Book 978-3-11-078913-3 En

€ 49.95 / $ 57.99 / £ 45.50

77

Barbis Ruder.

Werk – Zyklus – Körper /

Work – Cycle – Body

Madeleine Frey (Ed.)

2023. 400 pages. 26.0 × 21.0 cm


SC

978-3-11-106146-7 En/Ger

€ 49.00 / $ 56.99 / £ 44.50

E-Book

978-3-11-106256-3 En/Ger

€ 49.00 / $ 56.99 / £ 44.50

Jari Genser – It Is about Time

10 Jahre – 16 Werke /

10 Years – 16 Works

Jari Genser

2023. 132 pages. 32.0 × 24.5 cm


HC

978-3-11-106650-9 En/Ger

€ 42.00 / $ 48.99 / £ 38.00

E-Book

978-3-11-106656-1 En/Ger

€ 42.00 / $ 48.99 / £ 38.00

Jeremias Altmann – YOUNG

PROPHECIES / MACHINES

Zwei Werkserien /

Two Series of Works

Barbara Herbst (Ed.)

2023. 112 pages. 31.0 × 22.0 cm

150 color ills.

HC

978-3-11-106622-6 En/Ger

€ 42.00 / $ 48.99 / £ 38.00

E-Book

978-3-11-106659-2 En/Ger

€ 42.00 / $ 48.99 / £ 38.00

Barbara Holub –

Stiller Aktivismus /

Silent Activism

Başak Şenova (Ed.)

2022. 312 pages. 28.0 × 22.0 cm


HC

978-3-11-079081-8 En/Ger

€ 49.95 / $ 57.99 / £ 45.50

E-Book

978-3-11-079082-5 En/Ger

€ 49.95 / $ 57.99 / £ 45.50

Judith P. Fischer –

Linie Form Raum /

Line Shape Space

Theresia Hauenfels (Ed.)

2022. 256 pages. 26.0 × 20.5 cm


HC

978-3-11-054250-9 En/Ger

€ 39.95 / $ 45.99 / £ 36.50

E-Book

978-3-11-076986-9 En/Ger

€ 39.95 / $ 45.99 / £ 36.50

Liddy Scheffknecht –

Points in Time

Arbeiten / Works 2010–2020

Ernst Strouhal (Ed.)

2021. 248 pages. 28.0 × 22.0 cm


HC

978-3-11-076943-2 En/Ger

€ 39.95 / $ 45.99 / £ 36.50

E-Book

978-3-11-076956-2 En/Ger

€ 39.95 / $ 45.99 / £ 36.50

LINDA BERGER – PEACH-BLOW

MONOGRAFIE/MONOGRAPH

Linda Berger, Maria Christine

Holter (Eds.)

2021. 224 pages. 25.8 × 21.9 cm


HC

978-3-11-074475-0 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

E-Book

978-3-11-074703-4 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Rini Tandon. to spaces unsigned

Works, Concepts, Processes

1976–2020 / Arbeiten, Konzepte,

Prozesse 1976–2020

Sabine Folie (Ed.)

2020. 328 pages. 30.0 × 23.0 cm

304 color ills., 96 duotone

SC

978-3-11-070045-9 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Toxic Temple

An Artistic and Philosophical

Adventure into the Toxicity

of the Now

Anna Lerchbaumer,

Kilian Jörg (Eds.)

2022. 256 pages. 24.0 × 17.0 cm

112 color ills.

HC 978-3-11-076914-2 En

€ 39.95 / $ 45.99 / £ 36.50

E-Book 978-3-11-076924-1 En

€ 39.95 / $ 45.99 / £ 36.50

EDU:TRANSVERSAL No. 01/2022

Educational Turn /

Bildungsoffensive

Ruth Mateus-Berr (Ed.)

2022. 136 pages. 29.7 × 14.8 cm


SC

978-3-11-079163-1 En/Ger

€ 24.00 / $ 27.99 / £ 22.00

E-Book

978-3-11-079171-6 En/Ger

€ 24.00 / $ 27.99 / £ 22.00

Fake Hybrid Sites Palimpsest

Essays on Leakages

Madhusree Dutta,

Nanna Heidenreich (Eds.)

2021. 300 pages. 25.0 × 19.0 cm


SC 978-3-11-076995-1 En

€ 39.95 / $ 45.99 / £ 36.50

E-Book 978-3-11-077527-3 En

€ 39.95 / $ 45.99 / £ 36.50

inframince

infra-mince infra mince

TransArts at the University of

Applied Arts Vienna /

TransArts an der Universität für

angewandte Kunst Wien

Stephan Hilge, Roman Pfeffer,

Nita Tandon, Gudrun Ratzinger,

Franz Thalmair (Eds.)

2021. 304 pages. 21.6 × 16.3 cm

303 color ills.

HC

978-3-11-072418-9 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

E-Book

978-3-11-072424-0 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Plastic Ocean:

Art and Science Responses to

Marine Pollution

Ingeborg Reichle (Ed.)

2021. 272 pages. 25.0 × 20.0 cm

164 color ills.

HC 978-3-11-074472-9 En

€ 39.95 / $ 45.99 / £ 34.50

E-Book 978-3-11-074477-4 En

€ 39.95 / $ 45.99 / £ 34.50

Oskar Kokoschka:

Neue Einblicke und

Perspektiven /

New Insights and Perspectives

Régine Bonnefoit, Bernadette

Reinhold (Eds.)

2021. 452 pages. 21.0 × 14.7 cm


SC

978-3-11-072420-2 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

E-Book

978-3-11-072422-6 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

Kabarett Fledermaus @

Bar du Bois

Aktualisierung eines Experiments

der Wiener Moderne /

Update of an Experiment of

Viennese Modernism

Cosima Rainer (Ed.)

2020. 176 pages. 29.7 × 21.0 cm


SC

978-3-11-072306-9 En/Ger

€ 29.95 / $ 34.99 / £ 26.00

78

Being in Contact:

Encountering a Bare Body

Mariella Greil

2021. 368 pages. 24.0 × 16.5 cm


HC 978-3-11-073939-8 En

€ 39.95 / $ 45.99 / £ 34.50

E-Book 978-3-11-073598-7 En

€ 39.95 / $ 45.99 / £ 34.50

Arts & Dementia

Interdisciplinary Perspectives

Ruth Mateus-Berr, L. Vanessa

Gruber (Eds.)

2020. 400 pages. 24.2 × 17.0 cm


HC 978-3-11-072047-1 En

€ 49.95 / $ 57.99 / £ 43.50

E-Book 978-3-11-072055-6 En

€ 49.95 / $ 57.99 / £ 43.50

Data Loam

Sometimes Hard, Usually Soft.

The Future of Knowledge

Systems

Johnny Golding, Martin Reinhart,

Mattia Paganelli (Eds.)

2020. 496 pages. 23.0 × 17.0 cm


SC 978-3-11-068007-2 En

€ 39.95 / $ 45.99 / £ 34.50

E-Book 978-3-11-069784-1 En

Open Access

COMPANY. Fotografien und

Fragmente über das Arbeiten

Photographs and Fragments on

Working

Beatrix Zobl, Wolfgang Schneider

2019. 296 pages. 24.5 × 21.0 cm

Numerous ills.

SC

978-3-11-065766-1 En/Ger

€ 39.95 / $ 45.99 / £ 34.50

RESET THE APPARATUS!

A Survey of the

Photographic and the Filmic in

Contemporary Art

Edgar Lissel, Gabriele Jutz,

Nina Jukić (Eds.)

2019. 208 pages. 26.0 × 19.0 cm

Numerous ills.

HC 978-3-11-063068-8 En

€ 33.95 / $ 39.99 / £ 29.50

BEYOND BORDERS

Conservation Goes International

Gabriela Krist (Ed.)

2019. 328 pages. 27.0 × 22.0 cm

Numerous ills.

SC 978-3-11-060289-0 En

€ 38.95 / $ 44.99 / £ 34.00

Faceless

Re-inventing Privacy Through

Subversive Media Strategies

Bogomir Doringer,

Brigitte Felderer (Eds.)

2018. 304 pages. 24.0 × 16.8 cm

Numerous ills.

SC 978-3-11-052513-7 En

€ 24.95 / $ 29.95 / £ 21.50

E-Book 978-3-11-052770-4 En

€ 24.95 / $ 29.95 / £ 21.50

Drawing A Hypothesis

Figures of Thought

Nikolaus Gansterer

2nd edition

2017. 351 pages. 21.5 × 14.3 cm

Numerous ills.

SC 978-3-11-054661-3 En

€ 44.95 / $ 51.99 / £ 39.00

Sales Catalogue /

Verkaufskatalog

A product catalogue of the art

market critique Verkaufswerke

(Works for Sale) since the beginning

of the 1990s / Ein Produktkatalog

der kunstmarktkritischen

Verkaufswerke (Works for Sale)

seit Beginn der 1990er Jahre

Kurt Ryslavy

2020. 160 pages. 28.0 × 22.0 cm


SC

978-3-11-072310-6 En/Ger

€ 38.00 / $ 43.99 / £ 33.00

IMAGE CREDITS

Cover Roni Horn, This is Me, This is You

(Detail), 1997–2000, Courtesy the artist and

Hauser & Wirth © Roni Horn

4 above Émilie Charmy, Berthe Weill, 1910-

1914, oil on canvas, 90 × 65 cm; below left

Albert Marquet, Affiches à Trouville, 1906,

oil on canvas, 65.1 × 81.3 cm, © National

Gallery of Art, Washington, Collection of

Mr. and Mrs. John Hay Whitney; below

right Henri Matisse, Intérieur à Collioure.

La Sieste, 1905, oil on canvas, 60 × 73 cm©

Succession H. Matisse / 2023, ProLitteris,

Zurich, Merzbacher Collection, Zurich

5 Maurice de Vlaminck, André Derain, 1906,

oil on canvas, 27 × 22.2 cm, © 2023, ProLitteris,

Zurich, The Metropolitan Museum of

Art, New York

6 bottom left Ignacio Zuloaga, The Sacrifice

of the Fiesta, 1910, oil on canvas,

284 × 344 cm, The Hispanic Society Museum

& Library, New York, on loan Museo

de Bellas Artes de Bilbao © Arte Ederren

Bilboko Museoa - Museo de Bellas Artes

de Bilbao; bottom right Ignacio Zuloaga,

Portrait of Countess Mathieu de Noailles,

1913, oil on canvas, 152 × 195.5 cm, Museo de

Bellas Artes de Bilbao, gift of Ramón de la

Sota y Llano 1919, © Arte Ederren Bilboko

Museoa - Museo de Bellas Artes de Bilbao

7 Ignacio Zuloaga, Junge Gitana, 1902, oil

on canvas, 182 × 102 cm, Museo Nacional de

Bellas Artes, Buenos Aires, Argentina

8 bottom left Rudolf Levy, Selbstbildnis IV,

1943, oil on cardboard, 41 × 33.5 cm, Museum

Pfalzgalerie Kaiserslautern, Gemäldesammlung;

bottom right Rudolf Levy, Stillleben

mit Früchten, Messer und Wasserglas,

1943, oil on canvas, 32.7 × 54.7 cm, private

collection

9 Rudolf Levy, Torero, c. 1934/36, oil on

canvas, 91.5 × 72.5 cm, Museum Pfalzgalerie

Kaiserslautern, Gemäldesammlung

11 Michael Müller, Figuren zur Befragung

empathischer Reaktionen, 2022, clay, engobe,

steel, wood, and mirror, © Studio

Michael Müller, Berlin. Photo: Frank Sperling

12 above Maria Lassnig, Selbstporträt mit

Stab, 1971, oil, charcoal on canvas, 193 × 129

cm, Maria Lassnig Foundation; below left

Maria Lassnig, Ich trage die Verantwortung,

1981, oil on canvas, 127.5 × 106.2 cm, Maria

Lassnig Foundation; below right Nan Hoover,

Impressions, 1978, Video, Copyright

Nan Hoover Foundation, Courtesy Sebastian

Fath Contemporary

13 above Anneliese Hager, Untitled,

1950s/1960s, gelatin silver print (photogram),

38 × 29 cm, Harvard Art Museums/

Busch Reisinger Museum; below left Anneliese

Hager, Untitled (Portrait A.H. ), 1947,

Gelatin Silver print, 18 × 24 cm, Harvard Art

Museums / Busch-Reisinger Museum, Gift

of the German Friends of the Busch-Reisinger

Museum; bottom right Nan Hoover,

Two moons and a half, 1972, mixed media

on canvas, 90 × 85 cm, Courtesy Sebastian

Fath Contemporary

14 above Manfred Kuttner, Gazebo, 1963,

tempera, fluorescent color on décor fabric,

© Ursula Hauser Collection, Switzerland

15 above Karl Ferdinand Sohn, Portrait of

the paintress Marie Wiegmann, 1843, oil

on canvas, © Museum Kunstpalast – Horst

Kolberg/ARTOTHEK; middle Jörg Sasse,

1546, 1993, © VG Bild-Kunst, Bonn 2023 &

Jörg Sasse; bottom Georg Meistermann,

Window of the Heilig-Kreuz-Kirche, Bottrop

(architect: Rudolf Schwarz), 1957

16 left Library of the Belvedere, Vienna;

photo: Belvedere, Vienna, Stefan Lehner;

right Photo: Belvedere, Vienna, Johannes

Stoll

17 top photo: Belvedere, Vienna; center

photo: Raimund Stillfried von Rathenitz,

Austrian National Library, Vienna, Picture

Archives; bottom photo and scan: Image

Archive of the Belvedere, Vienna

18 left Evelyn Hofer, Girl with Bicycle, Dublin,

1966, © Estate of Evelyn Hofer. Courtesy

Estate of Evelyn Hofer; middle Bruce

Wrighton, Woman with Sunglasses, ca.

1987, © Estate of Bruce Wrighton. Courtesy

Laurence Miller Gallery; left Leonard, One

Woman looking at Another (Carolyn Roehm

Fashion Show), 1990, © Zoe Leonard. Courtesy

the artist and Galerie Gisela Capitain,

Cologne

19 above Roni Horn, This is Me, This is You

(Detail), 1997–2000, Courtesy the artist and

Hauser & Wirth © Roni Horn; bottom left

Thomas Struth, Hermitage 2, St. Petersburg,

2005, © Thomas Struth. Courtesy the artist

and Marian Goodman Gallery; bottom right

Vivian Maier, Untitled, 1959, © Estate of Vivian

Maier. Courtesy Maloof Collection and

Howard Greenberg Gallery, New York

22 left Jilet Ayşe © Idil Nuna Baydar. Photo:

Cengiz Karahan; right Müslüm © Semih

Yavsaner. Photo: Roger Reist

23 left photographer unknown; © Vera

Molnár archives, used with the artist’s permission;

right photo ©: Tim Klauser

24 bottom left Louisa Clement, dt 2, 2021,

inkjet print, 138 × 180 cm; bottom right

Louisa Clement, repräsentantin, 2022, exhibition

view

25 left © Ruth Schnell, photo ©: Ruth Schnell;

center © Ruth Schnell, photo © Ruth

Schnell; right © Ruth Schnell, photo ©: Otto

Saxinger

26 left photo: Glenn Bristol, © Science Visualization

Lab, University of Applied Arts

Vienna; right © Science Visualization Lab,


27 © Elena Peytchinska and Thomas Ballhausen

28 left Baldwin & Guggisberg, Amphore

Harappan, 2022, free-blown glass, under-and

overlay, cold-worked, metal, 52 × 15

cm, © Baldwin & Guggisberg. Photo: Alex

Ramsay; right Baldwin & Guggisberg, Moniliti

Humani, 2020, free-blown glass, underlay,

cold-worked (satinated), assembled,

52 × 15 cm, © Baldwin & Guggisberg. Photo:

Alex Ramsay

29 left Prime Tower Zurich, Annette Gigon

/ Mike Guyer Architects, 2011, © Vitrocentre

Romont. Photo: Sophie Wolf; middle

Examples of different colored ornamental

glass (rolled glass process), around 1900,

© Vitromusée Romont, VMR 487, permanent

loan from Historisches Museum Basel,

Inv.-Nr. 1989.5008. Photo: Anna Salamin;

right Tour des Imprimeries réunies, Lausanne,

Jean-Marc Lamunière Architect, 1964,

photo taken after the replacement of the

facade in the year 1998. © Photo: Zacharie

Grossen [CC BY-SA 3.0]

31 left Forensic Architecture, Exterior – 2,

https://forensic-architecture.org/investigation/beirut-port-explosion#resources;

right

Trevor Paglen, They Watch the Moon, 2010.

C-Print, 91.44 × 121.92 cm, © Trevor Paglen,

Courtesy artist and Metro Pictures, New

York, Altman Siegel Gallery, San Francisco

32 left Hans Haacke, Monument to Beach

Pollution, 1970, © 2023 Hans Haacke/

VG Bild-Kunst, Bonn; right Pierre Huyghe,

Untilled, 2011-2012, Kassel, dOCUMENTA

(13)1970. Courtesy of the artist; Marian

Goodman Gallery, New York; Esther Schipper,

Berlin; Hauser & Wirth, London; Galerie

Chantal Crousel, Paris

33 Allan Kaprow, Affect, 1974, Booklet 2

Measures (Martano Editore, Turin), with

photographs by Bee Ottinger, © Allan

Kaprow Estate, Courtesy Hauser & Wirth

35 left Louis Majorelle, Daum Frères, Magnolia

Lamp, around 1902/1903, gilded

bronze and glass, 60 cm, Museum Wiesbaden,

© Museum Wiesbaden / Bernd Fickert

; right Brooch or Pendant with a Black

Man, Germany, around 1700, Baltimore, The

Walters Art Museum. The Walters Art Museum:

https://art.thewalters.org/detail/31558/

brooch-of-an-african/ (last accessed 10

October 2022)

39 left Boris Lurie, LOAD, 1972, photography

and tape on paper on canvas, 60 × 88

cm, New York, Boris Lurie Art Foundation,

© New York, Boris Lurie Art Foundation;

right René Magritte, La trahison des images,

1929, oil on canvas, 60.3 × 81.1 cm, Los

Angeles, County Museum of Art

40 Bruno Möhring, railway station Bülowstraße,

Berlin-Schöneberg, 1902

Landesarchiv Berlin: Abb. 11

(Photo: Waldemar Titzenthaler)

Henry van de Velde, Einrichtung des hairdressing

salon Haby, Mittelstraße 7, 1901,

Berlin, Stadtmuseum Berlin

41 left Emil Orlik, Ein Windstoß, 1901, woodcut,

33.1 × 23.9 cm; middle Emil Orlik, Japanerin

vor einem Wandschirm, 1900, woodcut,

31.4 × 20.6 cm; right Emil Orlik, Porträt

Albert Einstein, 1923, drypoint, 25 × 19.8 cm

42 right Hugo Erfurth, Oskar Zwintscher,

1906, black gum print, 25.2 × 18.3 cm, Kupferstich-Kabinett,

Staatliche Kunstsammlungen

Dresden, Inv.-Nr. Da 1992-5/7. Photo:

Herbert Boswank; middle Nikolaus Gysis,

Poster for orient cigarettes of the company

Pan, C. Papastathis, Munich, before 1897,

color lithograph, 74 × 52 cm, Stadtmuseum

München, Inv.-Nr. P-A13/71, https://

commons.wikimedia.org/wiki/File: Papastathiscigarettes-munich.jpg;

left Anders

Zorn, Girl with cigarette, 1891, Leinwand,

52,7 × 46,2 cm, Stockholm, privat collection,

https://commons.wikimedia.org/wiki/File:-

La_fille_%C3%A0_la_cigarette,_Anders_

Zorn,_1892_%2817361208422%29.jpg

43 Courtesy of The George Washington

University Museum and The Textile Museum,

photos: Bruce M. White

44 Master of the Bartholomäus-Altars,

around 1490, Oak, 43 × 30,5 cm, Darmstadt,

Hessisches Landesmuseum Darmstadt,

Inv.-Nr. GK 31

Anonym, um 1817, Zeichnung, ink, Köln, Kölnisches

Stadtmuseum, Grafische Sammlung,

Inv.-Nr. A I 3/574

79

80

45 Bibliothèque Kandinsky, Centre Georges

Pompidou, Paris

46 left Das Interessante Blatt, 29 September

1898, title page, archive of the author;

right Héloïse Leloir, Four ballroom dresses,

1863, 30.8 × 23.5 cm, pencil, gouache and

ink on paper cardboard, Paris, Palais Galliera,

Musée de la Mode de la Ville de Paris.

CC0 license via

www.parismuseescollections.paris.fr

47 left Vladimir Palace, St. Petersburg,

mirror in the neo-Moorish boudoir of

Maria Pavlovna, architects Aleksandr

Rezanov, Viktor Schröter, Ieronim Kitner,

1867–1872. © Katrin Kaufmann 2017; right

Vladimir Palace, St. Petersburg, cupola of

the neo-Moorish boudoir of Maria Pavlovna,

architects Aleksandr Rezanov, Viktor

Schröter, Ieronim Kitner, 1867–1872. © Katrin

Kaufmann 2017

48 Caspar David Friedrich, 1803, brush,

ink, Berlin, Staatliche Museen, Kupferstichkabinett

© Kupferstichkabinett. Staatliche

Museen zu Berlin

Bertel Thorvaldsen, 1835/1836, marble,

Aulendorf, Schlossmuseum (Württembergisches

Landesmuseum), © Landesmuseum

Württemberg, P. Frankenstein / H. Zwietasch

49 detail restoration, photo: Silvia Behle,

Gemäldegalerie Alte Meister (Detail),

© Museumslandschaft Hessen Kassel

51 ʿAli (calligrapher, left) and Mughal painter

(right), Reconstruction of an opening with

a calligraphy of a poem from the Gulistān

(Rose Garden) by Saʿdi (left) and a crouching

woman at her toilette (right), ca. 1774–1780,

opaque watercolor, ink and gold on paper,

40.5 × 28.5 cm (per folio), in: album assembled

for Antoine-Louis-Henri Polier, Museum

für Islamische Kunst, Berlin, I. 4598, fols 7v–

8r; Staatliche Museen zu Berlin, Museum für

Islamische Kunst. Photo: Johannes Kramer

53 Two pages of Salomon Kleiners preliminary

drawings for the edition of copper engravings

of Augsburg City Hall, Staats- und

Stadtbibliothek Augsburg, Graph 23/1

54 left Das Paradiesgärtlein, Upper Rhine,

c. 1410-20, oak, 25.6 × 32.8 cm, Frankfurt am

Main, Städel Museum; right Rembrandt, Die

Blendung Simsons, 1636, canvas, 206 × 276

cm, with later addition 219.3 × 305 cm,

Frankfurt am Main, Städel Museum

55 above Albrecht Dürer, Agnes Dürer

(“Mein Agnes”), 1494, black pen, 15.7 × 9.8

cm; unten links Albrecht Dürer, Head of

the infant Jesus (detail from “Jesus before

the scribes”), 1506, brush drawing in black

and grey, grey wash and heightened with

opaque white, on blue paper, 27.3 × 21 cm;

unten rechts Albrecht Dürer, Innsbruck von

Norden, um 1495, watercolor, heightened

with opaque white, 12.7 × 18.7 cm, all Wien,

Albertina

56 bottom left Giovanni Benedetto Castiglione,

Kopf eines Mannes im Schatten, Kopf

eines Mannes mit federgeschmücktem Turban

und zwei Pastoralen, etching (1st state),

207 × 275 mm © GDKE, Landesmuseum Mainz

(Photo: Astrid Garth); bottom right Stefano

della Bella, Fünf Kopfstudien (Blatt 16 der

Folge “Recueil de divers griffonements...”),

etching, 57 × 112 mm © GDKE, Landesmuseum

Mainz (Photo: Astrid Garth)

57 Jacques Callot, Dame mit Maske und

Blume (from the series “La Noblesse”),

etching, 144 × 94 mm © GDKE, Landesmuseum

Mainz (Photo: Astrid Garth)

58 left Cornelis Cort, Allegory of Poverty,

ca. 1565/70, pen and brown ink on heavy

laid paper, 42.6 × 28.5 cm, Washington D.C.,

National Gallery, Washington, D.C., Inv.

Nr. 1984.17.1. © Washington D.C., National

Gallery; right Abraham Bosse, Manieres de

graver (…), Paris 1645, table 4

59 left Hagesandros, Athanadoros, and

Polydoros, Laocoön, 40–20 BCE, marble,

208 × 163 × 112 cm, Vatican City State, Vatican

Museums, Inv. 1059, 1064, 1067. Photo:

Wikimedia Commons, Jastrow; right Lorenzo

Lotto, Portrait of Andrea Odoni, 1527,

oil on canvas, 104.6 × 116.6 cm, London, The

Royal Collection (RCIN 405776). Photo:

London, The Royal Collection

60 Anonym (dutch) (after Jan van Eyck): 16.

century., oil/oak, 27,2 × 16,3 cm, Havard, Fogg

Art Museum, inv. 1969.83.Harvard Art Museums/Fogg

Museum, Francis H. Burr, Louise

Haskell Daly, Alpheus Hyatt Purchasing and

William M. Prichard Funds

Albrecht Dürer, um 1496, woodcut,

38,8 × 28,2 cm, (Blatt: 39,6 × 28,4 cm), Braunschweig,

Herzog Anton Ulrich-Museum, Inv.

Nr. ADürer AB 2.265H.

Sebald Beham, 1530–1540, Ø 21,9 cm, Ø 29,3

cm, Middletown CT, Wesleyan University,

Davison Art Center, 1967.34.1, Friends of the

Davison Art Center funds, 1967, Open Access

Image from the Davison Art Center, Wesleyan

University (photo: R. Lee)

61 Lo stregozzo, © New York, Metropolitan

Museum of Art, Inv. 49.97.146

Giulio Romano, © User: Sailko, Wikipedia

Commons, CC BY 3.0

62 Donato Bramante, Pergamentplan UA

1 recto (Florenz, Uffizien, Gabinetto dei

Disegni e Stampe), Henry A. Millon und

Vittorio Magnago Lampugnani (Hgg.): The

Renaissance from Brunelleschi to Michelangelo,

Venedig, Mailand 1994, S. 167, with

permission Ministero della Cultura, Gallerie

degli Uffizi. Heinrich von Geymüller: Die

ursprünglichen Entwürfe für Sanct Peter

in Rom von Bramante, Raphael Santi, Fra

Giocondo, den Sangallo’s u. a. m., Wien/

Paris 1875, Bl. 4 Cristoforo Foppa Caradosso,

Gründungsmedaille von Neu St. Peter, sog.

Caradosso Medaille, 1506 (Mailand, Civiche

Raccolte Archeologiche e Numismatiche),

James S. Ackerman: The Regions of Italian

Renaissance Architecture, in: Henry A. Millon

und Vittorio Magnago Lampugnani (Hgg.):

The Renaissance from Brunelleschi to Michelangelo,

Venedig, Mailand 1994, S. 325

64 left Box from Attinghausen, around

1250, Zurich, Landesmuseum, LM-3405.34,

© Schweizerisches Nationalmuseum

DIG-3526; right Box from Dolberg, Westfalen,

1200, back, detail of the lid, Münster,

LWL-Museum für Kunst und Kultur, Westfälisches

Landesmuseum, E 5 LM, © CC

BY-SA 3.0 Leopold

66 bottom left Weimar, Garden Nietzsche

Archive / Klassik Stiftung Weimar / Photo:

Thomas Müller; bottom right Friedrich

Nietzsche, Photo W. Höffert Leipzig

67 top State dress of Electress Magdalena

Sibylla of Saxony, Dresden Staatliche

Kunstsammlungen, Rüstkammer, photographer:

Jürgen Karpinski; bottom left

Exhibition view “Electoral wardrobe” in the

Dresden Residenzschloss, photo: Jürgen

Lösel; middle Electress Magdalena Sibylla

of Saxony with her son Christian, Staatliche

Kunstsammlungen Dresden, Rüstkammer,

photographer: Elke Estel/Hans-Peter Klut;

bottom right ceremonial dress of Elector

Moritz of Saxony, Staatliche Kunstsammlungen

Dresden, Rüstkammer, photographer:

Jürgen Karpinski

68 Johann Andreas Liebhardt, Design for

the new building of the Paulskirche, 1782, ©

Institut für Stadtgeschichte (above), View

into the interior, © Uwe Dettmar (left), Ludwig

von Elliott, The National Assembly June

1848, © Institut für Stadtgeschichte (right)

69 left The measuring 15 m in diameter

tower (Tower II) from the middle of the 13 th

century; right Western view, a 1703 pen and

ink drawing by Christian Juncker

Our magazines:

Available in print and digital

Orders at orders-journals@degruyter.com

architectura

Online ISSN 2569-1554

Print ISSN 0044-863X

German/English

2 issues per year

Print or Electronic

€ 59.00/US$ 68.00/£ 49.00

Print + Electronic

€ 71.00/US$ 83.00/£ 58.00

Zeitschrift für Kunstgeschichte


Print ISSN 0044-2992

German/Englisch/French/Italian

4 issues per year

Print

€ 102.00/US$ 117.00/£ 84.00

Electronic

€ 49.00/US$ 74.00/£ 40.00

Print + Electronic

€ 123.00/US$ 143.00/£ 102.00

Die Denkmalpflege


Print ISSN 0947-031X

German

2 issues per year

Print or Electronic

€ 29.00/US$ 33.00/£ 23.00

Print + Electronic

€ 45.00/US$ 52.00/£ 39.00

Rundbrief Fotografie


Print ISSN 0945-0327

German/English

4 issues per year

Print or Electronic

€ 98.00/US$ 113.00/£ 80.00

Print + Electronic

€ 118.00/US$ 136.00/£ 97.00

DISTRIBUTORS

All countries (except USA and Canada)

HGV Hanseatische Gesellschaft für

Verlagsservice mbH, Teichäcker 2

72127 Kusterdingen

T +49 (0)70 719353 55

orders@degruyter.com

North America (USA/Canada)

Ingram Content Group LLC

One Ingram Blvd.

La Vergne, TN 37086

T 866-400-5351

ips@ingramcontent.com

SALES

Daniel Engels

T +49 (0)30 263672 22

daniel.engels@degruyter.com

Andrea Ellies

T +49 (0)30 260051 56

andrea.ellies@degruyter.com

Anja Endemann

T +49 (0)30 260053 37

anja.endemann@degruyter.com

EMEA

Print Products:

Daniel Engels

T +49 (0)30 263672 22


Andrea Ellies

T +49 (0)30 260 051 56


Anja Endemann

T +49 (0)30 260053 37


eProducts: :

Anne O’Riordan

T +44 (0)289.337 8477

M +44 (0)778 837 6663

anne.riordan@degruyter.com

United Kingdom, Ireland

Wiley

European Distribution Centre

New Era Estate

Oldlands Way, Bognor Regis

West Sussex

PO22 9NQ, United Kingdom

T +44 (0) 1243 843291

trade@wiley.com

Sales:

Mare Nostrum

39 East Parade, Harrogate

North Yorkshire, HG1 5LQ, United Kingdom

T +44 (0)1423 56 22 32

Katie Lee

katielee@mare-nostrum.co.uk

Belgium, Denmark, Finland, France,

Iceland, Luxembourg, Monaco, Netherlands,

Norway, Sweden

Durnell Marketing Ltd

T +44 (0)1892 544272

orders@durnell.co.uk

Greece, Cyprus, Gibraltar, Italy, Malta,

Spain, Portugal, Malta

Bookport Associates Ltd.

Joe Portelli

T +39 02 4510 3601

bookport@bookport.it

Central and Eastern Europe

Jacek Lewinson

Nowogrodzka 18 m. 20 PL-00-511 Warszawa,

Poland

M +48 502603290

jacek@jaceklewinson.com

Bahrain, Egypt, Iran, Iraq, Kuwait, Lebanon,

Libya, Oman, Qatar, Saudi Arabia, Syria,

UAE, Yemen, Algeria, Israel, Jordan,

Morocco, Palestine, Tunisia, Turkey

Avicenna Partnership Ltd.

Bill Kennedy

PO BOX 501, Witney, Oxfordshire,

OX28 9JL, United Kingdom

T +44 7802 244457

AvicennaBK@gmail.com

Africa

Africa Connection

Guy Simpson

Old School House Wallingford Road,

Mongewell Oxfordshire OX10 8DY,

United Kingdom

T +44 (0)1491 837028

M +44 (0)7808 522886

guy.simpson@africaconnection.co.uk

Asia-Pacific

Print Products:

Daniel Engels

T +49 (0)30 263672 22


Anja Endemann

T +49 (0)30 260053 37


eProducts:

Steven Chong

M +65 96827226

steven.chong@degruyter.com

Australia & New Zeeland

Print Products:

Books at Manic

PO Box 8

Carlton North VIC 3054, Australia

T +61 (0)3 9380 5337

F +61 (0)3 9380 5037

manicex@manic.com.au

eProducts:

Bezi Publishing Services

PO Box 1233, Mitcham North, Victoria

3132, Australia

T +61 455 864 860

info@bezi.com.au

China

Print Products:

Daniel Engels

T +49 (0)30 263672 22


Anja Endemann

T +49 (0)30 260053 37


eProducts:

Max Meng

T +86 (0)10 855 63694

max.meng@degruyter.com

India

Feel Books Pvt. Ltd.

Naman Choudhary — Operations Director

4381/4, Ansari

Road, Daryaganj

New Delhi -110002, India

T +91 11 474 726 00

nchoudhary@feelbooks.in

marketing@feelbooks.in

Anja Endemann

T +49 (0)30 260053 37


Korea

Print Products:

Wise Book Solutions

#1607, 143 Dongil-Ro, Sungdong-Ku

Seoul, 04799, Korea

T / F +82 2 499 4301

SunnyCheong88@naver.com

Anja Endemann

T +49 (0)30 260053 37


(Distributor – eBooks, journals & Databases)

JRM Co Ltd.

Hye-Young Kim (Ms) – Sales Coordinator

#1112, Woolim e-Biz Center I 28, Digital-ro

33 gil, Guro-ku Seoul 152-769, Korea

T +82 2 2038 8519

F +82 2 2038 8528

hykim@camko.co

Taiwan

Print Products:

Daniel Engels

T +49 (0)30 263672 22


Anja Endemann

T +49 (0)30 260053 37


eProducts:

FlySheet Info

Aggregate Services Co., Ltd.

5F, No.40, Lane 91, Sec. 1,

Nei-Hu Rd., Taipei City, 114 Taiwan, R.O.C.

T +886 22657 5996 ext.535

F +886 22657 7071

info@flysheet.com.tw

The Americas

Key Accounts

Print Products:

Daniel Engels

T +49 (0)30.263672 22


Andrea Ellies

T +49 (0)30 260051 56


eProducts:

Steve Fallon

T +1 (857) 284 7073 108

M +1 (646) 492 1 346

steve.fallon@degruyter.com

For all other countries

Daniel Engels

T +49 (0)30 263672 22


Andrea Ellies

T +49 (0)30 260051 56


Anja Endemann

T +49 (0)30 260053 37


Preview Fall 2023 English

Verwandeln Sie Ihre PDFs in ePaper und steigern Sie Ihre Umsätze!

Template löschen?

Als Template speichern ?