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European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

<strong>An</strong> <strong>Environment</strong> <strong>Educational</strong> <strong>Communication</strong> <strong>for</strong> Forest<br />

Conservation through Isan Folk Art<br />

Niwat Sarakhan<br />

Faculty of Graduate Studies, Mahidol University<br />

Phuttamonthon Sai 4 Street, Nakhon Prathom Province, Thailand<br />

E-mail: nisarakhan2511@hotmail.com<br />

Tel: +66043861301; Fax: +043602033<br />

Abstract<br />

This study aimed to: create an environmental study communication model in conservation<br />

of <strong>for</strong>est resources through the Isan folk art and Assess environmental study<br />

communication model in conservation of <strong>for</strong>est resources through the Isan folk art. The<br />

results showed that : It can be concluded that an environmental education communication<br />

pattern in conservation of <strong>for</strong>est resources through the Isan folk art consists of four key<br />

elements which are communicator (Source), which must process a quality of manner and<br />

expression in front of the public. The second element is message, which consists of melody<br />

(rhythm), and content. The third element is channel . There are a variety of channels, as, at<br />

the present, there is an increasing development of communication technology. Each<br />

channel is well-accepted in different ways in order to communicate to the fourth element,<br />

the audience (Receiver), or the people in the community to get knowledge and awareness<br />

of the value and the importance of <strong>for</strong>ests which will lead to a proper adjustment of<br />

behavior towards <strong>for</strong>est conservation. Assessment of awareness in <strong>for</strong>est conservation after<br />

listening to the Mor Lam in <strong>for</strong>est conservation. It was found that the experimental group<br />

after listening Mor Lam about <strong>for</strong>est conservation and controlled group were statistically<br />

different at .05 significant level.<br />

Keywords: <strong>Environment</strong> <strong>Educational</strong> <strong>Communication</strong>, Isan folk art, Mor lam<br />

1. Introduction<br />

The environmental problems in Thailand is now in a traumatic level that affects people in wide areas.<br />

Destroyed natural resources such as de<strong>for</strong>estation will lead to other problems. The only way to solve<br />

those problems is definitely to do with human. His Majesty the King has been emphasizing on a wellbalanced<br />

relationship between his people and the country’s natural resources with his royal belief that<br />

natural resources are the basis of his people’s lives especially in the countryside. A sustainable and<br />

effective problem solving is to use an <strong>Environment</strong>al Study in which knowledgeable communication<br />

process to all target groups on environment (AKASPA) is written. Examples are awareness,<br />

knowledge, perception, skill, participation process and ability of environment assessment. Natural<br />

resources and environmental management is to rely on the concept of “Sustainability” in which an<br />

individual, community and society are in a close relationship with natural resources and environment, a<br />

style of living in a middle way or a balance between conservation and utility and also a balance<br />

between short-term and long-term benefit which can be called “A Sustainable Development.” A major<br />

problem in developing knowledge on an understanding of conserving <strong>for</strong>estry resources is how to use<br />

environmental communication process (Chinatrakoon, R. 2002). A knowledge receiver must be<br />

originally interested in the topic of knowledge. Message used is to be suitable and approaching to the<br />

296


European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

target groups and media used is to be familiar media and acceptable by the receivers. <strong>Environment</strong>al<br />

study is a knowledgeable and well-planned process by transferring an environmental knowledge to the<br />

individuals of all levels to understand and aware on environmental issues. <strong>Environment</strong>al study brings<br />

about a positive perception on individuals to natural preservation. Individuals can then help solving<br />

environmental problems correctly as planned. It is believed to be a process to promote individuals to<br />

help treating the environment and live together peacefully (Chankaew, k. 1993:71). Communities in<br />

the northeast consist of two-third population in Thailand. The majority are farmers with lowest<br />

economical status in Thailand. 84% of northeast people are living in the countryside communities and<br />

are facing the most of environmental problems (Office of the National Economics and Social<br />

Development Board, 2007). Northeastern communities possess a uniqueness of strong communities<br />

with long-derived cultural aspects from their ancestors.<br />

A professional singer of regional style in northeastern Thailand “Mor Lam” is an evolving<br />

cultural entertainment. Mor Lam is a favorite northeast entertainment. It is believed to be in the heart<br />

and soul of northeastern people (Thammawat, J. 2004).<br />

Thus, giving knowledge on environment to northeastern people is the most important thing to<br />

build up awareness in an environmental problem. The communication of an <strong>Environment</strong>al Study is<br />

vital to be a norm of an awareness of northeastern people to help protect their community.<br />

There<strong>for</strong>e, the researcher believes that to use the process of an <strong>Environment</strong>al Study to be<br />

integrated with a <strong>for</strong>m of communication through Isan folk arts; Mor Lam will enable northeastern<br />

people with an awareness to conserve their <strong>for</strong>estry resources which will be substantially beneficial in<br />

the future.<br />

2. Research Objectives<br />

2.1 To study basic in<strong>for</strong>mation, status, problem and <strong>Environment</strong>al Study communication on <strong>for</strong>estry<br />

conservation through northeastern folk arts<br />

2.2 To <strong>for</strong>m an <strong>Environment</strong>al Study on <strong>for</strong>estry conservation through northeastern folk arts<br />

2.3 To assess the <strong>for</strong>m of an <strong>Environment</strong>al Study on <strong>for</strong>estry conservation through<br />

northeastern folk arts<br />

3. Research Scope<br />

This research has specified areas of study and content as follows:<br />

3.1 Area of study in this research is 19 provincial communities in northeastern Thailand.<br />

3.2 Area of content of this research is to get content on integrated communication on <strong>for</strong>estry<br />

conservation and northeastern folk arts.<br />

4. Research Conceptual Framework<br />

Conceptual Framework of the research is a Mixed Model Research as follows:<br />

297


European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

Problem Assessment<br />

<strong>Communication</strong> Feature<br />

S<br />

SOURCE<br />

A<br />

P<br />

K<br />

Figure 1: Conceptual Framework<br />

EN.ED(Community)<br />

-Context<br />

-problems<br />

- <strong>An</strong> individual based development<br />

- On a participation basis<br />

- connected to an appropriate surrounding<br />

environment<br />

M<br />

MESSAGE<br />

-Problem<br />

-Cause<br />

-Effect<br />

Content<br />

-Way to solve<br />

-Awareness<br />

Feature Systhesis<br />

- Channel<br />

- Content<br />

EN.ED Model<br />

Mor Lam Klon<br />

298<br />

C<br />

CHANNEL<br />

SEEING<br />

s<br />

HEARING<br />

TOUCHING<br />

PAR<br />

Assessment<br />

R<br />

RECEIVER<br />

5. Research Assumption<br />

The awareness in <strong>for</strong>estry conservation of experimental group and control group are different<br />

5. Research Instruments<br />

5.1 In-Depth interview about Isan folk art<br />

5.2 Questionnaire about awareness in <strong>for</strong>est resources preservation<br />

K<br />

A<br />

P


European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

6. Research Statistic<br />

Descriptive statistics, percentage, mathematical average, standard deviation and t-test Independent<br />

were applied <strong>for</strong> in<strong>for</strong>mation analysis.<br />

7. Results<br />

7.1. Context and Problems of <strong>Communication</strong>s in <strong>Environment</strong>al Studies Regarding the<br />

Preservation of Forest Resources Based on Isan Folk Art<br />

From studying the context, problems, communications of environmental education in term of the<br />

conservation of <strong>for</strong>est resources via Isan folk art by studying documents, textbooks, research papers,<br />

in-depth interviews, and focus-group meeting, the summary is in Figure 2.<br />

Figure 2: Context, problems, communications of environmental education in term of the preservation of <strong>for</strong>est<br />

resources via Isan folk art<br />

Isan social &<br />

community<br />

condition<br />

Accumulation of culture<br />

& tradition<br />

Group <strong>for</strong>mation<br />

Poverty<br />

Occupations<br />

Celebration<br />

Isan folk art:<br />

Mor Lam<br />

Community<br />

Development<br />

Development<br />

299<br />

<strong>Communication</strong>s<br />

via Mor Lam<br />

Health<br />

Politics & Administration<br />

Education<br />

Conservation of natural<br />

Resources<br />

Others<br />

Roles of Mor Lam<br />

- Entertainment<br />

- Education<br />

- Rituals<br />

Figure 2 shows that the social and cultural condition and living of Isan communities result in<br />

the accumulation of culture and tradition. They have the amusement, folk art and Mor Lam, which take<br />

roles in entertaining and educating about rituals. Later, this folk art has been applied to the<br />

communications of state agencies and private sector <strong>for</strong> purposes of health, politics and administration,<br />

education, conservation of natural resources and others. These result to the development cycle of<br />

community and society.


European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

7.2. Model of <strong>Communication</strong>s in <strong>Environment</strong>al Education Regarding the Preservation of<br />

Forest Resources Based on Isan Folk Art<br />

According to the data analysis above, the communication model <strong>for</strong> the environmental education in<br />

term of the preservation of <strong>for</strong>est resources via Isan folk art was analyzed and shown in Figure 3.<br />

Figure 3: Model of communications in environmental education regarding the preservation of <strong>for</strong>est resources<br />

based on Isan folk art<br />

S<br />

Source<br />

Personality<br />

- Reliability<br />

- Inspiration<br />

- Tolerance<br />

- Cleverness<br />

- Wit<br />

Appearance<br />

- Beautiful<br />

dancing<br />

- Nice voice<br />

- Humour<br />

M<br />

Message<br />

Rhythm<br />

- Location<br />

- Wad Khon Khen<br />

- Wad Ubonratchathani<br />

- Wat Kalasin<br />

- Wad Maha Sarakham<br />

Content<br />

- Modern<br />

- Short<br />

- Relevant to way of<br />

life of local people<br />

- Humorous<br />

- Insertion of moral<br />

precept<br />

300<br />

C<br />

Channel<br />

Accessible<br />

- CD<br />

- VCD<br />

- Radio<br />

- TV<br />

- Per<strong>for</strong>mance<br />

- Festival<br />

R<br />

Receiver<br />

Change<br />

Figure 3 is the model of communications in environmental education regarding the<br />

conservation of <strong>for</strong>est resources based on Isan folk art deriving from the data analysis. It could be<br />

summarized that the communications in environmental education regarding the conservation of <strong>for</strong>est<br />

resources based on Isan folk art consist of 4 key components: source, which must comprise the<br />

qualifications of personalities and per<strong>for</strong>mance to the public; message comprising the rhythm (Wad)<br />

and content; channel that may be various because the more the communication technologies are<br />

developed, more different the communication channels will be; and receiver or community members so<br />

that they are aware of value of the <strong>for</strong>est and they will change their behavior of conserving the <strong>for</strong>est<br />

later.<br />

The Research in collaboration with experts in Isan folk art: Mor Lam composed 11 chapters of<br />

Gon Lam regarding the <strong>for</strong>est conservation as listed in Table 1.<br />

- K<br />

- A<br />

- P


Table 1: List of Gon Lam, composers and artists<br />

European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

No. Gon Lam Composer Artist<br />

1 Pa Mai Muang Isan Mor Lam Tu Ta<br />

Mor Lam Chaveewan<br />

Damnoen<br />

2 Chao Na Lam Ken A. Niwat Sarakhan Mor Lam Monrudee Promchak<br />

3 Fon Ma Pro Pa Pok Mor Lam Prasarnsilp Wiengsima Mor Lam Monrudee Promchak<br />

4 Chen Chuan <strong>An</strong>urak Pa Mor Lam Vittaya Kalasin Banyen Sriwongsa<br />

5 Ruam Gun <strong>An</strong>urak Thammachart Mor Lam Chaveewan Damnoen Banyen Sriwongsa<br />

6 Fuen Pa Na Bo Laeng A. Niwat Sarakhan Banyen Sriwongsa<br />

7 Krua Kai <strong>An</strong>urak Pa Chumchon Mor Lam Thongma Ratsampao Thongkam Pengdee<br />

8 Isan Samakkee Ruam Jai <strong>An</strong>urak Puen Pa, Mor Lam Thongsa Lohsoonthorn <strong>An</strong>gkana Khunchai<br />

9 Thammachat Grub Ma Ta Pracha Ruam Jai A. Thavee Buppa <strong>An</strong>gkana Khunchai<br />

10<br />

Isan Pattana Ruam Gan Raksa Pa Pua Look<br />

Lan Rao<br />

Mor Lam Vittaya Kalasin <strong>An</strong>gkana Khunchai<br />

11 Gatunyoo Phandin Mor Lam Ken Dalao <strong>An</strong>gkana Khunchai<br />

Table 1 showed that, in composing Gon Lam <strong>for</strong> the <strong>for</strong>est preservation, the researcher applied<br />

the conceptual framework deriving from studying the context, problems and communications of<br />

environmental education in term of the conservation of <strong>for</strong>est resources based on Isan folk art, as well<br />

as the knowledge base deriving from the analysis of the model of communications in environmental<br />

education regarding the conservation of <strong>for</strong>est resources based on Isan folk art. This composition was<br />

supported by certain Mor Lam artists who are well-known and have wisdom in communicating about<br />

Isan folk art. The artists transferring such contents have suitable qualifications, including personalities<br />

as they are reliable, inspired, tolerant, witted. For their voice and singing, they are accepted as the<br />

artists who have nice voice, beautiful dancing and humor whereas their Lam rhythms are favorable.<br />

The Gon Lam contents are modern, short, relevant to the local way of life, humorous and they give<br />

some moral precepts.<br />

7.3. Evaluation Results of <strong>Communication</strong>s in <strong>Environment</strong>al Studies Regarding the<br />

Preservation of Forest Resources Based on Isan Folk Art<br />

Section 1: Evaluation results of awareness of <strong>for</strong>est preservation<br />

Table 2: Evaluation results of awareness of <strong>for</strong>est preservation<br />

No<br />

.<br />

1<br />

2<br />

3<br />

4<br />

5<br />

6<br />

7<br />

Issue<br />

Community environment is important<br />

<strong>for</strong> community members.<br />

Community <strong>for</strong>est is like the fresh<br />

market of the community.<br />

You think that your community<br />

confronts the environmental decline.<br />

You think that your community <strong>for</strong>est<br />

now has the preservation problem.<br />

If everyone does not help preserve the<br />

<strong>for</strong>est, the community members’ living<br />

will be in difficulty.<br />

Problems caused by the destruction of<br />

<strong>for</strong>ests will result to the natural<br />

catastrophe, e.g. flood, landslide.<br />

If the community <strong>for</strong>est is preserved,<br />

the community members will have the<br />

good quality of life.<br />

Level of Awareness Meaning<br />

Experimen<br />

tal Group<br />

301<br />

Control<br />

Group<br />

Experimen<br />

tal Group<br />

Control<br />

Group<br />

4.04 2.58 Excellent Fair<br />

4.01 2.30 Excellent Fair<br />

4.22 2.35 Excellent Fair<br />

4.11 2.15 Excellent Fair<br />

4.43 2.15 Excellent Fair<br />

4.02 2.28 Excellent Fair<br />

3.69 1.99 Good Low<br />

Remark<br />

No. 9 and 15<br />

are<br />

negativebased<br />

questions;<br />

so they are<br />

interpreted<br />

adversely.


European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

Table 2: Evaluation results of awareness of <strong>for</strong>est preservation - continued<br />

8<br />

9<br />

10<br />

11<br />

12<br />

13<br />

14<br />

15<br />

16<br />

The next generation is entitled to<br />

receive the benefits from the natural<br />

resources existing in the community.<br />

The preservation of community <strong>for</strong>est is<br />

the duty of community leaders and<br />

panel only.**<br />

You should be involved in the<br />

preservation of community <strong>for</strong>est.<br />

Every community member should be<br />

involved in the preservation of<br />

community <strong>for</strong>est.<br />

Everyone is important <strong>for</strong> the<br />

preservation of community <strong>for</strong>est.<br />

The <strong>for</strong>est preservation group should be<br />

established in the community.<br />

The state agencies should support in<br />

solving the problems of <strong>for</strong>est<br />

preservation.<br />

If seeing any illegal wood cutting, you<br />

will ignore it as you do not want to have<br />

conflicts with others.**<br />

If seeing any illegal wood cutting, you<br />

will obstruct it because you do not want<br />

that the <strong>for</strong>est is destroyed.<br />

4.09 2.16 Excellent Fair<br />

1.89 4.09 Excellent Low<br />

4.57 2.25 Excellent Fair<br />

3.95 2.12 Good Fair<br />

4.49 2.15 Excellent Fair<br />

3.21 2.21 Good Fair<br />

4.48 3.75 Excellent Good<br />

1.75 4.10 Excellent Low<br />

4.27 2.07 Excellent Fair<br />

17<br />

The security schedule should be<br />

arranged to patrol and prevent the<br />

wildfire.<br />

4.42 2.82 Excellent Fair<br />

** Means negative issues/ level of opinion adjusted to be positive scores.<br />

Table 2 showed the evaluation results of awareness of <strong>for</strong>est conservation after listening to Mor<br />

Lam To Gon regarding the <strong>for</strong>est conservation. The experimental group had the level of awareness at<br />

the excellent level in 14 issues and at the good level in 3 issues. Meanwhile, the control group had the<br />

level of awareness at the excellent level and at the good level in one issue, at the fair level in 13 issues,<br />

and at the low level in 3 issues.<br />

Table 3: Comparison of awareness of <strong>for</strong>est conservation between the control group and the experimental<br />

group be<strong>for</strong>e listening to Mor Lam To Gon regarding the <strong>for</strong>est conservation<br />

Samples n X S.D T<br />

Experimental group<br />

Control group<br />

p>.05<br />

200<br />

200<br />

47.2900<br />

47.1400<br />

5.31575<br />

3.47285<br />

0.738<br />

Table 3 showed that the awareness of villagers who were in the experimental and control<br />

groups was not different, i.e. the villagers in both groups had no different awareness of <strong>for</strong>est<br />

conservation be<strong>for</strong>e listening to Mor Lam To Gon regarding the <strong>for</strong>est conservation.<br />

Table 4: Comparison of awareness of <strong>for</strong>est conservation of the experimental group be<strong>for</strong>e and after listening<br />

to Mor Lam To Gon regarding the <strong>for</strong>est conservation<br />

Samples n X S.D T<br />

Be<strong>for</strong>e listening to Mor Lam<br />

After listening to Mor Lam<br />

p>.05<br />

200<br />

200<br />

47.2900<br />

78.1850<br />

5.31575<br />

3.3701<br />

63.25*<br />

302


European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

Table 4 showed that the awareness of villagers in the experimental group be<strong>for</strong>e and after<br />

listening to Mor Lam To Gon regarding the <strong>for</strong>est conservation was different at a statistic significance<br />

of .05, i.e. the villagers had the different awareness of <strong>for</strong>est conservation be<strong>for</strong>e and after listening to<br />

Mor Lam To Gon regarding the <strong>for</strong>est conservation.<br />

Table 5: Comparison of awareness of <strong>for</strong>est conservation of the control and experimental groups after<br />

listening to Mor Lam To Gon regarding the <strong>for</strong>est conservation<br />

Samples n X S.D t<br />

Experimental group<br />

Control group<br />

p>.05<br />

200<br />

200<br />

78.1850<br />

47.1400<br />

3.3701<br />

3.47285<br />

72.17*<br />

Table 5 showed that the awareness of villagers in the experimental group after listening to Mor<br />

Lam To Gon regarding the <strong>for</strong>est conservation was different at a statistic significance of .05, i.e. the<br />

villagers who listened to Mor Lam To Gon regarding the <strong>for</strong>est conservation had higher awareness of<br />

<strong>for</strong>est conservation than those not listening to Mor Lam To Gon regarding the <strong>for</strong>est conservation.<br />

Figure 3: Mor Lam per<strong>for</strong>mance<br />

Section 2: Guideline of <strong>for</strong>est conservation<br />

According to the responses of the samples, the guideline of <strong>for</strong>est preservation could be<br />

summarized below.<br />

1) Arrangement of campaigns to encourage the villagers to realize the problems or impact<br />

caused by the wood cutting so that they have the awareness of <strong>for</strong>est preservation.<br />

2) The state officials must have the strict en<strong>for</strong>cement. Sometimes, the <strong>for</strong>est destroyers are<br />

the state officials or the relatives of those officials whereas they may give cooperation or<br />

ignore the arrest. Thus, the villagers do not trust those officials and try to break the law as<br />

well.<br />

3) The awareness should be rooted in the next generation such as the use of <strong>for</strong>est<br />

preservation curriculum in various schools, or the arrangement of activities to encourage<br />

the students or youth to value the <strong>for</strong>est.<br />

4) Local media may be used in the campaigns such as the use of festivals or exhibitions set<br />

as the national agenda.<br />

5) The network should be created by setting up the <strong>for</strong>est preservation group in the village to<br />

help protect any community <strong>for</strong>ests. The rules and criteria of each community may be set<br />

up <strong>for</strong> the <strong>for</strong>est preservation and sustainable utilization.<br />

303


European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

8. Impact by the Research<br />

After evaluating the villagers’ awareness of <strong>for</strong>est preservation, some meetings were also held <strong>for</strong><br />

further development, i.e. the <strong>for</strong>est preservation network was established in the communities. It was<br />

discovered that the villagers at Tambon Dong Mun, Amphoe Nong Kung Si of Kalasin Province, and<br />

villagers at Tambon Nam Kum, Amphoe Thai Charoen of Yasothon Province have <strong>for</strong>med the group<br />

networks to jointly conserve the community <strong>for</strong>ests.<br />

9. Recommendations<br />

9.1. Suggestions of this Research<br />

9.1.1 The result of this research provides us the communication model of environmental education in<br />

term of preservation of <strong>for</strong>est resources via Isan folk art, which is a guideline to be applied in other<br />

similar communications in other communities. To enhance the highest efficient <strong>for</strong> the<br />

communications of environmental education, the context, sender, message, communication channels<br />

and receiver must be carefully analyzed according to Burrow’s <strong>Communication</strong> Theory. The result<br />

indicated that the communication based on Isan folk art Mor Lam To Gon could root the awareness of<br />

<strong>for</strong>est conservation among villagers at Isan communities.<br />

9.1.2 Except rooting the awareness of <strong>for</strong>est conservation via Isan folk art, the result showed<br />

that the community-based <strong>for</strong>est preservation must also rely on the creation of <strong>for</strong>est preservation<br />

network to be established in each community, which deems the sustainable and proactive solution<br />

guideline in which every community is actually involved.<br />

9.1.3 At present, the destruction of <strong>for</strong>est resources is a chronic problem assuring the<br />

subsequent harsh impact, including global warming or drought. But, some selfish persons have never<br />

stopped their destruction. For the guideline of applying the method of rooting the awareness of <strong>for</strong>est<br />

preservation via Isan folk art provided by this research, the governmental entities should seriously<br />

encourage the use of this method by setting this as a national agenda. The environmental education is a<br />

sustainable way rather than the exercise of laws or arrest, which may have never ended. The awareness<br />

must be rooted in children so that they have the sustainable awareness of preservation.<br />

9.1.4 One environmental problem concerned by the world is the global warming. The<br />

sustainable problem solving is to root the awareness of using resources efficiently and costly, or to<br />

campaign <strong>for</strong> the use of environmentally friendly products. Thus, an organization or agency should use<br />

this communication model via Isan folk art to those campaigns. This result was consistent with Ekkavit<br />

Na Thalang (1998: 1-12) who concluded the learning process and transfer of local wisdom as follows.<br />

1) Humans learn how to survive and maintain the race by the error and trial learning, so humans have<br />

accumulated their knowledge and understanding to be transferred to the next generation. 2) Humans<br />

learn by practice in real situations and environment, that is, humans learn and accumulate the<br />

experience in real situations and practice be<strong>for</strong>e transferring it to the next generation until it becomes<br />

the tradition or practice. 3) Knowledge transfer and learning by doing have been gradually developed<br />

and transmitted to the next generations. Generally, the transfer of folk art may be done verbally or in<br />

writing or demonstration. The transfer methods are not fixed, but adjusted to the factors as perceived<br />

by the owners of culture. In some cases, the accumulated knowledge may decline or be lost. 4) The<br />

exchange of knowledge and experience between different groups caused the vast learning in part of<br />

content, <strong>for</strong>m and method. 5) Learning something through the back door is a learning process occurred<br />

in the past due to the shortage of learners. This resulted in a good outcome because the learners had<br />

strong inspiration Learning through the back door seems the stealing of others’ wisdom, but it is an<br />

effective natural learning.<br />

304


9.2. Recommendations <strong>for</strong> Further Studies<br />

European Journal of Social Sciences – Volume 24, Number 2 (2011)<br />

9.2.1 The result of this research showed that the application of Isan folk art in communicating about<br />

the conservation of <strong>for</strong>est resources gave a good result; so this model should be further studied in other<br />

regions where there are folk arts and problems about <strong>for</strong>est resources such as Talung folk art at the<br />

south, Salo Sor Sung folk art at the north, etc.<br />

9.2.2 Apart from communicating about the awareness of the conservation of <strong>for</strong>est resources<br />

via Isan folk art, this art should be applied <strong>for</strong> other communications, e.g. campaigns <strong>for</strong> security and<br />

harmony at the southern part, or political conflicts. These should be further studied.<br />

9.2.3 This communication model may be applied in other communication developments, e.g.<br />

economic development subject to the King’s Sufficiency Economy. The model may be developed to be<br />

the knowledge base.<br />

9.2.4 This communication model should be used in another issue concerned by the people<br />

around the world or the global warming. The research result may be so fruitful.<br />

References<br />

[1] Ekkavit Na Thalang 1998. “<strong>Communication</strong> theory and social development”, Chulalongkorn<br />

Publishing, Bangkok.<br />

[2] Chankaew, K., 1993. <strong>Environment</strong> problems: Evidence from Thailand. Journal of Education<br />

Research 29, PP. 71.<br />

[3] Thammawat, J., 2004. “ The Role of ISAN folk art :Mor Lam”, Prasanmithra Printing,<br />

Kalasin.<br />

[4] Office of the National Economics and Social Development Board, 2007. “The Economics and<br />

Social Development Plan No.10”. Journal of Sustainable Development 30, pp. 48-58.<br />

[5] Chinatrakoon, R., 2002. “<strong>Environment</strong>al Education”, Ammarin Printing, Bangkok.<br />

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