Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
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7 Challenging <strong>the</strong> hegemony:<br />
contrary narratives in <strong>the</strong><br />
e-Media (I) – <strong>Mao</strong> <strong>and</strong> <strong>the</strong><br />
<strong>Cultural</strong> <strong>Revolution</strong><br />
Introduction: emerging contrary narratives<br />
Discussions of various biographical <strong>and</strong> memoir writings in previous<br />
chapters clearly show that <strong>the</strong> dominant narrative is a total denigration<br />
of <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> <strong>and</strong> almost instinctive denunciation of <strong>the</strong><br />
<strong>Mao</strong> era, ei<strong>the</strong>r explicitly or implicitly. I have argued that this hegemonic<br />
narrative, in many ways methodologically similar to traditional<br />
Chinese historiography, does not only purport to serve <strong>the</strong> present (in<br />
Chapter 3) but is also framed by <strong>the</strong> present (in Chapter 2). This<br />
construction of an anti-<strong>Mao</strong>ist (Chapter 4) <strong>and</strong> anti-revolutionary<br />
(Chapter 5) history went h<strong>and</strong> in h<strong>and</strong> with <strong>the</strong> collapse of existing<br />
socialism <strong>and</strong> ascendance of neoliberalism in China (Wang Hui, 2004).<br />
Hegemony can never be total <strong>and</strong> <strong>the</strong>re have been dissenting voices<br />
from <strong>the</strong> very beginning when <strong>the</strong> anti-<strong>Mao</strong>ist <strong>and</strong> anti-revolutionary<br />
were <strong>for</strong>ming alliances in <strong>and</strong> outside China. The dissenting voices in<br />
China have ga<strong>the</strong>red pace since 1997 after <strong>the</strong> American bombing of<br />
<strong>the</strong> Chinese embassy in Belgrade, as represented in <strong>the</strong> journals Dushu<br />
<strong>and</strong> Tianya (Wang Hui, 2004). There have, however, also been<br />
dissenting voices from ano<strong>the</strong>r source, <strong>and</strong> that is <strong>the</strong> e-media, both<br />
inside <strong>and</strong> outside China. These dissenting voices have been getting<br />
louder <strong>and</strong> louder as <strong>the</strong> consequences of post-<strong>Mao</strong> re<strong>for</strong>m have been<br />
more <strong>and</strong> more visible <strong>and</strong> more keenly felt.<br />
The issue that draws most attention in <strong>the</strong> e-media is <strong>the</strong> evaluation<br />
of <strong>Mao</strong> <strong>the</strong> man. Very much related to that evaluation but often<br />
discussed separately is <strong>the</strong> issue of assessing <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>.<br />
For a long time in China it has been taken <strong>for</strong> granted that <strong>the</strong> <strong>Cultural</strong><br />
<strong>Revolution</strong> had nothing positive to talk about <strong>and</strong> ‘<strong>the</strong> ten-year<br />
disaster of <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>’ had become <strong>the</strong> accepted wisdom,<br />
just as it was once accepted that <strong>the</strong> sun revolved around <strong>the</strong> earth.<br />
However, <strong>the</strong> wisdom is increasingly being questioned now in <strong>the</strong> emedia.<br />
In May 2007, a familiar e-media participant with <strong>the</strong> pen name<br />
of Jingan Jushi (2007) proclaimed: ‘China should objectively <strong>and</strong><br />
historically evaluate <strong>the</strong> merits <strong>and</strong> demerits of <strong>Mao</strong>.’<br />
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