Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
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<strong>the</strong> broad masses of people. The process of attitude change, as seen <strong>for</strong><br />
instance in <strong>the</strong> case of Yang Fan, reflect a lot of what has been happening<br />
in terms of underst<strong>and</strong>ing <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> unofficially. Yang<br />
went to kindergarten, primary school <strong>and</strong> secondary school with Liu<br />
Yuan <strong>and</strong> Bo Xicheng. 12 The three of <strong>the</strong>m, according to Yang (2006),<br />
went through a stage of fierce denunciation of <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>.<br />
But now <strong>the</strong>y have reached <strong>the</strong> stage where <strong>the</strong>y, notably Liu Yuan <strong>and</strong><br />
Bo Xicheng, do not hate <strong>Mao</strong> <strong>for</strong> what happened, but see <strong>the</strong> <strong>Cultural</strong><br />
<strong>Revolution</strong> as failed idealism. Yang thinks that <strong>the</strong>re are positive lessons<br />
to be learned from <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>.<br />
Wang Xizhe <strong>the</strong> dissident<br />
THE BATTLE FOR CHINA’ S PAST<br />
Wang Xizhe was a one of <strong>the</strong> famous co-authors of <strong>the</strong> Li Yizhe Posters<br />
(a pamphlet criticizing <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> <strong>and</strong> <strong>the</strong> problems of<br />
<strong>the</strong> Chinese political system that was circulated widely in <strong>the</strong> early<br />
1970s) <strong>and</strong> is now a dissident in exile. Wang, however, still holds <strong>the</strong><br />
view that <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> led to some positive ideas <strong>and</strong><br />
democratic practices. In this respect he is in disagreement with o<strong>the</strong>r<br />
Chinese dissidents. In one widely circulated piece, Wang (2006a) asks<br />
<strong>the</strong> dissident Lin Feng, ‘Since we dissidents are supposed to oppose<br />
whatever is proposed by <strong>the</strong> CCP <strong>and</strong> support whatever is opposed by<br />
<strong>the</strong> CCP, why do you support <strong>the</strong> CCP when it denigrates <strong>the</strong> <strong>Cultural</strong><br />
<strong>Revolution</strong>?’ (<strong>for</strong> <strong>the</strong> dissidents’ Two whateverisms see Chapter 2).<br />
Wang (2006b) also rebuts Han Zhu who asserts that <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong><br />
was a populist Nazi movement. Wang should know because he<br />
was first very active in <strong>Cultural</strong> <strong>Revolution</strong> activities <strong>and</strong> <strong>the</strong>n wrote<br />
one of <strong>the</strong> most articulate critiques of many aspects of <strong>the</strong> <strong>Cultural</strong><br />
<strong>Revolution</strong>’s developments.<br />
Kong Qingdong <strong>and</strong> <strong>the</strong> cowshed<br />
‘Cowshed’ is a term used by <strong>the</strong> Chinese to refer to a practice during<br />
<strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> when ‘<strong>the</strong> bad elements’ or niu gui she shen<br />
(cow demons <strong>and</strong> snake ghosts, a traditional Chinese term referring to<br />
folk tales about bad spirits that would do harm to <strong>the</strong> innocent <strong>and</strong><br />
weak) were sent to a camp to work <strong>and</strong> study in order to change <strong>the</strong>ir<br />
mentality. The camp is <strong>the</strong>n termed niu peng, a shed <strong>for</strong> ‘<strong>the</strong> Cow<br />
demons’. Kong is an outspoken academic but very critical of <strong>the</strong> fact<br />
that condemnation of niu peng (<strong>the</strong> cowshed) in memoirs has become a<br />
fashion, similar to <strong>the</strong> <strong>Mao</strong>-era fashion of yi ku si tian (to recall <strong>the</strong><br />
bitterness of <strong>the</strong> pre-1949 life <strong>and</strong> to tell of <strong>the</strong> sweet life of today).<br />
Nowadays, niu peng is portrayed as more horrifying than prison.<br />
However, Kong (2006) argues that much of what happened at that time<br />
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