Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
Battle for China's Past : Mao and the Cultural Revolution
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3 Constructing history:<br />
memoirs, autobiographies<br />
<strong>and</strong> biographies in Chinese<br />
Introduction: scope <strong>and</strong> rationale<br />
Many memoirs, autobiographies <strong>and</strong> biographies have been written by<br />
authors who have a PRC national background. One category that has<br />
dominated <strong>the</strong> field comprises those written in Western languages,<br />
mainly in English, <strong>and</strong> published in <strong>the</strong> West; ano<strong>the</strong>r has included<br />
those written in Chinese <strong>and</strong> published in mainl<strong>and</strong> China, Hong<br />
Kong or Taiwan. While memoirs, autobiographies <strong>and</strong> biographies<br />
published elsewhere appear to be more ‘objectively’ critical of <strong>Mao</strong><br />
than those published in mainl<strong>and</strong> China, both English <strong>and</strong> Chinese<br />
language publications, ever since <strong>the</strong> 1980s, have tended to join <strong>the</strong><br />
chorus of total condemnation of <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> whenever <strong>the</strong><br />
subject is mentioned. These two categories of writings appear to have<br />
increasing importance in <strong>for</strong>mulating specific political discourses <strong>and</strong><br />
historical narratives <strong>and</strong> in influencing public perception <strong>and</strong> opinion<br />
of <strong>Mao</strong> <strong>and</strong> <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>.<br />
Since <strong>the</strong> late 1990s, however, voices that challenge <strong>the</strong> dominant<br />
official or semi-official political discourse <strong>and</strong> historical narratives<br />
have also started to appear. Because no challenge to <strong>the</strong> mainstream<br />
discourse of total condemnation is officially allowed in mainl<strong>and</strong><br />
China, particularly in <strong>the</strong> conventional media, dissenting voices are<br />
mostly heard only from unofficial sources such as private conversations<br />
as well as <strong>the</strong> increasingly flourishing but technologically<br />
difficult to control e-media. This third category of ‘unofficial’ literature<br />
consists of piecemeal memories <strong>and</strong> personal testimonials as well as<br />
essays or even blogs about <strong>Mao</strong> <strong>and</strong> <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>. An evaluation<br />
<strong>and</strong> comparison of <strong>the</strong>se three categories of literature is not only<br />
useful but also necessary.<br />
Very little has done in this respect. Joshua A. Fogel (1997) is one of<br />
<strong>the</strong> few who have written about memoirs by Chinese writers. Fogel’s<br />
work, however, is only a short study of what has been written about<br />
<strong>the</strong> Chinese communist ‘philosopher’ Ai Siqi. Zarrow (1999) <strong>and</strong> Kong<br />
(1999) have made some very thoughtful <strong>and</strong> insightful comments, but<br />
only on memoirs <strong>and</strong> biographies in English. Teiwes (1997) also<br />
touches on <strong>the</strong> subject but only talks about <strong>the</strong> benefits <strong>and</strong> pitfalls of<br />
interviewing CCP party historians <strong>and</strong> historical participants.<br />
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