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Battle for China's Past : Mao and the Cultural Revolution

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3 Constructing history:<br />

memoirs, autobiographies<br />

<strong>and</strong> biographies in Chinese<br />

Introduction: scope <strong>and</strong> rationale<br />

Many memoirs, autobiographies <strong>and</strong> biographies have been written by<br />

authors who have a PRC national background. One category that has<br />

dominated <strong>the</strong> field comprises those written in Western languages,<br />

mainly in English, <strong>and</strong> published in <strong>the</strong> West; ano<strong>the</strong>r has included<br />

those written in Chinese <strong>and</strong> published in mainl<strong>and</strong> China, Hong<br />

Kong or Taiwan. While memoirs, autobiographies <strong>and</strong> biographies<br />

published elsewhere appear to be more ‘objectively’ critical of <strong>Mao</strong><br />

than those published in mainl<strong>and</strong> China, both English <strong>and</strong> Chinese<br />

language publications, ever since <strong>the</strong> 1980s, have tended to join <strong>the</strong><br />

chorus of total condemnation of <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong> whenever <strong>the</strong><br />

subject is mentioned. These two categories of writings appear to have<br />

increasing importance in <strong>for</strong>mulating specific political discourses <strong>and</strong><br />

historical narratives <strong>and</strong> in influencing public perception <strong>and</strong> opinion<br />

of <strong>Mao</strong> <strong>and</strong> <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>.<br />

Since <strong>the</strong> late 1990s, however, voices that challenge <strong>the</strong> dominant<br />

official or semi-official political discourse <strong>and</strong> historical narratives<br />

have also started to appear. Because no challenge to <strong>the</strong> mainstream<br />

discourse of total condemnation is officially allowed in mainl<strong>and</strong><br />

China, particularly in <strong>the</strong> conventional media, dissenting voices are<br />

mostly heard only from unofficial sources such as private conversations<br />

as well as <strong>the</strong> increasingly flourishing but technologically<br />

difficult to control e-media. This third category of ‘unofficial’ literature<br />

consists of piecemeal memories <strong>and</strong> personal testimonials as well as<br />

essays or even blogs about <strong>Mao</strong> <strong>and</strong> <strong>the</strong> <strong>Cultural</strong> <strong>Revolution</strong>. An evaluation<br />

<strong>and</strong> comparison of <strong>the</strong>se three categories of literature is not only<br />

useful but also necessary.<br />

Very little has done in this respect. Joshua A. Fogel (1997) is one of<br />

<strong>the</strong> few who have written about memoirs by Chinese writers. Fogel’s<br />

work, however, is only a short study of what has been written about<br />

<strong>the</strong> Chinese communist ‘philosopher’ Ai Siqi. Zarrow (1999) <strong>and</strong> Kong<br />

(1999) have made some very thoughtful <strong>and</strong> insightful comments, but<br />

only on memoirs <strong>and</strong> biographies in English. Teiwes (1997) also<br />

touches on <strong>the</strong> subject but only talks about <strong>the</strong> benefits <strong>and</strong> pitfalls of<br />

interviewing CCP party historians <strong>and</strong> historical participants.<br />

[ 48 ]

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