Elie Wiesel's Night: Out of the Darkness - College of Education
Elie Wiesel's Night: Out of the Darkness - College of Education
Elie Wiesel's Night: Out of the Darkness - College of Education
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Spring 2011<br />
� Work on body biographies (60-70 minutes)<br />
o Students will spend most <strong>of</strong> <strong>the</strong> period working on <strong>the</strong>ir groups’ body biography.<br />
o I will walk around <strong>the</strong> classroom throughout <strong>the</strong> period to monitor work and<br />
participation, which is a factor in each student’s grade for <strong>the</strong> assignment.<br />
� Complete activity reflection (10 minutes)<br />
o Students will each respond to a prompt about this activity once <strong>the</strong>ir group is done<br />
working.<br />
� Complete a reader response entry (remainder <strong>of</strong> class)<br />
o Students should complete <strong>the</strong>ir forth reader response entry.<br />
Assessment: (APS 3) NCTE/NCATE 4.10<br />
� Produce a response to literature. (E1-1.6)<br />
o Body Biography<br />
o Reader Response entry<br />
� Create a work for a specific audience. (E1-6.5)<br />
o Body Biography<br />
English I Course Standards Addressed: (APS 2, 4, 7)<br />
E1-1.6 Create responses to literary texts through a variety <strong>of</strong> methods such as written<br />
works, oral presentations, media productions, and <strong>the</strong> visual and performing arts.<br />
E1-6.5 Create written works and oral and visual presentations that are designed for a<br />
specific audience and purpose.<br />
Follow-up Lessons/ Activities: (APS 7)<br />
We will continue to discuss <strong>the</strong> treatment <strong>of</strong> concentration camp victims and slaves as we<br />
continue through <strong>the</strong> unit. The body biographies will be hung around <strong>the</strong> room so that students<br />
may refer back to <strong>the</strong>m during <strong>the</strong>se discussions.<br />
Lesson Reflection: This lesson completely surpassed my expectations for both <strong>the</strong> students and<br />
<strong>the</strong> assignment itself. I was honestly very nervous about this lesson at first; I was concerned that<br />
<strong>the</strong> students would not take it seriously and would think that <strong>the</strong>y were just taking a day <strong>of</strong>f to<br />
draw and color pictures, but I stuck with my plan to see how things would go and I am so glad<br />
that I did. The students got into a flow from <strong>the</strong> moment that <strong>the</strong>y began working on <strong>the</strong> body<br />
biographies. I think that introducing <strong>the</strong> activity in <strong>the</strong> previous class and allowing <strong>the</strong>m to<br />
choose <strong>the</strong>ir groups and begin finding quotes before coming into class for <strong>the</strong> actual assignment<br />
allowed <strong>the</strong> students to completely understand what was going on and what I expected from<br />
<strong>the</strong>m. The students were in a flow because <strong>of</strong> <strong>the</strong>ir social interaction, control over <strong>the</strong>ir own<br />
learning through this activity in choosing <strong>the</strong> quotes and things to draw, <strong>the</strong> immediate<br />
experience <strong>of</strong> creating this “person” for o<strong>the</strong>r to see in order to understand what <strong>the</strong> people in <strong>the</strong><br />
concentration camps went through, and my feedback throughout <strong>the</strong> process. This activity was<br />
also challenging for <strong>the</strong> students but confined enough so that <strong>the</strong>y could complete it in one class<br />
period. The products are <strong>the</strong> pro<strong>of</strong> <strong>of</strong> this flow, as well as <strong>the</strong> pro<strong>of</strong> that <strong>the</strong> standards and<br />
objectives for <strong>the</strong> day were met. The students created products <strong>of</strong> a high quality that put <strong>the</strong>m in<br />
32 Spring 2011