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issue 5 - Viva Lewes

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Printmaking used to be a purely commercial practice<br />

and it is only fairly recently that it has moved into<br />

the artistic arena. Brian Rice was one of the first.<br />

“everyone always says that printmaking was first<br />

used by Andy Warhol but actually it was a bit earlier<br />

than that. i was making prints in the early 60s and i<br />

wasn’t the only one. i was selling thousands of prints<br />

then especially in the states.”<br />

For Brian producing original prints is an almost<br />

political act. “i’ve always thought the most important<br />

thing about printmaking is the fact that pieces can be<br />

sold for affordable prices. it means that as an artist<br />

you can get your ideas out to a wider audience, and<br />

that a different set of people can own a piece of your<br />

artwork.” And the price difference is staggering. if<br />

you want to buy a painting by Bridget Riley, you’re<br />

looking at stumping up many thousands of pounds.<br />

if you buy one of her original prints you’re looking<br />

at a few hundred.<br />

The image that we have chosen for our cover is<br />

called ‘Cairnstone’ and it is an original print from<br />

a series of four. it is inspired by Brian’s interest in<br />

archaeology (developed during the fifteen years he<br />

W W W. V i V a l E W E S . C o M<br />

S C r E E n p r i n t i n g<br />

retreated from the art world and into farming). The<br />

design has its roots in prehistoric rock art. “it’s one<br />

of europe’s best kept secrets”, he tells me. “There<br />

are hundreds of rocks and boulders around, which<br />

are carved with amazing designs. They’re not easy<br />

to spot because they are quite weathered. You tend<br />

to find them in remote places.”<br />

Whilst the designs form the basis of his inspiration<br />

they change dramatically in transition. “People<br />

always ask me about colour”, he says. “Because<br />

obviously the carvings are just grey. Colour has<br />

always been important in my work, right back to the<br />

early stuff in the 60s. i tend to tailor my colours very<br />

much to my mood.” so what colour are you working<br />

in now? “Well i had been using muted tones so i<br />

must have thought i was a bit depressed but all of<br />

a sudden i found myself adding bright yellow so i<br />

think i’ve broken out of it.”<br />

‘Cairnstone’ will be on display at the HQ Gallery<br />

from July 1 th to August 12th as part of a major<br />

exhibition of prints from Artizan editions. V<br />

emma Robertson<br />

HQ Gallery 01273 487849<br />

V<br />

5

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