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Printmaking used to be a purely commercial practice<br />
and it is only fairly recently that it has moved into<br />
the artistic arena. Brian Rice was one of the first.<br />
“everyone always says that printmaking was first<br />
used by Andy Warhol but actually it was a bit earlier<br />
than that. i was making prints in the early 60s and i<br />
wasn’t the only one. i was selling thousands of prints<br />
then especially in the states.”<br />
For Brian producing original prints is an almost<br />
political act. “i’ve always thought the most important<br />
thing about printmaking is the fact that pieces can be<br />
sold for affordable prices. it means that as an artist<br />
you can get your ideas out to a wider audience, and<br />
that a different set of people can own a piece of your<br />
artwork.” And the price difference is staggering. if<br />
you want to buy a painting by Bridget Riley, you’re<br />
looking at stumping up many thousands of pounds.<br />
if you buy one of her original prints you’re looking<br />
at a few hundred.<br />
The image that we have chosen for our cover is<br />
called ‘Cairnstone’ and it is an original print from<br />
a series of four. it is inspired by Brian’s interest in<br />
archaeology (developed during the fifteen years he<br />
W W W. V i V a l E W E S . C o M<br />
S C r E E n p r i n t i n g<br />
retreated from the art world and into farming). The<br />
design has its roots in prehistoric rock art. “it’s one<br />
of europe’s best kept secrets”, he tells me. “There<br />
are hundreds of rocks and boulders around, which<br />
are carved with amazing designs. They’re not easy<br />
to spot because they are quite weathered. You tend<br />
to find them in remote places.”<br />
Whilst the designs form the basis of his inspiration<br />
they change dramatically in transition. “People<br />
always ask me about colour”, he says. “Because<br />
obviously the carvings are just grey. Colour has<br />
always been important in my work, right back to the<br />
early stuff in the 60s. i tend to tailor my colours very<br />
much to my mood.” so what colour are you working<br />
in now? “Well i had been using muted tones so i<br />
must have thought i was a bit depressed but all of<br />
a sudden i found myself adding bright yellow so i<br />
think i’ve broken out of it.”<br />
‘Cairnstone’ will be on display at the HQ Gallery<br />
from July 1 th to August 12th as part of a major<br />
exhibition of prints from Artizan editions. V<br />
emma Robertson<br />
HQ Gallery 01273 487849<br />
V<br />
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