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Der Orient zwischen Wirklichkeit und Traum

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<strong>Der</strong> <strong>Orient</strong> <strong>zwischen</strong><br />

<strong>Wirklichkeit</strong> <strong>und</strong> <strong>Traum</strong>


Eugène Delacroix, <strong>Der</strong> Tod des Sardanapal (1827)/ Öl auf L/ 395 x<br />

495 cm, Paris Louvre


Eugène Delacroix, Algerische<br />

Frauen, Öl auf L/ 180 x 229 cm<br />

1834, Musee du Louvre, Paris<br />

J.A.D Ingres, Das türkische<br />

Bad, Öl auf L/ 1862, Louvre,<br />

Paris


Jean-Louis Gérome,<br />

Badehaus in einem Harem,<br />

ca. 1876, St. Petersburg,<br />

Eremitage


Paris, Place de la<br />

Concorde


Hôtel de Beauharnais,<br />

Ägyptischer Portikus, 1807<br />

(Stadtpalast des Eugène de<br />

Beauharnais)<br />

Frederick<br />

Leighton,<br />

Auf dem Nil,<br />

30x42 cm,<br />

1868<br />

Cambridge,<br />

Fitzwilliams<br />

Museum<br />

ITG: ITG:<br />

ITG: ITG:<br />

Leighton Leightonhimself himself<br />

had hadconceived conceived<br />

the theArab ArabHall Hall and and<br />

the thelighting lightingof of his his<br />

house, house, being being<br />

inspired inspiredby bya a<br />

Saracen Saracenpalace palace<br />

at at Palermo Palermo called called<br />

'La 'La Zisa', Zisa', and and<br />

selected selectedhis his<br />

friend friendGeorge George<br />

Aitchison Aitchison (later (later<br />

Prof. of<br />

Leighton House, Prof. London, of<br />

Architecture<br />

Arab Hall, 1877-1881 Architectureat (Atelier at<br />

the<br />

des Malers Frederick theRoyal Royal<br />

Academy),<br />

Leighton) Academy), to to<br />

build buildititfor forhim. him.


Antoine Jean Gros, Das<br />

Pesthaus von Jaffa, 523 x<br />

715 cm, Öl auf L/ 1804,<br />

Paris, Louvre<br />

Anne-Louis Girodet de<br />

Trioson, Die Revolte von<br />

Kairo am 21.10.1798, Öl<br />

auf L, 365x500, 1810,<br />

Schlossmuseum


Eugène Delacroix, Das<br />

Massaker von Chios, 1824,<br />

Öl auf L/ 417 x 354 cm,<br />

Henri<br />

Regnault,<br />

Todesstrafe<br />

ohne Urteil<br />

unter der<br />

Herrschern<br />

von<br />

Granada,<br />

1870,<br />

302x146<br />

cm,<br />

Privatsamm<br />

lung


Charles Gleyre, Türken <strong>und</strong><br />

Araber, 27x22 cm, ca. 1870,<br />

Lausanne, Musée des<br />

Beaux-Arts<br />

Horace Vernet, Die<br />

Löwnjagd, Öl auf L/ 57 x 82<br />

cm, 1836, Privat


• Jean Louis Gérome, Die<br />

drehenden <strong>Der</strong>wische, ca.<br />

1895, Öl auf L/ 73x94 cm,<br />

Privatsammlung<br />

John F. Lewis, The Mid-<br />

Day Meal, Cairo, 1875, oil<br />

on canvas


James Tissot, Die Reise der<br />

heiligen drei Könige, Öl auf L,<br />

71x102 cm, ca. 1894,<br />

Minneapolis Inst. Of Arts<br />

J.R. Herbert: Who shall venture to<br />

pronounce dogmatically in favour<br />

either of the ancient or modern<br />

interpretation of the facts of Scriptural<br />

history? To those who are deeply<br />

moved by Da Vinci and Raphael,<br />

Herbert's "The Encampment of the<br />

Children at the foot of Sinai," at<br />

Westminster, is but a congregation of<br />

Bedouin Arabs and their Chiefs; and<br />

the "Christ in the Temple," by Holman<br />

Hunt, reflects but the interior of an<br />

Eastern Cafe. To vast numbers of<br />

people, these works speak in a new<br />

and living voice<br />

William Holman Hunt, The<br />

Finding of the Savior in the<br />

Temple, 1854-1860, 88x140 cm,<br />

Öl auf L/ City Art Gallery,<br />

Birmingham


Gustave Moreau, Salomé, Öl auf L,<br />

144x104 cm, ca. 1875, Los Angeles,<br />

Armand Hammer Museum


Tympanonfeld aus der<br />

Alhambra<br />

Jan Thorn Prikker, Die Braut,<br />

Öl auf L/ 1893, Otterloo,<br />

Rijksmuseum Kröller-Möller

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