Despina Mouzaki
Despina Mouzaki
Despina Mouzaki
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The Crossroads Co-production Forum is one of the innovations of this year’s Thessaloniki International Film Festival. Of course, it does not<br />
constitute an innovation in the field of international film festivals where such events have long since proved their merit and usefulness<br />
vis-à-vis filmmakers as well as the film industry in general.<br />
Especially in today’s conditions of fierce competitiveness, instability and upheaval in the area of film, it is my belief that a film festival<br />
has to broaden its presence and activity to cover the earlier stages of a film’s creation and reliably shape the procedures that will bring artistic<br />
projects in contact with the people who will make them a reality.<br />
This is even more so the case when we refer to national cinemas of limited dynamics, such as the cinemas of the Mediterranean countries,<br />
or those that are in a transitional phase, such as the cinemas of the Balkans and South-Eastern Europe. The response our initiative has<br />
met with from its very first steps proves that it effectively meets existing needs on the part of the region’s filmmakers and producers, as<br />
well as an equally lively interest on the part of film professionals internationally. And so, for three days, twenty-seven producers from<br />
Mediterranean and Balkan countries, as well as producers from other countries who are involved in films from our region or that refer to our<br />
region, will meet with financial backers, co-producers and film professionals from all over the world.<br />
We did not randomly select the title Crossroads to describe these new activities. Our Festival, which already maintains an active Fund for<br />
the support of Balkan cinema, is now creating the promotion infrastructure for international collaborations and co-productions, while also<br />
setting the foundation –beginning this year—for the shaping of an attractive, parallel regional market. It is, on the whole, the beginning of<br />
a new relationship between the countries of our region and the international film community which has as its epicenter Thessaloniki, a centuries-old<br />
“crossroads” of peoples and cultures. A relationship which will lead to the close interrelation between Thessaloniki, cinema, the<br />
economic activity surrounding cinema, official organizations –and principally the Ministry of Culture, which received and is promoting the<br />
Festival’s new initiative, and the Ministry of Macedonia-Thrace which, grasping the spirit of this effort, has warmly embraced Crossroads and<br />
included it in the rationale and the activity of its own pioneering «Space to Think».<br />
This region has fascinating stories to tell. It is important that we all help its filmmakers to tell them and the audiences of the world to hear<br />
them.<br />
<strong>Despina</strong> <strong>Mouzaki</strong><br />
2
TÔ ºfiÚÔ˘Ì ˘Ìapple·Ú·ÁˆÁ‹˜ Crossroads Â›Ó·È ÌÈ· ·applefi ÙȘ ηÈÓÔÙƠ̂˜ Ù˘ ÊÂÙÈÓ‹˜ ‰ÈÔÚÁ¿ÓˆÛ˘ ÙÔ˘ ¢ÈÂıÓÔ‡˜ ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘<br />
£ÂÛÛ·ÏÔӛ΢. ¢ÂÓ ·appleÔÙÂÏ›, ‚‚·›ˆ˜, ηÈÓÔÙÔÌ›· ÛÙÔÓ ‰ÈÂıÓ‹ ¯ÒÚÔ ÙˆÓ ÊÂÛÙÈ‚¿Ï, fiappleÔ˘ Ù¤ÙÔȘ ‰Ú¿ÛÂȘ ¤¯Ô˘Ó ·applefi ¯ÚfiÓÈ· ·appleԉ›ÍÂÈ ÙËÓ ·Í›·<br />
Î·È ÙË ¯ÚËÛÈÌfiÙËÙ¿ ÙÔ˘˜, ÙfiÛÔ ÁÈ· ÙÔ˘˜ ‰ËÌÈÔ˘ÚÁÔ‡˜ ÙÔ˘ ÛÈÓÂÌ¿ fiÛÔ Î·È ÁÈ· ÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ‚ÈÔÌ˯·Ó›· ÁÂÓÈÎfiÙÂÚ·.<br />
π‰È·›ÙÂÚ· ÛÙȘ ÛËÌÂÚÈÓ¤˜ Û˘Óı‹Î˜ ÙÔ˘ ¤ÓÙÔÓÔ˘ ·ÓÙ·ÁˆÓÈÛÌÔ‡, Ù˘ Ú¢ÛÙfiÙËÙ·˜ Î·È ÙˆÓ ·Ó·Î·Ù·Ù¿ÍÂˆÓ ÛÙÔÓ ¯ÒÚÔ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘,<br />
Â›Ó·È appleÂappleÔ›ıËÛ‹ ÌÔ˘ fiÙÈ ¤Ó· ÊÂÛÙÈ‚¿Ï ÔÊ›ÏÂÈ Ó· ‰È¢ڇÓÂÈ ÙËÓ apple·ÚÔ˘Û›· Î·È ÙË ‰Ú·ÛÙËÚÈfiÙËÙ¿ ÙÔ˘ Î·È ÛÙ· appleÚÔÁÂÓ¤ÛÙÂÚ· ÛÙ¿‰È· Ù˘<br />
‰ËÌÈÔ˘ÚÁ›·˜ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÔ‡ ¤ÚÁÔ˘. ¡· ‰È·ÌÔÚÊÒÛÂÈ ·ÍÈfiappleÈÛÙ· ÂΛӘ ÙȘ ‰È·‰Èηۛ˜, appleÔ˘ ı· ʤÚÓÔ˘Ó Û Âapple·Ê‹ ÙÔ Î·ÏÏÈÙ¯ÓÈÎfi Û¯¤‰ÈÔ<br />
Ì ÙÔ˘˜ Û˘ÓÙÂÏÂÛÙ¤˜ Ù˘ ˘ÏÔappleÔ›ËÛ‹˜ ÙÔ˘.<br />
∞˘Ùfi ÈÛ¯‡ÂÈ ·ÎfiÌË appleÂÚÈÛÛfiÙÂÚÔ fiÙ·Ó ·Ó·ÊÂÚfiÌ·ÛÙ Û ÎÈÓËÌ·ÙÔÁڷʛ˜ Ì ÌÈÎÚfi ‰˘Ó·ÌÈÎfi, fiappleˆ˜ ·˘Ù¤˜ ÙˆÓ ¯ˆÚÒÓ Ù˘ ªÂÛÔÁ›Ԣ, ‹ appleÔ˘<br />
‚Ú›ÛÎÔÓÙ·È Û ʿÛË ÌÂÙ¿‚·Û˘, fiappleˆ˜ ÂΛӘ ÙˆÓ ¯ˆÚÒÓ Ù˘ µ·ÏηÓÈ΋˜ Î·È Ù˘ ÓÔÙÈÔ·Ó·ÙÔÏÈ΋˜ ∂˘ÚÒapple˘. ∏ ·ÓÙ·applefiÎÚÈÛË appleÔ˘ ÁÓÒÚÈÛ Ë<br />
appleÚˆÙÔ‚Ô˘Ï›· Ì·˜, ‹‰Ë ·applefi Ù· appleÚÒÙ· ‚‹Ì·Ù¿ Ù˘, ·appleÔ‰ÂÈÎÓ‡ÂÈ fiÙÈ ·apple·ÓÙ¿ Ô˘ÛÈ·ÛÙÈο Û ˘apple·ÚÎÙ¤˜ ·Ó¿ÁΘ ÙˆÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ Î·È ÙˆÓ<br />
apple·Ú·ÁˆÁÒÓ Ù˘ appleÂÚÈÔ¯‹˜, ·ÏÏ¿ Î·È Û’ ¤Ó· ÂÍ›ÛÔ˘ ¤ÓÙÔÓÔ ÂӉȷʤÚÔÓ ÙˆÓ Âapple·ÁÁÂÏÌ·ÙÈÒÓ Ù˘ ‰ÈÂıÓÔ‡˜ ·ÁÔÚ¿˜. ŒÙÛÈ, ÁÈ· ÙÚÂȘ Ë̤Ú˜, ›ÎÔÛÈ<br />
ÂappleÙ¿ apple·Ú·ÁˆÁÔ› ·applefi ÌÂÛÔÁÂȷΤ˜ Î·È ‚·ÏηÓÈΤ˜ ¯ÒÚ˜, ηıÒ˜ Î·È apple·Ú·ÁˆÁÔ› ·applefi ¿ÏϘ ¯ÒÚ˜ appleÔ˘ Û˘ÓÂÚÁ¿˙ÔÓÙ·È Û ٷÈӛ˜ ·applefi ÙËÓ appleÂÚÈÔ¯‹<br />
Ì·˜ ‹ Û ٷÈӛ˜ appleÔ˘ appleÂÚȤ¯Ô˘Ó ÛÙÔȯ›· ÁÈ· ÙËÓ appleÂÚÈÔ¯‹ Ì·˜, ı· Û˘Ó·ÓÙËıÔ‡Ó Ì ¯ÚËÌ·ÙÔ‰fiÙ˜, Û˘Ìapple·Ú·ÁˆÁÔ‡˜ Î·È Âapple·ÁÁÂÏ̷ٛ˜ ·apple’ fiÏÔ<br />
ÙÔÓ ÎfiÛÌÔ.<br />
¢ÂÓ ÂappleÈϤͷÌÂ Ù˘¯·›· ÙÔÓ Ù›ÙÏÔ Crossroads ÁÈ· Ó· appleÂÚÈÁÚ¿„Ô˘Ì ÙȘ Ӥ˜ ·˘Ù¤˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜. ∆Ô ºÂÛÙÈ‚¿Ï Ì·˜, appleÔ˘ ‰È·ÙËÚ› ‹‰Ë ¤Ó·<br />
‰Ú·ÛÙ‹ÚÈÔ ∆·ÌÂ›Ô ÛÙ‹ÚÈ͢ ÙÔ˘ ‚·ÏηÓÈÎÔ‡ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘, ‰ËÌÈÔ˘ÚÁ› ÙÒÚ· ÙȘ ‰È·‰Èηۛ˜ appleÚÔÒıËÛ˘ ‰ÈÂıÓÒÓ Û˘ÓÂÚÁ·ÛÈÒÓ Î·È<br />
Û˘Ìapple·Ú·ÁˆÁÒÓ, ı¤ÙÂÈ -Âapple›Û˘ ·applefi ʤÙÔ˜- ÙȘ ‚¿ÛÂȘ ÁÈ· ÙË ‰È·ÌfiÚʈÛË ÌÈ·˜ ÂÏ΢ÛÙÈ΋˜, apple·Ú¿ÏÏËÏ˘ appleÂÚÈÊÂÚÂȷ΋˜ ·ÁÔÚ¿˜. ÚfiÎÂÈÙ·È,<br />
Û˘ÓÔÏÈο, ÁÈ· ÙËÓ ·Ú¯‹ ÌÈ·˜ ηÈÓÔ‡ÚÁÈ·˜ Û¯¤Û˘ ÙˆÓ ¯ˆÚÒÓ Ù˘ appleÂÚÈÔ¯‹˜ Ì·˜ Ì ÙË ‰ÈÂıÓ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÎÔÈÓfiÙËÙ·, Ì Âapple›ÎÂÓÙÚÔ ÙË<br />
£ÂÛÛ·ÏÔÓ›ÎË appleÔ˘ ˘apple‹ÚÍ apple¿ÓÙ· ¤Ó· «ÛÙ·˘ÚÔ‰ÚfiÌÈ» Ï·ÒÓ Î·È appleÔÏÈÙÈÛÌÒÓ. ª›· Û¯¤ÛË appleÔ˘ ʤÚÓÂÈ Û ÛÙÂÓ‹ Û˘Ó¿ÊÂÈ· ÙË £ÂÛÛ·ÏÔÓ›ÎË, ÙÔÓ<br />
ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ, ÙËÓ ÔÈÎÔÓÔÌÈ΋ ‰Ú·ÛÙËÚÈfiÙËÙ· Á‡Úˆ ·applefi ·˘ÙfiÓ, ÙÔ˘˜ Âapple›ÛËÌÔ˘˜ ÊÔÚ›˜ - ηٿ ·ÚÈÔ ÏfiÁÔ ÙÔ ÀappleÔ˘ÚÁÂ›Ô ÔÏÈÙÈÛÌÔ‡ appleÔ˘<br />
˘appleÔ‰¤¯ıËÎÂ Î·È appleÚÔˆı› ÙË Ó¤· ‰Ú¿ÛË ÙÔ˘ ºÂÛÙÈ‚¿Ï Î·È ÙÔ ÀappleÔ˘ÚÁÂ›Ô ª·Î‰ÔÓ›·˜-£Ú¿Î˘ appleÔ˘, Û˘ÏÏ·Ì‚¿ÓÔÓÙ·˜ ÙÔ appleÓ‡̷ ·˘Ù‹˜ Ù˘<br />
appleÚÔÛapple¿ıÂÈ·˜, ·ÁοÏÈ·Û Ì ı¤ÚÌË ÙË ‰Ú¿ÛË Crossroads ̤۷ ÛÙÔ ÛÎÂappleÙÈÎfi Î·È ÙË ‰Ú·ÛÙËÚÈfiÙËÙ· ÙÔ˘ ‰ÈÎÔ‡ ÙÔ˘ appleÚˆÙÔappleÔÚÈ·ÎÔ‡ «Space to Think».<br />
∏ appleÂÚÈÔ¯‹ ·˘Ù‹ ¤¯ÂÈ Û˘Ó·Úapple·ÛÙÈΤ˜ ÈÛÙÔڛ˜ Ó· appleÂÈ. ∂›Ó·È ÛËÌ·ÓÙÈÎfi ÁÈ· fiÏÔ˘˜ Ó· ‚ÔËı‹ÛÔ˘Ì ÙÔ˘˜ ‰ËÌÈÔ˘ÚÁÔ‡˜ Ù˘ Ó· ÙȘ ·ÊËÁËıÔ‡Ó Î·È ÙÔ<br />
ÎÔÈÓfi fiÏÔ˘ ÙÔ˘ ÎfiÛÌÔ˘ Ó· ÙȘ ·ÎÔ‡ÛÂÈ.<br />
3<br />
<strong>Despina</strong> <strong>Mouzaki</strong>
Thessaloniki is historically a Crossroads – military roads, trading routes; it is a place today where history meets a contemporary, even young<br />
city. Crossroads Co-Production Forum has its initial year this year at the 46th Thessaloniki International Film Festival to extend the tradition<br />
of the city being an essential meeting point, an epicentre, this time for cinema production and development.<br />
Mediterranean and Balkan producers have different needs and special industries when compared to the producers to the north and west.<br />
The other European Union producers need not just budget savings but talent and the collaboration of equals as their financing structures<br />
become less and less supportive while their budgets increase. Co-production offers producers a most attractive opportunity to make<br />
pleasing, challenging films together.<br />
The programme this year offers a wide variety of activities, perhaps too many choices, but they all have one clear goal: allowing the<br />
Crossroads Producers and the Crossroads Partners to learn more about each others’ films, film industries and to allow them all to find<br />
beneficial ways to make the movies all of us want to see.<br />
This year’s Crossroads is off to a wonderful start with an unexpectedly high number of applications from all ends of Europe which resulted<br />
in a group of 27 high quality, experienced producers participating; and a large industry contingent willing to meet them, hear their ideas and<br />
work out ways to make dreams happen.<br />
Welcome to Crossroads, Year One!<br />
Linda Beath<br />
4
∏<br />
£ÂÛÛ·ÏÔÓ›ÎË ÈÛÙÔÚÈο ˘apple‹ÚÍ ¤Ó· Ù·˘ÚÔ‰ÚfiÌÈ – ÁÈ· Ù· ÛÙÚ·ÙȈÙÈο Î·È Ù· ÂÌappleÔÚÈο ÌÔÓÔapple¿ÙÈ·. ‹ÌÂÚ· Â›Ó·È ¤Ó·˜ ÙfiappleÔ˜ fiappleÔ˘ Ë ÈÛÙÔ-<br />
Ú›· Û˘Ó·ÓÙ¿ ÌÈ· Û‡Á¯ÚÔÓË, ·ÎfiÌË Î·È Ó¤·, ı· ϤÁ·ÌÂ, applefiÏË. º¤ÙÔ˜, ÛÙÔ 46Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Ù˘ £ÂÛÛ·ÏÔӛ΢, Â›Ó·È Ë appleÚÒÙË<br />
¯ÚÔÓÈ¿ ÁÈ· ÙÔ ºfiÚÔ˘Ì ˘Ìapple·Ú·ÁˆÁÒÓ Crossroads Î·È Ë apple·Ú¿‰ÔÛË appleÔ˘ ı¤ÏÂÈ ÙËÓ applefiÏË ·˘Ù‹ Ô˘ÛÈ·ÛÙÈÎfi ÛËÌÂ›Ô Û˘Ó¿ÓÙËÛ˘, Âapple›ÎÂÓÙÚÔ, ÂappleÂ-<br />
ÎÙ›ÓÂÙ·È ÛÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ apple·Ú·ÁˆÁ‹ Î·È ·Ó¿appleÙ˘ÍË.<br />
√È apple·Ú·ÁˆÁÔ› Ù˘ ªÂÛÔÁ›Ԣ Î·È ÙˆÓ µ·ÏηӛˆÓ ¤¯Ô˘Ó ‰È·ÊÔÚÂÙÈΤ˜ ·Ó¿ÁΘ Î·È ‚ÈÔÌ˯·Ó›Â˜ Ì ȉȷÈÙÂÚfiÙËÙ˜, Û ۇÁÎÚÈÛË Ì ÙÔ˘˜ apple·Ú·-<br />
ÁˆÁÔ‡˜ ÙÔ˘ µÔÚÚ¿ Î·È Ù˘ ¢‡Û˘. √È ¿ÏÏÔÈ apple·Ú·ÁˆÁÔ› Ù˘ ∂˘Úˆapple·˚΋˜ ŒÓˆÛ˘ ‰ÂÓ ¯ÚÂÈ¿˙ÔÓÙ·È ÌfiÓÔ ÔÈÎÔÓÔÌ›· ÛÙÔÓ appleÚÔ¸appleÔÏÔÁÈÛÌfi ÙÔ˘˜,<br />
·ÏÏ¿ Î·È Ù·Ï¤ÓÙÔ Î·È ÙËÓ ÈÛfiÙÈÌË Û˘ÓÂÚÁ·Û›·, ηıÒ˜ ÔÈ ÊÔÚ›˜ ¯ÚËÌ·ÙÔ‰fiÙËÛ˘ ÙÔ˘˜ appleÚÔÛʤÚÔ˘Ó fiÏÔ Î·È ÏÈÁfiÙÂÚË ˘appleÔÛÙ‹ÚÈÍË, ÂÓÒ ÔÈ<br />
appleÚÔ¸appleÔÏÔÁÈÛÌÔ› ÙÔ˘˜ ÌÂÁ·ÏÒÓÔ˘Ó. ∏ Û˘Ìapple·Ú·ÁˆÁ‹ appleÚÔÛʤÚÂÈ ÛÙÔ˘˜ apple·Ú·ÁˆÁÔ‡˜ ÌÈ· ÂÍ·ÈÚÂÙÈ΋ ¢ηÈÚ›· Ó· Û˘ÓÂÚÁ·ÛÙÔ‡Ó ÁÈ· Ó· οÓÔ˘Ó<br />
Ù·Èӛ˜ ¢¯¿ÚÈÛÙ˜ Î·È Ù·˘Ùfi¯ÚÔÓ· ·apple·ÈÙËÙÈΤ˜.<br />
º¤ÙÔ˜ ÙÔ appleÚfiÁÚ·ÌÌ· appleÚÔÛʤÚÂÈ ÌÂÁ¿ÏË appleÔÈÎÈÏ›· ‰Ú·ÛÙËÚÈÔÙ‹ÙˆÓ Î·È ›Ûˆ˜ ÔÈ ÂappleÈÏÔÁ¤˜ Â›Ó·È appleÔÏϤ˜, ·ÏÏ¿ ¤¯Ô˘Ó fiϘ ¤Ó· Û·Ê‹ ÛÙfi¯Ô:<br />
apple·Ú¤¯Ô˘Ó ÛÙÔ˘˜ Û˘ÌÌÂÙ¤¯ÔÓÙ˜ ÛÙÔ Crossroads ·Ú·ÁˆÁÔ‡˜ Î·È ˘ÓÂÚÁ¿Ù˜ ÙËÓ ‰˘Ó·ÙfiÙËÙ· Ó· ÁÓˆÚ›ÛÔ˘Ó Î·Ï‡ÙÂÚ· ÙȘ Ù·Èӛ˜ Î·È ÙȘ<br />
ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ ‚ÈÔÌ˯·Ó›Â˜ ÙÔ˘˜, ηıÒ˜ Âapple›Û˘ Ó· ‚ÚÔ˘Ó ¯Ú‹ÛÈ̘ ÌÂıfi‰Ô˘˜ Ó· οÓÔ˘Ó ÙȘ Ù·Èӛ˜ appleÔ˘ fiÏÔÈ Ì·˜ ı¤ÏÔ˘Ì ӷ ‚ϤappleÔ˘ÌÂ.<br />
∆Ô ÊÂÙÈÓfi Crossroads οÓÂÈ ¤Ó· ˘apple¤ÚÔ¯Ô ÍÂΛÓËÌ· Ì ¤Ó·Ó ·Ó·apple¿ÓÙ¯· ÌÂÁ¿ÏÔ ·ÚÈıÌfi ·ÈÙ‹ÛÂˆÓ ·applefi fiϘ ÙȘ ÁˆÓȤ˜ Ù˘ ∂˘ÚÒapple˘, appleÔ˘ ›¯Â<br />
ˆ˜ ·appleÔÙ¤ÏÂÛÌ· ÙËÓ ÂappleÈÏÔÁ‹ 27 ¤ÌappleÂÈÚˆÓ Î·È ˘„ËÏÒÓ appleÚԉȷÁÚ·ÊÒÓ apple·Ú·ÁˆÁÒÓ_ Î·È ¤Ó·Ó ÌÂÁ¿ÏÔ ·ÚÈıÌfi ÂÎappleÚÔÛÒappleˆÓ Ù˘ ÎÈÓËÌ·ÙÔ-<br />
ÁÚ·ÊÈ΋˜ ‚ÈÔÌ˯·Ó›·˜ appleÔ˘ Â›Ó·È appleÚfiı˘ÌÔÈ Ó· ÙÔ˘˜ Û˘Ó·ÓÙ‹ÛÔ˘Ó, Ó· ·ÎÔ‡ÛÔ˘Ó ÙȘ ȉ¤Â˜ ÙÔ˘˜ Î·È Ó· ‚ÚÔ˘Ó ÙÚfiappleÔ˘˜ Ó· οÓÔ˘Ó Ù· fiÓÂÈÚ·<br />
appleÚ·ÁÌ·ÙÈÎfiÙËÙ·.<br />
∫·ÏÒ˜ ÔÚ›Û·ÙÂ ÛÙÔ ÚÒÙÔ Crossroads!<br />
5<br />
Linda Beath
6<br />
À√Àƒ°√
À√Àƒ°√<br />
7
∆Ô CROSSROADS<br />
appleÚ·ÁÌ·ÙÔappleÔÈ›ٷÈ<br />
ÌÂ ÙËÓ ˘appleÔÛÙ‹ÚÈÍË<br />
ÙÔ˘ ÀappleÔ˘ÚÁ›Ԣ<br />
ª·Î‰ÔÓ›·˜- £Ú¿Î˘<br />
Crossroads’ Projects...<br />
COUNTRY TITLE . . . . . . . . . . . . . . . . . . . .CROSSROADS PRODUCER<br />
Albania 28 The Journey . . . . . . . . . . . . . .Artan Minarolli<br />
Bulgaria 26 Investigation . . . . . . . . . . . . . .Rossitsa Valkanova<br />
Bulgaria 14 Balkan Blues . . . . . . . . . . . . .Nikolay Kirov<br />
Croatia 30 Kino Lika . . . . . . . . . . . . . . . . .Ankica Juric Tilic<br />
Cyprus 10 Akamas . . . . . . . . . . . . . . . . .Panicos Chrysanthou<br />
FYROM 32 The Magic Snowman . . . . . . . .Pavlina Proevska<br />
Greece 60 The Watch House . . . . . . . . . .Eleni Atsikbasis<br />
Greece 58 Tango Notturno . . . . . . . . . .Elena Hatzialexandrou<br />
Greece 24 Helen and the Seven Dwarfs . .Mary Georgou<br />
Greece 48 The Red Apple Tree . . . . . . . . .Costas Kefalas<br />
Greece 46 Pera Kassiros . . . . . . . . . . . . .Sofia Papachristou<br />
Greece 44 Pandora . . . . . . . . . . . . . . . . .Nikos Moustakas<br />
Greece/Canada 22 Eagle . . . . . . . . . . . . . . . . . . . .Antigoni Gavriatopoulou<br />
Israel 52 Russoun . . . . . . . . . . . . . . . . .Talia Kleinhendler
...and Producers<br />
COUNTRY TITLE . . . . . . . . . . . . . . . . . . . .CROSSROADS PRODUCER<br />
Israel 62 Zion and His Brother . . . . . . . .Yoav Roeh<br />
Italy 40 Night Bus . . . . . . . . . . . . . . . .Alessandro Silvestri<br />
Italy 18 Clown . . . . . . . . . . . . . . . . . .Ute Leonhardt<br />
Norway 38 Milo . . . . . . . . . . . . . . . . . . . .Gudny Hummelvoll<br />
N. Ireland 36 McCarthy’s War . . . . . . . . . . . .Paul Largan<br />
Palestine 20 Dancing at the Checkpoint . . .George Khleifi<br />
Portugal 54 Still Lives . . . . . . . . . . . . . . . . .Leonel Vieira<br />
Portugal 12 America!!! . . . . . . . . . . . . . . . .Pandora da Cunha Telles<br />
Romania 56 Stray Dog . . . . . . . . . . . . . . . .Ada Solomon<br />
Romania 50 The Rest Is Silence . . . . . . . . . .Cristian Comeaga<br />
Serbia & Montenegro 42 Nowhere . . . . . . . . . . . . . . . .Zoran Jovanovic<br />
Serbia & Montenegro 34 Mamarosh . . . . . . . . . . . . . . . .Momcilo Mrdakovic<br />
Turkey 16 A Ballad for the Black Sea . . . .Nesteren Davutoglu<br />
CROSSROADS<br />
is realized with the support<br />
of the Ministry<br />
of Macedonia-Thrace
Akamas<br />
Producer<br />
Panikos Chrysanthou<br />
·Ó›ÎÎÔ˜ ÃÚ˘Û¿ÓıÔ˘<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
P.O. Box 25314, 1308,<br />
Nicosia, Cyprus<br />
∆.£. 25314, 1308,<br />
§Â˘ÎˆÛ›·, ∫‡appleÚÔ˜<br />
T. +35 799434923<br />
Mobile: +35 799434923<br />
Artimages@cytanet.com.cy<br />
10<br />
Cyprus / Κύπρος<br />
Omeris, a young Turkish-Cypriot, is sent to live with the family of Greek-Cypriot<br />
Nikolis. He falls in love with Nikolis’ daughter Rhodou and, in order to win her<br />
approval, he joins the armed guerilla forces who are fighting the British. When<br />
the British leave the island, the two decide to marry. They are forced to deal<br />
with the consequences of Cyprus’ partition and the hatred it brings between<br />
the Greeks and the Turks on the island.<br />
√ Omeris, ¤Ó·˜ Ó·Úfi˜ ∆Ô˘ÚÎÔ·appleÚÈÔ˜, ·Ó·Áο˙ÂÙ·È Ó· apple¿ÂÈ Ó· ˙‹ÛÂÈ Ì ÙËÓ<br />
ÔÈÎÔÁ¤ÓÂÈ· ÙÔ˘ ÂÏÏËÓÔ·appleÚÈÔ˘ ¡ÈÎÔÏ‹. ∂ÚˆÙ‡ÂÙ·È ÙËÓ ÎfiÚË ÙÔ˘ ¡ÈÎÔÏ‹, ÙË<br />
ƒÔ‰Ô‡ Î·È ÁÈ· Ó· ÙËÓ ÎÂÚ‰›ÛÂÈ Î·Ù·Ù¿ÛÛÂÙ·È ÛÙȘ ¤ÓÔappleϘ ·ÓÙ¿ÚÙÈΘ ‰˘Ó¿ÌÂȘ<br />
appleÔ˘ appleÔÏÂÌÔ‡Ó ÙÔ˘˜ µÚÂÙ·ÓÔ‡˜. ŸÙ·Ó ÔÈ µÚÂÙ·ÓÔ› ʇÁÔ˘Ó ·applefi ÙÔ ÓËÛ›, ÔÈ ‰‡Ô<br />
Ó¤ÔÈ ·appleÔÊ·Û›˙Ô˘Ó Ó· apple·ÓÙÚ¢ÙÔ‡Ó. ∞Ó·Áο˙ÔÓÙ·È, ÙfiÙÂ, Ó· ·ÓÙÈÌÂÙˆapple›ÛÔ˘Ó ÙȘ<br />
Û˘Ó¤appleÂȘ Ù˘ ‰È¯ÔÙfiÌËÛ˘ Ù˘ ∫‡appleÚÔ˘ Î·È ÙÔ˘ Ì›ÛÔ˘˜ appleÔ˘ appleÚÔηÏ› ·Ó¿ÌÂ-<br />
Û· ÛÙÔ˘˜ ŒÏÏËÓ˜ Î·È ∆Ô‡ÚÎÔ˘˜ ÙÔ˘ ÓËÛÈÔ‡.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Artimages Ltd.,<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Panikos Chrysanthou / ·Ó›ÎÎÔ˜ ÃÚ˘Û¿ÓıÔ˘<br />
Cinematography /¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Andras Gero<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €1, 600,000<br />
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Panicos Chrysanthou / Πανίκκος Χρυσάνθου Producer’s filmography<br />
Panicos Chrysanthou was born in Kythrea, a village that today lies in the Turkish-occupied region of Cyprus.<br />
In a small country without a film tradition there is not much scope for development. For years he worked in<br />
productions as assistant director and production assistant, in film clubs and in the Cyprus Cinemathèque. He<br />
has made 4 documentaries and is now completing his first feature film.<br />
√ ·Ó›ÎÎÔ˜ ÃÚ˘Û¿ÓıÔ˘ ÁÂÓÓ‹ıËΠÛÙËÓ ∫˘ıÚ¤·, ¤Ó· ¯ˆÚÈfi, appleÔ˘ Û‹ÌÂÚ· ‚Ú›ÛÎÂÙ·È ÛÙËÓ Î·Ù¯fiÌÂÓË appleÂÚÈÔ-<br />
¯‹ Ù˘ ∫‡appleÚÔ˘.  ÌÈ· ¯ÒÚ· ÌÈÎÚ‹ Î·È ¯ˆÚ›˜ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ apple·Ú¿‰ÔÛË ‰ÂÓ Â›¯Â Î·È appleÔÏÏ¿ appleÂÚÈıÒÚÈ· ·Ó¿appleÙ˘Í˘.<br />
¢Ô‡Ï„ ÁÈ· ¯ÚfiÓÈ· Û apple·Ú·ÁˆÁ¤˜ ˆ˜ ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË Î·È ‚ÔËıfi˜ apple·Ú·ÁˆÁ‹˜, Û ÎÈÓËÌ·ÙÔÁÚ·-<br />
ÊÈΤ˜ Ϥۯ˜ Î·È ÛÙËÓ ∫˘appleÚȷ΋ ∆·ÈÓÈÔı‹ÎË. ŒÎ·Ó 4 ÓÙÔÎÈÌ·ÓÙ¤Ú Î·È ÙÒÚ· ÙÂÏÂÈÒÓÂÈ ÙËÓ appleÚÒÙË ÙÔ˘ Ù·ÈÓ›·<br />
Ì˘ıÔappleÏ·Û›·˜.<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
Artimages is a company that was founded in 1995 and that tries to produce films in a small country with a<br />
very small tradition in the area of production. It aspires nevertheless to exploit the interest in co-productions<br />
with Europe that has begun to emerge in Cyprus in recent years.<br />
∏ Artimages Â›Ó·È ÌÈ· ÂÙ·ÈÚ›· appleÔ˘ ȉڇıËΠÙÔ 1995 Î·È appleÔ˘ appleÚÔÛapple·ı› Ó· apple·Ú¿ÁÂÈ Ù·Èӛ˜ Û ÌÈ· ¯ÒÚ· ÌÈÎÚ‹<br />
Î·È Ì appleÔχ ÌÈÎÚ‹ apple·Ú¿‰ÔÛË ÛÙÔÓ ÙÔ̤· Ù˘ apple·Ú·ÁˆÁ‹˜. ºÈÏÔ‰ÔÍ› ˆÛÙfiÛÔ Ó· ÂÎÌÂÙ·ÏÏ¢Ù› ÙÔ ÂӉȷ-<br />
ʤÚÔÓ appleÔ˘ ¿Ú¯ÈÛ ӷ ÂappleȉÂÈÎÓ‡ÂÙ·È ÛÙËÓ ∫‡appleÚÔ Ù· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ·, ÒÛÙ ӷ οÓÂÈ Û˘Ìapple·Ú·ÁˆÁ¤˜ Ì ÙËÓ<br />
∂˘ÚÒappleË.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
The Footprints of Aphrodite,<br />
directed by Panicos Chrysanthou, 1996<br />
Parallel Trips, directed by Panicos Chrysanthou, 2003<br />
Akamas, directed by Panicos Chrysanthou, 2005<br />
·‰ÎȤ˜ Ù˘ ∞ÊÚÔ‰›Ù˘,<br />
Û ÛÎËÓÔıÂÛ›· ·Ó›ÎÎÔ˘ ÃÚ˘Û¿ÓıÔ˘, 1996<br />
·Ú¿ÏÏËÏ· Ù·Í›‰È·,<br />
Û ÛÎËÓÔıÂÛ›· ·Ó›ÎÎÔ˘ ÃÚ˘Û¿ÓıÔ˘, 2003<br />
∞η̿˜, Û ÛÎËÓÔıÂÛ›· ·Ó›ÎÎÔ˘ ÃÚ˘Û¿ÓıÔ˘, 2005<br />
11<br />
Artimages
America!!!<br />
Producer<br />
Pandora da Cunha Telles<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
23, Praça do Principe Real, 1Æ andar,<br />
Lisboa, Portugal<br />
T. +35 1213243200<br />
Mobile: + 35 1934451218<br />
mail@animatografo2.com<br />
12<br />
Portugal / Πορτογαλία<br />
Portugal has radically changed in the last ten years. It is more than an African immigration<br />
destination. It has become a kind of America for the poor and underprivileged. Amongst the<br />
clandestine exiles are people from the Ukraine, Moldavia, Romania, Brazil, China, Cap-Verde<br />
... including Lisa, a Russian living in Lisbon, who is in love with Viktor. They both work for<br />
Viktor’s ex-wife, Fernanda, who runs a gang that makes fake passports and residency permits.<br />
Between them they deal with vast numbers of “foreigners” who want to live in<br />
Portugal or immigrate to the USA. When Fernanda negotiates a deal with an American who<br />
is running an internet scam, things end up in even more of a mess for this melting pot of<br />
dislocated cultures.<br />
∏ ÔÚÙÔÁ·Ï›· ¤¯ÂÈ ·ÏÏ¿ÍÂÈ ‰Ú·ÛÙÈο Ù· ‰¤Î· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ·. ¢ÂÓ Â›Ó·È appleϤÔÓ ÌfiÓÔ ¤Ó·˜<br />
appleÚÔÔÚÈÛÌfi˜ ÁÈ· ÌÂÙ·Ó¿ÛÙ˜ ·appleÔ ÙËÓ ∞ÊÚÈ΋. Œ¯ÂÈ Á›ÓÂÈ Ì›· «∞ÌÂÚÈ΋» ÁÈ· ÙÔ˘˜ ÊÙˆ¯Ô‡˜ ηÈ<br />
ÌË appleÚÔÓÔÌÈÔ‡¯Ô˘˜. √È apple·Ú¿ÓÔÌÔÈ ·˘ÙÔÂÍfiÚÈÛÙÔÈ Â›Ó·È ¿ÓıÚˆappleÔÈ ·applefi ÙËÓ √˘ÎÚ·Ó›·, ªÔÏ-<br />
‰·‚›·, µÚ·˙ÈÏ›· ∫›Ó·, Ú¿ÛÈÓÔ ∞ÎÚˆÙ‹ÚÈ...ÌÂٷ͇ ·˘ÙÒÓ Î·È Ë Lisa, ÌÈ· ƒˆÛ›‰· appleÔ˘ ̤ÓÂÈ<br />
ÛÙËÓ §ÈÛÛ·‚fiÓ·, ÂÚˆÙÂ˘Ì¤ÓË Ì ÙÔÓ Viktor. ¢Ô˘ÏÂ‡Ô˘Ó Î·È ÔÈ ‰‡Ô ÁÈ· ÙËÓ appleÚÒËÓ Á˘Ó·›Î·<br />
ÙÔ˘ Viktor, ÙËÓ Fernanda, ·Ú¯ËÁfi ÌÈ·˜ Û˘ÌÌÔÚ›·˜ appleÔ˘ ηٷÛ΢¿˙ÂÈ appleÏ·ÛÙ¿ ‰È·‚·Ù‹ÚÈ·<br />
Î·È ¿‰ÂȘ apple·Ú·ÌÔÓ‹˜. ŒÚ¯ÔÓÙ·È ¤ÙÛÈ Û Âapple·Ê‹ Ì ̤Á·ÏÔ ·ÚÈıÌfi «Í¤ÓˆÓ» appleÔ˘ ı¤ÏÔ˘Ó Ó·<br />
˙‹ÛÔ˘Ó Î·È Ó· ÂÚÁ·ÛÙÔ‡Ó ÛÙËÓ ÔÚÙÔÁ·Ï›· ‹ Ó· ÌÂÙ·Ó·ÛÙ‡ÛÔ˘Ó ÛÙȘ ∏∞. ‘√Ù·Ó Ë<br />
Fernanda ηÓÔÓ›˙ÂÈ ÌÈ· Û˘ÓÂÚÁ·Û›· Ì ¤Ó·Ó ·ÌÂÚÈοÓÔ ÎÔÌappleÈÓ·‰fiÚÔ ÙÔ˘ ›ÓÙÂÚÓÂÙ, Ù· appleÚ¿Á-<br />
Ì·Ù· appleÂÚÈappleϤÎÔÓÙ·È Ì¤Û· Û ·˘Ùfi ÙÔ Û˘ÓÔÓı‡ÏÂ˘Ì· ÙˆÓ ÍÂÓÈÙÂÌ¤ÓˆÓ appleÔÏÈÙÈÛÌÒÓ.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Animatografo2<br />
Director / ÎËÓÔıÂÛ›·: Joao Nuno Pinto<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Luisa Costa Gomes<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €1,200,000<br />
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes/¡·È
Pandora Da Cunha Telles ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡ /<br />
∏ Pandora da Cunha Telles ÁÂÓÓ‹ıËΠÛÙË §ÈÛÛ·‚ÒÓ· ÙÔ 1978. ªÂÁ¿ÏˆÛ Ì ÙËÓ Î·Ó·‰‹ ÌËÙ¤Ú· Ù˘, ÂÓÒ<br />
appleÚÔ¤Ú¯ÂÙ·È ·applefi ÌÈ· ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÔÈÎÔÁ¤ÓÂÈ·. appleÔ‡‰·Û ¢ÈÂıÓ›˜ ÔÏÈÙÈΤ˜ ∂appleÈÛً̘ ÛÙË §ÈÛÛ·‚ÒÓ· ηÈ<br />
ÛÙË °Ú·Ó¿‰· Î·È appleÚÈÓ ·applefi 5 ¯ÚfiÓÈ· ÍÂΛÓËÛ ÙËÓ ÂÓ·Û¯fiÏËÛ‹ Ù˘ Ì ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ ‰Ô˘Ï‡ÔÓÙ·˜ Ì ÙÔÓ<br />
apple·Ù¤Ú· Ù˘ ÛÙËÓ ÂÙ·ÈÚ›· Animatografo. ŒÎ·Ó ÙÔ ÓÙÂÌappleÔ‡ÙÔ Ù˘ Ì ÙȘ Ù·Èӛ˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Wounded ηÈ<br />
Between Desire and Destiny. ∆Ô 2003 ¤Î·Ó ÙËÓ appleÚÒÙË Ù˘ Ù·ÈÓ›· ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜, ÙÔ Loving Maria, ÌÈ·<br />
ÌÔÓÙ¤ÚÓ· Έ̈‰›· ÁÈ· ÙË Á˘Ó·ÈΛ· ÊÈÏ›·. Œ¯ÔÓÙ·˜ ÔÏÔÎÏËÚÒÛÂÈ ·˘Ù‹ ÙËÓ Ù·ÈÓ›· ‚Ú¤ıËΠÛÙȘ ∫¿ÓÓ˜ ÙÔ 2004,<br />
ˆ˜ ÌÈ· ·applefi ÙÔ˘˜ Producers on the Move. ∞ÎÔÏÔ‡ıËÛÂ Ë Ù·ÈÓ›· Kiss Me, ÂÓÒ Ì ÙËÓ Ù·ÈÓ›· Sleepwalking Land,<br />
¤ÊÙ·Û ̤¯ÚÈ ÙË ªÔ˙·Ì‚›ÎË ÁÈ· Ù· Á˘Ú›ÛÌ·Ù·. ÚfiÎÂÈÙ·È ÁÈ· ÌÈ· Ù·ÈÓ›· appleÔ˘ Ù·Ï·ÓÙ‡ÂÙ·È ÌÂٷ͇ ÙˆÓ ÔÓ›ڈÓ<br />
ÂÓfi˜ ¯·Ì¤ÓÔ˘ ËÌÂÚÔÏÔÁ›Ô˘ Î·È ÂÓfi˜ ∂ÌÊ˘Ï›Ô˘ ÔϤÌÔ˘.<br />
Born 1978 in Lisbon, and raised by her Canadian mother, Pandora da Cunha Telles comes from a family of<br />
filmmakers. She graduated in International Politics in Lisbon and Granada; five years ago she started working in<br />
the film business with her father in Animatografo. Wounded and Between Desire and Destiny were her first<br />
shorts. In 2003 she produced her first feature film, Loving Maria, a modern comedy about women’s friendship.<br />
As result of this, she was nominated one of the Producers on the Move at the Cannes Film Festival 2004. Kiss<br />
Me followed. With Sleepwalking Land, Mozambique was the next stop. It is a film that oscillates between the<br />
dreams of a lost diary and a Civil War.<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
Animatografo 2 takes the Latin word anima as a challenge and aims to do films with soul. With the experience<br />
of Antonio da Cunha Telles that has produced more than 200 films since the 60’s and the youthful energy of<br />
Pandora da Cunha Telles, Animatografo 2 is one of the strongest production companies in Portugal.<br />
Animatografo 2 has just finished shooting, in Mozambique, Sleepwalking Land with the support of Arte ZDF and<br />
Ébano. In 2004 it produced Animal, directed by Roselyne Bosh with Studio Legende (Competition at the<br />
Montreal Film Festival) and Hollow City, the first film of Maria Joao Ganga, filmed in Angola, which with Integrada<br />
was presented in more than 20 festivals. Next year, Animatografo 2 will shoot a 19th century mystery in co-production<br />
with Brazil and are preparing a 13 episode series for Portuguese television.<br />
∏ ÂÙ·ÈÚ›· Animatografo 2 ¯ÚËÛÈÌÔappleÔÈ› ÙË Ï·ÙÈÓÈ΋ ϤÍË «anima» ˆ˜ appleÚfiÎÏËÛË Î·È ÛÙԯ‡ÂÈ ÛÙË apple·Ú·ÁˆÁ‹<br />
Ù·ÈÓÈÒÓ Ì „˘¯‹. ˘Ó‰˘¿˙ÔÓÙ·˜ ÙËÓ ÂÌappleÂÈÚ›· ÙÔ˘ Antonio da Cunha Telles appleÔ˘ ¤¯ÂÈ apple·Ú¿ÁÂÈ appleÂÚÈÛÛfiÙÂÚ˜ ·applefi<br />
200 Ù·Èӛ˜ ·applefi ÙÔ 1960 Ì ÙË Ó·ÓÈ΋ ˙ˆÓÙ¿ÓÈ· Ù˘ Pandora da Cunha Telles, Ë ÂÙ·ÈÚ›· ¤¯ÂÈ ÂÍÂÏȯı› Û ÌÈ·<br />
·applefi ÙȘ appleÈÔ ÛËÌ·ÓÙÈΤ˜ ÂÙ·ÈÚ›˜ apple·Ú·ÁˆÁ‹˜ ÛÙËÓ ÔÚÙÔÁ·Ï›·. ∏ Animatografo 2 ÌfiÏȘ ÔÏÔÎÏ‹ÚˆÛ ٷ Á˘Ú›-<br />
ÛÌ·Ù· Ù˘ Ù·ÈÓ›·˜ Sleepwalking Land ÛÙË ªÔ˙·Ì‚›ÎË Ì ÙËÓ ˘appleÔÛÙ‹ÚÈÍË ÙˆÓ Arte ZDF Î·È Ébano. ∆Ô 2004 apple·Ú‹-<br />
Á·Á Ì ÙÔ Studio Legende ÙËÓ Ù·ÈÓ›· Animal Û ÛÎËÓÔıÂÛ›· Roselyne Bosh (Û˘ÌÌÂÙÔ¯‹ ÛÙÔ ‰È·ÁˆÓÈÛÙÈÎfi ÙÌ‹Ì·<br />
ÙÔ˘ ºÂÛÙÈ‚¿Ï ÙÔ˘ ªfiÓÙÚ·Ï) Î·È ÙËÓ appleÚÒÙË Ù·ÈÓ›· Ù˘ Maria Joao Ganga, ÙÔ Hollow City, appleÔ˘ Á˘Ú›ÛÙËΠÛÙËÓ<br />
∞ÁÎfiÏ·, Î·È Ì ÙËÓ ÔappleÔ›· Ë Integrada apple·ÚÔ˘ÛÈ¿ÛÙËΠ۠appleÂÚÈÛÛfiÙÂÚ· ·applefi 20 ÊÂÛÙÈ‚¿Ï. ∆Ô˘ ¯ÚfiÓÔ˘, Ë ÂÙ·È-<br />
Ú›· ı· Á˘Ú›ÛÂÈ ÌÈ· Ù·ÈÓ›· Ì˘ÛÙËÚ›Ô˘ appleÔ˘ ÂÎÙ˘Ï›ÛÛÂÙ·È ÛÙÔÓ19Ô ·ÈÒÓ· ÛÂ Û˘Ìapple·Ú·ÁˆÁ‹ Ì ÙË µÚ·˙ÈÏ›· ηÈ<br />
appleÚÔÂÙÔÈÌ¿˙ÂÈ ¤Ó· Û›ÚÈ·Ï 13 ÂappleÂÈÛÔ‰›ˆÓ ÁÈ· ÙËÓ appleÔÚÙÔÁ·ÏÈ΋ ÙËÏÂfiÚ·ÛË.<br />
Producer’s filmography<br />
Terra Sonâmbula (Sleepwalking Land),<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· by Teresa Prata, 2005<br />
Maria e as Outras (Loving Maria),<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· José de Sa Caetano, 2004<br />
Kiss Me, directed by / ÛÂ ÛÎËÓÔıÂÛ›· Antonio da Cunha<br />
Telles, 2004<br />
Na Cidade Vazia (Hollow City),<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Maria Joao Ganga, 2003<br />
µÚ·‚›· / Festival Prizes<br />
Kiss me, 2004, Public Award, Coimbra Festival<br />
Hollow City, Special Jury Award, Paris Film Festival<br />
Audience Award, Milan COE Festival Africa, South<br />
America, Asia<br />
3rd Jury Award,Milan, COE Festival<br />
“Graines de Cinéphage”, Women Films Festival,<br />
Créteil France<br />
Jury Special Mention , “Images de Femmes”,<br />
Vues d’Afrique Montréal<br />
Wounded (Short Film), 2003, FIKE<br />
Prémio dos Cinéfilos, 2004,<br />
Luso-brasilian Film Festival of Santa Maria da Feira<br />
Kiss me, 2004, µÚ·‚Â›Ô ∫ÔÈÓÔ‡, ºÂÛÈ‚¿Ï ∫fiÈÌappleÚ·˜<br />
Hollow City, ∂ȉÈÎfi µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜, ºÂÛÙÈ‚¿Ï<br />
·ÚÈÛÈÔ‡<br />
µÚ·‚Â›Ô ∫ÔÈÓÔ‡ & 3Ô µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜, ºÂÛÙÈ‚¿Ï<br />
COE ªÈÏ¿ÓÔ, ∞ÊÚÈ΋, §·ÙÈÓÈ΋ ∞ÌÂÚÈ΋, ∞Û›·<br />
«Graines de Cinéphage»,<br />
ºÂÛÙÈ‚¿Ï °˘Ó·ÈΛˆÓ ∆·ÈÓÈÒÓ, ∫ÚÂÙ¤ÈÁ, °·ÏÏ›·<br />
∂ȉÈ΋ ªÓ›· Ù˘ ∂appleÈÙÚÔapple‹˜, «Images de Femmes»<br />
Vues d’Afrique Montréal<br />
Wounded (Ù·ÈÓ›· ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜), 2003, FIKE<br />
Prémio dos Cinéfilos, 2004, ºÂÛÙÈ‚¿Ï Luso-brasilian<br />
Ù˘ Santa Maria da Feira<br />
13<br />
Animatografo 2
Balkan Blues<br />
Producer<br />
Nikolay Kirov<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
69, General Skobelev Blvd,<br />
Fl 5, Apt 12, 1606<br />
Sofia, Bulgaria<br />
T. +35 929505545<br />
Mobile: +35 888339566,<br />
+35 9888334363<br />
kirov_consult@abv.bg,<br />
kirov_consult@mail.bg,<br />
zornitsa.sophia@gmail.com<br />
14<br />
Bulgaria<br />
Hurt, Margarita runs away from her boyfriend Marco, a famous TV personality. She joins<br />
her brother and his friends, all from different Balkan countries, for a windsurfing trip<br />
on a Turkish Island. But the wind stops and the dramedy starts. The young men undertake<br />
a dispute with nationalistic overtones over insignificant things. “National borders”<br />
are built between their tents. Marco’s arrival makes the conflict known to the media.<br />
He ends up breaking up with Margarita who goes surfing and disappears in the open<br />
sea. After an international rescue operation at the Greek-Turkish sea border during a<br />
football game between the leading Turkish and Greek teams, a life is saved, a love is<br />
revived, the national differences merge and miraculously the wind comes back.<br />
ÏËÁˆÌ¤ÓË, Ë Margarita ÙÔ ÛοÂÈ ·applefi ÙÔÓ Ê›ÏÔ Ù˘, Marco, appleÔ˘ Â›Ó·È ‰È¿ÛËÌË ÙËÏÂÔappleÙÈ΋<br />
appleÚÔÛˆappleÈÎfiÙËÙ·. ª·˙› Ì ÙÔÓ ·‰ÂÏÊfi Ù˘ Î·È ÙÔ˘˜ Ê›ÏÔ˘˜ ÙÔ˘ appleÔ˘ appleÚÔ¤Ú¯ÔÓÙ·È<br />
·applefi ‰È¿ÊÔÚ˜ ‚·ÏηÓÈΤ˜ ¯ÒÚ˜, appleËÁ·›ÓÂÈ ÁÈ· windsurfing Û ¤Ó· ÙÔ˘ÚÎÈÎfi ÓËÛ›. √<br />
·¤Ú·˜ fï˜ apple·‡ÂÈ Î·È Ë ÈÏ·ÚÔÙÚ·Áˆ‰›· ·Ú¯›˙ÂÈ. √È Ó·ÚÔ› ÍÂÎÈÓÔ‡Ó ·Û‹Ì·ÓÙÔ˘˜ η‚Á¿-<br />
‰Â˜ appleÔ˘ apple·›ÚÓÔ˘Ó fï˜ ÂıÓÈÎÈÛÙÈÎÔ‡˜ ÙfiÓÔ˘˜. ªÂ ÙËÓ ¿ÊÈÍË ÙÔ˘ Marco Ë ‰È·Ì¿¯Ë Á›ÓÂ-<br />
Ù·È ÁÓˆÛÙ‹ ÛÙ· Ú·‰ÈÔÙËÏÂÔappleÙÈο ̤۷. ŸÙ·Ó ¯ˆÚ›˙Ô˘Ó Ì ÙËÓ Margarita ÂΛÓË appleËÁ·›-<br />
ÓÂÈ ÁÈ· surfing Î·È ÂÍ·Ê·Ó›˙ÂÙ·È ÛÙ· ·ÓÔÈÎÙ¿. ª¤Ù· ·applefi Ì›· ‰ÈÂıÓ‹ appleÚÔÛapple¿ıÂÈ· ‰¿Ûˆ-<br />
Û˘ ηٿ ÙË ‰È¿ÚÎÂÈ· ¤ÓÔ˜ ÂÏÏËÓÔÙÔ˘ÚÎÈÎÔ‡ appleÔ‰ÔÛÊ·ÈÚÈÎÔ‡ ·ÁÒÓ·, ÌÈ· ˙ˆ‹ ÛÒ˙ÂÙ·È,<br />
ÌÈ· ·Á¿appleË ·Ó·‚ÈÒÓÂÈ, ÔÈ ÂıÓÈΤ˜ ‰È·ÊÔÚ¤˜ Û˘ÌÊÈÏÈÒÓÔÓÙ·È Î·È ˆ˜ ÂÎ ı·‡Ì·ÙÔ˜ Ô ¿ÓÂ-<br />
ÌÔ˜ Âapple·Ó¤Ú¯ÂÙ·È.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁfi˜: Kirov Consult Ltd<br />
Director/ ÎËÓÔıÂÛ›·: Sophia Zornitsa<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Sophia Zornitsa, Nikolay Kirov, Emil Bonev<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €1,100,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Nikolay Kirov Producer’s filmography<br />
Nikolay Kirov is an independent producer with a background in financing and economics. His first film Mila from<br />
Mars, the first independent Bulgarian feature film, won 11 awards, participated in 44 festivals, has 12 nominations<br />
and was the Bulgarian nominee for the Academy Awards. Kirov organised the advertising and PR campaigns<br />
for the film’s theatrical release; both campaigns won the Best National Awards in their fields. The film<br />
was a box office success in Bulgaria – the best selling Bulgarian film for the last 13 years; with the same success<br />
when released on DVD/video. It sold to 5 countries and was broadcast on a number of foreign television channels.<br />
Nikolay Kirov is curently involved in the development of two feature films and the production of a documentary,<br />
to be released March 2006.<br />
√ Nikolay Kirov Â›Ó·È ¤Ó·˜ ·ÓÂÍ¿ÚÙËÙÔ˜ apple·Ú·ÁˆÁfi˜ Ì Âapple·ÁÁÂÏÌ·ÙÈ΋ ÂÌappleÂÈÚ›· ÛÙ· ¯ÚËÌ·ÙÔÔÈÎÔÓÔÌÈο. ∏ appleÚÒÙË<br />
ÙÔ˘ Ù·ÈÓ›·, Mila from Mars, appleÔ˘ Â›Ó·È Î·È Ë appleÚÒÙË ·ÓÂÍ¿ÚÙËÙË ‚Ô˘ÏÁ·ÚÈ΋ apple·Ú·ÁˆÁ‹, ΤډÈÛ 11 ‚Ú·‚›·, Û˘Ì-<br />
ÌÂÙ›¯Â Û 44 ÊÂÛÙÈ‚¿Ï, ‹Ù·Ó ˘appleÔ„‹ÊÈ· ÁÈ· 12 ‚Ú·‚›· ηıÒ˜ Î·È ‹Ù·Ó Ë ˘appleÔ„ËÊÈfiÙËÙ· Ù˘ µÔ˘ÏÁ·Ú›·˜ ÁÈ· ÙÔ<br />
ŸÛÎ·Ú ÍÂÓfiÁψÛÛ˘ Ù·ÈÓ›·˜. √ Kirov ÔÚÁ¿ÓˆÛ ÙË ‰È·ÊËÌÈÛÙÈ΋ ηÌapple¿ÓÈ· Î·È ÙȘ ‰ËÌfiÛȘ Û¯¤ÛÂȘ ÁÈ· ÙËÓ ‰È·-<br />
ÓÔÌ‹ Ù˘ Ù·ÈÓ›·˜ ÛÙȘ ·›ıÔ˘Û˜. ∫·È ÔÈ ‰‡Ô ηÌapple¿ÓȘ ΤډÈÛ·Ó Ù· ·ÓÙ›ÛÙÔȯ· ¢ÈÂıÓ‹ ∂ıÓÈο µÚ·‚›·. ∏ Ù·ÈÓ›·<br />
ÛËÌ›ˆÛ ÂÈÛappleÚ·ÎÙÈ΋ ÂappleÈÙ˘¯›· ÛÙË µÔ˘ÏÁ·Ú›· –Ë appleÈÔ ÂÌappleÔÚÈ΋ ‚Ô˘ÏÁ·ÚÈ΋ Ù·ÈÓ›· Ù· ÙÂÏÂ˘Ù·›· 13 ¯ÚfiÓÈ·- ¤Óˆ Ë<br />
ÂappleÈÙ˘¯›· Û˘Ó¯›ÛÙËÎÂ Î·È fiÙ·Ó Î˘ÎÏÔÊfiÚËÛ Û DVD/‚›ÓÙÂÔ. Ô˘Ï‹ıËΠ۠5 ¯ÒÚ˜, ÂÓÒ appleÚÔ‚Ï‹ıËΠ۠·ÚÎÂ-<br />
Ù¿ ͤӷ ÙËÏÂÔappleÙÈο ηӿÏÈ·. √ Nikolay Kirov ·Û¯ÔÏÂ›Ù·È ÙÒÚ· Ì ÙËÓ ·Ó¿appleÙ˘ÍË ‰‡Ô Ù·ÈÓÈÒÓ Ì˘ıÔappleÏ·Û›·˜ Î·È ÙËÓ<br />
apple·Ú·ÁˆÁ‹ ÂÓfi˜ ÓÙÔÎÈÌ·ÓÙ¤Ú, appleÔ˘ ı· ΢ÎÏÔÊÔÚ‹ÛÂÈ ÙÔÓ ª·ÚÙÈÔ ÙÔ˘ 2006.<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
In 2002, Kirov Consult (together with All Things) launched the production of the Bulgarian feature film Mila from<br />
Mars, which was later called by Bulgarian media “the revered beginning of the new Bulgarian independent cinema”.<br />
“The film marks the bow of a director to watch” by Variety. It is “full of invention and daring”,FIPRESCI<br />
site. A “wild young cinema” by a Mannheim newspaper. The company aims to be part of the creation of a new<br />
image of Bulgaria’s feature film by the production and distribution - in Bulgaria and abroad - of new Bulgarian<br />
features and documentaries. To produce films created by young directors and filmmakers about non-traditional,<br />
controversial and modern issues; and to encourage, whenever possible, a new visual language and approach.<br />
∆Ô 2002, Ë Kirov Consult (Ì·˙› Ì ÙËÓ All Things) apple·ÚÔ˘Û›·Û ÙËÓ apple·Ú·ÁˆÁ‹ Ù˘ ‚Ô˘ÏÁ·ÚÈ΋˜ Ù·ÈÓ›·˜ Mila from Mars,<br />
appleÔ˘ ¯·Ú·ÎÙËÚ›ÛÙËΠ·ÚÁfiÙÂÚ· ·applefi Ù· ̤۷ Ì·˙È΋˜ ÂÓË̤ڈÛ˘ ˆ˜ «ÙÔ ¿ÍÈÔ ÍÂΛÓËÌ· ÙÔ˘ Ó¤Ô˘ ·ÓÂÍ¿ÚÙËÙÔ˘<br />
‚Ô˘ÏÁ·ÚÈÎÔ‡ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘». «∏ Ù·ÈÓ›· ÛËÌ·ÙÔ‰ÔÙ› ÙËÓ ¿ÊÈÍË ÌÈ·˜ Ó¤·˜ ÛÎËÓÔı¤Ùȉ·˜ appleÔ˘ ı· Ì·˜ ·apple·Û¯ÔÏ‹-<br />
ÛÂÈ ÛÙÔ Ì¤ÏÏÔÓ» ·applefi ÙËÓ Variety. ∂›Ó·È Ì›· Ù·ÈÓ›· «ÁÂÌ¿ÙË ÂÊ¢ÚÂÙÈÎfiÙËÙ· Î·È ÙfiÏÌË» ·applefi ÙËÓ ÈÛÙÔÛÂÏ›‰· Ù˘<br />
FIPRESCI. ŒÓ· «Ó¤Ô, ·Ù›ı·ÛÔ ÛÈÓÂÌ¿» Û¯ÔÏ›·Û ̛· ÂÊËÌÂÚ›‰· ÙÔ˘ ª¿Ó¯·˚Ì. ∏ ÂÙ·ÈÚ›· ÊÈÏÔ‰ÔÍ› Ó· Û˘ÌÌÂÙ¿Û¯ÂÈ<br />
ÛÙË ‰ËÌÈÔ˘ÚÁ›· Ì›·˜ Ó¤·˜ ÂÈÎfiÓ·˜ ÙˆÓ ‚Ô˘ÏÁ·ÚÈÎÒÓ Ù·ÈÓÈÒÓ Ì¤Ûˆ Ù˘ apple·Ú·ÁˆÁ‹˜ Î·È Ù˘ ‰È·ÓÔÌ‹˜ –ÙfiÛÔ ÛÙË<br />
µÔ˘ÏÁ·Ú›· fiÛÔ Î·È ÛÙÔ Â͈ÙÂÚÈÎfi- Ó¤ˆÓ ‚Ô˘ÏÁ·ÚÈÎÒÓ Ù·ÈÓÈÒÓ Î·È ÓÙÔÎÈÌ·ÓÙ¤ÚØ Ó· apple·Ú·Á¿ÁÂÈ Ù·Èӛ˜ Ó¤ˆÓ ÛÎËÓÔıÂÙÒÓ<br />
Î·È ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ Ì ÌË-apple·Ú·‰ÔÛȷο, ·ÌÊÈÏÂÁfiÌÂÓ· Î·È ÌÔÓÙ¤ÚÓ· ı¤Ì·Ù·Ø Î·È Ó· apple·ÚÔÙÚ‡ÓÂÈ, ηٿ<br />
ÙÔ ‰˘Ó·ÙfiÓ, Ì›· Ó¤· ÔappleÙÈ΋ ÁÏÒÛÛ· Î·È appleÚÔÛ¤ÁÁÈÛË.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Mila from Mars,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Sophia Zornitsa, 2004<br />
What is a Nice Guy Like You Doing in a Place Like This,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Sophia Zornitsa, 2006<br />
Festival Prizes/ µÚ·‚›·<br />
Mila from Mars<br />
Heidelberg FASBINDER Award & Ecumenical Jury Award, 53rd<br />
Mannheim Heidelberg IFF<br />
Kodak Award for Best Bulgarian film 2004, 8th Sofia IFF<br />
Best Film Award in the Best Regional Competition, 10th Sarajevo IFF<br />
Special Jury Award for the ensemble acting<br />
Best Film Award, 26th Bulgarian Film Festival “Golden Rose”<br />
“Golden Rose” for Best Actress<br />
Vulo Radev Award for Outstanding Director’s Debut,<br />
26th Bulgarian FF “Golden Rose”<br />
Unity of Bulgarian Filmmakers Award for Debut,<br />
26th Bulgarian FF “Golden Rose”<br />
Official Bulgarian Submission for the Academy Awards 2005<br />
Mila from Mars<br />
µÚ·‚Â›Ô FASBINDER & √ÈÎÔ˘ÌÂÓÈÎfi µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜,<br />
53Ô ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ª·Ó¯¿ÈÌ-÷˚‰ÂÏ‚¤ÚÁ˘<br />
µÚ·‚Â›Ô Kodak Award ÁÈ· ÙËÓ ∫·Ï‡ÙÂÚË µÔ˘ÏÁ·ÚÈ΋ ∆·ÈÓ›·<br />
ÙÔ˘ 2004, 8Ô ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ fiÊÈ·˜<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜ ÛÙÔÓ ÂÚÈÊÂÚÂÈ·Îfi ¢È·ÁˆÓÈÛÙÈÎfi,<br />
10Ô ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ∆·ÈÓÈÒÓ ÙÔ˘ ·Ú¿Á‚Ô<br />
∂ȉÈÎfi µÚ·‚Â›Ô ∫ÚÈÙÈ΋˜ ∂appleÈÙÚÔapple‹˜ ÁÈ· ÙÔ Û‡ÓÔÏÔ ÙˆÓ ÂÚÌËÓÂÈÒÓ<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜ & ∫·Ï‡ÙÂÚ˘ °˘Ó·ÈΛ·˜ ∂ÚÌËÓ›·˜,<br />
26Ô µÔ˘ÏÁ·ÚÈÎfi ºÂÛÙÈ‚¿Ï «Golden Rose»<br />
µÚ·‚Â›Ô Vulo Radev ÁÈ· ÙÔÓ ∫·Ï‡ÙÂÚÔ ÚˆÙÔÂÌÊ·ÓÈ˙fiÌÂÓÔ<br />
ÎËÓÔı¤ÙË ÛÙÔ 26Ô µÔ˘ÏÁ·ÚÈÎfi ºÂÛÙÈ‚¿Ï «Golden Rose»<br />
µÚ·‚Â›Ô ÚˆÙÔÂÌÊ·ÓÈ˙fiÌÂÓÔ˘ Ù˘ ŒÓˆÛ˘<br />
µÔ˘ÏÁ¿ÚˆÓ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ ÛÙÔ 26Ô µÔ˘ÏÁ·ÚÈÎfi<br />
ºÂÛÙÈ‚¿Ï «Golden Rose»<br />
∂apple›ÛËÌË ˘appleÔ„ËÊÈfiÙËÙ· Ù˘ µÔ˘ÏÁ·Ú›·˜ ÁÈ· Ù· ŸÛÎ·Ú 2005<br />
15<br />
Kirov Consult Ltd
A Ballad for the Black Sea<br />
Producer<br />
Nesteren Davutoglu<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
20-22, Silahsor Cad,<br />
D: 5, Sisly, 34381,<br />
Istanbul, Turkey<br />
T. +90 2122860517<br />
Mobile: +90 5323217838<br />
filmffilm@gmail.com<br />
16<br />
Turkey / Τουρκία<br />
The story is set in Turkey, near the Black Sea, at the end of the nineteenth century.<br />
Mustafa is in love with Esma. When his father’s death reveals a long kept<br />
secret – Mustafa is a Christian not the Moslem everyone assumed - many in the<br />
community are upset by the news including Esma’s family who marry her off<br />
to Mehmet, a Moslem. Twenty years later, Esma is unhappily married to<br />
Mehmet and Fotis (Mustafa) is a widower with a son, Niko, a guerilla fighter.<br />
Their paths cross with dramatic consequences for all.<br />
H ÈÛÙÔÚ›· ÂÎÙ˘Ï›ÛÛÂÙ·È ÛÙËÓ ∆Ô˘ÚΛ·, ÎÔÓÙ¿ ÛÙË ª·‡ÚË £¿Ï·ÛÛ·, ÛÙÔ Ù¤ÏÔ˜<br />
ÙÔ˘ 19Ô˘ ·ÈÒÓ·. √ Mustafa Â›Ó·È ÂÚˆÙÂ˘Ì¤ÓÔ˜ Ì ÙËÓ Esma. ŸÌˆ˜, Ô ı¿Ó·ÙÔ˜<br />
ÙÔ˘ apple·Ù¤Ú· ÙÔ˘ ʤÚÓÂÈ ÛÙÔ Êˆ˜ ¤Ó· apple·ÏÈfi Ì˘ÛÙÈÎfiØ Ô Mustafa Â›Ó·È ¯ÚÈÛÙÈ·Ófi˜<br />
Î·È fi¯È ÌÔ˘ÛÔ˘ÏÌ¿ÓÔ˜. ∏ ÌÈÎÚ‹ ÎÔÈÓˆÓ›· ·Ó·ÛÙ·ÙÒÓÂÙ·È ·applefi ÙËÓ ·appleÔÎ¿Ï˘„Ë<br />
Î·È Ë ÔÈÎÔÁ¤ÓÂÈ· Ù˘ Esma ·appleÔÊ·Û›˙ÂÈ Ó· ÙËÓ apple·ÓÙÚ¤„ÂÈ Ì ÙÔÓ Mehmet, ¤Ó·Ó<br />
ÌÔ˘ÛÔ˘ÏÌ¿ÓÔ. ∂›ÎÔÛÈ ¯ÚfiÓÈ· ÌÂÙ¿, Ë Esma ‚Ú›ÛÎÂÙ·È ÂÁÎψ‚ÈṲ̂ÓË Û ¤Ó·Ó<br />
‰˘ÛÙ˘¯ÈṲ̂ÓÔ Á¿ÌÔ, ÂÓÒ Ô ºÒÙ˘ (Mustafa) Â›Ó·È ¯‹ÚÔ˜ Ì ¤Ó·Ó ÁÈÔ ÙÔÓ ¡›ÎÔ,<br />
Ì·¯ËÙ‹ ÛÙÔÓ ·ÓÙ·ÚÙÔapplefiÏÂÌÔ. √È ‰ÚfiÌÔÈ ÙÔ˘˜ ı· Û˘Ó·ÓÙËıÔ‡Ó Ì ‰Ú·Ì·ÙÈΤ˜<br />
Û˘Ó¤appleÂȘ ÁÈ· fiÏÔ˘˜.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Film F<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Yusuf Kurçenli,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Colin Mounier<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €2,000,000<br />
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes/¡·È
Nesteren Davutoglu Producer’s filmography<br />
Nesteren Davutoglu started her career in TRT (Turkish Radio Television), editing films, producing TV programmes<br />
and documantaries. Later, she joined the advertising industry. After several posts in the agency,<br />
usually involved with the creation of strategies for many global brands, she became the CEO of Lowe Istanbul.<br />
She was also the head of the Turkish Advertising Association between 2001-2004. Davutogu also wrote a<br />
book about marketing and communications. Her enthusiasm for cinema motivated her into becoming a partner<br />
of Film F in 2002; she produced Letters Unsent (directed by Yusuf Kurçenli). The film won two awards,<br />
Best Actor and Best Actress. She wrote a book about the behind the scenes of the film. Along with producing<br />
films, she continues to be responsible for the management of the agency, Lowe-Turkey.<br />
∏ Nesteren Davutoglu ÍÂΛÓËÛ ÙËÓ Î·ÚȤڷ Ù˘ ÛÙËÓ ∆Ô˘ÚÎÈ΋ ƒ·‰ÈÔÙËÏÂfiÚ·ÛË Î¿ÓÔÓÙ·˜ ÌÔÓÙ¿˙ Î·È apple·Ú·-<br />
ÁˆÁ¤˜ ÙËÏÂÔappleÙÈÎÒÓ appleÚÔÁÚ·ÌÌ¿ÙˆÓ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú. ∞ÚÁfiÙÂÚ·, ÛÙÚ¿ÊËΠÛÙË ‰È·Ê‹ÌÈÛË. ∞ÊÔ‡ apple¤Ú·Û ·applefi<br />
‰È¿ÊÔÚ· applefiÛÙ· ÛÙÔÓ ¯ÒÚÔ Ù˘ ‰È·Ê‹ÌÈÛ˘, ·Û¯ÔÏÔ‡ÌÂÓË Î˘Ú›ˆ˜ Ì ÙÔÓ Û¯Â‰È·ÛÌfi Ù˘ ÛÙÚ·ÙËÁÈ΋˜ appleÔÏ˘ÂıÓÈÎÒÓ<br />
ÂÙ·ÈÚÂÈÒÓ, ÂÍÂÏ›¯ıËΠ۠ÎÔÚ˘Ê·›Ô ‰ÈÔÈÎËÙÈÎfi Û٤ϯԘ Ù˘ Lowe Istanbul. ¢ÈÂÙ¤ÏÂÛÂ, Âapple›Û˘, ‰È¢ı‡ÓÙÚÈ·<br />
ÙÔ˘ ∆Ô˘ÚÎÈÎÔ‡ √Ì›ÏÔ˘ ¢È·ÊËÌÈÛÙÒÓ ÌÂٷ͇ ÙˆÓ ÂÙÒÓ 2001-2004. ∏ Nesteren Davutoglu Â›Ó·È Î·È<br />
Û˘ÁÁڷʤ·˜ ÂÓfi˜ ‚È‚Ï›Ô˘ Û¯ÂÙÈο Ì ÙÔ Ì¿ÚÎÂÙÈÓÁÎ Î·È ÙËÓ ÂappleÈÎÔÈÓˆÓ›·. ∆Ô ÂӉȷʤÚÔÓ Ù˘ ÁÈ· ÙÔÓ ÎÈÓËÌ·-<br />
ÙÔÁÚ¿ÊÔ ÙËÓ Ô‰‹ÁËÛ ÛÙËÓ ·applefiÊ·Û‹ Ù˘ Ó· Á›ÓÂÈ Û˘ÓÂÙ·›ÚÔ˜ Ù˘ Film F ÙÔ 2002, ÔapplefiÙÂ Î·È apple·Ú‹Á·Á ÙËÓ<br />
Ù·ÈÓ›· Letters Unsent Û ÛÎËÓÔıÂÛ›· Yusuf Kurçenli. ∏ Ù·ÈÓ›· ΤډÈÛ ‰‡Ô ‚Ú·‚›·Ø ηχÙÂÚ˘ ·Ó‰ÚÈ΋˜ ηÈ<br />
Á˘Ó·ÈΛ·˜ ÂÚÌËÓ›·˜. ŒÁÚ·„ ¤Ó· ·ÎfiÌË ‚È‚Ï›Ô Û¯ÂÙÈο Ì ÙÔ Á‡ÚÈÛÌ· Ù˘ Ù·ÈÓ›·˜ ·˘Ù‹˜. ·Ú¿ÏÏËÏ· ÌÂ<br />
ÙËÓ apple·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ, ÂÍ·ÎÔÏÔ˘ı› Ó· Â›Ó·È Î·È ‰ÈÔÈÎËÙÈÎfi Û٤ϯԘ Ù˘ Lowe-Turkey.<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
Film F Filmcilik Ltd. was established in 1992 by Turkish director Yusuf Kurçenli. It produces both feature films<br />
and television programmes including:<br />
Cözülmeler (Disintegration), 1994. Antika Talani (Plunder of Antiques), 1997<br />
Treasure of Croesus and Treasure of Santa Claus, docu-dramas<br />
Kursun Kalem (Pencil), TV series, 2000. Gönderilmemis Mektuplar (Letters Unsent), 2003<br />
∏ ÂÙ·ÈÚ›· Film F Filmcilik Ltd. π‰Ú‡ıËΠÙÔ 1992 ·applefi ÙÔÓ ∆Ô‡ÚÎÔ ÛÎËÓÔı¤ÙË Yusuf Kurçenli. ¢Ú·ÛÙËÚÈÔappleÔÈ›ٷÈ<br />
ÙfiÛÔ ÛÙËÓ apple·Ú·ÁˆÁ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ fiÛÔ Î·È ÙËÏÂÔappleÙÈÎÒÓ appleÚÔÁÚ·ÌÌ¿ÙˆÓ, ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ:<br />
Cözülmeler (Disintegration), 1994. Antika Talani (Plunder of Antiques), 1997<br />
Treasure of Croesus Î·È Treasure of Santa Claus, ‰Ú·Ì·ÙÔappleÔÈË̤ӷ ÓÙÔÎÈÌ·ÓÙ¤Ú<br />
Kursun Kalem (Pencil), ÙËÏÂÔappleÙÈÎfi Û‹ÚÈ·Ï, 2000. Gönderilmemis Mektuplar (Letters Unsent), 2003<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Letters Unsent,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Yussuf Kurçenli, 2003<br />
Festival Prizes/ µÚ·‚›·<br />
Letters Unsent<br />
Best Actress, 22nd International Istanbul Film Festival<br />
Best Actor, 40th Antalya International Film Festival<br />
Plunder of Antiques<br />
Best Script, AGON 2nd Mediterranean Archeology Film<br />
Festival<br />
Special Prize, International Kiel Archeology Film<br />
Festival<br />
Disintegration<br />
Best Director, 13th International Istanbul Film Festival<br />
Best Script, Actress, Supporting Actor,<br />
7th Ankara Film Festival<br />
Letters Unsent<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ °˘Ó·ÈΛ·˜, 22Ô ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï<br />
∫ˆÓÛÙ·ÓÙÈÓÔ‡appleÔÏ˘<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∞Ó‰ÚÈ΋˜ ∂ÚÌËÓ›·˜, 40Ô ¢ÈÂıÓ¤˜<br />
ºÂÛÙÈ‚¿Ï Ù˘ ∞ÓÙ¿ÏÈ·˜<br />
Plunder of Antiques<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ÂÓ·Ú›Ô˘,<br />
∞°ø¡ – 2Ë ¢ÈÂıÓ‹˜ ˘Ó¿ÓÙËÛË ∞Ú¯·ÈÔÏÔÁÈ΋˜ ∆·ÈÓ›·˜<br />
ªÂÛÔÁÂÈ·ÎÔ‡ ÃÒÚÔ˘<br />
∂ȉÈÎfi µÚ·‚›Ô, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ∞Ú¯·ÈÔÏÔÁÈ΋˜<br />
∆·ÈÓ›·˜ ÙÔ˘ Kiel Disintegration<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ÎËÓÔıÂÛ›·˜, 13Ô ¢ÈÂıÓ¤˜<br />
ºÂÛÙÈ‚¿Ï ∫ˆÓÛÙ·ÓÙÈÓÔ‡appleÔÏ˘<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ÂÓ·Ú›Ô˘, ∫·Ï‡ÙÂÚ˘ °˘Ó·ÈΛ·˜<br />
∂ÚÌËÓ›·˜, ∫·Ï‡ÙÂÚÔ˘ ‚’ ∞Ó‰ÚÈÎÔ‡ ƒfiÏÔ˘, 7Ô ¢ÈÂıÓ¤˜<br />
ºÂÛÙÈ‚¿Ï ÕÁ΢ڷ˜<br />
17<br />
Film F Filmcilik Ltd.
Clown<br />
Producer<br />
Ute Leonhardt<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
15, Piazza Mazzini, 00195,<br />
Rome, Italy<br />
T. +39 3356374416<br />
ute.leonhardt@panoramafilms.com<br />
www.panoramafilms.com<br />
18<br />
Italy/Ιταλία<br />
Clown is the story of a group of homeless kids who live on the streets, the railway<br />
tracks and in the underground tunnels of Bucharest. Surrounded by violence<br />
and crime, the only thing keeping them alive is their intense friendships<br />
… and drugs. A spirited French clown enters their lives and shakes up their<br />
world. Through his art, skill and good heart, he gives them a new outlook on<br />
life.<br />
To Clown Â›Ó·È Ë ÈÛÙÔÚ›· ÌÈ·˜ apple·Ú¤·˜ ¿ÛÙÂÁˆÓ apple·È‰ÈÒÓ appleÔ˘ ̤ÓÔ˘Ó ÛÙÔ˘˜ ‰Úfi-<br />
ÌÔ˘˜, ÛÙȘ ÛȉËÚÔ‰ÚÔÌÈΤ˜ Ú¿Á˜ Î·È ÛÙÔÓ ˘applefiÁÂÈÔ ÙÔ˘ µÔ˘ÎÔ˘ÚÂÛÙ›Ô˘. ª¤Û·<br />
ÛÙË ‚›· Î·È ÙÔ ¤ÁÎÏËÌ·, ÙÔ ÌfiÓÔ appleÚ¿ÁÌ· appleÔ˘ ÙÔ˘˜ ÎÚ·Ù¿ÛÂÈ ˙ˆÓÙ·ÓÔ‡˜ Â›Ó·È Ë<br />
ÌÔÓ·‰È΋ ÊÈÏ›· ÙÔ˘˜... Î·È Ù· Ó·ÚΈÙÈο. ŒÓ·˜ ‰˘Ó·ÌÈÎfi˜ Á¿ÏÏÔ˜ ÎÏfiÔ˘Ó Ìapple·›-<br />
ÓÂÈ ÛÙË ˙ˆ‹ ÙÔ˘˜ Î·È ·Ó·ÛÙ·ÙÒÓÂÈ ÙÔÓ ÎfiÛÌÔ ÙÔ˘˜. ª¤Û· ·applefi ÙËÓ Ù¤¯ÓË ÙÔ˘,<br />
ÙË ‰ÂÍÈÔÙ¯ӛ· ÙÔ˘ Î·È ÙËÓ Î·Ï‹ ηډȿ ÙÔ˘ ÙÔ˘˜ appleÚÔÛʤÚÂÈ Ì›· Ó¤· ÔappleÙÈ΋ Ù˘<br />
˙ˆ‹˜.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Panorama Films,<br />
Director / ÎËÓÔıÂÛ›·: Marco Pontecorvo,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Roberto Tiraboschi & Marco Pontecorvo<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €2,250,000<br />
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: No / Ÿ¯È
Ute Leonhardt Producer’s filmography<br />
In 1985, Ute Leonhardt started her career in special visual effects. In the early 90s, Leonhardt joined Propaganda Films, Los<br />
Angeles, as Head of Post Production. Shortly thereafter she became associate producer of a series of Michael Jackson short<br />
films for his Dangerous album. She worked, among others, with directors John Landis, John Singleton, David Lynch and<br />
David Fincher. In 1995, Leonhardt became Associate Producer on Jane Campion’s film, Portrait of a Lady, working closely<br />
with its producer from development through to the release of the film. She continued working in development for three<br />
years. In 1998, Leonhardt joined forces with Marco Valerio Pugini in Panorama Films, Italy, as co-owner and Vice President.<br />
Leonhardt line produces commercials, film and television projects from around the world. Leonhardt and Pugini are developing<br />
projects to be produced by Panorama Films.<br />
∆Ô 1985, Ë Ute Leonhardt ÍÂΛÓËÛ ÙËÓ Î·ÚȤڷ Ù˘ ÛÙ· ÂȉÈο ÔappleÙÈο Âʤ. ÙȘ ·Ú¯¤˜ Ù˘ ‰ÂηÂÙ›·˜ ÙÔ˘ ’90 appleÚÔÛ¯ÒÚË-<br />
Û ÛÙËÓ ÂÙ·ÈÚ›· Propaganda Films ÙÔ˘ §Ô˜ ÕÓÙ˙ÂϘ ˆ˜ ‰È¢ı‡ÓÙÚÈ· ÙÔ˘ post production. ‡ÓÙÔÌ·, ¤ÁÈÓ ‚ÔËıfi˜ apple·Ú·-<br />
ÁˆÁ‹˜ Û ̛· ÛÂÈÚ¿ Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ ÙÔ˘ Michael Jackson ÁÈ· ÙÔÓ ‰›ÛÎÔ ÙÔ˘ Dangerous. ¢Ô‡Ï„ ÌÂٷ͇ ¿ÏÏˆÓ ÌÂ<br />
ÛÎËÓÔı¤Ù˜, fiappleˆ˜ ÔÈ John Landis, John Singleton, David Lynch Î·È David Fincher. ∆Ô 1995 ÂÚÁ¿ÛÙËΠˆ˜ Û˘ÓÂÚÁ¿ÙȘ apple·Ú·-<br />
ÁˆÁfi˜ ÛÙËÓ Ù·ÈÓ›· Ù˘ Jane Campion, Portrait of a Lady, apple·Ú·ÎÔÏÔ˘ıÒÓÙ·˜ ·applefi ÎÔÓÙ¿ ÙÔÓ apple·Ú·ÁˆÁfi- ·applefi ÙËÓ ·Ó¿appleÙ˘-<br />
ÍË Ì¤¯ÚÈ ÙËÓ Î˘ÎÏÔÊÔÚ›· Ù˘ Ù·ÈÓ›·˜. ˘Ó¤¯ÈÛ ӷ ‰Ô˘Ï‡ÂÈ ÛÙËÓ ·Ó¿appleÙ˘ÍË ÛÂÓ·Ú›ˆÓ ÁÈ· ¿ÏÏ· ÙÚ›· ¯ÚfiÓÈ·. ∆Ô 1998 Ë<br />
Leonhardt Û˘Ó¤appleÚ·Í Ì ÙÔÓ Marco Valerio Pugini ÛÙËÓ ÂÙ·ÈÚ›· Panorama Films, ÛÙËÓ πÙ·Ï›·, ˆ˜ Û˘ÓȉÈÔÎÙ‹ÙÚÈ· Î·È ·ÓÙÈappleÚfi‰ÚÔ˜.<br />
∏ Leonhardt οÓÂÈ ÂÎÙ¤ÏÂÛË apple·Ú·ÁˆÁÒÓ ÁÈ· ‰È·ÊËÌÈÛÙÈο, Ù·Èӛ˜ Î·È ÙËÏÂÔappleÙÈο appleÚÔÁÚ¿ÌÌ·Ù· ·applefi fiÏÔ ÙÔÓ<br />
ÎfiÛÌÔ, ÂÓÒ Ë ÂÙ·ÈÚ›· Panorama Films ı· ·Ó·Ï¿‚ÂÈ ÙËÓ apple·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ appleÔ˘ appleÚÔÂÙÔÈÌ¿˙Ô˘Ó ·applefi ÎÔÈÓÔ‡ Ì ÙÔÓ Pugini.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Now fifteen years old, Panorama Films is recognized internationally as one of Italy’s leading production companies for feature<br />
films, television, commercials and photographic shoots. Headed by Marco Valerio Pugini and Ute Leonhardt, it has<br />
successfully provided logistical and organisational support throughout Italy for clients from around the world. Production<br />
services for over 20 long format projects have successfully been completed, with companies including Disney, Universal,<br />
Warner Bros., HBO, Dreamworks, CBS, Paramount and Film Four as well as over 200 international TV commercials. In addition,<br />
Panorama Films is developing, producing and co-producing feature film projects. It is mainly focusing on international<br />
co-productions with a smaller number of low budget Italian features. Pugini is currently producing a television series<br />
for HBO Original Programming and BBC entitled “Rome”.<br />
ªÂÙÚÒÓÙ·˜ appleϤÔÓ 15 ¯ÚfiÓÈ· ˙ˆ‹˜, Ë ÂÙ·ÈÚ›· Panorama Films, Â›Ó·È ‰ÈÂıÓÒ˜ ·Ó·ÁÓˆÚÈṲ̂ÓË ˆ˜ ÌÈ· ·applefi ÙȘ appleÚˆÙÔapplefi-<br />
Ú˜ ÈÙ·ÏÈΤ˜ ÂÙ·ÈÚ›˜ apple·Ú·ÁˆÁ‹˜ Ù·ÈÓÈÒÓ, ÙËÏÂÔappleÙÈÎÒÓ appleÚÔÁÚ·ÌÌ¿ÙˆÓ, ‰È·ÊËÌÈÛÙÈÎÒÓ Î·È ÊˆÙÔÁڷʛۈÓ. ªÂ ÂappleÈÎÂ-<br />
Ê·Ï‹˜ ÙÔÓ Marco Valerio Pugini Î·È ÙËÓ Ute Leonhardt, Ë ÂÙ·ÈÚ›· apple·Ú¤¯ÂÈ ‰ÈÔÈÎËÙÈΤ˜ Î·È ÔÚÁ·ÓˆÙÈΤ˜ ˘appleËÚÂۛ˜ Û fiÏË<br />
ÙËÓ πÙ·Ï›· Î·È Û˘ÓÂÚÁ¿˙ÂÙ·È Ì appleÂÏ¿Ù˜ ·Ó¿ ÙÔÓ ÎfiÛÌÔ. Œ¯ÂÈ ‹‰Ë Û˘ÓÂÚÁ·ÛÙ› ÂappleÈÙ˘¯Ò˜ Û appleÂÚÈÛÛfiÙÂÚ˜ ·applefi 20 apple·Ú·-<br />
ÁˆÁ¤˜ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Ì ÂÙ·ÈÚ›˜ ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ Û˘ÁηٷϤÁÔÓÙ·È ÔÈ Disney, Universal, Warner Bros., HBO,<br />
Dreamworks, CBS, Paramount Î·È Film Four, fiappleˆ˜ Î·È ÛÙËÓ apple·Ú·ÁˆÁ‹ appleÂÚÈÛÛfiÙÂÚˆÓ ·applefi 200 ‰ÈÂıÓÒÓ ÙËÏÂÔappleÙÈÎÒÓ ‰È·-<br />
ÊËÌÈÛÙÈÎÒÓ. ∂appleÈappleϤÔÓ, Ë ÂÙ·ÈÚ›· Panorama Films ‰Ú·ÛÙËÚÈÔappleÔÈÂ›Ù·È ÛÙËÓ ·Ó¿appleÙ˘ÍË, apple·Ú·ÁˆÁ‹ Î·È Û˘Ìapple·Ú·ÁˆÁ‹ Ù·È-<br />
ÓÈÒÓ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜. ∂appleÈÎÂÓÙÚÒÓÂÙ·È Î˘Ú›ˆ˜ Û ‰ÈÂıÓ›˜ Û˘Ìapple·Ú·ÁˆÁ¤˜ ηıÒ˜ Î·È Û ¤Ó·Ó ÌÈÎÚfi ·ÚÈıÌfi ÈÙ·ÏÈÎÒÓ Ù·È-<br />
ÓÈÒÓ ¯·ÌËÏÔ‡ appleÚÔ¸appleÔÏÔÁÈÛÌÔ‡. ∞˘Ù‹ ÙËÓ appleÂÚ›Ô‰Ô Ô Pugini ·Û¯ÔÏÂ›Ù·È Ì ÙËÓ apple·Ú·ÁˆÁ‹ ÌÈ·˜ ÙËÏÂÔappleÙÈ΋˜ ÛÂÈÚ¿˜ ÁÈ· ÙËÓ<br />
HBO Original Programming Î·È ÙÔ BBC Ì ٛÙÏÔ «Rome».<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
The Lizzie McGuire Movie<br />
(Line Producer) directed by Jim Fall, 2003<br />
Katja’s Adventure (Line Producer),<br />
directed by Lars Hesselholdt, 1999<br />
Portrait of a Lady (Associate Producer),<br />
directed by Jane Campion, 1996<br />
The Lizzie McGuire Movie, (∂ÎÙ¤ÏÂÛË ·Ú·ÁˆÁ‹˜),<br />
ÛÂ ÛÎËÓÔıÂÛ›· Jim Fall, 2003<br />
Katja’s Adventure, (∂ÎÙ¤ÏÂÛË ·Ú·ÁˆÁ‹˜),<br />
ÛÂ ÛÎËÓÔıÂÛ›· Lars Hesselholdt, 1999<br />
Portrait of a Lady, (˘ÓÂÚÁ¿Ù˘ ·Ú·ÁˆÁfi˜),<br />
ÛÂ ÛÎËÓÔıÂÛ›· Jane Campion, 1996<br />
19<br />
Panorama Films
Dancing at the Checkpoint<br />
Producer<br />
George Khleifi<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
P.O. Box 18058,<br />
Jerusalem 91180<br />
T.+97 0599212281, +97 2546441021<br />
gkhleifi@p-ol.com<br />
20<br />
Palestine / Παλαιστίνη<br />
A series of vignettes that tell a powerful story. Morning. Afternoon. Evening.<br />
Night. Car Lane. Male Lane. Female Lane. Soldiers deciding who will pass and<br />
who will not. The soldiers: Israeli. Those crossing: Palestinians. The good soldier<br />
and the bad one. Humiliation. Humour. Despair. Maybe even Love. From morning<br />
to night: people are waiting to cross but the checkpoint closes. Tomorrow<br />
is another day.<br />
∏ ·Ê‹ÁËÛË Ì›·˜ Û˘ÁÎÏÔÓÈÛÙÈ΋˜ ÈÛÙÔÚ›·˜ ̤۷ ·applefi Ì›· ÛÂÈÚ¿ ÛÙÈÁÌÈÔÙ‡appleˆÓ.<br />
Úˆ›. ∞applefiÁÂ˘Ì·. ¢ÂÈÏÈÓfi. µÚ¿‰˘. ÂÈÚ¿ ·˘ÙÔÎÈÓ‹ÙˆÓ. ÂÈÚ¿ ·Ó‰ÚÒÓ. ÂÈÚ¿<br />
Á˘Ó·ÈÎÒÓ. √È ÛÙÚ·ÙÈÒÙ˜ ·appleÔÊ·Û›˙Ô˘Ó appleÔÈÔ˜ ı· appleÂÚ¿ÛÂÈ Î·È appleÔÈÔ˜ fi¯È. √È ÛÙÚ·-<br />
ÙÈÒÙ˜: πÛÚ·ËÏÈÓÔ›. ∞˘ÙÔ› appleÔ˘ appleÂÚÓÔ‡Ó: ·Ï·ÈÛÙ›ÓÈÔÈ. √ ηÏfi˜ Î·È Ô Î·Îfi˜ ÛÙÚ·-<br />
ÙÈÒÙ˘. ∆·apple›ӈÛË. ÃÈÔ‡ÌÔÚ. ∞applefiÁÓˆÛË. ÿÛˆ˜ Î·È ·Á¿appleË. ∞applefi ÙÔ appleÚˆ› ̤¯ÚÈ ÙÔ<br />
‚Ú¿‰˘: ¿ÓıÚˆappleÔÈ appleÂÚÈ̤ÓÔ˘Ó Ó· appleÂÚ¿ÛÔ˘Ó, ·ÏÏ¿ Ù· ÛËÌ›· ÂϤÁ¯Ô˘ ÎÏ›-<br />
ÓÔ˘Ó. ∞‡ÚÈÔ ÍËÌÂÚÒÓÂÈ Ì›· Ó¤· ̤ڷ.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Lailak Films<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Ismail El Habbash<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: $720,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
George Khleifi Producer’s filmography<br />
George Khleifi was born in Nazareth in 1947. He studied filmmaking and production in Brussels at the INSAS.<br />
He has worked as a Line and Executive Producer of several Palestinian features. He was the producer of the<br />
children’s programme Share’ Sumsum (the Palestinian Sesame Street) and the producer, writer and director<br />
of Abu Youssef’s House a 64 episode sitcom. He also directed several documentaries. He is the head of training<br />
and production for the Institute of Modern Media at Al Quds University, which he joined in 1999. He is<br />
the founder of Lilac Films. He is currently preparing the production of Dancing at the Checkpoint, a feature<br />
by Palestinian filmmaker Ismail Al Habbash and Rat, a short feature by the young Palestinian director Rokayya<br />
Sabbah Khoury.<br />
√ George Khleifi ÁÂÓÓ‹ıËΠÛÙË ¡·˙·Ú¤ı ÙÔ 1947. appleÔ‡‰·Û ÛÎËÓÔıÂÛ›· Î·È apple·Ú·ÁˆÁ‹ ÛÙȘ µÚ˘Í¤ÏϘ ÛÙÔ<br />
INSAS. Œ¯ÂÈ Î¿ÓÂÈ ÂÎÙ¤ÏÂÛË Î·È ÔÚÁ¿ÓˆÛË apple·Ú·ÁˆÁ‹˜ Û ‰È¿ÊÔÚ˜ apple·Ï·ÈÛÙÈÓȷΤ˜ Ù·Èӛ˜, ˆ˜ apple·Ú·ÁˆÁfi˜<br />
ÙÔ˘ apple·È‰ÈÎÔ‡ appleÚÔÁÚ¿ÌÌ·ÙÔ˜ Share’ Sumsum (Ù˘ apple·Ï·ÈÛÙÈÓȷ΋˜ ÌÂÙ·ÊÔÚ¿˜ ÙÔ˘ Sesame Street) Î·È ˆ˜<br />
apple·Ú·ÁˆÁfi˜, ÛÎËÓÔı¤Ù˘ Î·È ÛÂÓ·ÚÈÔÁÚ¿ÊÔ˜ ÙÔ˘ Abu Youssef’s House, Ì›·˜ Ê·ÚÛÔΈ̈‰›·˜ 64 ÂappleÂÈÛÔ‰›ˆÓ.<br />
∂ÎÙfi˜ ·˘ÙÒÓ, ÛÎËÓÔı¤ÙËÛÂ Î·È ·ÚÎÂÙ¿ ÓÙÔÎÈÌ·ÓÙ¤Ú. ¢È·ÙÂÏ› ‰È¢ı˘ÓÙ‹˜ ÂÎapple·›‰Â˘Û˘ Î·È apple·Ú·ÁˆÁ‹˜ ÛÙÔ<br />
πÓÛÙÈÙÔ‡ÙÔ˘ ªÔÓÙ¤ÚÓˆÓ ª¤ÛˆÓ ÙÔ˘ ·ÓÂappleÈÛÙËÌ›Ô˘ Al Quds, Ì ÙÔ ÔappleÔ›Ô Û˘ÓÂÚÁ¿˙ÂÙ·È ·applefi ÙÔ 1999, ÂÓÒ<br />
Â›Ó·È Î·È Ô È‰Ú˘Ù‹˜ Ù˘ ÂÙ·ÈÚ›·˜ Lilac Films. ∞˘Ù‹ ÙËÓ appleÂÚ›Ô‰Ô appleÚÔÂÙÔÈÌ¿˙ÂÈ ÙËÓ apple·Ú·ÁˆÁ‹ Ù˘ Ù·ÈÓ›·˜<br />
Dancing at the Checkpoint, Û ÛÎËÓÔıÂÛ›· ÙÔ˘ ·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Ismail Al Habbash Î·È ÙËÓ apple·Ú·Áˆ-<br />
Á‹ Ù˘ Ù·ÈÓ›·˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Rat, ÙÔ˘ Ó·ÚÔ‡ ·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Rokayya Sabbah Khoury.<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
Founded in 2004 by the well known Palestinian producer/filmmaker, George Khleifi, Lilac Films has produced<br />
a long documentary and is preparing the short feature Rat by the female director Rokayya Sabbah Khoury,<br />
and the feature Dancing at the Checkpoint written and to be directed by Palestinian filmmaker Ismail Al<br />
Habbash.<br />
∏ ÂÙ·ÈÚ›· Lilac Films ȉڇıËΠÙÔ 2004 ·applefi ÙÔÓ ÁÓˆÛÙfi ·Ï·ÈÛÙ›ÓÈÔ apple·Ú·ÁˆÁfi / ÛÎËÓÔı¤ÙË George Khleifi.<br />
∏ ÂÙ·ÈÚ›· ¤¯ÂÈ apple·Ú¿ÁÂÈ ¤Ó· ÓÙÔÎÈÌ·ÓÙ¤Ú ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Î·È appleÚÔÂÙÔÈÌ¿˙ÂÈ ÌÈ· Ù·ÈÓ›· ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÙÔ Rat,<br />
Ù˘ ÛÎËÓÔı¤Ùȉ·˜ Rokayya Sabbah Khoury, Î·È ÙËÓ Ù·ÈÓ›· Dancing at the Checkpoint, Û ÛÂÓ¿ÚÈÔ Î·È ÛÎËÓÔıÂÛ›·<br />
ÙÔ˘ ·Ï·ÈÛÙ›ÓÈÔ˘ ÛÎËÓÔı¤ÙË Ismail Al Habbash.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Once Again a collection of 5 short documentaries<br />
by 5 Palestinian filmmakers, 2002<br />
Journeys, a collection of 10 short features<br />
by 10 Palestinian filmmakers, 2004<br />
Saving Children, feature length documentary, 2004<br />
Once Again, ÌÈ· Û˘ÏÏÔÁ‹ ·applefi 5 ÓÙÔÎÈÌ·ÓÙ¤Ú<br />
ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Û ÛÎËÓÔıÂÛ›· 5 ·Ï·ÈÛÙ›ÓȈÓ<br />
ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ, 2002<br />
Journeys, ÌÈ· Û˘ÏÏÔÁ‹ 10 Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜<br />
Û ÛÎËÓÔıÂÛ›· 10 ·Ï·ÈÛÙ›ÓȈÓ<br />
ÎÈÓËÌ·ÙÔÁÚ·ÊÈÛÙÒÓ, 2004<br />
Saving Children,<br />
¤Ó· ÓÙÔÎÈÌ·ÓÙ¤Ú ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜, 2004<br />
21<br />
Lilac Films
Eagle<br />
Producer<br />
Antigoni Gavriatopoulou<br />
∞ÓÙÈÁfiÓË °·‚ÚÈ·ÙÔappleÔ‡ÏÔ˘<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
13-15, Andrea Papandreou Av,<br />
151-27 Melissia, Athens<br />
∞Ó‰Ú¤· ·apple·Ó‰Ú¤Ô˘ 13-15,<br />
151-27, ªÂÏ›ÛÛÈ·, ∞ı‹Ó·<br />
T. +30 210 8037610<br />
jordanrandell@yahoo.com,<br />
lumiere@ath.forthnet.gr<br />
22<br />
Greece - Canada / Ελλάδα - Καναδάς<br />
1986. Nicholas Junior travels to Greece to meet his father’s friend Stelios who<br />
recounts the story of the “other” Nicholas. After fleeing from an orphanage,<br />
Nicholas worked as a drug runner for Stelios. The two men became successful<br />
criminal partners with a side business: running bordellos. During the war, however,<br />
Nicholas changed again, becoming a celebrated resistance fighter. His<br />
eagle tattoo marked him as a ‘mangas’ or gangster, it also gave the hero his<br />
code name, Aetos.<br />
1986. √ ÌÈÎÚfi˜ ¡ÈÎfiÏ·˜ Ù·Íȉ‡ÂÈ ÛÙËÓ ∂ÏÏ¿‰· ÁÈ· Ó· ÁÓˆÚ›ÛÂÈ ÙÔÓ Ù¤ÏÈÔ,<br />
Ê›ÏÔ ÙÔ˘ apple·Ù¤Ú· ÙÔ˘, Ô ÔappleÔ›Ô˜ ÙÔ˘ ‰ÈËÁÂ›Ù·È ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ «¿ÏÏÔ˘» ¡ÈÎfiÏ·.<br />
∞ÊÔ‡ ÙÔ ÛοÂÈ ·applefi ÙÔ ÔÚÊ·ÓÔÙÚÔÊ›Ô, Ô ¡ÈÎfiÏ·˜ ‰Ô˘Ï‡ÂÈ ˆ˜ ¤ÌappleÔÚÔ˜ Ó·Ú-<br />
ΈÙÈÎÒÓ ÁÈ· ÏÔÁ·ÚÈ·ÛÌfi ÙÔ˘ Ù¤ÏÈÔ˘. √È ‰‡Ô ¿Ó‰Ú˜ Á›ÓÔÓÙ·È ÂappleÈÙ˘¯Ë̤ÓÔÈ<br />
«Û˘ÓÂÚÁ¿Ù˜» ‰ÈÂı‡ÓÔÓÙ·˜ Ì›· Âappleȯ›ÚËÛË Ì ԛÎÔ˘˜ ·ÓÔ¯‹˜. ∫·Ù¿ ÙË ‰È¿ÚÎÂÈ·<br />
ÙÔ˘ appleÔϤÌÔ˘, fï˜, Ô ¡ÈÎfiÏ·˜ ÌÂÙ·ÌÔÚÊÒÓÂÙ·È Í·Ó¿ Î·È ÂÍÂÏ›ÛÛÂÙ·È Û ¤Ó·Ó<br />
ÔÓÔÌ·ÛÙfi ·ÓÙÈÛÙ·ÛÈ·Îfi. ∆Ô Ù·ÙÔ˘¿˙ Ì ÙÔÓ ·ÂÙfi ÙÔ˘ ¯·Ú›˙ÂÈ ÙËÓ Îˆ‰È΋ ÔÓÔ-<br />
Ì·Û›· «·ÂÙfi˜» Î·È ÙÔÓ ¯·Ú·ÎÙËÚ›˙ÂÈ ˆ˜ «Ì¿Áη» Ù˘ ÂappleÔ¯‹˜.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Password Pictures Canada & Lumiere Productions,<br />
Co-producer / ˘Ìapple·Ú·ÁˆÁfi˜: Jordan Randell,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: George Politis / °ÈÒÚÁÔ˜ ÔÏ›Ù˘ & Paul Antony Davis<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €10,000,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Antigoni Gavriatopoulou / Αντιγόνη Γαβριατοπούλου Producer’s filmography<br />
Antigoni Gavriatopoulou studied Film at the Pantheon University, Sorbonne. She worked for Canal + in Paris and produced<br />
more than 25 feature films for Lumiere Productions S.A., most of them international co-productions. Many were<br />
awarded in various International Festivals. Antigone has produced many television programmes and documentaries for<br />
the Nova Filmnet and ERT channels. She promotes short films and features to television channels and distribution companies<br />
in Europe, the United States and Canada. Her recent projects include Adrianos Georgantas’ film, Let’s Dance<br />
Together, Les Champions de l’Olympie, a documentary series and Robert Manthoulis’ feature film, Lilly’s Story.<br />
∏ ∞ÓÙÈÁfiÓË °·‚ÚÈ·ÙÔappleÔ‡ÏÔ˘ ÛappleÔ‡‰·Û ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ ÛÙÔ ·ÓÂappleÈÛÙ‹ÌÈÔ Pantheon Ù˘ ÔÚ‚ÒÓ˘. ∂ÚÁ¿ÛÙËΠÛÙÔ<br />
Canal + ÛÙÔ ·Ú›ÛÈ Î·È ‹Ù·Ó apple·Ú·ÁˆÁfi˜ Û appleÂÚÈÛÛfiÙÂÚ˜ ·applefi 25 Ù·Èӛ˜ ÁÈ· ÙËÓ ÂÙ·ÈÚ›· Lumiere Productions S.A.,<br />
ÔÈ appleÂÚÈÛÛfiÙÂÚ˜ ·applefi ÙȘ Ôappleԛ˜ ‹Ù·Ó ‰ÈÂıÓ›˜ Û˘Ìapple·Ú·ÁˆÁ¤˜. ÔÏϤ˜ ‚Ú·‚‡ıËÎ·Ó Ì¿ÏÈÛÙ· Û ‰ÈÂıÓ‹ ºÂÛÙÈ‚¿Ï.<br />
∏ ∞ÓÙÈÁfiÓË ¤¯ÂÈ ‰Ú·ÛÙËÚÈÔappleÔÈËı› Î·È ÛÙËÓ apple·Ú·ÁˆÁ‹ appleÔÏÏÒÓ ÙËÏÂÔappleÙÈÎÒÓ appleÚÔÁÚ·ÌÌ¿ÙˆÓ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú ÁÈ· ÙË<br />
Nova, ÙÔ Filmnet Î·È ÙËÓ ∂ƒ∆, ÂÓÒ ·Ó·Ï·Ì‚¿ÓÂÈ ÙËÓ appleÚÔÒıËÛË Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Î·È ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Û ÙËÏÂÔappleÙÈο<br />
ηӿÏÈ· Î·È ÂÙ·ÈÚ›˜ apple·Ú·ÁˆÁ‹˜ ÛÙËÓ ∂˘ÚÒappleË, ÙȘ ∏ӈ̤Ó˜ ÔÏÈÙ›˜ Î·È ÙÔÓ ∫·Ó·‰¿. ÙȘ appleÚfiÛÊ·Ù˜ apple·Ú·Áˆ-<br />
Á¤˜ Ù˘ appleÂÚÈÏ·Ì‚¿ÓÔÓÙ·È Ë Ù·ÈÓ›· ÙÔ˘ ∞‰ÚÈ·ÓÔ‡ °ÂˆÚÁ·ÓÙ¿, ŸÙ·Ó XÔÚ¤„Ô˘Ì M·˙›, Ë ÛÂÈÚ¿ ÓÙÔÎÈÌ·ÓÙ¤Ú Les<br />
Champions de l’Olympie Î·È Ë Ù·ÈÓ›· ÙÔ˘ ƒÔ‚‹ÚÔ˘ ª·ÓıÔ‡ÏË, Lilly’s Story.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Lumiere Productions S. A. is an audiovisual production company, which has undertaken the production of various projects<br />
such as television commercials, TV films, feature film productions etc. Film projects in co-production with various<br />
European and American production companies have made Lumiere one of the most dynamic production houses in<br />
Greece, with experienced staff, capable of dealing with the most demanding of projects. Since 1997, the company has<br />
also been engaged in the distribution of films in Greece and Cyprus. Lumiere has a permanent and exclusive working<br />
relationship with the TV subscription channels Filmnet / Supersport and the digital satellite bouquet, Nova, all broadcast<br />
in Greece and Cyprus, with all their programming produced to meet the highest industry standards. Lumiere has<br />
co- produced more than 25 feature films, most of them international co-productions which have won awards and<br />
prizes in various international festivals around the world. Lumiere has been involved in the production servicing of various<br />
foreign movies and documentaries Lumiere also has produced many TV programs for Nova, Filmnet, and ERT.<br />
∏ ÂÙ·ÈÚ›· ÔappleÙÈÎÔ·ÎÔ˘ÛÙÈÎÒÓ apple·Ú·ÁˆÁÒÓ Lumiere Productions S. A, ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ ÙËÓ apple·Ú·ÁˆÁ‹ appleÚÔÁÚ·ÌÌ¿ÙˆÓ ‰È·-<br />
ÊfiÚˆÓ ÂȉÒÓ, fiappleˆ˜ ÙËÏÂÔappleÙÈÎÒÓ ‰È·ÊËÌÈÛÙÈÎÒÓ, ÙËÏÂÙ·ÈÓÈÒÓ, ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ Î.Ïapple. √È Û˘Ìapple·Ú·ÁˆÁ¤˜ ÌÂ<br />
‰È¿ÊÔÚ˜ Â˘Úˆapple·˚Τ˜ Î·È ·ÌÂÚÈηÓÈΤ˜ ÂÙ·ÈÚ›˜ apple·Ú·ÁˆÁ‹˜ ¤¯Ô˘Ó ηٷÛÙ‹ÛÂÈ ÙËÓ Lumiere Ì›· ·applefi ÙȘ appleÈÔ ‰˘Ó·ÌÈ-<br />
Τ˜ apple·ÚÔ˘Û›Â˜ ÙÔ˘ ¯ÒÚÔ˘ ÛÙËÓ ∂ÏÏ¿‰·, Ì ¤ÌappleÂÈÚÔ appleÚÔÛˆappleÈÎfi, ÈηÓfi Ó· ʤÚÂÈ Û apple¤Ú·˜ ·ÎfiÌË Î·È ÙȘ appleÈÔ ·apple·ÈÙË-<br />
ÙÈΤ˜ apple·Ú·ÁˆÁ¤˜. ∞applefi ÙÔ 1997 Ë ÂÙ·ÈÚ›· ‰Ú·ÛÙËÚÈÔappleÔÈÂ›Ù·È Î·È ÛÙË ‰È·ÓÔÌ‹ Ù·ÈÓÈÒÓ ÛÙËÓ ∂ÏÏ¿‰· Î·È ÙËÓ ∫‡appleÚÔ. ∏<br />
Lumiere ¤¯ÂÈ Ì›· ÌfiÓÈÌË Î·È ·appleÔÎÏÂÈÛÙÈ΋ Û˘ÓÂÚÁ·Û›· Ì ٷ Û˘Ó‰ÚÔÌËÙÈο ÙËÏÂÔappleÙÈο ηӿÏÈ· Filmnet / Supersport<br />
Î·È ÙËÓ „ËÊȷ΋ ‰ÔÚ˘ÊÔÚÈ΋ appleÏ·ÙÊfiÚÌ· Nova, appleÔ˘ ÂÎapple¤ÌappleÔ˘Ó Û ∂ÏÏ¿‰· Î·È ∫‡appleÚÔ Ì ¤Ó· appleÚfiÁÚ·ÌÌ· appleÔ˘ ·ÁÁ›-<br />
˙ÂÈ Ù· ˘„ËÏfiÙÂÚ· appleÚfiÙ˘apple· Ù˘ ·ÁÔÚ¿˜. ∏ Lumiere ¤¯ÂÈ Û˘Ìapple·Ú·Á¿ÁÂÈ appleÂÚÈÛÛfiÙÂÚ˜ ·applefi 25 ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ Ù·È-<br />
ӛ˜, appleÔÏϤ˜ ·applefi ÙȘ Ôappleԛ˜ ¤¯Ô˘Ó ÎÂÚ‰›ÛÂÈ ‚Ú·‚›· Û ‰ÈÂıÓ‹ ÊÂÛÙÈ‚¿Ï ·Ó¿ ÙÔÓ ÎfiÛÌÔ. ∏ ÂÙ·ÈÚ›· ¤¯ÂÈ ‰Ú·ÛÙËÚÈÔappleÔÈËı›<br />
Î·È ÛÙËÓ apple·ÚÔ¯‹ ˘appleËÚÂÛÈÒÓ apple·Ú·ÁˆÁ‹˜ ÁÈ· ‰È¿ÊÔÚ˜ ͤÓ˜ Ù·Èӛ˜ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú, ÂÓÒ ¤¯ÂÈ Î¿ÓÂÈ ÙËÓ apple·Ú·-<br />
ÁˆÁ‹ Û appleÔÏÏ¿ ÙËÏÂÔappleÙÈο appleÚÔÁÚ¿ÌÌ·Ù· ÁÈ· ÙË Nova, ÙÔ Filmnet Î·È ÙËÓ ∂ƒ∆.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Les Champions d’Olympie<br />
directed by Philippe Moulins, 2004<br />
Let’s Dance Together<br />
directed by Adrianos Georgantas, 2003<br />
Lilly’s Story directed by Robert Manthoulis, 2002<br />
Les Champions d’Olympie<br />
ÛÂ ÛÎËÓÔıÂÛ›· Philippe Moulins, 2004<br />
‘√Ù·Ó XÔÚ¤„Ô˘Ì M·˙›<br />
Û ÛÎËÓÔıÂÛ›· ∞‰ÚÈ·ÓÔ‡ °ÂˆÚÁ·ÓÙ¿, 2003<br />
Lilly’s Story Û ÛÎËÓÔıÂÛ›· ƒÔ‚‹ÚÔ˘ ª·ÓıÔ‡ÏË, 2002<br />
23<br />
Lumiere Productions S. A.
Helen and the Seven Dwarfs<br />
Producer<br />
Mary Georgou<br />
For CL Productions /<br />
°È· ÙËÓ CL Productions<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
2, Hatzievangelou St.,<br />
154-52, Athens, Greece<br />
÷Ù˙Ë¢·ÁÁ¤ÏÔ˘ 2,<br />
15452, ∞ı‹Ó·<br />
T. +30 210 6743047<br />
+30 693 2382917<br />
marygeorgou@hotmail.com<br />
www.pap.gr<br />
24<br />
Greece / Ελλάδα<br />
Helen is desperate. She is nearing her 40th year on this planet and is still without<br />
a partner – without her “prince”. Instead of a “prince” she constantly ends<br />
up with “frogs”, her dwarfs. One by one, she deconstructs the men in her life<br />
for what they really are. Finally, she realises that her “prince” is in fact her<br />
neighbour. And he does not even turn into a frog.<br />
∏ ∂ϤÓË Â›Ó·È ·appleÂÏappleÈṲ̂ÓË. ∫ÔÓÙ‡ÂÈ Ù· 40 Î·È ·ÎfiÌ· ‰ÂÓ ¤¯ÂÈ ‚ÚÂÈ ÙÔÓ Û‡ÓÙÚÔ-<br />
Êfi Ù˘, ÙÔÓ «appleÚ›ÁÎËapple¿» Ù˘, Û ·˘Ùfi ÙÔÓ appleÏ·Ó‹ÙË. ∞ÓÙ› ÁÈ· «appleÚ›ÁÎËapple·» ηٷ-<br />
Ï‹ÁÂÈ Û˘Ó¯Ҙ Ì «‚·ÙÚ¿¯Ô˘˜», ÙÔ˘˜ Ó¿ÓÔ˘˜ Ù˘. ∞appleÔ‰ÔÌ› ¤Ó·Ó ¤Ó·Ó ÙÔ˘˜<br />
¿ÓÙÚ˜ Ù˘ ˙ˆ‹˜ Ù˘ Û ·˘Ùfi appleÔ˘ appleÚ·ÁÌ·ÙÈο ›ӷÈ, ÁÈ· Ó· Û˘ÓÂȉËÙÔappleÔÈ‹ÛÂÈ<br />
fiÙÈ ÙÂÏÈο appleÚ›ÁÎËapple·˜ Ù˘ Â›Ó·È Ô Á›ÙÔÓ¿˜ Ù˘. ∫·È ‰ÂÓ ÌÂÙ·ÙÚ¤appleÂÙ·È Î·Ó ÛÂ<br />
‚¿ÙÚ·¯Ô.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁfi˜: Papandreou S.A. / ·apple·Ó‰Ú¤Ô˘ ∞.∂,<br />
Director / Scriptwriter: Anneta Papathanasiou / ∞ÓÓ¤Ù· ·apple·ı·Ó·Û›Ô˘,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: T. Dionyssopoulos / ∆. ¢ÈÔÓ˘ÛfiappleÔ˘ÏÔ˜<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €504,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: No / Ÿ¯È
Mary Georgou / Μαίρη Γεωργού Company filmography<br />
She was born in Germany in August 1973. She studied European Culture at the Open University of Patra. From<br />
1998 until 2002 she worked at the Thessaloniki Film Festival. From 2003 until 2005 she worked as a production<br />
co-ordinator at CL Productions, a Film and Television Production and Service company formed by Costas<br />
Labropoulos. She has worked for several projects among which Brides directed by Pantelis Voulgaris, A Dog’s<br />
Dream directed by Angelos Frantzis, Loafing and Camouflage, Sirens in the Aegean directed by Nikos Perakis,<br />
Sweet Memory directed by Kyriakos Katzourakis, Chariton’s Choir directed by Grigoris Karadinakis and My<br />
Family and other animals directed by Sherry Folkson The rights to this project are owned by Papandreou S.A.<br />
Mary Georgou is representing the project in her capacity as one of the producers.<br />
°ÂÓÓ‹ıËΠÛÙË °ÂÚÌ·Ó›· ÙÔÓ ∞‡ÁÔ˘ÛÙÔ ÙÔ˘ 1973. appleÔ‡‰·Û ∂˘Úˆapple·˚Îfi ÔÏÈÙÈÛÌfi ÛÙÔ ∞ÓÔȯÙfi ·ÓÂappleÈÛÙ‹-<br />
ÌÈÔ Ù˘ ¿ÙÚ·˜ Î·È ·applefi ÙÔ 1998 ̤¯ÚÈ ÙÔ 2002 ÂÚÁ¿ÛÙËΠÛÙÔ ºÂÛÙÈ‚¿Ï £ÂÛÛ·ÏÔӛ΢. ∞applefi ÙÔ 2003 ̤¯ÚÈ<br />
ÙÔ 2005 ÂÚÁ¿ÛÙËΠˆ˜ Û˘ÓÙÔÓ›ÛÙÚÈ· apple·Ú·ÁˆÁ‹˜ ÛÙËÓ CL Productions, Ì›· ÂÙ·ÈÚ›· ÙËÏÂÔappleÙÈ΋˜ Î·È ÎÈÓËÌ·-<br />
ÙÔÁÚ·ÊÈ΋˜ apple·Ú·ÁˆÁ‹˜ Î·È apple·ÚÔ¯‹˜ ˘appleËÚÂÛÈÒÓ appleÔ˘ ȉڇıËΠ·applefi ÙÔÓ ∫ÒÛÙ· §·ÌappleÚfiappleÔ˘ÏÔ. Œ¯ÂÈ ‰Ô˘Ï¤-<br />
„ÂÈ Û ·ÚÎÂÙ¤˜ apple·Ú·ÁˆÁ¤˜, ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ √È ¡‡Ê˜, ÙÔ˘ ·ÓÙÂÏ‹ µÔ‡ÏÁ·ÚË, ∆Ô ŸÓÂÈÚÔ ÙÔ˘ ·ÏÔ˘,<br />
ÙÔ˘ ÕÁÁÂÏÔ˘ ºÚ·ÓÙ˙‹, §Ô‡Ê· Î·È apple·Ú·ÏÏ·Á‹, ÂÈÚ‹Ó˜ ÛÙÔ ∞ÈÁ·›Ô, ÙÔ˘ ¡›ÎÔ˘ ÂÚ¿ÎË, °Ï˘ÎÈ¿ ÌÓ‹ÌË, ÙÔ˘<br />
∫˘ÚÈ¿ÎÔ˘ ∫·Ù˙Ô˘Ú¿ÎË, ∏ ÃÔÚˆ‰›· ÙÔ˘ ÷ڛوӷ, ÙÔ˘ °ÚËÁfiÚË ∫·Ú·ÓÙÈÓ¿ÎË Î·È ÛÙËÓ Ù·ÈÓ›· My Family and<br />
other animals, Ù˘ Sherry Folkson. ∆· appleÓÂ˘Ì·ÙÈο ‰ÈηÈÒÌ·Ù· ·˘Ù‹˜ Ù˘ apple·Ú·ÁˆÁ‹˜ ·Ó‹ÎÔ˘Ó ÛÙËÓ ·apple·Ó-<br />
‰Ú¤Ô˘ ∞.∂. ∏ ª·Ú›· °ÂˆÚÁÔ‡ ÂÎappleÚÔÛˆapple› ÙËÓ apple·Ú·ÁˆÁ‹ Ì ÙËÓ È‰ÈfiÙËÙ¿ Ù˘ ˆ˜ Ì›·˜ ·applefi ÙÔ˘˜ apple·Ú·Áˆ-<br />
ÁÔ‡˜.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Papandreou S.A. was founded by Tassos Papandreou in 1982; it specializes in TV, stage and film productions<br />
in Greece. Among its numerous successful productions in Greece: the films: Safe Sex, Rizoto, Full Speed Rose,<br />
Donuts in Honey; the TV series for Mega Channel: Hi Rock, Dis Eksamartein, The Trace of Love, Tzivaeri, You<br />
are my Mate, Leni, etc.; and more than thirty theatre productions.<br />
∏ ·apple·Ó‰Ú¤Ô˘ ∞.∂. ȉڇıËΠ·applefi ÙÔÓ ∆¿ÛÔ ·apple·Ó‰Ú¤Ô˘ ÙÔ 1982. ¢Ú·ÛÙËÚÈÔappleÔÈÂ›Ù·È Û ÙËÏÂÔappleÙÈΤ˜, ÎÈÓË-<br />
Ì·ÙÔÁÚ·ÊÈΤ˜ Î·È ı·ÙÚÈΤ˜ apple·Ú·ÁˆÁ¤˜ ÛÙËÓ ∂ÏÏ¿‰·. ∞Ó¿ÌÂÛ· ÛÙȘ appleÔÏ˘¿ÚÈı̘ ÂappleÈÙ˘¯Ë̤Ó˜ apple·Ú·ÁˆÁ¤˜<br />
Ù˘ ÂÙ·ÈÚ›·˜ ÛÙËÓ ∂ÏÏ¿‰· Û˘ÁηٷϤÁÔÓÙ·È ÔÈ Ù·Èӛ˜: Safe Sex, ƒÈ˙fiÙÔ, ƒÔ˙ √ÏÔÙ·¯Ò˜, §Ô˘ÎÔ˘Ì¿‰Â˜ ÌÂ<br />
ª¤ÏÈ_ ÔÈ ÙËÏÂÔappleÙÈΤ˜ ÛÂÈÚ¤˜ ÁÈ· ÙÔ Mega Channel: Ã¿È ƒÔÎ, ¢È˜ ∂Í·Ì·ÚÙ›Ó, ∆Ô ÛËÌ¿‰È ÙÔ˘ ¤ÚˆÙ·, ∆˙È‚·¤ÚÈ,<br />
∂›Û·È ÙÔ Ù·›ÚÈ ÌÔ˘, §¤ÓË Î.Ïapple. Î·È appleÂÚÈÛÛfiÙÂÚ˜ ·applefi 30 ı·ÙÚÈΤ˜ apple·Ú·ÁˆÁ¤˜.<br />
ºÈÏÌÔÁÚ·Ê›· Ù˘ ÂÙ·ÈÚ›·˜<br />
Honey Donuts, directed by Olga Malea, 2004<br />
Full Speed Rose,<br />
directed by Dimitris Yiatzoutzakis, 2001<br />
Rizoto, directed by Olga Malea, 2001<br />
§Ô˘ÎÔ˘Ì¿‰Â˜ Ì ª¤ÏÈ,<br />
Û ÛÎËÓÔıÂÛ›· ŸÏÁ·˜ ª·Ï¤·, 2004<br />
ƒÔ˙ √ÏÔÙ·¯Ò˜,<br />
Û ÛÎËÓÔıÂÛ›· ¢ËÌ‹ÙÚË °È·Ù˙Ô˘Ù˙¿ÎË, 2001<br />
ƒÈ˙fiÙÔ, Û ÛÎËÓÔıÂÛ›· ŸÏÁ·˜ ª·Ï¤·, 2001<br />
25<br />
Papandreou S.A.
Investigation<br />
Producer<br />
Rossitsa Valkanova<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
10, Tsar Assen St.,<br />
1000 Sofia, Bulgaria<br />
T. +35 929815343, +35 929815344<br />
Mobile: +35 9898503702<br />
klasfilm@spent.net<br />
26<br />
Bulgaria / Βουλγαρία<br />
Alexandra Yamikova is one tough cop. Her latest assignment is to “break” a hard<br />
man, a police suspect, after the first investigator failed. Plamen is being<br />
detained for the brutal murder of his brother, whose body was butchered and<br />
quartered. Nothing links him to the crime but everyone, including Alexandra, is<br />
certain of his guilt. During the day she<br />
interrogates his friends and relatives. During the night she interrogates Plamen.<br />
Only his silence will save his life. Who will win?<br />
∏ Alexandra Yamikova Â›Ó·È Ì›· ÛÎÏËÚ‹ ·ÛÙ˘ÓÔÌÈÎfi˜. ∏ ÙÂÏÂ˘Ù·›· Ù˘ ·appleÔÛÙÔ-<br />
Ï‹ Â›Ó·È Ó· «Ï˘Á›ÛÂÈ» ¤Ó·Ó ‰‡ÛÎÔÏÔ ¿ÓıÚˆappleÔ, ¤Ó·Ó ‡appleÔappleÙÔ Ù˘ ·ÛÙ˘ÓÔÌ›·˜,<br />
·ÊÔ‡ Ô appleÚÒÙÔ˜ ·Ó·ÎÚÈÙ‹˜ ·apple¤Ù˘¯Â. √ Plamen ÎÚ·ÙÂ›Ù·È ÁÈ· ÙËÓ ·apple¿ÓıÚˆappleË<br />
‰ÔÏÔÊÔÓ›· ÙÔ˘ ·‰ÂÏÊÔ‡ ÙÔ˘, ÙÔ˘ ÔappleÔ›Ô˘ ÙÔ appleÙÒÌ· ÛÊ·ÁÈ¿ÛÙËÎÂ Î·È ÎÔÌÌ·-<br />
ÙÈ¿ÛÙËÎÂ. ∆›appleÔÙ ‰ÂÓ ÙÔÓ Û˘Ó‰¤ÂÈ Ì ÙÔ ¤ÁÎÏËÌ·, ·ÏÏ¿ fiÏÔÈ, Û˘ÌappleÂÚÈÏ·Ì‚·-<br />
ÓÔ̤Ó˘ Î·È Ù˘ Alexandra, Â›Ó·È ‚¤‚·ÈÔÈ ÁÈ· ÙËÓ ÂÓÔ¯‹ ÙÔ˘. ∆Ë Ì¤Ú· ·Ó·ÎÚ›ÓÂÈ<br />
ÙÔ˘˜ Ê›ÏÔ˘˜ Î·È Û˘ÁÁÂÓ›˜ ÙÔ˘. ∆Ë Ó‡¯Ù· ·Ó·ÎÚ›ÓÂÈ ÙÔÓ ›‰ÈÔ. ªfiÓË ÛˆÙËÚ›· ÙÔ˘<br />
Ë ÛȈapple‹. ÔÈÔ˜ ı· ÎÂÚ‰›ÛÂÈ;<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁfi˜: Klas Film - Phanta Vision, Flying Moon,<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Iglika Triffonova,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Rali Ralchev<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €815,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Rossitsa Valkanova Producer’s filmography<br />
Rossitsa Valkanova graduated from the Sofia National Academy of Theatre and Film in 1982. She directed<br />
documentaries before founding the production company, Klas Film in 1995. She attended several film production<br />
courses in London and Berlin with scholarships from the British Council and the NIPKOW Programme.<br />
She participated in the CirCLE ‘98 and CirCLE ‘99 programmes of EUREKA Audiovisual as well as in the<br />
Television Business School in 1998.<br />
Rossitsa Valkanova worked as a delegate, executive or associate producer for numerous Bulgarian feature<br />
and documentary films, as well as on several foreign productions. From December 1997 till March 2003 she<br />
has been a member of the Board of the Association of Bulgarian Producers. She has been a member of the<br />
European Film Academy since 2002.<br />
∏ Rossitsa Valkanova ·appleÔÊÔ›ÙËÛ ·applefi ÙËÓ ∂ıÓÈ΋ ∞η‰ËÌ›· £Â¿ÙÚÔ˘ Î·È ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Ù˘ fiÊÈ·˜ ÙÔ<br />
1982. ÚÈÓ È‰Ú‡ÛÂÈ ÙËÓ ÂÙ·ÈÚ›· apple·Ú·ÁˆÁ‹˜ Klas Film ÙÔ 1995, ÛÎËÓÔı¤ÙËÛ ‰È¿ÊÔÚ· ÓÙÔÎÈÌ·ÓÙ¤Ú. ·Ú·ÎÔ-<br />
ÏÔ‡ıËÛ ̷ı‹Ì·Ù· ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋˜ apple·Ú·ÁˆÁ‹˜ ÛÙÔ §ÔÓ‰›ÓÔ Î·È ÙÔ µÂÚÔÏ›ÓÔ Ì ˘appleÔÙÚÔʛ˜ ·applefi ÙÔ µÚÂ-<br />
Ù·ÓÈÎfi ˘Ì‚Ô‡ÏÈÔ Î·È ÙÔ appleÚfiÁÚ·ÌÌ· NIPKOW. ˘ÌÌÂÙ›¯Â ÛÙ· appleÚÔÁÚ¿ÌÌ·Ù· ÙÔ˘ EUREKA Audiovisual CirCLE<br />
‘98 Î·È CirCLE ’99, fiappleˆ˜ Î·È ÛÙË ¯ÔÏ‹ ∆ËÏÂÔappleÙÈÎÒÓ ∂appleȯÂÈÚ‹ÛÂˆÓ ÙÔ 1998.<br />
∏ Rossitsa Valkanova ÂÚÁ¿ÛÙËΠˆ˜ ÂÓÙÂÙ·Ï̤ÓË apple·Ú·ÁˆÁfi˜ Î·È ˘apple‡ı˘ÓË ÔÚÁ¿ÓˆÛ˘ Î·È ÂÎÙ¤ÏÂÛ˘ apple·Ú·-<br />
ÁˆÁ‹˜ Û appleÔÏϤ˜ ‚Ô˘ÏÁ·ÚÈΤ˜ Ù·Èӛ˜ ÓÙÔÎÈÌ·ÓÙ¤Ú Î·È Í¤Ó˜ apple·Ú·ÁˆÁ¤˜. ∞applefi ÙÔÓ ¢ÂΤ̂ÚÈÔ ÙÔ˘ 1997 ̤¯ÚÈ<br />
ÙÔÓ ª¿ÚÙÈÔ ÙÔ˘ 2003 ‰ÈÂÙ¤ÏÂÛ ̤ÏÔ˜ Ù˘ ∂appleÈÙÚÔapple‹˜ Ù˘ ∂Ù·ÈÚ›·˜ µÔ˘ÏÁ¿ÚˆÓ ·Ú·ÁˆÁÒÓ. ∞applefi ÙÔ 2002<br />
Â›Ó·È Î·È Ì¤ÏÔ˜ Ù˘ ∂˘Úˆapple·˚΋˜ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈ΋˜ ∞η‰ËÌ›·˜.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Since it was founded in 1995, the main goal of Klas Film is to produce Bulgarian feature and documentary<br />
films that will reach international screens. The company looks for an international co-producer for almost<br />
every project for several reasons: the opportunity to secure better financing, to share in a diverse professional<br />
experience, to reach international audiences and markets. The company has a strong preference for<br />
films that focus on important issues relating to life and to human nature.<br />
∏ ÂÙ·ÈÚ›· Klas Film ȉڇıËΠÙÔ 1995 Ì ÛÎÔapplefi ÙËÓ apple·Ú·ÁˆÁ‹ ‚Ô˘ÏÁ·ÚÈÎÒÓ Ù·ÈÓÈÒÓ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú appleÔ˘ ı·<br />
·apple¢ı‡ÓÔÓÙ·È Î·È ÛÙÔ ‰ÈÂıÓ¤˜ ÎÔÈÓfi. ¯Â‰fiÓ Û οı apple·Ú·ÁˆÁ‹ Ë ÂÙ·ÈÚ›· ·Ó·˙ËÙ¿ ‰ÈÂıÓ›˜ Û˘Ìapple·Ú·Áˆ-<br />
ÁÔ‡˜ ÁÈ· Ó· appleÂÙ‡¯ÂÈ ÙËÓ ÂÍ·ÛÊ¿ÏÈÛË Î·Ï‡ÙÂÚ˘ ¯ÚËÌ·ÙÔ‰fiÙËÛ˘ Î·È ÌÈ· ‰È·ÊÔÚÂÙÈ΋ Âapple·ÁÁÂÏÌ·ÙÈ΋ ÂÌappleÂÈ-<br />
Ú›· appleÔ˘ ı· ·ÁÁ›ÍÂÈ ÙË ‰ÈÂıÓ‹ ·ÁÔÚ¿. ∏ ÂÙ·ÈÚ›· ‰Â›¯ÓÂÈ Ì›· ¤ÓÙÔÓË appleÚÔÙ›ÌËÛË ÁÈ· ÙȘ Ù·Èӛ˜ appleÔ˘ ÂÛÙÈ¿˙Ô˘Ó<br />
ÛÙ· ÛËÌ·ÓÙÈο ı¤Ì·Ù· Ù˘ ˙ˆ‹˜ Î·È Ù˘ ·ÓıÚÒappleÈÓ˘ ʇÛ˘.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
The Patience of the Stone,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Kostadin Bonev, 1998<br />
Letter To America,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Iglika Triffonova, 2000<br />
Festival Prizes / µÚ·‚›·<br />
Letter to America<br />
2003, Matad’Or Prize, IFF Nordelijk<br />
2002, Special Prize of the Jury, IFF Istanbul<br />
2001, Grand Prix, Golden Chest IFF for TV films, Plovdiv<br />
2001, Silver Vitiaz, IFF Tambov<br />
2001, FIPRESCI award and Don Quijote award of the IFFC in<br />
Molodist FF, Kiev<br />
2000, Best Music, Best Young Actress, Critics’ Award, Special<br />
Jury Prize, the Audience Award and two more complementary<br />
prizes, National Film Festival in Varna<br />
Selected to represent Bulgaria for the Oscar nominations for<br />
Best Foreign Language Film<br />
The Patience of the Stone,<br />
1998- 6 national prizes and 3 international, among which the<br />
Zuschauerpries – Willy Brandt, Prix Europa, 1998<br />
Letter to America,<br />
2003, µÚ·‚Â›Ô Matad’Or, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Nordelijk<br />
2002, ∂ȉÈÎfi µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï<br />
∫ˆÓÛÙ·ÓÙÈÓÔ‡appleÔÏ˘<br />
2001, Grand Prix, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Golden Chest ÁÈ·<br />
ÙËÏÂÔappleÙÈΤ˜ Ù·Èӛ˜, Plovdiv<br />
2001, Silver Vitiaz, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ∆·ÌapplefiÊ<br />
2001, µÚ·‚Â›Ô Ù˘ FIPRESCI Î·È µÚ·‚Â›Ô Don Quijote ÛÙÔ<br />
¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Molodist FF, ∫›Â‚Ô<br />
2000, µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ªÔ˘ÛÈ΋˜, ∫·Ï‡ÙÂÚ˘ ¡Â·Ú‹˜<br />
∏ıÔappleÔÈÔ‡, µÚ·‚Â›Ô ∫ÚÈÙÈÎÒÓ, ∂ȉÈÎfi µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜,<br />
µÚ·‚Â›Ô ∫ÔÈÓÔ‡ Î·È ‰‡Ô Û˘ÌappleÏËڈ̷ÙÈο ‚Ú·‚›·, ∂ıÓÈÎfi<br />
ºÂÛÙÈ‚¿Ï Ù˘ µ¿ÚÓ·˜<br />
µÔ˘ÏÁ·ÚÈ΋ ˘appleÔ„ËÊÈfiÙËÙ· ÁÈ· ηχÙÂÚË ÍÂÓfiÁψÛÛË Ù·ÈÓ›·<br />
ÛÙ· µÚ·‚›· Ù˘ ∞η‰ËÌ›·˜<br />
The Patience of the Stone,<br />
1998- 6 ÂıÓÈο ‚Ú·‚›· Î·È 3 ‰ÈÂıÓ‹, ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ ÙÔ<br />
Zuschauerpries – Willy Brandt, Prix Europa 1998<br />
27<br />
Klas Film
The Journey<br />
Producer<br />
Artan Minarolli<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
11, Durresit St., Fl 4, Apt 31,<br />
Tirana, Albania<br />
T. +35 5423 3558<br />
artanminarolli@yahoo.com<br />
28<br />
Albania / Αλβανία<br />
An important delegation arrives in Albania in 1990. Its mission is to decide<br />
whether the country can take its place in the European Union. The government<br />
deceitfully insists that there are no longer any political prisoners being held in<br />
Albania. The head of the delegation wants to be reunited with his childhood<br />
friend Leo. But Leo is a prisoner, for political motives. The authorities have to<br />
get him out of jail and present him as a honourable professor to keep the committee<br />
happy and the possibility of EU entry open.<br />
ª›· ÛËÌ·ÓÙÈ΋ ·ÓÙÈappleÚÔÛˆapple›· ÊÙ¿ÓÂÈ ÛÙËÓ ∞Ï‚·Ó›· ÙÔ 1990. ∞appleÔÛÙÔÏ‹ Ù˘<br />
Â›Ó·È Ó· ·appleÔÊ·Û›ÛÂÈ ·Ó Ë ¯ÒÚ· ı· ÂÓÙ·¯ı› ÛÙËÓ ∂˘Úˆapple·˚΋ ŒÓˆÛË. ∏ ΢‚¤Ú-<br />
ÓËÛË ÂappleÈ̤ÓÂÈ apple·Ú·appleÏ·ÓËÙÈο fiÙÈ ‰ÂÓ ˘apple¿Ú¯Ô˘Ó appleϤÔÓ appleÔÏÈÙÈÎÔ› ÎÚ·ÙÔ‡ÌÂÓÔÈ<br />
ÛÙËÓ ∞Ï‚·Ó›·. √ ÂappleÈÎÂÊ·Ï‹˜ Ù˘ ·ÓÙÈappleÚÔÛˆapple›·˜ ı¤ÏÂÈ Ó· Í·Ó·‚ÚÂı› Ì ÙÔÓ<br />
apple·È‰ÈÎfi ÙÔ˘˜ Ê›ÏÔ ÙÔÓ, Leo. ∞ÏÏ¿ Ô Leo Â›Ó·È ÎÚ·ÙÔ‡ÌÂÓÔ˜ ÁÈ· appleÔÏÈÙÈÎÔ‡˜<br />
ÏfiÁÔ˘˜. √È ·Ú¯¤˜ appleÚ¤appleÂÈ ÙÒÚ· Ó· ÙÔÓ ·appleÂÏ¢ıÂÚÒÛÔ˘Ó Î·È Ó· ÙÔÓ apple·ÚÔ˘ÛÈ¿-<br />
ÛÔ˘Ó Û·Ó ·ÍÈÔappleÚÂapple‹ ηıËÁËÙ‹ ÁÈ· Ó· ¢¯·ÚÈÛÙ‹ÛÔ˘Ó ÙËÓ ÂappleÈÙÚÔapple‹ Î·È Ó· ·Ê‹-<br />
ÛÔ˘Ó ·ÓÔȯÙfi ÙÔ ÂӉ¯fiÌÂÓÔ ¤ÓÙ·Í˘.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Art Film,<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Artan Minarolli<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €600,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: No / Ÿ¯È
Artan Minarolli Festival Prizes / µÚ·‚›·<br />
Minarolli graduated from the University of Tirana with a degree in Fine Arts (specialising in acting) in 1982,<br />
ten years later he graduated in directing film first from the Albafilm Studio, Tirana and the following year<br />
from the European Film Academy in Denmark. He worked first as an actor and theatre director, moving into<br />
film in the mid-eighties at the Albafilm Studio in Tirana, as an assistant director on 8 films. In 1991 he directed<br />
his first film, a documentary, For a Centimetre. Minarolli moved into drama with a short feature, 100%,<br />
and followed that with the recent feature film The Moonless Night, which is a co-production between Albania<br />
and France. In addition to his film work, he published his short novels in 1997, under the title The Corpse of<br />
a Telephone and in 1998 organised the Eurofilm Festival in Tirana.<br />
√ Minarolli ·appleÔÊÔ›ÙËÛ ·applefi ÙÔ ·ÓÂappleÈÛÙ‹ÌÈÔ ÙˆÓ ∆ÈÚ¿ÓˆÓ Ì appleÙ˘¯›Ô ÛÙȘ ∫·Ï¤˜ ∆¤¯Ó˜ (Î·È Âȉ›Î¢ÛË ÛÙËÓ ˘appleÔ-<br />
ÎÚÈÙÈ΋) ÙÔ 1982. ¢¤Î· ¯ÚfiÓÈ· ·ÚÁfiÙÂÚ· apple‹Ú appleÙ˘¯›Ô ÛÎËÓÔıÂÛ›·˜ appleÚÒÙ· ·applefi ÙÔ Albafilm Studio ÙˆÓ ∆ÈÚ¿ÓˆÓ<br />
Î·È ÙÔÓ ÂapplefiÌÂÓÔ ¯ÚfiÓÔ ·applefi ÙËÓ ∂˘Úˆapple·˚΋ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ∞η‰ËÌ›· ÛÙË ¢·Ó›·. ∂ÚÁ¿ÛÙËΠappleÚÒÙ· ˆ˜ ËıÔappleÔÈfi˜<br />
Î·È ÛÎËÓÔı¤Ù˘ ÛÙÔ ı¤·ÙÚÔ. Ù· ̤۷ Ù˘ ‰ÂηÂÙ›·˜ ÙÔ˘ ’80 ·Û¯ÔÏ‹ıËΠ̠ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ, Û˘ÓÂÚ-<br />
Á·˙fiÌÂÓÔ˜ Ì ÙÔ Albafilm Studio ÛÙ· ∆›Ú·Ó· ˆ˜ ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË Û 8 Ù·Èӛ˜. ∆Ô 1991 ÛÎËÓÔı¤ÙËÛ ÙËÓ<br />
appleÚÒÙË ÙÔ˘ Ù·ÈÓ›·, ¤Ó· ÓÙÔÎÈÌ·ÓÙ¤Ú Ì ٛÙÏÔ For a Centimetre. ÙË Û˘Ó¤¯ÂÈ· ÛÙÚ¿ÊËΠappleÚÔ˜ ÙËÓ Ì˘ıÔappleÏ·Û›·<br />
Ì ÌÈ· Ù·ÈÓ›· ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÙÔ 100%, Î·È ·ÚÁfiÙÂÚ· Ì ÙËÓ appleÚfiÛÊ·ÙË Ù·ÈÓ›· ÙÔ˘ The Moonless Night, ÌÈ·<br />
Û˘Ìapple·Ú·ÁˆÁ‹ ∞Ï‚·Ó›·˜ Î·È °·ÏÏ›·˜. ∂ÎÙfi˜ ·applefi ÙÔ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎfi ÙÔ˘ ¤ÚÁÔ, ÙÔ 1997 ‰ËÌÔÛ›Â˘Û ÙËÓ Û˘Ï-<br />
ÏÔÁ‹ ‰ÈËÁËÌ¿ÙˆÓ The Corpse of a Telephone, ÂÓÒ ÙÔ 1998 ‰ÈÔÚÁ¿ÓˆÛ ÙÔ ºÂÛÙÈ‚¿Ï Eurofilm ÛÙ· ∆›Ú·Ó·.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Art Film sh.p.k. was established by Artan Minarolli in 1997 in Tirana; the main objectives of the company are:<br />
the production and distribution of feature and short films, documentaries, animation, publicity and commercials,<br />
and other audio visual programes in Albania. It also organises other cinematographic activities, artistic<br />
and audio visual works, including the Eurofilm Festival in Tirana. Art Film sh.p.k. produced the feature The<br />
Moonless Night, with the financial support of the Albanian Film Center, Fond D`Sud in France and with the<br />
participation of the Hubert Bals Fund in International Film Festival of Rotterdam.<br />
∏ ÂÙ·ÈÚ›· Art Film ȉڇıËΠÙÔ 1997 ÛÙ· ∆›Ú·Ó· ·applefi ÙÔÓ Artan Minarolli. √È Î‡ÚÈÔÈ ÛÙfi¯ÔÈ Ù˘ ÂÙ·ÈÚ›· ›ӷÈ:<br />
Ë apple·Ú·ÁˆÁ‹ Î·È ‰È·ÓÔÌ‹ Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Î·È ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÓÙÔÎÈÌ·ÓÙ¤Ú, Ù·ÈÓÈÒÓ ÎÈÓÔ˘Ì¤ÓˆÓ Û¯Â‰›ˆÓ, ‰È·-<br />
ÊËÌÈÛÙÈÎÒÓ Î·È ¿ÏÏˆÓ ÔappleÙÈÎÔ·ÎÔ˘ÛÙÈÎÒÓ appleÚÔÁÚ·ÌÌ¿ÙˆÓ ÛÙËÓ ∞Ï‚·Ó›·. ¢ÈÔÚÁ·ÓÒÓÂÈ, Âapple›Û˘, ¿ÏϘ ÎÈÓËÌ·-<br />
ÙÔÁÚ·ÊÈΤ˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜, ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ ÙÔ ºÂÛÙÈ‚¿Ï Eurofilm ÛÙ· ∆›Ú·Ó·. ∏ Art Film apple·Ú‹Á·Á ÙËÓ<br />
Ù·ÈÓ›· The Moonless Night, Ì ¯ÚËÌ·ÙÔ‰fiÙËÛË ÙÔ˘ ∞Ï‚·ÓÈÎÔ‡ ∫¤ÓÙÚÔ˘ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘, Ù˘ Á·ÏÏÈ΋˜ Fond<br />
D`Sud Î·È Ì ÙË Û˘ÌÌÂÙÔ¯‹ Ù˘ Hubert Bals Fund ÙÔ˘ ¢ÈÂıÓÔ‡˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ ƒfiÓÙÂÚÓÙ·Ì.<br />
The Moonless Night<br />
Best Film, MedFilm Festival in Roma, Italy, 2004<br />
Best Foreign Film, Trenton Film Festival, USA, 2005<br />
Best Music, Naples Film Festival, Italy, 2005<br />
The Moonless Night<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜,<br />
ºÂÛÙÈ‚¿Ï MedFilm ÛÙË ƒÒÌË, πÙ·Ï›·, 2004<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ •¤Ó˘ ∆·ÈÓ›·˜,<br />
ºÂÛÙÈ‚¿Ï ÙÔ˘ ∆Ú¤ÓÙÔÓ, ∏..∞., 2005<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ªÔ˘ÛÈ΋˜,<br />
ºÂÛÙÈ‚¿Ï Ù˘ ¡¿appleÔÏ˘, πÙ·Ï›·, 2005<br />
29<br />
Art Film
Kino Lika<br />
Producer<br />
Ankica Tilic<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
25, Stoosova,<br />
10000 Zagreb<br />
T.+38 1984 65576, +38 1123 16787<br />
Mobile:+38 598465576<br />
ankica.tilic@zg.t-com.hr<br />
30<br />
Croatia / Κροατία<br />
Mike Krizapoljac is an aspiring football player who has some talent. His father<br />
has big dreams for him, dreams which are shared by the whole of his village,<br />
Lika. Should he play professionally in Croatia or for a team in Europe? His father<br />
wants an international career for Mike, but the village doctor, a staunch nationalist,<br />
believes that Europe and the promise of EU membership mean nothing<br />
but destruction for Croatia. And for Mike.<br />
√ Mike Krizapoljac, ¤Ó·˜ Ó·Úfi˜ Ì οappleÔÈÔ Ù·Ï¤ÓÙÔ, ÊÈÏÔ‰ÔÍ› Ó· Á›ÓÂÈ appleÔ‰Ô-<br />
ÛÊ·ÈÚÈÛÙ‹˜. √ apple·Ù¤Ú·˜ ÙÔ˘ οÓÂÈ ÌÂÁ¿Ï· fiÓÂÈÚ· ÁÈ’ ·˘ÙfiÓ, fiappleˆ˜ Î·È fiÏÔ ÙÔ<br />
¯ˆÚÈfi ÙÔ˘, Ë Lika. Ú¤appleÂÈ Ó· apple·›ÍÂÈ Âapple·ÁÁÂÏÌ·ÙÈο ÛÙËÓ ∫ÚÔ·Ù›· ‹ Û οappleÔÈ·<br />
Â˘Úˆapple·˚΋ ÔÌ¿‰·; √ apple·Ù¤Ú·˜ ÙÔ˘ ÔÓÂÈÚ‡ÂÙ·È Ì›· ‰ÈÂıÓ‹ ηÚȤڷ ÁÈ· ÙÔÓ Mike,<br />
·ÏÏ¿ Ô ÁÈ·ÙÚfi˜ ÙÔ˘ ¯ˆÚÈÔ‡, ¤Ó·˜ ·ÊÔÛȈ̤ÓÔ˜ ÂıÓÈÎÈÛÙ‹˜, ıˆÚ› fiÙÈ Ë ∂˘ÚÒappleË<br />
Î·È Ë ˘applefiÛ¯ÂÛË Ù˘ ¤ÓÙ·Í˘ ÛÙËÓ ∂˘Úˆapple·˚΋ ŒÓˆÛË ‰ÂÓ ÛËÌ·›ÓÔ˘Ó Ù›appleÔÙÂ<br />
¿ÏÏÔ, apple·Ú¿ ÙÔÓ ·Ê·ÓÈÛÌfi Ù˘ ∫ÚÔ·Ù›·˜... Î·È ÙÔ˘ Mike.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Kinorama,<br />
Director / ÎËÓÔıÂÛ›·: Dalibor Matanic,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Dalibor Matanic & Milan Frenstacki Zivkovic<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €1,230,000<br />
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Αnkica Juric Tilic Producer’s filmography<br />
Ankica Juric Tilic started working in film and television while she was a student. She worked as a production<br />
assistant, production co-ordinator and assistant director on numerous television films and series. In 1998 she<br />
decided to try her luck as an independent producer and since then has produced numerous documentaries,<br />
as well as some of the most critically acclaimed Croatian feature films of recent years.<br />
∏ Ankica Juric Tilic ÍÂΛÓËÛ ÙËÓ Î·ÚȤڷ Ù˘ ÛÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ Î·È ÙËÓ ÙËÏÂfiÚ·ÛË ÂÓÒ ‹Ù·Ó ·ÎfiÌË ÊÔÈ-<br />
Ù‹ÙÚÈ·. ¢Ô‡Ï„ ˆ˜ ‚ÔËıfi˜ apple·Ú·ÁˆÁ‹˜, Û˘ÓÙÔÓ›ÛÙÚÈ· apple·Ú·ÁˆÁ‹˜ Î·È ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË Û appleÔÏ˘¿ÚÈı̘<br />
ÙËÏÂÔappleÙÈΤ˜ Ù·Èӛ˜ Î·È ÛÂÈÚ¤˜. ∆Ô 1998 ·appleÔÊ¿ÛÈÛ ӷ ‰ÔÎÈÌ·ÛÙ› Î·È ˆ˜ ·ÓÂÍ¿ÚÙËÙË apple·Ú·ÁˆÁfi˜ Î·È ¤ÎÙÔ-<br />
Ù ¤¯ÂÈ apple·Ú¿ÁÂÈ appleÔÏÏ¿ ÓÙÔÎÈÌ·ÓÙ¤Ú Î·È Ù·Èӛ˜ appleÔ˘ ¤Ù˘¯·Ó Ù˘ appleÈÔ ıÂÙÈ΋˜ ˘appleÔ‰Ô¯‹˜ ·applefi ÙÔ˘˜ ÎÚÈÙÈÎÔ‡˜ Ù·<br />
ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ·.<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
Ankica Juric Tilic founded Kinorama in 2002 after having worked for more than ten years as an executive producer<br />
of dozen features, a few documentaries and dozen of TV films. Several of them, such as The Drought,<br />
directed by Dalibor Matani, were presented and won award at various international film festivals.<br />
Since its inception, Kinorama has produced two experimental films and four short films. Although it produces<br />
TV commercials, its main goal is to produce both short and feature films. Currently it is in postproduction of<br />
a short film and in pre-production of two feature films.<br />
∏ Ankica Juric Tilic ›‰Ú˘Û ÙËÓ ÂÙ·ÈÚ›· Kinorama ÙÔ 2002, ¤¯ÔÓÙ·˜ ‹‰Ë ‰ÂηÂÙ‹ ÂÌappleÂÈÚ›· ÛÙËÓ ÔÚÁ¿ÓˆÛË<br />
apple·Ú·ÁˆÁ‹˜ ‰Âο‰ˆÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Î·È ÙËÏÂÔappleÙÈÎÒÓ Ù·ÈÓÈÒÓ Î·È ÌÂÚÈÎÒÓ ÓÙÔÎÈÌ·ÓÙ¤Ú. ∫¿appleÔÈ· ·applefi<br />
·˘Ù¿, fiappleˆ˜ ÙÔ The Drought Û ÛÎËÓÔıÂÛ›· Dalibor Matanic, appleÚÔ‚Ï‹ıËÎ·Ó Î·È Î¤Ú‰ÈÛ·Ó ‚Ú·‚›· Û ‰È¿ÊÔ-<br />
Ú· ‰ÈÂıÓ‹ ÊÂÛÙÈ‚¿Ï. ∞applefi ÙËÓ ›‰Ú˘Û‹ Ù˘, Ë ÂÙ·ÈÚ›· ¤¯ÂÈ apple·Ú¿ÁÂÈ ‰‡Ô appleÂÈÚ·Ì·ÙÈΤ˜ Ù·Èӛ˜ Î·È Ù¤ÛÛÂÚȘ Ù·È-<br />
ӛ˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜. ∞Ó Î·È ‰Ú·ÛÙËÚÈÔappleÔÈÂ›Ù·È ÛÙËÓ apple·Ú·ÁˆÁ‹ ÙËÏÂÔappleÙÈÎÒÓ ‰È·ÊËÌÈÛÙÈÎÒÓ, Ô Î‡ÚÈÔ˜ ÛÙfi¯Ô˜<br />
Ù˘ Kinorama Â›Ó·È Ë apple·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Î·È ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜. ∞˘Ù‹ ÙËÓ appleÂÚ›Ô‰Ô ·Û¯ÔÏÂ›Ù·È Ì ÙÔ<br />
post-production ÌÈ·˜ Ù·ÈÓ›·˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Î·È Ì ÙÔ pre-production ‰‡Ô Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Hundred Minutes of Glory,<br />
directed by Dalibor Matanic, 2004<br />
Fine Dead Girls, directed by Dalibor Matanic, 2002<br />
A Cashier Wants to Go to the Seaside,<br />
directed by Dalibor Matanic, 2000<br />
Hundred Minutes of Glory,<br />
ÛÂ ÛÎËÓÔıÂÛ›· Dalibor Matanic, 2004<br />
Fine Dead Girls, ÛÂ ÛÎËÓÔıÂÛ›· Dalibor Matanic, 2002<br />
A Cashier Wants to Go to the Seaside,<br />
ÛÂ ÛÎËÓÔıÂÛ›· Dalibor Matanic, 2000<br />
Festival Prizes / µÚ·‚›·<br />
The Cashier Wants to Go to the Seaside<br />
Best European Debut, Cottbus, Germany, 2000<br />
The Cashier Wants to Go to the Seaside<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ∂˘Úˆapple·›Ô˘ ÚˆÙÔÂÌÊ·ÓÈ˙fiÌÂÓÔ˘<br />
ÎËÓÔı¤ÙË, ∫fiÙÌappleÔ˘˜, °ÂÚÌ·Ó›·, 2000<br />
31<br />
Ankica Juric Tilic
The Magic Snowman<br />
Producer<br />
Pavlina Proveska<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
Ul. Makedonija Local 1 - Palata<br />
Macedonia, FYROM<br />
T. + 1 6462404079<br />
pavle@aol.com<br />
32<br />
FYROM / ΠΓ∆Μ<br />
Kim (10) and her brother Tommy (12) are ardent skiers. They come by it naturally<br />
as their grandfather was not only a ski champion, but in the 50s he built<br />
the famous Jenseville Olympic-style ski jump. Now they must save it. Ambitious<br />
Serena Queen wants to transform their sleepy town into “America’s St Moritz”.<br />
With help from their friends Lumi Ukko, the Magic Snowman, and Gustella, the<br />
North wind, they will prove that magic exists and<br />
miracles do happen.<br />
∏ Kim (10 ÂÙÒÓ) Î·È Ô ·‰ÂÏÊfi˜ Ù˘ Tommy (12 ÂÙÒÓ) Â›Ó·È ÂÓıÔ˘ÛÈÒ‰ÂȘ ÛÎȤÚ.<br />
∏ ¤ÊÂÛË ÙÔ˘˜ Â›Ó·È Ê˘ÛÈ΋, ·ÊÔ‡ Ô apple·appleappleÔ‡˜ ÙÔ˘˜ ‰ÂÓ ‹Ù·Ó ÌfiÓÔ appleÚˆÙ·ıÏË-<br />
Ù‹˜ ÙÔ˘ ÛÎÈ, ·ÏÏ¿ ÛÙ· 1950 ¤¯ÙÈÛÂ Î·È ÙË ÁÓˆÛÙ‹, ÔÏ˘ÌappleÈ·ÎÒÓ ‰È·ÛÙ¿ÛˆÓ,<br />
apple›ÛÙ· ¯ÈÔÓÔ‰ÚÔÌÈÔ‡ ¿ÏÌ·ÙÔ˜ Jenseville. ∆ÒÚ· appleÚ¤appleÂÈ Ó· ÙË ÛÒÛÔ˘Ó. ∏ ÊÈÏfi-<br />
‰ÔÍË ‚·Û›ÏÈÛÛ· Serena ı¤ÏÂÈ Ó· ÌÂÙ·ÌÔÚÊÒÛÂÈ ÙËÓ applefiÏË ÙÔ˘˜, appleÔ˘ ¤¯ÂÈ apple¤ÛÂÈ<br />
Û ϋı·ÚÁÔ, ÛÙÔ «ÂÓ ªfiÚÈÙ˜ Ù˘ ∞ÌÂÚÈ΋˜». ªÂ ÙË ‚Ô‹ıÂÈ· ÙˆÓ Ê›ÏˆÓ ÙÔ˘˜,<br />
ÙÔ˘ Lumi Ukko, ÙÔ˘ ª·ÁÈÎÔ‡ ÃÈÔÓ·ÓıÚÒappleÔ˘ Î·È Ù˘ Gustella, ÙÔ˘ ‚fiÚÂÈÔ˘ ·Ó¤-<br />
ÌÔ˘, ı· ·appleԉ›ÍÔ˘Ó fiÙÈ Ë Ì·Á›· ˘apple¿Ú¯ÂÈ Î·È fiÙÈ Ù· ı·‡Ì·Ù· Â›Ó·È ‰˘Ó·Ù¿.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁfi˜: MAKETA PRODUCTIONS,<br />
Director / ÎËÓÔıÂÛ›·: Janko Virant,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Pavlina Proevska,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Dejan Georgevich<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: $1,600,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Pavlina Proevska Producer’s filmography<br />
A native of Macedonia, Pavlina studied Public Relations in Paris and worked as news producer for CBS News and field<br />
producer for the USA Cable Networks. An independent film producer since 1986, she has produced The Magic Snowman<br />
(Miramax) and Happy Hell Night (Anchor Bay Entertainment). Ms. Proevska is in pre-production of The Magic Snowman<br />
II and is developing The Magic Snowman III. Ms. Proevska is also packaging the romantic Borders in Heaven slated for<br />
late summer 2006. Other projects include the bio-picture on Nikola Tesla, the least know scientific genius of our time.<br />
Ms. Proevska is completing The Promise of Perfume, a one-hour documentary film which she produced, wrote and<br />
directed. She is fluent in five languages and lives and works in New York.<br />
°ÂÓÓË̤ÓË ÛÙËÓ .°.¢.ª Ë Pavlina ÛappleÔ‡‰·Û ‰ËÌfiÛȘ Û¯¤ÛÂȘ ÛÙÔ ·Ú›ÛÈ Î·È ‰Ô‡Ï„ ˆ˜ apple·Ú·ÁˆÁfi˜ ÁÈ· ÙÔ CBS News<br />
Î·È ˆ˜ ‰È¢ı‡ÓÙÚÈ· apple·Ú·ÁˆÁ‹˜ ÁÈ· ÙËÓ ·ÌÂÚÈοÓÈÎË Î·Ïˆ‰È·Î‹ ÙËÏÂfiÚ·ÛË. ø˜ ·ÓÂÍ¿ÚÙËÙË apple·Ú·ÁˆÁfi˜ ·appleÔ ÙÔ 1985<br />
¤¯ÂÈ Î¿ÓÂÈ ÙËÓ apple·Ú·ÁˆÁ‹ ÛÙÔ The Magic Snowman ( ÁÈ· ÙËÓ Miramax) Î·È ÙÔ Happy Hell Night (ÁÈ· ÙËÓ Anchor Bay<br />
Entertainment) Î·È ÂÙÔÈÌ¿˙ÂÈ ÙÔ The Magic Snowman ππ Î·È ÙÔ The Magic Snowman III. H Proevska ÂÙÔÈÌ¿˙ÂÈ ÙËÓ ¯ÚËÌ·-<br />
ÙÔ‰fiÙËÛË ÙÔ˘ Borders in Heaven appleÔ˘ ˘appleÔÏÔÁ›˙ÂÙ·È Ó· ΢ÎÏÔÊÔÚ‹ÛÂÈ ÙÔ Î·ÏÔη›ÚÈ ÙÔ˘ 2006. ÕÏÏ· Û¯¤‰È· Ù˘ Û˘ÌappleÂ-<br />
ÚÈÏ·Ì‚¿ÓÔ˘Ó ÙËÓ ‚ÈÔÁÚ·ÊÈ΋ Ù·ÈÓ›· ÙÔ˘ Nikola Tesla, ÙÔ˘ ÙÂÏÂ˘Ù·›Ô˘ ÁÓˆÛÙÔ‡ ȉÈÔÊ˘Ô‡˜ ÂappleÈÛÙ‹ÌÔÓ· Ù˘ ÂappleÔ¯‹˜ Ì·˜.<br />
∏ Proevska ÔÏÔÎÏËÚÒÓÂÈ ·˘ÙfiÓ ÙÔÓ Î·ÈÚfi ÙÔ The Promise of Perfume, ¤Ó· ˆÚÈ·›Ô ÓÙÔÎ˘Ì·ÓÙ¤Ú ÙÔ ÔappleÔ›Ô ¤ÁÚ·„Â, ÛÎË-<br />
ÓÔı¤ÙËÛÂ Î·È apple·Ú‹Á·ÁÂ. ªÈÏ¿ÂÈ apple¤ÓÙ ÁÏÒÛÛ˜ Î·È ˙ÂÈ Î·È ÂÚÁ¿˙ÂÙ·È ÛÙË ¡¤· ÀfiÚÎË.<br />
Company Profile / H ÂÙ·ÈÚ›·<br />
Maketa Production is an extension of Pavlina Ltd., an independent film company established in 1986. The first feature<br />
film produced was The Magic Snowman (a children Christmas tale endorsed by UNICEF and dedicated to the world’s<br />
children, 1987). The Magic Snowman is distributed by Miramax/Buena Vista International. More than 20 million children<br />
in the US alone have seen the film on the Disney Channel. The supernatural thriller Happy Hell Night was produced in<br />
1991. The Colors of Macedonia, a half-hour TV documentary was commissioned by PBS in 2004 and Promise of<br />
Perfume, a one-hour TV documentary is in post production. There are two projects in pre-production: The Magic<br />
Snowman II, scheduled for shooting in Winter 2005/6 and The Magic Snowman III which will be shot in Ireland, New<br />
Zealand and Iceland. The company is also packaging Borders in Heaven, a romantic comedy scheduled for production<br />
in Toronto and Macedonia and is also developing Peasants and Soldiers, set in 1941 and the epic story 1903. Other projects<br />
include Eudora Welty’s Golden Apples, and the bio picture on the scientific genius, Nikola Tesla.<br />
∏ Maketa Production Â›Ó·È Ë appleÚÔ¤ÎÙ·ÛË Ù˘ Pavlina Ltd, ÌÈ·˜ ·ÓÂÍ¿ÚÙËÙ˘ ÂÙ·ÈÚ›·˜ apple·Ú·ÁˆÁ‹˜ appleÔ˘ ȉڇıËΠÙÔ 1986.<br />
∏ appleÚÒÙË Ù˘ Ù·ÈÓ›· ‹Ù·Ó ÙÔ The Magic Snowman (¤Ó· apple·È‰ÈÎfi ÃÚÈÛÙÔ˘ÁÂÓÓÈ¿ÙÈÎÔ apple·Ú·Ì‡ıÈ appleÔ˘ appleÔÔÒıËÛÂ Ë UNICEF ηÈ<br />
·ÊÈÂÚÒıËΠÛÙ· apple·È‰È¿ fiÏÔ˘ ÙÔ˘ ÎfiÛÌÔ˘). ∆ËÓ ‰È·ÓÔÌ‹ ÙÔ˘ The Magic Snowman ·Ó¤Ï·‚Â Ë Miramax/Buena Vista<br />
International. ¿Óˆ ·applefi 20 ÂηÙÔÌ̇ÚÈ· apple·›‰È· ÛÙȘ ∏∞ apple·Ú·ÎÔÏÔ‡ıËÛ·Ó ÙËÓ Ù·ÈÓ›· ÛÙÔ Disney Channel. ∆Ô ÌÂÙ·-<br />
Ê˘ÛÈÎfi ıÚ›ÏÂÚ Happy Hell Night Á˘Ú›ÛÙËΠÙÔ 1991. ∆Ô The Colors of Macedonia, ¤Ó· ÌÈÛ¿ˆÚÔ ÙËÏÂÔappleÙÈÎfi ÓÙÔÎ˘Ì·-<br />
ÓÙ¤Ú ‚Ú›ÛÎÂÙ·È ÛÙ· ÙÂÏÂ˘Ù·›· ÛÙ¿‰È· Ù˘ apple·Ú·ÁˆÁ‹˜. Àapple¿Ú¯Ô˘Ó ‰‡Ô Ù·Èӛ˜ ÛÙ· appleÚÒÙ· ÛÙ¿‰È· apple·Ú·ÁˆÁ‹˜ ÙÔ The<br />
Magic Snowman II appleÚÔÁÚ·ÌÌ·ÙÈṲ̂ÓÔ ÁÈ· Á‡ÚÈÛÌ· ÙÔ ¯ÂÈÒÓ· 2005 / 2006 Î·È ÙÔ The Magic Snowman II appleÔ˘ ı· Á˘ÚÈ-<br />
ÛÙ› ÛÙËÓ πÚÏ·Ó‰›·, ÙË ¡¤· ∑ËÏ·Ó‰›· Î·È ÙËÓ πÛÏ·Ó‰›·. ∏ ÂÙ·ÈÚ›· Âapple›Û˘ ÂÙÔÈÌ¿˙ÂÈ ÙËÓ ¯ÚËÌ·ÙÔ‰fiÙËÛË ÁÈ· ÙÔ Borders<br />
in Heaven Ì›· ÚÔÌ·ÓÙÈ΋ ÎÔ̈‰›· appleÔ˘ appleÚfiÎÂÈÙ·È Ó· Á˘ÚÈÛÙ› ÛÙÔ ∆ÔÚfiÓÙÔ Î·È ÙËÓ °¢ª Î·È ·Ó·appleÙ‡ÛÛÂÈ ÙÔ Peasants and<br />
Soldiers, appleÔ˘ ‰È·‰Ú·Ì·Ù›˙ÂÙ·È ÙÔ 1941 Î·È ÙÔ ÂappleÈÎfi ‰Ú¿Ì· 1903. ÕÏÏ· Û¯¤‰È· Û˘ÌappleÂÚÈÏ·Ì‚¿ÓÔ˘Ó Î·È ÙÔ Eudora Welty’s<br />
Golden Apples, ηıÒ˜ Î·È ÙËÓ ‚ÈÔÁÚ·Ê›· ÙÔ˘ ȉ˘ÔÊ˘Ô‡˜ ÂappleÈÛÙ‹ÌÔÓ· Nikola Tesla<br />
ºÈÏÌÔÁÚ·Ê›· ·Ú·ÁˆÁÔ‡<br />
Happy Hell Night, directed by Brian Owens, 1991<br />
Colors of Macedonia,<br />
directed by Pavlina Proevska, 2004<br />
The Promise of Perfume,<br />
directed by Pavlina Proevska, 2005<br />
Happy Hell Night, ÛÂ ÛÎËÓÔıÂÛ›· Brian Owens, 1991<br />
Colors of Macedonia, TV documentary,<br />
ÛÂ ÛÎËÓÔıÂÛ›· Pavlina Proevska, 2004<br />
The Promise of Perfume,<br />
ÛÂ ÛÎËÓÔıÂÛ›· Pavlina Proevska, 2005<br />
33<br />
Maketa Production
Mamarosh<br />
Momcilo Moma Mrdakovic<br />
Producer<br />
Cinears<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
19, Njegoseva, 11000<br />
Belgrade, Serbia & Montenegro<br />
T. +38 1113 341224<br />
Mobile: +38 1638879357<br />
onich@cinears.co.yu<br />
www.cinears.com<br />
34<br />
Serbia & Montenegro / Σερβία & Μαυροβούνιο<br />
Pera lives in Serbia, under the shadow of his all-powerful, mother, Mara. Mara<br />
is an ex-Party member who still believes in the glory of the Socialist ideals. Pera<br />
is a typical mamma’s boy ( a “mamarosh”). After he wins the Green Card lottery,<br />
the two go to America to escape from the war. There Mara proves that<br />
she is still fighting for the cause, both for her son and for the motherland.<br />
√ Pera ˙ÂÈ ÛÙË ÂÚ‚›· ˘applefi ÙË ÛÎÈ¿ Ù˘ ÈÛ¯˘Ú‹˜ ÌËÙ¤Ú·˜ ÙÔ˘, Ù˘ Mara. ∏ Mara<br />
Â›Ó·È appleÚÒËÓ Ì¤ÏÔ˜ ÙÔ˘ ÎfiÌÌ·ÙÔ˜ Î·È appleÈÛÙ‡ÂÈ ·ÎfiÌ· ÛÙË ‰fiÍ· Î·È ÛÙ· ȉÂÒ‰Ë<br />
ÙÔ˘ ÛÔÛÈ·ÏÈÛÌÔ‡. √ Pera, ·applefi ÙËÓ ¿ÏÏË, Â›Ó·È ÙÔ Ù˘appleÈÎfi «apple·È‰› Ù˘ Ì·Ì¿˜».<br />
∞ÊÔ‡ ÎÂÚ‰›˙ÂÈ ÛÙË ÏÔÙ·Ú›· ÙËÓ Ú¿ÛÈÓË ∫¿ÚÙ·, ‰Ú·appleÂÙÂ‡Ô˘Ó ÔÈ ‰˘Ô ÙÔ˘˜ ÛÙËÓ<br />
∞ÌÂÚÈ΋, ÁÈ· Ó· ÍÂʇÁÔ˘Ó ·applefi ÙÔÓ applefiÏÂÌÔ. ŒÎÂÈ Ë Mara ·appleÔ‰ÂÈÎÓ‡ÂÈ fiÙÈ Ì¿¯Â-<br />
Ù·È ·ÎfiÌ· Î·È ÁÈ· ÙÔÓ ÁÈÔ Ù˘ Î·È ÁÈ· ÙËÓ apple·ÙÚ›‰· Ù˘.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Cinears,<br />
Director-Writer-ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Momcilo Moma Mrdakovic,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Dusan Joksimovic<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €1,600,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË xÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Momcilo “Moma” Mrdakovic<br />
Moma Mrdakovic graduated in Architecture from the University of Belgrade, however, he went to work in film production as Production Assistant. He worked his way up to<br />
Second Unit Director and Assistant Director positions, collaborating with directors like Emir Kusturica on Underground (winner of 1995 Golden Palm at the Cannes Film<br />
Festival). Also he worked on Jim Jarmusch’s Coffee and Cigarettes and Slobodan Pesic’s The Harms Case which was also shown at the Cannes Film Festival. Mrdakovic wrote<br />
the screenplay for feature film It’s Me the Hero. The script won the 2001 Hartley Merrill Screenwriting Competition. This award was given in a collaboration with the Screen<br />
Writers Guild of America in Los Angeles, California. Mrdakovic has worked in both Yugoslavia and the United States on many productions including feature films, short films,<br />
promotional films, television films, rock videos etc. Most notable was Project Millennium, a television special, produced by George Lucas, Lucasfilm. Moma Mrdakovic is proud<br />
that he did not go to regular film school but instead learned from the best people while working with them.<br />
√ Moma Mrdakovic ÛappleÔ‡‰·Û ∞Ú¯ÈÙÂÎÙÔÓÈ΋ ÛÙÔ ·ÓÂappleÈÛÙ‹ÌÈÔ ÙÔ˘ µÂÏÈÁÚ·‰›Ô˘, ÛÙË Û˘Ó¤¯ÂÈ· fï˜, ÂÚÁ¿ÛÙËΠˆ˜ ‚ÔËıfi˜ apple·Ú·ÁˆÁ‹˜ Û ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ apple·Ú·ÁˆÁ¤˜.<br />
∫·Ù¿ÊÂÚÂ, ¤ÙÛÈ Ó· ‰Ô˘Ï¤„ÂÈ ˆ˜ ÛÎËÓÔı¤Ù˘ ‚’ Û˘ÓÂÚÁ›Ԣ, ηıÒ˜ Î·È ˆ˜ ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË Û˘ÓÂÚÁ·˙fiÌÂÓÔ˜ Ì ÛÎËÓÔı¤Ù˜, fiappleˆ˜ Ô Emir Kusturica ÛÙÔ Underground<br />
(ÓÈÎËÙ‹˜ ÙÔ˘ ÃÚ˘ÛÔ‡ ºÔ›ÓÈη ÙÔ 1995 ÛÙÔ ºÂÛÙÈ‚¿Ï ÙˆÓ ∫·ÓÓÒÓ). Œ¯ÂÈ ‰Ô˘Ï¤„ÂÈ, Âapple›Û˘, ÛÙȘ Ù·Èӛ˜ Coffee and Cigarettes ÙÔ˘ Jim Jarmusch Î·È The Harms Case ÙÔ˘<br />
Slobodan Pesic, ÙÔ ÔappleÔ›Ô appleÚÔ‚Ï‹ıËÎÂ Î·È ÛÙÔ ºÂÛÙÈ‚¿Ï ÙˆÓ ∫·ÓÓÒÓ. √ Mrdakovic ¤¯ÂÈ ÁÚ¿„ÂÈ ÙÔ ÛÂÓ¿ÚÈÔ Ù˘ Ù·ÈÓ›·˜ It’s Me the Hero, appleÔ˘ ΤډÈÛ ÙÔ 2001 ÙÔÓ ¢È·ÁˆÓÈÛÌfi<br />
ÂÓ·Ú›Ô˘ Hartley Merrill. ∆Ô ‚Ú·‚Â›Ô ·˘Ùfi ·appleÔÓÂÌ‹ıËΠÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙËÓ ŒÓˆÛË ∞ÌÂÚÈηÓÒÓ ÂÓ·ÚÈÔÁÚ¿ÊˆÓ ÛÙÔ §Ô˜ ÕÓÙ˙ÂϘ Ù˘ ∫·ÏÈÊfiÚÓÈ·˜. √ Mrdakovic ¤¯ÂÈ ÂÚÁ·-<br />
ÛÙ› ÛÙËÓ apple·Ú·ÁˆÁ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ, Ù·ÈÓÈÒÓ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ‰È·ÊËÌÈÛÙÈÎÒÓ Î·È ÙËÏÂÔappleÙÈÎÒÓ Ù·ÈÓÈÒÓ, ÚÔÎ ‚›ÓÙÂÔ ÎÏapple., ÙfiÛÔ ÛÙË °ÈÔ˘ÁÎÔÛÏ·‚›· fiÛÔ Î·È ÛÙȘ ∏..∞.<br />
∞ÍÈÔÛËÌ›ˆÙË Â›Ó·È Ë Û˘ÌÌÂÙÔ¯‹ ÙÔ˘ ÛÙËÓ apple·Ú·ÁˆÁ‹ ÙÔ˘ Project Millennium, ÂÓfi˜ ÂȉÈÎÔ‡ ÙËÏÂÔappleÙÈÎÔ‡ appleÚÔÁÚ¿ÌÌ·ÙÔ˜ Û apple·Ú·ÁˆÁ‹ ÙÔ˘ George Lucas, ·applefi ÙËÓ Lucas Film.<br />
√ Moma Mrdakovic Â›Ó·È appleÂÚ‹Ê·ÓÔ˜ appleÔ˘ ÊÔ›ÙËÛ ÎÔÓÙ¿ Û ÛËÌ·ÓÙÈÎÔ‡˜ ·ÓıÚÒappleÔ˘˜ ÙÔ˘ ¯ÒÚÔ˘ ·ÓÙ› Û ̛· Û˘Ì‚·ÙÈ΋ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ Û¯ÔÏ‹.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
The film distribution company, Cinears, was founded in 2004. The first film distributed in Serbia and Montenegro was a romantic comedy Love Actually by Richard Curtis with<br />
Hugh Grant, Alan Rickman, Emma Thompson, Liam Neeson. It was soon followed by Spartan (David Mammet), Van Helsing (Stephen Sommeers), Fahrenheit 9/11 (Michael<br />
Moore), Cheese and Jam (Branko Djuric Djura). Cinears is especially proud of their two domestically produced films. The first one was When I Grow Up I’ll Be a Kangaroo by<br />
Rasa Andric and the second is the current blockbuster We Are Not Angels 2 by Srdjan Dragojevic which was seen by half a million viewers in less than a month. Beside the<br />
cinema distribution, Cinears also publishes and distributes videos and DVDs. At this year’s Belgrade International Film Festival, Cinears presented eight films: 9Songs (Michael<br />
Winterbottom), Vera Drake (Mike Leigh), Bad Education (Pedro Almodovar), House of Flying Daggers (Yimou Zhang), World (Zheng KeJia), Bombon El Perro (Carlos Sorin),<br />
Whisky (Juan Pablo Rebella, Pablo Stoll) and Looking for Fidel (Oliver Stone).<br />
∏ ÂÙ·ÈÚ›· ‰È·ÓÔÌ‹˜ Cinears ȉڇıËΠÙÔ 2004 Î·È Ë appleÚÒÙË Ù·ÈÓ›· appleÔ˘ ‰È¤ÓÂÈÌ ÛÙË ÂÚ‚›· Î·È ª·˘ÚÔ‚Ô‡ÓÈÔ ‹Ù·Ó Ë ÚÔÌ·ÓÙÈ΋ Έ̈‰›· Love Actually ÙÔ˘ Richard Curtis ÌÂ<br />
appleÚˆÙ·ÁˆÓÈÛÙ¤˜ ÙÔ˘˜ Hugh Grant, Alan Rickman, Emma Thompson, Liam Neeson. ‡ÓÙÔÌ· ·ÎÔÏÔ‡ıËÛ·Ó ÔÈ Ù·Èӛ˜: Spartan (David Mammet), Van Helsing (Stephen Sommeers),<br />
Fahrenheit 9/11 (Michael Moore), Cheese and Jam (Branko Djuric Djura). ∏ Cinears Â›Ó·È È‰È·›ÙÂÚ· appleÂÚ‹Ê·ÓË ÁÈ· ÙË ‰È·ÓÔÌ‹ ‰‡Ô ÂÁ¯ÒÚÈˆÓ apple·Ú·ÁˆÁÒÓ. ÚfiÎÂÈÙ·È ÁÈ· ÙȘ Ù·È-<br />
ӛ˜ When I Grow Up I’ll Be a Kangaroo ÙÔ˘ Rasa Andric Î·È We Are Not Angels 2 ÙÔ˘ Srdjan Dragojevic, ÌÈ· ÂÈÛappleÚ·ÎÙÈ΋ ÂappleÈÙ˘¯›· appleÔ˘ apple·Ú·ÎÔÏÔ‡ıËÛ·Ó ÌÈÛfi ÂηÙÔÌ̇ÚÈÔ ı·-<br />
Ù¤˜ Û ÏÈÁfiÙÂÚÔ ·applefi ¤Ó·Ó Ì‹Ó·. ∂ÎÙfi˜ ·applefi ÙË ‰È·ÓÔÌ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ, Ë ÂÙ·ÈÚ›· ·Û¯ÔÏÂ›Ù·È Î·È Ì ÙËÓ Î˘ÎÏÔÊÔÚ›· Î·È ‰È·ÓÔÌ‹ ‚›ÓÙÂÔ Î·È DVD. ÙÔ ÊÂÙÈÓfi ¢ÈÂıÓ¤˜<br />
ºÂÛÙÈ‚¿Ï ÙÔ˘ µÂÏÈÁÚ·‰›Ô˘, Ë ÂÙ·ÈÚ›· apple·ÚÔ˘Û›·Û ÔÎÙÒ Ù·Èӛ˜: 9 Songs (Michael Winterbottom), Vera Drake (Mike Leigh), Bad Education (Pedro Almodovar), House of<br />
Flying Daggers (Yimou Zhang), World (Zheng KeJia), Bombon El Perro (Carlos Sorin), Whisky (Juan Pablo Rebella, Pablo Stoll) and Looking for Fidel (Oliver Stone).<br />
35<br />
Cinears
McCarthy’s War<br />
Producer<br />
Paul Largan<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
62, Donegall Pass,<br />
BT7 1 BU, Belfast, N.Ireland<br />
T. +44 2890333360<br />
Mobile: +44 7802407481<br />
p.largan@btopenworld.com<br />
36<br />
N. Ireland / Β.Ιρλανδία<br />
Bosnia, 1995. Brian McCarthy is an Irish soldier in the British army. He tries to<br />
smuggle a number of Bosnians, including his friend Rajic, out of the country.<br />
Not only are they stopped by troops led by Marko, a notorious war criminal, but<br />
the Bosnians are massacred. McCarthy returns to Sarajevo as a civilian, to<br />
revenge their deaths. Unbeknownst to him, he will become more involved in<br />
Marko’s life than he could possibly have imagined.<br />
µÔÛÓ›·, 1995. √ Brian McCarthy Â›Ó·È ¤Ó·˜ πÚÏ·Ó‰fi˜ ÛÙÚ·ÙÈÒÙ˘ ÛÙÔÓ ‚ÚÂÙ·ÓÈ-<br />
Îfi ÛÙÚ·Ùfi, appleÔ˘ appleÚÔÛapple·ı› Ó· ‚Á¿ÏÂÈ Ï·ıÚ·›· ·applefi ÙË ¯ÒÚ· οappleÔÈÔ˘˜ µfiÛÓÈ-<br />
Ô˘˜, ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ Î·È Ô Ê›ÏÔ˜ ÙÔ˘ Rajic. ŸÌˆ˜, ÛÙÚ·ÙÈÒÙ˜ Ì ·Ú¯ËÁfi<br />
ÙÔÓ Marko, ¤Ó·Ó ‰È·‚Ô‹ÙÔ ÂÁÎÏËÌ·Ù›· appleÔϤÌÔ˘, ÙÔ˘˜ ÛÙ·Ì·ÙÔ‡Ó Î·È ÔÈ µfiÛÓÈ-<br />
ÔÈ ÛÊ·ÁÈ¿˙ÔÓÙ·È. √ McCarthy ÂappleÈÛÙÚ¤ÊÂÈ ÛÙÔ ÂÚ¿ÁÂ‚Ô ˆ˜ appleÔÏ›Ù˘ ÁÈ· Ó· ÂΉÈ-<br />
ÎËı›. Èڛ˜ Ó· ÙÔ ÁÓˆÚ›˙ÂÈ, ı· ÂÌappleϷΛ ÛÙË ˙ˆ‹ ÙÔ˘ Marko appleÂÚÈÛÛfiÙÂÚÔ<br />
·apple’fiÛÔ ı· ÌappleÔÚÔ‡Û appleÔÙ¤ Ó· Ê·ÓÙ·ÛÙ›.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Bandigital Ltd, HEFT Productions,<br />
Director / ÎËÓÔıÂÛ›·: Brian Kirk,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Richard Crawford<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €2,300,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: No / Ÿ¯È
Paul Largan Producer’s filmography/<br />
Paul Largan (EAVE graduate 2000) has been working in the Northern Irish film industry for ten years. He was<br />
formerly the Executive Producer for the NIFTC (Northern Ireland Film & Television Commission) on their short<br />
film series as well as independently creating the Made in Northern Ireland Screenings in New York and Los<br />
Angeles. Most recently Largan produced his first feature film, the thriller Johnny Was, with partners in the<br />
UK, USA and Denmark. The 3.8 million euro movie was one of the largest to shoot in Northern Ireland in<br />
recent years and attracted a stellar cast including Vinnie Jones, Eriq La Salle, Lennox Lewis and Samantha<br />
Mumba. It was previewed at the American Film Market, November 2005.<br />
√ Paul Largan (·applefiÊÔÈÙÔ˜ ÙÔ˘ EAVE, 2000) ‰Ú·ÛÙËÚÈÔappleÔÈÂ›Ù·È ÛÙÔÓ ¯ÒÚÔ Ù˘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋˜ apple·Ú·ÁˆÁ‹˜<br />
Ù˘ µ. πÚÏ·Ó‰›·˜ Â‰Ò Î·È ‰¤Î· ¯ÚfiÓÈ·. Œ¯ÂÈ ‰È·ÙÂϤÛÂÈ ˘apple‡ı˘ÓÔ˜ ÂÎÙ¤ÏÂÛ˘ apple·Ú·ÁˆÁ‹˜ ÙÔ˘ ∫¤ÓÙÚÔ˘ ∫ÈÓË-<br />
Ì·ÙÔÁÚ¿ÊÔ˘ Î·È ∆ËÏÂfiÚ·Û˘ Ù˘ µ. πÚÏ·Ó‰›·˜ ÁÈ· ÙȘ Ù·Èӛ˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜, ÂÓÒ ¤¯ÂÈ ‰ËÌÈÔ˘ÚÁ‹ÛÂÈ Ù· Made<br />
in Northern Ireland Screenings ÛÙË ¡¤· ÀfiÚÎË Î·È ÙÔ §Ô˜ ÕÓÙ˙ÂϘ. ÚfiÛÊ·Ù· apple·Ú‹Á·Á ÙËÓ appleÚÒÙË ÙÔ˘<br />
ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ Ù·ÈÓ›·, ÙÔ ıÚ›ÏÂÚ Johnny Was, ÛÂ Û˘ÓÂÚÁ·Û›· Ì ÙË ªÂÁ. µÚÂÙ·Ó›·, ÙȘ ∏..∞. Î·È ÙË ¢·Ó›·.<br />
∏ Ù·ÈÓ›·, appleÔ˘ ÛÙÔ›¯ÈÛ 3.8 ÂηÙÔÌ̇ÚÈ· ¢ÚÒ, ‹Ù·Ó Ë ÌÂÁ·Ï‡ÙÂÚË apple·Ú·ÁˆÁ‹ appleÔ˘ Á˘Ú›ÛÙËΠÛÙË µ. πÚÏ·Ó-<br />
‰›· Ù· ÙÂÏÂ˘Ù·›· ¯ÚfiÓÈ· Ì ‰È¿ÛËÌÔ˘˜ appleÚˆÙ·ÁˆÓÈÛÙ¤˜ fiappleˆ˜ ÙÔ˘˜ Vinnie Jones, Eriq La Salle, Lennox Lewis<br />
Î·È Samantha Mumba. ∏ ·‚¿Ó-appleÚÂÌÈ¤Ú ¤ÁÈÓ ÛÙÔ ·ÌÂÚÈηÓÈÎfi Film Market ÙÔÓ ¡Ô¤Ì‚ÚÈÔ ÙÔ˘ 2005.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Bandigital Ltd. was formed in 1998 and with it’s partner company, Borderline Productions, aims to be the<br />
natural place for European producers for English language co-productions. The development slate includes<br />
McCarthy’s War, a contemporary thriller set in Bosnia to be directed by Brian Kirk. Development finance has<br />
been received from the NIFTC (Northern Ireland Film & Television Commission) and Irish Film Board. The company<br />
is currently seeking a sales agent and European co-producers with knowledge of the Media programme<br />
and Eurimages.<br />
∏ ÂÙ·ÈÚ›· Bandigital Ltd. ȉڇıËΠÙÔ 1998 Î·È Ì·˙› Ì ÙËÓ ÂÙ·ÈÚ›· Borderline Productions ¤¯Ô˘Ó ˆ˜ ÛÎÔapplefi<br />
Ó· Û˘ÓÂÚÁ·ÛÙÔ‡Ó ÌÂ Â˘Úˆapple·›Ô˘˜ apple·Ú·ÁˆÁÔ‡˜ Û ·ÁÁÏfiʈÓ˜ Û˘Ìapple·Ú·ÁˆÁ¤˜. ÙȘ ˘applefi ·Ó¿appleÙ˘ÍË apple·Ú·-<br />
ÁˆÁ¤˜ ÙȘ ÂÙ·ÈÚ›·˜ Û˘ÌappleÂÚÈÏ·Ì‚¿ÓÂÙ·È ·˘Ù‹ ÙËÓ appleÂÚ›Ô‰Ô Ë Ù·ÈÓ›· McCarthy’s War, ¤Ó· Û‡Á¯ÚÔÓÔ ıÚ›ÏÂÚ<br />
appleÔ˘ ÂÎÙ˘Ï›ÛÛÂÙ·È ÛÙË µÔÛÓ›· Î·È ı· ÛÎËÓÔıÂÙ‹ÛÂÈ Ô Brian Kirk. ∏ Ù·ÈÓ›· ¤¯ÂÈ apple¿ÚÂÈ ¯ÚËÌ·ÙÔ‰fiÙËÛË ÁÈ· ÙËÓ<br />
·Ó¿appleÙ˘Í‹ Ù˘ ·applefi ÙÔ ∫¤ÓÙÚÔ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Î·È ∆ËÏÂfiÚ·Û˘ Ù˘ µ. πÚÏ·Ó‰›·˜ Î·È ·applefi ÙËÓ πÚÏ·Ó‰È΋ ∫ÈÓË-<br />
Ì·ÙÔÁÚ·ÊÈ΋ ∂appleÈÙÚÔapple‹. ∏ ÂÙ·ÈÚ›· ·˘ÙfiÓ ÙÔÓ Î·ÈÚfi „¿¯ÓÂÈ ¤Ó·Ó appleÚ¿ÎÙˆÚ· appleˆÏ‹ÛÂˆÓ Î·È ∂˘Úˆapple·›Ô˘˜<br />
Û˘Ìapple·Ú·ÁˆÁÔ˘˜ Ì ÁÓÒÛË ÙÔ˘ appleÚÔÁÚ¿ÌÌ·ÙÔ˜ Media Î·È Ù˘ Eurimages.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Johnny Was,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Mark Hammond, 2005<br />
Pretty Face,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Fintan Brady, 2005<br />
Hitch,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Mik Duffy, 2005<br />
37<br />
Safe Company
Milo<br />
Producer<br />
Gudny Hummelvoll<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
21 c, Olavsgt St., 0165,<br />
Oslo, Norway<br />
T. +47 22942494<br />
Mobile: +44 90995869<br />
gudny@fourandahalf.no<br />
www.fourandahalf.no<br />
38<br />
Norway / Νορβηγία<br />
Milo (15) is growing up in the midst of the destruction, which was once Kosovo.<br />
He lives with his mother and older brother. Milo indirectly causes an accident,<br />
which kills his brother. He runs away to Norway to find his father. It is a journey<br />
that does not live up to his expectations just like his dreams of his long lost<br />
father. He finds his father living where violence and crime is commonplace.<br />
√ Milo (15 ÂÙÒÓ) ÌÂÁ·ÏÒÓÂÈ Ì¤Û· ÛÙËÓ Î·Ù·ÛÙÚÔÊ‹ ÙÔ˘ ∫ÔÛfi‚Ô˘ Ì·˙› Ì ÙË<br />
ÌËÙ¤Ú· ÙÔ˘ Î·È ÙÔÓ ÌÂÁ·Ï‡ÙÂÚÔ ·‰ÂÏÊfi ÙÔ˘. √ Milo appleÚÔηÏ› ¤ÌÌÂÛ· ¤Ó· ·Ù‡-<br />
¯ËÌ· appleÔ˘ Ô‰ËÁ› ÛÙÔÓ ı¿Ó·ÙÔ ÙÔ˘ ·‰ÂÏÊÔ‡ ÙÔ˘. ∫·Ù·Ê‡ÁÂÈ ÙfiÙ ÛÙË ¡ÔÚ-<br />
‚ËÁ›· ÁÈ· Ó· ‚ÚÂÈ ÙÔÓ apple·Ù¤Ú· ÙÔ˘. ÚfiÎÂÈÙ·È ÁÈ· ¤Ó· Ù·Í›‰È appleÔ˘ ‰ÂÓ ·ÓÙ·appleÔÎÚ›-<br />
ÓÂÙ·È ÛÙȘ appleÚÔÛ‰Ô˘ ÙÔ˘, fiappleˆ˜ ¿ÏψÛÙÂ Î·È Ù· fiÓÂÈÚ¿ ÙÔ˘ ÁÈ· ÙÔÓ ¯ÚfiÓÈ·<br />
¯·Ì¤ÓÔ apple·Ù¤Ú· ÙÔ˘, ÙÔÓ ÔappleÔ›Ô ‚Ú›ÛÎÂÈ Ó· ˙ÂÈ ·Ó¿ÌÂÛ· ÛÙË ‚›· Î·È ÙÔ ¤ÁÎÏËÌ·.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Spillefilmkompaniet 4 ó,<br />
Director / ÎËÓÔıÂÛ›·: Marius Holst,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Harald Rosenlow Eeg & Lars Gudmestad,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: John Andreas Andersen<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €2,310,000<br />
Secured financing/ ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Gudny Hummelvoll Producer’s filmography<br />
Gudny Hummelvoll received her film degree from the University of Texas at Austin. Back in Norway she worked several years<br />
as the production manager of feature films and for the Norwegian Broadcast Corporation. In 2003 she produced Morten<br />
Tyldum_s Buddy which was one of the most successful films in Norway that year, and took home several awards. In 2004,<br />
she joined 4 1/2 as a producer and was Norway’ s representative for the Producers on the Move programme in Cannes. In<br />
2005 she produced Hisham Zaman’s Bawke, a 15 minute short, which is a nominee for the European Academy Awards this<br />
year.<br />
∏ Gudny Hummelvoll ÛappleÔ‡‰·Û ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ ÛÙÔ ·ÓÂappleÈÛÙ‹ÌÈÔ ÙÔ˘ ∆¤Í·˜ ÛÙÔ ŸÛÙÈÓ. ∂ÚÁ¿ÛÙËΠ·ÚÎÂÙ¿ ¯ÚfiÓÈ· ÛÙË<br />
¡ÔÚ‚ËÁ›· ˆ˜ ‰È¢ı‡ÓÙÚÈ· apple·Ú·ÁˆÁ‹˜ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ, ηıÒ˜ Î·È ÛÙÔ ¡ÔÚ‚ËÁÈÎfi ∫¤ÓÙÚÔ ƒ·‰ÈÔÙËÏÂfiÚ·Û˘. ∆Ô<br />
2003 ¤Î·Ó ÙËÓ apple·Ú·ÁˆÁ‹ Ù˘ Ù·ÈÓ›·˜ Buddy ÙÔ˘ Morten Tyldum, appleÔ˘ ‹Ù·Ó Ì›· ·applefi ÙȘ appleÈÔ ÂappleÈÙ˘¯Ë̤Ó˜ Ù·Èӛ˜ ÛÙËÓ ¡ÔÚ-<br />
‚ËÁ›· ÂΛÓË ÙË ¯ÚÔÓÈ¿ Î·È Î¤Ú‰ÈÛ ‰È¿ÊÔÚ· ‚Ú·‚›·. ∆Ô 2004 appleÚÔÛ¯ÒÚËÛ ÛÙËÓ ÂÙ·ÈÚ›· 4 ó ˆ˜ apple·Ú·ÁˆÁfi˜ Î·È ÂÎappleÚÔ-<br />
ÛÒappleËÛ ÙË ¡ÔÚ‚ËÁ›· ÛÙÔ ÚfiÁÚ·ÌÌ· «Producers on the move» ÙÔ˘ ÊÂÛÙÈ‚¿Ï ÙˆÓ ∫·ÓÓÒÓ. ∆Ô 2005 ¤Î·Ó ÙËÓ apple·Ú·ÁˆÁ‹<br />
Ù˘ Ù·ÈÓ›·˜ ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ ÙÔ˘ Hisham Zaman, Bawke (15’), appleÔ˘ Â›Ó·È ˘appleÔ„‹ÊÈÔ Ê¤ÙÔ˜ ÁÈ· Ù· ‚Ú·‚›· Ù˘ ∂˘Úˆapple·˚΋˜ ∞η-<br />
‰ËÌ›·˜.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
4 1/2 was established in 1998. There are 5 partners: Marius Holst, director; Pal Sletaune, director; Aagot Skjeldal producer;<br />
Turid Oversveen, producer; and Hakon Overas, producer. In addition to the partners, there are two more producers, Gudny<br />
Hummelvoll and Karin Julsrud, associated with the company. The partners all come from different production backgrounds,<br />
and got together to form a company for development and production of features as well as commercials. Part of our economical<br />
platform is based on the production of commercials. Since 2003, we have had a development deal with the<br />
Norwegian Film Fund, which with the contributions from our distributor Nordisk Film Distributor and from ourselves, allow<br />
us to fully develop a slate of feature film scripts each year. 4 1/2 has produced 4 feature films. We are currently in production<br />
- Reprise, directed by Joahim Trier – and in pre-production for two other films. We expect to produce two to three<br />
films per year. Some of the films we have produced are: You Really Got Me directed by Pal Sletaune 2001, Dragonflies directed<br />
by Marius Holst, 2002, United directed by Magnus Martens, 2003, Next Door directed by Pal Sletaune, 2005.<br />
∏ ÂÙ·ÈÚ›· 4 ó ȉڇıËΠÙÔ 1998 Î·È ·appleÔÙÂÏÂ›Ù·È ·applefi 5 Û˘ÓÂÙ·›ÚÔ˘˜: Marius Holst, ÛÎËÓÔı¤Ù˘, Pal Sletaune, ÛÎËÓÔı¤Ù˘,<br />
Aagot Skjeldal apple·Ú·ÁˆÁfi˜, Turid Oversveen, apple·Ú·ÁˆÁfi˜ Î·È Hakon Overas, apple·Ú·ÁˆÁfi˜. ∂ÎÙfi˜ ·˘ÙÒÓ, ¿ÏÏÔÈ ‰‡Ô apple·Ú·Áˆ-<br />
ÁÔ› Û˘ÓÂÚÁ¿˙ÔÓÙ·È Ì ÙËÓ ÂÙ·ÈÚ›·Ø Ë Gudny Hummelvoll Î·È Ë Karin Julsrud. ŸÏÔÈ ÔÈ Û˘Ó¤Ù·ÈÚÔÈ appleÚÔ¤Ú¯ÔÓÙ·È ·applefi ‰È·ÊÔÚÂ-<br />
ÙÈÎÔ‡˜ ¯ÒÚÔ˘˜ apple·Ú·ÁˆÁ‹˜ Î·È ÂÓÒıËÎ·Ó ÁÈ· Ó· ‰ËÌÈÔ˘ÚÁ‹ÛÔ˘Ó ÌÈ· ÂÙ·ÈÚ›· Ì ÛÎÔapplefi ÙËÓ ·Ó¿appleÙ˘ÍË Î·È apple·Ú·ÁˆÁ‹ ÎÈÓË-<br />
Ì·ÙÔÁÚ·ÊÈÎÒÓ Ù·ÈÓÈÒÓ Î·È ‰È·ÊËÌÈÛÙÈÎÒÓ. ªÂÁ¿ÏÔ ÎÔÌÌ¿ÙÈ ÙˆÓ ‰Ú·ÛÙËÚÈÔÙ‹ÙˆÓ Ù˘ ÂÙ·ÈÚ›·˜ ·appleÔÙÂÏ› Ë apple·Ú·ÁˆÁ‹ ‰È·-<br />
ÊËÌÈÛÙÈÎÒÓ. ∞applefi ÙÔ 2003, ¤¯Ô˘Ì ÍÂÎÈÓ‹ÛÂÈ ÙË Û˘ÓÂÚÁ·Û›· Ì·˜ Ì ÙÔ ¡ÔÚ‚ËÁÈÎfi ∫ÈÓËÌ·ÙÔÁÚ·ÊÈÎfi ∆·Ì›Ô, appleÔ˘ ÌÂ Û˘ÓÂÈ-<br />
ÛÊÔÚ¤˜ ·applefi ÙÔÓ ‰È·ÓÔ̤· Ì·˜, ÙËÓ Nordisk Film Distributors Î·È ·applefi ÙËÓ ÂÙ·ÈÚ›· Ì·˜, Ì·˜ ÂappleÈÙÚ¤appleÂÈ Ó· ·Ó·appleÙ‡ÛÛÔ˘ÌÂ<br />
appleÏ‹Úˆ˜ Ì›· ÛÂÈÚ¿ ÛÂÓ·Ú›ˆÓ οı ¯ÚfiÓÔ. ∏ 4 ó ¤¯ÂÈ ‹‰Ë apple·Ú¿ÁÂÈ 4 Ù·Èӛ˜. ∞˘Ù‹ ÙË ÛÙÈÁÌ‹ ›̷ÛÙ ÛÙË ‰È·‰Èηۛ· apple·Ú·-<br />
ÁˆÁ‹˜ Ù˘ Ù·ÈÓ›·˜ Reprise, Û ÛÎËÓÔıÂÛ›· Joahim Trier, ÂÓÒ Û appleÚÔapple·Ú·Û΢·ÛÙÈÎfi ÛÙ¿‰ÈÔ ‚Ú›ÛÎÂÙ·È Î·È Ë apple·Ú·ÁˆÁ‹<br />
¿ÏÏˆÓ ‰‡Ô Ù·ÈÓÈÒÓ. ∞ӷ̤ÓÔ˘Ì ηٿ ̤ÛÔ fiÚÔ ÙËÓ apple·Ú·ÁˆÁ‹ 2-3 Ù·ÈÓÈÒÓ ÙÔÓ ¯ÚfiÓÔ. ªÂÚÈΤ˜ ·applefi ÙȘ apple·Ú·ÁˆÁ¤˜ Ì·˜<br />
Â›Ó·È ÔÈ Ù·Èӛ˜: You Really Got Me Û ÛÎËÓÔıÂÛ›· Pal Sletaune , 2001, Dragonflies Û ÛÎËÓÔıÂÛ›· Marius Holst, 2002, United<br />
ÛÂ ÛÎËÓÔıÂÛ›· Magnus Martens , 2003, Next Door ÛÂ ÛÎËÓÔıÂÛ›· Pal Sletaune, 2005.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Buddy,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Morten Tyldum, 2003<br />
Tempo,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Eva Dahr, 2004<br />
Bawke,<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Hisham Zaman, 2005<br />
Bastard<br />
directed by / ÛÂ ÛÎËÓÔıÂÛ›· Marius Holst, 2005<br />
Festival Prizes / µÚ·‚›·<br />
Buddy<br />
2004, Amanda for Best Film,<br />
Norwegian International Film Festival, Haugesund<br />
2003, Audience Award,<br />
Karlovy Vary International Film Festival<br />
2003, Audience Award and Exhibitors Award,<br />
Norwegian International Film Festival,<br />
2003, Audience Award,<br />
Warsaw International Film Festival<br />
Buddy,<br />
2004, µÚ·‚Â›Ô Amanda ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜ ÛÙÔ<br />
¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ ¡ÔÚ‚ËÁ›·˜, Haugesund<br />
2003, µÚ·‚Â›Ô ∫ÔÈÓÔ‡, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ∫·ÚÏfi‚È µ¿ÚÈ<br />
2003, µÚ·‚Â›Ô ∫ÔÈÓÔ‡ Î·È ∞ÈıÔ˘Û·Ú¯ÒÓ, ¢ÈÂıÓ¤˜<br />
ºÂÛÙÈ‚¿Ï Ù˘ ¡ÔÚ‚ËÁ›·˜ 2003, µÚ·‚Â›Ô ∫ÔÈÓÔ‡,<br />
¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï µ·ÚÛÔ‚›·˜<br />
39<br />
4 ó
Night Bus<br />
Producer<br />
Alessandro Silvestri<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
61, Madonna dei Monti St.,<br />
00184 Rome, Italy<br />
T. +39 06 474 4977<br />
qualitacinema@tuttopmi.it<br />
40<br />
Italy / Ιταλία<br />
Franz is an intellectual who has given up on life. He works as a bus driver in<br />
Bologna. Leila is a small time hustler who has stolen a valuable document, without<br />
realizing that both government officers and the Mafiosi are on her tail. The<br />
two become involved in a dangerous and deadly chase, especially since $<br />
1,000,000 is also at stake. Which one will end up with the document and who<br />
will get the money?<br />
√ Franz Â›Ó·È ¤Ó·˜ ‰È·ÓÔÔ‡ÌÂÓÔ˜ appleÔ˘ ¤¯ÂÈ apple·Ú·ÈÙËı› ·applefi ÙË ˙ˆ‹ Î·È ‰Ô˘Ï‡-<br />
ÂÈ ˆ˜ Ô‰ËÁfi˜ ψÊÔÚ›Ԣ ÛÙËÓ ªappleÔÏfiÓÈ·. ∏ Leila Â›Ó·È Ì›· ÌÈÎÚÔ·apple·ÙÂÒÓÈÛÛ·<br />
appleÔ˘ ¤¯ÂÈ ÎϤ„ÂÈ ¤Ó· appleÔχÙÈÌÔ ¤ÁÁÚ·ÊÔ, ¯ˆÚ›˜ Ó· Û˘ÓÂȉËÙÔappleÔÈ‹ÛÂÈ fiÙÈ ÙfiÛÔ<br />
Ù· ΢‚ÂÚÓËÙÈο ÛÙÂϤ¯Ë fiÛÔ Î·È ÔÈ Ì·ÊÈfi˙ÔÈ ÙËÓ Î·Ù·‰ÈÒÎÔ˘Ó. √È ‰˘Ô ÙÔ˘˜<br />
ÌappleϤÎÔÓÙ·È Û ¤Ó· ÂappleÈΛӉ˘ÓÔ Î·È ı·Ó·ÙËÊfiÚÔ Î˘ÓËÁËÙfi, fiappleÔ˘ ‰È·Î˘‚‡ÔÓÙ·È<br />
$ 1,000,000. ÔÈfi˜ ı· apple¿ÚÂÈ ÙÂÏÈο ÙÔ ¤ÁÁÚ·ÊÔ Î·È appleÔÈfi˜ Ù· ¯Ú‹Ì·Ù·_<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: EMME S.R.L/RAI CINEMA,<br />
Director / ÎËÓÔıÂÛ›·: Davide Marengo,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Fabio Bonifacci & Giampiero Rigosi,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Arnaldo Catinari<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €2,500,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Alessandro Silvestri<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
EMME S.r.l. co-owned by Alessandro Silvestri and Maura Vespini is an Italian production company based in<br />
Rome and is parent company of development company Qualità Cinema S.r.l.. Both companies have the mandate<br />
of creating a series of original, compelling and market-worthy films.<br />
Since 1991 EMME developed and produced for cinema and television, among others: La Strategia della<br />
Lumaca by Sergio Cabrera, Le Aquile non Cacciano le Mosche by Sergio Cabrera, Ilona Arriva con la Pioggia by<br />
Sergio Cabrera, Golpe de Estadio by Sergio Cabrera.<br />
∏ EMME S.r.l. ÙˆÓ Alessandro Silvestri Î·È Maura Vespini Â›Ó·È Ì›· ÈÙ·ÏÈ΋ ÂÙ·ÈÚ›· apple·Ú·ÁˆÁ‹˜ Ì ¤‰Ú· ÙËÓ<br />
ƒÒÌË Î·È Ì ı˘Á·ÙÚÈ΋ ÙËÓ ÂÙ·ÈÚ›· ·Ó¿appleÙ˘Í˘ Qualità Cinema S.r.l.. ∫·È ÔÈ ‰‡Ô ÂÙ·Èڛ˜ ‰Ú·ÛÙËÚÈÔappleÔÈÔ‡ÓÙ·È<br />
ÛÙË ‰ËÌÈÔ˘ÚÁ›· appleÚˆÙfiÙ˘appleˆÓ Î·È Û˘Ó·Úapple·ÛÙÈÎÒÓ Ù·ÈÓÈÒÓ appleÚÔÛ·Ó·ÙÔÏÈÛÌ¤ÓˆÓ appleÚÔ˜ ÙËÓ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋<br />
·ÁÔÚ¿.<br />
∞applefi ÙÔ 1991 Ë EMME ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ, ÌÂٷ͇ ¿ÏψÓ, Î·È ÙȘ ·ÎfiÏÔ˘ı˜ apple·Ú·ÁˆÁ¤˜ ÁÈ· ÙËÓ ÙËÏÂfiÚ·ÛË Î·È<br />
ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ: La Strategia Della Lumaca ÙÔ˘ Sergio Cabrera, Le Aquile non Cacciano le Mosche ÙÔ˘<br />
Sergio Cabrera, Ilona Arriva con la Pioggia ÙÔ˘ Sergio Cabrera, Golpe de Estadio ÙÔ˘ Sergio Cabrera.<br />
41<br />
EMME S.r.l.
Nowhere<br />
Producer<br />
Zoran Jovanovic<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
16, Resavska, 11000<br />
Beograd, Serbia<br />
T. +38 11133 46408<br />
beomedia@sbb.co.yu<br />
www.beomedia.co.yu<br />
42<br />
Serbia & Montenegro / Σερβία & Μαυροβούνιο<br />
Antoine and Tubby are both in love with Natasha. We first meet them at a New<br />
Year’s Eve party in pre-war Belgrade in 1990. Antoine wins the girl – or so he<br />
thinks. Natasha really cannot make up her mind between the two friends. We<br />
follow this awkward trio through ten New Year’s Eve events: the war, the birth<br />
of Antoine and Natasha’s child, and their new life as immigrants in Sweden.<br />
Three people, three dreams, three compromises – one life.<br />
√ Antoine Î·È Ô Tubby Â›Ó·È ÂÚˆÙÂ˘Ì¤ÓÔÈ Î·È ÔÈ ‰‡Ô Ì ÙË Natasha. ∆Ô˘˜ Û˘Ó·-<br />
ÓÙ¿Ì ÁÈ· appleÚÒÙË ÊÔÚ¿ Û ¤Ó· apple¿ÚÙÈ apple·Ú·ÌÔÓ‹˜ ÚˆÙÔ¯ÚÔÓÈ¿˜ ÛÙÔ appleÚÔappleÔÏÂ-<br />
ÌÈÎfi µÂÏÈÁÚ¿‰È ÙÔ 1990. √ Antoine ÎÂÚ‰›˙ÂÈ ÙÔ ÎÔÚ›ÙÛÈ –‹ ÙÔ˘Ï¿¯ÈÛÙÔÓ ¤ÙÛÈ ÓÔÌ›-<br />
˙ÂÈ, ÁÈ·Ù› Ë Natasha ‰ÂÓ ÌappleÔÚ› Ó· ‰È·Ï¤ÍÂÈ ÌÂٷ͇ ÙˆÓ ‰‡Ô ʛψÓ. ·Ú·ÎÔ-<br />
ÏÔ˘ıԇ̠·˘Ù‹ ÙËÓ appleÂÚ›ÂÚÁË ÙÚÈ¿‰· ÁÈ· ‰¤Î· Û˘Ó¯fiÌÂÓ˜ apple·Ú·ÌÔÓ¤˜ Úˆ-<br />
ÙÔ¯ÚÔÓÈ¿˜: Ô applefiÏÂÌÔ˜, Ë Á¤ÓÓËÛË ÙÔ˘ apple·È‰ÈÔ‡ ÙÔ˘ Antoine Î·È Ù˘ Natasha ηÈ<br />
Ë Ó¤· ÙÔ˘˜ ˙ˆ‹ ˆ˜ ÌÂÙ·Ó¿ÛÙ˜ ÛÙË Ô˘Ë‰›·. ∆ÚÂȘ ¿ÓıÚˆappleÔÈ, ÙÚ›· fiÓÂÈÚ·,<br />
ÙÚÂȘ Û˘Ì‚È‚·ÛÌÔ› –Ì›· ˙ˆ‹.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Beomedia Marketing,<br />
Director / Writer / ÎËÓÔıÂÛ›· / ÂÓ¿ÚÈÔ: Predrag Velinovic<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €680,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Zoran Jovanovic Producer’s filmography<br />
Zoran Jovanovic is the founder and general manager of Beomedia Marketing Production Company. Born in<br />
1956 in Belgrade, he studied at the Faculty of Dramatic Arts in Belgrade (Department for Film & TV<br />
Producers) from 1976 to 1981. His specialised training was French TV stations - Antennes 2 / TF-1 in 1981.<br />
Jovanovic started to work with the national TV station RTS (1982-1993) as a producer of educational programmes,<br />
producing more than 50 serials & TV films as well as several TV films, dramas & entertainment programmes.<br />
For his own company, Beomedia, he produced a documentary film Shock is Spreading; produced<br />
and directed the entertainment program Videodrom - TV Studio B; produced Belgrade Tourist Guide, a comedy<br />
Public Show for the national TV station RTS and executive produced 7 opening titles for ARTE/VELVET<br />
MEDIA DESIGN. He has also produced numerous commercial films for many major Serbian companies as well<br />
as news articles for ARTE, FRANCE 2, LCI, HRT, NOVA TV and MTV (Adria).<br />
√ Zoran Jovanovic Â›Ó·È Ô È‰Ú˘Ù‹˜ Î·È °ÂÓÈÎfi˜ ¢È¢ı˘ÓÙ‹˜ Ù˘ ÂÙ·ÈÚ›·˜ apple·Ú·ÁˆÁ‹˜ Beomedia Marketing. °ÂÓ-<br />
Ó‹ıËΠÙÔ 1956 ÛÙÔ µÂÏÈÁÚ¿‰È Î·È ÛappleÔ‡‰·Û ÛÙË ¯ÔÏ‹ ¢Ú·Ì·ÙÈ΋˜ ∆¤¯Ó˘ ÙÔ˘ µÂÏÈÁÚ·‰›Ô˘ (∆Ì‹Ì· ∫ÈÓËÌ·-<br />
ÙÔÁÚ¿ÊÔ˘ Î·È ∆ËÏÂÔappleÙÈÎÒÓ ·Ú·ÁˆÁÒÓ) ·applefi ÙÔ 1976 ¤ˆ˜ ÙÔ 1981. ∂ȉÈ·ÙËΠÛÙ· Á·ÏÏÈο ÙËÏÂÔappleÙÈο ηӿ-<br />
ÏÈ· -Antennes 2 / TF-1 ÙÔ 1981. √ Jovanovic ÍÂΛÓËÛ ÙËÓ Î·ÚȤڷ ÙÔ˘ ÛÙÔ ÂıÓÈÎfi ÙËÏÂÔappleÙÈÎfi ηӿÏÈ RTS (1982-<br />
1993) ˆ˜ apple·Ú·ÁˆÁfi˜ ÂÎapple·È‰Â˘ÙÈÎÒÓ appleÚÔÁÚ·ÌÌ¿ÙˆÓ Ì ̛· ÊÈÏÌÔÁÚ·Ê›· appleÔ˘ appleÂÚÈÏ·Ì‚¿ÓÂÈ appleÂÚÈÛÛfiÙÂÚ· ·applefi<br />
50 Û›ÚÈ·Ï Î·È ÙËÏÂÔappleÙÈΤ˜ Ù·Èӛ˜, ηıÒ˜ Î·È ·ÚÎÂÙ¤˜ ‰Ú·Ì·ÙÈΤ˜ Û›Ú˜ Î·È „˘¯·ÁˆÁÈο appleÚÔÁÚ¿ÌÌ·Ù·. ªÂ ÙË<br />
‰È΋ ÙÔ˘ ÂÙ·ÈÚ›·, ÙËÓ Beomedia, ¤Î·Ó ÙËÓ apple·Ú·ÁˆÁ‹ ÙÔ˘ ÓÙÔÎÈÌ·ÓÙ¤Ú Shock is Spreading, ÙËÓ apple·Ú·ÁˆÁ‹ ηÈ<br />
ÙË ÛÎËÓÔıÂÛ›· ÙÔ˘ „˘¯·ÁˆÁÈÎÔ‡ appleÚÔÁÚ¿ÌÌ·ÙÔ˜ Videodrom - TV Studio B, ÙËÓ apple·Ú·ÁˆÁ‹ ÙÔ˘ Belgrade Tourist<br />
Guide Î·È Ù˘ Έ̈‰›·˜ Public Show ÁÈ· ÙÔ ÂıÓÈÎfi ÙËÏÂÔappleÙÈÎfi ηӿÏÈ RTS, Û˘ÓÂÚÁ¿ÛÙËΠÛÙËÓ ÂÎÙ¤ÏÂÛË apple·Ú·-<br />
ÁˆÁ‹˜ Ì ÙÔ ARTE/VELVET MEDIA DESIGN. ·Ú‹Á·Á Âapple›Û˘ appleÔÏ˘¿ÚÈıÌ· ‰È·ÊËÌÈÛÙÈο ÁÈ· appleÔÏϤ˜ Û¤Ú‚ÈΘ<br />
ÂÙ·ÈÚ›˜ Î·È Û˘ÓÂÚÁ¿ÛÙËΠ̠ٷ ηӿÏÈ· ARTE, FRANCE 2, LCI, HRT, NOVA TV and MTV (Adria).<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
BEOMEDIA MARKETING was established in 1990. Since then it has produced more than 500 hours of diverse<br />
types of programming, frequently winning awards and prizes for its projects. The company works in most<br />
areas of production and line production, from news to different kinds of entertainment programming as well<br />
as documentaries and commercials. The company works with foreign and national production companies,<br />
broadcasters and other clients.<br />
∏ ÂÙ·ÈÚ›· BEOMEDIA MARKETING ȉڇıËΠÙÔ 1990. ŒÎÙÔÙ ¤¯ÂÈ apple·Ú¿ÁÂÈ ‰È·ÊfiÚˆÓ ÂȉÒÓ appleÚÔÁÚ¿ÌÌ·Ù·,<br />
Û˘ÓÔÏÈ΋˜ ‰È¿ÚÎÂÈ·˜ apple¿Óˆ ·applefi 500 ÒÚ˜, ÂÓÒ ‰ÂÓ Â›Ó·È Ï›Á· Ù· ‚Ú·‚›· appleÔ˘ ¤¯ÂÈ ÎÂÚ‰›ÛÂÈ ÁÈ· ÙȘ apple·Ú·Áˆ-<br />
Á¤˜ ·˘Ù¤˜. ∏ ÂÙ·ÈÚ›· ‰Ú·ÛÙËÚÈÔappleÔÈÂ›Ù·È Û ¯ÒÚÔ˘˜ Ù˘ apple·Ú·ÁˆÁ‹˜ Î·È Ù˘ ÔÚÁ¿ÓˆÛ˘ apple·Ú·ÁˆÁ‹˜, ·applefi ÙȘ<br />
Âȉ‹ÛÂȘ ̤¯ÚÈ Ù· appleÔÈΛϷ „˘¯·ÁˆÁÈο appleÚÔÁÚ¿ÌÌ·Ù·, ηıÒ˜ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú Î·È ‰È·ÊËÌÈÛÙÈο. ˘ÓÂÚÁ¿˙ÂÙ·È<br />
Ì ͤÓ˜ Î·È ÂÁ¯ÒÚȘ ÂÙ·ÈÚ›˜ apple·Ú·ÁˆÁ‹˜, Ú·‰ÈÔÙËÏÂÔappleÙÈο ̤۷ Î·È ¿ÏÏÔ˘˜ appleÂÏ¿Ù˜.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Shock is Spreading, (documentary)<br />
directed by Olivera Milos Todorovic, 1994<br />
Belgrade Tourist Guide,<br />
directed by Darijan Mihajlovic, 2000<br />
Public show, directed by Mica Milosevic, 2002-2003<br />
Shock is Spreading, (ÓÙÔÎÈÌ·ÓÙ¤Ú) ÛÂ ÛÎËÓÔıÂÛ›·<br />
Olivera Milos Todorovic, 1994<br />
Belgrade Tourist Guide,<br />
ÛÂ ÛÎËÓÔıÂÛ›· Darijan Mihajlovic, 2000<br />
Public show, ÛÂ ÛÎËÓÔıÂÛ›·<br />
Mica Milosevic, 2002-2003<br />
µÚ·‚›· / Festival Prizes<br />
Shock is Spreading, Producer’s Award<br />
41th Yugoslav Festival of Short & Documentary Films<br />
Belgrade Tourist Guide<br />
Best Short Film award, 46th Festival of Yugoslav short<br />
& documentary film<br />
First Jury award, Antalia Film Festival<br />
Shock is Spreading,<br />
µÚ·‚Â›Ô ·Ú·ÁˆÁÔ‡, 41Ô °ÈÔ˘ÁÎÔÛÏ·‚ÈÎfi ºÂÛÙÈ‚¿Ï<br />
∆·ÈÓÈÒÓ ªÈÎÚÔ‡ ª‹ÎÔ˘˜ Î·È ¡ÙÔÎÈÌ·ÓÙ¤Ú<br />
∆·ÍȉȈÙÈÎfi˜ √‰ËÁfi˜ µÂÏÂÁÚ·‰›Ô˘,<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜ ªÈÎÚÔ‡ ª‹ÎÔ˘˜,<br />
46Ô °ÈÔ˘ÁÎÔÛÏ·‚ÈÎfi ºÂÛÙÈ‚¿Ï<br />
∆·ÈÓÈÒÓ ªÈÎÚÔ‡ ª‹ÎÔ˘˜ Î·È ¡ÙÔÎÈÌ·ÓÙ¤Ú<br />
ÚÒÙÔ µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜,<br />
ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ ∞ÓÙ¿ÏÈ·˜<br />
43<br />
Beomedia Marketing
Pandora / ·Ó‰ÒÚ·<br />
Producer<br />
Nikos Moustakas<br />
¡›ÎÔ˜ ªÔ˘Ûٿη˜<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
2, Kondilaki St., 154-52<br />
Neo Psyhico, Athens, Greece<br />
∫ÔÓ‰˘Ï¿ÎË 2, 154-52,<br />
¡¤Ô æ˘¯ÈÎfi, ∞ı‹Ó·<br />
T. +30 210 6778811<br />
Mobile: +30 6937084430<br />
mtvsa@tellas.gr<br />
lamoustakas@hotmail.com Website:<br />
44<br />
Greece / Ελλάδα<br />
Vassilis tells the story of his family home in the village, which he is now selling.<br />
Flashback: Vassilis as a boy, being raised, at least in part, by his uncle Kostis. His<br />
father, Manos, is in jail for being a partisan. An American woman named<br />
Pandora arrives in the village, saying she is the daughter of a local woman,<br />
Aphrodite who long ago immigrated to America. Pandora becomes engaged to<br />
Kostis. Manos is released from prison. When Pandora flirts shamelessly with<br />
him, Manos becomes increasingly suspicious of her. Something is definitely not<br />
right.<br />
√ µ·Û›Ï˘ ·ÊËÁÂ›Ù·È ÙËÓ ÈÛÙÔÚ›· ÙÔ˘ apple·ÙÚÈÎÔ‡ ÙÔ˘ ÛappleÈÙÈÔ‡, ÙÔ ÔappleÔ›Ô ÙÒÚ·<br />
appleÔ˘Ï¿ÂÈ. ∞Ó·‰ÚÔÌ‹: √ µ·Û›Ï˘ Û apple·È‰È΋ ËÏÈΛ·. √ ı›Ԙ ÙÔ˘, Ô ∫ˆÛÙ‹˜, ·Ó·-<br />
Ï·Ì‚¿ÓÂÈ, ÂÓ Ì¤ÚÂÈ ÙÔ˘Ï¿¯ÈÛÙÔÓ, ÙËÓ ·Ó·ÙÚÔÊ‹ ÙÔ˘. √ apple·Ù¤Ú·˜ ÙÔ˘, Ô ª¿ÓÔ˜,<br />
Â›Ó·È ÛÙË Ê˘Ï·Î‹ ˆ˜ ·ÓÙ¿ÚÙ˘. ª›· ∞ÌÂÚÈηӛ‰·, Ë ·Ó‰ÒÚ·, ÊÙ¿ÓÂÈ ÛÙÔ<br />
¯ˆÚÈfi ϤÁÔÓÙ·˜ appleˆ˜ Â›Ó·È ÎfiÚË Ù˘ ∞ÊÚÔ‰›Ù˘, Ì›·˜ ÓÙfiappleÈ·˜ appleÔ˘ ÌÂÙ·Ó¿ÛÙ¢-<br />
Û appleÚÈÓ ·applefi ¯ÚfiÓÈ· ÛÙËÓ ∞ÌÂÚÈ΋. ∞ÚÚ·‚ˆÓÈ¿˙ÂÙ·È Ì ÙÔÓ ∫ˆÛÙ‹. ŸÙ·Ó, fï˜,<br />
Ô ª¿ÓÔ˜ ·appleÔÊ˘Ï·Î›˙ÂÙ·È, Ë ·Ó‰ÒÚ· ÙÔÓ ÊÏÂÚÙ¿ÚÂÈ ·‰È¿ÓÙÚÔapple·. √ ª¿ÓÔ˜ ÙËÓ<br />
˘appleÔappleÙ‡ÂÙ·È. ›ÁÔ˘Ú· οÙÈ ‰ÂÓ apple¿ÂÈ Î·Ï¿.<br />
Produced by / ·Ú·ÁˆÁ‹: Metavision S.A/ Metavision ∞.∂<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ : George Stampoulopoulos / °ÈÒÚÁÔ˜ Ù·ÌappleÔ˘ÏfiappleÔ˘ÏÔ˜<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €1,100,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Nikos Moustakas / Νίκος Μουστάκας Company filmography<br />
As producer:<br />
True Blue, directed by Yannis Diamandopoulos, 2005<br />
As executive producer:<br />
The Crossing, directed by Dimitris Staurakas, 2004<br />
Master of the Shadow, directed by Lefteris Xanthopoulos, 1990<br />
Impossible Encounter, directed by Takis Andonopoulos, 1990<br />
The Crossing, directed by Vassiliki Iliopoulou, 1989<br />
Documentary:<br />
Without Borders, directed by Nikos Delivorias, 1990<br />
From Prophesy to Gospel, directed by Nikos Delivorias, 1991<br />
·Ú·ÁˆÁ‹:<br />
∆Ô Á·Ï¿˙ÈÔ ÊfiÚÂÌ·, Û ÛÎËÓÔıÂÛ›· °È¿ÓÓË ¢È·Ì·ÓÙfiappleÔ˘ÏÔ˘, 2005<br />
∂ÎÙ¤ÏÂÛË apple·Ú·ÁˆÁ‹˜:<br />
∆Ô apple¤Ú·ÛÌ·, Û ÛÎËÓÔıÂÛ›· ¢ËÌ‹ÙÚË Ù·‡Ú·Î·, 2004<br />
¢Ú·apple¤Ù˘ Û ÛÎËÓÔıÂÛ›· §Â˘Ù¤ÚË •·ÓıfiappleÔ˘ÏÔ˘, 1990<br />
∏ Ó‡¯Ù· Ù˘ Ì˘ÛÙÈ΋˜ Û˘Ó¿ÓÙËÛ˘ Û ÛÎËÓÔıÂÛ›· ∆¿ÎË ∞ÓÙˆÓfiappleÔ˘ÏÔ˘, 1990<br />
∆Ô apple¤Ú·ÛÌ·, Û ÛÎËÓÔıÂÛ›· µ·ÛÈÏÈ΋˜ ∏ÏÈÔappleÔ‡ÏÔ˘, 1989<br />
¡ÙÔÎÈÌ·ÓÙ¤Ú:<br />
∞ÓÔȯٿ ‡ÓÔÚ· Û ÛÎËÓÔıÂÛ›· ¡›ÎÔ˘ ¢ÂÏË‚ÔÚÈ¿, 1990<br />
∞applefi ÙËÓ appleÚÔÊËÙ›· ÛÙÔ ∂˘·ÁÁ¤ÏÈÔ directed by Nikos Delivorias, 1991<br />
ºÈÏÌÔÁÚ·Ê›· Ù˘ ÂÙ·ÈÚ›·˜<br />
Documentaries<br />
Walter Leiseley, 2004<br />
Tsitsanis, 2000<br />
Monks Community, 2000<br />
The treasure of Mycenes, 1999<br />
West Thessalia-Pindos, 3 documentaries, 1999<br />
Stories of Crete, 7 episodes for RAI UNO, 1998<br />
Greek Civillisation, 6 episodes for RAI UNO, 1997<br />
Athens by night, 24 episodes for RAI UNO, 1996<br />
Greece Before the Elections, 6 documentaries, 1993<br />
¡ÙÔÎÈÌ·ÓÙ¤Ú<br />
Walter Leiseley, 2004<br />
∆ÛÈÙÛ¿Ó˘, 2000<br />
Monks Community, 2000<br />
√ ıËÛ·˘Úfi˜ ÙˆÓ ª˘Î‹ÓˆÓ, 1999<br />
¢˘ÙÈ΋ £ÂÛÛ·Ï›·-›Ó‰Ô˜, 3 ÓÙÔÎÈÌ·ÓÙ¤Ú, 1999<br />
πÛÙÔڛ˜ ·applefi ÙËÓ ∫Ú‹ÙË,<br />
7 ÂappleÂÈÛfi‰È· ÁÈ· ÙÔ RAI UNO, 1998<br />
∂ÏÏËÓÈÎfi˜ ÔÏÈÙÈÛÌfi˜,<br />
6 ÂappleÂÈÛfi‰È· ÁÈ· ÙÔ RAI UNO, 1997<br />
∏ ∂ÏÏ¿‰· appleÚÈÓ ÙȘ ∂ÎÏÔÁ¤˜, 6 ÓÙÔÎÈÌ·ÓÙ¤Ú, 1993<br />
45<br />
Metavision S.A.
Pera Kassiros / ¤Ú· ∫¿ÛÛÈÚÔ˜<br />
Producer<br />
Sofia Papachristou<br />
ÔÊ›· ·Ú·¯Ú‹ÛÙÔ˘<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
22, Navarinou,<br />
10680 Athens, Greece<br />
¡·˘·Ú›ÓÔ˘ 22,<br />
10680, ∞ı‹Ó·<br />
T. +30 2103625248<br />
Mobile: +30 6948878636<br />
sofiapapachr@yahoo.gr<br />
46<br />
Greece / Ελλάδα<br />
Peter is an engineer employed by a multinational company. He is sent to supervise the<br />
construction of a waste recycling plant on the Greek island of Pera Kassiros, an insignificant<br />
dot on the map somewhere in the Aegean Sea. Peter soon discovers that conditions<br />
on the island are far from what he had expected. For all his efforts he fails and, though<br />
he falls in love with Areti- an extraordinary and mysterious woman- he is forced to leave<br />
the island. However, soon after his return home, Peter finds himself faced with a moral<br />
dilemma: let the multinational company use the plant in Pera Kassiros as a cover for the<br />
dumping of toxic substances, or save the island that has found a place in his heart?<br />
√ Peter ÂÚÁ¿˙ÂÙ·È ÁÈ· Ì›· ·‰›ÛÙ·ÎÙË appleÔÏ˘ÂıÓÈ΋ ÂÙ·ÈÚ›· Ù˘ ∂˘ÚÒapple˘, appleÔ˘ ÙÔÓ ÛÙ¤Ï-<br />
ÓÂÈ Û ¤Ó· ·appleÔÌ·ÎÚ˘Ṳ̂ÓÔ ÂÏÏËÓÈÎfi ÓËÛ›, ÙËÓ ¤Ú· ∫¿ÛÛÈÚÔ, ÁÈ· Ó· ηٷÛ΢¿ÛÂÈ ¤Ó·<br />
ÂÚÁÔÛÙ¿ÛÈÔ ·Ó·Î‡ÎψÛ˘ ·appleÔ‚Ï‹ÙˆÓ appleÔ˘ ı· apple·Ú¿ÁÂÈ ËÏÂÎÙÚÈ΋ ÂÓ¤ÚÁÂÈ· ÛÙË Á‡Úˆ<br />
appleÂÚÈÔ¯‹. √ Peter ÁÚ‹ÁÔÚ· ·Ó·Î·Ï‡appleÙÂÈ appleˆ˜ ÔÈ Û˘Óı‹Î˜ ‰È·‚›ˆÛ˘ ÛÙÔ ÓËÛ› ‰ÂÓ Â›Ó·È<br />
·˘Ù¤˜ appleÔ˘ ÓfiÌÈ˙Â. ·Ú¿ ÙȘ appleÚÔÛapple¿ıÂȤ˜ ÙÔ˘, ·appleÔÙ˘Á¯¿ÓÂÈ Î·È apple·ÚfiÙÈ ¤¯ÂÈ ÂÚˆÙ¢Ù›<br />
ÙËÓ ∞ÚÂÙ‹ (ÌÈ· Û˘Ó·Úapple·ÛÙÈ΋ Î·È Ì˘ÛÙËÚÈÒ‰Ë Á˘Ó·›Î·) ·Ó·Áο˙ÂÙ·È Ó· ʇÁÂÈ ·appleÔ ÙÔ<br />
ÓËÛ›. ∞ÊÔ‡ ÂappleÈÛÙÚ¤„ÂÈ Ûapple›ÙÈ ÙÔ˘, Ô ¤ÙÚÔ˜ ·ÓÙÈÌÂÙˆapple›˙ÂÈ ¤Ó· Ëı›ÎÔ ‰›ÏÏËÌ· : Ó· ·Ê‹-<br />
ÛÂÈ ÙËÓ appleÔÏ˘ÂıÓÈ΋ Ó· ¯ÚËÛÈÌÔappleÔÈ‹ÛÂÈ ÙÔ ¤ÚÁÔÛÙ¿ÛÈÔ ÁÈ· Ó· ηχ„ÂÈ ÙËÓ Ú›„Ë ·appleÔ-<br />
‚ÏËÌ¿ÙˆÓ ‹ Ó· ÛÒÛÂÈ ÙÔ Ó‹ÛÈ appleÔ˘ ¤¯ÂÈ appleϤÔÓ ·Á·apple‹ÛÂÈ;<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Sofia Papachristou / ÔÊ›· ·Ú·¯Ú‹ÛÙÔ˘,<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Sofia Papachristou / ÔÊ›· ·Ú·¯Ú‹ÛÙÔ˘,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Yannis Drakoularakos / °È¿ÓÓ˘ ¢Ú·ÎÔ˘Ï·Ú¿ÎÔ˜<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €1,195,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Sofia Papachristou Producer’s filmography<br />
Born in Athens, Greece, in 1958.<br />
1980, graduated from the Athens University, School of Law.<br />
1990, graduated from the Stavrakos Film School.<br />
1993-94, studies in MFA programme of Columbia University in New York.<br />
°ÂÓÓ‹ıËÎÂ ÛÙËÓ ∞ı‹Ó· ÙÔ 1958.<br />
1980, ·appleÔÊÔ›ÙËÛ ·applefi ÙË ¡ÔÌÈ΋ ¯ÔÏ‹ ÙÔ˘ ·ÓÂappleÈÛÙËÌ›Ô˘ ∞ıËÓÒÓ.<br />
1990, ·appleÔÊÔ›ÙËÛÂ ·applefi ÙËÓ ¯ÔÏ‹ Ù·˘Ú¿ÎÔ˘.<br />
1993-4, ÛappleÔ˘‰¤˜ ÛÙÔ appleÚfiÁÚ·ÌÌ· MFA, ·ÓÂappleÈÛÙ‹ÌÈÔ Columbia, ¡¤· ÀfiÚÎË.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Without Words, directed by Sofia Papachristou, 1998<br />
The Golden Apples of Hesperides,<br />
directed by Sofia Papachristou, 1997<br />
Who Killed Alekos Vrizakis,<br />
directed by Sofia Papachristou, 1994<br />
Èڛ˜ §fiÁÈ·,<br />
ÛÂ ÛÎËÓÔıÂÛ›· ÔÊ›·˜ ·apple·¯Ú‹ÛÙÔ˘, 1998<br />
∆· ÃÚ˘Û¿ ª‹Ï· ÙˆÓ ∂ÛappleÂÚ›‰ˆÓ,<br />
ÛÂ ÛÎËÓÔıÂÛ›· ÔÊ›·˜ ·apple·¯Ú‹ÛÙÔ˘, 1997<br />
ÔÈÔ˜ ÎfiÙˆÛ ÙÔÓ ∞ϤÎÔ µÚÈ˙¿ÎË,<br />
ÛÂ ÛÎËÓÔıÂÛ›· ÔÊ›·˜ ·apple·¯Ú‹ÛÙÔ˘, 1990<br />
Festival Prizes/ µÚ·‚›·<br />
The Golden Apples of Hesperides<br />
Awards in Thessaloniki Film Festival 1997<br />
First Film Direction, Editing, Costume Design, Set<br />
Design, First Lead Actor<br />
Special Mention for Supporting Actor<br />
Special Mention of the Jury<br />
The script participates in éQuinox (Cannes)<br />
∆· ÃÚ˘Û¿ ª‹Ï· ÙˆÓ ∂ÛappleÂÚ›‰ˆÓ<br />
ºÂÛÙÈ‚¿Ï £ÂÛÛ·ÏÔӛ΢ 1997<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ÎËÓÔıÂÛ›·, ∫ÔÛÙÔ˘ÌÈÒÓ, ÎËÓÈÎÒÓ<br />
µÚ·‚Â›Ô ∞’ ∞Ó‰ÚÈÎÔ‡ ƒfiÏÔ˘<br />
∂ȉÈ΋ ªÓ›· ÁÈ· ‚’ ÚfiÏÔ<br />
∂ȉÈ΋ ªÓ›· ∫ÚÈÙÈ΋˜ ∂appleÈÙÚÔapple‹˜<br />
To ÛÂÓ¿ÚÈÔ ¤Ú· ∫¿ÛÛÈÚÔ˜<br />
Û˘ÌÌÂÙ¤¯ÂÈ ÛÙÔ éQuinox (∫¿ÓÓ˜)<br />
47<br />
Sofia Papachristou
The Red Apple Tree<br />
Producer<br />
KÒÛÙ·˜ ∫ÂÊ·Ï¿˜<br />
Costas Kephalas<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
21, Neohorion St.,<br />
113 63 Athens, Greece<br />
¡ÂÔ¯ˆÚ›ˆÓ 21,<br />
113 63, ∞ı‹Ó·<br />
T. +30 2108835707<br />
Mobile: +30 697 7793668<br />
cake@otenet.gr<br />
www.clproductions.gr<br />
48<br />
Greece / Ελλάδα<br />
Angelo (40) is the owner of the “Red Apple Tree”, a tour boat combining the<br />
rhythm of the water, a restaurant and a night club on the Thessalonica shore.<br />
When Angelo returned to Greece from Germany some years ago, he was introduced<br />
into the Thessalonica mafia by Markos (50), the owner of the Fair Lady<br />
Club. The two men are competitors, who manage, more or less peacefully, to<br />
co-exist until the robbery of a religious institution. Nuns are brutally murdered<br />
and important artefacts stolen; a bloody gang war begins.<br />
√ ÕÁÁÂÏÔ˜ (40 ÂÙÒÓ) Â›Ó·È È‰ÈÔÎÙ‹Ù˘ Ù˘ «∫fiÎÎÈÓ˘ ªËÏÈ¿˜», ÂÓfi˜ appleÏÔÈ·Ú›Ô˘<br />
appleÔ˘ οÓÂÈ ÍÂÓ·Á‹ÛÂȘ (Û˘Ó‰˘¿˙ÔÓÙ·˜ ÙÔ Ú˘ıÌfi ÙÔ˘ ÓÂÚÔ‡), ÂÓfi˜ ÂÛÙÈ·ÙfiÚÈÔ<br />
Î·È ÂÓfi˜ ÎÏ·Ìapple ÛÙËÓ ·ÎÙ‹ Ù˘ £ÂÛÛ·ÏÔӛ΢. ŸÙ·Ó ÌÂÙ¿ ·applefi ¯ÚfiÓÈ· ÂappleÈÛÙÚ¤-<br />
ÊÂÈ ·applefi ÙË °ÂÚÌ·Ó›·, Ô ª¿ÚÎÔ˜ (50 ÂÙÒÓ), ȉÈÔÎÙ‹Ù˘ ÙÔ˘ ÎÏ·Ìapple Fair Lady, ÙÔÓ<br />
Û˘ÛÙ‹ÓÂÈ ÛÙË Ì·Ê›· Ù˘ £ÂÛÛ·ÏÔӛ΢. √È ‰‡Ô ¿Ó‰Ú˜, ·Ó Î·È ·ÓÙ·ÁˆÓÈÛÙ¤˜,<br />
ηٷʤÚÓÔ˘Ó, Ï›ÁÔ-appleÔχ ÂÈÚËÓÈο, Ó· Û˘Ó˘apple¿ÚÍÔ˘Ó Ì¤¯ÚÈ ÙË ÏËÛÙ›· ÂÓfi˜<br />
ıÚËÛ΢ÙÈÎÔ‡ ȉڇ̷ÙÔ˜. ∫·ÏfiÁÚȘ ‰ÔÏÔÊÔÓÔ‡ÓÙ·È ¿ÁÚÈ·, ÂÓÒ ÏËÛÙ‡ÔÓÙ·È<br />
ÛËÌ·ÓÙÈο ¤ÚÁ· Ù¤¯ÓË˜Ø ¤Ó·˜ ·ÈÌ·ÙËÚfi˜ applefiÏÂÌÔ˜ Û˘ÌÌÔÚÈÒÓ ÍÂÎÈÓ¿.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: CL productions,<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: §Â˘Ù¤Ú˘ •·ÓıfiappleÔ˘ÏÔ˜ / Lefteris Xanthopoulos,<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Andreas Sinanos / ∞ÓÙÚ¤·˜ ÈÁ·Ófi˜<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €1,900,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Κώστας Κεφαλάς / Costas Kephalas Company filmography<br />
Born in Athens in 1968, he studied Physics in the Athens University, Cinematography in Hatzikou Cinema School, Theory of<br />
Cinema in the Stockholm University, his Masters’ thesis being on Heidegger’s phenomenology in the work of Rossellini and<br />
Tarkovskij. Production Manager in several awarded films, such as Hard Goodbyes: My Father by Penny Panagiotopoulou,<br />
Weaping Meadow by Theo Angelopoulos, The Brides by Pantelis Voulgaris. Line Producer for the film and video projections of<br />
the Athens 2004 opening and closing ceremonies. The past year he has been cooperating in the development of new projects<br />
for CL Productions. He is currently teaching Production in the Cinema Department of the Aristotle University of Thessaloniki.<br />
°ÂÓÓ‹ıËΠÛÙËÓ ∞ı‹Ó· ÙÔ 1968 Î·È ÛappleÔ‡‰·Û º˘ÛÈ΋ ÛÙÔ ·ÓÂappleÈÛÙ‹ÌÈÔ ∞ıËÓÒÓ, ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜ ÛÙËÓ ∫ÈÓËÌ·ÙÔ-<br />
ÁÚ·ÊÈ΋ ¯ÔÏ‹ ÷Ù˙›ÎÔ˘, £ÂˆÚ›· ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ ÛÙÔ ·ÓÂappleÈÛÙ‹ÌÈÔ Ù˘ ÙÔίfiÏÌ˘, ÂÓÒ ÛÙË ‰Èappleψ̷ÙÈ΋ ÙÔ˘ ÂÚÁ·Û›·<br />
·Û¯ÔÏ‹ıËΠ̠ÙË Ê·ÈÓÔÌÂÓÔÏÔÁ›· ÙÔ˘ Heidegger ÛÙÔ ¤ÚÁÔ ÙˆÓ Rossellini Î·È ∆·ÚÎfiÊÛÎÈ. ∂ÚÁ¿ÛÙËΠˆ˜ ¢È¢ı˘ÓÙ‹˜ ·Ú·-<br />
ÁˆÁ‹˜ Û ‰È¿ÊÔÚ˜ ‚Ú·‚Â˘Ì¤Ó˜ Ù·Èӛ˜, fiappleˆ˜: ¢‡ÛÎÔÏÔÈ ∞appleÔ¯·ÈÚÂÙÈÛÌÔ›: √ ªapple·Ìapple¿˜ ÌÔ˘ Ù˘ ¤ÓÓ˘˜ ·Ó·ÁȈÙÔappleÔ‡ÏÔ˘,<br />
∆Ô §È‚¿‰È appleÔ˘ ¢·ÎÚ‡˙ÂÈ ÙÔ˘ £fi‰ˆÚÔ˘ ∞ÁÁÂÏfiappleÔ˘ÏÔ˘, Î·È √È ¡‡Ê˜ ÙÔ˘ ·ÓÙÂÏ‹ µÔ‡ÏÁ·ÚË. ŒÎ·Ó Âapple›Û˘ ÙËÓ ÔÚÁ¿ÓˆÛË<br />
apple·Ú·ÁˆÁ‹˜ ÁÈ· ÙȘ ÎÈÓËÌ·ÙÔÁÚ·ÊÈΤ˜ Î·È ÙËÏÂÔappleÙÈΤ˜ appleÚÔ‚ÔϤ˜ ÙˆÓ ÙÂÏÂÙÒÓ ¤Ó·Ú͢ Î·È Ï‹Í˘ ÙÔ˘ ∞ı‹Ó· 2004. ∆ÔÓ appleÂÚ·-<br />
Ṳ̂ÓÔ ¯ÚfiÓÔ Û˘ÓÂÚÁ¿ÛÙËΠÛÙËÓ ·Ó¿appleÙ˘ÍË ÙˆÓ Ó¤ˆÓ apple·Ú·ÁˆÁÒÓ Ù˘ ÂÙ·ÈÚ›·˜ CL Productions. ¢È‰¿ÛÎÂÈ ·Ú·ÁˆÁ‹ ÛÙÔ<br />
∆Ì‹Ì· ∫ÈÓËÌ·ÙÔÁÚ·Ê›·˜ ÙÔ˘ ∞ÚÈÛÙÔÙ¤ÏÂÈÔ˘ ·ÓÂappleÈÛÙËÌ›Ô˘ £ÂÛÛ·ÏÔӛ΢.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
CL PRODUCTIONS is a company that produces films, television programs and artistic events. It was founded in 1985 and since<br />
then has undertaken a large number of events and productions. It has produced and co-produced more than 90 feature<br />
films, including Sweet Memory by Kyriakos Katzourakis, Loafing and Camouflage, Sirens in the Aegean by Nikos Perakis, Brides<br />
by Pantelis Voulgaris, A Touch of Spice by Tassos Boulmetis, Peppermint by Costas Kapakas and Theo Angelopoulos’ films<br />
Ulysses’ Gaze, The Suspended Step of the Stork, Landscape in the Mist and The Weeping Meadow. The company has also<br />
undertaken television series including Nikos Perakis’ Almost Never and Almost Never 2nd cycle by Katerina Bei, as well as<br />
Alone Due to Negligence, written by Katerina Bei and directed by Elisavet Chronopoulou. Its theatrical productions and the<br />
cultural events it has organized include the performances of the summer period for the Athens Festival at the Theater of<br />
Herod Atticus, at the ancient theater of Epidaurus and at the Little Theater of Ancient Epidaurus for the years 2001 to 2005,<br />
the Thessaloniki Song Festival in 2005, the opening and closing ceremonies of the Athens Olympic Games 2004 and the millennium<br />
celebrations Acropolis 2000.<br />
∏ CL PRODUCTIONS Â›Ó·È ÂÙ·ÈÚ›· ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ, ÙËÏÂÔappleÙÈÎÒÓ Î·È Î·ÏÏÈÙ¯ÓÈÎÒÓ apple·Ú·ÁˆÁÒÓ. π‰Ú‡ıËΠÙÔ 1985 Î·È ·applefi<br />
ÙfiÙ ¤ˆ˜ Û‹ÌÂÚ· ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ appleÏ‹ıÔ˜ ÂΉËÏÒÛÂˆÓ Î·È apple·Ú·ÁˆÁÒÓ. Œ¯ÂÈ apple·Ú·Á¿ÁÂÈ Î·È Û˘Ìapple·Ú·Á¿ÁÂÈ appleÂÚÈÛÛfiÙÂÚ˜ ·applefi<br />
90 Ù·Èӛ˜ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ °Ï˘ÎÈ¿ ÌÓ‹ÌË ÙÔ˘ ∫˘ÚÈ¿ÎÔ˘ ∫·Ù˙Ô˘Ú¿ÎË, §Ô‡Ê· Î·È ·Ú·ÏÏ·Á‹, ÂÈÚ‹Ó˜ ÛÙÔ<br />
∞ÈÁ·›Ô ÙÔ˘ ¡›ÎÔ˘ ÂÚ¿ÎË, ¡‡Ê˜ ÙÔ˘ ·ÓÙÂÏ‹ µÔ‡ÏÁ·ÚË, ÔÏ›ÙÈÎË ∫Ô˘˙›Ó· ÙÔ˘ ∆¿ÛÔ˘ ªappleÔ˘Ï̤ÙË, Peppermint ÙÔ˘ ∫ÒÛÙ·<br />
∫·apple¿Î·, ηıÒ˜ Î·È ÙȘ Ù·Èӛ˜ ÙÔ˘ £fi‰ˆÚÔ˘ ∞ÁÁÂÏfiappleÔ˘ÏÔ˘ ∆Ô µÏ¤ÌÌ· ÙÔ˘ √‰˘ÛÛ¤·, ∆Ô ªÂÙ¤ˆÚÔ µ‹Ì· ÙÔ˘ ÂÏ·ÚÁÔ‡, ∆Ôapple›Ô<br />
ÛÙËÓ √Ì›¯ÏË Î·È ∆Ô §È‚¿‰È appleÔ˘ ¢·ÎÚ‡˙ÂÈ. ∂appleÈappleϤÔÓ, ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ ÙËÏÂÔappleÙÈο Û‹ÚÈ·Ï ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ ÙÔ ¯Â‰fiÓ ÔÙ¤ ÙÔ˘<br />
¡›ÎÔ˘ ÂÚ¿ÎË Î·È ÙÔ ¯Â‰fiÓ ÔÙ¤ 2Ô˜ ∫‡ÎÏÔ˜ Ù˘ ∫·ÙÂÚ›Ó·˜ ªapple¤Ë, ηıÒ˜ Î·È ÙÔ ªfiÓË ÂÍ ∞ÌÂÏ›·˜ Û ÛÂÓ¿ÚÈÔ ∫·ÙÂÚ›Ó·˜<br />
ªapple¤Ë Î·È ÛÎËÓÔıÂÛ›· ∂ÏÈÛ¿‚ÂÙ ÃÚÔÓÔappleÔ‡ÏÔ˘. ªÂٷ͇ ÙˆÓ ı·ÙÚÈÎÒÓ apple·Ú·ÁˆÁÒÓ Î·È appleÔÏÈÙÈÛÙÈÎÒÓ ‰ÈÔÚÁ·ÓÒÛˆÓ, Û˘ÌappleÂ-<br />
ÚÈÏ·Ì‚¿ÓÔÓÙ·È ÔÈ apple·Ú·ÛÙ¿ÛÂȘ ηÏÔηÈÚÈÓ‹˜ appleÂÚÈfi‰Ô˘ ÁÈ· ÙÔ ºÂÛÙÈ‚¿Ï ∞ıËÓÒÓ ÛÙÔ ∏ÚÒ‰ÂÈÔ, ÛÙÔ ∞Ú¯·›Ô £¤·ÙÚÔ ∂appleȉ·‡ÚÔ˘<br />
Î·È ÛÙÔ ªÈÎÚfi £¤·ÙÚÔ ∞Ú¯·›·˜ ∂appleȉ·‡ÚÔ˘ ÁÈ· Ù· ¤ÙË 2001 ¤ˆ˜ 2005, ÙÔ ºÂÛÙÈ‚¿Ï ∆Ú·ÁÔ˘‰ÈÔ‡ ÛÙËÓ £ÂÛÛ·ÏÔÓ›ÎË ÙÔ 2005, Ë<br />
ÙÂÏÂÙ‹ ¤Ó·Ú͢ Î·È Ï‹Í˘ ÙˆÓ √Ï˘ÌappleÈ·ÎÒÓ ∞ÁÒÓˆÓ ∞ı‹Ó· 2004 Î·È Ë ˘appleÔ‰Ô¯‹ Ù˘ Ó¤·˜ ¯ÈÏÈÂÙ›·˜ ∞ÎÚfiappleÔÏË 2000.<br />
ºÈÏÌÔÁÚ·Ê›· Ù˘ ÂÙ·ÈÚ›·˜<br />
Sweet Memory,<br />
directed by Kyriakos Katzourakis, 2005<br />
Loafing and Camouflage, Sirens in the Aegean,<br />
directed by Nikos Perakis, 2005<br />
A Dog’s Dream, directed by Angelos Frantzis, 2005<br />
°Ï˘ÎÈ¿ ªÓ‹ÌË,<br />
Û ÛÎËÓÔıÂÛ›· ∫˘ÚÈ¿ÎÔ˘ ∫·Ù˙Ô˘Ú¿ÎË, 2005<br />
§Ô‡Ê· Î·È ·Ú·ÏÏ·Á‹, ÂÈÚ‹Ó˜ ÛÙÔ ∞ÈÁ·›Ô,<br />
Û ÛÎËÓÔıÂÛ›· ¡›ÎÔ˘ ÂÚ¿ÎË, 2005<br />
∆Ô ŸÓÂÈÚÔ ÙÔ˘ ·ÏÔ˘,<br />
ÛÂ ÛÎËÓÔıÂÛ›· ÕÁÁÂÏÔ˘ ºÚ·ÓÙ˙‹, 2005<br />
Festival Prizes / µÚ·‚›·<br />
Brides, 10 Awards, including 1st Prize<br />
for Best Film, 45th Thessaloniki Film Festival, 2004<br />
A Touch of Spice, 10 Awards including 1st Prize for<br />
Best Film, 44th Thessaloniki Film Festival, 2003<br />
¡‡Ê˜, 10 ‚Ú·‚›· ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ ÙÔ<br />
1Ô µÚ·‚Â›Ô Î·Ï‡ÙÂÚ˘ Ù·ÈÓ›·˜, 45Ô<br />
ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢, 2004<br />
ÔÏ›ÙÈÎË KÔ˘˙›Ó·, 10 ‚Ú·‚›· ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ<br />
ÙÔ 1Ô µÚ·‚Â›Ô Î·Ï‡ÙÂÚ˘ Ù·ÈÓ›·˜,<br />
44Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘<br />
Ù˘ £ÂÛÛ·ÏÔӛ΢, 2003<br />
49<br />
CL Productions
The Rest is Silence<br />
Producer<br />
Cristian Comeaga<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
59, Dr. Felix St., 011039<br />
Bucharest 1, Romania<br />
∆. +40 2131 76436<br />
Mobile: +40 722200509<br />
cristi@dominofilm.ro<br />
www.dominofilm.ro<br />
50<br />
Romania / Ρουµανία<br />
At the beginning of the last century, the son of the popular actor in Romania,<br />
Grig, is 19 years old and about to undertake the ultimate folly. He wants to<br />
direct a moving picture! The country’s most flamboyant and eccentric<br />
landowner becomes Grig’s financier. Leon is a crazy patron of the arts. If that<br />
is not enough, Gaumont, a new French company which controls the Romanian<br />
market, knows its independent production is not going well at all. The true<br />
story of the men that made the first Romanian feature film.<br />
ÙȘ ·Ú¯¤˜ ÙÔ˘ appleÚÔËÁÔ‡ÌÂÓÔ˘ ·ÈÒÓ·, Ô ÁÈÔ˜ ÂÓfi˜ ‰ËÌÔÊÈÏÔ‡˜ ËıÔappleÔÈÔ‡ ÛÙË<br />
ƒÔ˘Ì·Ó›·, Ô Grig, Â›Ó·È 19 ÂÙÒÓ Î·È ¤ÙÔÈÌÔ˜ Ó· ‰È·appleÚ¿ÍÂÈ ÙËÓ ¤Û¯·ÙË ·appleÂÚÈ-<br />
Û΄›·. £¤ÏÂÈ Ó· ÛÎËÓÔıÂÙ‹ÛÂÈ Ì›· Ù·ÈÓ›·! √ appleÈÔ ÂappleȉÂÈÎÙÈÎfi˜ Î·È ÂÎÎÂÓÙÚÈÎfi˜<br />
ÎÙËÌ·Ù›·˜ Ù˘ ¯ÒÚ·˜ ¯ÚËÌ·ÙÔ‰ÔÙ› ÙÔÓ Grig. √ Leon Â›Ó·È ¤Ó·˜ ¤ÓıÂÚÌÔ˜<br />
˘appleÔÛÙËÚÈÎÙ‹˜ ÙˆÓ Ù¯ÓÒÓ. ∂appleÈappleϤÔÓ, Ë Gaumont, Ì›· Ó¤· Á·ÏÏÈ΋ ÂÙ·ÈÚ›·,<br />
ÁÓˆÚ›˙ÂÈ fiÙÈ Ë ·ÓÂÍ¿ÚÙËÙË apple·Ú·ÁˆÁ‹ Ù˘ ‰ÂÓ appleËÁ·›ÓÂÈ Î·ıfiÏÔ˘ ηϿ. ∏ ·ÏËıÈÓ‹<br />
ÈÛÙÔÚ›· ÙÔ˘ ·ÓıÚÒappleÔ˘ appleÔ˘ ¤Î·Ó ÙËÓ appleÚÒÙË ÚÔ˘Ì·ÓÈ΋ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ-<br />
΋ Ù·ÈÓ›·.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Domino Film,<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Nae Caranfil<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €3,000,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Cristian Comeaga Producer’s filmography<br />
Cristian Comeaga was born in Bucharest; in 1984 he graduated from the Theatre and Film Academy, with a<br />
degree in cinematography. In 1987 he made his debut as a Director of Photography. Since then, he has shot<br />
numerous Romanian features and commercials, three times winning the national award for Best<br />
Cinematography. Since 1995, he has produced and directed some of the most successful Romanian commercials.<br />
His advertising career reached its peak in 1996 when he was the creative director for LINTAS –<br />
Romania In 1993 he co-founded Domino Film, where he is currently CEO. It is a leading service company in<br />
Romania; he acts as the Line Producer for many of the films serviced by the company.<br />
√ Cristian Comeaga ÁÂÓÓ‹ıËΠÛÙÔ µÔ˘ÎÔ˘Ú¤ÛÙÈ. ∆Ô 1984 ·appleÔÊÔ›ÙËÛ ·applefi ÙËÓ ∞η‰ËÌ›· £Â¿ÙÚÔ˘ Î·È ∫ÈÓË-<br />
Ì·ÙÔÁÚ¿ÊÔ˘ Ì appleÙ˘¯›Ô ÛÙËÓ ÎÈÓËÌ·ÙÔÁÚ·Ê›·. ∆Ô 1987 ¤Î·Ó ÙËÓ appleÚÒÙË ÙÔ˘ ÂÌÊ¿ÓÈÛË ˆ˜ ¢È¢ı˘ÓÙ‹˜ ºˆÙÔ-<br />
ÁÚ·Ê›·˜. ŒÎÙoÙÂ, ¤¯ÂÈ Á˘Ú›ÛÂÈ appleÔÏϤ˜ ÚÔ˘Ì¿ÓÈΘ Ù·Èӛ˜ Î·È ‰È·ÊËÌÈÛÙÈο, ÂÓÒ ¤¯ÂÈ ÎÂÚ‰›ÛÂÈ ÙÚÂȘ ÊÔÚ¤˜ ÙÔ<br />
∂ıÓÈÎfi µÚ·‚Â›Ô «∫·Ï‡ÙÂÚ˘ ∫ÈÓËÌ·ÙÔÁÚ·Ê›·˜». ∞applefi ÙÔ 1995 ¤¯ÂÈ apple·Ú¿ÁÂÈ Î·È ÛÎËÓÔıÂÙ‹ÛÂÈ ÌÂÚÈο ·applefi Ù·<br />
appleÈÔ ÂappleÈÙ˘¯Ë̤ӷ ÚÔ˘Ì¿ÓÈη ‰È·ÊËÌÈÛÙÈο. ∏ ‰È·ÊËÌÈÛÙÈ΋ ÙÔ˘ ηÚȤڷ ¤ÊÙ·Û ÛÙÔ ·applefiÁÂÈfi Ù˘ ÙÔ 1996,<br />
fiÙ·Ó ÂÚÁ¿ÛÙËΠˆ˜ ηÏÏÈÙ¯ÓÈÎfi˜ ‰È¢ı˘ÓÙ‹˜ ÁÈ· ÙÔ LINTAS – ƒÔ˘Ì·Ó›·. ∆Ô 1993, ‹Ù·Ó ¤Ó· ·applefi Ù· ̤ÏË appleÔ˘<br />
›‰Ú˘Û·Ó ÙËÓ ÂÙ·ÈÚ›· Domino Film, ÛÙËÓ ÔappleÔ›· Â›Ó·È ÙÒÚ· ÎÔÚ˘Ê·›Ô ‰ÈÔÈÎËÙÈÎfi Û٤ϯԘ. ÚfiÎÂÈÙ·È ÁÈ· Ì›·<br />
appleÚˆÙÔapplefiÚÔ ÂÙ·ÈÚ›· apple·ÚÔ¯‹˜ ˘appleËÚÂÛÈÒÓ ÛÙË ƒÔ˘Ì·Ó›·, ÛÙËÓ ÔappleÔ›· Ô Cristian Comeaga Â›Ó·È Ô ÂÎÙÂÏÂÛÙ‹˜<br />
apple·Ú·ÁˆÁfi˜ ÁÈ· appleÔÏϤ˜ ·applefi ÙȘ Ù·Èӛ˜ appleÔ˘ ·Ó·Ï·Ì‚¿ÓÂÈ Ë ÂÙ·ÈÚ›·.<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
Domino Film primarily offers full service for foreign features, TV programs and commercials that shoot in<br />
Romania. In 2005, in addition to various commercials, the company serviced: Icons of Power, documentary<br />
(Partisan Pictures, directed by Doug Schulz). Des Animaux sous Influence, documentary (Tele Images Nature,<br />
directed by Jean-Baptiste Erreca). Mafalda di Savoia, drama, (Tevere Film, directed by Maurizio Zaccaro).<br />
Domino Film has co-produced two feature films: Asphalt Tango (1995, French / Romanian co production, Les<br />
Films du Rivage / Domino Film), written and directed by Nae Caranfil; and Filantropica (2000, Romanian /<br />
French co production, Domino Film / MACT Productions), written and directed by Nae Caranfil.<br />
∏ ÂÙ·ÈÚ›· Domino Films appleÚÔÛʤÚÂÈ appleÚˆÙ›ÛÙˆ˜ ÔÏÔÎÏËڈ̤Ó˜ ˘appleËÚÂۛ˜ Û ͤÓ˜ Ù·Èӛ˜, ÙËÏÂÔappleÙÈο<br />
appleÚÔÁÚ¿ÌÌ·Ù· Î·È ‰È·ÊËÌÈÛÙÈο appleÔ˘ Á˘Ú›˙ÔÓÙ·È ÛÙË ƒÔ˘Ì·Ó›·. ∆Ô 2005, ÂÎÙfi˜ ·applefi appleÔÏÏ¿ ‰È·ÊËÌÈÛÙÈο, Ë<br />
ÂÙ·ÈÚ›· ·Ó¤Ï·‚Â Î·È ÙȘ ·ÎfiÏÔ˘ı˜ apple·Ú·ÁˆÁ¤˜: Icons of Power, ÓÙÔÎÈÌ·ÓÙ¤Ú (Partisan Pictures, Û ÛÎËÓÔıÂÛ›·<br />
Doug Schulz). Des Animaux sous Influence, ÓÙÔÎÈÌ·ÓÙ¤Ú (Tele Images Nature, ÛÂ ÛÎËÓÔıÂÛ›· Jean-<br />
Baptiste Erreca). Mafalda di Savoia , ‰Ú·Ì·ÙÈ΋ Ù·ÈÓ›·, (Tevere Film, Û ÛÎËÓÔıÂÛ›· Maurizio Zaccaro).∏ ÂÙ·È-<br />
Ú›· Û˘Ìapple·Ú‹Á·Á ‰‡Ô Ù·Èӛ˜: Asphalt Tango (1995, °·ÏÏÈ΋/ƒÔ˘Ì¿ÓÈÎË Û˘Ìapple·Ú·ÁˆÁ‹, Les Films du Rivage<br />
/ Domino Film), Û ÛÎËÓÔıÂÛ›· Î·È ÛÂÓ¿ÚÈÔ ÙÔ˘ Nae Caranfil Î·È Filantropica (2000, ƒÔ˘Ì¿ÓÈÎË/°·ÏÏÈ΋<br />
Û˘Ìapple·Ú·ÁˆÁ‹, Domino Film / MACT Productions), Û ÛÎËÓÔıÂÛ›· Î·È ÛÂÓ¿ÚÈÔ ÙÔ˘ Nae Caranfil.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Filantropica, directed by Nae Caranfil, 2000<br />
Asphalt Tango, directed by Nae Caranfil, 1995<br />
Filantropica, ÛÂ ÛÎËÓÔıÂÛ›· Nae Caranfil, 2000<br />
Asphalt Tango, ÛÂ ÛÎËÓÔıÂÛ›· Nae Caranfil, 1995<br />
Festival Prizes/ µÚ·‚›·<br />
Filantropica,<br />
2003, Jury’s Special Award, Bratislava Film Festival<br />
2003, Best Script Award,<br />
Newport Beach International Film Festival<br />
2002, Audience’s Award,<br />
Paris International Film Festival<br />
2002, Jury’s Award, Go East Festival, Wiesbaden<br />
2002, Jury’s Award, Mons International Film Festival<br />
2002, Audience’s Award,<br />
Montreal, Comedy Film Festival<br />
2002, Audience’s Award, Wurzburg Film Festival<br />
Filantropica,<br />
2003, ∂ȉÈÎfi µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜,<br />
ºÂÛÙÈ‚¿Ï Ù˘ ªappleÚ·ÙÈÛÏ¿‚·<br />
2003, µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ÂÓ·Ú›Ô˘,<br />
¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ Newport Beach<br />
2002, µÚ·‚Â›Ô ∫ÔÈÓÔ‡, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ·ÚÈÛÈÔ‡<br />
2002, µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜,<br />
ºÂÛÙÈ‚¿Ï Go East ÙÔ˘ µÈÛÌapple¿ÓÙÂÓ<br />
2002, µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ ªÔÓ˜<br />
2002, µÚ·‚Â›Ô ∫ÔÈÓÔ‡,<br />
ºÂÛÙÈ‚¿Ï ΈÌÈÎÒÓ Ù·ÈÓÈÒÓ ÙÔ˘ ªÔÓÙÚ¿Ï<br />
2002, µÚ·‚Â›Ô ∫ÔÈÓÔ‡, ºÂÛÙÈ‚¿Ï ÙÔ˘ µÔ‡ÚÙ˙ÌappleÔ˘ÚÁÎ<br />
51<br />
Domino Films
Russoun<br />
Producer<br />
Mosh Danon<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
25, Nachamany St, Tel Aviv, Israel<br />
T. +97 236204535<br />
Mobile: + 97 2546898982<br />
mosh@inosan.co.il<br />
52<br />
Israel / Ισραήλ<br />
An accidental murder, a vendetta gone wrong, and a package containing<br />
drugs: the story of Jaffa. It is the story of an Arab community living within a<br />
Jewish state. It is the story of a multitude of characters: Nasri, Omar, Malek,<br />
Anan, Binj and Dando. All carrying their own burdens and dreaming their own<br />
dreams. All of them needing money for a way out.<br />
In the colourful mosaic of Russoun. There are no good guys or bad guys, only<br />
ordinary people in impossible situations.<br />
ŒÓ·˜ Ù˘¯·›Ô˜ ÊfiÓÔ˜, Ì›· ·appleÔÙ˘¯Ë̤ÓË ‚ÂÓ٤ٷ Î·È ¤Ó· ‰¤Ì· Ì ӷÚΈÙÈο: ∏<br />
ÈÛÙÔÚ›· Ù˘ ∆˙¿Ê·. ∏ ÈÛÙÔÚ›· ÌÈ·˜ ·Ú·‚È΋˜ ÎÔÈÓfiÙËÙ·˜ appleÔ˘ ˙ÂÈ Û ¤Ó· ‚ڷ˚Îfi<br />
ÎÚ¿ÙÔ˜. ∏ ÈÛÙÔÚ›· ‰È·ÊfiÚˆÓ ¯·Ú·ÎÙ‹ÚˆÓ: Nasri, Omar, Malek, Anan, Binj ηÈ<br />
Dando. ŸÏÔÈ ÎÔ˘‚·ÏÔ‡Ó ÙÔ ‰ÈÎfi ÙÔ˘˜ ÊÔÚÙ›Ô Î·È Î¿ÓÔ˘Ó Ù· ‰Èο ÙÔ˘˜ fiÓÂÈÚ·.<br />
ŸÏÔÈ ÙÔ˘˜ ¯ÚÂÈ¿˙ÔÓÙ·È ¯Ú‹Ì·Ù· ÁÈ· Ó· ÍÂʇÁÔ˘Ó. ÙÔ appleÔχ¯ÚˆÌÔ ÌˆÛ·˚Îfi ÙÔ˘<br />
Russoun ‰ÂÓ ˘apple¿Ú¯Ô˘Ó «Î·ÏÔ›» Î·È «Î·ÎÔ›», ÌfiÓÔ ·appleÏÔ› ¿ÓıÚˆappleÔÈ Û ·‰È¤Íԉ˜<br />
ηٷÛÙ¿ÛÂȘ.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Inosan LTD,<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Yaron Shani & Scandar Copti<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: $ 1,300,000<br />
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Mosh Danon Producer’s filmography<br />
Mosh Danon has been in the film business for over twenty years and has produced dozens of feature films,<br />
TV films, dramas, series and documentaries. In 2004 he founded Inosan Ltd., an independent production<br />
company specializing in feature film and television production. Between 2000 and 2004 Danon was Managing<br />
Director of JCS Productions, Israel’s largest production company (part of the Ronald S. Lauder Group). His<br />
credits include: Colombian Love, Café Tales ( Montpellier International Film Festival), Paper Snow (winner of<br />
the Israeli Academy Award, scheduled to be broadcast on ARTE France), Slaves of the Lord (Cannes Directors<br />
Fortnight), Amsalems Tears (Edinburgh IFF), the documentary My 100 Children, Vulcan Junction, and Besame<br />
Mucho.<br />
√ Mosh Danon ‰Ú·ÛÙËÚÈÔappleÔÈÂ›Ù·È ÛÙÔÓ ¯ÒÚÔ ÙÔ˘ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ apple¿Óˆ ·applefi ›ÎÔÛÈ ¯ÚfiÓÈ·, ÂÓÒ ¤¯ÂÈ ÂÚÁ·-<br />
ÛÙ› ˆ˜ apple·Ú·ÁˆÁfi˜ Û appleÔÏ˘¿ÚÈı̘ Ù·Èӛ˜ Ì˘ıÔappleÏ·Û›·˜, ÙËÏÂÔappleÙÈΤ˜ Ù·Èӛ˜, ı·ÙÚÈο ¤ÚÁ·, Û›ÚÈ·Ï Î·È<br />
ÓÙÔÎÈÌ·ÓÙ¤Ú. ∆Ô 2004 ›‰Ú˘Û ÙËÓ Inosan Ltd., ÌÈ· ·ÓÂÍ¿ÚÙËÙË ÂÙ·ÈÚ›· apple·Ú·ÁˆÁ‹˜ appleÔ˘ ÂȉÈ·ÂÙ·È ÛÙȘ Ù·È-<br />
ӛ˜ Ì˘ıÔappleÏ·Û›·˜ Î·È ÙȘ ÙËÏÂÔappleÙÈΤ˜ apple·Ú·ÁˆÁ¤˜. ∞applefi ÙÔ 2000 ̤¯ÚÈ ÙÔ 2004, Ô Danon ‹Ù·Ó ‰È¢ı‡ÓˆÓ Û‡Ì-<br />
‚Ô˘ÏÔ˜ Ù˘ JCS Productions, Ù˘ ÌÂÁ·Ï‡ÙÂÚ˘ ÈÛÚ·ËÏÈÓ‹˜ ÂÙ·ÈÚ›·˜ apple·Ú·ÁˆÁ‹˜ (appleÔ˘ ·Ó‹ÎÂÈ ÛÙÔÓ fiÌÈÏÔ ÙÔ˘<br />
Ronald S. Lauder). ªÂٷ͇ ÙˆÓ ÂappleÈÙ˘¯ÈÒÓ ÙÔ˘ Û˘ÁηٷϤÁÔÓÙ·È: Colombian Love, Café Tales (¢ÈÂıÓ¤˜ ºÂÛÙÈ-<br />
‚¿Ï ÙÔ˘ ªÔÓappleÂÏÏȤ), Paper Snow (‚Ú·‚Â›Ô Ù˘ ÈÛÚ·ËÏÈÓ‹˜ ∞η‰ËÌ›·˜_ appleÚfiÎÂÈÙ·È Ó· appleÚÔ‚ÏËı› ÛÙÔ ARTE<br />
France), Slaves of the Lord (¢ÂηappleÂÓı‹ÌÂÚÔ ÎËÓÔıÂÙÒÓ ÙˆÓ ∫·ÓÓÒÓ), Amsalems Tears (Edinburgh IFF), ÙÔ<br />
ÓÙÔÎÈÌ·ÓÙ¤Ú My 100 Children, Vulcan Junction Î·È ÙÔ Besame Mucho..<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
Inosan Ltd. was founded in 2004 by veteran producer Mosh Danon. The company is dedicated to producing<br />
quality feature films and television series. Inosan has already produced 5 television films and is currently producing<br />
three television series. The company has several feature film projects in advanced stages of development,<br />
all structured as international co-productions.<br />
∏ ÂÙ·ÈÚ›· Inosan Ltd. π‰Ú‡ıËΠÙÔ 2004 ·applefi ÙÔÓ ‚ÂÙÂÚ¿ÓÔ apple·Ú·ÁˆÁfi Mosh Danon. ∞Û¯ÔÏÂ›Ù·È Ì ÙËÓ apple·Ú·-<br />
ÁˆÁ‹ appleÔÈÔÙÈÎÒÓ Ù·ÈÓÈÒÓ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ Î·È ÙËÏÂÔappleÙÈÎÒÓ ÛÂÈÚÒÓ. Œ¯ÂÈ apple·Ú¿ÁÂÈ ‹‰Ë 5 ÙËÏÂÔappleÙÈΤ˜ Ù·Èӛ˜<br />
Î·È ÙÒÚ· ·Û¯ÔÏÂ›Ù·È Ì ÙËÓ apple·Ú·ÁˆÁ‹ ÙÚÈÒÓ ÙËÏÂÔappleÙÈÎÒÓ ÛÂÈÚÒÓ. ÙȘ ÙÚ¤¯Ô˘Û˜ ‰Ú·ÛÙËÚÈfiÙËÙ˜ Ù˘ ÂÙ·È-<br />
Ú›·˜ appleÂÚÈÏ·Ì‚¿ÓÔÓÙ·È Î·È ‰È¿ÊÔÚ˜ ‰ÈÂıÓ›˜ Û˘Ìapple·Ú·ÁˆÁ¤˜ appleÔ˘ ‚Ú›ÛÎÔÓÙ·È ‹‰Ë Û appleÚÔ¯ˆÚË̤ÓÔ ÛÙ¿‰ÈÔ<br />
·Ó¿appleÙ˘Í˘.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Colombian Love, directed by Shay Kanot, 2004<br />
Café Tales, directed by Amit Lior, 2003<br />
Vulcan Junction, directed by Eran Riklis, 1999<br />
Colombian Love, ÛÂ ÛÎËÓÔıÂÛ›· Shay Kanot, 2004<br />
Café Tales, ÛÂ ÛÎËÓÔıÂÛ›· Amit Lior, 2003<br />
Vulcan Junction, ÛÂ ÛÎËÓÔıÂÛ›· Eran Riklis, 1999<br />
Festival Prizes/ µÚ·‚›·<br />
Café Tales, Montpellier IFF, 2003<br />
Paper Snow, Winner Israeli Academy Award, 2003<br />
My 100 Children, Winner best documentary Jerusalem IFF<br />
Vulcan Junction, Winner Haifa IFF, 1999<br />
Besame Mucho, Winner Best film, Jerusalem IFF, 1999<br />
Café Tales, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ ªÔÓappleÂÏÏȤ, 2003<br />
Paper Snow, µÚ·‚Â›Ô πÛÚ·ËÏÈÓ‹˜ ∞η‰ËÌ›·˜, 2003<br />
My 100 Children, µÚ·‚Â›Ô ∫·Ï‡ÙÂÚÔ˘ ¡ÙÔÎÈÌ·ÓÙ¤Ú<br />
ÛÙÔ ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ πÂÚÔ˘Û·Ï‹Ì<br />
Vulcan Junction, µÚ·‚Â›Ô ÛÙÔ ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï<br />
Ù˘ ÿÈÊ·, 1999<br />
Besame Mucho, µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜<br />
ÛÙÔ ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï<br />
∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ Ù˘ πÂÚÔ˘Û·Ï‹Ì, 1999<br />
53<br />
Inosan Ltd.
Still Lives<br />
Producer<br />
Leonel Vieira<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
97, R. Rodrigues Sampaio,<br />
1150-279 Lisbon, Portugal<br />
T. +35 1213121170<br />
Mobile: + 35 1914047581<br />
mail@stopline.pt<br />
www.stopline.pt<br />
54<br />
Portugal / Πορτογαλία<br />
Sebas and Javier are two small time hoods, living in Almeria, Spain. Their<br />
attempt to rob a bullring goes wrong when somehow Javier ends up in the ring<br />
with the bull. Some time later, a man called Augusto, the apparently faithful<br />
retainer of a countess, offers them a chance to rob a Van Gogh, which belongs<br />
to her. The job seems easy so they jump at the opportunity. But there is more<br />
to this heist than meets the eye …<br />
√ Sebas Î·È Ô Javier Â›Ó·È ‰‡Ô Ó·ÚÔ› ηÎÔappleÔÈÔ› appleÔ˘ ˙Ô˘Ó ÛÙËÓ ∞ÏÌÂÚ›· Ù˘<br />
πÛapple·Ó›·˜. ∏ appleÚÔÛapple¿ıÂÈ· ÙÔ˘˜, fï˜, Ó· ÏËÛÙ¤„Ô˘Ó Ì›· ·Ú¤Ó· Ù·˘ÚÔÌ·¯ÈÒÓ<br />
·appleÔÙ˘Á¯¿ÓÂÈ fiÙ·Ó Ô Javier ηٷϋÁÂÈ Ô ›‰ÈÔ˜ ÛÙËÓ ·Ú¤Ó· Ì ÙÔÓ Ù·‡ÚÔ. ∞ÚÁfi-<br />
ÙÂÚ·, ¤Ó·˜ ¿Ó‰Ú·˜, Ô Augusto, appleÔ˘ ‰È·Ù›ÓÂÙ·È fiÙÈ Â›Ó·È ·ÎfiÏÔ˘ıÔ˜ ÌÈ·˜ ÎfiÌÈÛ-<br />
Û·˜, ÙÔ˘˜ appleÚÔÛʤÚÂÈ ÙËÓ Â˘Î·ÈÚ›· Ó· ÎϤ„Ô˘Ó ¤Ó·Ó apple›Ó·Î· ÙÔ˘ Van Gogh, appleÔ˘<br />
·Ó‹ÎÂÈ ÛÙËÓ ÎfiÌÈÛÛ·. ∏ ‰Ô˘ÏÂÈ¿ Ê·›ÓÂÙ·È Â‡ÎÔÏË Î·È Ûapple‡‰Ô˘Ó Ó· ÂappleˆÊÂÏËıÔ‡Ó<br />
Ù˘ ¢ηڛ·˜. ŸÌˆ˜, ÏËÛÙ›· ÎÚ‡‚ÂÈ appleÂÚÈÛÛfiÙÂÚ· ·apple’fiÛ· Ê·›ÓÔÓÙ·È ÂÎ<br />
appleÚÒÙ˘ fi„ˆ˜.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Stopline Films,<br />
Director / ÎËÓÔıÂÛ›·: Leonel Viera,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Roberto Santiago & Joao Quadros<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €2,500,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Lionel Vieira Producer’s filmography<br />
Born in Miranda do Douro, Portugal in 1969 to a Portuguese mother and Spanish father. From a very young<br />
age, Vieira was strongly motivated by design and, at the age of 15, devoted himself to painting. At 17 he settled<br />
in the city of Oporto, where he studied design for 3 years. At 20, he moved to Madrid where he completed<br />
a course in Film Directing at the TAI School in the early 90s. At 26 years of age, Vieira returned to<br />
Portugal and directed his feature film, A Sombra dos Abutres. With his second film, Zona J, he succeeded in<br />
making one of the biggest box office successes in Portugal and the 4th biggest in Portuguese film history.<br />
In 2001, he directed the large-scale production A Selva in the Brazilian Amazon, which was also a box office<br />
success in 2002. At present, Vieira is preparing his next film Naturezas Mortas.<br />
°ÂÓÓ‹ıËΠÙÔ 1969 ÛÙË Miranda do Douro Ù˘ ÔÚÙÔÁ·Ï›·˜ ·applefi ÌËÙ¤Ú· ÔÚÙÔÁ·Ï¤˙· Î·È apple·Ù¤Ú· πÛapple·Ófi. ∞applefi<br />
appleÔχ ÌÈÎÚ‹ ËÏÈΛ·, ÂӉȷʤÚıËΠÁÈ· ÙÔ Û¯¤‰ÈÔ Î·È ÛÙËÓ ËÏÈΛ· ÙˆÓ 15 ·ÊÈÂÚÒıËΠÛÙË ˙ˆÁÚ·ÊÈ΋. Ù· 17<br />
ÙÔ˘ ÂÁηٷÛÙ¿ıËΠÛÙÔ √applefiÚÙÔ, fiappleÔ˘ ÛappleÔ‡‰·Û ۯ¤‰ÈÔ ÁÈ· 3 ¯ÚfiÓÈ·. Ù· 20 ÙÔ˘ ÌÂÙ·ÎfiÌÈÛ ÛÙË ª·‰Ú›ÙË,<br />
fiappleÔ˘ ÔÏÔÎÏ‹ÚˆÛ ÙȘ ÛappleÔ˘‰¤˜ ÙÔ˘ ÛÙËÓ ∫ÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÎËÓÔıÂÛ›· ÛÙË ¯ÔÏ‹ TAI ÛÙȘ ·Ú¯¤˜ Ù˘ ‰ÂηÂ-<br />
Ù›·˜ ÙÔ˘ ’90. Ù· 26 Ô Vieira Âapple¤ÛÙÚ„ ÛÙËÓ ÔÚÙÔÁ·Ï›· ÁÈ· Ó· ÛÎËÓÔıÂÙ‹ÛÂÈ ÙËÓ appleÚÒÙË ÙÔ˘ Ù·ÈÓ›·, A Sombra<br />
dos Abutres. ∏ ‰Â‡ÙÂÚË Ù·ÈÓ›· ÙÔ˘, Zona J, ‹Ù·Ó Ì›· ·applefi ÙȘ ÌÂÁ·Ï‡ÙÂÚ˜ ÂÈÛappleÚ·ÎÙÈΤ˜ ÂappleÈÙ˘¯›Â˜ ÛÙËÓ ÔÚ-<br />
ÙÔÁ·Ï›· Î·È Ë Ù¤Ù·ÚÙË appleÈÔ ÂÌappleÔÚÈ΋ Ù·ÈÓ›· ÛÙËÓ appleÔÚÙÔÁ·ÏÈ΋ ÎÈÓËÌ·ÙÔÁÚ·ÊÈ΋ ÈÛÙÔÚ›·. ∆Ô 2001 ÛÎËÓÔı¤ÙËÛÂ<br />
ÙË ÌÂÁ¿ÏË apple·Ú·ÁˆÁ‹ A Selva Á˘ÚÈṲ̂ÓË ÛÙÔÓ ‚Ú·˙ÈÏÈ¿ÓÈÎÔ ∞Ì·˙fiÓÈÔ, appleÔ˘ ‹Ù·Ó Î·È ·˘Ùfi Ì ÙË ÛÂÈÚ¿ ÙÔ˘ ÂÌappleÔ-<br />
ÚÈ΋ ÂappleÈÙ˘¯›· ÙÔ 2002. ∞˘Ù‹ ÙËÓ appleÂÚ›Ô‰Ô, appleÚÔÂÙÔÈÌ¿˙ÂÈ ÙËÓ ÂapplefiÌÂÓ‹ ÙÔ˘ Ù·ÈÓ›·, ÙÔ Naturezas Mortas.<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
After working as an executive producer on several national productions, Leonel Vieira decided to found Stopline<br />
Films with his collaborator Pedro Camacho (a line producer) and in partnership with Change Partners, S.C.R., S.<br />
A. (a major Portuguese finance company with Ä 5,000,000 in corporate holdings). Its intent is to produce films<br />
and television series for the Brazilian, Portuguese, and Hispanic markets. In 2004, Stopline Films made the strategic<br />
decision to acquire Leonel Vieira’s share of CCFBR Produçoes (Brazil). Its key strategy is based on the fact that<br />
any growth in the Portuguese audiovisual sector must pass through the Portugal-Brazil-Spain triangle, so Stopline<br />
Films’ productions are fully integrated in terms of both investment and exploration of all three markets.<br />
Œ¯ÔÓÙ·˜ οÓÂÈ ÂÎÙ¤ÏÂÛË apple·Ú·ÁˆÁ‹˜ Û ‰È¿ÊÔÚ˜ appleÔÚÙÔÁ·ÏÈΤ˜ apple·Ú·ÁˆÁ¤˜, Ô Leonel Vieira ·appleÔÊ¿ÛÈÛ ӷ<br />
ȉڇÛÂÈ ÙËÓ ÂÙ·ÈÚ›· Stopline Films Ì ÙÔÓ Û˘ÓÂÚÁ¿ÙË ÙÔ˘ Pedro Camacho (˘apple‡ı˘ÓÔ ÔÚÁ¿ÓˆÛ˘ apple·Ú·ÁˆÁ‹˜)<br />
Î·È Ì ۇÌappleÚ·ÍË Ù˘ Change Partners, S.C.R., S. A. (ÌÈ·˜ ÌÂÁ¿Ï˘ appleÔÚÙÔÁ·ÏÈ΋˜ ÔÈÎÔÓÔÌÈ΋˜ ÂÙ·ÈÚ›·˜ Ì Ä<br />
5.000.000 ÂÙ·ÈÚÈÎfi ÎÂÊ¿Ï·ÈÔ). Ùfi¯Ô˜ Ù˘ ÂÙ·ÈÚ›·˜ Â›Ó·È Ë apple·Ú·ÁˆÁ‹ Ù·ÈÓÈÒÓ Î·È ÙËÏÂÔappleÙÈÎÒÓ ÛÂÈÚÒÓ ÁÈ· ÙË<br />
‚Ú·˙ÈÏÈ¿ÓÈÎË, appleÔÚÙÔÁ·ÏÈ΋ Î·È ÈÛapple·ÓfiʈÓË ·ÁÔÚ¿. ∆Ô 2004, Ë Stopline Films apple‹Ú ÙË ÛÙÚ·ÙËÁÈ΋ ·applefiÊ·ÛË Ó·<br />
ÂÍ·ÁÔÚ¿ÛÂÈ ÙÔ ÌÂÚ›‰ÈÔ ÙÔ˘ Leonel Vieira ·applefi ÙËÓ CCFBR Produçoes (µÚ·˙ÈÏ›·). ∏ ÛÙÚ·ÙËÁÈ΋ Ù˘ ÂÙ·ÈÚ›·˜ ‚·Û›-<br />
˙ÂÙ·È ÛÙÔ ÁÂÁÔÓfi˜ fiÙÈ Î¿ı ·Ó¿appleÙ˘ÍË ÛÙÔÓ ÙÔ̤· ÙˆÓ ÔappleÙÈÎÔ·ÎÔ˘ÛÙÈÎÒÓ ÛÙËÓ ÔÚÙÔÁ·Ï›· appleÚ¤appleÂÈ Ó· ·apple¢ı‡-<br />
ÓÂÙ·È ÛÙÔ ÙÚ›ÁˆÓÔ ÔÚÙÔÁ·Ï›·-µÚ·˙ÈÏ›·-πÛapple·Ó›·. ø˜ ÂÎ ÙÔ‡ÙÔ˘, ÔÈ apple·Ú·ÁˆÁ¤˜ Ù˘ Stopline Films Â›Ó·È appleÏ‹Úˆ˜<br />
ÔÏÔÎÏËڈ̤Ó˜ fiÛÔÓ ·ÊÔÚ¿ ÙfiÛÔ ÛÙȘ ÂappleÂÓ‰‡ÛÂȘ fiÛÔ Î·È ÛÙËÓ ÂÍÂÚ‡ÓËÛË ÙˆÓ ÙÚÈÒÓ ·˘ÙÒÓ ·ÁÔÚÒÓ.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
PT Escolas II, directed by Leonel Vieira, 2005<br />
Segredo, directed by<br />
Paulo Nascimento and Patricia Sequeira<br />
PT Escolas I, directed by Leonel Vieira, 2004<br />
PT Escolas II, ÛÂ ÛÎËÓÔıÂÛ›· Leonel Vieira, 2005<br />
Segredo, ÛÂ ÛÎËÓÔıÂÛ›·<br />
Paulo Nascimento Î·È Patricia Sequeira<br />
PT Escolas I, ÛÂ ÛÎËÓÔıÂÛ›· Leonel Vieira, 2004<br />
Festival Prizes/ µÚ·‚›·<br />
A Sombra dos Abutres<br />
Audience Award, 6th Festival<br />
“Caminhos do Cinema Portuguës”, Coimbra, 1999<br />
Best Picture, Best Cinematography, Best Actor (Diogo<br />
Infante), Gramado Festival Brazil, 1999<br />
A Sombra dos Abutres<br />
µÚ·‚Â›Ô ∫ÔÈÓÔ‡, 6Ô ºÂÛÙÈ‚¿Ï<br />
«Caminhos do Cinema Portuguës», ∫fiÈÌappleÚ·, 1999<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∆·ÈÓ›·˜,<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ºˆÙÔÁÚ·Ê›·˜,<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ∞Ó‰ÚÈ΋˜ ∂ÚÌËÓ›·˜<br />
(Diogo Infante), ºÂÛÙÈ‚¿Ï Gramado, µÚ·˙ÈÏ›·, 1999<br />
55<br />
Stopline Films
Stray Dog<br />
Producer<br />
Ada Solomon<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
23, Ctin Bosianu st.,<br />
Bucharest, Romania<br />
T. +40 7232 00640<br />
Mobile: +40 723200640<br />
ada@hifilm.ro<br />
www.hifilm.ro<br />
56<br />
Romania<br />
Seven-year old Teo has lived with his aunt Sabina since he was abandoned.<br />
Increasingly Teo feels that his presence is a burden to Sabina so he runs away<br />
to find his mother. His only companion is<br />
Botic, a stray dog he found on the street, which his aunt wouldn’t let him keep.<br />
The distraught Sabina looks for her nephew but he is roaming the city, running<br />
into all sorts of shady characters...<br />
√ ÂappleÙ¿¯ÚÔÓÔ˜ Teo ˙ÂÈ Ì ÙË ı›· ÙÔ˘ Sabina ·applefi ÙfiÙ appleÔ˘ ÙÔÓ ÂÁη٤ÏÂÈ„·Ó ÔÈ<br />
ÁÔÓ›˜ ÙÔ˘. ∞ÈÛı¿ÓÂÙ·È, fï˜, fiÙÈ Â›Ó·È ‚¿ÚÔ˜ ÁÈ· ÙË Sabina Î·È ·appleÔÊ·Û›˙ÂÈ Ó·<br />
ÙÔ ÛοÛÂÈ ÁÈ· Ó· ‚ÚÂÈ ÙË ÌËÙ¤Ú· ÙÔ˘. ªÔÓ·‰ÈÎfi˜ ÙÔ˘ Û‡ÓÙÚÔÊÔ˜ Â›Ó·È Ô Botic,<br />
¤Ó· ·‰¤ÛappleÔÙÔ ÛÎ˘Ï› appleÔ˘ ‚ڋΠÛÙÔÓ ‰ÚfiÌÔ appleÔ˘ Ë ı›· ÙÔ˘ ‰ÂÓ ÙÔ˘ Âapple¤ÙÚ„Â<br />
Ó· ÎÚ·Ù‹ÛÂÈ. ∏ Sabina ·ÏÏfiÊÚˆÓ „¿¯ÓÂÈ ÙÔÓ ·ÓË„Èfi Ù˘, ·ÏÏ¿ ·˘Ùfi˜ appleÂÚÈappleÏ·ÓȤٷÈ<br />
ÛÙËÓ applefiÏË, apple¤ÊÙÔÓÙ·˜ apple¿Óˆ Û ‰È¿ÊÔÚÔ˘˜ appleÂÚ›ÂÚÁÔ˘˜ ¯·Ú·ÎÙ‹Ú˜.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Hi Film Production & Carl Haber Productions,<br />
Director / ÎËÓÔıÂÛ›·: Carl Haber,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Carl Haber & Carmen Burcea<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €770,000<br />
Secured Financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ÃÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Ada Solomon Producer’s filmography<br />
Ada Solomon has worked as a first assistant director, a production manager and a producer. She currently<br />
has the following projects in development:<br />
Stray Dog by Carl Haber.<br />
Cold Waves by Alexandru Solomon (Supported by Media II Programme and the Romanian CNC).<br />
Lamp with a Hat by Radu Jude (Supported by the Romanian CNC)<br />
∏ Ada Solomon ¤¯ÂÈ ÂÚÁ·ÛÙ› ˆ˜ appleÚÒÙÔ˜ ‚ÔËıfi˜ ÛÎËÓÔı¤ÙË, ‰È¢ı‡ÓÙÚÈ· apple·Ú·ÁˆÁ‹˜ Î·È apple·Ú·ÁˆÁfi˜. ∞˘Ù‹<br />
ÙË ÛÙÈÁÌ‹ ·Û¯ÔÏÂ›Ù·È Ì ÙËÓ ·Ó¿appleÙ˘ÍË ÙˆÓ ·ÎfiÏÔ˘ıˆÓ apple·Ú·ÁˆÁÒÓ:<br />
Stray Dog ÙÔ˘ Carl Haber.<br />
Cold Waves ÙÔ˘ Alexandru Solomon (ªÂ ÙËÓ ˘appleÔÛÙ‹ÚÈÍË ÙÔ˘ appleÚÔÁÚ¿ÌÌ·ÙÔ˜ Media II Î·È ÙËÓ ˘appleÔÛÙ‹ÚÈÍË ÙÔ˘<br />
°·ÏÏÈÎÔ‡ ∫¤ÓÙÚÔ˘ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘).<br />
Lamp with a Hat ÙÔ˘ Radu Jude (ªÂ ÙËÓ ˘appleÔÛÙ‹ÚÈÍË ÙÔ˘ ƒÔ˘Ì¿ÓÈÎÔ˘ ∫¤ÓÙÚÔ˘ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘)<br />
Company profile/ ∏ ÂÙ·ÈÚ›·<br />
Hi Film is a production company producing “made in Romania but designed for the world” projects. We are<br />
producing our own projects as well as doing from A to Z production services for foreign companies.<br />
∏ Hi Film Â›Ó·È Ì›· ÂÙ·ÈÚ›· apple·Ú·ÁˆÁ‹˜ appleÔ˘ ‰Ú·ÛÙËÚÈÔappleÔÈÂ›Ù·È Û appleÚÔÁÚ¿ÌÌ·Ù· «ÊÙÈ·Á̤ӷ ÛÙË ƒÔ˘Ì·Ó›·,<br />
·ÏÏ¿ appleÚÔÔÚÈṲ̂ӷ ÁÈ· fiÏÔ ÙÔÓ ÎfiÛÌÔ». ∞Û¯ÔÏԇ̷ÛÙ ÙfiÛÔ Ì ‰ÈΤ˜ Ì·˜ apple·Ú·ÁˆÁ¤˜ fiÛÔ Î·È Ì ÙËÓ apple·ÚÔ-<br />
¯‹ ˘appleËÚÂÛÈÒÓ ·applefi ÙÔ ∞ ˆ˜ ÙÔ ø ÁÈ· ͤÓ˜ ÂÙ·ÈÚ›˜.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Trolleyblues directed by Cristian Nemescu<br />
Black Sea directed by Andrew Reuland, 2004<br />
La Route de la Peur directed by Judith Kele, 2004<br />
Trolleyblues ÛÂ ÛÎËÓÔıÂÛ›· Cristian Nemescu<br />
Black Sea ÛÂ ÛÎËÓÔıÂÛ›· Andrew Reuland, 2004<br />
La Route de la Peur ÛÂ ÛÎËÓÔıÂÛ›· Judith Kele<br />
(Á·ÏÏÈÎfi appleÂÈÚ·Ì·ÙÈÎfi ‰Ú·Ì·ÙÔappleÔÈË̤ÓÔ<br />
ÓÙÔÎÈÌ·ÓÙ¤Ú ÁÈ· ÙÔ ARTE), 2004<br />
57<br />
Hi Film
Tango Notturno<br />
Producer<br />
Elena Hatzialexandrou<br />
ŒÏÂÓ· ÷Ù˙Ë·ÏÂÍ¿Ó‰ÚÔ˘<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
3, D. Soutsou, Mavili Square,<br />
11521 Athens, Greece<br />
¢. Ô‡ÙÛÔ˘ 3, Ï·Ù›· ª·‚›ÏË,<br />
11521, ∞ı‹Ó·<br />
T. +30 2106449923, T. +30 2106423129<br />
Mobile: +30 6936017090<br />
Safe@otenet.gr<br />
www.safecompany.gr<br />
58<br />
Greece / Ελλάδα<br />
The story of bigamy - by mistake - set in a small Greek country town during the<br />
War years and the period leading to the beginning of the Civil War. In 1940,<br />
Katerina marries Yannis just before Greece is drawn into World War II. In October<br />
that year, Yannis leaves for the Albanian front and does not come back. Her<br />
hopes for his return gradually fade. She eventually falls in love and in 1943, she<br />
marries Stratos. In 1944, Yanni suddenly returns and Katerina finds herself<br />
wedged between her two husbands and their families.<br />
ª›· ÈÛÙÔÚ›· ‰ÈÁ·Ì›·˜ –·applefi Ï¿ıÔ˜– Û ̛· ÌÈÎÚ‹ ÂÏÏËÓÈ΋ Âapple·Ú¯È·Î‹ applefiÏË Î·Ù¿<br />
ÙË ‰È¿ÚÎÂÈ· ÙÔ˘ appleÔϤÌÔ˘ Î·È ÙËÓ appleÂÚ›Ô‰Ô appleÔ˘ Ô‰‹ÁËÛ ÛÙÔÓ ∂ÌʇÏÈÔ fiÏÂÌÔ.<br />
∆Ô 1940, Ë ∫·ÙÂÚ›Ó· apple·ÓÙÚ‡ÂÙ·È ÙÔÓ °È¿ÓÓË Ï›ÁÔ appleÚÈÓ ÂÌappleϷΛ Ë ∂ÏÏ¿‰· ÛÙÔÓ<br />
µ’ ·ÁÎfiÛÌÈÔ fiÏÂÌÔ. ∆ÔÓ √ÎÙÒ‚ÚÈÔ ÙÔ˘ ›‰ÈÔ˘ ¯ÚfiÓÔ˘ Ô °È¿ÓÓ˘ ʇÁÂÈ ÁÈ· ÙÔ<br />
·Ï‚·ÓÈÎfi ̤وappleÔ Î·È ‰ÂÓ ÂappleÈÛÙÚ¤ÊÂÈ. √È ÂÏapple›‰Â˜ Ù˘ ∫·ÙÂÚ›Ó·˜ Û‚‹ÓÔ˘Ó ÛÙ·-<br />
‰È·Î¿. ∆ÂÏÈο, ÙÔ 1943, ÂÚˆÙ‡ÂÙ·È Î·È apple·ÓÙÚ‡ÂÙ·È ÙÔÓ ÙÚ¿ÙÔ. ∆Ô 1944 Ô<br />
°È¿ÓÓ˘ ÂappleÈÛÙÚ¤ÊÂÈ Í·ÊÓÈο Î·È Ë ∫·ÙÂÚ›Ó· ‚Ú›ÛÎÂÙ·È Í·ÊÓÈο ÛÙÚÈ̈Á̤ÓË<br />
·Ó¿ÌÂÛ· Û ‰‡Ô Û˘˙‡ÁÔ˘˜ Î·È ÙȘ ÔÈÎÔÁ¤ÓÂȘ ÙÔ˘˜.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Safe Company<br />
Directors-Writers / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ:<br />
Michalis Reppas & Thanasis Papathanasiou / ªÈ¯¿Ï˘ ƒ¤appleapple·˜ & £·Ó¿Û˘ ·apple·ı·Ó·Û›Ô˘<br />
Cinematography / ¢È‡ı˘ÓÛË ºˆÙÔÁÚ·Ê›·˜: Lefteris Pavlopoulos / §Â˘Ù¤Ú˘ ·˘ÏfiappleÔ˘ÏÔ˜<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €2,000,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Elena Hatzialexandrou/ Έλενα Χατζηαλεξάνδρου Producer’s filmography<br />
Elena Hatzialexandrou graduated from the postgraduate “Film Financing, Production and Distribution”<br />
department of the Royal College of Art in London in 1966 after completing pregraduate and postgraduate<br />
studies in business administration. She began her career in 1985 on the board of directors of the Macedonia<br />
Sun Hotel and continued as Marketing & Sales Administrator for Warner Roadshow Distributors. She worked<br />
with the Papandreou S.A. company for the production of the successful films Safe Sex by Reppas-<br />
Papathanasiou, Risotto by Olga Malea and Full Pink Ahead by Roma-Hatzisofia. In 2000 she founded the SAFE<br />
COMPANY and produces successful films, TV series as well as documentaries.<br />
∏ ŒÏÂÓ· ÷Ù˙Ë·ÏÂÍ¿Ó‰ÚÔ˘ ·appleÔÊÔ›ÙËÛ ÙÔ 1996 ·applefi ÙÔ ÌÂÙ·appleÙ˘¯È·Îfi ÙÌ‹Ì· “Film Financing, Production and<br />
Distribution”, ÙÔ˘ Royal College of Art ÙÔ˘ §ÔÓ‰›ÓÔ˘, ¤¯ÔÓÙ·˜ ÔÏÔÎÏËÚÒÛÂÈ ÙȘ appleÚÔappleÙ˘¯È·Î¤˜ Î·È ÌÂÙ·appleÙ˘¯È·-<br />
Τ˜ ÛappleÔ˘‰¤˜ ÛÙË ‰ÈÔ›ÎËÛË ÂappleȯÂÈÚ‹ÛˆÓ. •ÂΛÓËÛ ÙËÓ Î·ÚȤڷ Ù˘ ÙÔ 1985 ÛÙÔ ¢ÈÔÈÎËÙÈÎfi ˘Ì‚Ô‡ÏÈÔ ÙÔ˘<br />
•ÂÓÔ‰Ô¯Â›Ô˘ Macedonia Sun Hotel Î·È Û˘Ó¤¯ÈÛ ˆ˜ Marketing & Sales Administrator ÁÈ· ÙË Warner Roadshow.<br />
˘ÓÂÚÁ¿ÛÙËΠ̠ÙËÓ ·apple·Ó‰Ú¤Ô˘ ∞.∂. ÁÈ· ÙËÓ apple·Ú·ÁˆÁ‹ ÙˆÓ ÂappleÈÙ˘¯ËÌ¤ÓˆÓ Ù·ÈÓÈÒÓ Safe Sex ÙˆÓ ƒ¤appleapple·-<br />
·apple·ı·Ó·Û›Ô˘, ƒÈ˙fiÙÔ Ù˘ ŸÏÁ·˜ ª·Ï¤· Î·È ƒÔ˙ √ÏÔÙ·¯Ò˜ ÙˆÓ ƒÒÌ·-÷Ù˙ËÛÔÊÈ¿. ∆Ô 2000 ›‰Ú˘Û ÙË SAFE<br />
COMPANY Î·È ·applefi ÙfiÙ apple·Ú¿ÁÂÈ ÂappleÈÙ˘¯Ë̤Ó˜ Ù·Èӛ˜, Û‹ÚÈ·Ï ÁÈ· ÙËÓ ÂÏÏËÓÈ΋ ÙËÏÂfiÚ·ÛË Î·ıÒ˜ Î·È ÓÙÔÎÈ-<br />
Ì·ÓÙ¤Ú.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Safe Company is a company that produces films and television series and is based in Athens. Its aim is to produce<br />
commercial and quality audiovisual works for the Greek and international market. It was founded in<br />
2000 by a dynamic and creative team of professionals from the audiovisual sector with long years of experience<br />
and a successful career in theater and television. Businesswoman Eleni Hatzialexandrou on the one<br />
hand and filmmakers Michalis Reppas and Thanasis Papathanasiou on the other have contributed to the completion<br />
of successful productions for television and the cinema (Silicon Tears, Oxygen, Karabela Family, and<br />
Safe Sex-TV Stories) while, working with professionals in the field, Safe Company recently added documentaries<br />
to its roster.<br />
∏ Safe Company Â›Ó·È ÂÙ·ÈÚ›· apple·Ú·ÁˆÁ‹˜ Ù·ÈÓÈÒÓ Î·È Û›ÚÈ·Ï ÁÈ· ÙËÓ ÙËÏÂfiÚ·ÛË Î·È ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ, Ë ÔappleÔ›·<br />
‰Ú‡ÂÈ ÛÙËÓ ∞ı‹Ó· Î·È ¤¯ÂÈ ÛÙfi¯Ô ÙËÓ apple·Ú·ÁˆÁ‹ ÂÌappleÔÚÈÎÒÓ Î·È appleÔÈÔÙÈÎÒÓ ÔappleÙÈÎÔ·ÎÔ˘ÛÙÈÎÒÓ ¤ÚÁˆÓ ÁÈ· ÙËÓ<br />
ÂÏÏËÓÈ΋ Î·È ÙË ‰ÈÂıÓ‹ ·ÁÔÚ¿. π‰Ú‡ıËΠÙÔ 2000 ·applefi ÌÈ· ‰˘Ó·ÌÈ΋ Î·È ‰ËÌÈÔ˘ÚÁÈ΋ ÔÌ¿‰· Âapple·ÁÁÂÏÌ·ÙÈÒÓ ÙÔ˘<br />
ÔappleÙÈÎÔ·ÎÔ˘ÛÙÈÎÔ‡ ¯ÒÚÔ˘ Ì appleÔÏ˘ÂÙ‹ apple›ڷ Î·È ÂappleÈÙ˘¯Ë̤ÓË appleÔÚ›· Û ı¤·ÙÚÔ Î·È ÙËÏÂfiÚ·ÛË. ∞applefi ÙË ÌÈ· Ë ÂappleÈ-<br />
¯ÂÈÚËÌ·Ù›·˜ ŒÏÂÓ· ÷Ù˙Ë·ÏÂÍ¿Ó‰ÚÔ˘ Î·È ·applefi ÙËÓ ¿ÏÏË ÔÈ ‰ËÌÈÔ˘ÚÁÔ› ªÈ¯¿Ï˘ ƒ¤appleapple·˜ Î·È £·Ó¿Û˘ ·apple·ı·Ó·-<br />
Û›Ô˘, ¤¯Ô˘Ó Û˘Ì‚¿ÏÂÈ ÛÙËÓ ÔÏÔÎÏ‹ÚˆÛË ÂappleÈÙ˘¯ËÌ¤ÓˆÓ apple·Ú·ÁˆÁÒÓ ÁÈ· ÙËÓ ÙËÏÂfiÚ·ÛË Î·È ÙÔÓ ÎÈÓËÌ·ÙÔÁÚ¿ÊÔ<br />
(∆Ô KÏ¿Ì· BÁ‹Î ·apple’ ÙÔÓ ·Ú¿‰ÂÈÛÔ, √͢ÁfiÓÔ, √ÈÎÔÁ¤ÓÂÈ· ∫·Ú¿ÌappleÂÏ·, Î·È Safe Sex-TV Stories), ÂÓÒ ÙÂÏÂ˘Ù·›·<br />
Ë Safe Company, Ì ÙË Û˘ÓÂÚÁ·Û›· Âapple·ÁÁÂÏÌ·ÙÈÒÓ ÙÔ˘ ¯ÒÚÔ˘, appleÚÔÛı¤ÙÂÈ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú ÛÙÔ ÂÓÂÚÁËÙÈÎfi Ù˘.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
Chariton’s Choir, directed by Grigoris Karantinakis, 2005<br />
Oxygen, directed by Thanassis Papathanasiou and<br />
Michalis Reppas, 2003<br />
Silicon Tears, directed by Thanassis Papathanasiou and<br />
Michalis Reppas, 2001<br />
∏ ¯ÔÚˆ‰›· ÙÔ˘ ÷ڛوӷ, Û ÛÎËÓÔıÂÛ›· °ÚËÁfiÚË<br />
∫·Ú·ÓÙÈÓ¿ÎË, 2005<br />
O͢ÁfiÓÔ, Û ÛÎËÓÔıÂÛ›· £·Ó¿ÛË ·apple·ı·Ó·Û›Ô˘ ηÈ<br />
ªÈ¯¿ÏË ƒ¤appleapple·, 2003<br />
∆Ô ÎÏ¿Ì· ‚Á‹Î ·apple’ ÙÔÓ apple·Ú¿‰ÂÈÛÔ, Û ÛÎËÓÔıÂÛ›·<br />
£·Ó¿ÛË ·apple·ı·Ó·Û›Ô˘ Î·È ªÈ¯¿ÏË ƒ¤appleapple·, 2001<br />
Festival Prizes / µÚ·‚›·<br />
Oxygen, FIPRESCI Award,<br />
Thessaloniki International Film Festival, 2003<br />
O͢ÁfiÓÔ, µÚ·‚Â›Ô ¢ÈÂıÓÔ‡˜ √ÌÔÛappleÔÓ‰›·˜<br />
∫ÚÈÙÈÎÒÓ ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ (FIPRESCI),<br />
ºÂÛÙÈ‚¿Ï £ÂÛÛ·ÏÔӛ΢, 2003<br />
59<br />
Safe Company
The Watch House<br />
Producer<br />
Eleni Atsikbasis<br />
∂ϤÓË ∞ÙÛ›ÎÌapple·ÛË<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
75, Eleftheriou Venizelou,<br />
15561 Holargos, Athens, Greece<br />
∂Ï¢ıÂÚ›Ô˘ µÂÓÈ˙¤ÏÔ˘,<br />
15561 ÃÔÏ·ÚÁfi˜, ∞ı‹Ó·<br />
T. + 30 2106542683<br />
Mobile: +30 6974328808<br />
eleni@phos.gr<br />
www.phos.gr<br />
60<br />
Greece / Ελλάδα<br />
Palestine, 1930. 6-year-old Amana meets her uncle from Australia; he tells her<br />
not to be afraid of monsters. In present day Sydney. Amana is haunted by the<br />
terrible memories of her past: the loss of her husband and her children, displacement,<br />
torture, rape. She relives her whole life inside a cell in the Watch<br />
House where she is taken when charged with shoplifting. She completely surrenders<br />
to her memories ... only her son Basim can bring her back from this<br />
nightmarish journey.<br />
·Ï·ÈÛÙ›ÓË 1930. ∏ ÂÍ¿¯ÚÔÓË Amana Û˘Ó·ÓÙ¿ ÙÔÓ ıÂ›Ô Ù˘ ·applefi ÙËÓ ∞˘ÛÙÚ·Ï›·<br />
Î·È ·˘Ùfi˜ Ù˘ ϤÂÈ Ó· ÌËÓ ÊÔ‚¿Ù·È Ù· Ù¤Ú·Ù·.<br />
›‰ÓÂ˚ Û‹ÌÂÚ·. √È ÙÚoÌÂÚ¤˜ ÌӋ̘ ÙÔ˘ apple·ÚÂÏıfiÓÙÔ˜ ÛÙÔȯÂÈÒÓÔ˘Ó ÙËÓ<br />
Amana: Ô ¯·Ìfi˜ ÙÔ˘ ¿Ó‰Ú· Ù˘ Î·È ÙˆÓ apple·È‰ÈÒÓ Ù˘, Ô ÍÂÚÈ˙ˆÌfi˜, Ù· ‚¿Û·Ó·,<br />
Ô ‚È·ÛÌfi˜. ∞Ó·‚ÈÒÓÂÈ fiÏË ÙË ˙ˆ‹ Ù˘ ̤۷ Û ¤Ó· ÎÂÏ›, fiappleÔ˘ ‚Ú›ÛÎÂÙ·È fiÙ·Ó<br />
ÙËÓ Î·ÙËÁÔÚÔ‡Ó ÁÈ· ÌÈÎÚÔÎÏÔapple‹ Û ηٿÛÙËÌ·. ·Ú·‰›‰ÂÙ·È ÔÏÔÎÏËÚˆÙÈο<br />
ÛÙȘ ·Ó·ÌÓ‹ÛÂȘ Ù˘... ÌfiÓÔ Ô ÁÈÔ˜ Ù˘ Ô Basim ÌappleÔÚ› Ó· ÙËÓ Âapple·Ó·Ê¤ÚÂÈ ·applefi<br />
ÙÔ ÂÊÈ·ÏÙÈÎfi Ù˘ Ù·Í›‰È.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Phos Production,<br />
Scriptwriter / ÂÓ¿ÚÈÔ: Anne Tsoulis<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: € 2,000,000 - € 3,000,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / N·È
Eleni Atsikbasis/ Ελένη Ατσίκµπαση Producer’s filmography<br />
Born and educated in Australia; studied Media and Culture at the Southampton Institute, UK; Business & Arts at The<br />
Open University; UK and Communication Studies at The State University of New York, Athens. Professional training activities<br />
include: European Films Crossing Borders, Berlin 2005 (supported by Media Plus Training); EAVE 2004 (Media Plus<br />
Training) Management & Legal Aspects of Production Companies, Greece 2003 (Akmi Media, a European Media Desk<br />
Initiative); Management and Legal Aspects of Television, Greece 2002 (Akmi Media). In 2000, Atsikbasis found her own<br />
independent production company in Athens. It is currently developing, amongst others, the feature films Juda’s<br />
Treasure (with the support of the Media Plus Programme, New Talent 66/2004) and Meskel, a story set in Ethiopia.<br />
Atsikbasis also collaborates with international media companies to produce films and television programmes.<br />
°ÂÓÓ‹ıËÎÂ Î·È ÌÂÁ¿ÏˆÛ ÛÙËÓ ∞˘ÛÙÚ·Ï›·. appleÔ‡‰·Û ªª∂ Î·È ÔÏÈÙÈÛÌÈΤ˜ appleÔ˘‰¤˜ ÛÙÔ Southampton Institute Ù˘ ªÂÁ.<br />
µÚÂÙ·Ó›·˜, ¢ÈÔ›ÎËÛË ∂appleȯÂÈÚ‹ÛÂˆÓ Î·È ∆¤¯Ó˜ ÛÙÔ Open University Ù˘ ªÂÁ. µÚÂÙ·Ó›·˜ Î·È ∂appleÈÎÔÈÓˆÓ›· ÛÙÔ State University<br />
of New York ÛÙËÓ ∞ı‹Ó·. ∏ Âapple·ÁÁÂÏÌ·ÙÈ΋ Ù˘ ÂÎapple·›‰Â˘ÛË appleÂÚÈÏ·Ì‚¿ÓÂÈ: European Films Crossing Borders, µÂÚÔÏ›ÓÔ 2005<br />
(Ì ÙËÓ ˘appleÔÛÙ‹ÚÈÍË ÙÔ˘ Media Plus Training), EAVE 2004 (Media Plus Training), ¢ÈÔ›ÎËÛË Î·È ¡ÔÌÈΤ˜ ∂ÎÊ¿ÓÛÂȘ ÙˆÓ ∂Ù·È-<br />
ÚÂÈÒÓ ·Ú·ÁˆÁ‹˜, ∂ÏÏ¿‰· 2003 (Akmi Media, Ì›· appleÚˆÙÔ‚Ô˘Ï›· ÙÔ˘ ∂˘Úˆapple·˚ÎÔ‡ appleÚÔÁÚ¿ÌÌ·ÙÔ˜ Media), ¢ÈÔ›ÎËÛË Î·È ¡ÔÌÈ-<br />
Τ˜ ∂ÎÊ¿ÓÛÂȘ Ù˘ ∆ËÏÂfiÚ·Û˘, ∂ÏÏ¿‰· 2002 (Akmi Media). ∆Ô 2002, Ë ∞ÙÛ›ÎÌapple·ÛË ›‰Ú˘Û ÙË ‰È΋ Ù˘ ·ÓÂÍ¿ÚÙËÙË ÂÙ·È-<br />
Ú›· apple·Ú·ÁˆÁ‹˜ ÛÙËÓ ∞ı‹Ó·. ªÂٷ͇ ¿ÏψÓ, Ë ÂÙ·ÈÚ›· ¤¯ÂÈ ·Ó·Ï¿‚ÂÈ, ·˘Ù‹ ÙËÓ appleÂÚ›Ô‰Ô, ÙËÓ apple·Ú·ÁˆÁ‹ Ù˘ Ù·ÈÓ›·˜ Juda’s<br />
Treasure (Ì ÙËÓ ˘appleÔÛÙ‹ÚÈÍË ÙÔ˘ appleÚÔÁÚ¿ÌÌ·ÙÔ˜ Media Plus, ¡¤· ∆·Ï¤ÓÙ· 66/2004) Î·È Ù˘ Ù·ÈÓ›·˜ Meskel, appleÔ˘ ‰È·‰Ú·Ì·-<br />
Ù›˙ÂÙ·È ÛÙËÓ ∞ÈıÈÔapple›·. ∏ ∞ÙÛ›ÎÌapple·ÛË Û˘ÓÂÚÁ¿˙ÂÙ·È, ·ÎfiÌË, Ì ‰ÈÂıÓ›˜ ÂÙ·ÈÚ›˜ ÁÈ· ÙËÓ apple·Ú·ÁˆÁ‹ ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Î·È<br />
ÙËÏÂÔappleÙÈÎÒÓ appleÚÔÁÚ·ÌÌ¿ÙˆÓ.<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Phos Productions is an independent film and television production company based in Greece with the vision to develop and<br />
produce contemporary films—features, shorts and documentaries—for local and international audiences. Phos is a young,<br />
dynamic production company, aiming to work with new and established talent to create fresh productions. The focus is on<br />
pooling artistic, commercial and managerial resources to develop and produce unique films with a European identity. Phos<br />
provides skills and services on a project-to-project basis for some of Greece’s leading production companies. Phos is dedicated<br />
to coordinating production and related services for all aspects of development and production for local and international<br />
clients. Phos can provide a broad range of services including location scouting, crew, equipment, props and sets, cast<br />
and post-production.<br />
∏ Phos Productions Â›Ó·È ÌÈ· ·ÓÂÍ¿ÚÙËÙË ÂÙ·ÈÚ›· ÎÈÓËÌ·ÙÔÁÚ·ÊÈÎÒÓ Î·È ÙËÏÂÔappleÙÈÎÒÓ apple·Ú·ÁˆÁÒÓ Ì ¤‰Ú· ÙËÓ ∂ÏÏ¿‰·.<br />
Ùfi¯Ô˜ Ù˘ Â›Ó·È Ë ·Ó¿appleÙ˘ÍË Î·È apple·Ú·ÁˆÁ‹ Û‡Á¯ÚÔÓˆÓ Ù·ÈÓÈÒÓ –Ù·Èӛ˜ Ì˘ıÔappleÏ·Û›·˜, ÌÈÎÚÔ‡ Ì‹ÎÔ˘˜ Î·È ÓÙÔÎÈÌ·ÓÙ¤Ú- ÁÈ·<br />
ÙÔ ÂÁ¯ÒÚÈÔ Î·È ‰ÈÂıÓ¤˜ ÎÔÈÓfi. ∏ Phos Â›Ó·È ÌÈ· Ó¤·, ‰˘Ó·ÌÈ΋ ÂÙ·ÈÚ›· apple·Ú·ÁˆÁ‹˜ appleÔ˘ Û˘ÓÂÚÁ¿˙ÂÙ·È Ì ӤԢ˜ Î·È ·Ó·-<br />
ÁÓˆÚÈṲ̂ÓÔ˘˜, Ù·Ï·ÓÙÔ‡¯Ô˘˜ ·ÓıÚÒappleÔ˘˜ ÁÈ· ÙË ‰ËÌÈÔ˘ÚÁ›· appleÚˆÙfiÙ˘appleˆÓ apple·Ú·ÁˆÁÒÓ. ∏ ÂÙ·ÈÚ›· ÂÛÙÈ¿˙ÂÙ·È ÛÙË Û˘ÁΤ-<br />
ÓÙÚˆÛË Î·ÏÏÈÙ¯ÓÈÎÒÓ, ÂÌappleÔÚÈÎÒÓ Î·È ‰ÈÔÈÎËÙÈÎÒÓ applefiÚˆÓ ÁÈ· Ó· ·Ó·appleÙ‡ÍÂÈ Î·È Ó· apple·Ú¿ÁÂÈ ÌÔÓ·‰ÈΤ˜ Ù·Èӛ˜, ÌÂ Â˘Úˆapple·˚΋<br />
Ù·˘ÙfiÙËÙ·. ∏ ÂÙ·ÈÚ›· apple·Ú¤¯ÂÈ, ·ÎfiÌË, ηٿÚÙÈÛË Î·È ˘appleËÚÂۛ˜ ÁÈ· ‰È¿ÊÔÚ· projects Û ÁÓˆÛÙ¤˜ ÂÏÏËÓÈΤ˜ ÂÙ·È-<br />
Ú›˜ apple·Ú·ÁˆÁ‹˜. ∏ Phos Û˘Ó‰˘¿˙ÂÈ ÙËÓ apple·Ú·ÁˆÁ‹ Î·È ÙȘ Û˘Ó·Ê›˜ ˘appleËÚÂۛ˜ ÁÈ· fiϘ ÙȘ appleÙ˘¯¤˜ ·Ó¿appleÙ˘Í˘ Î·È apple·Ú·-<br />
ÁˆÁ‹˜ ·apple¢ı˘ÓfiÌÂÓË Û ÂÁ¯ÒÚÈÔ˘˜ Î·È ‰ÈÂıÓ›˜ appleÂÏ¿Ù˜. ·Ú¤¯ÂÈ ÌÈ· ¢Ú›· Áο̷ ˘appleËÚÂÛÈÒÓ ÌÂٷ͇ ÙˆÓ ÔappleÔ›ˆÓ ·Ó‡-<br />
ÚÂÛË ÙfiappleˆÓ, Û˘ÓÂÚÁ›·, ÂÍÔappleÏÈÛÌfi, ÓÙÂÎfiÚ Î·È ÛÎËÓÈο, οÛÙÈÓÁÎ Î·È post-production.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
The Forest Dances,<br />
directed by Panagiotis Tsalapatas, 2005<br />
Return to Homelands, directed by George Veras, 2004<br />
Bungumworms: My Family & Other Animals,<br />
directed by Eleni Atsikbasis, 2004<br />
The Forest Dances,<br />
ÛÂ ÛÎËÓÔıÂÛ›· ·Ó·ÁÈÒÙË ∆Û·Ï·apple¿Ù·, 2005<br />
Return to Homelands,<br />
ÛÂ ÛÎËÓÔıÂÛ›· George Veras, 2004<br />
Bungumworms: My Family & Other Animals,<br />
Û ÛÎËÓÔıÂÛ›· ∂ϤÓ˘ ∞ÙÛ›ÎÌapple·ÛË, 2004<br />
61<br />
Phos Productions
Zion and his Brother<br />
Producer<br />
Asaaf Amir<br />
Contacts / ∂appleÈÎÔÈÓˆÓ›·:<br />
18, Levontin St., 65112<br />
Tel Aviv, Israel<br />
T. +97 235609311<br />
Mobile: +97 25233655772<br />
yoav@norma.co.il<br />
62<br />
Israel / Ισραήλ<br />
Zion and his older brother Meir live with their mother and the memory of a<br />
father who is long gone. Trapped inside the confines of a housing project and<br />
desperately dreaming of another life, Meir is well on the road to hell. He<br />
destroys everything he touches. On the other hand, Zion still holds real hope<br />
that his life will get better. But now, he too, continuously finds himself in trouble<br />
– most often because of his brother.<br />
√ Zion Î·È Ô ÌÂÁ·Ï‡ÙÂÚÔ˜ ·‰ÂÏÊfi˜ ÙÔ˘ Meir ˙Ô˘Ó Ì ÙË ÌËÙ¤Ú· ÙÔ˘˜ Î·È ÌÂ<br />
ÙËÓ ·Ó¿ÌÓËÛË ÂÓfi˜ apple·Ù¤Ú· appleÔ˘ Ï›appleÂÈ Î·ÈÚfi. ·ÁÈ‰Â˘Ì¤ÓÔÈ ÛÙÔ ÛÙÂÓfi¯ˆÚÔ<br />
appleÂÚÈ‚¿ÏÏÔÓ ÙˆÓ ÂÚÁ·ÙÈÎÒÓ appleÔÏ˘Î·ÙÔÈÎÈÒÓ, ÔÓÂÈÚ‡ÔÓÙ·È ·appleÂÁÓˆṲ̂ӷ Ì›·Ó<br />
¿ÏÏË ˙ˆ‹, ·ÏÏ¿ Ô Meir ¤¯ÂÈ ‹‰Ë apple¿ÚÂÈ ÙÔÓ ‰ÚfiÌÔ Ù˘ ÎfiÏ·Û˘. √ Zion, ·applefi ÙËÓ<br />
¿ÏÏË, ‰È·ÙËÚ› ÙËÓ ÂÏapple›‰· fiÙÈ appleÚ·ÁÌ·ÙÈο Ë ˙ˆ‹ ÙÔ˘ ı· Î·Ï˘ÙÂÚ‡ÛÂÈ. ∞ÏÏ¿<br />
appleϤÔÓ ‚Ú›ÛÎÂÙ·È Î·È ·˘Ùfi˜ Û˘Ó¯Ҙ Û ÌappleÏÂ̷͛ٷ –΢ڛˆ˜ ÏfiÁˆ ÙÔ˘ ·‰ÂÏ-<br />
ÊÔ‡ ÙÔ˘.<br />
Credits / ˘ÓÙÂÏÂÛÙ¤˜:<br />
Produced by / ·Ú·ÁˆÁ‹: Norma Productions,<br />
Director-Writer / ÎËÓÔıÂÛ›·-ÂÓ¿ÚÈÔ: Eran Merav<br />
Budget / ÚÔ¸appleÔÏÔÁÈÛÌfi˜: €910,000<br />
Secured financing / ∂Í·ÛÊ·ÏÈṲ̂ÓË ¯ÚËÌ·ÙÔ‰fiÙËÛË: Yes / ¡·È
Yoav Roeh Producer’s filmography<br />
Company profile / ∏ ÂÙ·ÈÚ›·<br />
Norma Productions, is an independent production company, specializing in full-length feature films and<br />
made-for-TV dramas. Norma Productions’ films were all released theatrically as well as being broadcast by<br />
major national and international television networks.<br />
∏ Norma Productions Â›Ó·È Ì›· ·ÓÂÍ¿ÚÙËÙË ÂÙ·ÈÚ›· apple·Ú·ÁˆÁ‹˜ appleÔ˘ ÂȉÈ·ÂÙ·È ÛÙȘ ÌÂÁ¿ÏÔ˘ Ì‹ÎÔ˘˜ ÎÈÓË-<br />
Ì·ÙÔÁÚ·ÊÈΤ˜ Ù·Èӛ˜ Î·È ÛÙȘ ÙËÏÂÙ·Èӛ˜. ŸÏ˜ ÔÈ apple·Ú·ÁˆÁ¤˜ Ù˘ ÂÙ·ÈÚ›·˜ appleÚÔ‚Ï‹ıËÎ·Ó ÛÙȘ ·›ıÔ˘Û˜<br />
ηıÒ˜ Î·È Û ÌÂÁ¿Ï· ÂıÓÈο Î·È ‰ÈÂıÓ‹ ÙËÏÂÔappleÙÈο ‰›ÎÙ˘·.<br />
ºÈÏÌÔÁÚ·Ê›· apple·Ú·ÁˆÁÔ‡<br />
What a Wonderful Place, directed by Eyal halfon, 2005<br />
Broken Wings, directed by Nir Bergman, 2002<br />
Affula Express, directed by Julie Shles, 1997<br />
What a Wonderful Place,<br />
ÛÂ ÛÎËÓÔıÂÛ›· Eyal Halfon, 2005<br />
Broken Wings, ÛÂ ÛÎËÓÔıÂÛ›· Nir Bergman, 2002<br />
Affula Express, ÛÂ ÛÎËÓÔıÂÛ›· Julie Shles, 1997<br />
Festival Prizes / µÚ·‚›·<br />
What a Wonderful Place, Special Jury Prize and Best<br />
Actor Award at the Karlovy Vary Film Festival, 2005<br />
Broken Wings<br />
Grand Prix in Tokyo International Film Festival, 2002<br />
Best Picture & Best script in Jerusalem Int’l Film<br />
Festival, 2002<br />
What a Wonderful Place,<br />
∂ȉÈÎfi µÚ·‚Â›Ô ∂appleÈÙÚÔapple‹˜ Î·È µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘<br />
∞Ó‰ÚÈ΋˜ ∂ÚÌËÓ›·˜, ºÂÛÙÈ‚¿Ï ÙÔ˘ ∫¿ÚÏÔ‚È µ¿ÚÈ, 2005<br />
Broken Wings,<br />
Grand Prix, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï ÙÔ˘ ∆fiÎÈÔ, 2002<br />
µÚ·‚Â›Ô ∫·Ï‡ÙÂÚ˘ ºˆÙÔÁÚ·Ê›·˜ Î·È ∫·Ï‡ÙÂÚÔ˘<br />
ÂÓ·Ú›Ô˘, ¢ÈÂıÓ¤˜ ºÂÛÙÈ‚¿Ï Ù˘ πÂÚÔ˘Û·Ï‹Ì, 2002<br />
63<br />
Norma Productions
46Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ·ÊÔ˘ £ÂÛÛ·ÏÔÓÈ΢<br />
46th Thessaloniki International Film Festival<br />
√ ηٿÏÔÁÔ˜ ·˘Ùfi˜ ÂΉfiıËΠ̠ÙËÓ Â˘Î·ÈÚ›· Ù˘ ‰ÈÂÍ·ÁˆÁ‹˜ ÙÔ˘ ÊfiÚÔ˘Ì<br />
Û˘Ìapple·Ú·ÁˆÁÒÓ Crossroads, appleÔ˘ ÔÚÁ·ÓÒıËΠ·applefi ÙÔ<br />
46Ô ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢ (18-27 ¡ÔÂÌ‚Ú›Ô˘ 2005).<br />
This publication was compiled on the occasion of the Crossroads co-production forum that was<br />
organized by the 46th Thessaloniki International Film Festival (18-27 November 2005).<br />
Úfi‰ÚÔ˜ ºÂÛÙÈ‚¿Ï / Festival President: °ÈÒÚÁÔ˜ Èڷʿ˜ / George Corraface<br />
¢È¢ı‡ÓÙÚÈ· ºÂÛÙÈ‚¿Ï / Festival Director: ¢¤ÛappleÔÈÓ· ªÔ˘˙¿ÎË / <strong>Despina</strong> <strong>Mouzaki</strong><br />
¢ÈÔÚÁ¿ÓˆÛË Crossroads / Crossroads team:<br />
Àapple‡ı˘ÓË / Executive Producer: Linda Beath<br />
˘ÓÙÔÓÈÛÌfi˜ / Coordination:<br />
∫·ÙÂÚ›Ó· ∫·ÎÏ·Ì¿ÓË / Katerina Kaklamani, º¤ÓÈ· ∫ÔÛÛÔ‚›ÙÛ· / Fenia Cossovitsa<br />
°Ú·ÌÌ·Ù›· / Assistant: ∂Ïapple›‰· ∫·ÏÏÈÓÙ¤ÚË / Elpida Kallinteri<br />
˘ÓÙÔÓÈÛÌfi˜ ÂΉfiÛÂˆÓ ÊÂÛÙÈ‚¿Ï / Festival publications co-ordinator:<br />
∞ıËÓ¿ ∫·ÚÙ¿ÏÔ˘ / Athena Kartalou<br />
∂appleÈ̤ÏÂÈ· ÎÂÈÌ¤ÓˆÓ / Copy editing:<br />
∫·ÙÂÚ›Ó· ∫·ÎÏ·Ì¿ÓË / Katerina Kaklamani, ∂Ïapple›‰· ∫·ÏÏÈÓÙ¤ÚË / Elpida Kallinteri<br />
ªÂÙ·ÊÚ¿ÛÂȘ / Translations:<br />
ŒÏÈ· ∞appleÔÛÙÔÏÔappleÔ‡ÏÔ˘ / Elia Apostolopoulou, ŒÏÏË ÂÙÚ›‰Ë / Elly Petrides<br />
¢ÈfiÚıˆÛË Ù˘appleÔÁÚ·ÊÈÎÒÓ ‰ÔÎÈÌ›ˆÓ / Proof reading:<br />
∂ϤÓË ∞Ó‰ÚÔ˘ÙÛÔappleÔ‡ÏÔ˘ / Eleni Androutsopoulou, ª¿ÓıË ªapplefiÙÛÈÔ˘ / Manthi Botsiou<br />
¯Â‰›·ÛË Â͈ʇÏÏÔ˘ / Cover design: ∞Ó‰Ú¤·˜ ƒÂÌÔ‡ÓÙ˘ / Andreas Remountis<br />
∫·ÏÏÈÙ¯ÓÈ΋ ÂappleÈ̤ÏÂÈ·-·Ú·ÁˆÁ‹ ÂÓÙ‡appleÔ˘ / Design - Production: Z-AXIS<br />
∂˘¯·ÚÈÛÙԇ̠ıÂÚÌ¿ ÙÔÓ / Special Thanks to:<br />
ÀappleÔ˘ÚÁfi ª·Î‰ÔÓ›·˜-£Ú¿Î˘ Î. ¡›ÎÔ ∆ÛÈ·ÚÙÛÈÒÓË /<br />
Nikos Tsiartsionis, Minister of Macedonia-Thrace<br />
∫·È ÙÔ˘˜ / and:<br />
∞ı‹Ó· / Athens: Marwan Akkawi<br />
µ·ÚÎÂÏfiÓË / Barcelona: Pere Roca, Angela Bosch, Catalan Films & TV, CDA<br />
µÂÏÈÁÚ¿‰È / Belgrade: Andjelija Andric<br />
¢Ô˘‚Ï›ÓÔ / Dublin: Noemi Ferrer, Irish Film Board<br />
§Â˘ÎˆÛ›· / Nicosia: Elena Christodoulidou, Ministry of Culture<br />
§ÈÛ·‚fiÓ· / Lisbon: Amelia Sousa Tavares, Media Desk Portugal<br />
ª·‰Ú›ÙË / Madrid: Jesus Hernandez Moyano, Media Desk Spain<br />
ƒ·Ì¿Ï· / Rammallah: Adam Zuabi<br />
fiÊÈ· / Sofia: Stefan Kitanov, Irina Kanousheva, Mira Staleva,<br />
Sofia International Film Festival, Bulgarian Film Centre<br />
∆ÂÏ ∞‚›‚ / Tel Aviv: Katriel Schory, Israel Film Fund<br />
∂ΉfiÛÂȘ ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢<br />
Thessaloniki International Film Festival Publications<br />
§ÂˆÊfiÚÔ˜ ∞ÏÂÍ¿Ó‰Ú·˜ 9, 11473 ∞ı‹Ó· / 9 Alexandras Ave, 11473 Athens, Greece<br />
∆. +30 210-8706000, F. +30 210-6448163<br />
Ï·Ù›· ∞ÚÈÛÙÔÙ¤ÏÔ˘˜ 10, 54623 £ÂÛÛ·ÏÔÓ›ÎË /<br />
10 Aristotelous Square, 54623 Thessaloniki, Greece<br />
T. +30 2310-378400, F. +30 2310-285759<br />
www.filmfestival.gr<br />
info@filmfestival.gr<br />
À√Àƒ°∂π√ √§π∆πª√À<br />
HELLENIC MINISTRY OF CULTURE<br />
Copyright © 2005, ºÂÛÙÈ‚¿Ï ∫ÈÓËÌ·ÙÔÁÚ¿ÊÔ˘ £ÂÛÛ·ÏÔӛ΢ /<br />
Thessaloniki International Film Festival
46ο ΦΕΣΤΙΒΑΛ<br />
ΚΙΝΗΜΑΤΟΓΡΑΦΟΥ<br />
ΘΕΣΣΑΛΟΝΙΚΗΣ<br />
18-27 ΝΟΕΜΒΡΙΟΥ<br />
2005<br />
ΥΠΟΥΡΓΕΙΟ ΠΟΛΙΤΙΣΜΟΥ