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download catalogue high resolution pdf (22.3 mb) - Jens Haaning

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041, 043<br />

071<br />

VPD<br />

P.006<br />

Vincent Pécoil, Dijon.<br />

JENS HAANING<br />

According to Edward W. Said, "as the twentieth century moves to a close, there has<br />

been a gathering awareness nearly everywhere of the lines between cultures, the<br />

divisions and differences that not only allow us to discriminate one culture from<br />

another, but also enables us to see the extent to which cultures are humanely made<br />

structures of both authority and participation, benevolent in what they include,<br />

incorporate and validate, less benevolent in what they exclude and demote." 1<br />

Borders are a recurring issue in <strong>Jens</strong> <strong>Haaning</strong>’s art, and it is precisely on a border,<br />

the legislative border between what can be represented and what cannot, that he<br />

usually chooses to work. His series of photographs of first generation immigrants<br />

living in Copenhagen (Antonio, Deniz, etc., 2000), for example, or of mentally ill<br />

people, which take on the look of trendy fashion pictures (the kind that affects a<br />

certain realism), or his calendar of pictures representing refugees (The Refugee<br />

Calendar, 2002), are instances of an eruption, in the field of familiar images, of the<br />

massive cultural repressed which generally excludes these people from the field of<br />

representation.<br />

"The main battle in imperialism is over land, of course; but when it came to who<br />

owned the land, who had the right to settle and work on it. . . –these issues were<br />

reflected, contested, and even for a time decided in narrative. As one critic has<br />

suggested, nations are narrations. The power to narrate, or to block one narrative<br />

from forming and emerging is very important to culture and imperialism, and<br />

constitutes one of the connections between them." 2 This of course also applies to<br />

visual representations. Borders between countries and cultures overlap or reproduce<br />

the legislative borders within representation dividing what can and what cannot be<br />

represented… In 1961, it was still possible for Jean-Paul Sartre to declare, in his<br />

attack written as a preface to Frantz Fanon’s The Wretched of the Earth, that "not<br />

so long ago, the earth nu<strong>mb</strong>ered two billions inhabitants, i.e. five hundred million<br />

men and one billion five hundred million natives. The former owned the Word, the<br />

latter borrowed it." 3 After decolonization and a few billions extra human beings, one<br />

doesn’t speak about natives anymore, but in many regards "the others" are still<br />

borrowing the Word. The very legitimacy of the powers that be is premised on their<br />

capacity to inscribe themselves within the dominant system of representation they<br />

organize, and consequently on excluding from representation the others, such as

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