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Peter Mole - Mole Richardson

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<strong>Peter</strong> <strong>Mole</strong>


<strong>Peter</strong> <strong>Mole</strong><br />

Awards & Achievements of <strong>Peter</strong> <strong>Mole</strong><br />

<strong>Peter</strong> <strong>Mole</strong> and <strong>Mole</strong>-<strong>Richardson</strong> Company were first recognized by the Academy of Motion Picture Arts and Sciences in 1928.<br />

<strong>Peter</strong> <strong>Mole</strong> supplied lighting and expertise for the Academy's Research Council on Incandescent Illumination, for which he and the<br />

company received Recognition of Valuable Service Awards, which preceded the Technical Achievement Award. <strong>Peter</strong> <strong>Mole</strong> and <strong>Mole</strong>-<br />

<strong>Richardson</strong> Company went on to receive six Academy Awards, along with other prestigious achievements which are listed below.<br />

1928 Recognition of Valuable Service<br />

Academy of Motion Picture Arts and Sciences<br />

Contributing to the Success of the Incandescent Illumination Researches<br />

(See Image A)<br />

1935 Honorable Mention for Distinctive Achievement<br />

Academy of Motion Picture Arts and Sciences<br />

Development of the "Solar-Spot" Spot Lamps<br />

(See Image B)<br />

1940 Honorable Mention for Scientific or Technical Achievement<br />

Academy of Motion Picture Arts and Sciences<br />

Important Contributions in the Cooperative Development of New Improved Process Projection Equipment<br />

(see Image C)<br />

1946 Honorable Mention for Scientific or Technical Achievement<br />

Academy of Motion Picture Arts and Sciences<br />

The Type 450 Super High Intensity Carbon Arc Lamp<br />

(see Image D)<br />

1948 Progress Medal Award<br />

Society of Motion Picture Engineers<br />

Outstanding Achievement in Motion Picture Technology<br />

(see Image E)<br />

1945 Certificate of Acknowledgement<br />

United Nations<br />

By faithful and diligent performance of duty, contributed to the creation of the Charter of the United Nations<br />

Awarded to <strong>Peter</strong> <strong>Mole</strong> for his lighting of the historic United Nations Council in San Francisco, California.<br />

(see Image F)<br />

1949 Certificate of Appreciation<br />

American Society of Cinematographers<br />

Outstanding contributions in the development of lighting equipment for cinematography.<br />

(see Image G)<br />

1966 Motion Picture Technical Milestone Award<br />

American Society of Cinematographers<br />

Contribution to the progress of the motion picture industry.<br />

Posthumous. Presented to Larry <strong>Mole</strong> Parker<br />

(see Image H)<br />

1951-1952 President<br />

Society of Motion Picture and Television Engineers<br />

Pioneered embracing Television as a viable compliment to Motion Picture instead of a rival.<br />

1931-1960 Member/Fellow/Chairman<br />

Society of Motion Picture Engineers/Society of Motion Picture and Television Engineers<br />

Possessed a unique understanding of creating specialized equipment for an emerging industry.<br />

1937-1960 Associate Member<br />

American Society of Cinematographers<br />

Published numerous papers and studies on lighting and lighting techniques.


Born in Italy, in 1891, <strong>Peter</strong> <strong>Mole</strong> arrived in the United<br />

States when he was six years old. At the age of twenty,<br />

he attended Bryan & Stratton College in Buffalo, New<br />

York, earning an Electrical Engineering Degree. After graduating,<br />

<strong>Peter</strong> <strong>Mole</strong> joined the engineering staff of the General<br />

Electric Company, where he was active in the development of<br />

the General Electric searchlight and a high-intensity rotating<br />

carbon-arc theater projection lamp.<br />

In 1923 <strong>Peter</strong> <strong>Mole</strong> left the General Electric Company<br />

and moved to California where he began working with motion<br />

picture studio lighting, first with the Metro-Goldwyn-Mayer<br />

Studios in the electrical department. After receiving his groundwork<br />

training in production, he went on to work for Creco, a<br />

motion picture studio lighting equipment manufacturer. With<br />

his technical background plus experience in the studios he was<br />

ideally suited to enter the field of the manufacture of specialized<br />

equipment for an emerging industry where requirements<br />

were changing almost monthly. With the advent of Eastman<br />

Kodak’s Panchromatic black & white film stock, he saw the<br />

possibility of creating a new incandescent fixture to replace<br />

the less efficient carbon arc light by developing the first color<br />

temperature compatible incandescent tungsten lamp.<br />

<strong>Peter</strong> <strong>Mole</strong> joined with Elmer C. <strong>Richardson</strong>, a design<br />

engineer, and Fielding C. Coates, a studio chief electrician, to<br />

form the <strong>Mole</strong>-<strong>Richardson</strong> Company in 1927. He received his<br />

first Academy of Motion Picture Arts and Sciences recogni-<br />

<strong>Peter</strong> <strong>Mole</strong><br />

A Brief Biography of <strong>Peter</strong> <strong>Mole</strong><br />

tion this same year for his contribution to the success of the<br />

incandescent illumination fixture. <strong>Peter</strong> <strong>Mole</strong> and his company<br />

went onto receive Academy Awards in 1935, 1940 and<br />

1946 for Technical Achievement. In 1948 <strong>Peter</strong> <strong>Mole</strong> received<br />

the Progress Medal Award from the Society of Motion<br />

Picture Engineers for Outstanding Achievement in Motion<br />

Picture Technology. <strong>Peter</strong> <strong>Mole</strong> was a lifelong member of the<br />

Society of Motion Picture Engineers, the American Society of<br />

Cinematographers, and in 1951 he was elected President of<br />

the newly formed Society of Motion Picture and Television<br />

Engineers, where he was instrumental in embracing television<br />

as a viable compliment to motion picture instead of a rival.<br />

<strong>Peter</strong> <strong>Mole</strong>’s technical contributions have been many,<br />

including adapting the fresnel focusing lenses to both arc and<br />

incandescent lighting equipment, developing electrical and<br />

mechanical devices such as the sound boom. He authored<br />

numerous published papers dealing with the various facets of<br />

illumination as applied to motion picture studio lighting for<br />

the SMPE, the SMPTE, the ASC, as well as serving on<br />

motion picture committees.<br />

The engineering expertise of <strong>Peter</strong> <strong>Mole</strong> afforded him to<br />

meet the demands and needs of a rapidly growing motion<br />

picture industry, wether it was developing quiet fixtures with<br />

the introduction of sound, creating a line of fixtures compatible<br />

with the newly introduced Technicolor color film or pioneering<br />

television lighting by producing a comparatively silent<br />

and cooler tungsten fixture.<br />

With the outbreak of World War II, <strong>Peter</strong> <strong>Mole</strong> directed<br />

his energy toward serving the country. His contributions<br />

included developing and manufacturing military searchlights,<br />

aircraft landing lights, and a classified tank with strobe-light,<br />

which was to be used to disable the approaching enemy. One<br />

of <strong>Peter</strong> <strong>Mole</strong>’s proudest moments came when he was commissioned<br />

by the State Department to supervise and install<br />

lighting equipment for the historic first United Nations<br />

Conference being held in San Francisco, California during the<br />

summer of 1945. His expertise was called upon to in order to<br />

record this historic event on both still and motion picture film.<br />

<strong>Peter</strong> <strong>Mole</strong> was also known for his humanitarian and<br />

philanthropic efforts throughout the Hollywood community.<br />

He was a substantial contributor to the Shiner’s Children’s<br />

Hospital, assisted in the relief efforts for the 1933 Long<br />

Beach earthquake, and along with his wife, assisted in the<br />

SMPTE Women's Guild. His generosity also extended to<br />

many area schools, including Loyola Marymount University,<br />

Notre Dame High School and Sacred Heart Academy.<br />

The success of <strong>Peter</strong> <strong>Mole</strong> in lighting was not only due<br />

to his ability to organize and operate an engineering and manufacturing<br />

organization to meet the needs of a unique industry,<br />

he also had an unusual insight into the intangibles created<br />

by the motion picture production. He knew that engineering<br />

perfection did not transcend utilization in an industry where<br />

dramatic effect is the end result; yet he was able to design and<br />

produce highly specialized lighting tools which satisfy both<br />

the artist and the engineer.


(Image B)<br />

Honorable Mention For Distinctive<br />

Achievement<br />

presented in 1935 by the<br />

Academy of Motion Picture Arts and Sciences<br />

<strong>Peter</strong> <strong>Mole</strong><br />

(Image A)<br />

Recognition of Valuable Service Award<br />

presented in 1928 by the<br />

Academy of Motion Picture Arts and Sciences


(Image D)<br />

Honorable Mention For Technical Achievement<br />

presented in 1946 by the<br />

Academy of Motion Picture Arts and Sciences<br />

<strong>Peter</strong> <strong>Mole</strong><br />

(Image C)<br />

Honorable Mention For Technical Achievement<br />

presented in 1940 by the<br />

Academy of Motion Picture Arts and Sciences


(Image F)<br />

Certificate of Acknowledgement<br />

along with a Letter of Gratitude<br />

presented to <strong>Peter</strong> <strong>Mole</strong> in 1946<br />

by the United Nations.<br />

Shown right is a photograph of <strong>Peter</strong> <strong>Mole</strong><br />

at the United Nations Conference.<br />

<strong>Peter</strong> <strong>Mole</strong><br />

(Image E)<br />

Progress Medal Award<br />

presented in 1948 by the<br />

Society of Motion Picture Engineers.<br />

Shown with an <strong>Peter</strong> <strong>Mole</strong> authored<br />

SMPE publication.


(Image G)<br />

Certificate of Appreciation<br />

presented in 1949 by the<br />

The American Society of Cinematographers<br />

(Image H)<br />

The American Society of Cinematographers<br />

Motion Picture Technical Milestone Award<br />

Honoring <strong>Peter</strong> <strong>Mole</strong><br />

Presented by King Vidor and<br />

accepted by Larry <strong>Mole</strong> Parker<br />

<strong>Peter</strong> <strong>Mole</strong>


<strong>Peter</strong> <strong>Mole</strong><br />

<strong>Peter</strong> <strong>Mole</strong> at the 1931<br />

Society of Motion Picture Engineers meeting being<br />

held at the American Legion Auditorium.<br />

Left: A 1931 snap shot of George “Spanky” McFarland sleeping inside<br />

a <strong>Mole</strong>-<strong>Richardson</strong> fixture.<br />

Below: <strong>Peter</strong> <strong>Mole</strong> pictured in 1929 with Joe Cobb, Allen Hoskins,<br />

Bobby Hutchins and the rest of the cast of “Our Gang”.


Right:<br />

<strong>Peter</strong> <strong>Mole</strong> viewing a <strong>Mole</strong>-<strong>Richardson</strong><br />

fixtures with Director Frank Tokunaga<br />

and Actress Komako Sunada.<br />

Below:<br />

<strong>Peter</strong> <strong>Mole</strong> attending the<br />

1928 Academy Awards at<br />

the Hollywood-Roosevelt<br />

Hotel.<br />

<strong>Peter</strong> <strong>Mole</strong>


Right:<br />

<strong>Peter</strong> <strong>Mole</strong> displaying<br />

some of his<br />

numerous awards<br />

<strong>Peter</strong> <strong>Mole</strong><br />

Left:<br />

<strong>Peter</strong> <strong>Mole</strong>, SMPTE President<br />

with Lucille Ball and Desi Arnaz<br />

during the Society of Motion<br />

Picture and Television Engineer<br />

70th semi-annual convention at the<br />

Hollywood Roosevelt Hotel.

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