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THE POEMS OF ISABELLA WHITNEY: A CRITICAL EDITION by ...

THE POEMS OF ISABELLA WHITNEY: A CRITICAL EDITION by ...

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Printing History<br />

The Copy of a letter was entered in the Stationers'<br />

Register for 1566-1567 and licensed to Rycharde Jonnes<br />

[sic] . As the title page showed Jones was dwelling "at the<br />

Signe of the spred Egle," the work must have been printed<br />

before 1576 when Jones had moved near St. Sepulchre's<br />

Church. Whether the work went through more than one edition<br />

is unknown, as later bibliographers were either unfamiliar<br />

with it or did not always clearly identify the copy with<br />

which they were familiar. Ames's Typographical Antiquities<br />

(1749) and Ritson's Bibliographica Poetica (1802) both<br />

failed to mention the work. Although the Bodleian copy is<br />

an octavo, Brydges in 1812 described the work as a duodecimo<br />

(Restitutia i. 234), while J. Payne Collier, in 1863,<br />

claimed that "It is only not a chap-book <strong>by</strong> assuming the<br />

more dignified form of a 4to" (ii). According to Alan Bold,<br />

a chap-book, or cheapbook, "was a pamphlet made from a sheet<br />

folded into four, eight, twelve or sixteen uncut, uncovered<br />

and unstitched pages" (72). Because a chap-book could,<br />

therefore, have been identical in size to a quarto.<br />

Collier's description would seem to indicate that his<br />

copy-text was bound and covered, or in some other way<br />

distinctively different from a chap-book printing. Collier<br />

also dated The Copy of a letter at 1580, "when Richard Jones<br />

was in full business, and when he was producing many<br />

publications, in prose and verse, adapted to the<br />

xli

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