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1892 - Luc Devroye

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EXJTBKJS UNIVERSITY OF CALIFORNIA^<br />

JOHN HENRY NASH LIBRARY<br />

SAN FRANCISCO<br />

PRESENTED TO THE<br />

UNIVERSITY OF CALIFORNIA<br />

ROBERT GORDON SPROUL, PRESIDENT.<br />

BY" <br />

Mr.andMrs.MILTON S.RAY<br />

CECILY, VIRGINIA and ROSALYN RAY<br />

AND THE<br />

RAY OIL BURNERCOMPANY<br />

SAN FRANCISCO<br />

NEW YORK<br />

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Specimens q<br />

MEDALS AWARDED.<br />

New York, 1853.<br />

Philadelphia, 1876. Paris, 1878.<br />

Sydney, 1879. Melbourne, 1880.<br />

New Orleans, 1884. London, 1887.<br />

Melbourne, 1888. Paris, 1889.<br />

Jamaica, 1891.<br />

Ornaments<br />

Borders<br />

Corners<br />

Rules<br />

Philadelphia<br />

Emblems<br />

Initials, &c.<br />

MacKellar, Smiths X Jordan Co.<br />

Nos. 606-614 Sansom Street


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[able af (onfenfs.<br />

PAGE.<br />

Algebraic Signs 472<br />

Almanac Signs 471<br />

American 318<br />

Anglo-Gothic 370<br />

Angular Text 377<br />

Antiquarian 369<br />

Antique I93-I95<br />

Antique Condensed 190-192<br />

Antique Extended 196, 197<br />

Antique Extra Condensed 188<br />

Antique Open 359<br />

Antique Pointed 246<br />

Antique Tuscan Condensed 249<br />

Aquatint 321<br />

Arboret 334, 335<br />

Archaic 265<br />

Artistic 257<br />

Astronomical and Planetary Signs . 473<br />

Attic 286<br />

Baskerville 244<br />

Base Ball Cuts ........ 504, 523, 527<br />

Bijou 51<br />

Billhead L,ogotypes 491<br />

Bill-of-Fare Cuts 519, 534, 535<br />

Bizarre 286<br />

Black 388<br />

Black Cap 272<br />

Black Inlaid 386<br />

Black Ornate 370<br />

Black Ornate Shaded 370<br />

Black Shaded 406<br />

Boldface Borussian 395<br />

Boldface Italic<br />

Boldface Roman<br />

185<br />

185<br />

Borussian 395<br />

Brass Braces 21<br />

Brass Centre Pieces 14, 15<br />

Brass Circles 13<br />

Brass Curved Corners 14, 15<br />

Brass Ovals 13<br />

Brass Rule, Strips<br />

18-20<br />

Brass Slotted and Mitred Corners . 14, 15<br />

Broadgauge 246<br />

Broadgauge Ornate 323<br />

Broadgauge Shaded 323<br />

Business Cuts 496, 497, 503-505<br />

Byzantine 324<br />

Cabalistic 245<br />

Cafe and Carte du Jour Cuts . . . 534, 535<br />

Cadmus 268<br />

Cameo 310<br />

Campanile 249<br />

Cancelled Figures 474<br />

Card logotypes 491<br />

Card Ornaments 420-424<br />

Card Text 382<br />

Card Text Shaded 382<br />

Caxtonian 300<br />

Caxton Black 378<br />

Celtic 235<br />

Celtic Shaded 309<br />

Celtic Single Shade 309<br />

Chamfer Condensed 251<br />

Chancel 258<br />

Chapel Text 367<br />

Chaucer 58<br />

Check Blanks 492, 493<br />

Check Lines 490<br />

Check Ornaments 506-510<br />

Childs 240<br />

Cimmerian 290<br />

Circular Black 55<br />

Clarendon 187<br />

Cloister 249<br />

Cloister Shaded 288<br />

Columbian 273<br />

Combination Borders 431-454<br />

Combination Ornaments .... 425-430<br />

Commercial Logotypes 488, 489<br />

Concave 247<br />

Condensed 172, 174<br />

Condensed Black 387, 388, 390<br />

Condensed Black Shaded 387<br />

Condensed Clarendon 186, 188<br />

Condensed Cloister Shaded 289<br />

Condensed Concave 247<br />

Condensed German Title 404<br />

Condensed Monastic 280<br />

Condensed Runic 232<br />

Condensed Title 181, 182<br />

Continental 345<br />

Copperplate 310<br />

Corners 415<br />

Crayon 306<br />

Crosier 295<br />

Cruikshank 254<br />

Culdee 279<br />

Dado 260<br />

Dashes 21, 22<br />

Doric 248<br />

Dynamo 277<br />

Kastlake 254<br />

Fdson 261<br />

Engravers' Italic 6s


Table of Contents.<br />

PACK.<br />

Esthetic<br />

261<br />

Eureka Shaded 374<br />

Eureka Text 374<br />

Extended 359<br />

Extended Runic 234<br />

Extra Condensed 168-171<br />

Fancy Celtic 259<br />

Fancy Text 383<br />

Fancy Text Shaded 383<br />

Fautail 250<br />

Filigree 336, 337<br />

Fillet 341<br />

Flourish-Ornaments 418, 419<br />

Frauconian 317<br />

Franklin Shaded 296<br />

French Clarendon 237<br />

French Clarendon Extended .... 238<br />

French Clarendon Extra Condensed 236<br />

French Clarendon Italic 349<br />

French Clarendon Shaded 298<br />

Fresco 312<br />

Gallic 256<br />

Games and Diversions . . . 523, 527, 528<br />

German Open 406<br />

German Ornamented 406<br />

German Plain Faces 397-403<br />

German Shaded 406<br />

German Title 405<br />

Giraffe 276<br />

Giraffe Extended 271<br />

Glyptic 262, 263<br />

Glyptic Shaded 263<br />

Gothic 216-218<br />

Gothic Condensed 199-203<br />

Gothic Extended 223, 224<br />

Gothic Extra Condensed 198<br />

Gothic Hairline 203<br />

Gothic Ornamented 359<br />

Gothic Ornate 316, 317<br />

Graphic Text 373<br />

Greek 28, 29<br />

Greenback 340<br />

Grolier<br />

52,53<br />

Gutenberg 267<br />

Hairline Italic 62<br />

Half-Title<br />

176,176"<br />

Hansard 255<br />

Hebrew 30, 31<br />

Horizontal<br />

3I9<br />

Illuminated 379<br />

Imprint Gothic<br />

Index Corners<br />

Index Initials<br />

203<br />

498<br />

482, 483<br />

Initial Letters<br />

479-481<br />

Interline<br />

Ionic Shaded<br />

,48<br />

320<br />

PAGE.<br />

Italic Copperplate 348<br />

Italic Figures 474<br />

Italic Gothic 224, 225<br />

Italic Gothic Condensed 224, 225<br />

Italic Inlaid 346<br />

Italic Ornate 349<br />

Italic title 183<br />

Japanesque 322<br />

Jenson 342<br />

Johnson 274<br />

Keystone 314<br />

Keystone Open 314<br />

Kitcat 270<br />

Knobby 245<br />

Koster 275<br />

Labor-Saving Brass Leaders . . 22<br />

"<br />

Rule 16, 17<br />

Lacrosse 287<br />

Lady Text 377<br />

Latin Antique 243<br />

Law Italic 60, 61<br />

Lightface 175-177<br />

Lightface Celtic 234<br />

Lightface Condensed 172-174<br />

Lightface Extended 180<br />

Lining Antique 189<br />

Lining Gothic 213-215, 224<br />

Lining Gothic Extended 223<br />

Lithographic Slope 347<br />

Luray 297<br />

Medallic 306<br />

Medical Signs 472<br />

Medieval 367<br />

Medieval Text 381<br />

Medieval Text. Ornate 381<br />

Mezzotype 309<br />

Minaret 307<br />

Minster 287<br />

Miscellaneous Cuts 503-536<br />

Miscellaneous Signs 472<br />

Missal 258<br />

Modern Text 389<br />

Monastic 280<br />

Monastic Shaded 295<br />

Monkish 250<br />

Monumental 319<br />

Mortised 178, 179<br />

Mortised Ornaments 416, 417<br />

Music 23-27<br />

Newfangle '239<br />

Newspaper Cuts 494, 495, 522<br />

Newspaper Headings 407-410<br />

Nymphic 231<br />

Obelisk 278<br />

Oblique 344<br />

Oblique Shaded 345


Table of Contents.<br />

PAGE.<br />

Old Style Antique 78-80<br />

Old Style Circular<br />

62<br />

Old Style Condensed 76, 77<br />

Old Style, Roman and Italic .... 73- 74<br />

Old Style Title 97<br />

Old Style Two-Line Letter 75<br />

Opaque Shaded 315<br />

Ornamental Initial Letters . . . 479-482<br />

Ornamented 324, 359-361<br />

Oxonian 266<br />

Parsee 260<br />

Peaked 259<br />

Pencraft 56, 57<br />

Phidian 318<br />

Philadelphian 296<br />

Pictorial 311<br />

Piece Accents 487<br />

Plain Shade 315<br />

Pynson 269<br />

Queen-Anne Text 380<br />

Roman and Italic Old Style:<br />

Bradford (Standard bodies) . . . 85-88<br />

"<br />

(Point bodies) . . . . 105-108<br />

Binny (Standard bodies) .... 89<br />

"<br />

(Point bodies) 109<br />

MacKellar (Point bodies) . . . 114-116<br />

Ronaldson (Standard bodies) . . . 90-94<br />

"<br />

(Point bodies) . . . 110-113<br />

Roman and Italic :<br />

Standard bodies 121-150<br />

Large job sizes 151, 152<br />

Point bodies 153-167<br />

Radiant 313<br />

Radiated 321<br />

Railroad Cuts 522, 523<br />

Recherche 59<br />

Recipe Marks 491<br />

Relievo 338<br />

Ringlet 264<br />

Ripple Text 380<br />

Romanesque 333<br />

Ronaldson 94<br />

Ronaldson Clarendon 100<br />

Ronaldson Condensed 95<br />

Ronaldson Extended 96<br />

Ronaldson Gothic 99<br />

Ronaldson Title Slope 98<br />

Round Gothic 204<br />

Roundhead 252<br />

Round Shaded 320<br />

Runic 233<br />

Ruskin 305<br />

Rustic 360<br />

Saxon Ornate 368<br />

Saxon Ornate Shaded 368<br />

School Text 390<br />

Script, Centennial 50 b<br />

PAGE.<br />

Script, Circular 35<br />

Script, Compact 48<br />

Script, Excelsior 50, 50<br />

Script, French 32-34<br />

Script, Italic . . 50 b<br />

Script, Master 38, 39<br />

Script, No. 9 47<br />

Script, Queen-Bess 49<br />

Script, Sansom 36, 37<br />

Script, Spencerian 40-46<br />

Scrivener 63<br />

Shadow 299<br />

Signal Service Signs 487<br />

Signs 472-474<br />

Skeleton Antique 190<br />

Skeleton Gothic Condensed 203<br />

Slanting Shaded 350<br />

Sloping Black 384<br />

Sloping Black Shaded 384<br />

Smithsonian 347<br />

Special Figures and Fractions .... 474<br />

Spiral 343<br />

Standard Type-Writer 64<br />

Stars 491<br />

State Seals 520, 521<br />

Steelplate Gothic 308<br />

Stencil 311<br />

Stencil-Gothic 258<br />

Stipple 339<br />

Stylus 54<br />

Tendril 262<br />

Teutonic and Teutonic Extended . . 396<br />

Teutonic Shaded 369<br />

Teutonic Title 389<br />

Teuton Text 370<br />

Text Ornate 379<br />

Tilted 350<br />

Tinted 312<br />

Title 183, 184<br />

Title Black 375<br />

Title Black Shaded 376<br />

Title Extended 180<br />

Title Italic 184<br />

Title Italic Open 346<br />

Title Text 371<br />

Title Text Open 372, 373<br />

Treasury 385<br />

Treasury Open 385<br />

Trojan 290<br />

Tudoresque 369<br />

Tuscan 359<br />

Tuscan Antique 362<br />

Tuscan Shaded 362<br />

Typo 253<br />

Unique 333<br />

Unique Celtic 226<br />

Zinco 285


Labor-Saving Quotation Furniture.<br />

This Labor-Saving Quotation Furniture is a most desirable and convenient auxiliary in a<br />

Printing Office. The pieces are cast in a type-mold, and are finished with the strictest regard<br />

to accuracy, so that the Printer who takes pride in the perfection of his work may rely upon<br />

them as a most serviceable assistant. It is cast upon the Point System of Bodies.<br />

This article is equally valuable as Furniture for the imposition of forms and as Quotations for<br />

blank and rule work, posters, color printing, &c.<br />

Hil^ < 11B111>> ^lllllllll^<br />

5Iiliilil:lilillillfc m lip ^illliitiliilillilillll<br />

The pieces are from 48 to 240 Points in length, and from 24 to 48 Points in width, quadrat<br />

height, with suitable spaces. The smallest font weighs 40 pounds. Price per pound, 25 cents.<br />

Labor-Saving<br />

"Reversible Metal Furniture.<br />

Fonts, 25, 50, 75 and 100 Pounds. Price, Twenty-Five Cents per Pound.<br />

CAST ON THE POINT SYSTEM OF BODIES.<br />

This Labor-Saving Reversible Metal Furniture is our invention, and is the strongest and most<br />

accurate of its class manufactured. It is useful for blanking out and making up forms and for<br />

general imposition.<br />

List of Sizes Furnished :<br />

24, 36, 48, 60, 72, 96 and 120 Points in width, and 48, 60, 72, 96, 120, 180, 240 and 300 Points in<br />

length ; also, 24, 36, 48 and 60 Points in width by 600 Points in length. Special lengths will be<br />

made to order.<br />

7'ke MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphi


BRASS CIRCLES AND OVALS.<br />

SINGLE, DOUBLE, PARALLEL, DOTTED, OR WAVED RULE.<br />

For Prices, see General Price List.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


BRASS SLOTTED CORNERS.<br />

PER 8ET.<br />

Nos. 501, 504, 506, 507, 514, Five to<br />

Pica<br />

" Body $0.75<br />

"<br />

"<br />

516, 549, 591, 592, Four to Pica, 0.75<br />

53. 557. 562, 566. 57?. 573. 575.<br />

614, 620, 621, Minion Body, 1.25<br />

543. 59. Bourgeois Body, . . 1.50<br />

DOUBLE SLOTTED CORNERS.<br />

No. 640, Bourgeois Body, .... 2.25<br />

SLOTTED AND MITRED CORNERS.<br />

No. 643, Five to Pica, 1.25<br />

CURVED CORNERS.<br />

Nos. 680-683, Six to Pica Body, . 0.60<br />

BRASS CENTRE PIECES.<br />

No. 1001, Five to Pica Body. Single,<br />

10 cts 0.30<br />

" 1002, 1003, 1005, 1006, Four to<br />

Pica Body. Single, 10 cts. 0.30<br />

" 1007-1009, 1013-1015, Three to<br />

Pica Body. Single, 15 cts. "<br />

1016-1023, 1027, 1028, 1031-1034,<br />

0.45<br />

"<br />

1051, 1052, 1054, 1057-1059,<br />

Minion Body. Single, 25 cts. o<br />

1062, Bourg. Body. Single, 30 cts. 1<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.


No. 417.<br />

For Checks, Blanks, &c, from 1 to 40 ems long.<br />

2 Point.<br />

Labor-saving I^ule.<br />

THIS RULE MATCHES OUR POINT SYSTEM OE TYPE BODIES.<br />

No. 304.<br />

2 Point.<br />

No. 359.<br />

3 Point.<br />

No. 436.<br />

For Checks, Blanks, &c, from 1 to 40 ems long.<br />

2 Point.


Labor-^atfing I^ile.<br />

THIS RULE MATCHES OUR POINT SYSTEM OF TYPE BODIES.


1 Point.<br />

1 ' 2 Point.<br />

2 Point.<br />

3 Point.<br />

4 Point.<br />

5 Point.<br />

5 1<br />

2 Point.<br />

6 Point.<br />

7 Point.<br />

8 Point.<br />

9 Point.<br />

10 Point.<br />

1 Pon<br />

1 > 2 Pon<br />

2 Point.<br />

3 Po<br />

4 Pon<br />

5 1 2 Poi<br />

BRASS RULES,<br />

MATCHING OUR POINT SYSTEM OF TYPE BODIES.<br />

6 Pon<br />

7


372=<br />

3 Point.<br />

BRASS RULES,<br />

MATCHING OUR POINT SYSTEM OF TYPE BODIES.


NO.<br />

BRASS RULES,<br />

MATCHING OUR POINT SYSTEM OF TYPE BODIES.


BRASS BRACES AND ORNAMENTAL DASHES.<br />

31 27 23 19 15 11 10 U 18 22 26 30 34<br />

33 29 25 21 20 24 28 32<br />

FOR PRICES, SEE GENERAL PRICE LIST.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


BRASS DASHES.<br />

79 66 55 27 12 8 5 1 9 22 31 49<br />

H<br />

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73<br />

67<br />

61<br />

65 -<br />

5<br />

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28 -<br />

25 -<br />

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LABOR-SAYING BRASS LEADERS,<br />

(Hyphen or dotted,) from i em to 18 ems Pica in length.<br />

BODY. FACES.


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The MacKellar, Smiths & Jordan Co. Sa/isom Street, Philadelphia.


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26


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27


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The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


10 A, 35 a, $4.00 12 Point French Script. 35 a, $2.40<br />

Yezy Jozofitable/ cJDudineJh Oppoztunity<br />

Q> ltd Wanted to cJntzoduce/ oar-' yoodd Ghzoughouto the Globe/<br />

neaz<br />

P<br />

ovezy wheze Csralable and (jvezywheze Ihdeful<br />

< I'nccent cJnipzovementd in ^Jjeludive Cbpplianced have bzought tliem do<br />

pezfection that fugitive (badhiezd and fzaudulent Juebtozd may be<br />

ca<br />

uyht on the winy, Yotezd entzappeu foz (jffice-igeond, Joovezd<br />

decuzed foz Old oToaidd, dezelict Ye field bzought to hozt, 3'oeczuitd<br />

zallieu azound S\jingly Cbdpizantd, cJToondtezd oz cJlbidgetd luzed fzom<br />

theiz native hauntd, oz cfzogd and cridh fzom the pond at the bach dooz<br />

(jopply at eceived<br />

ijczzitozy ino QJ^fzicano wildd Ihnoccupied<br />

l, 30 a, $5.00 14 Point French Script. 30 a, f3.05<br />

cfboodw taking c)Jbanufactuxiny (bo,<br />

fOotice^ id ywet\s> to all '"Whom I to may QoncexiVD<br />

b/iato ulb XA<br />

Jbeyexdemanx^> id G/^yento<br />

cfor on% KDtapd, which are adapted to catch Slephantd<br />

oz aheirejded, cJTbice ox. cJfbillionaized, xalud zuoyd ox<br />

runaway (S^pp rent iced, She can clearly explain thelx<br />

mexitd, ad hex Late aijudband, a mart of much wealth,<br />

wad endnaxed by one of them, 'iohid J&ady will call<br />

on you about fune 28, iq46, and we adh a fair trial,<br />

in cforedt or Joaxlox, of the ubpparatud dhe will pxedent,<br />

ad we hnow they will be found udeful in cvexy c/amily<br />

ffhented oiis> Shaxed if S)edixed<br />

Jjixectiond for Opexatiny Sento with each UDxticle^<br />

oioepaixd executed Ibeatly and Joxomptly<br />

The MacKellar, Smiths & yordan Co. Sansoni Street, Philadelphia.<br />

32


8 A, 24 a, $6.00 18 Point French Script. 24 a, $3.40<br />

ytand Exhibitions) of<br />

Cbnimated huzioditied<br />

^Jjidcoveted uxo c^jieet^ J^ laced<br />

oJ^nd captiued by<br />

lAA<br />

Qjfb $llaqueate f who will<br />

explain hoiidy the J^tocefd by which they wete<br />

Qxjagged f and telate dome Cbmuding oJncidentd<br />

in which the (jzapd of thid (jompany figured<br />

7 A, 22 a, $7.25 22 Point French Script. 22 a, $3.90<br />

&/iicken and 'yvatezmetonp (j/iieved<br />

Cbzzedted and u^unldlied<br />

vvitliout need of (oondtable, Ijiidge, oz<br />

ijiizi), and &moke-cnoouded, Uzchazdd<br />

and cfoitchen- uazdend fully pzotected<br />

6 A, 18 a, $8.90 28 Point French Script. 18 a, $4.90<br />

GzuantD (grclioot-boyd<br />

(oaptwted trio oJaatking (oodtumes<br />

Ibnadozned cAjumaniti/<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

33


5 A, 14 a, $10.75<br />

36 Point French Script.<br />

zeattde on? J^ackitiq<br />

(ghtteet-catdj cJIveai cJaatieU<br />

(oxciiidtonD (Srteamuoatd<br />

4 A, 12 a, $11.25 44 Point French Script. 12 a, $G.65<br />

zowl <br />

etuwey fahotujlitd<br />

\LL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

34


-<br />

10 A, 50 a. 12 Point Circular Script. Pica. $7.00<br />

QJUUsJ^ ujJLj,, M.S.<br />

r?^<br />

ts^o~


ansom Script. Registered, No. 110,406.<br />

10 A, 50 a. $9.30 18 Point Sansom Script. Three-Line Nonpareil. 50 a. |6.75<br />

ijtolmation of a nezo (^ompanu<br />

^fualanteea Ditiioena, one y^unalea- pel ioent.<br />

(Weaun xcaitina lob ttye (bntelpU^ina<br />

(Qui faviiifies Sol manuSactulina (^\umiiantj ale un=<br />

eaiiaiet), ana, a& uou ale one of oul intimate llienm,<br />

zee off el uou tne plimteae of comina into oul eolpo=<br />

lation on tne alountl fiool'T) \Qne pal<br />

value oI oul<br />

males is jf>y6.58, vui } if applied Sol at ofice, a limited<br />

numoel mail ve ootainea at &euentu=&euen cenU eacf)^)<br />

Cbmmace tne C^ppoltunitu of a ^jifeiinie<br />

10 A, 50 a. $12.50 24 Point Sansom Script. Tito-Line Pica. 50 a. $7.50<br />

3mboltani oJ^juueiin Aom yiQeaacfualtels<br />

^iochnia^f QydUeniion!<br />

financial necepiiies compel tne ^Dheciois to<br />

olaeb an afoefomeni on each srjale of stock cy<br />

trie (^\ujmiaht QyjLanufaciuUncf (gombanu<br />

of $4286.0)% hauaoie to=molloio, auei wnicf)<br />

time snake) not namna baia wiw oe foUeiteo^<br />

The MacKellar, Smiths &" Jordan Co. Sansom Street, Philadelphia.<br />

36


The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

37


Registered, No. 47,496.<br />

Mechanical Patent, March 31<br />

10 A, 50 a $5.20<br />

12 Point Master Script. Pica. 50 a, Lower-case only, . 3.20<br />

Q$\Uww^m>> of rProfLfabl j&nfowpw&Qb j&wynywhow,<br />

1284567590<br />

The Capital Letters of 12 Point Pencraft zvill work in combination with 12 Point Master Script.<br />

5 A, 25 a, with 3 A Initials, $6.30<br />

5 A, 25 a, without Initials, . 5.00<br />

25 a, Lower-case only, . . 3.10<br />

3 A, Initials, separately, . . 1.30<br />

18 Poixt Master Script. Ttiree-Line Nonpareil.<br />

oP^


Registered, No. 47,496.<br />

Mechanical patent, Mar. 31<br />

5 A, 20 a, with 3 A Initials, $8.40<br />

5 A, 20 a, without . Initials, 6.10<br />

4 A, 12 a, with 3 A Initials, $11.90<br />

4 A, 12 a, without Initials, . 8.10<br />

24 Point Master Script. Two-Line Pica.<br />

36 Point Master Script. Three-Line Pica.<br />

ALL COMPLETE WITH FIGURES, SPACES, AND QUADS.<br />

20 a, Lower-case only, . . $3.60<br />

3 A, Initials, separately, . 2.30<br />

12 a, Lower-case only, . . $4.30<br />

3 A, Initials, separately, . 3.80<br />

The Initials of the three larger sizes of Master Script, wherever practicable , are mortised to allow<br />

the insertion of the lower-case letters a, e, o and u, which have been specially fi tiedfor that purpose.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

39


^penceria^ ngjiifw^ ^ cv^ ^?P^<br />

18 A, 100 a. $18.30 9 A, 50 a. 9.15<br />

16 Point Spenceriast Script. Two-Line Brevier.<br />

/iv-a^e='&&/ yzn-ew-tzted /#4/ ytui /-ri


1GA, 60 a. 28.75 28 Point Spencerian Script. Two-Line English. 8 A, 30 a. $14.40<br />

!^^2<br />

i^4


The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

42


ymctnari Script (E^pe,<br />

16 Point Spencerian Script, No. 2. Two-Line Brevier.<br />

e/ CxPa-MuneM anas c?<br />

&<br />

a4 /Med<br />

18 A, 100 a, -with 6 A, Ornamented Capitals, $20 65<br />

18 A, 100 a, without Ornamented Capitals,<br />

6 A, Ornamented Capitals, separately,<br />

. 18 25<br />

. . 2 40<br />

c y<br />

9 A, 50 a, with 3 A, Ornamented Capitals, $10 35<br />

9 A, 50 a, without Ornamented Capitals, ..915<br />

3 A, Ornamented Capitals, separately, . . 1 20<br />

22 Point Spexcerian Script, No. 2. Two-Line Small Pica.<br />

wdf /fart/ (jSeammi^ SfrtzUmt<br />

w /tme/ -&/em?tMt/i/ (yitmyes ^md^m^ s6,74% /^Wy<br />

tftti/J2*nMwmm/ /&at&, /tw'w /mtm^ Xe^ Jkt/^<br />

18 A, 100 a, with 6 A, Ornamented Capitals, $28 05<br />

18 A, 100 a, without Ornamented Capitals,<br />

6 A, Ornamented Capitals, separately,<br />

. 24 75<br />

. . 3 30<br />

9 A, 50 a, with 3 A, Ortiamented Capitals, $14 05<br />

9 A, 50 a, without Ornamented Capitals,<br />

. . 12 40<br />

3 A, Ornamented Capitals, separately, . . 1 65<br />

The Ornamented Capitals are suited to work with the lower-case of both series of Spencerian Script.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

43


ytnctnari ^cripf (Egpe,<br />

28 Point Spencerian Scbipt, No. 2. Two-Line English.<br />

/Jt A w<br />

5U X.<br />

16 A, 60 a, -with 6 A, Orna?nented Capitals, $32 05<br />

16 A, 60 a, without Ornamented Capitals,<br />

. . 27 75<br />

6 A, Ornamented Capitals, separately, ... 4 SO<br />

Hammmm4d<br />

ctk<br />

vmamw<br />

8 A, 30 a, with 3 A, Ornamented Capitals, . $16 05<br />

8 A, 30 a, without Ornamented . . Capitals, 13 90<br />

3 A, Ornamented Capitals, separately, ... 215<br />

The Ornamented Capitals are suited to work with the lower-case of both series of Spencerian Script.<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.


I<br />

^ ^<br />

> ft. 5<br />

,5. si- s.<br />


The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


12 A, 32 u. 12 Point Script, No. 9. Pica. $3.40<br />

(SaouicJoou-c & Laientea (intension Clpp a/tatu<br />

^ be jut in (Sase of memencu. Omnt&uses ana cJSecLteacU ulcuaea at Xteaauii<br />

(<br />

xaUut-ziatoi* lot Unumiiea %azz\iozu Qfianied to chzstcci: liters<br />

ICll<br />

ehultaet LaiUcn(azi> unit be aiuen oh Cippuca-t<br />

123%G>Z8 Jordan Co. Sansom Street, Philadelphia.<br />

do


14 Point Script. English. $25.50<br />

Sfkikked m aood oide/i and well=ccndv4lcned ; lu @Mac$Se/iab, Sfmldm &<br />

foidanj on loaid 4ke new- fi4mwwh called ike ^wiliyld, wkvieoj Jokndone<br />

J&w-ience ib madeh, now lu'ma m 4ke 9od ol 9kiladelkkia and ioand<br />

lo% &an JFmncibco, (galjloima, ^oi4ii=4kiee hackaaeb oj (^tme/ulean


10 A, 4 A, 50 a, 12 Point Queen-Bess Script. Pico. $5.25<br />

S^muamWU&ii/c, 3\en/Qiii/e/iva<br />

4 ? 4 \z i{ 5 6 7 8 q o<br />

S&/&uij> % Stify Van 1/YiriMe<br />

4 5<br />

10 A, 4 A, 50 a. 18 Point Queen-Bess Script. Three-Line Nonpareil. $9.00<br />

3 2 1<br />

iSoli^niA'Oii ^hwM)kw&<br />

9 A, 4 A, 35 a. 24 Point Queen-Bess Script. Two-Line Pica. lit<br />

cMo/a/hi/n^ jfttoiTi/&<br />

#3<br />

|<br />

8t4^vc^^px'[ylu'wvetl<br />

0WII 5W>M|<br />

i25JfS678qa ^ &&<br />

5 A, 3 A, 25 a. 36 Point Queen-Bess Script. Three-Line Pica. $16.00<br />

Wfam /fci/o/n/aA SBa/nli<br />

>. m i jHrnewxi/ri<br />

U-L COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansow Street, Philadelphia.<br />

49<br />

.


18 Point Script, No. 6. $24.40<br />

' Va-iee tjfyodaetictu e* me ^y//ty/aA/>('ca/ -zJedia/nei<br />

rZ//t/-i tseUet 4 tscfonf id an e/eaani initiation


16 A, 70 a. 28 Point Script, No. 4. $23.60<br />

J^Mecfaw w/tmmafea, ^yvtatlwwwu wncMUaaea<br />

Point Script, No. 3. $22.25<br />

/SSJ^tf/^<br />

A, 3 A, 24 a. 42 Point Script.<br />

With two Seta of Capitals.<br />

$25.00<br />

afawiat tJmaan Too.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

50"


14 Point Centennial Script<br />

18 A, 6 A, 100 a. English. $14.30<br />

Vamthl in mtijhQ<br />

J*mnkr4 &ofa mifh iihooraphy<br />

18 Point Centennial Sckipt.<br />

18 A, 6 A, Great Primer. 100 a. 20.00<br />

MiolveM Siddinti SfiinMe'c<br />

18 A, 6 A, 70 a. 22 Point Centennial Script. Two-Line Small Pica. $21.70<br />

^brnmf and Tt^rM of<br />

Uiifcmnm BetvbuMkS<br />

10 A, 4 A, 50 a. 28 Point Cent kn n i a l Script. Two-Line English. 922.65<br />

ypxkm and '^SmnMftQ<br />

kLL COMPLETE WITH FIGURES.<br />

18 Point Italic Script. Great Primer.<br />

"Grand 'Opening iDay: ^Feminine World c^lcjog!<br />

Unique Millinery Establishments for t/je JLadies of ftasljion<br />

U34-567890<br />

A, 20 a. 22 Point Italic Script Tivo-Line Small Pica.<br />

jittentivn, J'Jjreadbare<br />

'ixentlemen !<br />

^Messieurs jScfyiipps %T)abbage, 2 alien<br />

U34567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

5


w Giifir)q^Tp ]furcrjerscrs :<br />

12 Point Bijou Pica. 12 A, 32 a. $4.55<br />

32 a. . . 2.75<br />

Jwo rrjctle arjd^t^rcc |err)etlc Lirjicorrjs,<br />

t<br />

or) (ilrrjpr),^~i r)r<br />

n.TppoqriJT, or)<br />

rrjorfure


12 Point Grolier. Pica.<br />

With 24 Point Initials.<br />

Mechanical Patent, March 31,<br />

Registered, No. 69,178.<br />

Improvements Souring tfie fast Centurtj<br />

( entenniaf of i-hraming and i^/Jnnouncing tfie (onstitution<br />

(zrand Celebration in Pfiifadefpfiia<br />

%fie printing Qxfiibit commenced witfi a ta6fean of (guttenberg , fiis<br />

employes and friends, wfiicfi Was iffnstrated by tfie German printers<br />

of Philadelphia. '(Sype making, as practiced a hundred years ago,<br />

cgtas shown by an operator using tfie ofd moufd ^hich produced ten<br />

pounds of unfinished type per day. J2ear tHis Was tfie improved<br />

casting macfiine wfiicfi casts forty pounds of unfinished type<br />

in tfie<br />

same time. Tn contrast witH tfiese Was tfie<br />

complete type-casting<br />

macfiine which now casts and finishes fifty pounds of type per day.<br />

8 A, 40 a, with 4 A Initials, $5. 60 40 a, Lower-case onlv, . $2.10<br />

8 A, 40 a, without Initials, 3.60<br />

complete with figures.<br />

4 A, Initials, separately,<br />

18 Point Grolier. Three-Line Nonpareil.<br />

With 30 Point Initials.<br />

DKeeting of (governors of<br />

the States<br />

^Q roopers and r~k nfantrgmen JvT/ (anoeuvring<br />

^Presidential Receptions<br />

%he miliary procession formed on South [Broad Street,<br />

marched to Chestnut Street, saluting the president of<br />

the United States on the grand stand, thence down<br />

Chestnut and through the principal streets of the city,<br />

dismissing at the corner of [Broad and Jfrch Streets.<br />

Dtflifitary and J2ava[ pageant<br />

6 A, 30 a, with 3 A Initials, $6.90 30 a, Lower-case only, .<br />

6 A, 30 a, without Initials, 4.40<br />

complete with figures.<br />

2.00<br />

$2.55<br />

3 A, Initials, separately, 2.50<br />

The MacKellar, Smiths &> "Jordan Co. Sansom Street, Philadelphia.<br />

52


Mechanical Patent, March 31, iE<br />

Registered No. 69,178.<br />

24 Point G holier. Two-Line Pica.<br />

With 36 Point Initials.<br />

ociety to \J J remote 4-rahits of rfndustry<br />

Initiation of DuZemSers<br />

^Knowing that the jfuman jfcmd, intelligently<br />

educated and skillfully employed, Has delivered<br />

man from barbarism; and made his position far<br />

superior to that of animals not possessing this<br />

most useful appendage, therefore truly and<br />

aithfully iovenant<br />

^hat my hands, and those of others placed<br />

under my charge, shall he carefully trained in<br />

some handicraft beneficial to the race, and that<br />

mil on all occasions endeavor to ^eep them<br />

diligently employed.<br />

(philanthropic [Busybody.<br />

4 A, 20 a, with 3 A Initials, $7.50 20 a, Lower-case . .<br />

C0MPLETE WITH F1QURES only, $2.30<br />

.<br />

4 A, 20 a, without Initials, 4.00 3 A, Initials, . separately, 3.50<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

53<br />

i


12 A, 32 a. 2.70 9 Point Stylus. Three-Line Excelsior. 32 a. $1.30<br />

progress cf Typography : frorri the Philadelphia ledger.<br />

The Typographic Advertiser, published by l^acfoliar, pmiths tfordaq, illustrates<br />

the advance of typography and type 'founding, which it was established to foster, f<br />

late years (Sombinatioq ^orders of great beauty and delicacy have beeq devised, so as<br />

to forrq aq almost endless variety of rnamental Resigns, closely resembling pteel<br />

1 2 3^3 6? 8 6<br />

12 A, 32 a. $3.90 12 Point Stylus Pica. 32 a. $1.80<br />

j{fppreciatior/ by printers frorri all Sections of the (Sountry.<br />

^Etftract frorri the ^a (Srosse democrat :<br />

T^ac^ffetlar, ^Smiths Jr Jordan's Typographic Advertiser is at hand,<br />

and contains some of the most XJnique and ^eautiful Resigns ever<br />

exhibited to a printer s eye. Their is J$ew "^Border a very fine<br />

1 2 S^SO?8Q<br />

8 A, 20 a. 5.05 18 Point Stylus. Three-Line Nonpareil. 20 a. s2.: j n<br />

The ^H\toq J(Cew$, of 7$(arc/lcmc[, publishes iq<br />

a late issue Complimentary JJfotices relative to<br />

the ^le^ance and ^Finish of the Type furnished<br />

by T^ac^fjellar, ^miths ^ Jordan, ^Philadelphia<br />

6 A, 14 a. ?5.60 24 Poixt Stylus Two-Lhie Pica. 14 a. s-j,.j.-,<br />

ac'ijellar, Smiths $ (fordaq have<br />

almost outdone themselves iq novel-<br />

ties lately presented.- -^entinel.<br />

ALL COMPLETE WITH FIGURES.<br />

Lower-case, for circular work , furnished separately , at prices above given.<br />

The MacKellar, Smiths &" Jordan Co. Sansom Street, Philadelphia.<br />

54


12 A,<br />

6 Point Circular Black.<br />

Nonpareil.<br />

. $2.10 32 a. $1.10<br />

Snsfifufioi} for * Boarding * jffi?ouiyijaI> * tytts<br />

Itecet&ed, -January 6,- J893,. from JJlmcfia ^yinztnv,<br />

J>ij Cafe, JSinu ^arrofe, and Sour uimsa $i$b,<br />

vofyict) 3 pvomisi to kttp $ti>tn Wake, and p vobibt<br />

tt)trri voitfy suilidint Soob and IDrinfc. 3 promise<br />

tfyi e&mt zfya.lt hi returned otj receipt of ^ij o (fars<br />

for eac week of sucfy service.<br />

Witnessed hy $5mia6fe $)efefriend.<br />

9 Point Circular Black.<br />

Three-Line Excelsior.<br />

10 A, 28 a. $2.35 28 a. $1.30<br />

3Eo : : 5<br />

&ofiat f Qkfcset, Constat.<br />

$2.55 12 Point Circular Black. Pica. 20 a. $1.40<br />

f?roltCe<br />

:<br />

IBofe, :<br />

tytyC&U<br />

: SllturitP.<br />

.00 BamstaMe, SeBruarn 2i\t, 1894.<br />

Jor fcaftw nc&btb, 3 promise to deftker, eipjt moni0 ate date, to<br />

Andrew (Eraffick, one thousand buncos of -RaM^e^, to Be fcahted -d<br />

te market price current at tcd time. Bafcid |)eoman.<br />

A, 14 a. $3.20 18 Point Circular Black. Three-Line Nonpareil. 14 a. $1,<br />

5iU .<br />

+ $500 oo<br />

f)l)ifofol!pl)ia, |um 35, J750,<br />

5a^0 * after zi$t pap io (Eppo^rapl) & <<br />

Sifce *<br />

hundred *<br />

*<br />

Boffars,* &aue<br />

rcedfod.<br />

5 A, 10 a. $4.00 24 Point Circular Black. Two-Line Pica.<br />

Co,<br />

>0. 89. BostOfy June 4, 1783.<br />

Jifti) 1t5ationa Bank of *<br />

pap 5Eonp<br />

to *<br />

^mart<br />

Cat}toiT}<br />

J-fee l&offiar^<br />

$5.00 |ol}n*ll}ilftmafy<br />

Lower-case, for circular work, furnished in addition at prices above given.<br />

The MacKellar, Smiths


12 Point Pencraft. Pica.<br />

With 24 Point Initials.<br />

history of our ^Neighborhood<br />

Mechanical Patent, march 31,<br />

Registered, No. 22,315.<br />

reminiscences of a \ I /orthy and honored ( ilizen<br />

ocal 2Lrents Sketched from ^jyCerrtory<br />

il, Solomon, r<br />

\ATiseacre, on jfebruary 27, 16Q6, do<br />

hereby make this my last '"Will and Testament:<br />

bequeath to my sen Tom all right to the (Seed<br />

IName which will be left behind me, and any profit<br />

or<br />

renown derived therefrom shall be for his sole benefit.<br />

To my daughter 3/Cary, give alt my<br />

shares in<br />

the (Xemet=Tail Utilisation Company, and to my wife<br />

Clementina my interest in the business of furnishing<br />

free Toboggan l^ides to hungry women and children.<br />

Solomon 'Wiseacre.<br />

A, 32 a, with 4 A Initials, $5.25 32 a, Lower-case only.. . . #2.05<br />

A, 32 a, without Initials, . 3.50 4 A, Initials, separately, . 1.75<br />

18 Point Pencraft. Three-Line Nonpareil.<br />

With 36 Point Initials.<br />

Typographical Appliances<br />

Accurately "Mortised (r ri ati ng C<<br />

f^echerche 'Wonders<br />

(Twining and nique \fovelties<br />

1234567890<br />

4 A, 12 a, with 3 A Initials, $6.80 12 a, Lower-case only,<br />

y pes<br />

. . 2.00<br />

4 A, 12 a, without Initials, . 3.50 3 A, Initials, separately, . 3.30<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

56


Mechanical Patent, March 31,<br />

Registered, No. 22,315.<br />

18 Point Pencraft, No. 2. Three-Line Nonpareil.<br />

With 36 Point Initials.<br />

Typography vs. lithography<br />

\jeatly Jjriated firculars aad lipiomas<br />

Jjrogressive (Lraftsmea<br />

Ihe IS jjoiat Jjeacraft haviag beea proved a<br />

very useful letter by many practical priaters,<br />

we have added aa additioaal size of lower=case,<br />

cast oa the same body, which caa be used with<br />

the origiaal capitals aad mortised iaitials. ^t<br />

will be fouad coaveaieat where is limited.<br />

space<br />

Jylaay priaters, who strive to issue aeat aad<br />

tasty work from their establishments, will weU<br />

come it as aaother<br />

step up<br />

the ladder<br />

leadiag<br />

toward the ideal of ia<br />

perfectioa typographic<br />

art<br />

123456T890<br />

4 A, 20 a, with 3 A Initials, .... $6.80 20 a, Lower-case only, $2.00<br />

4 A, 20 a, without Initials, .... 3.50 3 A, Initials, separately, 3.30<br />

imitative jjeamaaship ^essoas<br />

y athematical<br />

'<br />

Veproductioa of ^.igaatures<br />

Scieace of Receptive J3ook=J^eepiag<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

57


12 Point Chaucer-Pica.<br />

12 A, 32 a, $4.70<br />

32 a 2.60<br />

^ogifafioa/- on tfte 5^>an&/- of tfte efaauare. ^ %-*<br />

dOtfi montn 2&enfeentfi. d>enfurij, coPPeefec| fronq<br />

cHaPPA, d>a&fPeA anSL JpaPaceA of GngPcn^t).<br />

24 Point Chaucer. Two-Line Pica.<br />

6 A, 14 a,<br />

6.io<br />

14 a, . . 3-15<br />

Jo Jar<br />

diapfaii^ ^acft ^/^^-^<br />

^^^ f tne #fiip Repfunef<br />

ProceeeLiir^ fta^te aoitn a cargo of<br />

Y^oocjer^ riafmeg^) fo tne port<br />

of SijYemeQ ar^b refuri}<br />

in 6affa^t<br />

ALL COMPLETE WITH FIGURES.<br />

Lower-case,for circular work,furnished separately, at prices specified. The Ornaments displayed<br />

with the above fonts are from our Card Ornaments, Series 4, and are furnished only when ordered<br />

specially. They also work with our series of Bijou, and other faces.<br />

The MacKellar, Smiths &* fordan Co. Sansom Street, Philadelphia.<br />

58


8 A, 30 a. 18 Point Eecheeche- Three-Line Nonpareil. $2.45<br />

Blatherskite JV|utual Improvement ^Association,<br />

JVIarch 15, 2364, the subject<br />

for discussion, Will be:<br />

pas the<br />

united eloquence of famed rators or the activity of ingenious<br />

Workers done most good? Loquacious<br />

Theorist, fiec.<br />

6 A, 20 a. 30 Point Eecheeche-Five-Line Nonpareil. $3.50<br />

cJnfortunate Windy l|)ecIamations<br />

JV|anifold lessinqs follow ^judicious Industry<br />

24 Point Recherche. Two-Line Pica. $2.90<br />

||)isbandment of our<br />

rqanizatior]<br />

I o secure time for more profitable employment We<br />

dissolve the Society which, irj the past, has occupied<br />

all our thoughts gy order of the JMembers<br />

36 Point Recherche. Three-Line Pica. $4.00<br />

(Usefulness (f/ommands Recognition,<br />

Blatant Rhetoric (Discounted<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

59


25 A, 70 a. 6 Point Law Italic Nonpareil. 3.40<br />

NOTICE TO AN APPRENTICE'S MASTER<br />

To Theophilus Stirabout, of the Township of Knockemdown<br />

County of Ganderee, greeting :<br />

Your apprentice, Benjamin Lazy Fellow, has this day, November 4-th, 1976,<br />

called at my office in Knockemdown Township, in the said county, and made<br />

complaint that Ichabod Snubb, a journeyman in your employ,<br />

of kicking and cuffing the said apprentice, whereby the life of your said<br />

apprentice is endangered. I appoint to-morrow, Wednesday, November 5th,<br />

at 3 o'clock in the afternoon, to inquire into this complaint, at my office in<br />

the township of Knockemdown, at which time and place I request you will<br />

is in the habit<br />

25 A, 70 a. 8 Point Law Italic Brevier. s*3.95<br />

EASTERN DISTRICT OF GABBLETOWX<br />

A Special Court of Old Women<br />

Will be holden in the toivn of Tattling, on Washing-Day , May<br />

30th, 1927, at tea-time, to settle the status of the new family<br />

on the hill and of Jacob Hooknose, widower, and his daughters,<br />

late coiners among us. Hereof take you heed, that such action<br />

may be had as will discover the antecedents of the said parties.<br />

Mrs. Gabby Busybody will preside over the court in her usual<br />

20 A, 52 a. 10 Point Law Itamc Long Primer. 4.05<br />

WESTERN DISTRICT OF IILINOIS<br />

Notice is hereby given<br />

Pete?" Lambsoul, the 13th husband of Mrs. Xantippe<br />

Spitfire Lambsoul, both of Henpeck, to show cause why<br />

a divorce should not be granted to the aforesaid Xantippe,<br />

she having another man waiting to take her for<br />

better or for worse, according to the condition of Iter<br />

12 A, 32 a. 12 Point Law Italic Pica. 3.15<br />

IMPORTANT NOTIFICATION<br />

Grand Ratification !<br />

The Female Voters of the 5Jfth Ward are hereby<br />

notified to meet in solemn conclave at the City<br />

Hall, to adopt means for the immediate punishment<br />

of husbands who refuse unlimited<br />

liberties to their wives, and maintain the right<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

60


6 Point Law Italic, No. 2. Nonpareil. 8 Point Law Italic, No. 2. Brevter.<br />

25 A, 70 a. $2.45 25 A, 70 a. $2.85<br />

SUMMONS AGAINST A CONSTABLE.<br />

INDENTURE TO LEARN HIGH LIFE<br />

Whereas, Jonathan Steady, one of our Justices This Indenture witnesseth: That Miss<br />

of the Peace in and for the County of Common<br />

Complaint, lately, that is to say, on the first<br />

day of October, A. D. 1975, issued an execution<br />

directed to Bill Lazy, Constable of Indolent Town-<br />

Clara McFlippen, daughter of Timothy<br />

and ^arah Ann McFlippen, hath bound<br />

herself apprentice with Bella Lofty, to<br />

ship in the said County, for a debt of ten cents learn modern Airs and Graces, May, 187<br />

20 A, 52 a. 10 Point Law Italic, No. 2 Long Primer. $2.80<br />

WARRANT AGAINST A MASTER MACHINIST<br />

You are hereby commanded to take the body of Ephraim Easy, if he<br />

be found in Equal Rights County, and bring him before me, Bringthemin<br />

Holdsteady, one of the Justices of the Peace in and for the said County,<br />

to answer upon 365 charges, founded on the oath of Peter Rowdy, that he<br />

14 A, 42 a. 12 Point Law Italic, No. 2 Pica. $3.00<br />

CERTIFICATE OF COPARTNERSHIP<br />

This is to Certify that a perpetual partnership has been<br />

formed between Corney Uxorem, of Hymentown,<br />

and Pene-<br />

lope Sweetem, of Venusville, 1875, both of Nuptial County<br />

10 A, 28 a. 18 Point Law Italic, No. 2. Great Primer. $3.30<br />

IMPERATIVE PROCIAMATION<br />

Notiee is hereby given 163 Officers of the<br />

Peace rigidly to enforce the City Ordinances<br />

8 A, 20 a. 22 Point Law Italic, No. '2. Two-Line Small Pica. $3.60<br />

COURT OF FINAL APPEAL<br />

245 Aggrieved Defendants Protected<br />

7 A, 14 a. 28 Point Law Italic, No. 2. Two-Line English. $4.50<br />

COURTSHIP PRACTICE<br />

Hurried Parting Kisses 439<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.


8 Point Hairline Italic. 10 Point Hairline Italic.<br />

24 A, 70 a. Brevier. $5.40 20 A, 52 a. Long Primer. $5.20<br />

Our Hairline Italics being adapted JJ~o (Printing- Office can meet<br />

for Gards, Circulars, and other Small the wants of its (Patrons which<br />

Worlz, vrill doubtless meet a want felt does not contairh the i atest st yles.<br />

by the (Proprietors of all Job Offices ^e Italia Hairlines are useful<br />

1234567890<br />

1234567 90<br />

12 Point Hairline Italic Pica.<br />

Jlssooicbted ^louuers' fcririi-uersarry<br />

outer Spovuters and ^Ejotrcu ^zizdy Speeohe<<br />

Beptemher ~EqijuirioGtiaZ (Ecuy<br />

1234567890<br />

15 A, 42 a. 10 Point Old Style Circular. Long Primer. $4.40<br />

Fussy' s Exceedingly Valuable Curative Properties<br />

Efficacious Invigorators<br />

Stirrup Cordials for Intermittent (Policemen, (Ringwormed Legislators<br />

(Relapsing Street Contractors and Homesick Inebriates<br />

Taken Every Morning and Evening<br />

123436 j8qo<br />

12 A, 32 a. 12 Point Old Style Circular. Plea. $4.35<br />

General Wakeup Condition (Powders<br />

(Removes Conscience Stings, (Public (Rogueries, (Private Vices<br />

Mends Family Jars, Invites Healthy Exercise<br />

(Dose: Frequent Spiritual Ablutions<br />

i23456j8qo<br />

12 A, 32 a. 18 Point Old Style Circular. Great Primer. *7.00<br />

SFonic for Xooseness of Morals<br />

burnished to those Afflicted without Money<br />

friends' Society of humanitarians<br />

1Z3JJ.56Y890<br />

The MacKellar, Smiths &* Jordan Co. Sanscm Street, Philadelphia.


6 Point Engraveks' Italic Nonpareil. .<br />

24 A, 70 a. $3.00<br />

AGIZE PERFORMANCES<br />

8<br />

Point Engravers' Italic Brevier.<br />

24 A, 70 a. $3.85<br />

MLTUHjIZ, HISTOIIY<br />

Aged Gentlemen's Fancy Somersaults Wonderful Talking Machinery<br />

startling all civilization Instructions in Zoology<br />

123 4.5 67890 / 23^.567890<br />

20 A, 52 a. 10 Point Engravers' Italic Long Primer. $3.80<br />

HATTY ADVENT OF NTW- TUAT<br />

Attended by Angelic White-Tobed Teace, Ifeaven-testing<br />

Jlope and Sinner-Tlessing Cha?*ity<br />

123&567890<br />

12 A, 32 a. 12 Point Engravers' Italic Pica. $3.10<br />

^ATZGATNS AT TjUBDSTTCJF'S<br />

Goodsfor almost Nothing! Zinens, 5 and 8 Cts.<br />

Tins and Needles, $2.50 a Grab<br />

6 Point Scrivener. Nonpareil. 10 Point Scrivener. Long Primer.<br />

36 A, 70 a. $2.60<br />

30 A, 42 a. $2.75<br />

DIVIDENDS DECLARED MONTHLY SYLVAN HEIGHTS<br />

Six Shares of Stock of the Frogville Land Bureau<br />

Offered at Auction without Reserve (j00d Lstud SLUO. Buildings GmtlS<br />

1234567890 1234567890<br />

22 A, 36 a. 12 Point Scrivener Pica. $3.00<br />

PROGRESSIVE LEGISLATIVE ENACTMENT<br />

That when any person shall require any<br />

Presses for use 4620<br />

18 A, 28 a. 18 Point Scrivener. Great Primer. $4.30<br />

897 PERSONS appropriating the works of<br />

14 A, 24 a. 22 Point Scrivener. Two-Line Small Pica. $4.55<br />

That after OCTOBER IS, 1897, each boy<br />

10 A, 16 a. 28 POINT Scrivener. Two-Line English. $5.30<br />

Soothing SYRUP for 91 Infants<br />

The MacKellar, Smiths & Jorda,7i Co. Sansom Street, Philadelphia.<br />

63


14 A, 10 a, 28 a. 22 Point Old Style. Two-Line Small Pica. $7.65<br />

ANTEDILUVIAN<br />

AgUARiuMS<br />

of Curious Shells and Fish<br />

1234567890<br />

10 A, 7 a, 20 a. 24 Point Old Style. Two-Line Pica. $7.65<br />

SONGS from ye Ancient Bards<br />

7 A, 4 a, 14 a. 28 Point Old Style Two-Line English. $6.&5<br />

Sweet HOME Scene in 1776<br />

5 A, 10 a. 28 Point Old Style Italic Two-Line English. $3.60<br />

GIFTS for the Grandchildren<br />

7 A, 4 a, 14 a. 36 Point Old Style. Two-Line Great Primer.<br />

Old MEN from Metz<br />

4 A, 8 a. 36 Point Old Style Italic Two-Line Great Primer. $4.60<br />

Polar RINK<br />

Skating<br />

40 Point Old Style. Double Paragon. $8.35<br />

OCEAN Ripples<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

73


4 A, 7 a. 40 Point Old Style Italic Double Paragon. $5.15<br />

ROCKT Rumblings<br />

48 Point Old Style. Four-Line Pica. $8.50<br />

162 YEW Trees<br />

3 A, 5 a. 48 Point Old Style ItauC. Four-Line Pica. $6.05<br />

Hickory KNOTS<br />

3 A, 4 a. 60 Point Old Style.<br />

HEM<br />

Five-Line Pica. $10.45<br />

8 Big<br />

3 A, 3 a. 72 Point Old Style. Six-Line Pica. $14.05<br />

Rich Bets<br />

^LL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


10 Point Old Style, No. 4. 12 Point Old Style, No. 4.<br />

25 A. Two-Line Pearl. $1.80<br />

PRESTIDIGITATEURS<br />

18 A. Two-Line Nonpareil. $1.8(<br />

PHOTOGRAPHIC<br />

20<br />

16 POINT OLD<br />

V T 0l S '<br />

STYLE, NO. 4.<br />

?<br />

N ' 4 "<br />

14 A - T^o-itne ionflr Prtmer. $3.6(<br />

14 A. Two-Line Brevier. $2.40<br />

PRINCESSES REFINED<br />

24 Point Old Style, No. 4. Two-Line Pica.<br />

EXPOSITION, 1876<br />

^.. 36 Point Old Style, No. A Two-Line Great Primer. $3.!<br />

ARABIANS<br />

12 Point Old Style, No. 3. 16 Point Old Style, No. 3.<br />

18 A. Two-Line Nonpareil. $1.95 14 A. Two-Line Brevier. $2.40<br />

PROTECTIONIST NORSEMEN<br />

20 Point Old Style, No. 3. 22 Point Old Style, No. 3.<br />

12 A. Two-Line Long Primer. $2.85 12 A. Two-Line Small Pica. $3.05<br />

HYMNALS PEOPLED<br />

28 Point Old Style, No. 3.<br />

24 Point Old Style, No. 3.<br />

Two-Line English. $3.6<br />

10 A. Two-Line<br />

BARREN<br />

Pica. $3.45<br />

FIENDS<br />

36 Point Old Style, No. 3. Two-Line Great Primer. $3.80<br />

CABBAGES<br />

40 Point Old Style, No. 3. Double Paragon.<br />

HIGHSPIRE<br />

COMPLETE WITH FIGURES.<br />

The MacKcllar, Smiths &* Jordan Co. Sansom Street, Philadelphia.


10 Point Old Style Condensed, No. 2.<br />

36 A. Two-Line Pearl. $1.90<br />

CHRISTIAN WAR VESSELS<br />

12 Point Old Style Condensed, No. 2.<br />

30 A. Two-Line Nonpareil. $2.15<br />

STOMACHS CRAMMED<br />

14 Point Old Style Condensed, No. 2.<br />

22 A. Two-Line Minion. $2.15<br />

BIBULOUS INFANTS<br />

16 Point Old Style Condensed, No. 2.<br />

22 A. Two-Line Brevier. $2.75<br />

HEARTY JOKERS<br />

18 Point Old Style Condensed, No. 2.<br />

22 A. Two-Line Bourgeois. $2.90<br />

SCHOOL BOARDS<br />

20 Point Old Style Condensed, No. 2.<br />

10 Point Old Style Condensed.<br />

36 A. Two-Line Pearl. $2.35<br />

HARVESTERS' JUBILEES<br />

12 Point Old Style Condensed.<br />

30 A. Two-Line Nonpareil. $2.50<br />

SACRED MEMOIRS<br />

14 Point Old Style Condensed.<br />

AUTUMN ROSES<br />

22 A. Two-Line Minion. $2.75<br />

16 Point Old Style Condensed.<br />

22 A. Two-Line Brevier. $3.10<br />

TRUE WOMEN<br />

18 Point Old Style Condensed.<br />

22 A. Two-Line Bourgeois. $3.30<br />

YOUNG TREES<br />

20 Point Old Style Condensed.<br />

18 A. Two-Line Long Primer. $3.70<br />

18 A. Two-Line Long Primer. $3.00<br />

SOUND HEADS SPITZ DOGS<br />

22 Point Old Style Condensed, No. 2.<br />

22 Point Old Style Condensed.<br />

16 A. Two-Line Small Pica. $3.70<br />

16 A. Two-Line Small Pica. $3.10<br />

LIVELY BOYS MANIFOLD<br />

24 Point Old Style Condensed, No. 2.<br />

24 Point Old Style Condensed.<br />

12 A. Two-Line Pica. $2.!<br />

12 A. Two-Line Pica. $3.50<br />

NEW BOOKS HURTFUL<br />

28 Point Old Style Condensed, No. 2.<br />

10 A. Two-Line English. $3.35<br />

28 Point Old Style Condensed.<br />

10 A. Two-Line English. $3.85<br />

CHERRIES LUNATIC<br />

36 Point Old Style Condensed, No. 2.<br />

A. Two-Line Great Primer. 13.68<br />

36 Point Old Style Condensed.<br />

7 A. Two-Line Great Primer. $3.60<br />

PRINTER BIPEDS<br />

kLL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansotn Street, Philadelphia.<br />

76


9 Point Old Style Condensed, No. 3. 12 Point Old Style Condensed, No. 3.<br />

25 A, 40 a. Three-Line Excelsior. |2.80<br />

MERCHANT PRINCES<br />

Retired Wealthy Loungers<br />

Modern Pleasure<br />

1234567890<br />

20 A, 36 a. Pica. $3.20<br />

COAL SEAMS<br />

Grain for Western Fuel<br />

Practical Work<br />

1234567890<br />

12 A, 22 a. 18 Point Old Style Condensed, No. 3. Three-Line Nonpareil. $3.60<br />

Dilapidated<br />

LUXURIOUS MANSIONS<br />

Shanties and Tenements<br />

10 A, 18 a. 24 Point Old Style Condensed, No. 3. Two-Line Pica. $4.25<br />

ARGENTAL DEPOSITS<br />

Desolate and Barren Landscape<br />

8 A, 12 a. 30 Point Old Style Condensed, No. 3. Five-Line Nonpareil. $4.70<br />

Hunting<br />

DIAMOND MINES<br />

Precious Treasure<br />

7 A, 10 a. 36 Point Old Style Condensed, No. 3.- Three-Line Pica. $5.90<br />

PROSPECTING<br />

Forsaken Gold Seekers<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

77


30 A, 70 a. 6 Point Old Style Antique. Nonpareil. 2.85<br />

PRUDISH LEANPURSE'S SNOBBISH ACQUIREMENTS<br />

Threadbare Breeches, Paste Jewelry<br />

Dandified Apprentices Searching Diligently for Antiquated and Esthetical Habiliments<br />

Fashionable Bombastry by the Nincompoops of Modern Chivalry<br />

Precarious Livings Made by Swindling Nature<br />

1234567890<br />

3G A, 70 a. 8 Point Old Style Antique. Brevier. $3.40<br />

HUMOROUS ROLLER-SKATING MISHAPS<br />

Fascinating Gyrations<br />

Intoxicating Delusions for Enticing and Astounding Country Simplicity<br />

Merrymaking Combined with Healthy Athletic Exercise<br />

1234567890<br />

36 A, 52 a. 10 Point Old Style Antique. Long Printer. H05<br />

HOSPITABLE SHORES OF CANADA<br />

Famous Suburban Paradise for Careless Young Spendthrifts<br />

Gatherings of Lateday Mendshifts<br />

1234567890<br />

25 A, 32 a. 12 Point Old Style Antique. Pica. 08.86<br />

ICELAND'S WINTER SCENERY<br />

Tremendous Glaciers and Snow-Capped Mountains<br />

Miniature Ice-Bound Lakes<br />

1234567890<br />

14 A, 20 a. 18 Point Old Style Antique. Great Primer. $4.10<br />

BUSINESS PROSPECT<br />

Increasing Confidence of Operators<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


10 A, 15 a. 24 Point Old Style Antique. Tioo-Zine I>ica. $3.00<br />

MONUMENTS<br />

Oldentime Remembrance<br />

Perpetuated<br />

8 A, 12 a. 30 Point Old Style Antique. Five-Line Nonpareil. $6.00<br />

FAVAWALE<br />

Designer of Fashions<br />

6 A, 9 a. 36 Point Old Style Antique. Three-Line Pica. $7.10<br />

WAYSIDE<br />

Hunting Ground<br />

4 A, 6 a. 48 Point Old Style Antique. Four-Line Pica. $8.00<br />

BRIDGE<br />

Stone Arches<br />

M-L COMPLETE WITH FIGURES.<br />

The MaeKcllar, Smiths & Jordan Co. Sattsom Street, Philadelphia.<br />

79


18 A. 12 Point Old Style Antique, No. 2. Pica. $1.80<br />

DELICIOUS CANVAS-BACK DUCKS<br />

HUNGRY FEEDERS<br />

14 A. 18 Point Old Style Antique, No. 2. Great Primer. 2.45<br />

FEARLESS YOUNG ROMAN<br />

ARENA SPORTS<br />

12 A. 22 Point Old Style Antique, No. 2. Two-Line Small Pica. $3.15<br />

CHARMING POETRY<br />

10 A. 24 Point Old Style Antique, No. 2. Two-Line Pica. 3.75<br />

BRIGHT SMILES<br />

7 A. 36 Point Old Style Antique, No. 2. Two-Line Great Primer. 4.50<br />

FRENCHMEN<br />

5 A. 40 Point Old Style Antique, No. 2. Double Paragon. $4.80<br />

FRIENDS<br />

3 A. 48 Point Old Style Antique, No. 2. Four-Line Pica. 5.00<br />

MUSINGS<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

8o


Bradford Series.<br />

Pearl Old Style, No. 2. Nonpareil Old Style, No. 2.<br />

Andrew Bradford, the son of that William<br />

Bradford who first printed in Pennsylvania and New<br />

York, was born in Philadelphia in the year 1686.<br />

It is probable that he derived his Christian name<br />

from his maternal grandfather, Andrew Soule, of<br />

London, an extensive publisher during the Commonwealth<br />

and Restoration. In 1693, when seven<br />

years old, he went with his parents to New York,<br />

and in that city, in his father's office, he was taught<br />

the art with which his name is connected in Pennsylvania.<br />

In the early days a classical education<br />

was probably not to be obtained in the colonies<br />

which now form the Middle States. But, in common<br />

with those valuable men who were first born<br />

on our soil and record the transitions of its people's<br />

birthright from England to America, Bradford received<br />

such education as was taught, and it is likely<br />

from parental counsel those yet better principles of<br />

right conduct: which lie at the foundation of character,<br />

and to which he owed, in earlier life than is<br />

common, such offices of trust and profit as were<br />

known in the primitive society of Andrew Bradford, the son of that William<br />

Bradford who first printed<br />

Philadelphia. His<br />

handwriting, specimens of -which are preserved,<br />

indicates nothing like illiteracy. A pamphlet pub-<br />

in Pennsylvania<br />

and New York, was born in Philadelphia in<br />

the year 1686. It is probable that he derived<br />

his Christian name from his maternal grandfather,<br />

Andrew Soule, of London, an extensive<br />

publisher during the Commonwealth and<br />

Restoration. In 1693, when seven years old,<br />

he went with his parents to New York, and<br />

in that city, in his father's office, he was<br />

taught the art with which his name is connected<br />

in Pennsylvania. In the early days a<br />

classical education was probably not to be<br />

obtained in the colonies which now form the<br />

Middle States. But, in common with those<br />

valuable men who were first born on our soil<br />

and record the transitions of its people's birthright<br />

from England to America, Bradford<br />

received such education as was taught, and<br />

Minion Old Style, No. 2.<br />

Andrew Bradford, the son of that William Bradford who first printed in Pennsylvania<br />

and New York, was born in Philadelphia in the year 1686. It is probable<br />

that he derived his Christian name from his maternal grandfather, Andrew Soule, of<br />

London, an extensive publisher during the Commonwealth and Restoration. In<br />

1693, when, seven years old, he went with his parents to New York, and in that<br />

city, in his father's office, he was taught the art with which his name is connected in<br />

Pennsylvania. In the early days a classical education was probably not to be obtained<br />

in the colonies which now form the Middle States. But, in common with<br />

those valuable men who were first born on our soil and record the transitions of its<br />

people's birthright from England to America, Bradford received such education as<br />

was taught, and it is likely from parental counsel those yet better principles of right<br />

conduct which lie at the foundation of character, and to which he owed, in earlier<br />

life than is common, such offices of trust and profit as were known in the primitive<br />

society of Philadelphia. His handwriting, specimens of which are preserved, indicates<br />

nothing like illiteracy. A pamphlet published in New York, with the<br />

imprint of William and Andrew Bradford, shows that in 1711 he was probably in<br />

partnership with his father ; and the publication of the colonial laws of New Jersey<br />

Brevier Old Style, No. 2.<br />

Andrew Bradford, the son of that William Bradford who first printed in<br />

Pennsylvania and New York, was born in Philadelphia in the year 1686. It is<br />

probable that he derived his Christian name from his maternal grandfather, Andrew<br />

Soule, of London, an extensive publisher during the Commonwealth and<br />

Restoration. In 1693, when seven years old, he went with his parents to New<br />

York, and in that city, in his father's office, he was taught the art with which<br />

his name is connected in Pennsylvania. In the early days a classical education<br />

was probably not to be obtained in the colonies which now form the Middle<br />

States. But, in common with those valuable men who were first born on our<br />

soil and record the transitions of its people's birthright from England to America,<br />

Bradford received such education as was taught, and it is likely from parental<br />

counsel those yet better principles of right conduct which lie at the foundation<br />

of character, and to which he owed, in earlier life than is common, such offices<br />

of trust and profit as were known in the primitive society of Philadelphia. His<br />

handwriting, specimens of which are preserved, indicates nothing like illiteracy.<br />

A pamphlet published in New York, with the imprint of William and Andrew<br />

The MacKellar, Smiths &* Jordan Co. San so in Street, Philadelphia.


Bourgeois Old Style, No. 2.<br />

Andrew Bradford, the son of that William Bradford who first printed<br />

in Pennsylvania and New York, was born in Philadelphia in the year<br />

1686. It is probable that he derived his Christian name from his maternal<br />

grandfather, Andrew Soule, of London, an extensive publisher<br />

during the Commonwealth and Restoration. In 1693, when seven<br />

years old, he went with his parents to New York, and in that city, in<br />

his father's office, he was taught the art with which his name is connected<br />

in Pennsylvania. In the early days a classical education was<br />

probably not to be obtained in the colonies which now form the Middle<br />

States. But, in common with those valuable men who were first born<br />

on our soil and record the transitions of its people's birthright from<br />

England to America, Bradford received such education as was taught,<br />

and it is likely from parental counsel those yet better principles of<br />

right condticl which lie at the foundation of characler, and to which he<br />

owed, in earlier life than is common, such offices of trust and profit as<br />

Long Primer Old Style, No. '1.<br />

Andrew Bradford, the son of that William Bradford who first<br />

printed in Pennsylvania and New York, was born in Philadelphia<br />

in the year 1686. It is probable that he derived his Christian<br />

name from his maternal grandfather, Andrew Soule, of London, an<br />

extensive publisher during the Commonwealth and Restoration.<br />

In 1693, when seven years old, he went with his parents to New<br />

York, and in that city, in his father's office, he was taught the art<br />

with which his name is connected in Pennsylvania. In the early<br />

days a classical education was probably not to be obtained in the<br />

colonies which now form the Middle States. But, in common<br />

with those valuable men who were first born on our soil and record<br />

the transitions of its people's birthright from England to America,<br />

Bradford received such education as was taught, and it is likely from<br />

Small Pica Old Style, No. 2.<br />

Andrew Bradford, the son of that William Bradford who<br />

first printed in Pennsylvania and New York, was born in<br />

Philadelphia in the year 1686. It is probable that he derived<br />

his Christian name from his maternal grandfather, Andrew<br />

Soule, of London, an extensive publisher during the Commonwealth<br />

and Restoration. In 1693, when seven years old,<br />

he went with his parents to New York, and in that city, in<br />

his father's office, he was taught the art with which his name<br />

is connected in Pennsylvania. In the early days a classical<br />

education was probably not to be obtained in the colonies<br />

which noiv form the Middle States. But, in common with those<br />

valuable men who were first born on our soil and record the<br />

The MacKellar, Smiths &> "Jordan Co. Sansom Street, Philadelphia.<br />

86


Pica Old Style, No. 2.<br />

Andrew Bradford, the son of that William Bradford<br />

who first printed in Pennsylvania and New York, was<br />

born in Philadelphia in the year 1686. It is probable<br />

that he derived his Christian name from his maternal<br />

grandfather, Andrew Soule, of London, an extensive<br />

publisher during the Commonwealth and Restoration.<br />

In 1693, when seven years old, he went with his parents<br />

to New York, and in that city,<br />

in his father's<br />

office, he was taught the art with which his name is<br />

connected in Pennsylvania. In the early days a classical<br />

education was probably not to be obtained in the colonies<br />

English Old Style, No. 2.<br />

Andrew Bradford, the son of that William<br />

Bradford who first printed in Pennsylvania<br />

and New York, was born in Philadelphia in the<br />

year 1686. It is probable that he derived his<br />

Christian name from his maternal grandfather,<br />

Andrew Soule, of London, an extensive publisher<br />

during the Commonwealth and Restoration.<br />

In 1693, when seven years old, he<br />

went with his parents to New York, and in<br />

that city, in his father s office, he was tatight<br />

Great Pbimer Old Style, No. 2.<br />

Andrew Bradford, the son of that<br />

William Bradford who first printed in<br />

Pennsylvania and New York, was born<br />

in Philadelphia in the year 1686. It is<br />

probable that he derived his Christian<br />

name from his maternal grandfather,<br />

Andrew Soule, of London, a7t extensive<br />

publisher during the Restoration<br />

Thi MacKellar, Smiths & Jordan Co. Sanson/ Street, Philadelphia.<br />

87


Two-Line Small Pica Old Style. No. 2.<br />

Andrew Bradford, the son<br />

of that William Bradford who<br />

first printed in Pennsylvania<br />

and New York, was born in<br />

Philadelphia in the year 1686.<br />

It is probable that he derived<br />

his Christian name from his<br />

7 A, 4 a, 14a. Two-Line Great Primer Old Style, No. 2, Roman*.<br />

SCIENTIFIC<br />

$9.10<br />

Building 382 Temples<br />

Antiquarians<br />

4 A, 8 a. Two-Line Great Primer Old Style, No. 2, Italic.<br />

ABORIGINES<br />

$4.25<br />

Life<br />

in Forest and Cave<br />

Forerunners<br />

The MacKellar, Smiths &" Jordan Co. Sansom Street, Philadelphia.


Binny Series.<br />

Noni'akkii. Old stvi.k. No. 3. .minion old Style, No. 3.<br />

Archibald Binny was a native of Scotland, Archibald Binny was a native of<br />

in which country he had after becoming<br />

Scotland, in which country he had,<br />

l^-SffiStfSS^<br />

after becoming a printer, conduded<br />

and emigrated to the United States in 1793. the business of type-founding on a<br />

In 1796, in conjunction with James Ron- limited scale at Edinburgh, and emialdson,<br />

he established in Philadelphia the<br />

grated to the United States in 1791.<br />

first permanent type-foundry in the United ? ,- rnn ; ;<br />

1 l<br />

lin(airm w t h Tnmp;<br />

States.which, after passing through various<br />

Jj 7?*, in conjunction with James<br />

hands, is now owned bvMacKellar, Smiths Ronaldson, he established in Phila-<br />

& Jordan. Before Binny's arrival in this delphia the first permanent typeconntry,<br />

Sower had made German type at<br />

foundry in the United States, which,<br />

Germantown, and Bud had made English after passing through various -* i\>t\t> in / />i/ >.>/"7 y->// hiit herein? the hwttn y *-*<br />

hands, '<br />

. _>* _ . _<br />

type in Connecticut; but he was the first to<br />

put the business on an independent as well<br />

is now owned by MacKellar, Smiths<br />

Brevier Old Style, No. 3.<br />

Archibald Binny was a native of Scotland, in which country he had,<br />

after becoming a printer, conducted the business of type-founding on<br />

a limited scale at Edinburgh, and emigrated to the United States in<br />

1793. In 1796, in conjunction with James Ronaldson, he established in<br />

Philadelphia the first permanent type-foundry in the United States,<br />

which, after passing through various hands, is now owned by Mac-<br />

Kellar, Smiths & Jordan. Before Binny's arrival in this country, Sower<br />

had made German type at Germantown, and Buel had made English<br />

type in Connecticut; but he was the first to put the business on an independent<br />

as well as a permanent basis. He not only made good type,<br />

but devised an improvement in the art of casting them, which was the<br />

Bourgeois Old Style, No. 3.<br />

Archibald Binny was a native of Scotland, in which country he<br />

had, after becoming a printer, conducted the business of typefounding<br />

on a limited scale at Edinburgh, and emigrated to the<br />

United States in 1793. In 1796, in conjunction with James Ronaldson,<br />

he established in Philadelphia the first permanent typefoundry<br />

in the United States, which, after passing through various<br />

hands, is now owned by MacKellar, Smiths & Jordan. Before<br />

Binny's arrival in this country, Sower had made German type at<br />

Germcmtown, arid Buel had made English type in Connecticut ; but<br />

he was the first to put the business on an independent as well as a<br />

Long Primer Old Style, No. 3.<br />

Archibald Binny was a native of Scotland, in which country<br />

he had, after becoming a printer, conducted the business of<br />

type-founding on a limited scale at Edinburgh, and emigrated<br />

to the United States in 1793. In 1796, in conjunction with<br />

James Ronaldson, he established in Philadelphia the first permanent<br />

type-foundry in the United States, which, after passing<br />

through various hands, is now owned by MacKellar, Smiths &<br />

Jordan. Before Binny's arrival in this country, Sower had made<br />

German type at Germa?itown, and Buel had made English type<br />

in ConneElicat ; but he was the first to put the business on an<br />

The MacKellar, Smiths fir* Jordan Co. Sansom Street, Philadelphia.<br />

89


ale-house ; their acquaintance ripened<br />

into a friendly intimacy, and they soon<br />

learned each other's views and prospects.<br />

The result was that a copartnership was<br />

formed between them, beginning Nov.<br />

1, 1796, establishing the first permanent<br />

type-foundry in this country. Ronaldson<br />

contributed the greater portion of the<br />

capital, and took charge of the financial<br />

part of the enterprise. Binny, who was<br />

a practical type-founder, and at one time<br />

had carried on the business in Edinburgh,<br />

Ronaldson Series.<br />

Nonpareil Old Style, No. 4.<br />

James Ronaldson, the son of William<br />

Ronaldson, was born 1768, at Gorgie, near<br />

Edinburgh, and died in the city of Philadelphia<br />

in 1842. In 1794 he arrived at<br />

Philadelphia, aboard the sailing-vessel<br />

Providence. Shortly after his arrival he<br />

renewed his acquaintance with Archibald<br />

Binny, whom he had formerly met<br />

when living in Scotland. For a contributed his tools, stock of metal,<br />

and types, and assumed control of the<br />

mechanical department. The connection<br />

proved advantageous to each party, and<br />

a prosperous business was the result.<br />

American printers, who had up to this<br />

time relied on British founders for their<br />

type, patronized the new establishment,<br />

year or and, to quote the words of Ronaldson,<br />

two after his arrival in this country, "the importation of foreign type ceased<br />

Ronaldson carried on a biscuit bakery. in proportion as Binny & Ronaldson<br />

His establishment was destroyed by fire became known to the printers of the<br />

in 1796, so that he found himself out of United States." The type-founding tools<br />

an occupation. It is related that about and material, which Benjamin Franklin<br />

this time he encountered Binny in an had brought with him from France for his<br />

own convenience in casting sorts, came<br />

into possession of the firm in 1806. After<br />

Dr. Franklin's death, they became the<br />

property of Mr. Duane, a relative of the<br />

philosopher, who, justly appreciating the<br />

true ardor with which Messrs. Binny &<br />

Ronaldson endeavored to succeed, offered<br />

them the loan of these tools. After an<br />

examination of them by Ronaldson he<br />

was so much pleased with the superiority<br />

of a number of them over their 07un, and<br />

fearing that Mr..Duane might change his<br />

James Ronaldson, a son of William<br />

Ronaldson, was born in the year 1768,<br />

at Gorgie, near Edinburgh, and died<br />

in Philadelphia in 1842. In 1794 he<br />

came to Philadelphia, in the sailingvessel<br />

Providence. Shortly after his<br />

arrival he renewed his acquaintance<br />

with Mr. Archibald Binny, whom he<br />

had previously known in Scotland.<br />

For a year or two after his arrival in<br />

this country, Ronaldson carried on a<br />

biscuit bakery. His establishment<br />

was destroyed by fire in 1796, so that<br />

he found himself without occupation.<br />

It is-related that about this time he<br />

encountered Binny in an ale-house ;<br />

their acquaintance soon ripened into<br />

a friendly intimacy, and they early<br />

learned each other's prospects and<br />

views. The result was the formation<br />

of a copartnership, beginning Nov. 1,<br />

1796, establishing the first permanent<br />

tyPe-fonndry in this country. Mr.<br />

Ronaldson contributed the greater<br />

ABCDFFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Minion Old .Style, No. 4.<br />

portion of the capital, and assumed<br />

control of the financial branch of the<br />

business. Binny, whp was a practical<br />

type-founder, and had carried on the<br />

business in Edinburgh, contributed<br />

his tools, stock of metal, and types,<br />

and superintended the mechanical<br />

department. The connection proved<br />

mutually advantageous, and resulted<br />

in a prosperous business. American<br />

printers, who had hitherto relied on<br />

British founders for their supply of<br />

type, patronized the new concern,<br />

and, in Mr. Ronaldson's words, "the<br />

importation of foreign type ceased<br />

in proportion as Binny & Ronaldson<br />

became known to the printers of the<br />

United States." In 1806, the typefounding<br />

tools and materials, which<br />

Dr. Benjamin Franklin had brought<br />

from France for his own convenience<br />

in casting sorts, came into possession<br />

ofthe saidfirm. AfterDr. FranklhV s<br />

death, they became the property of<br />

ABCDEFGHIJKUMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths r> "Jordan Co. Sansom Street, Philadelphia.<br />

90


Brevier Old Style, No. 4.<br />

JAMES Ronaldson, the son of William Ronaldson, was born in 1768,<br />

at Gorgie, near Edinburgh, and died in Philadelphia in 1842. In 1794<br />

he came to Philadelphia, in the sailing-vessel Providence. A short<br />

time after his arrival he renewed his acquaintance with Archibald<br />

Binny, whom he had previously known in Scotland. For a year or two<br />

after his arrival in this country Ronaldson carried on a biscuit bakery.<br />

His establishment was destroyed by fire in 1796, so that he found<br />

himself out of an occupation. It is related that about this time he<br />

encountered Binny in an ale-house ; their acquaintance ripened into<br />

a friendly intimacy, and they soon learned each other's views and<br />

prospects. The natural result was the formation of a copartnership<br />

between them, beginning November 1, 1796, establishing the first per-<br />

manent type-foundry in the United States. Ronaldson furnished the<br />

greater portion of the capital, and assumed control of the financial<br />

branch of the business. Binny, who was a practical type-founder, and<br />

had carried on the business in Edinburgh, contributed his tools, stock<br />

of metal, and types, and superintended the manufacturing department.<br />

The connection proved mutually advantageous, and a most prosperous<br />

business was the result. American printers, who had hitherto<br />

relied on the British founders for their supply of type, patronized the<br />

new establishment, and, in the words of Ronaldson, "the importation<br />

of foreign type ceased in propoi'tion as Binny & Ronaldson became<br />

known to the printers of the United States.'" During 1806 the type-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Bourgeois Old Style, No. 4.<br />

James Ronaldson, son of William Ronaldson, was born in 1768,<br />

at Gorgie, near Edinburgh, and died in the city of Philadelphia<br />

in 1842. In 1794 he came to Philadelphia in the sailing-vessel<br />

Providence. Shortly after his arrival he renewed his acquaintance<br />

with Archibald Binny, whom he had previously known while<br />

in Scotland. For a year or two after his arrival in this country,<br />

Ronaldson carried on a biscuit bakery. His establishment was<br />

totally destroyed by fire in 1796, so that he found himself out of<br />

an occupation. It is related that about this time he encountered<br />

Binny in an ale-house ; their acquaintance ripened into a most<br />

friendly intimacy, and they soon learned each other's intentions<br />

and prospects. The natural result of this was the formation of a<br />

copartnership between them, beginning November 1, 1796, establishing<br />

the first permanent type-foundry in the United States.<br />

Ronaldson furnished the greater portion of the capital invested, and<br />

assumed control of the financial branch of the business. Binny,<br />

who was a practical type-founder, and had carried on the business<br />

in Edinburgh, contributed his tools, stock of metal, and types, and<br />

superintended the manufacturing department. The connection proved<br />

mutually advantageous, and a prosperous business was the result.<br />

American printers, who had hitherto relied on British founders for<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The Much',- liar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

91


Long Primer Old Style, Xo. 4.<br />

James Ronaldson, the son of William Ronaldson, was<br />

born in 1768, at Gorgie, near Edinburgh, and died in Philadelphia<br />

in 1842. In 1794 he came to Philadelphia, in the<br />

sailing-vessel Providence. Shortly after his arrival he renewed<br />

his acquaintance with Archibald Binny, whom he had<br />

previously known when living in Scotland. For a year or<br />

two after his arrival in this country Ronaldson carried on a<br />

biscuit bakery. His establishment was destroyed by fire in<br />

1796, so that he found himself deprived of an occupation. It<br />

is related that about this time he encountered Binny in an<br />

ale-house their ; acquaintance ripened into a most friendly<br />

intimacy, and they soon learned each other's views and prospeels.<br />

The natural result was a copartnership between them,<br />

beginning Nov. 1, 1796, establishing the first permanent typefoundry<br />

in the United States. Ronaldson, who furnished<br />

the greater portion of the capital, assumed control of the<br />

financial branch of the business. Binny, who was a practical<br />

type-founder, and had carried on the business while in Edinburgh,<br />

contributed his tools, stock of metal, and types, and took<br />

ABCDEFGHIJKXMNOPQRSTUVWXYZ<br />

1234567890<br />

Small Pica Old Style, No. 4.<br />

James Ronaldson, the son of William Ronaldson, was<br />

born in 1768, at Gorgie, near Edinburgh, and died in<br />

Philadelphia in 1842. In 1794 he came to Philadelphia,<br />

aboard the sailing-vessel Providence. Shortly after his<br />

arrival he renewed his intimacy with Archibald Binny,<br />

with whom he was on friendly terms when in Scotland.<br />

For a year or two after his arrival in this country, Ronaldson<br />

carried on a biscuit bakery. His establishment<br />

was destroyed by fire in 1796, so that he found himself<br />

out of an occupation. It is related that about this time<br />

he encountered Binny in an ale-house ; their acquaintance<br />

ripened into a friendly intimacy, and they shortly<br />

learned each other's views and prospecls. The natural<br />

result was a copartnership between them, beginning Nov.<br />

/, 1/96, establishing the first permanent type-foundry in<br />

the United States. Ronaldsoii, who furnished the greater<br />

portion of the capital, assumed control of the financial<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

92


Pica Old Styi.k. No. i.<br />

James Ronaldson, the son of William Ronaldson,<br />

was born in -1768, at Gorgie, near Edinburgh, and<br />

died in Philadelphia in 1842. In 1794 he arrived<br />

at Philadelphia in the sailing-vessel Providence.<br />

Shortly after his arrival he renewed his acquaintance<br />

with Archibald Binny, whom he had formerly<br />

known when living in Scotland. For a year or two<br />

after his arrival in this country Ronaldson carried on<br />

a biscuit bakery. His establishment was destroyed<br />

this disaster he found himself<br />

by fire in 1796; by<br />

out of an occupation. It is related that about this<br />

time he encountered Binny in an ale-house ; their<br />

acquaintance ripened into a friendly intimacy, and<br />

they soon learned each other's views and prospects.<br />

The natural result was a copartnership was formed<br />

by them, beginning Nov. 1, 1796, establishing the<br />

first permanent type-foundry in the United States.<br />

Ronaldson furnished the greater part of the capital,<br />

and assumed control of the financial branch of the<br />

business. Binny, who was a praclical type-founder,<br />

and had carried on the business' in Edinburgh, contributed<br />

his tools, stock of metal, and types, and took<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Twice I received a wholesome castigation<br />

For stealing to the Battery to play<br />

Without parental leave and approbation<br />

I'll not forget it to my latest day.<br />

I told a rather hesitating story,<br />

Not quite in keeping with my course in youth;<br />

It may have been a crooked allegory,<br />

And did not run in straight lines with the truth.<br />

I bless the rod, and bless the hand that wielded,<br />

Although it made my youthful shoulders tickle.<br />

Ih,- MacKtllar, Smiths ^ Jerdan Co. Stuutm Street, Philadelphia.<br />

93


Mechanical Patent, Mar. 31, it<br />

14 A, 30 a. 18 Point Ronaldson- Three-Line Nonpareil. 4.30<br />

PRIVATE COLLECTION<br />

Twenty-five Genuine Raphael Paintings<br />

1234567890<br />

24 Point Ronaldson. Two-Line Pica. $4.70<br />

RARE PRINTS<br />

Discovered in Ancient Brittany<br />

8 A, 16 a. 30 Point Ronaldson. Five-Line Nonpareil. $5.85<br />

ANTIQUARIAN<br />

Researches in Jerusalem<br />

36 Point Ronaldson. Three-Line Pica. $7.00<br />

EGYPTIAN<br />

Pyramid Architecture<br />

5 A, 8 a. 48 Point Ronaldson. Four-Line Pica. $8.00<br />

Curious Amulets<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

94


Mechanical Patent, Mar. 31,<br />

6 Point Ron LLDSOK Conuknsed,<br />

36 A, 70 a. Nonpareil. $2.50<br />

EXCELLENCE IN WORKMANSHIP<br />

Trustworthy Dealing with the World and his Wife<br />

Untainted by Equivocation<br />

1334567890<br />

10 Point K\ vi.i\ Condensed.<br />

26 A, 52 a. Long Primer. $2.55<br />

INTIMIDATE & TERRIFY<br />

Ghost Story and Scarecrow Dealers<br />

Improved Burglar Alarms<br />

18 Point Ronaldson Condensed.<br />

14 A, 28 a. Three-Line Nonpareil. $3.15<br />

RESTORATION<br />

Luxuries of Relaxation<br />

Registered, No. 112,291.<br />

8 Point Ronaldson Condensed.<br />

30 A, 60 a. Brevier. $2.50<br />

SCIENTIFIC INCONGRUITY<br />

Cherished Theories Relentlessly Exploded<br />

Centuries of Implicit Credence<br />

1234567890<br />

12 Point Ronaldson Condensed.<br />

22 A, 45 a. Pica. $2.70<br />

YOUTHFUL LOVERS<br />

Treading on Enchanted Ground<br />

Dreams of Fairyland<br />

24 Point Ronaldson Condensed.<br />

10 A, 18 a. Two-Line Pica. $3.60<br />

PROTESTS<br />

Crossing Bayonets<br />

A, 14 a. 30 Point Ronaldson Condensed. Five-Line Nonpareil. $4.15<br />

IMPORTANT PERSON<br />

Mediocrity's Dictatorial Bearing<br />

7 A, 12 a. 86 Point Ronaldson Condensed. Three-Line Pica. $5.25<br />

Eastern RAILWAY Tunnel<br />

5 A, 8 a. 48 Point Ronaldson Condensed. Four-Line Pica. |6.90<br />

SOBER Faced GIRLS<br />

ALL COMPLETE WITH FIGURES.<br />

The Point Bodies may be justified with one another by using beads and quads 0/ our Point System.<br />

Tin- Mack'cllar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

95


Mechanical Patent,<br />

March 31, 1885.<br />

6 Point Ronaldson Extended.<br />

25 A, 40 a. Nonpareil. $2.45<br />

SUMMER VERDURE<br />

Smiling Rainbowed Meadows<br />

Drooping Blossoms<br />

1234567890<br />

10 Point Ronaldson Extexhed.<br />

AMBITIOUS<br />

20 A, 30 a. Lona Primer. 3.00<br />

Energetic Schoolboy<br />

1234567890<br />

18 Point Ronaldson Extended.<br />

10 A, 16 a. Three-Line Nonpareil. $4.00<br />

BRIGHT<br />

Dainty Child<br />

8 Point Ronaldson Extended.<br />

MUNCHAUSEN<br />

22 A, 32 a. Brevier. $2.70<br />

Writer of Circus Posters<br />

Medical Certificates<br />

1234567890<br />

12 Point Ronaldson Extended.<br />

18 A, 28 a. Pica. $3.50<br />

MINUTES<br />

Dramatic Society<br />

1234567890<br />

24 Point Ronaldson Extended.<br />

8 A,<br />

WAVE<br />

12 a. Two-Line Pica. S4.65<br />

Departing<br />

6 A, 10 a. 30 Point Ronaldson Extended.<br />

STATED<br />

Five-Line Nonpareil. $5.40<br />

National Returns<br />

36 Point Ronaldson Extended. Three-Line Pica. $(5.55<br />

Truck PATCH<br />

4 A, 6 a. 48 Point Ronaldson Extended. Four-Line Pica. NINE<br />

$8.45<br />

Girls<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


Ml A., 82 a. > < POINT h.i> Btj I .k Titi.k. -Nonpareil. $3.75<br />

NOTES ON THE EABOR QUESTION<br />

Competency Speedily Acquired by Distribution of Others' Wealth<br />

Views of the Confirmed Eoafers' " Do-Nothing " Society<br />

i23457890<br />

-"> A.I'Ja. 7 Point Old Style TiTLE-Mm'on. $3.85<br />

UNIVERSAI. MODERN MARTYRS<br />

Wasp-Waisted Feminines and Fashion's Daily Followers<br />

Exquisite Dandies and Shoe-Pinched Damsels<br />

1234567890<br />

26 A. 42 a. 8 Point Old Style Title. Brevier. $3.90<br />

THE TRAILING-SKIRT NUISANCE<br />

Warranted Eventually to Kill every Devotee of Fashion<br />

Cheap and Inexpensive Sweepers for Cities<br />

1234567890<br />

SB A T 48 a. 9 Point Old Style Title. Bourgeois. $3.90<br />

GODDESS-OF-MGHT'S OBSERVATIONS<br />

Courtships and Future-Making;<br />

Youth's Glittering Flittings or Old Men's Experience<br />

1234567890<br />

H A. 42 a. 10 Point Old Style Title. Bong Primer. | L86<br />

SELF-ACTING TELEPHONES<br />

Instructive to the Egotistical and Tain Bombasts<br />

Hearing Sharpened and made more Acute<br />

I 3457890<br />

'-"-' A - B ;' M<br />

Point Old Style Title. Pica. $4.95<br />

ANTE-ADAMIC RESEARCH<br />

Sciolistic Theory of Human Organisms<br />

Preponderance of Monkeyism<br />

I2 345 6 7^90<br />

Ihr Mat KtlUr, Smith, d- Jordan < \>. ZJj>* Sunsom Street, PhiladelpJu<br />

97


6 Point Ronaldson Title Slope. ^JJ~s 8 Point Ronaldson Title Slope.<br />

30 A, 60 a. Nonpareil. $3.00 25 A, 50 a. Brevier. |3.15<br />

DYNAMO & COMPANY CRIME PUNISHED<br />

Contrivers of Electrical Machinery Appliances to Produce Torture<br />

Adapted to Various Purposes Suitable to the Offense<br />

1234567890 1234567890<br />

10 Point Ronaldson Title Slope.<br />

12 Point Ronaldson Title Slope.<br />

22 A, 45 a. Long Primer. i?3.35 RAPID TRANSIT<br />

20 A, 40 a. Pica.<br />

ELECTRIC<br />

3.55<br />

Fleeting Landscape Scene<br />

Passing Glimpses<br />

Burglar Alarm Hinges<br />

For Chicken Coops<br />

12 A, 22 a. 18 Point Ronaldson Title Slope. Three-Line Nonpareil. POCKET BATTERY<br />

4.15<br />

Thoroughly Paralyzes Pickpockets<br />

8 A, 14 a. 24 Point Ronaldson Title Slope. Tu-o-Line Pica.<br />

TEXAN STEERS<br />

$4.50<br />

Cowboy Lassos Electrified<br />

0A, 10 a. 30 Point Ronaldson Title Slope. Five-Line Nonpareil. *5.25<br />

GR UMBLING<br />

Jawtickler Curatives<br />

5 A, 8 a. 36 Point Ronaldson Title Slope. Three-Line Pica, $6.00<br />

CHILD Spankers<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths fr Jordan Co. Sanson* Street, Philadelphia.


6 Point Ronaldson Gothic.<br />

40 A, 60 a. Nonpareil. $3.10<br />

WELCOME AS SPRINGTIME<br />

Opportunities to Please the Children<br />

Reunion of Scattered Families<br />

1234567890<br />

10 Point Ronaldson Gothic.<br />

28 A, 45 a. Long Primer. $3.10<br />

MODEST MAIDENS<br />

Discovering his Appearance<br />

Festivities Begin<br />

14 Point Ronaldson Gothic.<br />

18 A, 28 a. $3.15<br />

REMEMBERING<br />

Assiduous Younkers<br />

Registered, No. 114,768.<br />

8 Point Ronaldson Gothic.<br />

A, 55 a. Brevier. $3.10<br />

KRISS KRINGLE APPEARS<br />

Wriggling Down Narrow Chimneys<br />

1234567890<br />

12 Point Ronaldson Gothic.<br />

22 A, 34 a. Pica. $3.10<br />

AFTER DINNER<br />

Boisterous Enjoyment<br />

Shared by Adults<br />

18 Point Ronaldson Gothic.<br />

12 A, 18 a. Three-Line, Nonpareil. $3.15<br />

OVERFLOWING<br />

Family Blessings<br />

24 Point Ronaldson Gothic Two-Line Pica. $3.70<br />

Numerous PRESENTS Displayed<br />

A, 12 a. 30 Point Ronaldson Gothic Five-Line Nonpareil. $4.95<br />

0LDENTIME Observance<br />

A, 9 a. 36 Point Ronaldson Gothic Three-Line Pica. $5.80<br />

Sugar CANDY Gratis<br />

5 A, 7 a. 48 Point Ronaldson Gothic Four-Line Pica. $7.15<br />

Pleasant DREAM<br />

ALL COMPLETE WITH FIGURES.<br />

The various sizes of the above series, caps or lower-case , may be justified with one another<br />

by using leads and quads of our Point System.<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

99


6 Point Ronaldson Clarendon.<br />

36 A, 70 a. Nonpareil. $3.35<br />

EXPOSTULATING CITIZENS<br />

Grand Mass Meeting<br />

Freeholders and Taxpayers Combined<br />

Earnestly Invite Everybody<br />

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10 Point Ronaldson Clarendon.<br />

25 A, 50 a. $3.55<br />

EXAMINATIONS<br />

Application Blanks Mailed<br />

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18 Point Ronaldson Clarendon.<br />

14 A, 28 a. Three-Line Nonpareil.. $4.65<br />

PROMISES<br />

Joyous Occasions<br />

Registered, No. 124,240.<br />

Mechanical Patent, March 31,<br />

8 Point Ronaldson Clarendon.<br />

A, 60 a. Brevier. $3.45<br />

POUTICAI, PROBI/EM<br />

Discovering Methods to Appoint<br />

Rapid Postal Clerks<br />

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12 Point Ronaldson Clarendon.<br />

22 A, 45 a. Pica. $3.95<br />

REFORMATION<br />

Honest Officials Accept<br />

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24 Point Ronaldson Clarendon.<br />

10 A, 20 a. Two-Line Pica. $5.00<br />

DUTCH<br />

Maple Region<br />

A, 16 a. 30 Point Ronaldson Clarendon. Five-Line Nonpareil.<br />

ENFORCED<br />

$6.05<br />

Stoppage for Luncheon<br />

6 A, 10 a. 36 Point Ronaldson Clarendon. Three-Line Pica. $7.00<br />

HONEST Merchant<br />

5 A, 8 a. 48 Point Ronaldson Clarendon. Four-Line Pica. $8.&5<br />

Dainty SHOES<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


5 Point Old Style, No. 6.<br />

Bradford Series.<br />

6 Point Old Style, No. 6.<br />

Andrew Bradford, the son of that William<br />

Bradford who first printed in Pennsylvania and New<br />

York, was born in Philadelphia in the year 1686.<br />

It is probable that he derived his Christian name<br />

from his maternal grandfather, Andrew Soule, of<br />

London, an extensive publisher during the Commonwealth<br />

and Restoration. In 1693, when seven<br />

years old, he went with his parents to New York,<br />

and in that city, in his father's office, he was taught<br />

the art with which his name is connected in Pennsylvania.<br />

In the early days a classical education<br />

was probably not to be obtained in the colonies<br />

which now form the Middle States. But in common<br />

with those valuable men who were first born<br />

on our soil and record the transitions of its people's<br />

birthright from England to America, Bradford received<br />

such education as was taught, and it is likely<br />

from paternal counsel those yet better Andrew Bradford, the son of that William<br />

Bradford who first printed<br />

principles of<br />

right conduct which lie at the foundation of character,<br />

and to which he owed, in earlier life than is<br />

common, such offices of trust and profit as were<br />

known in the primitive society ofPhiladelphia. His<br />

handwriting, specimens 0/ which are preserved.<br />

in Pennsylvania<br />

and New York, was born in Philadelphia in<br />

the year 1686. It is probable that he derived<br />

his Christian name from his maternal grandfather,<br />

Andrew Soule, | of London, an extensive<br />

publisher during the Commonwealth and<br />

Restoration. In 1693, when seven years old,<br />

he went with his parents to New York, and<br />

in that city, in his father's office, he was<br />

taught the art with which his name is connected<br />

in Pennsylvania. In the early days a<br />

classical education was probably not to be<br />

obtained in the colonies which now form the<br />

Middle States. But, in common with those<br />

valuable men who were first born on our soil<br />

and record the transitions of its people's birthright<br />

from England to America, Bradford<br />

received such education as was taught, and<br />

7 Point Old Style, No. 6.<br />

Andrew Bradford, the son of that William Bradford who first printed in Pennsylvania<br />

and New York, was born in Philadelphia in the year 1686. It is probable<br />

that he derived his Christian name from his maternal grandfather, Andrew Soule, of<br />

London, an extensive publisher during the Commonwealth and Restoration. In<br />

1693, when seven years old, he went with his parents to New York, and in that<br />

city, in his father's office, he was taught the art with which his name is connected in<br />

Pennsylvania. In the early days a classical education was probably not to be obtained<br />

in the colonies which now form the Middle States. But, in common with<br />

those valuable men who were first born on our soil and record the transitions of its<br />

people's birthright from England to America, Bradford received such education as<br />

was taught, and it is likely from parental counsel those yet better principles of right<br />

conduct which lie at the foundation of character, and to which he owed, in earlier<br />

life than is common, such offices of trust and profit as were known in the primitive<br />

society of Philadelphia. His handwriting, specimens of which are preserved, indicates<br />

nothing like illiteracy. A pamphlet published in New York, with the<br />

imprint of William and Andrew Bradford, shows that in ijn he was probably in<br />

partnership with his father ; and the publication of the colonial laws of New Jersey<br />

8 Point Old Style, No. 6.<br />

Andrew Bradford, the son of that William Bradford who first printed in<br />

Pennsylvania and New York, was born in Philadelphia in the year 1686. It is<br />

probable that he derived his Christian name from his maternal grandfather, Andrew<br />

Soule, of London, an extensive publisher during the Commonwealth and<br />

Restoration. In 1693, when seven years old, he went with his parents to New<br />

York, and in that city, in his father's office, he was taught the art with which<br />

his name is connected in Pennsylvania. In the early days a classical education<br />

was probably not to be obtained in the colonies which now form the Middle<br />

States. But in common with those valuable men who were first born on our<br />

soil and record the transitions of its people's birthright from England to America,<br />

Bradford received such education as was taught, and it is likely from parental<br />

counsel those yet better principles of right conduct which lie at the foundation<br />

of character, and to which he owed, in earlier life than is common, such offices<br />

of trust and profit as were known in the primitive society of Philadelphia. His<br />

handwriting, specimens of which are preserved, indicates nothing like illiteracy.<br />

A pamphlet published in New York, with the imprint of William and Andrew<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

105


9 Point Old Style, No. 6.<br />

Andrew Bradford, the son of that William Bradford who first printed<br />

in Pennsylvania and New York, was born in Philadelphia in the year<br />

1686. It is probable that he derived his Christian name from his ma-<br />

ternal grandfather, Andrew Soule, of London, an extensive publisher<br />

during the Commonwealth and Restoration. In 1693, when seven<br />

years old, he went with his parents to New York, and in that city, in<br />

his father's office, he was taught the art with which his name is connected<br />

in Pennsylvania. In the early days a classical education was<br />

probably not to be obtained in the colonies which now form the Middle<br />

States. But, in common with those valuable men who were first born<br />

on our soil and record the transitions of its people's birthright from<br />

England to America, Bradford received such education as was taught,<br />

and it is likely from parental counsel those yet better principles of<br />

right conducl which lie at the foundation of characler, and to which he<br />

owed, in earlier<br />

life than is common, such offices of trust and profit as<br />

10 Point Old Style, No. 6.<br />

Andrew Bradford, the son of that William Bradford who first<br />

printed in Pennsylvania and New York, was born in Philadelphia<br />

in the year 1686. It is probable that he derived his Christian<br />

name from his maternal grandfather, Andrew Soule, of London, an<br />

extensive publisher during the Commonwealth and Restoration.<br />

In 1693, when seven years old, he went with his parents to New<br />

York, and in that city, in his father's office, he was taught the art<br />

with which his name is connected in Pennsylvania. In the early<br />

days a classical education was probably not to be obtained in the<br />

colonies which now form the Middle States. But, in common<br />

with those valuable men who were first born on our soil and record<br />

the transitions of its people 's birthright from England to America,<br />

Bradford received such education as was taught, and it is likely fro?n<br />

11 Point Old Style, No. 6.<br />

Andrew Bradford, the son of that William Bradford who<br />

first printed in Pennsylvania and New York, was born in<br />

Philadelphia in the year 1 686. It is probable that he derived<br />

his Christian name from his maternal grandfather, Andrew<br />

Soule, of London, an extensive publisher during the Commonwealth<br />

and Restoration. In 1693, when seven years old,<br />

he went with his parents to New York, and in that city, in<br />

his father's office, he was taught the art with which his name<br />

is connected in Pennsylvania. In the early days a classical<br />

education was probably not to be obtained in the colonies<br />

which nowform the Middle States. But, in common with those<br />

valuable men who were first born on our soil and record the<br />

The MacKellar, Smiths d^ Jordan Co. Sansom Street, Philadelphia.


12 Point Old Style, No. 6.<br />

Andrew Bradford, the son of that William Bradford<br />

who first printed in Pennsylvania and New York, was<br />

born in Philadelphia in the year 1686. It is probable<br />

that he derived his Christian name from his maternal<br />

grandfather, Andrew Soule, of London, an extensive<br />

the Commonwealth and Restoration.<br />

publisher during<br />

In 1693, when seven years old, he went with his parents<br />

to New York, and in that city, in his father's<br />

office, he was taught the art with which his name is<br />

connected in Pennsylvania. In the early days a classical<br />

education was probably not to be obtained in the colonies<br />

14 Point Old Style, No. 2.<br />

Andrew Bradford, the son of that William<br />

Bradford who first printed in Pennsylvania<br />

and New York, was born in Philadelphia in the<br />

year 1686. It is probable that he derived his<br />

Christian name from his maternal grandfather,<br />

Andrew Soule, of London, an extensive publisher<br />

during the Commonwealth and Restoration.<br />

In 1693, when seven years old, he<br />

went with his parents to New York, and in<br />

that city, in his father s office, he was taught<br />

18 Point Old Style, No. 2.<br />

Andrew Bradford, the son of that<br />

William Bradford who first printed in<br />

Pennsylvania and New York, was born<br />

in Philadelphia in the year 1686. It is<br />

probable that he derived his Christian<br />

name from his maternal grandfather,<br />

Andrew Soule, of Londoit, an exten-<br />

sive publisher dttring the Restoration<br />

The MacKellar, Smiths &> Jordan Co. Sansoin Street, Philadelphia.


22 Point Old Style, No. 2.<br />

Andrew Bradford, the son<br />

of that William Bradford who<br />

first printed in Pennsylvania<br />

and New York, was born in<br />

Philadelphia in the year 1686.<br />

It is probable that he derived<br />

his Christian name from his<br />

7 A, 4 a, 14 a. 36 Point Old Style, No. 2, Roman.<br />

SCIENTIFIC<br />

$9.10<br />

Building 382 Temples<br />

Fife<br />

Antiquarians<br />

Point Old Style, No. 2, Italic. $4.25<br />

ABORIGINES<br />

tn Forest and Cave<br />

Forerunners<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

1 08


6 Point Old Style, No.<br />

ArchibaldBinny was a native ofScotland,<br />

in which country he had, after becoming<br />

a printer, conducted the business of type- j<br />

founding on a limited scale at Edinburgh<br />

and emigrated to the United States in 1795.<br />

In 1796, in conjunction with James Ronaldson,<br />

he established in Philadelphia the<br />

first permanent type-foundry in the United<br />

States, which, after passing through various<br />

hands, is now owned by MacKellar, Smiths<br />

& Jordan. Before Binny's arrival in this<br />

type in Connecticut; but he was the first to<br />

as well<br />

put the business on an independent I<br />

Binny Series.<br />

7 Point Old Style, No. 7.<br />

Archibald Binny was a native of<br />

Scotland, in which country he had,<br />

after becoming a printer, conducted<br />

the business of type-founding on a<br />

limited scale at Edinburgh, and emigrated<br />

to the United States in 1795.<br />

In 1796, in conjunction with James<br />

Ronaldson, he established in Philadelphia<br />

the first permanent typefoundry<br />

in the United States, which,<br />

8 Point Old Style, No. 7.<br />

&<br />

ts now owned by MacKellar, Smiths<br />

Jordan. Before Binny' s arrival<br />

Archibald Binny was a native of Scotland, in which country he had,<br />

after becoming a printer, conducted the business of type-founding on<br />

a limited scale at Edinburgh, and emigrated to the United States in<br />

1795. In 1796, in conjunction with James Ronaldson, he established in<br />

Philadelphia the first permanent type-foundry in the United States,<br />

which, after passing through various hands, is now owned by Mac-<br />

Kellar, Smiths & Jordan. Before Binny's arrival in this country, Sower<br />

had made German type at Germantown, and Buel had made English<br />

type in Connecticut ; but he was the first to put the business on an independent<br />

as well as a permanent basis. He not only made good type,<br />

but devised an improvement in the art of casting them, which was the<br />

9 Point Old Style, No. 7.<br />

Archibald Binny was a native of Scotland, in which country he<br />

had, after becoming a printer, conducted the business of typefounding<br />

on a limited scale at Edinburgh, and emigrated to the<br />

United States in 1795. In 1796, in conjunction with James Ron-<br />

aldson, he established in Philadelphia the first permanent typefoundry<br />

in the United States, which, after passing through various<br />

hands, is now owned by MacKellar, Smiths & Jordan. Before<br />

Binny's arrival in this country, Sower had made German type at<br />

Germantown, and Buel had made English type in Connecticut ; but<br />

he was the first to put the business on an independent as well as a<br />

10 Point Old Style, No. 7.<br />

Archibald Binny was a native of Scotland, in which country<br />

he had, after becoming a printer, conducted the business of<br />

type-founding on a limited scale at Edinburgh, and emigrated<br />

to the United States in 1795. In 1796, in conjunction with<br />

James Ronaldson, he established in Philadelphia the first permanent<br />

type-foundry in the United States, which, after passingthrough<br />

various hands, is now owned by MacKellar, Smiths &<br />

Jordan. Before Binny's arrival in this country, Sower had made<br />

German type at Germantown, and Buel had made English type<br />

i?i Connecticut ; but he was the first to put the business on an<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


Ronaldson Series.<br />

6 Point Old Style. No. 8.<br />

James Ronaldson, the son of William<br />

Ronaldson, was born 1768, at Gorgie, near<br />

Edinburgh, and died in the city of Phila- !<br />

delphia in 1842. In 1794 he arrived at [<br />

Philadelphia, aboard the sailing-vessel<br />

Providence. Shortly after his arrival he<br />

renewed his acquaintance with Archibald<br />

Binny, whom he had formerly met i<br />

when living in Scotland. For a year or<br />

two after his arrival in this country<br />

Ronaldson carried on a biscuit bakery. |<br />

His establishment was destroj^ed by fire<br />

in 1796, so that he found himself out of<br />

an occupation. It is related that about<br />

this time he encountered Binny in an<br />

ale-house ; their acquaintance ripened<br />

into a friendly intimacy, and they soon<br />

learned each other's views and prospects. |<br />

The result was that a copartnership was ;<br />

formed between them, beginning Nov.<br />

1, 1796, establishing the first permanent<br />

type-foundry in this country. Ronaldson \<br />

contributed the greater portion of the i<br />

capital, and took charge of the financial<br />

part of the enterprise. Binny, who zuas<br />

a practical type-founder, and at one time<br />

had carried on the business at Edinburgh,<br />

James Ronaldson, a son of William<br />

Ronaldson, was born in the year 1768,<br />

at Gorgie, near Edinburgh, and died<br />

in Philadelphia in 1842. In 1794 he<br />

came to Philadelphia in the sailingvessel<br />

Providence. Shortly after his<br />

arrival he renewed his acquaintance<br />

with Mr. Archibald Binny, whom he<br />

had previously known in Scotland.<br />

For a year or two after his arrival in<br />

this country Ronaldson carried on a<br />

biscuit bakery. His establishment<br />

was destroyed by fire in 1796, so that<br />

he found himself without occupation.<br />

It is related that about this time he<br />

encountered Binny in an ale-house ;<br />

their acquaintance soon ripened into<br />

a friendly intimacy, and they early<br />

learned each other's prospects and<br />

views. The result was the formation<br />

of a copartnership, beginning Nov. 1,<br />

1796, establishing the first permanent<br />

type-foundry in this country. Mr.<br />

Ronaldson contributed the greater<br />

portion of the capital, and assumed<br />

ABCDFFGHIJKXMNOPQRSTUVWXYZ<br />

1234567890<br />

7 Point Old Style, No. 8.<br />

contributed his tools, stock of metal,<br />

and types, and assumed control of the<br />

mechanical department. The connection<br />

proved advantageous to each party, and<br />

a prosperous business was the result.<br />

American printers, who had up to this<br />

time relied on British founders for their<br />

type, patronized the new establishment,<br />

and, to quote the words of Ronaldson,<br />

"the importation of foreign type ceased<br />

in proportion as Binny & Ronaldson<br />

became known to the printers of the<br />

United States." The type-founding tools<br />

and material, which Benjamin Franklin<br />

had brought with him from France for his<br />

own convenience in casting sorts, came<br />

into possession of the firm in 1806. After<br />

Dr. Franklin's death, they became the<br />

property of Mr. Duane, a relative of the<br />

philosopher, who, justly appreciating the<br />

true ardor with which Messrs. Binny &<br />

Ronaldson endeavored to succeed, offered<br />

them the loan of these tools. After an<br />

examination of them by Ronaldson he<br />

was so >iiuch pleased with the superiority<br />

of a number of them over their own, and<br />

fearing that Mr. Duane might change his<br />

control of the financial branch of the<br />

business. Binny, who was a practical<br />

type-founder, and had carried on the<br />

business in Edinburgh, contributed<br />

his tools, stock of metal, and types,<br />

and superintended the mechanical<br />

department. The connection proved<br />

mutually advantageous, and resulted<br />

in a prosperous business. American<br />

printers, who had hitherto relied on<br />

British founders for their supply of<br />

type, patronized the new concern,<br />

and, in Mr. Ronaldson's words, "the<br />

importation of foreign type ceased<br />

in proportion as Binny & Ronaldson<br />

became known to the printers of the<br />

United States." In 1806, the typefounding<br />

tools and materials, which<br />

Dr. Benjamin Franklin had brought<br />

from France for his own convenience<br />

in casting sorts, came into possession<br />

of the said firm. After Dr. Franklin's<br />

death, they became the property of<br />

Mr. Dua>ie, who was a near relative<br />

of the philosopher, who, appreciating<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.


8 Point Old Style, No. 8.<br />

James Ronaldson, the son of William Ronaldson, was born in 1768,<br />

at Gorgie, near Edinburgh, and died in Philadelphia in 1842. In 1794<br />

he came to Philadelphia in the sailing-vessel Providence. A short<br />

time after his arrival he renewed his acquaintance with Archibald<br />

Binny, whom he had previously known in Scotland. For a year or two<br />

after his arrival in this country Ronaldson carried on a biscuit bakery.<br />

His establishment was destroyed by fire in 1796, so that he found<br />

himself out of an occupation. It is related that about this time he<br />

encountered Binny in an ale-house ; their acquaintance ripened into<br />

a friendly intimacy, and they soon learned each other's views and<br />

prospects. The natural result was the formation of a copartnership<br />

between them, beginning November 1, 1796, establishing the first permanent<br />

type-foundry in the United States. Ronaldson furnished the<br />

greater portion of the capital, and assumed control of the financial<br />

branch of the business. '<br />

Binny, who was a practical type-founder, and<br />

had carried on the business in Edinburgh, contributed his tools, stock<br />

of metal, and types, and superintended the manufacturing department.<br />

The connection proved mutually advantageous, and a most prosperous<br />

business was the result. American printers, who had hitherto<br />

relied on the British founders for their supply of type, patronized the<br />

new establishment, and, in the ivords of Ronaldson, "the importation<br />

of foreign type ceased in proportion as Binny df Ronaldson became<br />

known to the printers of the United States.," During 1806 the type-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

9 Poixt Old Style, No. 8.<br />

James Ronaldson, son of William Ronaldson, was born in 1768,<br />

at Gorgie, near Edinburgh, and died in the city of Philadelphia<br />

in 1842. In 1794 he came to Philadelphia in the sailing-vessel<br />

Providence. Shortly after his arrival he renewed his acquaintance<br />

with Archibald Binny, whom he had previously know T n while<br />

in Scotland. For a year or two after his arrival in this country<br />

Ronaldson carried on a biscuit bakery. His establishment was<br />

totally destroyed by fire in 1796, so that he found himself out of<br />

an occupation. It is related that about this time he encountered<br />

Binny in an ale-house their ; acquaintance ripened into a most<br />

friendly intimacy, and they soon learned each other's intentions<br />

and prospects. The natural result of this was the formation of a<br />

copartnership between them, beginning November 1, 1796, establishing<br />

the first permanent type-foundry in the United States.<br />

Ronaldson furnished the greater portion of the capital invested, and<br />

assumed control of the financial branch of the business. Binny,<br />

who was a practical type-founder, and had carried on the business<br />

in Edinburgh, contributed his tools, stock of metal, and types, and<br />

superintended the manufaBuring department. The connection proved<br />

mutually advantageous, and a prosperous business was the result.<br />

ABCDEFGHIJKEMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


10 Point Old Style, No. 8.<br />

James Ronaldson, the son of William Roualdson, was<br />

born in 1768, at Gorgie, near Edinburgh, and died in Philadelphia<br />

in 1842. In 1794 he came to Philadelphia, aboard the<br />

sailing-vessel Providence. Shortly after his arrival he renewed<br />

his acquaintance with Archibald Binny, whom he had<br />

previously known when living in Scotland. For a year or<br />

two after his arrival in this country Roualdson carried on a<br />

biscuit bakery. His establishment was destroyed by fire in<br />

1796, so that he found himself deprived of an occupation. It<br />

is related that about this time he encountered Binny in an<br />

ale-house their ; acquaintance ripened into a most friendly<br />

intimacy, and they soon learned each other's views and prospects.<br />

The natural result was a copartnership between them,<br />

beginning Nov. 1, 1796, establishing the first permanent typefoundry<br />

in the United States. Ronaldson, who furnished the<br />

greater portion of the capital, assumed co?itrol of the financial<br />

part of the business. Binny, who was a practical type-foimder,<br />

ABCDEFGHIJKXMNOPQRSTUVWXYZ<br />

1234567890<br />

11 Point Old Style, No. 8.<br />

James Ronaldson, the son of William Ronaldson, was<br />

born in 1768, at Gorgie, near Edinburgh, and died in<br />

Philadelphia in 1842. In 1794 he came to Philadelphia,<br />

aboard the sailing-vessel Providence. Shortly after his<br />

arrival he renewed his intimacy with Archibald Binny,<br />

with whom he was on friendly terms when in Scotland.<br />

For a year or two after his arrival in this country Ronaldson<br />

carried on a biscuit bakery. His establishment<br />

was destroyed by fire in 1796, so that he found himself<br />

out of an occupation. It is related that about this time<br />

he encountered Binny in an ale-house ; their acquaintance<br />

ripened into a friendly intimacy, and they shortly<br />

learned each other's views and prospects. The natural<br />

result was a copartnership between them, beginning Nov.<br />

/, 1796, establishing the first permanent type-foundry in<br />

the United States. Ronaldson, who furnished the greater<br />

ABCDEFGHIJKXMNOPQRSTUVWXYZ<br />

!234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


12 Point Old Style, No. 8.<br />

James Ronaldson, the son of William Ronaldson,<br />

was born in 1768, at Gorgie, near Edinburgh, and<br />

died in Philadelphia in 1842. In 1794 he arrived<br />

at Philadelphia in the sailing-vessel Providence.<br />

Shortly after his arrival he renewed his acquaintance<br />

with Archibald Binny, whom he had formerly<br />

known when living in Scotland. For a year or two<br />

after his arrival in this country Ronaldson carried on<br />

a biscuit bakery. His establishment was destroyed<br />

this disaster he found himself<br />

by fire in 1796; by<br />

out of an occupation. It is related that about this<br />

time he encountered Binny in an ale-house ; their<br />

acquaintance ripened into a friendly intimacy, and<br />

they soon learned each other's views and prospects.<br />

The natural result was a copartnership was formed<br />

by them, beginning Nov. 1, 1796, establishing the<br />

first permanent type-foundry in the United States.<br />

Ronaldson furnished the greater part of the capital,<br />

and assumed control of the financial branch of the<br />

business. Binny, who was a practical type-founder,<br />

and had carried on the business in Edinburgh, contributed<br />

his tools, stock of metal, and types, and took<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Twice I received a wholesome castigation<br />

For stealing to the Battery to play<br />

Without parental leave and approbation<br />

I'll not forget it to my latest day.<br />

I told a rather hesitating story,<br />

Not quite in keeping with my course in youth;<br />

It may have been a crooked allegory,<br />

And did not run in straight lines with the truth.<br />

I bless the rod, and bless the hand that wielded,<br />

Although it made my youthful shoulders tickle.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

"3


A youngster five years old asked him- !<br />

MacKellar Series.<br />

6 Point Old Style, No. 9.<br />

the neatness and extreme accuracy of<br />

self the question, "Shall I be as happy his work, and in his seventeenth year he<br />

at twenty-one as I am now?" He was was made proofreader. His father and<br />

the son of Archibald and Harriet Mac- mother both died a year after, and he<br />

Kellar, born in New York, August 12, became guardian to his younger broth-<br />

1812, and his name was Thomas. Nine : ers and sisters. The boys in Harpers'<br />

years after, May, 1826, found Thomas in ! composing-room had a sort of bulletinthe<br />

printing office of the New York Spy. board fastened to a post, whereon such<br />

His education had been interrupted by of them as were literarily-inclined post-<br />

his father's misfortunes and Thomas ed ; original pieces of prose or rhyme,<br />

left McGowan's Classical Academy the ! Old Mr. Thomas, a well-known printer<br />

'<br />

highest boy of his class in mathematical<br />

in the office, after reading one of young<br />

studies, and with a strong aversion to MacKellar's pieces, said, gruffly, "Well,<br />

all poetry except Cowper's John Gilpin. Tom will come to sometbing some day."<br />

During his first day in the Spy office he John Harper, very sedate, was the finan-<br />

learned the cases and set four stickfuls cial man of the house ; James, witty and<br />

of Brevier and laid a font of job type. fond ofjesting, the press-room and busi-<br />

He was so elated that he leaped over ness superintendent; while J. Wesley<br />

every stoop and cellar-door on his way Harper, a combination of the two elder<br />

home. The proprietor-editor worked brothers, was foreman of the composingbeside<br />

Thomas, and often set up his edi- room. Fletcher, the youngest, and who<br />

torials off-hand without writing them, afterward became the chief j man, did not<br />

and the lad in some measure imitated at that time have any well-defined posihis<br />

master. The Spy lived about two tion, other than to make himself generyears<br />

and in ; 1828 the youngster entered 1 ally useful and to keep apprentices in<br />

the printing office of J. & J. Harper, in order. Altogether, they formed an ad-<br />

|<br />

Cliff* Street, where he was soon noted for mirable combination. In those days the<br />

ABCDEFGHIJKLMNOPQJRSTUVWXYZ<br />

1234567890<br />

8 Point Old Style, No. 9.<br />

A youngster five years old asked himself the question, "Shall I<br />

be as happy at twenty-one as I am now?" He was the son of<br />

Archibald and Harriet MacKellar, born in New York, August 12,<br />

1812, and his name was Thomas. Nine years after, May, 1826,<br />

found Thomas in the printing office of the New York Spy. His<br />

education had been interrupted by his father's misfortunes; and<br />

Thomas left McGowan's Classical Academy the highest boy of his<br />

class in mathematical studies, and with a strong aversion to all<br />

poetry except Cowper's John Gilpin. During his first day in the<br />

Spy office he learned the cases and set four stickfuls of Brevier and<br />

laid a font of job type. He was so elated that he leaped over<br />

every stoop and cellar-door on his way home. The proprietoreditor<br />

worked beside Thomas, and often set up his editorials off-<br />

hand without writing them, and the lad in some measure imitated<br />

his master. The Spy lived about two years ; and in 1828 the youngster<br />

entered the printing office of J. & J. Harper, in Cliff Street,<br />

where he was soon noted for the neatness and extreme accuracy<br />

of his work, and in his seventeenth year he was made proofreader.<br />

His father and mother both died a year after, and he became<br />

guardian to his younger brothers and sisters. The boys in Harpers'<br />

composing-room had a sort of bulletin-board fastened to a post,<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


10 Point Old Style, No. 9.<br />

A youngster five years old asked himself the question,<br />

"Shall I be as happy at twenty-one as I am now?" He<br />

was the son of Archibald and Harriet MacKellar, born in<br />

New York, August 12, 1812, and his name was Thomas.<br />

Nine years after, May, 1826, found Thomas in the printing<br />

office of the New York Spy. His education had been in-<br />

terrupted by his father's misfortunes; and Thomas left<br />

McGowan's Classical Academy the highest boy of his class<br />

in mathematical studies, and with a strong aversion to all<br />

poetry except Cowper's John Gilpin. During his first day<br />

in the Spy office he learned the cases and set four stickfuls<br />

of Brevier and laid a font of job type. He was so elated<br />

that he leaped over every stoop and cellar- door on his way<br />

home. The proprietor-editor worked beside Thomas, and<br />

often set up his editorials off-hand without writing them,<br />

and the lad in some measure imitated his master. The<br />

Spy lived about two years ; and in 1828 young MacKellar<br />

ABCDEFGHIJKLMNOPQRSTUYWXYZ<br />

1234567890<br />

11 Point Old Style, No. 9.<br />

A youngster five years old asked himself the question,<br />

"Shall I be as happy at twenty-one as I am now?"<br />

He was the son of Archibald and Harriet MacKellar,<br />

born in New York, August 12, 181 2, and his name<br />

was Thomas. Nine years after, May, 1826, found<br />

Thomas in the printing office of the New York Spy.<br />

His education had been interrupted by his father's<br />

misfortunes; and Thomas left McGowan's Classical<br />

Academy the highest boy of his class in mathematical<br />

studies, and with a strong aversion to all poetry except<br />

Cowper's John Gilpin. During his first day in the Spy<br />

office he learned the cases and set four stickfuls of<br />

Brevier and laid a font of job type. He was so elated<br />

that he leaped over every stoop and cellar-door on<br />

his way home. The proprietor-editor worked beside<br />

Thomas, and often set up his editorials off-hand, with-<br />

ABCDEFGHIJKLMNOPQRSTTJVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


12 Point Old Style, No. 9.<br />

A youngster five years old asked himself the question,<br />

"Shall I be as happy at twenty-one as I am<br />

now?" He was the son of Archibald and Harriet<br />

MacKellar, born in New York, August 12, 181 2,<br />

and his name was Thomas. Nine years after, May,<br />

1826, found Thomas in the printing office of the<br />

New York Spy. His education had been interrupted<br />

by his father's misfortunes; and Thomas<br />

left McGowan's Classical Academy the highest boy<br />

of his class in mathematical studies, and with a<br />

strong aversion to all poetry except Cowper's John<br />

Gilpin. During his first day in the Spy office he<br />

learned the cases and set four stickfuls of Brevier<br />

and laid a font of job type. He was so elated that<br />

he leaped over every stoop and cellar-door on his<br />

way home. The proprietor-editor worked beside<br />

Thomas, and often set up his editorials off-hand<br />

without writing them, and the lad in some measure<br />

imitated his master. The Spy lived about two<br />

years; and in 1828 the youngster entered the<br />

printing office of J. 8c J. Harper, in Cliff Street,<br />

where he was soon noted for the neatness and extreme<br />

accuracy of his work, and in his seventeenth<br />

year he was made proofreader. His father and<br />

mother both died a year after, and he became<br />

guardian to his younger brothers and sisters. The<br />

boys in Harpers' composing-room had a sort of<br />

bulletin-board fastened to a post, whereon such of<br />

them as were literarily-inclined posted original<br />

pieces of prose or rhyme. Old Mr. Thomas, a<br />

well-known printer in the office, after reading one<br />

of young MacKellar's pieces, said, gruffly, "Well,<br />

Tom will come to something some day." John<br />

Harper, very sedate, was the financial man of the<br />

house; James, witty and fond of jesting, the press-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


Exj.erifnre proves that the n<br />

surely us the IhmhI of the twig<br />

Brilliant.<br />

right, ohnlient, imiust i ions, hi.l will gradual a steady, skilful, and capalilo<br />

man, as unmistakahly as t lie pi'ivrrse, idling, y will ripi-n int.,<br />

w. The fart is. m !> is t m.-asurald> he maker of his<br />

which he is put, it<br />

mine to be a master-workman. erverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow. The<br />

fact is, a boy is measurably the maker of his own destiny ; and<br />

if he fails to acquire a master-knowledge of the trade to which<br />

he is put, it will mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady industry<br />

are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should<br />

be inquired of him. Has he had a fair common-school education?<br />

Is he a perfect speller? lias he a turn for reading? Is<br />

Mi eyttiaht goodt ft he under fifteen ytart of age? A true<br />

nffiriwitiee u usieer to all these queries will entitle him to the<br />

position of reading and errand boy. He is told the hours at<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Agate, No. 2.<br />

Diamond Brilliant.<br />

Experience proves that the apprentice foreshadows the workman, just as<br />

surely as the bend of the twig foretells I he inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless boy will ripen into<br />

* lazy, dissolute fellow. The fact is, a boy is measurably the maker of his<br />

own destiny ; and if he fails to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly he because he did not at his outset determine<br />

to be a master-workman. Good morals anil steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the<br />

art and mystery of printing, it should be Inquired of him, Has he had a fair<br />

com u ion -school education ? Is lie a perfect speller ? lias lie a turn lor reading<br />

? Is his eyesight good ? Is he under lit teen yr:us of age ? A true affirmative<br />

answer to all these queries will entitle him to the jMisition of reading and<br />

errand boy. He is toll the hours at which fie is to come and go t and a strict<br />

punctuality is enjoined upon him. He sweeps the room, he sorts out the<br />

pi, he learns the position of the various letters t'n the case. A year spent in<br />

ABCDEFCIIIUKLMNOPQRSTUVWXYZ<br />

1234507890<br />

Pearl, No. 3.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and<br />

capable man, as unmistakably as the perverse, idling,<br />

cureless boy will ripen into a lazy, dissolute fellow.<br />

The fact is, a boy is measurably the maker of his own<br />

destiny ; and if lie fails to acquire a master-knowledge of<br />

the trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes<br />

to learn the art and mystery of printing, it<br />

should be inquired of him, Has he had a fair com-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Experience proves that the apprentice foreshadows the workman,.just as surely as the bend of the twig<br />

foretells the inclination of the tree. The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his own destiny ; and if he fails to acquire a master-<br />

knowledge of the trade to which he is put, it will mainly be because he did not at his outset determine to<br />

be a master-workman. Good morals and steady industry are indispensable. "When a lad who possesses<br />

these qualities proposes to learn the art and mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education? Is he a perfect speller ? Has he a turn for reading? Is his eyesight<br />

good ? Is he under fifteen years of age ? A true affirmative answer to all these queries will entitle him<br />

to the position of reading and errand boy. He is told the hours at which he is to come and go, and a strict<br />

punctuality is enjoined upon him. He sweeps (he room, he sorts out the pi, he learns the position of the<br />

rarious litters in the case. A year spent in this way is an excellent preparative for "going to case," or<br />

learning the art of composing type. When he is put to composition, he is told to set up one line and shoio<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Agate, No. 3.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the bend of<br />

the twig foretells the inclination of the tret". The upright, obedient, industrious lad will graduate<br />

a steady, skilful, and capable man, as unmistakably as the perverse, idling, careless boy will<br />

ripen into a lazy, dissolute fellow. The fact is, a boy is measurably the maker of his own destiny ;<br />

and if he fails to acquire a master-knowledge of the trade to which he is put, it will mainly be<br />

because he did not at his outset determine to be a master-workman. Good morals and steady<br />

industry are indispensable. When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had a fair common-school education?<br />

Is he a perfect speller? Has he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age ? A true affirmative answer to all these queries will entitle him to the position<br />

of reading and errand boy. He is told the hours at which he is to come mid go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the pi, he learns the position of the<br />

various letters in the case. A year spent in this way is an excellent preparative for "going to case"<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.


Agate, No. 4.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the hend of<br />

the twig foretells the inclination of the tree. The upright, obedient, industrious lad will graduate<br />

a steady, skilful, and capable mini, as unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably the maker of his own destiny ; and<br />

if he fails to acquire a master-knowledge of the trade to which he is put, it will mainly be because<br />

he did not at bis outset determine to be a master-workman. Good morals and steady industry<br />

are indispensable. When a lad who possesses these qualities proposes to learn the art ami mystery<br />

of printing, it should be inquired of him, Has he bad a fair common-school education? Is he a<br />

perfect speller? Has he a turn for reading? Is Ids eyesight good? Is he under fifteen rears of<br />

age? A true affirmative answer to all these queries will entitle him to the position of reading and<br />

errand boy. He is told the hours at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns the position of the various<br />

''<br />

letters in the case. A year spevt in this way is an excellent preparative for "going to or case,'1 learning<br />

the art of composing type. Wlien he is put to composition, he is told to set up one line and show it to the<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Agate, No. 5.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the bend of the<br />

twig foretells the inclination of the tree. The upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably as the perverse, idling, careless boy will ripen into<br />

a lazy, dissolute fellow. The fact is, a boy is measurably the maker of his own destiny; and if he<br />

fails to acquire a master-knowledge of the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art and mystery of printing,<br />

it should be inquired of him, Has he had a fair common-school education ? Is he a perfect<br />

speller? Has he a turn for reading? Is his eyesight good ? Is he under fifteen years of age? A<br />

true affirmative answer to all these queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go, and a strict punctuality is enjoined upon<br />

him. He sweeps the room, he sorts out the pi, he learns the position of the various letters in the<br />

case. A year spent in this way is an excellent preparative for "going to case," or learning the art of composing<br />

type. When he is put to composition, he is told to set up one line and show it to the foreman or to the<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Agate, No. 6.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the<br />

bend of the twig foretells the inclination of the tree. The upright, obedient, industrious lad<br />

will graduate a steady, skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably the<br />

maker of his own destinv; and if be fails to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly be because he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of printing, it should be inquired of<br />

him, Has he had a fair common-school education ? Is he a perfect speller? Has he a turn<br />

for reading? Is his eyesight good? Is he under fifteen years of age? A true affirmative<br />

answer to all these queries will entitle him to the position of reading and errand boy. He is<br />

told the hours at which he is to come and go, and a strict punctuality is enjoined upon him.<br />

He sweeps the room., he sorts out the pi, he learns the position of the various letters in the case.<br />

A year spent in this way is an excellent preparative for "going to case," or learning the art of<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

Agate, No. 7.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the bend of<br />

the twig foretells the inclination of the tree. The upright, obedient, industrious lad will graduate<br />

a steady, skilful, and capable man, as unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably the maker of his own destiny; and<br />

if he fails to acquire a master-knowledge of the trade to which he is put, it will mainly be because<br />

he did not at bis outset determine to be a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a fair common-school education? Is he a perfect<br />

speller? Has he a turn for reading? Is his eyesight good? Is he under fifteen years of age?<br />

A true affirmative answer to all these queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go, and a strict punctuality is enjoined upon<br />

him. He sweeps the room, he sorts out the pi, he learns the position of the various letters in<br />

the case. A year spent in this tvay is an excellent preparative for going to case," or learning the art<br />

of composing type. When he is put to composition, he is told to set up one line and show it to the fore-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


Agate, No. 16.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the<br />

bend of the twig foretells the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny; and if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are indispensable. When a lad<br />

who possesses these qualities proposes to learn the art and mystery of printing, it should<br />

be inquired of him, Has he had a fair common-school education ? Is he a perfect speller ?<br />

Has he a turn for reading ? Is his eyesight good ? Is he under fifteen years of age ? A<br />

true affirmative answer to all these queries will entitle him to the position of reading and<br />

errand boy. He is told the hours at which he is to come and go, and a strict is<br />

punctuality<br />

enjoined upon him. He sweeps the room, he sorts out the pi, he learns the position of<br />

the various letters in the case. A year spent in this way is an excellent preparative for<br />

"<br />

going to case," or learning the art of composing type. When he is put to composition, he<br />

is told to set up one line and show it to the foreman or,to the journeyman under whose care<br />

he may be placed. The errors in the line are pointed out to him, and he is required to<br />

correct them himself. When the words are perfectly correct, he justifies the line tight enough<br />

to prevent it from falling down when the composing-stick is slightly inclined^ and yet sufficiently<br />

loose to enable him to lift it out with ease. In thus spacing out the line, the blanks<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Nonpareil, No. 5.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the bend<br />

of the twig foretells the inclination of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably as the perverse, idling, careless<br />

boy will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably the maker of<br />

his own destiny; and if he fails to acquire a master-knowledge of the trade to which he is<br />

put, it will mainly be because he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should be inquired of him, Has he<br />

had a fair common-school education? Is he a perfect speller? Has he a turn for reading?<br />

Is his eyesight good ? Is he under fifteen years of age ? A true affirmative answer to all<br />

these queries will entitle him to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality is enjoined upon him. He<br />

sweeps the room, he sorts out the pi, he learns the position of the various letters in the<br />

case. A year spent in this way is an excellent preparative for "going to case," or learning<br />

the art of composing type. When he is put to composition, he is told to set up one line<br />

and show it to the foreman or to the journeyman under whose care he may be placed. The errors in<br />

the line are pointed out to him, and he is required to correct them himself. When the words are<br />

perfectly correct, he justifies the line tight enough to prevent it from falling down when the compos-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Nonpareil, No. 6.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as<br />

the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute fellow. The<br />

fact is, a boy is measurably the maker of his own destiny; and if he fails to acquire<br />

a master-knowledge of the trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a master-workman. Good morals and<br />

steady industry are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should be inquired of him,<br />

Has he had a fair common-school education? Is he a perfect speller? Has he<br />

a turn for reading? Is his eyesight good? Is he under fifteen years of age? A<br />

true affirmative answer to all these queries will entitle him to the position of reading<br />

and errand boy. He is told the hours at which he is to come and go, and a<br />

strict punctuality is enjoined upon him. He sweeps the room, he sorts out the<br />

pi, he learns the position of the various letters in the case. A year spent in this<br />

way is an excellent preparative for "going to case," or learning the art of composing type.<br />

When he is put to composition, he is told to set up one line and show it to the foreman or<br />

to thejourneyman under whose care he may be placed. The errors in the line are pointed<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcllar, Smiths & Jordan Co. Sansom Street, Philadelphia.


XONPARKIL, NO. 7.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as<br />

the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably as<br />

the perverse, idling, careless boy will ripen into a lazy, dissolute fellow. The fact<br />

is, a boy is measurably the maker of his own destiny ; and if he fails to acquire a<br />

master-knowledge of the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good morals and steady industry<br />

are indispensable. When a lad who possesses these qualities proposes to learn<br />

the art and mystery of printing, it should be inquired of him, lias he had a fair<br />

common-school education? Is Tie a perfect speller? Has he a turn for reading?<br />

Is his eyesight good? Is he under fifteen years of age? A true affirmative answer<br />

to all these queries will entitle him to the position of reading and errand boy. He<br />

is told the hours at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns the position of the<br />

various letters in the case. A year spent in this way is an excellent preparative for<br />

"going to cN l'AUEIL, XO. 9.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as<br />

the bend of the twig foretells the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as unmistakably as the<br />

perverse, idling, careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny and if he fails to ;<br />

acquire a master-<br />

knowledge of the trade to which he is put, it will mainly be because he did not at<br />

his outset determine to be a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had a fair commonschool<br />

education? Is he a perfect speller? Has he a turn for reading? Is his eyesight<br />

good? Is he under fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand hoy. He is told the<br />

hours at which he is to come and go, and a strict punctuality is enjoined upon him.<br />

He sweeps the room, he sorts out the pi, he learns the position of the various letters<br />

in the case. A year spent in this way is an excellent preparative for " going to<br />

case," or learning the art of composing type. When he is put to composition, he is told to<br />

set up one line and show it to the foreman or to the journeyman under whose care he may be<br />

placed. The errors in the line are pointed out to him, and he is required to correct them him-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcllar, Smiths &> Jordan Co. Sausom Street, Philadelphia.


NONPAREIL, NO. 10.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute fellow. The<br />

fact is, a boy is measurably the maker of his own destiny ; and if he fails to acquire<br />

a master-knowledge of the trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a master-workman. Good morals and<br />

steady industry are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should be inquired of him,<br />

Has he had a fair common-school education? Is he a perfect speller? Has he a<br />

turn for reading? Is his eyesight good? Is he under fifteen years of age? A true<br />

affirmative answer to all these queries will entitle him to the position of reading<br />

and errand boy. He is told the hours at which he is to come and go, and a strict<br />

punctuality is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in this way is<br />

an excellent preparative for "going to case," or learning the art of composing type. When<br />

he is put to composition, he is told to set up one line and show it to the foreman or to the<br />

journeyman under whose care he may be placed. The errors in the line are pointed out<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Nonpareil, No. 15.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute fellow.<br />

The fact is, a boy is measurably the maker of his own destiny ; and if he<br />

fails to acquire a master-knowledge of the trade to which he is put, it will mainly<br />

be because he did not at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing, it should be inquired<br />

of him, Has he had a fair common-school education? Is he a perfect speller?<br />

Has he a turn for reading ? Is his eyesight good ? Is he under fifteen years of<br />

age? A true affirmative answer to all these queries will entitle him to the position<br />

of reading and errand boy. He is told the hours at which he is to come<br />

and go, and a strict punctuality is enjoined upon him. He sweeps the room, he<br />

sorts out the pi, he learns the position of the various letters in the case. A year<br />

spent in this way is an excellent preparative for "going to case," or learning the art<br />

of composing type. When he is put to composition, he is told to set up one line and<br />

show it to the foreman or to the journeyman under whose care he may be placed. The<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Nonpareil, No. 16.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute fellow.<br />

The fact is, a boy is measurably the maker of his own destiny and if he fails to<br />

;<br />

acquire a master-knowledge of the trade to which he is put, it will mainly be<br />

because he did not at his outset determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should be inquired of him,<br />

Has he had a fair common school education ? Is he a perfect speller ? Has he a<br />

turn for reading ? Is his eyesight good ? Is he under fifteen years of age ? A true<br />

affirmative answer to all these queries will entitle him to the position of reading<br />

and errand boy. He is told the hours at which he is to come and go, and a strict<br />

punctuality is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in this way is<br />

an excellent preparative for "going to case," or learning the art of composing type.<br />

When he is put to composition, he is told to set up one line and show it to the foreman<br />

or to the journeyman under whose care he may be placed. The errors in the<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

MacKcllar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

125


Minion, No. 6.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the hend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his own destiny ; and if<br />

he fails to acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education ? Is he a perfect<br />

speller ? Has he a turn for reading ? Is his eyesight good ? Is he under fifteen<br />

years of age ? A true affirmative answer to all these queries will entitle him to<br />

the position of reading and errand boy. He is told the hours at which he is to<br />

come and go, and a strict punctuality is enjoined upon him. He sweeps the<br />

room, he sorts out the pi, he learns the position of the various letters in the case<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Minion, No. 7.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his own destiny; and if<br />

he fails to acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of it printing, should be<br />

inquired of him, Has he had a fair common-school education ? Is he a perfect<br />

speller? Has he a turn for reading? Is his eyesight good ? Is he under fifteen<br />

years of age? A true affirmative answer to all these queries will entitle him to<br />

the position of reading and errand boy. He is told the hours at which he is to<br />

come and go, and a strict punctuality is enjoined upon him. He sweeps the<br />

room, he sorts out the pi, he learns the position of the various letters in the<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Minion, No. 8.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as un-<br />

mistakably as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his own destiny and if<br />

;<br />

he fails to acquire a master-knowledge of the trade to which he is it put, will<br />

mainly be because he did not at his outset determine to be a master- workman.<br />

Good morals and steady industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of it should be<br />

printing,<br />

inquired of him, Has he had a fair common-school education ? Is he a perfect<br />

speller ? Has he a turn for reading ? Is his eyesight good ? Is he under fifteen<br />

years of age ? A true affirmative answer to all these queries will entitle him to<br />

the position of reading and errand boy. He is told the hours at which he is to<br />

come and go, and a strict punctuality is enjoined upon him. He sweeps the<br />

room, he sorts out the<br />

pi, he learns the position oj the various letters in the case.<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

126


Minion, No. 9.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the "bend of the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a steady, skilful, and<br />

capable man, as unmistakably as the perverse, idling, careless boy will<br />

ripen into a lazy, dissolute fellow. The fact is, a boy is measurably the<br />

maker of his own destiny and if he fails to acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he did not at<br />

his outset determine to be a master-workman. Good morals and steady<br />

industry are indispensable.<br />

When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should be inquired<br />

of him, has he had a fair common-school education? Is he a perfect<br />

speller? Has he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age ? A true affirmative answer to all these queries will<br />

entitle him to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality is enjoined<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Minion, No. 10.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny ; and if he fails to<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education ? Is he a perfect speller ? Has he a<br />

turn for reading 9 Is his eyesight good f Is he under fifteen years of<br />

age f A true affirmative answer to all these queries will entitle him to<br />

the position of reading and errand boy. He is told the hours at which<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Minion, No. 11.<br />

Experience proves that the apprentice foreshadows the workman just as<br />

surely as the bend of the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a steady, skilful and capable<br />

man, as unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably the maker<br />

of his own destiny ; and if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he did not at his outset<br />

determine to be a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities proposes to learn<br />

the art and mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education ? Is he a perfect speller ? Has he a turn<br />

for reading ? Is his eyesight good ? Is he under fifteen years of age ? A<br />

true affirmative answer to all these queries will entitle him to the position of<br />

reading and errand boy. He is told, the hours at which he is to come and go,<br />

and a strict punctuality is enjoined upon him. He sweeps the room, he<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.


Minion, No. 12.<br />

Experience proves that the apprentice foreshadows the workman, just as<br />

surely as the bend of the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a steady, skilful, and<br />

capable man, as unmistakably as the perverse, idling, careless boy will<br />

ripen into a lazy, dissolute fellow. The fact is, a boy is measurably the<br />

maker of his own destiny; and if he fails to acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he did not at<br />

his outset determine to be a master-workman. Good morals and steady<br />

industry are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should be inquired<br />

of him, Has he had a fair common-school education ? Is he a perfect<br />

speller? Has he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age ? A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the hours at which<br />

he is to come and go, and a strict punctuality is enjoined upon him. He sweeps<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

M i n ion, No. 15.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy<br />

will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny; and if he fails to acquire a masterknowledge<br />

of the trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education? Is he a<br />

perfect speller? Has he a turn for reading? Is his eyesight good? Is<br />

he under fifteen years of age? A true affirmative answer to all these queries will<br />

entitle him to the position of reading and errand boy. He is told the hours at<br />

which he is to come and go, and a strict punctuality is enjoined upon him. He<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Minion, No. 16.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny ; and if he fails to<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had a<br />

fair common-school education? Is he a perfect speller? Has he a<br />

turn for reading ? Is his eyesight good ? Is he under fifteen years of<br />

age ? A true affirmative answer to all these queries will entitle him to<br />

the position of reading and errand boy. He is told the hours at which<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelpliia.


BltKVIEB, No. 6.<br />

Experience proves that the apprentice foreshadows the workman, just as<br />

surely as the bend of the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably the maker of<br />

his own destiny; and if he fails to acquire a master-knowledge of the trade<br />

to which he is put, it will mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the<br />

art and mystery of printing, it should be inquired of him, Has he had a<br />

fair common-school education ? Is he a perfect speller? Has he a turn for<br />

reading? Is his eyesight good ? Is he under fifteen years of age? A true<br />

affirmative answer to all these queries will entitle him to the position of<br />

reading and errand boy. He is told the hours at which he is to come and<br />

go, and a strict punctuality is enjoined upon him. He sweeps the room,<br />

he sorts out the pi, he learns the position of the various letters in the case.<br />

A year spent in this way is an excellent preparative for "going to case," or<br />

learning the art of composing type. When he is put to composition, he is<br />

told to set up one line and show it to the foreman or to the journeyman<br />

under whose care he may be placed. The errors in the line are pointed out<br />

to him, and he is required to correct them himself. When the words are perfectly<br />

correct, he justifies the line tight enough to it prevent from falling down when the<br />

composing-stick is slightly inclined, and yet sufficiently loose to enable him to lift it<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Brevier, No. 7.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy<br />

will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny; and if he fails to acquire a masterknowledge<br />

of the trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education? Is he a<br />

perfect speller? Has he a turn for reading? Is his eyesight good? Is<br />

he under fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand boy. He<br />

is told the hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in<br />

this way is an excellent preparative for "going to case," or learning the<br />

art of composing type. When he is put to composition, he is told to<br />

set up one line and show it to the foreman or to the journeyman under<br />

whose care he may be placed. The errors in the line are pointed out to him,<br />

and he is required, to correct them himself. When the words are perfectly correct,<br />

he justifies the line tight enough to prevent it from falling down when the<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelplu


Brevier, No. 8.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling, careless<br />

boy will ripen into a lazy, dissolute fellow. The fact is, a is boy<br />

measurably the maker of his own destiny; and if he fails to acquire<br />

a master-knowledge of the trade to which he is put, it will mainly be<br />

because he did not at his outset determine to be a master-workman.<br />

When a lad who<br />

Good morals and steady industry are indispensable.<br />

possesses these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a fair commonschool<br />

education? Is he a perfect speller? Has he a turn for reading?<br />

Is his eyesight good? Is he under fifteen years of age? A true affirmative<br />

answer to all these queries will entitle him to the position of<br />

He is told the hours at which he is to come<br />

reading and errand boy.<br />

and go, and a strict is punctuality enjoined upon him. He sweeps the<br />

room, he sorts out the pi, he learns the position of the various<br />

letters in the case. A year spent in this way is an excellent preparative<br />

for "going to case," or learning the art of composing type. When<br />

he is put to composition, he is told to set up one line and show it to<br />

the foreman or to the journeyman under whose care he may be placed.<br />

The errors in the line are pointed out to him, and he is required to correct<br />

them himself. When the words are perfectly correct, he justifies<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Brevier, No. 9.<br />

Expekience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling,<br />

careless boy<br />

will ripen into a lazy, dissolute fellow. The fact is, a is boy measurably<br />

the maker of his own destiny; and if he fails to acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good morals and<br />

steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of it<br />

printing, should be<br />

inquired of him, Has he had a fair common-school education? Is he a<br />

perfect speller? Has he a turn for reading? Is his eyesight good? Is<br />

he under fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand boy.<br />

is told the hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the he<br />

pi,<br />

learns the position of the various letters in the case. A year spent in<br />

this way is an excellent preparative for "going to case," or learning the<br />

art of composing type. When he is put to composition he is told to set<br />

up one line and show it to the foreman or to the journeyman under<br />

whose care he may be placed. The errors in the line are pointed out to him,<br />

and he is required to correct them himself. When the words are perfectly<br />

correct, he justifies<br />

the line tight enough to it prevent from falling down<br />

The MacKellar, Smiths &> Jordan Co.<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

He<br />

Sansom Street, Philadelphia.


Brevier, No. 10.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy<br />

will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny ;<br />

and if he fails to acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good morals and<br />

steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education? Is he<br />

a perfect speller? Has he a turn for reading? Is his eyesight good?<br />

Is he under fifteen years of age? A true affirmative answer to all these<br />

_<br />

queries will entitle him to the position of reading and errand boy.<br />

is told the hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in<br />

this way is an excellent preparative for " going to case," or learning<br />

the art of composing type. When he is put to composition, he is told<br />

to set up one line and show it to the foreman or to the journeyman<br />

under whose care he may be placed.<br />

He<br />

The errors in the line are pointed<br />

out to him , and he is required to correct them himself. When the words<br />

are perfectly correct, he justifies the line tight enough to prevent it from<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Brevier, No. 11.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of<br />

his own destiny ; and if he fails to acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a lad<br />

who possesses these qualities proposes to learn the art and mystery<br />

of printing, it should be inquired of him, Has he had a<br />

fair common-school education? Is He a perfect speller? Has<br />

he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go, and<br />

a strict punctuality is enjoined upon him. He sweeps the<br />

room, he sorts out the pi, he learns the position of the various<br />

letters in the case. A year spent in this way is an ex-<br />

u<br />

cellent p>reparative for going to case," or learning the art of<br />

composing type. When he is put to composition, he is told to<br />

set up one line and show it to the foreman or to the journeyman<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, PJiiladclfiJiia.


Bkkvier, No. 12.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy<br />

will ripen into a lazy, dissolute fellow. The fact a is, boy is measurably<br />

the maker of his own destiny; and if he fails to acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good morals and<br />

steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education? Is lie a<br />

perfect speller? Has he a turn for reading? Is his eyesight good?<br />

Is he under fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand boy. He<br />

is told the hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, lie sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in<br />

this way is an excellent preparative for "going to case," or learning the<br />

art of composing type. When he is put to composition, he is told to<br />

set up one line and show it to the foreman or to the journeyman under<br />

whose care he may be placed. The errors in the line are pointed out to him,<br />

and he is required to correct them himself. When the words are perfectly<br />

correct, he justifies the line tight enough to prevent it from falling<br />

ABCDEFGIIIJKLMNOPQESTUVWXYZ<br />

1234567890<br />

BUEVIKR,-NO. 13.<br />

down when<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of<br />

the tree. The upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow. The fact<br />

is, a boy is measurably the maker of his own destiny; and if he<br />

fails to acquire a master-knowledge of the trade to which he is put,<br />

it will mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn<br />

the art and mystery of printing, it should be inquired of him, Has<br />

he had a fair common-school education? Is he a perfect speller?<br />

Has he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go, and a<br />

strict punctuality is enjoined upon him. He sweeps the room,<br />

he sorts out the pi, he learns the position of the various letters<br />

in the case. A year spent in this way is an excellent preparative<br />

for " going to case," or learning the art of composing type. When<br />

he is put to lie composition, is told to set up one line and show it to tlie<br />

foreman or to the journeyman under whose care he may be placed. The<br />

errors in the line are pointed out to Mm, and he is required to correct them<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcllar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

132


BBKVIKIt, No. 15.<br />

Experience proves that the apprentice foreshadows the workman,<br />

jnst as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny; and if he fails to<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education? Is he a perfect speller? Has he<br />

a turn for reading? Is his eyesight good? Is he under fifteen years<br />

of age? A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the hours<br />

at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns the<br />

position of the various letters in the case. A year spent in this way<br />

"<br />

is an excellent preparative for going to case," or learning the art of<br />

composing type. When he is put to composition, he is told to set up<br />

one line and shoio it to the foreman or to the journeyman under whose care<br />

he may he placed. The errors in the line are pointed out to him, and he is<br />

required to correct them himself. When the words are perfectly correct, he<br />

ABCDEFGHIJKLMNOPQRSTUVWX YZ<br />

1234567890<br />

HUKVIKR, NO. 10.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably as<br />

the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his own<br />

destiny and if he fails to ;<br />

acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he did not at<br />

his outset determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a fair commonschool<br />

education? Is he a perfect speller? Has he a turn for<br />

reading? Is his eyesight good? Is he under fifteen years of<br />

age? A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality is<br />

enjoined upon him. He sweeps the room, he sorts out the pi,<br />

he learns the position of the various letters in the case. A year<br />

spent in this way is an excellent preparative for "going to case,"<br />

or learning the art of composing type. When he is put to composition,<br />

he is told to set up one line and show it to the foreman or to<br />

the journeyman under whose care he may be placed. The errors<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcllar, Smiths &> Jordan Co. Sansoni Street, Philadelphia.<br />

133


BOUBGEOIS, NO. 5.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the foretells the inclination<br />

twig<br />

of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny, and if he fails to<br />

it will<br />

acquire a master-knowledge of the trade to which he is put,<br />

mainly be because he did not at his outset determine to be a master-<br />

workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education? Is he a perfect speller? Has he a<br />

turn for reading? Is his eyesight good? Is he under fifteen years<br />

of age? A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the hours<br />

at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns the<br />

position of the various letters in the case. A year spent in this way<br />

is an excellent preparative for "going to case," or learning the art of<br />

composing type. When he is put to composition, he is told to set up<br />

one line and show it to the foreman or to the journeyman under whose<br />

care he may be placed. The errors in the line are pointed out to him,<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

BOCBGSOIS, No. 6.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy<br />

will ripen into a lazy, dissolute fellow. The fact a is, boy is measurably<br />

the maker of his own destiny and if he fails to ;<br />

acquire a master-know-<br />

ledge of the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good morals and<br />

steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of it printing, should be<br />

inquired of him, Has he had a fair common-school education? Is he<br />

a perfect speller? Has he a turn for reading? Is his eyesight good?<br />

Is he under fifteen years of age ? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand boy. He<br />

is told the hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in<br />

this way is an excellent preparative for "going to case," or learning the<br />

art of composing type. When he is put to composition, he is told to set<br />

up one line and show it to the foreman or to the journeyman under<br />

whose care he may be placed. The errors in the line are pointed out to<br />

him, and he is required to correct them himself When the words are<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


BOUKGEOIS, NO. 7.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the-<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny and if he fails to<br />

;<br />

it will<br />

acquire a master-knowledge of the trade to which he is put,<br />

mainly be because he did not at his outset determine to be a master-<br />

workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had a<br />

fair common-school education? Is he a perfect speller? Has he a<br />

turn for reading? Is his eyesight good? Is he under fifteen years<br />

of age? A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the hours<br />

at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns<br />

the position of the various letters in the case. A year spent in this<br />

way is an excellent preparative for "going to case," or learning the<br />

art of composing type. When he is put to composition, he is told to set up<br />

one line and show it to the foreman or to the journeyman<br />

under whose care<br />

he may be placed. The errors in the line are pointed out to him, and he is<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Bourgeois, No. 8.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of<br />

the tree. The upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow. The fact<br />

and if he<br />

is, a boy is measurably the maker of his own destiny ;<br />

fails to acquire a master-knowledge of the trade to which he is put,<br />

it will mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to<br />

learn the art and mystery of printing, it should be inquired of him,<br />

Has he had a fair common-school education ? Is he a perfect speller?<br />

Has he a turn for reading? Is his eyesight good? Is he<br />

under fifteen years of age ? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand boy.<br />

He is told the hours at which he is to come and go, and a strict<br />

punctuality is enjoined upon him. He sweeps the room, he sorts<br />

out the pi, he learns the position of the various letters in the case.<br />

A year spent in this way is an excellent preparative for " going to<br />

case," or learning the art of composing type. When he is put to composition,<br />

he is told to set up one line and show it to the foreman or to<br />

the journeyman under whose care he may be placed. The errors in the<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &f Jordan Co. Sansom Street, Philadelphia.<br />

135


Bourgeois, No. 9.<br />

Expeeience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the v twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy<br />

will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny ; and if he fails to acquire a masterknowledge<br />

of the trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a lad who pos-<br />

sesses these qualities proposes to learn the art and mystery of<br />

printing,<br />

it should be inquired of him, Has he had a fair common-school education?<br />

Is he a perfect speller? Has he a turn for reading? Is his<br />

eyesight good? Is he under fifteen years of age? A true affirmative<br />

answer to all these queries will entitle him to the position of reading<br />

and errand boy. He is told the hours at which he is to come and go,<br />

and a strict punctuality is enjoined upon him. He sweeps the room,<br />

he sorts out the pi, he learns the position of the various letters in the<br />

case. A year spent in this way is an excellent preparative for " going<br />

to case," or learning the art of composing type. When he is put to<br />

composition, he is told to set up one line arid show it to the foreman or<br />

to the journeyman under whose care he may be placed. The errors in<br />

the line are pointed out to him, and he is required to correct them him-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

BOUKGKOIS, NO. 10.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright", obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny ; and if he fails to<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses<br />

these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had a<br />

fair common-school education? Is he a perfect speller? Has he a<br />

turn for reading? Is his eyesight good? Is he under fifteen years<br />

of age? A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the hours<br />

at which he is to come and go, and a strict is<br />

punctuality enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns<br />

the position of the various letters in the case. A year spent in this<br />

or learning the<br />

way is an excellent ' '<br />

preparative for going to ' '<br />

case,<br />

art of composing type. When he is put to composition, he is told to<br />

set up one line and show it to the foreman or to the journeyman under<br />

whose care he may be placed. The errors in the line are pointed out<br />

ABCDEFGIIIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

136


BOURGEOIS, NO. 11.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells the<br />

inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny and if he fails to ;<br />

acquire<br />

a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should<br />

be inquired of him, Has he had a fair common-school education?<br />

Is he a perfect speller? Has he a turn for reading?<br />

Is his eyesight good? Is he under fifteen years of age? A<br />

true affirmative answer to all these queries will entitle him<br />

to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out<br />

the pi, he learns the position of the various letters in the case.<br />

A year spent in this way is an excellent preparative for "going<br />

to case," or learning the art of composing type. When he is<br />

ABCDEFGHIJKLMNOPQESTUVWXYZ<br />

1234567890<br />

Bourgeois, No. 12.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny ; and if he fails to<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a master-<br />

workman. Good morals and steady industry are indispensable. When<br />

a lad who possesses these qualities proposes to learn the art and<br />

mystery of printing, it should be inquired of him, Has he had a fair<br />

common-school education ? Is he a perfect speller ? Has he a turn<br />

for reading? Is his eyesight good? Is he under fifteen years of age?<br />

A true affirmative answer to all these queries will entitle him to the<br />

position of reading and errand boy. He is told the hours at which<br />

he is to come and go, and a strict punctuality is enjoined upon him.<br />

He sweeps the room, he sorts out the pi, he learns the position of<br />

the various letters in the case. A year spent in this way is an excellent<br />

preparative for " going to case," or learning the art of composing<br />

type. When he is put to composition, he is told to set up one line and<br />

show it to the foreman or to the journeyman under whose care he may be<br />

placed. The errors in the line are pointed out to him, and he is required<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcllar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


Bourgeois, No. 13.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless<br />

boy will ripen into a lazy, dissolute fellow. The fact is, a boy is<br />

measurably the maker of his own destiny ; and if he fails to acquire<br />

a master-knowledge of the trade to which he is put, it will mainly be<br />

because he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable. When a lad<br />

who possesses these qualities proposes to learn the art and mystery<br />

of printing, it should be inquired of him, Has he had a fair commonschool<br />

education? Is he a perfect speller? Has he a turn for reading?<br />

Is his eyesight good? Is he under fifteen years of age? A<br />

true affirmative answer to all these queries will entitle him to the<br />

position of reading and errand boy. He is told the hours at which<br />

he is to come and go, and a strict punctuality is enjoined upon him.<br />

He sweeps the room, he sorts out the pi, he learns the position of<br />

the various letters in the case. A year spent in this way is an excellent<br />

preparative for " going to case," or learning the art of composing<br />

type. When he is put to composition, he is told to set up one line and<br />

show it to the foreman or to the journeyman under whose care he may<br />

be placed. The errors in the line are pointed out to him, and he is<br />

ABGDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Bourgeois, No. 14.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his<br />

own destiny; and if he fails to acquire a master-knowledge of<br />

the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a lad who<br />

possesses these qualities proposes to learn the art and mystery<br />

of printing, it should be inquired of him, Has he had a fair<br />

common-school education? Is he a perfect speller? Has he a<br />

turn for reading? Is his eyesight good? Is he under fifteen<br />

years of age? A true affirmative answer to all these queries<br />

will entitle him to the position of reading and errand boy. He<br />

is told the hours at which he is to come and go, and a strict<br />

punctuality is enjoined upon him. He sweeps the room, he<br />

sorts out the pi, he learns the position of the various letters in<br />

the case. A year spent in this way is an excellent preparative for<br />

"going to case," or learning the art of composing type. When he is<br />

put to composition, he is told to set up one line and show it to the fore-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

138


Bourgeois, No. 15.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of<br />

his own destiny and if he fails to ;<br />

acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a lad<br />

who possesses these qualities proposes to learn the art and<br />

mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education? Is he a perfect speller? Has<br />

he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go, and<br />

a strict punctuality is enjoined upon him. He sweeps the<br />

room, he sorts out the pi, he learns the position of the<br />

various letters in the case. A year spent in this way is an excellent<br />

preparative for "going to case," or learning the art of composing<br />

type. When he is put to composition, he is told to set up one line<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Long Primer, No. 7.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny and if he fails to<br />

;<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a master-<br />

workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education ? Is he a perfect speller ? Has he<br />

a turn for reading? Is his eyesight good? Is he under fifteen<br />

years of age ? A true affirmative answer to all these queries will<br />

entitle him to the position of reading and errand boy. He is told<br />

the hours at which he is to come and go, and a strict punctuality is<br />

enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in<br />

this way is an excellent preparative for "<br />

going to case" or learning<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

139


Long Peimee. No. 8.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as<br />

unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny; and if he fails to acquire a<br />

master-knowledge of the trade to which he is put,<br />

it will<br />

mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should<br />

be inquired of him, Has he had a fair common-school education?<br />

Is he a perfect speller? Has he a turn for reading?<br />

Is his eyesight good? Is he under fifteen years of age?<br />

A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the pi,<br />

ABCDEFGHIJKLMNOPQKSTUVWXYZ<br />

1234567890<br />

Long Primer, No. 9.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably as<br />

the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his own<br />

destiny; and if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he did not<br />

at his outset determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a fair common-school<br />

education? Is he a perfect speller? Has he a turn<br />

for reading? Is his eyesight good? Is he under fifteen years<br />

of age? A true affirmative answer to all these queries will en-<br />

title him to the position of reading and errand boy. He is told<br />

the hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. lie sweeps the room, he sorts out the pi,<br />

he learns the position of the various letters in the case. A year<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Tlie Mac/Cellar, Smiths &> Joi-dan Co. Saiisom Street, Philadelphia.


Long Primer, No. 10.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad<br />

will graduate a steady, skilful and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a<br />

lazy, dissolute fellow. The fact is, a boy is measurably the<br />

maker of his own destiny ; and if he fails to acquire a masterknowledge<br />

of the trade to which he is put, it will mainly be<br />

because he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to<br />

learn the art and mystery of printing, it should be inquired of<br />

him, Has he had a fair common-school education? Is he a<br />

perfect speller ? Has he a turn for reading ? Is his eyesight<br />

good? Is he under fifteen years of age? A true affirmative<br />

answer to all these queries will entitle him to the position of<br />

reading and errand boy. He is told the hours at ivhich he is to<br />

come and go, and a strict punctuality is enjoined upon him. He<br />

siveeps the room, he sorts out the pi, he learns the position of<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Long Primer, No. 11.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of<br />

the tree. The upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow. The<br />

fact is, a boy is measurably the maker of his own destiny ; and if<br />

he fails to acquire a master-knowledge of the trade to which he<br />

is put, it will mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities proposes<br />

to learn the art and mystery of it printing, should be inquired<br />

of him, Has he had a fair common-school education ? Is<br />

he a perfect speller ? Has he a turn for reading ? Is his eyesight<br />

good? Is he under fifteen years of age? A true affirmative<br />

answer to all these queries will entitle him to the position of<br />

reading and errand boy. He is told the hours at which he is to<br />

come and go, and a strict punctuality is enjoined upon him. He<br />

sweeps the room, he sorts out the pi, he learns the position of<br />

the various letters in the case. A year spent in this way is an<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcllar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

141


Long Primer, No. 12.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells the<br />

inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as un-<br />

mistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny ; and if he fails to acquire<br />

a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should<br />

be inquired of him, Has he had a fair common-school education?<br />

Is he a perfect speller? Has he a turn for reading?<br />

Is his eyesight good? Is he under fifteen years of age? A<br />

true affirmative answer to all these queries will entitle him<br />

to the position of reading and errand boy. He is told the hours<br />

at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Long Primer, No. 13.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless<br />

boy will ripen into a lazy, dissolute fellow. The fact is,<br />

a boy is measurably the maker of his own destiny; and<br />

if he fails to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly be because he did not<br />

at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a<br />

lad who possesses these qualities proposes to learn the<br />

art and mystery of printing, it should be inquired of<br />

him, Has he had a fair common-school education? Is he<br />

a perfect speller? Has he a turn for reading? Is his<br />

eyesight good? Is he under fifteen years of age? A<br />

true affirmative answer to all these queries will entitle him to<br />

the position of reading and errand boy. He is told the hours<br />

at which he is to come and go, and a strict punctuality is en-<br />

ABCDEFGHIJKLMNOPQESTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

142


Long Pkimer, No. 15.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless<br />

boy will ripen into a lazy, dissolute fellow. The fact is,<br />

a boy is measurably the maker of his own destiny and<br />

;<br />

if he fails to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly<br />

be because he did not at<br />

his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a<br />

lad who possesses these qualities proposes to learn the<br />

art and mystery of printing, it should be inquired of<br />

him, Has he had a fair common-school education? Is he<br />

a perfect speller? Has he a turn for reading? Is his<br />

eyesight good? Is he under fifteen years of age? A<br />

true affirmative answer to all these queries will entitle him to the<br />

position of reading and errand boy. He is told the hours at<br />

which he is to come and go, and a strict punctuality is enjoined<br />

ABCDEFGHIJKLMNOPQESTUVWXYZ<br />

1234567890<br />

Small Pica, No. 7.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells the<br />

inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as un-<br />

mistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny; and if he fails to acquire a<br />

master-knowledge of the trade to which he is put,<br />

it will<br />

mainly be because he did not at his outset determine to be a<br />

master-workman. Good morals and steady industry are in-<br />

dispensable. When a lad who possesses these qualities proposes<br />

to learn the art and mystery of it<br />

printing, should be<br />

inquired of him, Has he had a fair common-school education ?<br />

Is he a perfect speller ? Has he a turn for reading ? Is his<br />

eyesight good ? Is he under fifteen years of ? age A true<br />

affirmative answer to all these queries<br />

will entitle him to the<br />

position of reading and errand boy. He is told the hours at<br />

which he is to come and go, and a strict punctuality is en-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths 6? Jordan Co. Sansom Street, Philadelphia.<br />

143


Small, Pica, No. 8.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless<br />

boy will ripen into a lazy, dissolute fellow. The fact<br />

is, a boy is measurably the maker of his own destiny;<br />

and if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to<br />

learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education?<br />

Is he a perfect speller? Has he a turn for<br />

reading? Is his eyesight good? Is he under fifteen years of<br />

age f A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the<br />

ABCDEFGHIJKLMNOPQRSTTJVWXYZ<br />

1234567890<br />

Small, Pica, No. 9.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, indus-<br />

trious lad will graduate a steady, skilful, and capable man,<br />

as unmistakably as the perverse, idling, careless boy will<br />

ripen into a lazy, dissolute fellow. The fact is, a boy is<br />

and if he fails<br />

measurably the maker of his own destiny;<br />

to acquire a master-knowledge of the trade to which he is<br />

be because he did not at his outset de-<br />

put, it will mainly<br />

termine to be a master-workman. Good morals and steady<br />

industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a fair<br />

common-school education? Is he a perfect speller? Has<br />

he a turn for reading ? Is his eyesight good ? Is he under<br />

fifteen years of age ? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go,<br />

ABCDEFGHIJKLMNOPQKSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

144


Small, Pica, No. 10.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as<br />

unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny ; and if he fails to acquire<br />

a master-knowledge of the trade to which he is it put, will<br />

mainly be because he did not at his outset determine to be<br />

a master-AVorkman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of it printing, should<br />

be inquired of him, Has he had a fair common-school education<br />

? Is he a perfect speller ? Has he a turn for reading?<br />

Is his eyesight good? Is he under fifteen years of<br />

agef A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Small Pica, No. 11.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as<br />

unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny ; and if he fails to acquire<br />

a master-knowledge of the trade to which he is put,<br />

it will mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady in-<br />

dustry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing,<br />

it should be inquired of him, Has he had a fair commonschool<br />

education ? Is he a perfect speller ? Has he a turn<br />

for reading? Is his eyesight good? Is he under fifteen<br />

years of agef A true affirmative answer to all these queries<br />

will entitle him to the position of reading and errand boy.<br />

He is told the hours at which he is to come and go,, and a<br />

ABGDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

145


Small Pica, No. 12.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the twig<br />

foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady, skil-<br />

ful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of<br />

his own destiny; and if he fails to acquire a masterknowledge<br />

of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady<br />

industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a<br />

fair common-school education? Is he a perfect speller?<br />

Has he a turn for reading? Is his eyesight good? Is he<br />

under fifteen years of agef A true affirmative answer to all<br />

these queries will entitle him to the position of reading and<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Pica, No. 7.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the twrig<br />

foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the<br />

perverse, idling, careless boy will ripen into a lazy,<br />

dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny; and if he fails to<br />

acquire a master-knowledge<br />

of the trade to which<br />

he is put, it will mainly be because he did not<br />

at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

When a lad wlw possesses these qualities proposes to<br />

learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

146


Pica, No. 8.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the twig<br />

foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady, skil-<br />

ful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of<br />

his own destiny; and if he fails to acquire a master-<br />

knowledge of the trade to which he is put,<br />

it will<br />

mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady<br />

industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery<br />

of printing, it should be inquired of him, Has he<br />

had a fair common-school education ? Is he a perfect<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Pica, No. 9.<br />

Expekience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the<br />

twig foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into<br />

a lazy, dissolute fellow. The fact is, a boy is meas-<br />

and if he<br />

urably the maker of his own destiny;<br />

fails to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indis-<br />

pensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it<br />

should be inquired of him, Has he had a fair common<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co.<br />

147<br />

Sansom Street, Philadelphia.


Pica, No. 10.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the twig<br />

foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady, skil-<br />

ful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow.<br />

The fact is, a boy is measurably the maker of<br />

his own destiny; and if he fails to acquire a master-<br />

knowledge of the trade to which he is put,<br />

it will<br />

mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady in-<br />

dustry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a<br />

fair common-school education ? Is he a perfect speller f<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Pica, No. 11.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the twig<br />

foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady, skil-<br />

ful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the<br />

maker of his own destiny and if he ;<br />

fails to acquire<br />

a master-knowledge of the trade to which he is put,<br />

it will mainly be because he did not at his outset<br />

determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad<br />

who possesses<br />

these qualities proposes to learn the art<br />

and mystery of it printing, should be inquired of him,<br />

Has he had a fair common-school education f Is he a<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcllar, Smiths


Pica, No. 12.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the<br />

twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into<br />

a lazy, dissolute fellow. The fact is, a boy is<br />

measurably the maker of his own destiny; and if<br />

he fails to acquire a master-knowledge of the trade<br />

to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-<br />

workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing,<br />

it should be inquired of him, Has he had a fair<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Pica, No. 13.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of<br />

the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy<br />

is measurably the maker of his own destiny; and<br />

if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing,<br />

it should be inquired of him, Has he had a fair com-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

7'he MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

149


English, No. 4.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the<br />

bend of the twig foretells the inclination of<br />

the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capa-<br />

ble man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably<br />

if he fails<br />

the maker of his own destiny ; and<br />

to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman.<br />

Good morals and steady industry are in-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Great Primer, No.<br />

Experience proves that the appren-<br />

tice foreshadows the workman, just<br />

as surely as the bend of the twig foretells<br />

the inclination of the tree. The<br />

upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable<br />

man, as unmistakably as the per-<br />

verse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact<br />

is, a boy is measurably the maker of<br />

ABCDEFGHIJKLMNOPQRSTUV<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

150


18 Point, No. 2. Great Primer. 20 Point. Paragon.<br />

MUSICAL SINGING<br />

Ocean's Roaring Fairy Forms<br />

12345 12345<br />

20 A, 70 a. 24 Point, No. 2. Two-Line Pica. $12.65<br />

ASTRONOMICAL<br />

48 Excursions to the Sun<br />

20 A, 70 a. 24 Point Peal Double Pica. $13.90<br />

L.OVE RAYS<br />

Home Attractions 35<br />

14 A, 42 a. 28 Point, No. 2. Two-Line English. $12.50<br />

19 Bright RUBIES<br />

UNCUT<br />

8 A, 20 a. 36 Point, No. 2 Two-Line Great Primer. $9.75<br />

Gems 7<br />

7 A, 14 a. 40 Point. Double Paragon. $11.15<br />

2 Mint BEDS<br />

7 A, 10 a. 44 FAT<br />

Point, No. 2. Canon. $12.70<br />

Pig 1<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

151


18 Point, No. 4 Great Primer.<br />

BEAUTY OF SIMPLICITY<br />

Plain Type is always as welcome as bread<br />

and butter. It is an evidence of taste and<br />

1234567890<br />

26 A , 12 a, 90 a. f13.35 22 Point, No. 2. Two-Line Small Pica. 10 A, 28 a. 4.05<br />

INVESTMENT<br />

Mansion for Sale, with 1234<br />

Dog-Kennels on premises<br />

14 A, 7 a, 42 a. $11.65 28 Point, No. 3. Two-Line English. 8 A, 20 a. $5.20<br />

A SUMMER Retreat<br />

68 Hilarity Place<br />

14 A, 42 a. $15.35 36 Point, No. 3. Two-Line Great Primer. 8 A, 20 a.<br />

ASH<br />

$7.20<br />

Life Boat 22<br />

8 A, 20 a. 44 Point, No. 3 Canon. $14.60<br />

16 Marl PITS<br />

4 A, 4 a. 60 Point, No. 2. Five-Line Pica. $9.05<br />

Scenes 2T<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

I5 2


3% Point, No. 17.<br />

Experience proves that tl<br />

surely as the bend of th. twtg lui<br />

ripht, ol.txliw.t, iiiiliu.trh.urt 1ml will prailuutf a wt.-a-ly, skilful arid eaj^aMe<br />

man, as unmistakably as the perverse, idling, careless boy will ripen into<br />

a lu/>. dissMlute fellow. The fact is, a boy is ine:isurably tin- maker of Ins<br />

own il.-tiny ; and If he tails to acquire a master-knowledco of the trade to<br />

which he is put, it will mainly )> because he did not at. his outset determine<br />

to be a master-workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn<br />

the art and mystery of printing, it should be i' inquired him, lias he had a<br />

school education ? Is he a perfect speller? Has he a turn for<br />

reading! Is he under fifteen years of age? Is bis eyesight good?<br />

affirmative answer to all these qvrit will . -otitic him Co UM poattl<br />

reading and errand boy. He is told the hours at which he is to com<br />

go, and a strict punctuality is enjoined upon him. Me sweeps the roo<br />

he sorts out thet pi,- pi, die he learns the the position posit of the various letters in the<br />

this \ray is an excellent<br />

learning the art of composing type. Wht<br />

to set up one line and show it to the r,n:.<br />

i foren<br />

the journeyman under whose<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

4% Point, No. 17.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of<br />

the tree. The upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow. The<br />

fact is, a boy is measurably the maker of his own destiny ; and<br />

if he fails to acquire a master-knowledge of the trade to which<br />

he is put, it will mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady industry<br />

are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should<br />

be inquired of him, Has he had a fair common-school education?<br />

Is he a perfect speller? Has he a turn for reading? Is<br />

his eyesight good? Is he vixlee ji/tee/i venrs of age? A true<br />

affirmatwt answer to all these quiHti wili entitle him to the<br />

position of reading and errand boy. Be is told the hours at<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

5% Point, No. 21.<br />

% Point, No. 18.<br />

Experience proves that the apprentice foreshadows the workman, just as<br />

surely as the bend of the twig foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless boy will ripen into<br />

a lazy, dissolute fellow. The fact is, a boy is measurably the maker of his<br />

own destiny ; and if he fails to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly be because he did not at the outset determine<br />

to be a master-workman. Good morals and steady industry are inrUnpnnnnMa<br />

When a lad who possesses these qualities proposes to learn<br />

the art and mystery of printing, it should be inquired of him, Has he had a<br />

fair common-school education? Is he a perfect speller? Has he a turn for<br />

reading? Is he under fifteen years of age? Is his eyesight good ? A true<br />

affirmative answer to all these queries will entitle him to the position of<br />

reading and errand boy. He is told the hours at which he is to come and<br />

go, and a strict punctuality is enjoined upon him. He sweeps the room,<br />

he sorts out the pi. he learns the position of the various letters in the case.<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

5 Point, No. 17.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright,'obedient,<br />

industrious lad will graduate a steady, skilful, and<br />

capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow.<br />

The fact is, a boy is measurably the maker of his own<br />

destiny; and if he fails to acquire a master-knowledge of<br />

the trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

When a lad tvho possesses these qualities proposes<br />

to learn the art and mystery of printing, it<br />

should be inquired of him, Has he had a fair com-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the<br />

bend of the twig foretells the inclination of the tree. The upright, obedient, industrious lad<br />

will graduate a steady, skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably the<br />

maker of his own destiny; and if he fails to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly be because he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of printing, it should be inquired of<br />

him, Has he had a fair common-school education ? Is he a perfect speller ? Has he a turn<br />

for reading? Is his eyesight good? Is he under fifteen years of age? A true affirmative<br />

answer to all these queries will entitle him to the position of reading and errand boy. He is<br />

told the hours at which he is to come and go, and a strict punctuality is enjoined upon him. He<br />

sweeps the room, he sorts out the pi he learns the position of the various letters in the case.<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

5% Point, No. 22.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as the bend of<br />

the twig foretells the inclination of the tree. The upright, obedient, industrious lad will graduate<br />

a steady, skilful, and capable man, as unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably the maker of his own destiny and<br />

;<br />

if he fails to acquire a master-knowledge of the trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a fair common-school education? Is he a perfect<br />

speller? Has he a turn for reading? Is his eyesight good? Is he under fifteen years of age?<br />

A true affirmative answer to all these queries will entitle him to the position of reading and<br />

errand boy. He is told the hours at which he is to come and go, and a strict punctuality is enjoined<br />

upon hint. Il< surrjis the room, fie sorts out the pi, he learns the position of the various letters in<br />

the case. A year spent in this way is an excellent preparative for " going to case," or learning the art<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphi<br />

153


5^ Point, No. 26.<br />

Expeeience proves that the apprentice foreshadows the workman, just as surely as the<br />

bend of the twig foretells the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny and if he fails ;<br />

to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are indispensable. When a lad<br />

who possesses these qualities proposes to learn the art and mystery of printing, it should<br />

be inquired of him, Has he had a fair common-school education ? Is he a perfect speller ?<br />

Has he a turn for reading ? Is his eyesight good ? Is he under fifteen years of age ? A<br />

true affirmative answer to all these queries will entitle him to the position of reading and<br />

errand boy. He is told the hours at which he is to come and go, and a strict punctuality is<br />

enjoined upon him. He sweeps the room, he sorts out the pi, he learns the position of<br />

the various letters in the case. A year spent in this way is an excellent preparative for<br />

J' going to case," or learning the art of composing type. When he is put to composition, he<br />

is told to set up one line and show it to the foreman or to the journeyman under whose care<br />

he may be placed. The errors in the line are pointed out to him, and he is required to<br />

correct them himself. When the words are perfectly correct, he justifies the line tight enough<br />

to prevent it from falling down when the composing-stick is slightly inclined, and yet sufficiently<br />

loose to enable him to lift it out with ease. In thus spacing out the line, the blanks<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

6 Point, No. 21.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably the maker<br />

of his own destiny; and if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he did not at his outset<br />

determine to be a master-workman. Good morals and steady industry<br />

are indispensable. When a lad who possesses these qualities proposes to<br />

learn the art and mystery of printing, it should be inquired of him, Has<br />

he had a fair common-school education? Is he a perfect speller? Has he<br />

a turn for reading? Is his eyesight good? Is he under fifteen years of<br />

age? A true affirmative answer to all these queries will entitle him to<br />

the position of reading and errand boy. He is told the hours at which<br />

he is to come and go, and a strict punctuality is enjoined upon him. He<br />

sweeps the room, he sorts out the pi, he learns the position of the various letters<br />

in the case. A year spent in this way is an excellent preparative for "going to<br />

case," or learning the art of composing type. When he is put to composition, he<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

6 Point, No. 22.<br />

Experience proves that the apprentice foreshadows the workman, just as surely as<br />

the bend of the twig foretells the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as unmistakably as the<br />

perverse, idling, careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny and if he fails to ; acquire a masterknowledge<br />

of the trade to which he is put, it will mainly be because he did not at<br />

his outset determine to be a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had a fair commonschool<br />

education? Is he a perfect speller? Has he a turn for reading? Is his eyesight<br />

good? Is he under fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality is enjoined upon him.<br />

He sweeps the room, he sorts out the pi, he learns the position of the various letters<br />

in the case. A year spent in this way is an excellent preparative for " going to<br />

case," or learning the art of composing type. Wlien he is put to composition, he is told to<br />

set up one line and show it to the foreman or to the journeyman under whose care he may be<br />

placed. The errors in the line are pointed out to him, and he is required to correct them him-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

154


6 Point, No. 24.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the bend or the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute fellow. The<br />

fact is, a boy is measurably the maker of his own destiny and if he fails ;<br />

to acquire<br />

a master-knowledge of the trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a master-workman. Good morals and<br />

steady industry are indispensable. When a lad who possesses these qualities<br />

to learn the art and mystery of it<br />

printing, should be inquired of him,<br />

Sroposes<br />

[as he had a fair common-school education? Is he a perfect speller? Has he a<br />

turn for reading? Is his eyesight good ? Is he under fifteen years of age? A true<br />

affirmative answer to all these queries will entitle him to the position of reading<br />

and errand boy. He is told the hours at which he is to come and go, and a strict<br />

punctuality is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in this way is<br />

an excellent preparative for "going to case," or learning the art of composing type.<br />

When he is put to composition, he is told to set up one line and show it to the foreman<br />

or to the journeyman under whose care he may be placed. The errors in the<br />

line are pointed out to him, and he is required to correct them himself. When the<br />

words are perfectly correct, he justifies the line tight enough to prevent it from<br />

falling down when the composing-stick is slightly inclined, and yet sufficiently<br />

loose to enable him to lift it out with ease. In thus spacing out the line, the blanks<br />

between the words must be so graduated that, when the matter is printed, all the<br />

words will appear at equal distances apart. No matter how impatient he may be<br />

to get on, he must be drilled at this exercise till he becomes a thorough master of,<br />

it. The grand doctrine to be instilled into him at first is, to do his work well and<br />

correctly ; swiftness will follow as a natural consequence. He sets a second line ;<br />

and after it has been made faultless he proceeds with the third, and so on till the stick is<br />

full. The idmost care must be taken to keep every letter and every line in an exact vertical<br />

position; and when he essays to empty the stick he must be taught to lift the entire mass in<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

6 roiNT, No. 25.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute fellow.<br />

The fact is, a boy is measurably the maker of his own destiny ; and if he<br />

fails to acquire a master-knowledge of the trade to which he is put, it will mainly<br />

be because he did not at his outset determine to be a master-worknian. Good<br />

morals and steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing, it should be inquired<br />

of him, Has he had a fair common-school education? Is he a perfect speller?<br />

Has he a turn for reading? Is his eyesight good? Is he under fifteen years of<br />

age? A true affirmative answer to all these queries will entitle him to the position<br />

of reading and errand boy. He is told the hours at which he is to come<br />

and go, and a strict punctuality is enjoined upon him. He sweeps the room, he<br />

sorts out the pi, he learns the position of the various letters in the case. A year<br />

spent in this way is an excellent preparative for "going to case," or learning the<br />

art of composing type. When he is put to composition, he is told to set up one<br />

line and show it to the foreman or to the journeyman under whose care he may<br />

be placed. The errors in the line are pointed out to him, and he is required to<br />

correct them himself. When the words are perfectly correct, he justifies the line<br />

tight enough to prevent it from falling down when the composing-stick is<br />

slightly inclined, and yet sufficiently loose to enable him to lift it out with ease.<br />

In thus spacing out the line, the blanks between the words must be so graduated<br />

that, when the matter is printed, all the words will appear at equal distances<br />

apart. No matter how impatient he may be to get on, he must be drilled at<br />

this exercise till he becomes a thorough master of it. The grand doctrine to<br />

be instilled into him at first is, to do his work well and correctly; swiftness will<br />

follow as a natural consequence. He sets a second line ; and after it has been made<br />

faultless he proceeds with the third, and so on till the stick is full. The utmost care<br />

must be taken to keep every letter and every line in an exact vertical position; and<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

155


6 Point, No. 26.<br />

Experience proves that the apprentice foreshadows the workman, just as surely<br />

as the bend of the twig foretells the inclination of the tree. The upright, obedient,<br />

industrious lad will graduate a steady, skilful, and capable man, as unmis-<br />

takably as the perverse, idling, careless boy will ripen into a lazy, dissolute fellow.<br />

The fact is, a boy is measurably the maker of his own destiny ; and if he fails to<br />

acquire a master-knowledge of the trade to which he is put, it will mainly be<br />

because he did not at his outset determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should be inquired of him,<br />

Has he had a fair common-school education ? Is he a perfect speller ? Has he a<br />

turn for reading ? Is his eyesight good ? Is he under fifteen years of age ? A true<br />

affirmative answer to all these queries will entitle him to the position of reading<br />

and errand boy. He is told the hours at which he is to come and go, and a strict<br />

punctuality is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in this way is<br />

an excellent preparative for " going to case," or learning the art of composing type.<br />

When he is put to composition, he is told to set up one line and show it to the foreman<br />

or to the journeyman under whose care he may be placed. The errors in the<br />

line are pointed out to him, and he is required to correct them himself. When the<br />

words are perfectly correct, he justifies the fine tight enough to prevent it from<br />

falling down when the composing-stick is slightly inclined, and yet sufficiently<br />

loose to enable him to lift it out with ease. In thus spacing out the'line, the blanks<br />

between the words must be so graduated that, when the matter is<br />

printed,<br />

all the<br />

words will appear at equal distances apart. No matter how impatient he may be<br />

to get on, he must be drilled at this exercise till he becomes a thorough master<br />

of it. The grand doctrine to be instilled into him at first is, to do his work well and<br />

correctly swiftness will follow as a natural ; consequence. He sets a second fine ;<br />

and after it lias been made faultless he proceeds with the third, and so on till the stick<br />

is full. The utmost care must be taken to keep every letter and every line in an exact<br />

vertical position ; and when he essays to empty the stick he must be taught to lift the<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

7 Point, No. 21.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

and if he fails to<br />

boy is measurably the maker of his own destiny ;<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired, of him, Has he had<br />

a fair common-school education ? Is he a perfect speller ? Has he a<br />

turn for reading? Is his eyesight good? Is he under fifteen years<br />

of age ? A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the hours<br />

at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns the<br />

position of the various letters in the case. A year spent in this way<br />

is an excellent preparative for "going to case," or learning the art<br />

of composing type. When he is put to composition, he is told to set<br />

up one line and show it to the foreman or to the journeyman under<br />

whose care he may be placed. The errors in the line are pointed out<br />

to him, and he is required to correct them himself. When the words<br />

are perfectly correct, he justifies the line tight enough to prevent it from<br />

falling down when the composing-stick is slightly inclined, and yet sufficiently<br />

loose to enable him to lift it out with ease. In thus spacing<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

156


7 Point, No. 22.<br />

Experience proves that the apprentice foreshadows the workman, just as<br />

surely as the bend of the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measurably the maker<br />

of his own destiny ; and if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he did not at his outset<br />

determine to be a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities proposes to learn<br />

the art and mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education ? Is he a perfect speller ? Has he a turn<br />

for reading ? Is his eyesight good ? Is he under fifteen years of age ? A<br />

true affirmative answer to all these queries will entitle him to the position<br />

of reading and errand boy. He is told the hours at which he is to come<br />

and go, and a strict punctuality is enjoined upon him. He sweeps the<br />

room, he sorts out the pi, he learns the position of the various letters<br />

in the case. A year spent in this way is an excellent preparative for<br />

"<br />

going to case," or learning the art of composing type. When he is put<br />

to composition, he is told to set up one line and show it to the foreman or<br />

to the journeyman under whose care he may be placed. The errors in the<br />

line are pointed out to him, and he is required to correct them himself.<br />

When the words are perfectly correct, he justifies the line tight enough to<br />

prevent it from falling down when the composing-stick is slightly inclined,<br />

and yet sufficiently loose to enable him to lift it out with ease. In thus<br />

spacing out the line, the blanks between the words must be so graduated that,<br />

when the matter is printed, all the words will appear at equal distances<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

7 Point, No. 24.<br />

Experience proves that the apprentice foreshadows the workman, just as<br />

surely as the bend of the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad wall graduate a steady, skilful, and<br />

capable man, as unmistakably as the perverse, idling, careless boy will<br />

ripen into a lazy, dissolute fellow. The fact is, a boy is measurably the<br />

maker of his own destiny and if he fails to ;<br />

acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he did not at<br />

his outset determine to be a master-workman. Good morals and steady<br />

industry are indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should be inquired<br />

of him, Has he had a fair common-school education? Is he a perfect<br />

speller? Has lie a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age? A true affirmative answer to all these queries will<br />

entitle him to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns the<br />

position of the various letters in the case. A year spent in this way is<br />

an excellent preparative for "going to case," or learning the art of composing<br />

type. When he is put to composition, he is told to set up one<br />

line and show it to the foreman or to the journeyman under whose care<br />

he may be placed. The errors in the line are pointed out to him, and<br />

he is required to correct them himself. When the words are perfectly<br />

correct, he justifies the line tight enough to prevent it from falling down<br />

when the composing-stick is slightly inclined, and yet sufficiently loose to enable<br />

him to lift it out with ease. In thus spacing out the line the blanks between the<br />

words must be so graduated that, when the matter is printed, all the words will<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

157


7 Point, No. 25.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the hend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy<br />

will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny; and if he fails to acquire a mastei-knowledge<br />

of the trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education? Is he a<br />

perfect speller? Has he a turn for reading? Is his eyesight good? Is<br />

he under fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand boy. He<br />

is told the hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in<br />

this way is an excellent preparative for "going to case," or learning the<br />

art of composing type. When he is put to composition, he is told to set<br />

up one line and show it to the foreman or to the journeyman under<br />

whose care he may be placed. The errors in the line are pointed out<br />

to him, and he is required to correct them himself. When the words are<br />

perfectly correct, he justifies the line tight enough to prevent it from falling<br />

down when the composing-stick is slightly inclined, and yet sufficiently loose to<br />

enable him to lift it out with ease. In thus spacing out the line, the blanks between<br />

the words must be so graduated that, when the matter is printed, all the words will<br />

ABCDEFGHIJKLMNOPQESTUVWXYZ<br />

1234567890<br />

7 Point, No. 26.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny; and if he fails to<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had a<br />

fair common-school education? Is he a perfect speller? Has he a<br />

turn for reading? Is his eyesight good? Is he under fifteen years of<br />

age ? A true affirmative answer to all these queries<br />

will entitle him to<br />

the position of reading and errand boy. He is told the hours at which<br />

he is to come and go, and a strict punctuality is enjoined upon him.<br />

He sweeps the room, he sorts out the pi ; he learns the position of the<br />

various letters in the case. A year spent m this way is an excellent preparative<br />

for "going to case," or learning the art of composing type.<br />

When he is put to composition, he is told to set up one line and show<br />

it to the foreman or to the journeyman under whose care he may be<br />

placed. The errors in the line are pointed out to him, and he is required<br />

to correct them himself. When the words are perfectly correct, he<br />

justifies the line tight enough to prevent it from falling down when the<br />

composing-stick is slightly inclined, and yet sufficiently loose to enable<br />

him to lift it out with ease. In thus spacing out the line the blanks be-<br />

ABCDEFGHIJKLMNOPQKSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &= Jordan Co. Sanson Street, Philadelphia.<br />

I5S


8 Point, No. 21.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of<br />

his own destiny and if he fails to ;<br />

acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a lad<br />

who possesses these qualities proposes to learn the art and mystery<br />

of printing, it should be inquired of him, Has he had a<br />

fair common-school education? Is he a perfect speller? Has<br />

he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go, and<br />

a strict punctuality is enjoined upon him. He sweeps the<br />

room, he sorts out the pi, he learns the position of the various<br />

letters in the case. A year spent in this way is an excellent<br />

preparative for "going to case," or learning the art of<br />

composing type. When he is put to composition, he is told to<br />

set up one line and show it to the foreman or to the journeyman<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

8 Point, No. 22.<br />

Experience proves that the apprentice foreshadows the workman, just<br />

as surely as the bend of the twig foretells the inclination of the tree.<br />

The upright, obedient, industrious lad will graduate a steady, skilful,<br />

and capable man, as unmistakably as the perverse, idling, careless boy<br />

will ripen into a lazy, dissolute fellow. The fact is, a boy is measurably<br />

the maker of his own destiny and if he fails to ;<br />

acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good morals and<br />

steady industry are indispensable. When a lad who possesses these<br />

qualities proposes to learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education ? Is he a<br />

perfect speller? Has he a turn for reading? Is his eyesight good?<br />

Is he under fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand boy. He<br />

is told the hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the pi, he<br />

learns the position of the various letters in the case. A year spent in<br />

this way is an excellent preparative for "going to case," or learning the<br />

art of composing type. When he is put to composition, he is told to<br />

set up one line and show it to the foreman or to the journeyman under<br />

whose care he may be placed. The errors in the line are pointed out to him,<br />

and he is required to correct them himself. When the words are perfectly<br />

correct, he justifies the line tight enough to prevent it from falling<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

down when<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

159


8 Point, No. 24.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of<br />

the tree. The upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute fellow. The fact<br />

is, a boy is measurably the maker of his own destiny and if ; he<br />

fails to acquire a master-knowledge of the trade to which he is put,<br />

it will mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn<br />

the art and mystery of printing, it should be inquired of him, Has<br />

he had a fair common-school education? Is he a perfect speller?<br />

Has he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go, and a<br />

strict punctuality is enjoined upon him. He sweeps the room,<br />

he sorts out the pi, he learns the position of the various letters<br />

in the case. A year spent in this way is an excellent preparative<br />

for " going to case," or learning the art of composing type. When<br />

he is put to composition, he is told to set up one line and show it to the<br />

foreman or to the journeyman under whose care he may be placed. The<br />

errors in the line are pointed out to him, and he is required to correct them<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

8 Point, No. 25.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful, and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny ; and if he fails to<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to learn the art<br />

and mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education? Is he a perfect speller? Has he<br />

a turn for reading? Is his eyesight good? Is he under fifteen years<br />

of age. A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the hours<br />

at which he is to come and go, and a strict punctuality is enjoined<br />

upon him. He sweeps the room, he sorts out the pi, he learns the<br />

position of the various letters in the case. A year spent in this way<br />

' '<br />

is an excellent preparative for going to ' '<br />

case, or learning the art of<br />

composing type. When he is put to composition, he is told to set up<br />

one line and show it to the foreman or to the journeyman under whose care<br />

he may be placed. The errors in the line are pointed out to him, and he is<br />

required to correct them himself. When the words are perfectly correct, he<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &* "Jordan Co. Sansom Street, Philadelphia.<br />

160


8 Point, No. 26.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably as<br />

the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his own<br />

destiny and if he fails to ; acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he did not at<br />

his outset determine to be a master-workman. Good morals<br />

and steady industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of<br />

printing, it should be inquired of him, Has he had a fair commonschool<br />

education ? Is he a perfect speller ? Has he a turn for<br />

reading? Is his eyesight good? Is he under fifteen years of<br />

age ? A true affirmative answer to all these queries will entitle<br />

him to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality is<br />

enjoined upon him. He sweeps the room, he sorts out the pi,<br />

he learns the position of the various letters in the case. A year<br />

spent in this way is an excellent preparative for "going to case,"<br />

or learning the art of composing type. When he is put to composition,<br />

he is told to set up one line and show it to the foreman or to<br />

the journeyman under whose care he may be placed. The errors<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

9 Point, No. 21.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells the<br />

inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable man, as un-<br />

mistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy is measura-<br />

bly the maker of his own destiny ;<br />

and if he fails to acquire<br />

a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of printing, it should<br />

be inquired of him, Has he had a fair common-school education?<br />

Is he a perfect speller? Has he a turn for reading?<br />

Is his eyesight good? Is he under fifteen years of age? A<br />

true affirmative answer to all these queries will entitle him<br />

to the position of reading and errand boy. He is told the<br />

hours at which he is to come and go, and a strict punctuality<br />

is enjoined upon him. He sweeps the room, he sorts out the<br />

pi, he learns the position of the various letters in the case. A<br />

year spent in this way is an excellent preparative for "going to<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphi<br />

161


9 Point, No. 22.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination of the<br />

tree. The upright, obedient, industrious lad will graduate a steady,<br />

skilful and capable man, as unmistakably as the perverse, idling,<br />

careless boy will ripen into a lazy, dissolute fellow. The fact is, a<br />

boy is measurably the maker of his own destiny and if he fails to<br />

;<br />

acquire a master-knowledge of the trade to which he is put, it will<br />

mainly be because he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are indispensable. When<br />

a lad who possesses these qualities proposes to learn the art and<br />

mystery of printing, it should be inquired of him, Has he had a fair<br />

common-school education ? Is he a perfect speller ? Has he a turn<br />

for reading? Is his eyesight good? Is he under fifteen years of age?<br />

A true affirmative answer to all these queries will entitle him to the<br />

position of reading and errand boy. He is told the hours at which<br />

he is to come and go, and a strict punctuality is enjoined upon him.<br />

He sweeps the room, he sorts out the pi, he learns the position of<br />

the various letters in the case. A year spent in this way is an excellent<br />

preparative for "going to case," or learning the art of composing<br />

type. When he is put to composition, he is told to set up one line and<br />

show it to the foreman or to the journeyman under whose care he may be<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

9 Point, No. 24.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of his<br />

own destiny ; and if he fails to acquire a master-knowledge of<br />

the trade to which he is put, it will mainly be because he did<br />

not at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a lad who<br />

possesses these qualities proposes to learn the art and mystery<br />

of printing, it should be inquired of him, Has he had a fair<br />

common-school education? Is he a perfect speller? Has he a<br />

turn for reading? Is his eyesight good? Is he under fifteen<br />

years of age? A true affirmative answer to all these queries<br />

will entitle him to the position of reading and errand boy. He<br />

is told the hours at which he is to come and go, and a strict<br />

punctuality is enjoined upon him. He sweeps the room, he<br />

sorts out the pi, he learns the position of the various letters in the<br />

case. A year spent in this way is an excellent preparative for "going<br />

to case," or learning the art of composing type. When he is put to<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

162


9 Point, No. 25.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad will<br />

graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of<br />

his own destiny ; and if he fails to acquire a master-knowledge<br />

of the trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a lad<br />

who possesses these qualities proposes to learn the art and<br />

mystery of printing, it should be inquired of him, Has he had<br />

a fair common-school education? Is he a perfect speller? Has<br />

he a turn for reading? Is his eyesight good? Is he under<br />

fifteen years of age? A true affirmative answer to all these<br />

queries will entitle him to the position of reading and errand<br />

boy. He is told the hours at which he is to come and go, and<br />

a strict punctuality is enjoined upon him. He sweeps the<br />

room, he sorts out the pi, he learns the position of the various<br />

letters in the case. A year spent in this way is an excellent prepa-<br />

rative for " going to case," or learning the art of composing type.<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

10 Point, No. 22.<br />

Experience proves that the apprentice foreshadows the workman,<br />

just as surely as the bend of the twig foretells the inclination<br />

of the tree. The upright, obedient, industrious lad<br />

will graduate a steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen into a<br />

lazy, dissolute fellow. The fact is, a boy is measurably the<br />

maker of his own destiny; and if he fails to acquire a masterknowledge<br />

of the trade to which he is put, it will mainly be<br />

because he did not at his outset determine to be a masterworkman.<br />

Good morals and steady industry are indispensable.<br />

When a lad who possesses these qualities proposes to<br />

learn the art and mystery of printing, it should be inquired of<br />

him, Has he had a fair common-school education? Is he a<br />

perfect speller? Has he a turn for reading? Is his eyesight<br />

good? Is he under fifteen years of age? A true affirmative<br />

answer to all these queries will entitle him to the position of<br />

reading and errand boy. He is told the hours at which he is to<br />

come and go, and a strict punctuality is enjoined upon him. He<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

77ie MacKcIlar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

163<br />

.


10 Point, No, 24.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells the<br />

inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady , skilful, and capable man, as un-<br />

mistakably as the perverse, idling, careless boy will ripen<br />

into a Lazy, dissolute fellow. The fact is, a boy is measur-<br />

ably the maker of his own destiny; and if lie fells to acquire<br />

a master-knowledge of the trade to which he is put, it will<br />

!>


10 Point, No. 25.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless<br />

boy will ripen into a lazy, dissolute fellow. The fact is,<br />

a boy is measurably the maker of his own destiny ; and<br />

if he fails to acquire a master-knowledge of the trade to<br />

which he is put, it will mainly be because he did not at<br />

his outset determine to be a master-workman. Good<br />

morals and steady industry are indispensable. When a<br />

lad who possesses these qualities proposes to learn the<br />

art and mystery of printing, it should be inquired of<br />

him, Has he had a fair common-school education? Is he<br />

a perfect speller? Has he a turn for reading? Is his<br />

eyesight good f Is he under fifteen years of age f A true affirmative<br />

answer to all these queries will entitle him to the position<br />

of reading and errand hoy. He is told the hours at which he is<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

11 Point, No. 22.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the bend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industri-<br />

ous lad will graduate a steady, skilful, and capable man, as<br />

unmistakably as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a is boy measurably<br />

the maker of his own destiny ; and if he fails to acquire<br />

a master-knowledge of the trade to which he is it put, will<br />

mainly be because he did not at his outset determine to be<br />

a master-workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these qualities<br />

proposes to learn the art and mystery of it<br />

printing, should<br />

be inquired of him, Has he had a fair common-school edu-<br />

cation? Is he a perfect speller? Has he a turn for resid-<br />

ing f Is his eyesight good? Is he under fifteen years of agef<br />

A true affirmative answer to all these queries will entitle him<br />

to the position of reading and errand boy. He is told the<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcliar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

165


11 Point, No. 18.<br />

Experience proves that the apprentice foreshadows the<br />

workman, just as surely as the hend of the twig foretells<br />

the inclination of the tree. The upright, obedient, industrious<br />

lad will graduate a steady, skilful, and capable<br />

man, as unmistakably as the perverse, idling, careless<br />

boy will ripen into a lazy, dissolute fellow. The fact<br />

is, a boy is measurably the maker of his own destiny;<br />

and if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because he<br />

did not at his outset determine to be a master-workman.<br />

Good morals and steady industry are indispensable.<br />

"When a lad who possesses these qualities proposes to<br />

learn the art and mystery of printing, it should be<br />

inquired of him, Has he had a fair common-school education<br />

? Is he a perfect speller f Has he a turn for reading f<br />

Is his eyesight good t Is he under fifteen years of age ? A<br />

true affirmative answer to all these queries will entitle him to the<br />

ABCDEFGHIJKLM^OPQRSTUYWXYZ<br />

1234567890<br />

11 Point, No. 24.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the twig<br />

foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady, skil-<br />

ful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a boy is measurably the maker of<br />

his own destiny; and if he fails to acquire a master-<br />

knowledge of the trade to which he is put,<br />

it will<br />

mainly be because he did not at his outset determine<br />

to be a master-workman. Good morals and steady<br />

industry are indispensable. When a lad who possesses<br />

these qualities proposes to learn the art and mystery of,<br />

printing, it should be inquired of him, Has he had a<br />

fair common-school education f Is he a perfect speller f<br />

Has he a turn for reading? Is his eyesight good? Is he<br />

under fifteen years of agef A true affirmative answer to all<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKcllar, Smiths &> Jordan Co. Sa>isom Street, Philadelphia.<br />

166


12 Point, No. 22.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of the twig<br />

foretells the inclination of the tree. The upright,<br />

obedient, industrious lad will graduate a steady, skil-<br />

ful, and capable man, as unmistakably as the perverse,<br />

idling, careless boy will ripen into a lazy, dissolute<br />

fellow. The fact is, a is boy measurably the<br />

maker of his own destiny and if he fails to ;<br />

acquire<br />

a master-knowledge of the trade to which he is put,<br />

it will mainly be because he did not at his outset<br />

determine to be a master-workman. Good morals<br />

and steady industry are indispensable.<br />

When a lad<br />

who possesses these qualities proposes to learn the art<br />

and mystery ofprinting ) it should be inquired of him,<br />

Has he had a fair common-school education? Is he a<br />

ABCDEFGHIJKLMNOPQKSTUVWXYZ<br />

1234567890<br />

12 Point, No. 24.<br />

Experience proves that the apprentice foreshadows<br />

the workman, just as surely as the bend of<br />

the twig foretells the inclination of the tree. The<br />

upright, obedient, industrious lad will graduate a<br />

steady, skilful, and capable man, as unmistakably<br />

as the perverse, idling, careless boy will ripen<br />

into a lazy, dissolute fellow. The fact is, a boy<br />

is measurably the maker of his own destiny; and<br />

if he fails to acquire a master-knowledge of the<br />

trade to which he is put, it will mainly be because<br />

he did not at his outset determine to be a master-<br />

workman. Good morals and steady industry are<br />

indispensable. When a lad who possesses these quali-<br />

ties proposes to learn the art and mystery of printing,<br />

it should be inquired of him. Has he had a fair com-<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

167


8 Point Extra Condensed.<br />

36 A. 70 a. Brevier. $3.80<br />

CLIMBING TO GIDDY HEIGHTS<br />

A hat's the dome, the steeple-top of thought ;<br />

the cockloft of the head ;<br />

the attic room,<br />

the hive where Fancy's honey-bees<br />

are<br />

caught, which, else, beyond the Memory's<br />

reach had fled.<br />

A hat well-brushed is a top-stone to the man, ornamenting<br />

1234567890<br />

10 Point Extra Condensed.<br />

36 A, 70 a. Long Primer. $4.15<br />

PRETENSIONS WITH DIMENSIONS<br />

A hat's the dome, the steeple-top of thought; the<br />

attic room, the cockloft of the head ; the hive where<br />

Fancy's honey-bees are caught, which, else, beyond<br />

1234567890<br />

25 A, 52 a. 12 Point Extra Condensed. Pica. $4.40<br />

WHO THUS HAS FALLEN, HOW PITEOUS HIS PALL!<br />

A hat's the dome, the steeple-top of thought; the attic room, the cockloft of the head; the hive<br />

where Fancy's fleet-winged honey-bees are caught, which, else, beyond the Memory's reach had fled,<br />

8 Point Extra Condensed, No. 2.<br />

52 A. Brevier. $2.50<br />

1 234567890<br />

10 Point Extra Condensed, No. 2.<br />

Long Primer. $1.90<br />

245 PATENT BODY SCREWS, SUICIDAL CONVENIENCES 2475 CALIFORNIA HICKORY TELEGRAPH POLES<br />

12 Point Extra Condensed, No. 2.<br />

A. Pica. $2.55<br />

16 Point Extra Condensed.<br />

A. Two-Line Brevier. $4.10<br />

PYRAMIDS BY POLLY'S FINGERS MADE 08 PERPENDICULAR MOUNTAIN 67<br />

18 Point Condensed, No. 2.<br />

25 A. Great Primer. $2.40<br />

18 Point Extra Condensed.<br />

A. Two-Line Bourgeois. $4.40<br />

17 SCIENTIFIC LECTURES M PORTENTOUS PRECIPICES<br />

24 Point Extra Condensed<br />

Two-Line Pica. $4.55<br />

36 Point Extra Condensed.<br />

14 A. Two-Line Great Primer. $5.40<br />

AMIABLE WOMEN 519 IKKEMILITEN 16<br />

40 Point Extra Condensed.<br />

14 A. Double Paragon. $5.10<br />

44 Point Extra Condensed.<br />

10 A. Canon. $6.50<br />

48 Point Extra Condensed. Four-Line Pica. $7.15<br />

The MacKellar, Smiths &* "Jordan Co. Sansom Street, Philadelphia.<br />

168


6 Point Extra Condensed, No. 3.<br />

52 A. Nonpareil. $2.00<br />

8543 CONCEITED DIMINUTIVE FOLKS PROVOKING JOLLITY AND JOKES<br />

12 Point Extra Condensed, No. !<br />

36 A. JPica.<br />

HASH HOUSE TEASLOP DILUTIONS<br />

$2.00<br />

24 Point Extra Condensed, No. 3.<br />

22 A. Two-Line Pica. $4.50<br />

8 Point Extra Condensed, No. 3.<br />

52 A. Brevier. $2.70<br />

4509 INTERNATIONAL MECHANICAL CURIOSITIES<br />

20 Point Extra Condensed, No. 3.<br />

25 A. Two-Line Long Primer. $3.40<br />

36 Point Extra Condensed, No. 3.<br />

14 A. Two-Line Great Primer. $3.i<br />

44 Point Extra Condensed, No. 3.<br />

40 Point Extra Condensed, No. 3.<br />

14 A. Double, Double Paragon. $4. $4.80<br />

10 A.<br />

-it A ttx<br />

Canon.<br />

t t-i ~m r ~r%<br />

$6.30<br />

-<br />

M<br />

m<br />

j r\ r\<br />

lis u BIS 3<br />

60 Point Extra Condensed, No. 3. Five-Line Pica. $8.20<br />

D 1 lii<br />

7 A. F2 Point Extra Condensed, No. 3. Six-Line Pica.<br />

96 Point Extra Condensed, No. 3.Mght-Line Pica. $12.60<br />

The MacKe liar, Smiths &-> Jordan Co. Sansom Street, Philadelphia.<br />

169<br />

IK


6 Point Extra Condensed, No. 5.<br />

36 A, 70 a. Nonpareil. $3.55<br />

PROBLEM OF SOCIAL FASHIONS<br />

The Breadth and Depth of their Influence upon Society<br />

1234567890<br />

9 Point Extra Condensed, No. 5.<br />

36 A, 52 a. Bourgeois. 4.30<br />

LEGISLATIVE ANALYSIS<br />

578 Tests Applied to Detect Money Poisons<br />

12 Point Extra Condensed, No. 5.<br />

30 A, 36 a. JPica. $4.80<br />

MODERN PARADOX<br />

Law-Abiding Representatives 428<br />

18 Point Extra Condensed, No. 5.<br />

18 A, 25 a. Great Primer. $5.15<br />

MPRESSIMESS<br />

583 Matrimonial Lectures<br />

8 Point Extra Condensed, No. 5.<br />

36 A, 52 a. Brevier. $4.10<br />

ARCHITECTURAL DESIGNS<br />

Beautiful Illustrations of Novel Aerial Castles<br />

1234567890<br />

10 Point Extra Condensed, No. 5.<br />

30 A, 42 a. Long Primer. 3.90<br />

EVOLUTION THEORY<br />

1593 Human Relics in Simian Regions<br />

14 Point Extra Condensed, No. 5.<br />

20 A, 28 a. English. $4.10<br />

EXHAUSTED LARDER<br />

409 Empty Purses no Resource<br />

22 Point Extra Condensed, No. 5.<br />

16 A, 20 a. Two-Line Small Pica. $5.65<br />

MEASURED<br />

317 Enhanced Desires<br />

10 A, 14 a. 28 Point Extra Condensed, No. 5. Two-Line English. $6.05<br />

SECRET OF SUCCESS<br />

Honest Dealing and Courteousness 89<br />

8 A, 10 a. 40 Point Extra Condensed, No. 5. Double Paragon. $6.80<br />

HOUSEHOLD GEOGRAPHY<br />

U Dishes Bounded by Wisdom<br />

48 Point Extra Condensed, No. 5. Four-Line Pica. $7.05<br />

Pretty 8MHI Times 97<br />

The MacKellar , Smiths & Jordan Co. Sansovi Street, Philadelphia.<br />

170


25 A, 36 a. 12 Point Extra Condensed, No. 6. Pica. $3.55<br />

DOCUMENTS OF PROFESSOR LONGSHANKS SPINNEROUT<br />

123456 Skeletons and Outlines of Sublime Sophomore Addresses Promotive of True Happiness<br />

20 A, 28 a. 14 Point Extra Condensed, No. 6. English. $3.30<br />

HIGHSTRUNG IMPECUNIOUS PERSONS EXCLUDED<br />

Annual Entertainment at Gremedelacreme Mansion of the Turnupnose Society 1234567<br />

18 A, 25 a. 18 Point Extra Condensed, No. 6. Great Primer. $3.80<br />

TERRIFIC SIGHT FLIGHTS ON IRON HORSES<br />

5876 Excursions to the City of Open Repudiation by Bankrupt Stock Jobbers<br />

16 A, 20 a. 22 Point Extra Condensed, No. 6. Two-Line Small Pica. $4.05<br />

Literary Association for Early<br />

Instruction and Amusement 1275<br />

10 A, 14 a. 28 Point Extra Condensed, No. 6. Two-Line English. $4.40<br />

A, 10 a. 40 Point Extra Condensed, No. 6. Double Paragon. $5.30<br />

I Bamboo SAPLINGS for Soring Plantin<br />

44 Point Extra Condensed, No. 6. Canon. $6.35<br />

EMU'S lAffknif SHADES I<br />

5 A, 6 a. Point Extra Condensed, No. 6. Five-Line Pica. $7.70<br />

The MacKellar, Smiths fr Jordan Co. Saitsom Street, Philadelphia.<br />

W


6 Point Lightface Condensed.<br />

52 A. Nonpareil. $1.80<br />

9423 SMALL BODIES WITH HUGE SOULS<br />

10 Point Lightface Condensed, No. 2.<br />

A. Two-Line Pearl. $1.55<br />

EMULATE SIMPLE ELEGANCE 73<br />

18 Point Condensed, No. 5.<br />

22 A. Qreat Primer.<br />

$2.25<br />

9 Point Lightface Condensed.<br />

52 A. Two-Line Diamond. $2.05<br />

34 MAGNOLIA TREES BLOSSOMING<br />

12 Point Condensed, No. 2.<br />

36 A. Two-Line Nonpareil. $2.30<br />

CHARCOAL SKETCHES 45'<br />

16 Point Condensed, No. 2.<br />

18 A. Two-Line Brevier. $1.<br />

15 MEADOW DAISIES 456 SPRING FOLLIES<br />

20 Point Condensed, No. 2.<br />

Paragon.<br />

$2.35<br />

20 Point Condensed, No. 3.<br />

18 A - Two-Line Long Primer. $2.1<br />

CREMATIONISTS 283 WORKINGMEN 28<br />

28 Point Condensed, No. 2.<br />

14 A. Two-Line English. $3.60<br />

13 MUSCOVIES<br />

36 Point Condensed, No. 3.<br />

10 A. Two-Line Great Primer. $4.25<br />

EAGLES 9<br />

48 Point Lightface Condensed, No. 4.<br />

A Four-Line Pica. $5.55<br />

17 ROSES !<br />

5<br />

36 Point Condensed, No. 2.<br />

10 A. Two-Line Great Primer. $3.70<br />

6 BUCKETS<br />

40 Point Lightface Condensed.<br />

7 A. Double Paragon. $4.25<br />

BOYS 2<br />

44 Point Lightface Condensed.<br />

7 A. Canon. $6.50<br />

CUTS<br />

7 A. 48 Point Lightface Condensed, No. 2. Four-Line Pica. $7.00<br />

EMPERORS 16<br />

5 A. "2 Point Lightface Condensed, No. 3. Six-Line Pica.<br />

68 CAMELS<br />

The MacKellar, Smiths &* "Jordan Co. Sansom Street, Philadelphia.<br />

172


10 Point Lightfack Condensed, No. 3.<br />

A. Two-Line Pearl. SI.<br />

10 Point Lightface Condensed, No. 4.<br />

36 A. Two-Line Pearl. $2.05<br />

87 ELEPHANT RESEARCHES 17 RHETORICAL THEMES<br />

12 Point Lightface Condensed, No.<br />

12 Point Lightfack Condensed, No. 2.<br />

36 A. Two-Line Nonpareil. $2.60<br />

PARLOR PICTURES 125<br />

25 A. Two-Line Nonpareil. $2.25<br />

EXPERT BAKERS 34<br />

14 Point Lightface Condensed, No. 2. 14 Point Lightface Condensed, No. 3.<br />

25 A. Two-Line Minion. $2.50 22 A. Two-Line Minion. $2.50<br />

34 ROAMING FELINES 25 SOCIAL GAMES<br />

16 Point Lightface Condensed, No. 2. 16 Point Lightface Condensed, No. 3.<br />

22 A. Two-Line Brevier. $2.45 18 A. Two-Line Brevier. $2.45<br />

RABBIT HOUSES 57 MOSSY SEATS 15<br />

18 Point Lightface Condensed, No. 2. 18 Point Lightface Condensed, No. 3.<br />

22 A. Two-Line Bourgeois. $2.85 18 A. Two-Line Bourgeois. $2.75<br />

90 GOLD DIGGERS 38 GREAT MEN<br />

20 Point Lightface Condensed, No. 2. 20 Point Lightface Condensed, No. 3.<br />

18 A. Two-Line Long Primer. f2.9S 14 A. Two-Line Long Primer. $2.65<br />

FOX HOUNDS 46 VINERIES 538<br />

22 Point Lightface Condensed. 22 Point Lightface Condensed, No. 2.<br />

18 A. Two-Line Small Pica. $3.20<br />

14 A. Two-Line Small Pica. $2.95<br />

23 BUSY ANTS 71 OARSMEN<br />

24 Point Liohtface Condensed, No. 2.<br />

Tivo-Zine Pica. |3.30<br />

24 Point Lightface Condensed, No. 3.<br />

10 A. Two-Line Pica. $2.75<br />

COTTAGES 28 PEACHES 5<br />

28 Point Lightface Condensed, No. 2. 28 Point Lightface Condensed, No. 3.<br />

14 A. Two-Line English. $3.75 12 A. Two-Line Unalis/i. $3.05<br />

46 GUITARS 2 METERS<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

173


12 Point Condensed. 18 Point Condensed, No. 4.<br />

25 A, 52 a. Pica. $3.40 14 A, 28 a. Great Primer. $3.30<br />

ERUDITE WRITINGS MYSTIC CIRCLE<br />

Conundrums by Literatim Pensnip<br />

DistmSTlislied Swalcm<br />

Bwulv-Miuta Toasts Gratis UlfcllUgUlfclieU OpedKeiS<br />

Ready-Made Toasts Gratis<br />

1234567890<br />

12345678<br />

20 Point Condensed. 14 A, 20 a.<br />

28 Point Condensed.<br />

Two-Line English.<br />

14 A, 28 a. Paragon.<br />

LIFE-RESTORER<br />

PLEASING<br />

138 Gymnastic Exercises Chalk YieWS 69<br />

10 A, 20 a. 36 Point Condensed. Two-Line Great Primer. $7.75<br />

TECHNOLOGICAL<br />

Newcastle Schoolmarms 72<br />

7 A, 10 a. 48 Point Ligiitface Condensed, No. 3. Four-Line Pica. $10.95<br />

5 Diamond MINERS<br />

5 A, 7 a. 60 Point Lightface Condensed, No. 2. Five-Line Pica. 12.40<br />

OLD Coppers 4<br />

5 A, 6 a. 72 Point Ligiitface Condensed, No. 2. Six-Line Pica. $16.95<br />

6 Namesakes<br />

The MacKcllar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

174


10 Point Lightface.<br />

36 A. Two-Line Pearl. $2.60<br />

6 RAGGED PAUPERS<br />

12 Point Lightface, No. 2.<br />

25 A. Two-Line Nonpareil. $2.50<br />

GRINDSTONES 193<br />

16 Point Lightface, No. 2.<br />

18 A. Two-Line Brevier. $2.95<br />

2 TOY BALLS<br />

20 Point Lightface, No. 2.<br />

14 A. Two-Line Long Primer. $3.20<br />

ICE MEN 49<br />

24 Point Lightface, No. 2.<br />

10 A. Two-Line Pica. $3.15<br />

11 Point Lightface.<br />

36 A. Two-Line Agate. $2.55<br />

3 MOUNTAIN VIEWS<br />

14 Point Lightface, No. 2.<br />

18 A. Two-Line Minion. $2.70<br />

COAL MINES 6<br />

18 Point Lightface.<br />

18 A. Two-Line Bourgeois. $3.25<br />

2 JOLLY MEN<br />

22 Point Lightface.<br />

14 A. Two-Line Small Pica. $3.65<br />

PALACES 5<br />

28 Point Lightface.<br />

7 A. Two-Line English. $3.10<br />

CASTLES 8 ROADS<br />

10 Point Lightface, No. 2.<br />

Two-Line Pearl. $2.45<br />

908 SPIRIT MAGNETS<br />

14 Point Lightface, No. 3.<br />

18 A. Two-Line Minion. $2.45<br />

ARMY SONGS 23<br />

12 Point Lightface, No. 3.<br />

25 A. Two-Line Nonpareil. $2.50<br />

216 DAIRY MAIDS<br />

16 Point Lightface, No. 3.<br />

18 A. Two-Line Brevier. $2.70<br />

BOY ROVERS i<br />

20 Point Lightface, No. 3.<br />

18 Point Lightface, No. 2.<br />

14 A. Two-Line Long Primer. $2.!<br />

18 A. Two-Line Bourgeois. $3.00<br />

7 RUBY GEMS 98 BASKETS<br />

RED MEN 4<br />

22 Point Lightface, No. 2.<br />

14 ha. A. Two-Line Small Pica. $3.25<br />

28 Point Lightface, No. 2<br />

10 A. Two-Line English.<br />

24 Point Lightface, No. 3.<br />

10 A. Two-Line Pica. $3.15<br />

" r yx Fm 1~T~ /"~N r\<br />

HOTELS 2<br />

36 Point Lightface.<br />

6 A. Two-Line Great Primer. $3.<br />

2 hours 9 NETS<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia<br />

175


9 Point Lightfack, No. 4.<br />

30 A. Two-Line Diamond. $1.85<br />

LENGTHENING<br />

AUTUMNAL SHADOWS<br />

1234567890<br />

12 Point Lightface, No. 4.<br />

25 A. Tico-Line Nonpareil. 2.70<br />

13 PANTALOONS<br />

16 Point Lightface, No. 4.<br />

10 Point Ligiitface, No. 4.<br />

30 A. Two-Line Pearl. $2.10<br />

EEOUPEEATIVE<br />

SUMMER PLEASURE<br />

1234567890<br />

14 Point Ligiitface, No. 4.<br />

18 A. Two-Line Minion. 2.80<br />

7 SEA SHELLS<br />

18 Point Lightface, No. 4.<br />

18 A. Two-Line Brevier.<br />

2.95 16 A. Two-Line Bourgeois. 2.80<br />

HORNETS 24 FLOWERS 5<br />

20 Point Lightface, No. 4.<br />

22 Point Lightface, No. 4.<br />

14 A. Two-Line Long Primer. 3.20 10 A - Two-Line Small Pica. 2.70<br />

4 ROLLERS 3 WOLVES<br />

24 Point Lightface, No. 4. Two-Line Pica .<br />

23 LUMBEKMEN 3.45<br />

6 Point Half-Title.<br />

36 A. Nonpareil. 1.60<br />

CIIOPSTICK AGITATORS<br />

GOLD EMPIRE CONTINGENCIES<br />

123 1567890<br />

10 Point Half-Title.<br />

30 A. Two-Line Pearl. 2.15<br />

31 KOTAEY PRESSES<br />

12 Point Half-Title.<br />

8 Point Half-Title.<br />

30 A. Brevier. 1.80<br />

LOVEES' LETTERS<br />

WELCOME PROOFSHEETS<br />

1234567890<br />

11 Point Half-Title.<br />

25 A. Two-Line Agate. $2.35<br />

56 CEDAR TREES<br />

14 Point Half-Title.<br />

Two-Line Minion. 2.80<br />

22 A. Two-Line Nonpareil. 2.-55<br />

SCOTCHMEN 45 OVERCOATS 3<br />

14 A. 16 Point Half-Title. Two-Line Brevier.<br />

27 MOUNTAINEERS<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

176<br />

2.40


6 Point Half-Title, No. 2.<br />

70 a. Nonpareil. $3.55<br />

COMMINGLING NATIONS<br />

East and "West<br />

Scalplock and Chopstick Fraternity<br />

Working Wonders<br />

Progress Towards Millennium<br />

Harmonious Relations<br />

123 45 67890<br />

8 Point Half-Title, No. 2.<br />

30 A, 60 a. Brevier. $4.00<br />

CHAPEL ASSEMBLY<br />

Discussion<br />

Undecipherable Chirography<br />

Penalty Decreed<br />

Repentant Reformation<br />

12 34 5 67890


6 Point Lightface, No. 5.<br />

6 A, 70 a. Nonpareil. $3.20<br />

SYSTEMATIC LEGISLATION<br />

Careful Statesmen<br />

Protecting Corporation Monopolies<br />

Favors Reciprocated<br />

1234567890<br />

10 Point Lightface, No. 5.<br />

A, 52 a. Long Primer.<br />

$3-70<br />

8 Point Lightface, No. 5.<br />

30 A, 52 a. Brevier. $3.45<br />

PARENTAL PHYSIC<br />

Spring Woodshed Exercises<br />

Lassitude Vanquished<br />

1234567890<br />

12 Point Lightface, No. 5.<br />

22 A, 42 a. Pica. $3.90<br />

COMPLIMENTARY ROUGH-SHOD<br />

Third Annual Excursion Riding over Obstacles<br />

1234567890 12345678<br />

18 Point Lightface, No. 5. Great Primer. $5.50<br />

PAUPERS' ELYSIUM<br />

234 Free Soup-Distributing Pumps<br />

14 A, 25 a. 22 Point Lightface, No. 5. Two-Line Small Pica.<br />

HALF-AND-HALF<br />

$6.15<br />

Producers and Consumers 204<br />

28 Point Lightface, No. 5. Two-Line English.<br />

GREAT BORES<br />

$7.20<br />

51 Holes through Hoosac<br />

A, 14; 36 Point Lightface, No. 5. Two-Line Great Primer.<br />

INTERESTING<br />

$7.40<br />

Moneys on Deposit '87<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

177


Mechanical Patent, March 31, iSSj.<br />

Registered, No. 11,265.<br />

6 Point Mortised. ^^.^VJ/JL J* 9 Point Mortised.<br />

25 A. Nonpareil. $1.45<br />

J^i) 22 A. Three-Line Excelsior. $1.80<br />

mSU T<br />

MODEM DLE CABLEGRAM<br />

TINKETTLE DECORATIONS<br />

1234567890 12345678<br />

WHITE ELEPHANTS<br />

18 A. 12 Point Mortised. Pica.<br />

RURAL HOMESTEAD<br />

$2.10<br />

BEAUTIFUL MOUNTAIN SCENERY<br />

12 A. 18 Point Mortised. Three-Line Nonpareil. $2.50<br />

PATRIARCHAL<br />

FATHERLY COMPETENCE<br />

9 A. 24 Point Mortised. Two-Line Pica. $3.00<br />

WATER COURSE<br />

5 A. 36 Point Mortised. Three-Line Pica. $4.30<br />

VANISHMENT<br />

mMMMMMm<br />

Prosted (OUGH Lozenges<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &-> Jordan Co. Sansom Street, Philadelphia.<br />

I 7 8


3 A. $5.70 48 Point Mortised. Four-Line Pica.<br />

Registered, No. 11,265.<br />

JlWlEKA j^LPHA ([RCLE<br />

^fleXureY<br />

ECLRTV<br />

2 3 1<br />

i!4 <<br />

L-^. @-l<br />

MORTISED<br />

This is a unique and handy type, that may be used, not only for regular display lines, but more than half of the letters are<br />

so slotted or mortised on the sides as to admit of the insertion of types of smaller bodies, thus producing<br />

novel and striking effects, which are heightened by the aid of the extension ornaments.<br />

The letters C, E, F, L, Q and T, are made each in two distinct widths.<br />

The font is complete with points and figures.<br />

Mechanical Patent, March 31, 1885.<br />

The MacKcllar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

179


5 Point Lightface Extended.<br />

DWARF HEROINES<br />

36 A, 70 a. Pearl. $4.65<br />

Lilipvitiaii. GJ-iaixt IPaiix Exicliaiiter<br />

1234507800<br />

6 Point Lightface Extended.<br />

36 A, 42 a. Nonpareil. $3.75<br />

LENGTHENING<br />

365 Declining Day- Shadows<br />

Deepening Twilights<br />

MOUNTED<br />

10 Point Lightface Extended.<br />

25 A, 28 a. Long Primer. $4.25<br />

Buffalo Hunters 36<br />

5^ Point Lightface Extended.<br />

36 A, 70 a. Agate. $4.30<br />

DOCTOR ALLOPATH<br />

Gout Destroyer<br />

1284567890<br />

aixcl Exterminator<br />

8 Point Lightface Extended.<br />

PROMISING<br />

36 A, 32 a. Brevier. $4.35<br />

723 Bulky Aldermanic<br />

Candidates<br />

CHIME<br />

12 Point Lightface Extended.<br />

18 A, 20 a. Pica. $4.55<br />

Sweet Bells 13<br />

10 A, 14 a. 18 Point Lightface Extended. Great Primer. HIRSUTES<br />

$5.20<br />

S> Darwin's Grorrllas<br />

b% Point Title Extended.<br />

MATRIMONIAL<br />

36 A, 42 a. Agate. $4.05<br />

Happy, Chaxtt>y Baby Realm<br />

1334567890<br />

8 Point Title Extended.<br />

NEWSMEN<br />

36 A, 32 a. Brevier. $4.40<br />

5^ Garrulous Dealers<br />

PRODIGIOUH<br />

6 Point Title Extended, No. 2.<br />

PORPOISELIKE<br />

36 A, 42 a. Nonpareil. $3.85<br />

Dumpty Representatives<br />

1334567890<br />

10 Point Title Extended.<br />

25 A, 28 a. Long Primer. $4.25<br />

3 Prairie Bisons<br />

18 A, 20 a. 12 Point Title Extended. Pica. $4.20<br />

Lang-hing- Infantile Toddlers 184<br />

Grave Obese Jusrfflers<br />

18 Point Title Extended. Great Primer, $4.15<br />

AMPLITUDE<br />

>4r Exten^iTe Plantations<br />

Illimitable Stretches<br />

The Mac Kellar , Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

I So


5 Point Condensed Title, No. 3.<br />

36 A, 70 a. Pearl. |2.70<br />

PIPE LINE TO PETROLEUM CENTRE<br />

Prospective Show of Oil<br />

Brond Tracts of Roekj- Ground Cultivated by Speculators<br />

Sell Deep Holes and Retire from Business<br />

12345G7890<br />

8 Point Condensed Title, No. 3.<br />

36 A, 70 a. Brevier. $3.55<br />

GOOD SOCIETY SCHOOL<br />

695 Unsophisticated Cubs Instructed<br />

12 Point Condensed Title, No. I<br />

25 A, 52 a. Pica.<br />

B0MBPR00FS<br />

Retreats for Officers 317<br />

18 Point Condensed Title, No.<br />

28 a. Great Primer.<br />

PORTENTS<br />

$4.5.5<br />

519 Stormy Signals<br />

28 Point Condensed Title, No. 3.<br />

HAPPY<br />

14 A, 20 a. Two-Line English. $8.60<br />

Children 49<br />

6 Point Condensed Title, No. 3.<br />

36 A, 70 a. Nonpareil. $2.60<br />

PETITFOOLIE'S INSTITUTE<br />

For Ton ish Ladies<br />

Whose Expectations far Exceed their Manners<br />

1234567890<br />

10 Point Condensed Title, No. 3.<br />

36 A, 70 a. Long Primer. $3.90<br />

INTRIGUERS<br />

246 Delegated Stock Grabbers<br />

14 Point Condensed Title, No. 3.<br />

22 A, 32 a. English. $4.10<br />

PLATFORM<br />

Stereotyped Jokes 18<br />

22 Point Condensed Title, No. 3.<br />

14 A, 28 a. Two-Line Small Pica. $5.75<br />

BLESSED<br />

24 Manly Deeds<br />

36 Point Condensed Title, No. 3.<br />

10 A, 20 a. Two-Line<br />

BANK<br />

Ch-eat Primer. $11.20<br />

Officers 5<br />

7 A, 10 a. 44 Point Condensed Title, No. 3. Canon. $10.85<br />

7 NIGHT Meteors<br />

7 A, 10 a. 48 Point Condensed Title, No. 3. Four-Line Pica. |12.66<br />

Barons RICB 4<br />

The MacKellar, Smiths &> Jordan Co. Sansotn Street, Philadelphia.<br />

i8x


6 Point Condensed Title, No. 4.<br />

36 A, 70 a. Nonpareil. 2.60<br />

FELONIOUSLY ABSTRACTED<br />

An Original Idea<br />

of the Advertiser<br />

The Only Personal Property<br />

1234567890<br />

10 Point Condensed Title, No. 4.<br />

70 a. Long Primer. $3.85<br />

i A,<br />

SOCIAL NUISANCES<br />

735 Croakers Always Grumbling<br />

18 Point Condensed Title, No. 4.<br />

18 A, 28 a. Great Primer. $3.55<br />

DEPOSITORIES<br />

State Penitentiaries 156<br />

8 Point Condensed Title, No. 4.<br />

36 A, 70 a. Brevier. $3.25<br />

HYPOCRISY AND DECEPTION<br />

Stepping Stones for the Unscrupulous<br />

1234567890<br />

12 Point Condensed Title, No. 4.<br />

25 A, 52 a. Pica. $3.65<br />

SLANG PHRASES<br />

Verbiage for 1348 Councilmen<br />

22 Point Condensed Title, No. 4.<br />

14 A, 28 a. Two-Line Small Pica. $4.60<br />

GOOD DEEDS<br />

Killing<br />

43 Enemies<br />

14 A, 20 a. 28 Point Condensed Title, No. 4. Two-Line English. $6.30<br />

176 Silver WEDDING Anniversary<br />

6 Point Condensed Title.<br />

36 A, 70 a. Nonpareil. $2.60<br />

PRACTICAL HOME LESSONS<br />

Common Sorrows and Common Brotherhood<br />

Humanity Teachers<br />

123-4567890<br />

10 Point Condensed Title, No. 2.<br />

36 A, 70 a. Long Primer. $3.80<br />

HEAD 0BFUSCAT0RS<br />

42 Alcoholic Fluid Night-Caps<br />

18 Point Condensed Title, No. 2.<br />

18 A, 28 a. Great Primer. $3.-55<br />

SIMPLE DRESS<br />

Abridged Petticoats 36 Boy<br />

8 Point Condensed Title.<br />

36 A, 70 a. Brevier. $3.20<br />

ELOQUENT PREACHERS<br />

Experience, Whitelock and Wrinkle<br />

1234567890<br />

12 Point Condensed Title, No. 2.<br />

18 A, 32 a. Pica. $2.65<br />

GALLIMAUFRY<br />

46 Conglomerate Mysteries<br />

22 Point Condensed Title.<br />

14 A, 28 a. Two-Line Small Pica. $4.85<br />

hickory<br />

Instructor 68<br />

14 A, 20 a. 28 Point Condensed Title. Two-Line English. $7.25<br />

12 Mirthful M0lt\l\G Socials<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, PhiladclfiJiia.<br />

182


5 Point Title.<br />

36 A, 70 a. Pearl. $3.40<br />

NEEDLE'S EYELETIIOLES<br />

The present life seems full of mysteries: the<br />

vulgar mind, to superstition prone, In nature's<br />

workings fearful omens sees, and shrinks back<br />

1384567890<br />

6 Point Title.<br />

36 A, 70 a. Nonpareil. $3.50<br />

BOUNDLESS PROSPECT<br />

The present life of mysteries seems<br />

full : the vulgar mind, to superstition<br />

prone, in nature's workings fearful<br />

1234567890<br />

7 Point Title, No. 2.<br />

36 A, 70 a. Minion. $3.80<br />

FEMININE BOLDNESS<br />

The present life of mysteries is<br />

full : the vulgar mind, to supersti-<br />

1234567890<br />

9 Point Title.<br />

36 A, 52 a. Bourgeois. $3.80<br />

DEEP INSIGHTS<br />

Tin* present life seems full<br />

of mysteries : vulgar, minds<br />

1234567890<br />

h x<br />

/i Point Title.<br />

36 A, 70 a. Agate. $3.70<br />

DISCREET BOL.DNESS<br />

The present life seems full of mysteries :<br />

the vulgar mind, to superstition prone,<br />

in nature's workings fearful omens sees<br />

1234567890<br />

7 Point Title.<br />

36 A, 70 a. Minion. $3.65<br />

HEAD LEVELER<br />

The present life of mysteries seems<br />

full: the vulgar mind, to superstition<br />

1234567890<br />

8 Point Title.<br />

36 A, 70 a. Brevier. $4.65<br />

DISTINCTIVENESS<br />

The present life seems full<br />

of mysteries : vulgar minds<br />

1234567890<br />

10 Point Title.<br />

36 A, 52 a. Long Primer. $4.70<br />

IMPRESSIONS<br />

The present life is full<br />

of mysteries: the vulgar<br />

1934067890<br />

22 A, 32 a. 12 Point Title. Pica. $4.55<br />

HEART'S PURPOSES<br />

How noble the man among noble men<br />

Fearing not to ply a truth-telling* pen!<br />

1234567890<br />

6 Point Italic Title.<br />

36 A, 70 a. Nonpareil. $3.35<br />

HEJYCOOP COJtIjaOTJOJV<br />

Tremendous Cackltng-a about Itaybreak<br />

Probable JEg-g" Deposits<br />

8 Point Italic Title.<br />

18 A, 32 a. Brevier. $2.60<br />

EXCITEJfKEJTT<br />

Jftug-ffs calls Jinks Spooney<br />

Jinks Responds<br />

10 Point Italic Title.<br />

18 A, 32 a. Long Primer. $2.80<br />

Polly Refuses to Sweep<br />

Without Gloves<br />

7 Point Italic Title.<br />

18 A, 32 a. Minimi. $2.05<br />

TJIIjE bearers<br />

Fugleman seen Winking" at Widow<br />

Suspicious JYeighbors<br />

9 Point Italic Title.<br />

18 A, 32 a. Bourgeois. $2.40<br />

RE VOL, UTIOJT<br />

Supposed Trouble at Home<br />

MMenpeck Worsted<br />

12 Point Italic Title.<br />

CRISIS<br />

$2.90<br />

Peas Discounted,<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

183


5% Point Title, No. 2.<br />

36 A, 70 a. Agate. $3.60<br />

HUMBUG'S OINTMENT<br />

One Dollar<br />

Singularly Efficacious Medicaments<br />

Cures Every Distemper<br />

1234567890<br />

7 Point Title, No. 3.<br />

36 A, 70 a. Minion. $4.50<br />

ANNOUNCEMENT<br />

37 Splendid Marble Mansions<br />

10 Point Title, No. 2.<br />

INDUCEMENTS<br />

Opening<br />

36 A, 52 a. Long Primer. $4.70<br />

for Fortunes 71<br />

6 Point Title, No. 2.<br />

36 A, 70 a. Nonpareil. $3.45<br />

KNOWLEDGE INJECTOR<br />

Study Nugatory<br />

Sciences Forced into the Cerebrum<br />

1234567890<br />

8 Point Title, No. 2.<br />

36 A, 70 a. Brevier. $4.60<br />

MONEY LOANED<br />

56 Demands for Hard Cash<br />

12 Point Title, No. 2.<br />

ECONOMICS<br />

22 A, 32 a. Pica. $4.45<br />

Existing on Air 84<br />

18 A, 32 a. 14 Point Title. English. $5.20<br />

MiEASI] NOTICE<br />

63 I^ady friends furnished Gratis<br />

14 A, 20 a. 18 Point Title. Great Primer.<br />

GOSSIP (OK\KHM<br />

Scandal Makers 9 Retreat 52<br />

5% Point Title Italic, No. 2.<br />

24 A, 70 a. Agate. $3.35<br />

MICROSCOPIC MINING CO.<br />

Nominal Capital<br />

Liquid Minerals in Sol's Atmosphere<br />

Secured by Aerial Subsidies<br />

1234507800<br />

8 Point Title Italic, No. 2.<br />

SK Y-S WEEPEUS<br />

15 A, 42 a. Brevier. $3.15<br />

715 Atomic Waifs Catigltt<br />

6 Point Title Italic, No. 2.<br />

24 A, 70 a. Nonpareil. $3.05<br />

MAGNETIC MACHINES<br />

Very Available<br />

Attracting Metals from the Moon<br />

1234507S90<br />

10 Point Title Italic, No. 2.<br />

CONDENSING<br />

14 A, 36 a. Long Primer. $3.25<br />

324 Planetary Vapors<br />

12 Point Title Italic, No. 2. Pica. $2.95<br />

WONDERFUL, ECONOMY<br />

Comet-Tail Motive Power Without Fuel 17<br />

The MacKellar, Smiths &> Jordan Co. Sansoin Street, Philadelphia.


6 Point Boldface Roman.<br />

36 A, 70 a. Noni^mil. $3.00<br />

COLLEGE OF RARITIES<br />

Ancient Fossils<br />

Youngsters who don't Expect to Begin<br />

Where their Parents Left Off<br />

1234567890<br />

8 Point Boldface Rom ax.<br />

36 A, 70 a. Brevier. $4.40<br />

SERVICE REFORM<br />

289 Political Tubs to Whales<br />

Broken Hope<br />

7 Point Boldface Roman.<br />

36 A, 70 a. Minimi. $3.90<br />

MISSING DEPOSITS<br />

Treasurers, Clerks and Presidents<br />

Traced in their Abscondings<br />

1234567890<br />

10 Point Boldface Roman.<br />

36 A, 52 a. Long Primer. $4.50<br />

DISCLOSED<br />

345 Delicately Examined<br />

Private Affairs<br />

22 A, 32 a. 12 Point Boldface Roman. Pica.<br />

PROTECTION TO COUNTRY<br />

Office-Holders Hungrily Skirmishing 395<br />

6 Point Boldface Italic.<br />

36 A, 70 a. Nonpareil. $3.15<br />

INFORMATION DESIRED<br />

Reputations Astray<br />

Local Editor's for Scrupulous Veracity<br />

Modern Statesman's for Sobriety<br />

1234567890<br />

8 Point Boldface Italic.<br />

36 A, 70 a. Brevier. $4.30<br />

SENATORS' METREAT<br />

Weathercock's<br />

Practical School for Aspirants<br />

1234567890<br />

12 Point Boldface Italic.<br />

FRIENDLY<br />

22 A, 32 a. Pica. $4.25<br />

Heterodox Views 73<br />

Liberty Loving<br />

7 Point Boldface Italic.<br />

36 A, 70 a. Minion. $4.00<br />

ARCTIC POLAR CIRCLE<br />

Perennial Life and Greensward<br />

Open Seas and Bashing Spray<br />

1234567890<br />

10 Point Boldface Italic.<br />

A, 52 a. Long Primer.<br />

MANLINESS<br />

$4.55<br />

Virtue, Calmness, Beauty<br />

1234567890<br />

18 Point Boldface Italic.<br />

TUNNELS<br />

i. Great Primer. $5.25<br />

Contract Built 68<br />

14 A, 20 a. 22 Point Boldface Italic Two-Line Small Pica. $5.60<br />

INCOMING Tax Gatherers 59<br />

10 A, 14 a. 28 Point Boldface Italic Two-Line English. $7.20<br />

13 MonthlyMEETINGS<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

I8 5


10 Point Condensed Clarendon. 12 Point Condensed Clarendon.<br />

36 A, 52 a. Ixmg Primer. $3.10 25 A, 42 a. Pica. $3.70<br />

CHEEK HARDENER SPIRIT WORLD<br />

Fashionable street Promenading Grammar School Instruction<br />

1234567890<br />

14 Point Condensed Clarendon<br />

25 A, 42 a. English. $4.25<br />

WORTHLESS<br />

27 Daintiful Donothings<br />

22 Point Condensed Clarendon.<br />

18 A, 28 a. Two-Line Small Pica. $5.1<br />

DESIRED<br />

Ingenious Boys 37 Shop<br />

1234567890<br />

18 Point Condensed Clarendon.<br />

22 A, 28 a. Great Primer. $4.35<br />

GOFFERING<br />

14 Chinee Mandarins<br />

28 Point Condensed Clarendon.<br />

14 A, 20 a. Two-Line English. $7.25<br />

FRUGAL<br />

Girls 12<br />

10 A, 14 a. 36 Point Condensed Clarendon. Two-Line Great Primer. $7.25<br />

TODDY DROPS<br />

43 Hangmen Helpmates<br />

7 A, 10 a. 40 Point Condensed Clarendon. Double Paragon. $7.00<br />

WEDLOCK<br />

Blending<br />

Loveties 2<br />

7 A, 10 a. 48 Point Condensed Clarendon. Four-Line Pica. $12.10<br />

57 FIRM Sailors<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


5 Point Clarendon.<br />

36 A, 70 a. Pearl. $3.50<br />

INESTIMABLE BLESSING<br />

Daybreak Invigorator for Promoting Appetites<br />

Empty Pocket-Book Replenisher<br />

1234567890<br />

9 Point Clarendon. Bourgeois.<br />

36 A, 70 a. [Also on 8 Point.] $3.50<br />

FUNDING OPERATION<br />

71 Securities Permanently Funded<br />

Coupons Paid in Promises<br />

14 Point Clarendon. English.<br />

22 A 32 a. , [Also on 12 Point.] $4.15<br />

PLEASURES<br />

Hostelry<br />

Comforts 41<br />

22 Point Clarendon.<br />

14 A, 20 a. Two-Line Small Pica. $5.10<br />

EXACTING<br />

23 Hotel Clerks<br />

7 Point Clarendon. Minion.<br />

36 A , 70 a. [Also on 6 Point.] $3.10<br />

SECURITY UNLIMITED<br />

Seventy-Seven Thousand Dollars Wanted<br />

Ten Thousand Dollars Bonus<br />

1234567890<br />

11 Point Clarendon. Small Pica.<br />

36 A, 70 a. [Also on 10 Point.] $4.75<br />

INVESTMENTS<br />

129 Life Saving Companies<br />

20 Point Clarendon.<br />

18 A, 28 a. Paragon. $5.15<br />

STANDARD<br />

Bullion Balance 79<br />

28 Point Clarendon.<br />

ALERT<br />

10 A, 14 a. Two-Line English. $6.00<br />

5 News Boys<br />

7 A, 10 a. 40 Point Clarendon. Double Paragon. $8.10<br />

GLEEFUL<br />

Punch's Tricks 86<br />

5 A, 6 a. 60 Point Clarendon. Five-Line Pica. $15.10<br />

3 AIR Guns<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

187


6 Point Condensed Clarendon, No. 2.<br />

52 A, 70 a. Nonpareil. $2.50<br />

BEMOANING SPRINGTIME'S WASTED OCCASIONS<br />

Profuse and Sincere Promises<br />

Virtuous, Obedient and Upright Life if Health is fully Restored<br />

Positively the Last Crop of Wild Oats<br />

1234567890<br />

8 Point Condensed Clarendon, No. 2.<br />

36 A, 70 a. Brevier. $2.75<br />

SUMMER'S FRUITFUL RIPENINGS<br />

Reformation a Certain Fact as soon as Recovered<br />

Patient Becomes Convalescent<br />

1234567890<br />

10 Point Condensed Clarendon, No. 2. Long Primer. $2.70<br />

BOUNTIFUL AUTUMN'S PLENTIFUL GATHERINGS<br />

654321 Getting Better Rapidly, very Doubtful as to Sudden Changes at this Season of the Year<br />

25 A, 42 a. 12 Point Condensed Clarendon, No. 2. Pica. $2.75<br />

BASKING IN WINTER'S GENIAL HOME COMFORTS<br />

Relapse would Surely have Followed had the Change<br />

been made 1234567890<br />

8 Point Antique Extra Condensed.<br />

36 A, 70 a. Brevier. $4.00<br />

SENSUALISTIC UTILIZING CORPORATIONS<br />

Honesty on a Basis of Law and not upon Principle<br />

. Cneap and Convenient Etnics<br />

1234567890<br />

12 Point Antique Extra Condensed.<br />

Pica. $4.60<br />

LIBERAL FAIR MAIDENS<br />

Bachelors Wanted to Matrimonialize<br />

1234567890<br />

10 Point Antique Extra Condensed.<br />

36 A, 52 a. Small Pica. $4.40<br />

ELASTIC ANTI-FRICTION MORALS<br />

Giving Great Sinners tie SemMance of Saints<br />

1234567890<br />

18 Point Antique Extra Condensed.<br />

18 A, 32 a. Great Primer. $4-80<br />

FORTUNE-TELLERS<br />

Jack Ass Troloeist and Company<br />

1234567890<br />

16 A, 28 a. 22 Point Antique Extra Condensed. Two-Line Small Pica. $5.40<br />

IPABMABLE MANAGEMENT<br />

2743 Advantages Overthrown by lie Sluggish and Site<br />

12 A, 20 a. 28 Point Antique Extra Condensed, No. 2. Two-Line English. 87.10<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


6 Point Lining Antique, No. 1.<br />

45 A. Nonpareil. $ 1.10<br />

NOTEWORTHY OCCURRENCES<br />

MATRIMONY AND THE ADVENT OF THE FIRST-BORN<br />

1234567890<br />

6 Point Lining Antique, No. 3.<br />

45 A. Nonpareil. $1.30<br />

CONTENTED TRAVELERS<br />

AGED VETERANS IN THE WARFARE OP LIFE<br />

1234567890<br />

6 Point Lining Antique, No. 5.<br />

45 A. Nonpareil. $1.90<br />

ANNUAL GATHERING<br />

MUTUAL ADMIRATION SOCIETY<br />

10 Point Lining Antique.<br />

30 A. Ijong Primer. $2.00<br />

OCEAN STEAMSHIP<br />

6 Point Lining Antique, No. 2.<br />

45 A. Nonpareil. $1.15<br />

INDUSTRIAL DEPARTMENT<br />

BUSY BRAINS AND EVER ACTIVE FINGERS<br />

12 345 67890<br />

6 Point Lining Antique, No. 4.<br />

45 A. Nonpareil. $1.60<br />

LIBERAL COMPENSATION<br />

ALLOWED FOR ADVERTISING SURFACE<br />

1234567890<br />

8 Point Lining Antique.<br />

36 A. Brevier. $2.00<br />

FAMILY ACROBATS<br />

PITCHER AND TUMBLER<br />

12 Point Lining Antique.<br />

25 A. Pica. $2.25<br />

SMILING FACES<br />

18 Point Lining Antique. Three-Line Nonpareil.<br />

$2.55<br />

MEDICAL COMPOUND<br />

24 Point Lining Antique. Two-Line Pica. $3.20<br />

FREIGHT STATION<br />

30 Point Lining Antique. Five-Line Nonpareil.<br />

MINIMENT<br />

36 Point Lining Antique. Three-Line Pica.<br />

CHECKERED<br />

$4.50<br />

Lining Antique in Combination.<br />

Price, complete Nonpareil Series, (Nos. i to 5, inclusive,) $6.50.<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

P.80


6 Point Antique Condensed.<br />

52 A, 70 a. Nonpareil. $3.10<br />

WHOLESALE INFANTICIDE<br />

Recipes for Destroying Infantile Constitutions<br />

Prepared Cordials and Soothing Syrups<br />

1234567890<br />

10 Point Antique Condensed, No. 2.<br />

36 A, 52 a. Long Primer. $3.60<br />

KITCHEN OEDEES<br />

26 Dinner Table Manipulations<br />

18 Point Antique Condensed, No. 2.<br />

22 A, 28 a. Great Primer. $4.70<br />

EEYIEWERS<br />

48 Magazine Liners<br />

28 Point Antique Condensed, No. 3.<br />

14 A, 20 a. Tioo-Line English. $7.35<br />

QUININE<br />

17 Ague Cures<br />

44 Point Antique Condensed, No. 2.<br />

8 Point Antique Condensed.<br />

36 A, 70 a. Brevier. $3.40<br />

SP0UTEKS' HANDBOOK<br />

Slangwhang Lecturers' Encyclopaedia<br />

1234567890<br />

12 Point Antique Condensed, No. 2.<br />

25 A, 42 a. Pica. $3.95<br />

CULINASTICS<br />

56 Cookery Achievements<br />

22 Point Antique Condensed, No. 2.<br />

18 A, 28 a. Two-Line Small Pica. $6.25<br />

MUSEUM<br />

Chinese Toys 36<br />

36 Point Antique Condensed, No. 3.<br />

10 A, 14 a. Two-Line Great Primer. $7.05<br />

CURLY<br />

15 Lap Dogs<br />

48 Point Skeleton Antique.<br />

7 A, 10 a. Pour-Line Pica. $14.75<br />

MOONS IRON<br />

Ray Lit 13 Miners 9<br />

60 Point Skeleton Antique. Five-Line Pica. $16.10<br />

14 Silver Coins<br />

The MacKellar, Smiths &" Jordan Co. Sansom Street, Philadelphia.<br />

190


8 Point Antique Condensed, No. 4. 10 Point Antique Condensed, No. 4.<br />

36 A, 52 a. Brevier. $2.85 30 A, 52 a. Long Primer. $3.15<br />

EXCURSIONISTS' DILEMMA<br />

Baggage Exchanged, Everything Wrong<br />

SLEEPER'S TRIBULATION<br />

Emerges with Shirt Over Head<br />

Female Tourist's Wardrobe Finds Himself too Late<br />

1234567890 1234567890<br />

22 A, 42 a. 12 Point Antique Condensed, No. 4. Pica. $3.15<br />

GENERAL LAUGHING-STOCK<br />

Passengers Roll Over Quickly and Tumble off the Platform<br />

1234567890<br />

22 A, 42 a. 14 Point Antique Condensed, No. 4. English. $3.80<br />

HOSPITAL MEDITATIONS<br />

Heads Shaved, Legs Straightened<br />

and Baths for 125<br />

18 A, 28 a. 18 Point Antique Condensed, No. 4. Great Primer. $3.95<br />

RESUMPTION OF TRAVEL<br />

74 Wrecked Locomotives Thoroughly Removed<br />

18 A, 25 a. 22 Point Antique Condensed, No. 4. Two-Line Small Pica. $5.40<br />

BRIDGE UNDERMINED<br />

Train Submerged, 96 Passengers Lost<br />

12 A, 18 a. 28 Point Antique Condensed, No. 4. Two-Line English. $5.80<br />

DANGER PASSED<br />

45 Travelers Arrive in Safety<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

191


12 Point Antique Condensed, No. 3.<br />

A. Two-Line Nonpareil. $2.35<br />

16 Point Antique Condensed.<br />

25 A. Two-Line Jfinion. $2.40<br />

82 MAGNIFICENT etchings 35 CORRECT SPEAKERS<br />

20 Point Antique Condensed.<br />

22 A. Two-Line Long Primer. $2.!<br />

22 Point Antique Condensed.<br />

18 A. Two-Line Small Pica. $2.65<br />

CONVERSATIONS 23 COMMISSIONS 54<br />

24 Point Antique Condensed.<br />

18 A. Two-Line Pica. $3.40<br />

28 Point Antique Condensed, No. 2.<br />

14 A. Two-Line English. $3.45<br />

57 CONNECTIONS 49 BONDSMEN<br />

Point Antique Condensed, No. 2.<br />

10 A. Two-Line Great Primer. $3.35<br />

40 Point Antique Condensed.<br />

10 A. Double Paragon. $4.25<br />

PRUDENT 60 HUNGER 23<br />

44 Point Antique Condensed,<br />

10 A. Four-Line Small Pica. $5.85<br />

48 Point Antique Condensed.<br />

7 A. Four-Line Pica. $5.85<br />

86 MULES 57 COWS<br />

Point Antique Condensed. Five-Line Pica. $7.90<br />

SEASONABLE 37<br />

F2 Point Antique Condensed. Six-Line Pica.<br />

4 PLUMBERS<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

192


5 Point Antique.<br />

36 A, 70 a. Pearl. $3.15<br />

MODEL SHOEMAKER'S SIGN<br />

Petroleus Brad, Fancy Boot and Shoemaker<br />

Coverings for Big and Little Feet<br />

1234567890<br />

8 Point Antique, No. 3.<br />

36 A, 70 a. Brevier. $4.05<br />

WANING BY STEPS<br />

87 Young and Old Pedestrians<br />

12 Point Antique, No. 3.<br />

25 A, 32 a. Pica. $4.30<br />

DECLINING<br />

13 Railway Securities<br />

22 Point Antique, No. 2.<br />

CLIPPED<br />

14 A, 20 a. Two-Line Small Pica. $5.70<br />

24 Past Nags<br />

36 Point Antique, No. 2.<br />

10 A, 14 a. Tim-Line Great Primer. SONG<br />

$10.45<br />

Matin 31<br />

6 Point Antique, No. 4.<br />

36 A, 70 a. Nonpareil. $3.35<br />

CONDENSING PKOCESS<br />

Petroleus Brad, Boot and Shoemaker<br />

1234567890<br />

10 Point Antique, No. 3.<br />

36 A, 52 a. Long Primer. $4.40<br />

MUSTERING<br />

245 Regimental Amazons<br />

18 Point Antique, No. 3.<br />

18 A, 28 a. Great Primer. $5.30<br />

BENDING<br />

Fruitful Trees 58<br />

28 Point Antique.<br />

WISE<br />

10 A, 20 a. Two-Line English. $7.70<br />

95 Old Men<br />

44 Point Antique.<br />

DOG<br />

7 A, 10 a. Four-Line Small Pica. $12.10<br />

Stars 5<br />

7 A, 10<br />

BOOMS<br />

a. 48 Point Antique. Four-Line Pica. $16.15<br />

4 Mad Bulls<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

193


5^ Point Antique, No. 5.<br />

36 A, 70 a. Agate. $2.95<br />

COMMEMORATIVE OCCASION<br />

The Big- Swindle Hotel<br />

Has the Happy Gratification of Presenting<br />

The Folio-wring Bare Bill of Fare<br />

1234567890<br />

8 Point Antique, No. 5.<br />

36 A, 70 a. Brevier. $3.80<br />

VEGETABLE COURSE<br />

Buttered Beans, Bottled Beans<br />

1234567890<br />

10 Point Antique, No. 5.<br />

A, 52 a. Long Primer. $4.05<br />

RARE DELICACY<br />

Kidneys Rolled in Sawdust<br />

1234567890<br />

18 A, 28 a.<br />

18 Point Antique, No. 5.<br />

Great Primer. $5.80<br />

DESSERT<br />

23 Sugarcakes<br />

7 Point Antique, No. 5.<br />

36 A, 70 a. Minion. $3.60<br />

PREPARATORY COURSE<br />

Snail Soup<br />

Mussel Soup, Explosive Bean Soup<br />

1234567890<br />

9 Point Antique, No. 5.<br />

36 A, 70 a. Bourgeois. $4.10<br />

PRECIOUS TIDBITS<br />

Cock's Comb with Plea Sauce<br />

1234567890<br />

12 Point Antique, No. 5.<br />

25 A, 32 a. Pica. $4.20<br />

TOOTHSOME<br />

Ice Creams with Toast<br />

12345678<br />

24 Point Antique, No. 5.<br />

Two-Line Pica. $6.30<br />

LIQUID<br />

17 Fine Grins<br />

7 A, 14 a. 28 Point Antique, No. 5 Two-Line English. $7.55<br />

BANQUETS<br />

Mirthful Feasts 58<br />

Point Antique, No. 5. Two-Line Great Primer.<br />

FETICH<br />

8 Savagre Idols<br />

44 Point Antique, No. 5. Canon. $12.50<br />

Dull FUN 2<br />

The MacKellar, Smiths & Jordan Co. Sansovi Street, Philadelphia.


5% Point Antique, No. 6.<br />

36 A, 70 a. Agate. $2.50<br />

AMERICA'S MAGNIFICENT DOMAINS<br />

National Gift Enterprise<br />

Mountains and Valleys, Streams, Forests and Plains<br />

Pitched into the Pockets of Railway Companies<br />

Empires Voted away at a Breath<br />

1234567890<br />

8 Point Antique, No. 6.<br />

A, 70 a. Brevier. $3.50<br />

CORRUPTED POLITICS<br />

Silver Ballots<br />

Mercenary Politicians Purchasable<br />

Financial Considerations<br />

1234567890<br />

12 Point Antique, No.<br />

A, 32 a. $3.55<br />

FINE COLD SNAP<br />

Exhilarating<br />

Weather-Clerk, Furnisher<br />

1234567890<br />

6 Point Antique, no. 6.<br />

36 A, 70 a. Nonpareil. $3.05<br />

STREET-SWEEPING MACHINES<br />

Invisibly Operative<br />

Treasuries Swept Clean of Filthy <strong>Luc</strong>re<br />

Bogus Proposals and Bondsmen<br />

1234567890<br />

10 Point Antique, No. 6.<br />

36 A, 52 a. Long Primer. $3.80<br />

LAW FOR CLIENTS<br />

Jurisprudence<br />

One-sided Decisions Prepared<br />

1234567890<br />

18 Point Antique, No. 6.<br />

18 A, 28 a. Great Primer. $4.80<br />

WORKERS<br />

Fleeced for Drones<br />

1234567<br />

24 Point Antique, No. 6. Two-Line Pica. $5.50<br />

HOME COMFORTS<br />

Gentle Wife, Loving Children<br />

1234567890<br />

10 A, 14 a. 36 Point Antique, No. 6. Two-Line Great Primer. $9.00<br />

CHARITABLE<br />

Scolding Helpmeets<br />

12345678<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

195


5 Point Antique Extended.<br />

36 A, 42 a. Pearl. $5.10<br />

THTTMIie dfe ISTCJI"<br />

aiillion.aire Lilipixtianists<br />

1234567880<br />

8 Point Antique Extended.<br />

22 A, 28 a. Brevier. $4.75<br />

4=0 P,t Purses<br />

6 Point Antique Extended.<br />

22 A, 28 a. Nonpareil. $3.60<br />

SETTLERS<br />

Farmer T^T-tn igra,aits<br />

12345878<br />

10 Point Antique Extended.<br />

14 A, 20 a. Long Primer. $4.00<br />

32 Soldiers<br />

14 A, 14 a. 12 Point Antique Extended. Pica. $5.20<br />

7 A, 10 a. 20 Point Antique Extended. Paragon. $5.95<br />

5 A, 6 a. 28 Point Antique Extended. Two-Line English. $8.45<br />

A, 4 a. 32 Point Antique Extended. Three-Line Small Pica. $9.70<br />

3 A, 4 a. 48 Point Antique Extended, No. 2. Four-Line Pica. $19.6<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

196


5 Point Antique Extended, No. 3.<br />

36 A. Pearl. $2.25<br />

SILKEN SKIRTS<br />

XTISTK^XTEJ STREET SWEEPERS<br />

X2340e7830<br />

6 Point Antique Extended, No. 3.<br />

36 A. Nonpareil. $2.75<br />

CHAEITY HOTELS<br />

12345678<br />

5 Point Antique Extended, No. 4.<br />

PAWN-BBOKEBS<br />

36 A. Pearl. $2.45<br />

XiOCDECTJF ^ItTID HOLDFAST<br />

1234567890<br />

8 Point Antique Extended, No. 3.<br />

36 A. Brevier. $3.35<br />

OOTJH.T-HOUSES<br />

12345678<br />

10 Point Antique Extended, No. Z.Long Primer. $2.90<br />

49 BLOCXL^nETG- ROSEBTJSHBS<br />

18 A. 12 Point Antique Extended, No. 2. Pica. $3.00<br />

:f:roc:r^sti:n".a.tio:n"s 56<br />

5 Point Antique Extended, No. 2.<br />

36 A. Pearl. $2.85<br />

OVERFLO"WINQ<br />

O-TTSHHSTG- STREAMLETS<br />

1234567890<br />

8 Point Antique Extended, No. 2.<br />

36 A Brevier. $2.90<br />

^WINTER JOLLITY<br />

1234567890<br />

12 Point Antique Extended, No. 3.<br />

18 A. Pica. $2.95<br />

18 PISTOLS<br />

6 Point Antique Extended, No. 2.<br />

36 A. Nonpareil. $2.40<br />

MOONLIT EXPANSE<br />

1S34567890<br />

10 Point Antique Extended, No. 2.<br />

25 A. Long Primer. $2.80<br />

SUBTRACTION<br />

12345678<br />

16 Point Antique Extended.<br />

Two-Line Brevier. $2.65<br />

4 SHOTS<br />

SHIPS 52<br />

7 A. 20 Point Antiqui Antique Extended, No. 2. Two-Line Long Primer. $2.70<br />

29 CUTTERS<br />

24 Point Antique Extended. Two-Line Pica. 3.15<br />

SKIFFS<br />

28 Point Antique Extended, No. 2. Two-Line English.<br />

IS<br />

$4.20<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

197


12 Point Gothic Extra Cond., No. 2.<br />

36 A, 52 a. Pica. $4.00<br />

ST1CKT0TRUTH, GENERAL AUCTIONEER<br />

A Public Sale of Rare and Valuable Antique Goods<br />

Unfashionable, but of Sterling Worth<br />

123456/890<br />

24 Point Gothic Extra Cond., No. 2.<br />

18 A, 32 a. Two-Line Pica. $6.1<br />

COTTAGE CHARMS<br />

11 ient ren<br />

36 Point Gothic Extra Cond., No. 2.<br />

14 A, 20 a. Two-Line Great Primer. $8.20<br />

Financial Plethora 23<br />

48 Point Gothic Extra Cond., No. 2.<br />

7 A, 10 a. Four-Line Pica. $8.70<br />

RESERVE<br />

72 Point Gothic Extra Cond., No. 2.<br />

t Gills 4<br />

5 A, 7 a. Six-Line Pica. $11.35<br />

18 Point Gothic Extra Cond., No. 2.<br />

25 A, 42 a. Great Primer. $5.60<br />

INDISPENSABLES<br />

Truthfulness, Gentleness,<br />

1234567890<br />

Morality<br />

28 Point Gothic Extra Cond., No. 2.<br />

14 A, 20 a. Two-Line English. $6.05<br />

586 Prudential Economies<br />

40 Point Gothic Extra Cond., No. 2.<br />

10 A, 14 a. Double Paragon. $6.75<br />

Honest Tinkers 15<br />

60 Point Gothic Extra Cond., No. 2.<br />

7 A, 10 a. Five-Line Pica. $10.40<br />

ES<br />

84 Point Gothic Extra Cond., No. 2.<br />

5 A, 7 a. Seven-Line Pica. $12.<br />

Biers 9 Melons/<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

198


6 Point Gothic Condensed, No. 4.<br />

52 A, 70 a. Nonpareil. $2.80<br />

DISTINGUISHED DISINTERESTEDNESS<br />

Skimpole Mundivagant, Esq.<br />

Devotes his Undivided Energies to the Friendless<br />

Enclose Three Stamps to his Address<br />

1234567890<br />

10 Point Gothic Condensed, No. 4.<br />

A. 52 a. Long Primer. $3.30<br />

CHARITY ENTERPRISE<br />

624 Corpulent Persons Emaciated<br />

Dimension Shrinker<br />

18 Point Gothic Condensed, No. 4.<br />

22 A, 28 a. Great Primer.<br />

$4.35<br />

RECEPTIONS<br />

Genteel Sponging 93<br />

28 Point Gothic Condensed, No. 3.<br />

14 A, 20 a. Two-Line English. $6.80<br />

HEALTHY<br />

51 Shore Visits<br />

8 Point Gothic Condensed, No. 4.<br />

3 A, 70 a. Brevier. $3.10<br />

SENTIMENTAL ABSURDITIES<br />

Domestic Service Made Dishonorable<br />

Honesty Unfashionable<br />

1234567890<br />

12 Point Gothic Condensed, No. 4.<br />

$3.65<br />

ECONOMISTS<br />

58 Wonderful Replenishers<br />

Dime Savings Banks<br />

22 Point Gothic Condensed, No. 2.<br />

18 A, 28 a. Two-Line Small Pica. $5.40<br />

MUSICAL<br />

Bird Choristers 75<br />

36 Point Gothic Condensed, No. 3.<br />

10 A, 14 a. Tivo-Line Great Primer. $6.70<br />

LIVELY<br />

40 Acrobats<br />

7 A, 10 a. 44 Point Gothic Condensed, No. 2. Canon. $8.80<br />

EXTRACTORS<br />

Tearemout Forceps 97<br />

7 A, 10 a. 48 Point Gothic Condensed, No. 3. Four-Line Pica. $10.75<br />

28 MOUND Builders<br />

The MacKellar, Smiths &* Jordan Co. Sanson Street, Philadelphia.


6 Point Gothic Condensed, No. 5.<br />

52 A, 70 a. Nonpareil. $2.75<br />

RICHNESS OF HARDHEADED TRUTHS<br />

Garnered into Maxim-Baskets<br />

Borne in Thoughtful Memories for Daily Service<br />

The Foolish May Profit and Grow Wise<br />

1234567890<br />

10 Point Gothic Condensed, No. 5.<br />

36 A, 52 a. Long Primer. $3.40<br />

CASTLE BUILDERS<br />

Novel Readers and Speculators<br />

Easy Ways to Prosperity<br />

1234567890<br />

14 Point Gothic Condensed, No. 5.<br />

, 42 a. English. $4.05<br />

ELECTRIC BOOTS<br />

Keen Tonic for Sluggards<br />

12345678<br />

8 Point Gothic Condensed, No. 5.<br />

36 A, 70 a. Brevier. $3.25<br />

HEADBUMPER SKATING<br />

Rolling and Tumbling and Shin Fumbling<br />

Irritable and Mental Grumbling<br />

1234567890<br />

12 Point Gothic Condensed, No. 5.<br />

25 A, 42 a. $3.35<br />

MONEY RECEIPTS<br />

Plates, Press and Signature<br />

1234567890<br />

18 Point Gothic Condensed, No. 5.<br />

22 A, 28 a. Great Primer. $4.55<br />

HOOPSKIRTS<br />

Shin Breaking Traps<br />

1234567890<br />

18 A, 28 a. 22 Point Gothic Condensed, No. 5. Two-Line Small Pica. $5.25<br />

CATARRHOUS SECURITIES<br />

415 Anti-Sneezing Insurance Companies<br />

14 A, 20 a. 28 Point Gothic Condensed, No. 5. Two-Line English. $6.70<br />

FASHIONS PASSIONS<br />

Patented Curls for Old Maids 83<br />

7 A, 10 a. 40 Point Gothic Condensed, No. h Double Paragon. $5.90<br />

SCHOLARSHIP<br />

76 Graduates by Exertion<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


5 Point Gothic Condensed.<br />

52 A. Pearl. $1.80<br />

TRUTH MAKES A WAY, FALSEHOOD GOES ASTRAY<br />

8 Point Gothic Condensed, No. 2.<br />

45 A. Brevier. $1.55<br />

INTEGRITY BEFORE OILY ROGUERY<br />

12 Point Gothic Condensed, No. 1.<br />

$6 A. Pica. $2.10<br />

PLATINUM UNDERLYINGS<br />

22 Point Gothic Condensed.<br />

6 Point Gothic Condensed, No. 2.<br />

52 A. NonpareU. $1.45<br />

FOOTPRINTS ON IMPERISHABLE GRANITE<br />

10 Point Gothic Condensed, No. 2.<br />

36 A. Long Primer. $1.65<br />

IMPECCABLE CONGRESSMEN<br />

18 Point Gothic Condensed, No. 1.<br />

25 A. Great Primer. $2.60<br />

ROLLING THUNDER<br />

24 Point Gothic Condensed.<br />

14 A. Two-Line Pica. $2.90<br />

22 zz A. a. Two-Line Two--Ltne Small small Pica. rica. $2.90 yj.nu m^ m m **n * *fe fit s fife<br />

SHADY RETREAT HOME GAMES<br />

10 iua. A.<br />

36 Point Gothic Condensed.<br />

Two-Line xwo-jjme Great ureal Primer. ~r\mer. p. $a.vu 70<br />

44 Point Gothic Condensed.<br />

10 A. Canon. $6.70<br />

xsga&. 5 ^jssw ^-"^P^ * tfl ^"s ><br />

WINTERS CACTUS<br />

48 Point Gothic Condensed. Four-Line Pica. $5.50<br />

PEACHSTONES<br />

60 Point Gothic Condensed. Five-L ine Pica. $7.90<br />

STEAMSHIP<br />

72 Point Gothic Condensed. Six-Line Pica. $11.10<br />

36 FARMS<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


6 Point Gothic Condensed, No. 3.<br />

52 A. Nonpareil. $1.55<br />

HONEST LABOR'S BREAD SWEET AS SUGAR<br />

1234567890<br />

10 Point Gothic Condensed, No. 3.<br />

Long Primer. $1.70<br />

8 Point Gothic Condensed, No. 3.<br />

45 A. Brevier. $1.55<br />

FORTUNES BY HONEST GAINS IN TRADE<br />

1234567890<br />

12 Point Gothic Condensed, No. 3.<br />

36 A.<br />

Pica. $2.45<br />

32 BAKERS, PAN-CAKE MAKERS 689 OMNIBUS BREAKERS<br />

16 Point Gothic Condensed<br />

25 A. Two-Line Minion.<br />

SEWING MACHINES 84<br />

18 Point Gothic Condensed, No. 3.<br />

25 A. Great Primer. $3.10<br />

ORANGE WOMEN 76<br />

28 Point Gothic Condensed, No. 2.<br />

20 Point Gothic Condensed, No. 2.<br />

22 A. Paragon. $3.25<br />

59 SHOEMAKERS<br />

14 A.<br />

60<br />

Two-Line English. $3.60<br />

* B-B*^<br />

HUNTERS<br />

40 Point Gothic Condensed.<br />

36 Point Gothic Condensed, No. 2.<br />

10 A. Two-Line Great Primer. $3.65<br />

io A.<br />

_ _<br />

Double Paragon.<br />

^^ ^^^ ^^<br />

$5.00<br />

LEMONS 73 INLETS 8<br />

48 Point Gothic Cond., No. 2. Four-Line Pica. $5.40<br />

MONEY-FINDERS 39<br />

60 Point Gothic Cond., No. 2. Five-Line Pica. $7.35<br />

45 FORESTERS<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


6 Point Imprint Gothic, No. 3.<br />

52 A. Nonpareil. $3.00<br />

ELEGANT POSTER TYPES FOR LILIPUTIAN PRINTING ESTABLISHMENTS<br />

MAGNIFIED TWO HUNDRED AND NINETY THOUSAND POWER AND PERFECTLY LEGIBLE<br />

INDISPENSABLE TO THE ART TYPOGRAPHICAL<br />

6 Point Imprint Gothic, No. 2.<br />

52 A. Nonpareil. $3.00<br />

LITERATURE CRAVES NOT RIBBONS NOR LOFTY PLACES<br />

BUT AN ABIDING PLACE IN THE HUMAN HEART<br />

I 234567890<br />

5 Point Skeleton Gothic Condensed.<br />

52 A. Pearl, $2.70<br />

EYELID PENCILING AND NECK ENAMELING<br />

LICHTFOOTED ELFINS IN PHOSPHOR-GLEAMING VALLEYS<br />

1234567890<br />

8 Point Skeleton Gothic Condensed.<br />

45 A. Brevier. $2.80<br />

BUMMERS' AND SPONGERS' ASSEMBLY 28<br />

6 Point Imprint Gothic.<br />

I A. Nonpareil. $3.00<br />

UTTERMOST-EXTENSIVELY UNIVERSAL ART UNION<br />

JNCHER, ENGRAVER, QUARRYMAN, SCULPTOR, BODKIN, PRINTER<br />

PROOF IMPRESSIONS, EIGHTY DOLLARS<br />

1234 5 6 V 89<br />

5 Point Gothic Hairline, No. 2.<br />

52 A. Pearl. $2.80<br />

DISTANT VIEW OF FOLLY CASTLE<br />

SIMPLICITY REFINED AND CHASTE HAS BEAUTY'S<br />

CHARM TO MINDS OF TASTE<br />

6 Point Skeleton Gothic Condensed.<br />

52 A. Nonpareil. $2.50<br />

HARDUP'S EXPERIENCE IN CRIBBING<br />

MATERNAL PURSE-STRING SOLICITOUSLY OPENED<br />

1234567890<br />

10 Point Skeleton Gothic Condensed.<br />

36 A. Long Primer. $2.85<br />

169 METAPHYSICAL HARANGUERS<br />

12 Point Skeleton Gothic Condensed. Pica. $3.75<br />

374 DAINTIES CONTRIBUTED FROM CARDENS OF FAIRYLAND<br />

6 Point Gothic Condensed, No. 1.<br />

52 A. Nonpareil. $1.25<br />

FEMALE SUFFRAGE, NATURE'S UPTURNING<br />

WOMEN'S RIGHT TO SOVEREIGNTY IN AFFECTION ABNEGATED<br />

1234567890<br />

8 Point Gothic Condensed, No. 6.<br />

45 A. Brevier. $1.50<br />

CHINESE COOLIES IN DISGUISE NEED APPLY<br />

1234567890<br />

12 Point Gothic Condensed, No. 6.<br />

36 A. Pica. $1.90<br />

48 HOPEFUL CONSIDERATIONS<br />

6 Point Gothic Condensed, No. 6.<br />

52 A. Nonpareil. $1.40<br />

UNIVERSAL DEMORALIZATION<br />

HOME COMFORTS ABOLISHED AND MEALS TAKEN OUT<br />

1234567890<br />

10 Point Gothic Condensed, No. 6.<br />

36 A. Long Primer. $1.50<br />

573 CO-OPERATIVE HOUSEKEEPERS<br />

18 Point Gothic Condensed, No. 6.<br />

25 A. Great Primer. $2.60<br />

IMPORTED CHINESE 146<br />

28 Point Gothic Condensed, No. 6.<br />

20 Point Gothic Condensed, No. 6.<br />

14 A. Two-Line English. $3.45<br />

*<br />

22 A. Two-Line Long Primer. $2.95 ^ _ __ __<br />

LINEN TOWELS 73 I<br />

32<br />

ADMIRERS<br />

10 A. 36 Point Gothic Condensed, No. 6. Three-Line Pica. $4.95<br />

64 TRANQUIL WOMEN<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphi


6 Point Round Gothic. 7 Point Round Gothic.<br />

52 A, 70 a. Nonpareil. $2.70 36 A, 70 a. Minion. $2.65<br />

UNEMBR0IDEREO NECK COLLARS MONUMENTAL ASSOCIATION<br />

Improved Dress Styles Supplied on Reasonable Terms<br />

Subscriptions Received to Inflate Empty Pockets<br />

Orders Dispatched at Lightning Speed Annua , instalments Demanded<br />

1234567890<br />

1234567890<br />

8 Point Round Gothic. __ _ _<br />

10 Po T Ro D<br />

36 A, 70 a. Brevier. Gothic.<br />

$2.85 M36 A _,<br />

A, 52 a. Long Primer. $2.75<br />

EXCITEMENT AMONG SCAVENGERS<br />

mZOmOH INVESTIGATION<br />

Everybody to do Sweeping before Daybreak _ , , _ .__.<br />

Committees on Keno and Sardines 962<br />

1234567890<br />

_ , _ _ 12 Point Round Gothic.<br />

11 Point Round Gothic. w22 A a 40 42a plVvT *q ns<br />

-<br />

. -^a. &


Mechanical Patent, March 31,<br />

6 Point Lining Gothic, No. 14.<br />

6 Point Lining Gothic, No. 15.<br />

A. Nonpareil. $2.25 60 A. Nonpareil, $2.25<br />

TRIANGULATION OF THE MERIDIAN<br />

SUPERIORITY OF THE MODERN METHODS AND APPLIANCES<br />

INCLINATION OF THE MAGNETIC NEEDLE<br />

123456 7890<br />

6 Point Lining Gothic, No. 16. C. and 1. c.<br />

60 A, 70 a. Nonpareil, $3.70<br />

MICROSCOPIC INDICATIONS<br />

Calculations made by Illustrious Astronomers<br />

1234567890<br />

8 Point Lining Gothic, No. 3.<br />

36 A, 55 a. Brevier. $3.90<br />

ADVANCEMENT<br />

Sunshine of Prosperous Days<br />

INACCURATE GEODETIC OPERATIONS<br />

ADJACENT ANGLES, TRIANGLES, AND ZENITH DISTANCES<br />

CIRCUMFERENCE OF TERRESTRIAL SPHERE<br />

1234567890<br />

6 Point Lining Gothic, No. 17.<br />

60 A, 70 a. Nonpareil. $4.00<br />

CELESTIAL HEMISPHERE<br />

Inclinations of Base with the Horizon<br />

1234567890<br />

9 Point Lining Gothic, No. 3.<br />

36 A, 50 a. Three-Line ExceUior. $3.90<br />

UNCOMBINED<br />

Improved Roofing Material<br />

18 Point Lining Gothic, No. 3.<br />

vz jyoiNT .lining Uothic, No. 3. 14 H A, 25 a. Three-Line Nonpareil. $4.95<br />

25 A, 40 a. Pica. $4.20<br />

SKYHIGH Reviews Guide HOME<br />

10 A, 15 a. 24 Point Lining Gothic, No. 3. Two-Line Pica. $5.20<br />

MODERN Bondage<br />

8 A, 12 a. 30 Point Lining Gothic, No. 3. Five-Line Nonpareil. $6.60<br />

Headmost BEAUS<br />

6 A, 9; 36 Point Lining Gothic, No. 3. Three-Line Pica. $7.10<br />

FATAL Combats<br />

-L COMPLETE WITH FIGURES.<br />

The eight larger sizes of Lining Gothic will line together accurately both at the top and the bottom of the face.<br />

mmmmS^HH<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

213


6 Point Lining Gothic, No. 18.<br />

50 A. Nonpareil. $1.35<br />

CARELESS BOLTING OF FRONT DOORS<br />

RECOMMENDED BY PROFESSOR LIGHTFINGER<br />

1234367890<br />

6 Point Lining Gothic, No. 20.<br />

50 A. Nonpareil. $1.70<br />

MOONSTRUCK BURGLARS<br />

SLEIGHS BROUGHT INTO REQUISITION<br />

1234567890<br />

6 Point Lining Gothic, No. 22.<br />

50 A, 70 a. Nonpareil. $4.45<br />

SOCIAL GATHERINGS<br />

Harmony and Sunshine Displayed<br />

10 Point Lining Gothic, No. 4.<br />

i 28 A, 45 a. $4.05<br />

TOURISTS<br />

Discover Ancient Ruins<br />

mechanical Patent, march 31, 1885.<br />

6 Point Lining Gothic, No. 19.<br />

50 A. Nonpareil. $1.40<br />

POLICEMEN HUNTING INVADERS<br />

ANGRY HOUSEWIVES OVERHAULING BUREAUS<br />

1234567890<br />

6 Point Lining Gothic, No. 21.<br />

50 A. Nonpareil. $2.35<br />

GENDARMES SUMMONED<br />

LIGHTFINGER'S BRIGANDS TAKEN<br />

1234567890<br />

8 Point Lining Gothic, No. 4.<br />

36 A, 55 a. Brevier. $3.80<br />

RECONSTRUCTING<br />

Stringent Fireside Regulation<br />

12 Point Lining Gothic, No. 4.<br />

22 A, 40 a. Pica. $4.10<br />

ASCENDING<br />

Beautiful Pathways<br />

14 A, 22 a. 18 Point Lining Gothic, No. A. Three-Line Nonpareil. $4.75<br />

Emancipated PATAGONIAN<br />

24 Point Lining Gothic, No. A. Two-Line Pica. $5.65<br />

AFRICAN Elephant<br />

30 Point Lining Gothic, No. A. Five-Line Nonpareil. $6.95<br />

Mounted SHEIKS<br />

A. 36 Point Lining Gothic, No. A. Three-Line Pica. $7.65<br />

STATE Burden<br />

kLL COMPLETE WITH FIGURES.<br />

The eight larger sizes of Lining Gothic will line together accurately both at the top and the bottom of the face.<br />

mmmZ2! HHH<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.


Mechanical Patent, March 31<br />

6 Point Lining Gothic, No. 23. 6 Point Lining Gothic, No. 24.<br />

45 A. Nonpareil. $1.45 45 A. Nonpareil. $ 1.55<br />

RESOLUTIONS ON WARFARE BOILING GEYSER-WATER<br />

ARMIES MUST NOT EXCEED FOUR HUNDRED MEN ABANDONMENT OF FUEL FOR STEAM-POWER<br />

23AS67890 234567890<br />

6 Point Lining Gothic, No. 25.<br />

6 Point Lining Gothic, No. 26.<br />

45 A. Nonpareil. $1.90 45 A. Nonpareil. $2.10<br />

SCENES AND INCIDENTS<br />

DINNER-TIME AMONG INSURGENTS<br />

1234567890<br />

MASTERLY RETREAT<br />

STRUGGLES AGAINST DESTINY<br />

1234-567890<br />

6 Point Lining Gothic, No. 27.<br />

45 A, 70 a. Nonpareil. $4.45<br />

8 Point Lining Gothic, No. 5.<br />

36 A, 55 a. Brevier. $3.80<br />

j<br />

|<br />

LIBERAL PENSION ROYSTERING<br />

Decrepit Old Ringsters Disturbed Juveniles<br />

9 Point Lining Gothic, No. 5.<br />

25 A, 45 a. Three-Line Excelsior. $3.85<br />

HUNTSMEN<br />

Charm and Delight<br />

12 Point Lining Gothic, No. 5.<br />

20 A, 30 a. Pica. $4.00<br />

GRECIAN<br />

Spinning Fishing Yarns Damsels Adopted<br />

12 A, 18 a. 18 Point Lining Gothic, No. 5. Three-Line Nonpareil. $4.45<br />

Roving FOREIGN Waters<br />

8 A, 12 a. 24 Point Lining Gothic, No. 5. Two-Line Pica. $5.20<br />

HEROIC Adventurer<br />

6 A, 9 a. 30 Point Lining Gothic, No. 5. Five-Line Nonpareil. $6.35<br />

Morning DAWN<br />

4 A, 7 a. 36 Point Lining Gothic, No. 5. Three-Line Pica. $6.80<br />

ALTO Singer<br />

ALL COMPLETE WITH FIGURES.<br />

The six larger sizes of Lining Gothic will line together both at the top and bottom of the face.<br />

mmmZLNNN<br />

The MacKellar, Smiths &' Jordan Co. ' Sansom Street, Philadelphia.<br />

215


6 Point Gothic, No 7.<br />

52 A, 70 a. Nonpareil. $2.95<br />

BRIDGETINA MACDUMPLING<br />

Will Accept a Nice Situation in a Genteel Family<br />

Privileges and Wages Unlimited<br />

i 234567890<br />

10 Point Gothic, No. 4.<br />

36 A, 70 a. Long Primer. $3.40<br />

AGREEABLE NOTHINGS<br />

Small Talk and Trivial Society 852<br />

18 Point Gothic, No. 4.<br />

14 A, 25 a. Great Primer. $3.60<br />

72 Truthful Sayings<br />

6 Point Gothic, No. 6.<br />

52 A, 70 a. Nonpareil. $3.25<br />

BAROMETRIC VATICINATOR<br />

Denoting Impending Domestic Thunderstorms<br />

1234567890<br />

10 Point Gothic, No. 3.<br />

36 A, 70 a. Long Primer. $3.70<br />

CRABAPPLE VINEGAR<br />

Retrospections of Old Maids 234<br />

14 Point Gothic.<br />

22 A, 32 a. English. $3.45<br />

82 Men Practicing Gunning<br />

22 Point Gothic, No. 2.<br />

n<br />

14 A, 20 a. Two-Line wo-Line Small Pica.<br />

$5.25<br />

Sky<br />

Rockets 17<br />

8 Point Gothic, No. 4.<br />

A, 70 a. Brevier. $2.75<br />

PHYLLIS CONGO, WASHER<br />

First Water Operatives, her Soaps Odoriferous<br />

l2 345 6 7 8 9<br />

12 Point Gothic, No. 4.<br />

25 A, 42 a. Pica. $3.35<br />

SIRLOIN STEAKS<br />

Daintiest, Choicest Cuts 930<br />

24 Point Gothic, No. 4.<br />

10 A, 14 a. Two-Line Pica. $5.30<br />

6 Gold Bells<br />

8 Point Gothic, No. 3.<br />

A, 70 a. Brevier. $3.35<br />

AFFINITY'S INFLUENCE<br />

Impassioned Words and Resolute Eye<br />

1234567890<br />

25 A, 42 a.<br />

12 Point Gothic, No. 3.<br />

Pica. $3.40<br />

MATRIMONIALISM<br />

Gullfool and Bamboozle 948<br />

18 Point Gothic.<br />

18 A, 28 a. Great Primer. $4.80<br />

35 Rare Paintings<br />

28 Point Gothic.<br />

10 A, 20 a. Two-Line English. $7.10<br />

Life-Ties 64<br />

44 Point Gothic.<br />

Point Gothic, No. 2.<br />

7 A, 10 a. Four-Line Small Pica. $11.10<br />

10 A, 14 a. Two-Line Great Primer,<br />

14 a. Two-Line Great Primer. $8.90 ^^^ ^^^<br />

13 Dames 2 Pines<br />

7 A, 10 a. 48 Point Gothic, No. 3. Four-Line Pica. $14.45<br />

97 Rich Pears<br />

60 Point of this Series Furnished.<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

216


8 Point Gothic, No. 8. 10 Point Gothic, No. 8.<br />

36 A, 52 a. Brevier. $3.50 36 A, 52 a. Long Primer. $4.05<br />

ROCKET CORPORATION WORTH TESTING<br />

Capital Invested in Fast Horses Little Savings, Great Gains<br />

President<br />

Spendthrift Daredevil<br />

1234567890<br />

Industry<br />

Certain of Success<br />

1234567890<br />

25 A, 42 a. 12 Point Gothic, No. 8. Pica. $4.40<br />

AURIFEROUS RESERVATION<br />

White Man's Eldorado<br />

25 Attacks of Gold-Fever Cured by Bloodletting<br />

Sitting-Bull, Medical Doctor<br />

18 A, 28 a. 18 Point Gothic, No. 8. Great Primer. $5.10<br />

IMPORTANT DECISION<br />

Monthly Dividends Guaranteed 847<br />

Stockholders Attention<br />

14 A, 20 a. 22 Point Gothic, No. 8. Two- Line Small Pica. $5.75<br />

AQUATIC EXPLOITS<br />

35 Female Submarine Divers<br />

Mermaids Astonished<br />

10 A, 14 a. 28 Point Gothic, No. 8. Two-Line English.<br />

RAIN CLOUDS<br />

$7.10<br />

Impending Cyclone 14<br />

Retreat Quickly<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

217


5 Point Gothic, No. 2.<br />

52 A. Pearl. $2.80<br />

REVELATIONS OF THE UNREFINED<br />

PRIMITIVE SIMPLICITY<br />

8 Point Gothic, No. 2.<br />

!A. Brevier. $2.25<br />

6 Point Gothic, No. 3.<br />

36 A. Nonpareil. $175<br />

WITHOUT EMBELLISHMENTS<br />

DORIC COLUMN<br />

10 Point Gothic, No. 2.<br />

25 A. Long Primer. $1.90<br />

INDELIBLE LANDMARK SCHOOL MISTRESS<br />

12 Point Gothic, No. 2.<br />

MUSIC MAKING<br />

20 POINT GOTHIC. nftA<br />

14 A. Two-Line Long Primer. $2.90<br />

16 Point Gothic.<br />

18 A. Two-Line Brevier. $2.40<br />

MASS MEETING<br />

24 POINT GOTHIC.<br />

GAUNTLET AUTUMN<br />

10 A - Two-Line Pica. $3.10<br />

7 A. 36 PoiNt Gothic Two-Line Great Primer. $4.15<br />

SOMBRENESS<br />

48 Point Gothic, No. 2. Four-Line Pica. $7.20<br />

MIDNIGHT<br />

72 Point Gothic, No. 2. Six-Line Pica. $10.90<br />

OFFICE<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

218


Mechanical Patent, March 31, 1?<br />

6 Point Lining Gothic Extended. 8 Point Lining Gothic Extended.<br />

25 A, 35 a. Nonpareil. $3.00 20 A, 30 a. Brevier. $3.00<br />

PREDETERMINE TEARQUICK<br />

Eager Bargain Hunters Fashionable Gaskins<br />

1S30.SS-7-S<br />

10 Point Lining Gothic Extended.<br />

16 A, 24 a. |3.10<br />

MONARCHS<br />

Create Blunders<br />

DEMANDS<br />

12 Point Lining Gothic Extended.<br />

14 A, 22 a. Pica. $3.40<br />

Money Loans<br />

12345<br />

12 A, 18 a. 14 Point Lining Gothic Extended. $3.50<br />

MODERN SAYINGS<br />

Phonographs Recharged<br />

10 A, 14 a. 18 Point Lining Gothic Extended. Three-Line Nonpareil. $4.30<br />

FAMILY GROUPS<br />

Basking In Sunbeams<br />

7 A, 10 a.<br />

HARTFORD<br />

24 Point Lining Gothic Extended. Two-Line Pica. $4.50<br />

Pleasure Steamer<br />

5 A, 7 a. 30 Point Lining Gothic Extended.<br />

Beau MONDE<br />

Five-Line Nonpareil. $5.15<br />

4 A, 6 a. 36 Point Lining Gothic Extended. Three-Line Pica. $7.10<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &* Jordan Co. Sansotn Street, Philadelphia.<br />

223


5 Point Gothic Extended, No. 3.<br />

36 A. Tearl. $1.80<br />

MEDICAMENTUM FOR WATER-HATRED<br />

I234-567890<br />

5 Point Gothic Extended, No. 2.<br />

36 A. Pmrl. $2.70<br />

SILKEN TRAILS<br />

21 NEW STREET SWEEPS<br />

5 Point Gothic Extended.<br />

36 A. Pearl. $2.15<br />

ESSENCE OF EXQU ISITENESS<br />

I234-5S7390<br />

6 Point Gothic Extended.<br />

A. Nonpareil. $2.05<br />

GREEN GROCER<br />

CABBAGES 54- BEETS<br />

8 Point Gothic Extended. Brevier.<br />

136 ATHLETIC JUMPERS<br />

6 Point Lining Gothic, No. 5.<br />

45 A. Nonpareil. $1.30<br />

\UPECUU\OUS TPACV.STER L COUPMW<br />

TRUSTEES. UUP\RES. EXCCUAORS. kOU\U\STHMORS<br />

b\>u.\st\c kno PUGA\_\sm gobetweens<br />

6 Point Lining Gothic, No. 7.<br />

45 A. Nonpareil. $1.85<br />

$3.05<br />

6 Point Lining Gothic, No. 6.<br />

45 A. Nonpareil. $1.45<br />

\ 2 3 k 5 & 1 ft 9<br />

6 Point Lining Gothic, No. 8.<br />

45 A. Nonpareil. -.15<br />

R\LC0U-\LC\\0US OV C\A\U)Y\00\3<br />

14 A, 20 a. 20 Point Italic Gothic Two-Line Long Primer, $3.60<br />

STEEPLE Chases, Headlong RACES<br />

6 Point Italic Gothic Condensed.<br />

36 A, 52 a. Nonpareil. $2.45<br />

RAILROAD AND STEAMBOAT<br />

Excursion Parties Seeking Lively Recreation<br />

58 Lunches Disappearing Rapidly<br />

10 Point Italic Gothic Condensed.<br />

30 A, 42 a. Long Primer. $2.95<br />

POVERTY CREATORS<br />

Drinking and Gambling until 24<br />

16 Point Italic Gothic Condensed.<br />

18 A, 28 a. Two-Line Brevier. 83.80<br />

TRUE PATHS<br />

39 Righteous Actions<br />

8 Point Italic Gothic Condensed.<br />

36 A, 52 a. Brevier. $3.10<br />

LAMPS TO SUCCESS<br />

Fixed Pursuits & Honest Dealings 24<br />

12 Point Italic Gothic Condensed.<br />

$3.20<br />

ADVERSITIES<br />

29 Liens upon Industry<br />

20 Point Italic Gothic Condensed.<br />

14 A, 20 a. Two-Line Long Primer. *-4.40<br />

FRESHETS<br />

Weeping Willows<br />

The MacKellar, Smith* & Jordan Co. Sansom Street, Philadelphia.


6 Point Italic Gothic, No. 2.<br />

36 A, 52 a. Nonpareil. $2.10<br />

WILFUL WASTE & WOFUL WANT<br />

Carriers of Spendthrifts to the City Poor House<br />

Fast Young Men Transported to Siberia<br />

243 Persons Carried Annually<br />

10 Point Italic Gothic, No. 2.<br />

30 A, 42 a. Long Primer. $2.70<br />

BLACKSTONE'S DECISIONS<br />

Legal Arguments<br />

Perplexing Labyrinths of Litigation<br />

1234567890<br />

18 Point Italic Gothic, No. 2.<br />

18 A, 28 a. Great Primer. $3.30<br />

SPIRITUALISTIC<br />

Confusion Worse Confused<br />

1234567890<br />

8 Point Italic Gothic, No. 2.<br />

36 A, 52 a. Brevier. $2.70<br />

JULIANNA LONGSKIRT & COMPANY<br />

Filthy Sidewalks and Crossings Cleansed<br />

Sweeping Done Gratuitously<br />

1234567890<br />

12 Point Italic Gothic, No. 2.<br />

22 A, 32 a. Pica. $2.65<br />

RUMMAGING RAMPAGE<br />

Unearthing Musty Parchments<br />

1234567890<br />

22 Point Italic Gothic, No. 2.<br />

14 A, 20 a. Two-Line Small Pica. $4.25<br />

WORLD SHOTS<br />

From Flying Shells<br />

124680<br />

28 Point Italic Gothic, No. 2. Two-Line English. $5.05<br />

ORTHOGRAPHICAL<br />

Spelling Bee Queens Ahead 93<br />

48 Point Italic Gothic Condensed. Four-Line Pica. |M<br />

8 LEAD MINES<br />

5 A. 72 Point Italic Gothic Condensed. Six-Line Pica. $10.80<br />

RIVERS 3<br />

The MacKtliar t Smiths &> "Jordan Co. Sanson Street, Philadelphia.<br />

225


6 Point Unique Celtic.<br />

22 A, 35 a. Nonpareil. $2.50<br />

PAH IS EXPOSITION<br />

Official Peport<br />

Oldest American Type Foundry<br />

Awarded Gold Medal<br />

Superb Printing Material<br />

1234567890<br />

10 Point Unique Celtic.<br />

18 A, 28 a. $2.90<br />

SEMPER IDEM<br />

Our Products Exciting<br />

Admiration<br />

Wherever Tested<br />

1234567<br />

Registered, No. 133,049.<br />

8 Point Unique Celtic.<br />

20 A, 32 a. Brevier. $2.60<br />

eoNNoissEtms<br />

Printers Consider our Type<br />

Unsurpassable<br />

In Quality and Finish<br />

12345678<br />

12 Point Unique Celtic.<br />

15 A, 22 a.<br />

Pica.<br />

UNBIASED<br />

Decision "Rendered<br />

Without Fear<br />

12345<br />

12 A, 18 a. 14 Point Unique Celtic. $3.25<br />

QCJALITg SHOWING<br />

Throughout our Productions<br />

10 A, 14 a. 18 Point Unique Celtic Three-Line Nonpareil.<br />

EXPERT -DEdSIO/N<br />

Superior and Accurate Finish<br />

7 A, 10 a. 24 Point Unique Celtic Two-Line Pica.<br />

EXCELLE/NT<br />

$4.05<br />

Printing Appliances<br />

6 A, 8 a. 30 Point Unique Celtic Five-Line Nonpareil. $5.35<br />

MASTEK Opinions<br />

4 A, 6 a. Point Unique Celtic Three-Line Pica. $6.20<br />

French PRIZE<br />

ALL COMPLETE WITH FIGURES.<br />

7Vw MacKcllar, Smiths & yordan Co. Sanson Street, Philadelphia.<br />

226


Registered, No. 123,334.<br />

Mechanical Patent, Mar. 31, J885.<br />

18 Point Nymphic Three-Line Nonpareil. 3 A initials, $2.40<br />

With 30 Point Initials. 8 A, 15 a, . 4.60<br />

^lB*TO*TME*fF<br />

business f$en Ittemand J^efrelfcies<br />

paifMin> * tmfch + @ifi>inalit;^<br />

123456789<br />

24 Point Nymphic Two-Line Pica. 3 A initials, $3.50<br />

With 36 Point Initials. 6 A, 12 a, . 5.50<br />

ailed (gratis**<br />

30 Point Nymphic Five-Line Nonpareil. 3 A Initials, S5.45<br />

With 48 Point Initials. 5 A, 9 a, . 6.05<br />

mrfehs@nian (ye.<br />

* Impeitfeeifs *<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

231


8-'<br />

8 Point Condensed Runic. 10 Point Condensed Runic.<br />

36 A. Brevier. $2.90 36 A. Lang Primer. $3.25<br />

ANNOUNCEMENT SWIFTGOERS<br />

TURKEYS COMING HOME TO ROOST HAULING IN THEIR HORNS<br />

1234567890<br />

12 Point Condensed Runic.<br />

25 A. Pica. $3.55<br />

1234567890<br />

16 Point Condensed Runic.<br />

A. Two-Line Brevier. $3.!<br />

SEASHORE FLIRTINGS GENTLE MAIDEN<br />

1234567890 12345678<br />

18 A. 20 Point Condensed Runic Two-Line Long Primer. $5.05<br />

CITY BAPTISMAL RECORD 878<br />

14 A. 24 Point Condensed Runic Two-Line Pica. $5.75<br />

650 STOMACH FEEDINGS<br />

10 A. 36 Point Condensed Runic Two-Line Great Primer. $6.55<br />

SWEET LIPSLIPS 18<br />

7 A. 44 Point Condensed Runic Four-Line Small Pica. $8.20<br />

789 DREAMERS<br />

5 A. 54 Point Condensed Runic Five-Line Small Pica. $9.20<br />

BEEHIVES 9<br />

The MacKellar, Smiths & Jordan Co. Sansovi Street, Philadelphia.<br />

232


6 Point Runic<br />

52 A, 70 a. Nonpareil. $5.25<br />

MAMMON ON HEART STEELING<br />

Dissertation<br />

The Folly of Undertaking to Help the Hapless<br />

Punishment Due to Destitution<br />

1234567890<br />

10 Point Runic.<br />

36 A 52 a. , Long Primer.<br />

POCKET-FILLING<br />

$6.90<br />

27 Practical Demonstrations<br />

22 A, 32 a.<br />

Exhibited Nightly<br />

14 Point Runic.<br />

English.<br />

MERRIMENT<br />

Children's Jubilees 58<br />

8 Point Runic.<br />

A, 52 a. Brevier $5.80<br />

CAREMUCH & WORRIE'S<br />

Furrowers<br />

Designed for Perplexed Authors<br />

1234567890<br />

25 A, 32 a.<br />

12 Point Runic.<br />

Pica. $6.80<br />

BACHELORISM<br />

24 Useless Baby Nurses<br />

18 Point Runic.<br />

22 A, 28 a. Great Primer. $8.70<br />

STUMBLING<br />

Beau Pursuers 36<br />

18 A, 20 a. 20 Point Runic Two-Line Long Primer. $9.20<br />

MARRIAGE BUREAU<br />

62 Hearts Affectionately Blending<br />

10 A, 14 a. 24 Point Runic Two-Line Pica.<br />

M0NS. NOODLE'S<br />

Peeps at Good Society 78<br />

7 A, 7 a. 44 Point Runic Canon. $12.35<br />

PETERFUNK<br />

9 Sales of Oldtruck<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

233


8 Point Extended Runic.<br />

A, 52 a. Brevier. $6.40<br />

CITYLAMP'S REPORT<br />

Star Beamings<br />

Illuminators Terrifying Robbers<br />

Carnival Masquerades<br />

1234567890<br />

12 Point Extended Runic.<br />

25 A, 32 a. Pica. $8.00<br />

STEADFAST<br />

Magnetism of Hopes<br />

Propelling Force<br />

12345678<br />

6 Point Lightface Celtic.<br />

36 A, 70 a. Nonpareil. $3.70<br />

EUREKA RESTAURANT<br />

Meals at all Hours<br />

Gutta Pereha Beef and Ram Mutton<br />

One Dime a Bite<br />

Vegetables in Proportion<br />

1234567890<br />

25 A , 42 a. Long Primer. $3.70<br />

10 Point Lightface Celtic.<br />

BANKRUPTCY<br />

Creditors Basely Ignored<br />

Wealth made Easy<br />

12345678<br />

10 Point Extended Runic.<br />

25 A, 42 a. Long Primer. $5.45<br />

MERRIGLEE SOCIAL<br />

Parents Prohibited<br />

Obscenity and Debauchery<br />

1234567890<br />

18 Point Extended Runic.<br />

14 A, 20 a. Great Primer. $6.80<br />

FANCIES<br />

Happy Thoughts<br />

12345678<br />

8 Point Lightface Celtic.<br />

36 A t 52 a. Brevier. $4.20<br />

MODERN KNIGHTS<br />

Dandy Heads<br />

Hearts of Tender Sensibility<br />

Gizzards of Adamant<br />

1234567890<br />

12 Point Lightface Celtic.<br />

25 A, 32 a. Pica. $4.30<br />

IRRITATING<br />

Felines Nightly Song<br />

Sleep Banisher<br />

12345678<br />

14 A, 20 a. 18 Point Lightface Celtic Great Primer. $4.55<br />

RECONSTRUCTION<br />

Allegiance and Disobedience 26<br />

10 A, 14 a. 22 Point Lightface Celtic Two-Line Small Pica.<br />

.<br />

MATRIMONY<br />

35 Moneyed Husbands<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

234


6 Point Celtic, No. 2.<br />

A. Nonpareil. $1.45<br />

THINSKINNED LITERATI<br />

CYNICAL AND PUFFED-UP WRITERS<br />

1234567890<br />

8 Point Celtic, No. 2.<br />

30 A. Brevier. $2.05<br />

RETROSPECTIVE<br />

510 HUMAN INSIGHTS<br />

12 Point Celtic, No. 2.<br />

Pica. $2.50<br />

7 Point Celtic, No. 2.<br />

36 A. Minion. $2.15<br />

DANGEROUS GLASSES<br />

GIN SLINGS, DEVIL STINGS<br />

1234567890<br />

10 Point Celtic, No. 2.<br />

30 A. Long Primer. $2.35<br />

86 DARK NATURES<br />

18 Point Celtic, No. 2.<br />

Great Primer. $2.85<br />

DESIGNERS 392 STRAITS 25<br />

24 Point Celtic, No. 2.<br />

10 A. Two-Line Pica. $3.70<br />

21 CHITS<br />

6 Point Celtic.<br />

36 A. Nonpareil. $2.10<br />

MONEY INFLATION<br />

FASHION'S EXPANSIONS<br />

1234567890<br />

10 Point Celtic.<br />

Long Primer. $2.40<br />

PLENTIFUL<br />

97 CORNFIELDS<br />

14 A.<br />

CHATS 63<br />

18 Point Celtic.<br />

Great Primer. $3.30<br />

7 A.<br />

28 Point Celtic, No. 2.<br />

Two-Line English. $3.80<br />

13 JIGS<br />

8 Point Celtic.<br />

Brevier. $2.80<br />

DEPRECIATOR<br />

RENTER'S MISSIVE<br />

12345678<br />

14 Point Celtic.<br />

18 A. English. $2.60<br />

48 STENCILS<br />

24 Point Celtic.<br />

10 A. Two-Line Pica. $3.80<br />

DIPS 85<br />

7 A. 28 Point Celtic Two-Line English. $3.65<br />

12 ROTUNDAS<br />

OGLES<br />

40 Point Celtic Double Paragon. $5.85<br />

73<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

235


12 Point French Clarendon Ex. Cond.<br />

20 A, 30 a. Pica. $2.80<br />

ADDLEPATED COMMUNISTS<br />

Fandemaniacs on Lightning Locomotives<br />

1234567890<br />

24 Point French Clarendon Ex. Cond.<br />

14 A, 20 a. Two-Line Pica. 4.50<br />

552 Personages in Convention<br />

j Hlffaehind<br />

18 Point French Clarendon Ex. Cond.<br />

16 A, 25 a. Great Primer. $3.20<br />

SODOM AND BOMOBEAB<br />

12345073 9<br />

36 Point French Clarendon Ex. Cond.<br />

10 A, 14 a. Two-Line Great Primer. $4.90<br />

Operators 476<br />

A, 12 a. 40 Point French Clarendon Extra Condensed. Double mParagon. $5.73<br />

I<br />

6 A, 10 a. 48 Point French Clarendon Extra Condensed. Pour-Line Pica. $7.00<br />

fai Ms for TRAVELERS 72<br />

6 A, 9 a. 60 Point French Clarendon Extra Condensed. Five-Line Pica. |8.70<br />

4 A, 6 a. 72 Point French Clarendon Extra Condensed. Six-Line Pica. $9.00<br />

The MacKellar, Smiths & yordan Co. Sansom Street, Philadelphia.<br />

236<br />

of


6 Point French Clarendon. 8 Point French Clarendon.<br />

j<br />

52 A, 70 a. Nonpareil. $2.50 36 A, 70 a. Brevier. $2.85<br />

WONDERFUL STONE MUMMIES PHILANTHROPIC ACADEMY<br />

Earthenware Cooking Utensils, Fancy Bronze Engravings penny Wise $0 Poundfoolish, Sole Managers<br />

Found in Excavating an Ancient Sarcophagus<br />

1234567890<br />

10 Point French Clarkndon.<br />

36 A, 52 a. Long Primer. $3.25<br />

Evanescent Testimonials Furnished<br />

1234567890<br />

12 Point French Clarendon.<br />

25 A, 42 a. Pica. $4.15<br />

ATHLETIC PASTIMES MAGIC CIRCLES<br />

Cricket, Rowing, Running, Leaping Gr ld Engagement HingS<br />

1234567890 | 1234567890<br />

22 A, 28 a. 18 Point French CLABENDOX.-GreoiiYimer. $4.25<br />

SUNSHINE BALSAM from Mountain and Sea 68<br />

18 A, 20 a. 24 Point French Clarendon. Two-Line Pica. $6.25<br />

27 Fine Uppertendom EXQUISITES<br />

14 A, 20 a. 28 Point French Clarendon. Tivo-Llne English. $7.50<br />

FISHER'S Happy Children 93<br />

10 A, 14 a. 36 Point French Clarendon. Two-Line Great Primer. $8.85<br />

40 Coliseum FIGHTS<br />

7 A, 10 a. 48 Point French Clarendon. Four-Line Pica. $11.80<br />

HOME Comforts 5<br />

The MacKellar, Smiths Jordan Co. Sansom Street, Philadelphia.<br />

237


5 Point French Clarendon Extended. 6 Point French Clarendon Extended.<br />

0A,42a. Pearl. $3.35 30 A, 42 a. Nonpareil. $3.15<br />

"Viso Xm-d-iscxe-tioaas<br />

XjOM-g-e-vity To-teolly Igraa.ora.<br />

8 Point French Clarendon Extended.<br />

25 A, 36 a. Brevier. $3.75<br />

s^stid n^OTJiNTi'<br />

Seed-s of G-ra.titia.cLe arid. Xjo-sre<br />

IF'ragrraaa.t Plo-wer-Beds<br />

12345S7B90<br />

10 Point French Clarendon Extended.<br />

22 A, 32 a. Long Primer. $4.05<br />

iFIEIRIILiO-crS<br />

Expanse of Barrenness StOCfe SpeC"U.latiOJl<br />

TJn.fraJ.tfu.1 ZLioca-tion I_iOT7-e l^a^ing-<br />

12345678 12345G78<br />

18 A, 28 a. 11 Point French Clarendon Extended. tfmaM Pica. $4.55<br />

24= Politicians E>iTriding: Funds<br />

16 A, 20 a. 12 Point French Clarendon Extended. Pica. $4.70<br />

TX3TTE ZECOZLTO^v^-ST<br />

ExtxarsreLgrsmce 0"a.rtailecl S3<br />

12 A, 14 a. 18 Point French Clarendon Extended. Great Primer. $5.10<br />

IS I-io"b"b3rists Ezspelled.<br />

7 A, 10 a. 22 Point French Clarendon Extended. Two-Line Small Pica. $5.20<br />

5 A, 8 a. 28 Point French Clarendon Extended. Two-Line<br />

ES<br />

English. $6.20<br />

7Xtf MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

238


Mechanical Patent, Mar. 31, 1885.<br />

Registered, No. 185,881.<br />

6 A, 24 a. 18 Point Newfangle- Three-Line Nonpareil,. $3.95<br />

jfT^oz^7v\giqUE JHa/est^Mt (o^<br />

* OF DELT^GOPJ faY<br />

fUr^isHes ^|^ti^es WijH f^Hcy' ^^Hdt^H^s if!<br />

eXcH^Hge por. dit^tvjoHds ^Hd gold<br />

1234567890<br />

6 A, 18 a. 24 Point Netsvfangle. 2V>o-Zine Pica. $4.85<br />

JHfoi^7^5 j^e Jossessoi^ of TcKs<br />

*<br />

OF 7^LL FLJcJU7^TIOl>l5<br />

1234567S90<br />

4 A, 12 a. 36 Point Newfangle. 77tree-Zme Pica. $5.(30<br />

*<br />

*<br />

^ofessiofj^l<br />

1234567890<br />

'/'he MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


Mechanical Patent, Mar. 31, 1885.<br />

12 Point Guilds. aL^^p^^J"' 18 Point C'iiii.ds.<br />

20 A, 30 a. J 'int. $3.00 J^&J 12 A, 18 a. Three-Line Nonpareil. $4.10<br />

crushing A/KA30NS<br />

Regimental Daughters<br />

Scaling the Fences<br />

1234567890<br />

Robust Warriors<br />

123456<br />

30 Potnt Chili >s.<br />

24 Point Chilus. 6 A, 9 a. Five- Lin/ Xonjtareil. |5.18<br />

4 A, 12 a. Two-Line J'ira. |405<br />

DARING HA^SH<br />

Skirmishers Conscripts<br />

:;


6 Point Latin Antique.<br />

25 A, 52 a. Nonpareil. |SJQ<br />

IMPECUNIOSITY<br />

Decidedly Slim Bank Accounts<br />

1234567890<br />

10 Point Latin Antique.<br />

20 A, 32 a. Long Primer. $2.95<br />

HAYSEEDERS<br />

94 Bulldozing Greenies<br />

22 A, 42 a.<br />

8 Point Latin Antique.<br />

Brevier. $2.95<br />

WINTER STORMS<br />

Sweeping Hurricane Deck<br />

1234567890<br />

12 Point Latin Antique.<br />

14 A, 28 a. Pica. $2.95<br />

BREEZY SPORT<br />

63 Pleasure Yachts<br />

12 A, 18 a. 18 Point Latin Antique. Great Primer.<br />

COMING PROJECT<br />

$3.80<br />

Jaunting Beyond the Clouds 79<br />

8 A, 14 a. 24 Point Latin Antique. Two-Line Pica.<br />

DAIRYMAID<br />

$4.70<br />

56 Contented Ruminants<br />

6 A, 8 a. 30 Point Latin Antique. Five-Line Nonpareil. $4.95<br />

Poetical TRIBES 32<br />

5 A, 6 a. 36 Point Latin Antique. Three-Line Pica. $6.05<br />

4 MUSIC Books<br />

3 A, 4 a. 48 Point Latin Antique. Four-Line Pica. $7.45<br />

8 Dog FISH<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

243


9 Point Baskerville.<br />

30 A, 45 a. Three-Line Excelsior. $ 2.15<br />

BENIGHTED TRAVELERS<br />

Discomforts of Sojourning in Amsterdam<br />

Obstreperous Enterparlance<br />

1234567890<br />

18 Point Baskeeville.<br />

20 A, 30 a. Three-Line Nonpareil. $3.25<br />

REAL BARGAINS<br />

7 Properties in Swampoodle<br />

30 Point Baskerville.<br />

I A, 12 a. Five-Line Nonpareil. $3.70<br />

Merino SHEEP 2<br />

25 A, 36 a.<br />

12 Point Baskerville.<br />

Pica. 82.3.3<br />

HEALTHFUL EXERCISE<br />

Garden Cultivation Before Breakfast<br />

1234567890<br />

24 Point Baskerville.<br />

12 A, 18 a. Two-Line Pica. $3.45<br />

HEROINES<br />

4 Constant Sufferers<br />

36 Point Baskerville.<br />

6 A, 10 a. Three-Line Pica. $4.20<br />

Yard ARMS 3<br />

5 A, 8 a. 48 Point Baskerville. Four-Line Pica. $5.25<br />

8 MEDICAL Preparations<br />

60 Point Baskerville. Five-Line Pica. $6.25<br />

72 Point Baskerville. Six-Line Pica.<br />

5<br />

6 MUSIC Readers<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

244


6 Point Cabaltstic.<br />

22 A. Nonpareil. $ 1.35<br />

+ paLmYRA'$tDes


6 Point Beoadgauge.<br />

25 A. Nonpareil. $3.40<br />

SOMBROUS<br />

MIDNIGHT MUSINGS<br />

1234567890<br />

10 Point Beoadgauge.<br />

18 A. Long Primer. $4.05<br />

8 Point Beoadgauge.<br />

22 A. Brevier. |8J<br />

ENGINES<br />

STEAM HORSES<br />

12345678<br />

12 Point Broadgauge.<br />

14 A. Pica. $4.20<br />

18 Point Broadgauge. 22 Point Broadgauge.<br />

10 A. Great Primer. $5.05 7 A. Two-Line Small Pica. $4.65<br />

5 A. 28 Point Broadgauge. Two-Line English.<br />

5 A. 36 Point Broadgauge. Two-Line Great Primer. $8.85<br />

12 Point Antique Pointed.<br />

18 A, 28 a. Pica. $4.60<br />

CABBAGE<br />

Deodorizers 34<br />

22 Point Antique Pointed.<br />

10 A,<br />

EARTH<br />

14 a. Two-Line Small Pica. $5.40<br />

19 Fossils<br />

40 Point Broadgauge. Double Paragon. $10.70<br />

18 Point Antique Pointed.<br />

14 A, 14 a. Great Primer. $4.<br />

28 Point Antique Pointed.<br />

HOME<br />

10 A, 14 a. Two-Line English. $8.40<br />

37 Stools<br />

The MacKellar, Smiths &> Jordan Co. Sansonr.Street , Philadelphia.<br />

246


6 Point Concave.<br />

A. Nonpareil. 1.30<br />

PHOTOGRAPHS OF ART SCENERY<br />

1234567890<br />

12 Point Concave.<br />

Pica. |U<br />

92 YOUNG GIRLS<br />

22 Point Concave.<br />

12 A. Two-Line Small Pica. $3.10<br />

10 Point Concave.<br />

A. Long Primer. fl.50<br />

MAIDENS' SWEETNESS<br />

1234567890<br />

18 Point Concave.<br />

14 A. Great Primer. $2.50<br />

MATINEE 75<br />

24 Point Concave.<br />

Two-Line Pica. $3.50<br />

SMACK 36 43 NETS<br />

28 Point Concave,<br />

Two-Line English. $3.80<br />

36 Point Concave.<br />

6 A. Two-Line Great Primer. $3.95<br />

i A.<br />

'76 MEN HIT 64<br />

12 Point Condensed Concave.<br />

18 Point Condensed Concave.<br />

25 A. Pica. $1.60 22 A. Great Primer. $2.30<br />

207 SWAMPYILLE CODFISH<br />

!<br />

SCRUBBING TASKS 415<br />

28 Point Condensed Concave.<br />

22 Point Condensed Concave. 14 A. Two-Line English. $3.15<br />

18 A. Two-Line Small Pica. 2.60<br />

INDUSTRIOUS 364 97 MOSQUITOS<br />

36 Point Condensed Concave<br />

10 A. Two-Line Gi-eat Pi-imer. $3.45<br />

48 Point Condensed Concave.<br />

7 A. Four-Line Pica. $5.00<br />

15 POINTED CNATS IS<br />

60 Point Condensed Concave. Five-Line Pica. $6.2.5<br />

SLIM PEOPLE<br />

The MacKellar, Smiths & Jordan Co. Sansovi Street, Philadelphia.<br />

247


6 Point Doric.<br />

36 A, 52 a. Nonpareil. 3.35<br />

UNSUSPICIOUSNESS<br />

Sweet Jersey Limburger Bologna<br />

Enforcement of Dog Laws<br />

1234567890<br />

12 Point Doric.<br />

18 A, 20 a. Two-Line Nonpareil. $3.50<br />

COLDNIP<br />

Red Nose Painter<br />

123456<br />

10 A, 14 a.<br />

20 Point Doric.<br />

Two-Line Long Primer. ?4.7")<br />

SOUND<br />

8 Point Doric.<br />

Brevier. 4.45<br />

GULLIBLENESS<br />

Flowing Wells Assured<br />

Briers, Skin-Borers<br />

12345678<br />

16 Point Doric.<br />

14 A, 14 a. Two-Line Brevier. $3.95<br />

REPOSE<br />

Quiet Homes<br />

12345<br />

36 Point Doric.<br />

10 A, 14 a. Two-Line Great Primer. $10.05<br />

ECHO<br />

Debt Payer Bad Pay<br />

12345 1234<br />

7 A, 10 a. 40 Point Doric Double Paragon.<br />

EXCITING<br />

25 Night Voices<br />

5 A, 7 a. 48 Point Doric Four-Line Pica.<br />

OUTCRY<br />

11.10<br />

Baby Calls 39<br />

The MacKellar. Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

248


8 Point Cloister.<br />

Brevier. $2.60<br />

TENDER HEARTS<br />

SWINGING IN RIGHT BOSOMS<br />

1234567890<br />

12 Point Cloister.<br />

Pica. $3.00<br />

10 Point Cloister.<br />

25 A. Long JPrinter. $2.85<br />

SLANDERERS<br />

SPEAKING THEIR MIND<br />

1234567890<br />

18 Point Cloister.<br />

12 A. Great Primer. $3.15<br />

24 STRIPED SHEEP 13 BLIND MEN<br />

22 Point Cloister.<br />

10 A. Two-Line Small Pica. $3.95<br />

28 Point Cloister.<br />

7 A. Two-Line English. $4.35<br />

MOUNDS 65 CHIPS 78<br />

36 Point Cloister.<br />

A. Two-Line Great Primer. $4.75<br />

40 Point Cloister.<br />

5 A. Double Paragon. $5.45<br />

9 LOVE 1 FIRE<br />

10 Point Campanile.<br />

16 A, 25 a. Long Primer. $2.<br />

12 Point Campanile.<br />

14 A, 20 a. Pica. $2.50<br />

-^PERPLEXITIES^ ^MERRY BELLS^<br />

*36x Applicants x Enlightened x Gratuitous*- ^2 * Transferred ^or* Appropriated &<br />

18 Point Campanile.<br />

10 A, 14 a. Great Primer. $2.90<br />

-^exgursion^ i<br />

24 Point Campanile.<br />

7 A, 10 a. Two-Line Pica. $3.65<br />

^NATURE^<br />

*Merry Young Children 17* Weeping<br />

Willow 58<br />

36 Point Campanile. Two-Line Great Primer. $4.55<br />

-49* Ripe* FRUIT* Invoices s-<br />

12 Point Antique Tuscan Condensed. Pica. $5.65<br />

Wholesale and Retail Dealer in 12345 UPPERTENDOMPS Improved Poor Relation Cutters<br />

'J'ln- MacKellar, Smiths & Jordan Co. Sansoiu Street, Philadelphia.<br />

249


18 Point Fantail.<br />

12 Point Fantail. 22 A, 28 a. Great Primer. $4.<br />

25 A, 42 a. Flea. $3.40<br />

Miniature Bank BALANCES<br />

1234567390<br />

22 Point Fantail.<br />

14 A, 20 a. Two-Line Small Pica. $4A<br />

HOMELY Spooks<br />

TURNIP Sprout Salad<br />

12345678<br />

14 A, 20 a.<br />

28 Point Fantail.<br />

Two-Line English. $7.00<br />

Tired BIRDS<br />

7 A, 12 a. 40 Point Fantail. Double Paragon.<br />

CENSUS Statistics 180<br />

48 Point Fantail. Four-Line Pica. $8.6<br />

31 Poetical GEMS<br />

18 Point Monkish. V^fHCT} I \. ,<br />

10 A, 14 a. Three-Line Nonpareil. $2.15 ^^aLc^p^^w<br />

Registered, No. 24,025.<br />

24 Point Monkish.<br />

7 A 10 a. Two-Line Pica. $2.60<br />

LABYRINTHIAN J TOXICOLOGY<br />

Travels in Mine * Cavern Vegetable M Mineral<br />

1234567890 12345678<br />

36 Point Monkish. Three-Line Pica. $3.80<br />

Gomstoek Gold M Silver Lodes<br />

ALL COMPLETE WITH FIGURES.<br />

7%? MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

250


6 Point Chamfer Condensed.<br />

52 A. Nonpareil. $2.00<br />

PROFESSOR HERBGITHERER'S PROGRESSIVE SYSTEM OF EXTRACTING<br />

I2I4SI7III<br />

10 Point Chamfer Condensed.<br />

36 A. Long Primer. $2.00<br />

241 SMALL MEASURES AND LIGHTER WEIGHTS<br />

18 Point Chamfer Condensed.<br />

30 A. Great Primer. $3.60<br />

HIGHPRICE AND PODRFARE 37<br />

28 Point Chamfer Condensed.<br />

14 A. Two-Line English. $4.00<br />

34 CORN-KILLERS<br />

40 Point Chamfer Condensed.<br />

10 A. Double Paragon. $4.!<br />

51<br />

8 Point Chamfer Condensed.<br />

45 A. Brevier. $2.00<br />

CHURCHDDOR LOUNGER AND COMMON CORN Ell -LOAFER<br />

1234567890<br />

12 Point Chamfer Condensed.<br />

36 A. Pica. $2.60<br />

35 CLEAN HABIT AND GOOD INTENTION<br />

*<br />

22 Point Chamfer Condensed.<br />

18 A. Two-Line Small Pica. $3.00<br />

HEADACHE REMEDIES 26<br />

36 Point Chamfer Condensed.<br />

10 A. Two-Line Great Primer. $3.75<br />

81<br />

Point Chamfer Condensed.<br />

Four-Line Pica. $6.15<br />

7 A. 60 Point Chamfer Condensed. Five-Line Pica. $7.15<br />

f mat<br />

72 Point Chamfer Condensed. Six-Line Pica.<br />

84 and gb Point 0/ this Series furnished.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

251<br />

5


9 POINT EOUNDHEAD. '^03^V,9 A l." P INT B UNDHEAD -<br />

p<br />

14 A, 20 a. Three-Line Excelsior. $2.00 ^-^CL" -f n a, lb a.<br />

Herself the Foremost Beauty<br />

Receiving Instruction for Self-glorification<br />

1234567890<br />

Dispatching Bulletins<br />

Telegraph, phone m Associates<br />

1234567890<br />

10 A, 12 a. 18 Point Roundhead Three-Line Nonpareil. $3.15<br />

Fashionable Damsels Indignant<br />

Cornering the manufacture and Sale of mirrors<br />

8 A, 10 a. 24 Point Roundhead. Two-Line Pica. $3.70<br />

Curbstone Excitements<br />

Soldier parades m Spring Fashions<br />

4 A, 5 a. 36 Point Roundhead. Three-Line Pica. $4.45<br />

Recommending<br />

Qalisthenical Amusements<br />

48 Point Roundhead. Four-Line Pica. $5.<br />

Adventurers<br />

Despised * Rejected<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

252


Registered, No. 165,807.<br />

18 Point Typo. ^^^T^ iv 24 Point Typo.<br />

10 A, 14 a. Three-Line Nonpareil. $2.40 ^Jy^sai S A, 10 a. Two-Line Pica. $2.85<br />

NORTHWESTERN<br />

Hurricane Approaching<br />

1234567890<br />

UNRELIABLC<br />

Lightning Arresters<br />

1234567890<br />

C A, 9 a. 30 Point Typo. Five-Line Nonpareil. $3.55<br />

AMERICAN MILfcE<br />

Ornamental Window-Curtains<br />

5 A, 7 a. 36 Point Typo. Three-Line Pica. $4.70<br />

PERISHABfcE Manuscripts<br />

4 A, 6 a. 48 Point Typo. Four-Line Pica. $5.25<br />

Universal LAUNDRY<br />

3 A, 4 a. 60 Point Typo. Five-Line Pica. $7.00<br />

GRADkE Operator<br />

all complete with figures.<br />

Lining Accurately at Top and Bottom with Point Justification.<br />

The MacKellar, Smiths d- Jordan Co. Sansom Street, Philadelphia.<br />

253


6 Point Eastlake.<br />

Nonpareil. $1,<br />

-^INTERIOR tVIEWS^<br />

^ERUPTIONSSOF? MOUNTS VESUVIUS^<br />

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10 Point Eastlake.<br />

22 A. Long Primer. $2.20<br />

-H ENTERTAINING h-<br />

AMATEURt THEATRICALS<br />

18 Point Eastlake.<br />

Great Primer. $2.30<br />

8 Point Eastlake.<br />

22 A. Brevier. $2.00<br />

* SURFACE t BEAUTY ^<br />

^FRAUDULENT + APPEARANCEK-<br />

1234567890<br />

12 Point Eastlake.<br />

16 A. Pica. $2.20<br />

H QUOTATIONS K<br />

UNIYERSHLS HISTORY<br />

24 Point Eastlake.<br />

Two-Line Pica. $2.80<br />

^PEDESTRIANS HGiiMBOLSK<br />

V H<br />

Point Eastlake. Two-Line Great Primer. |S.I<br />

ATA<br />

H H<br />

Registered, No. 47.495-<br />

POINT CRUIKSHANK. T?1^^S^^ A 2* ^^ U<br />


6 Point Hansard.<br />

18 A, 30 a. Nonpareil. $2.10<br />

IF'iR.OIF*. IDI^-CJnXESTICPC<br />

Instructor<br />

2*Ie:t.tiocis of IN"e.-w Osoitation<br />

Theoretical, Praetieal<br />

Registered, No. 65,751.<br />

9 Point Hansard.<br />

16 A, 25 a. Three-Line Excelsior. $2.50<br />

SKLENOGRAPH<br />

IXloccn. Glimpse;<br />

Scientific; PS.a.i^n.'bling<br />

1^345678<br />

14 A, 22 a. 12 Point Hansard. Pica.<br />

FOPCEE. jPlKTID SHOVEL<br />

$2.90<br />

Irxgleside Companions<br />

!B^!otJ-se: \x7~air:m.e:r:s and Coal Heavers<br />

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A, 14 a. 18 Point Hansard. Three-Line Nonpareil. $3.75<br />

Mea.ltlifu.l and. IProd.iie:tiT7-e:<br />

Everybody Ax7"e;le;onne:<br />

BROAD<br />

7 A, 12 a. 24 Point Hansard. Two-Line Pica. $4.45<br />

LjPlNE<br />

Lonely Ax/allts<br />

Over IPlain and Hill<br />

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77f


7 Point Gallic. 10 Point Gallic.<br />

A, 52 a. Minion. $3.70 30 A, 42 a. Long Primer. $3.80<br />

FREEDOM AND BROTHERHOOD<br />

Heaveij<br />

MANKIND TROUBLERS<br />

in Good Time shall every Natioij Bless<br />

Political Reformation Approaching<br />

1234567890<br />

Wilhelrq Sourkrout and Louis Frogeater<br />

Doctors' Prescriptions Required<br />

1234567890<br />

12 Point Gallic.<br />

22 A, 32 a. Pica. 18 PoiNT Gallic.<br />

$3.80 .<br />

18 A, 28 a. Great Primer. $4.75<br />

P,nu 4F,RI<br />

fY P0RTI<br />

250 a r.r'<br />

Thousand<br />

Year in Gold Coin<br />

Beaux Wanted<br />

22 Point Gallic.<br />

14 A, 20 a. Two-Line Small Pica. $4.70<br />

CONQUERORS ^<br />

462 Rose Perfumed Bachelors<br />

24 Point Gallic.<br />

14 A, 20 a. Two-Line Pica. $6.35<br />

SHIRKWORKERS SN^PPERJAW<br />

Industry's Parasites 467 Teacher of Surliness 15<br />

12 A, 18 a. 28 Point Gallic Two-Line English. $7.00<br />

GABBLE LOOSESPEEC^<br />

349 Interminable Scandal Yarg Spinners<br />

10 A, 14 a. 36 Point Gallic Two-Line Great Primer. $7.45<br />

PHILANTHROPISTS<br />

27 Openhanded Charity Distributers<br />

7 A, 12 a. 40 Point Gallic Double Paragon. $6.85<br />

HllPTIDUMPTINESS<br />

^raminta's Waddling<br />

Lessons 43<br />

The MacKellar, Smiths 6^ "Jordan Co. Sansom Street, Philadelphia.<br />

256


9 Point Artistic.<br />

i A, 28 a. Three-Line Excelsior. $2.35<br />

eO]5TPREGD * epi0RI6<br />

PreSerned + for + UffiliaaKon + in + Siberia<br />

Retailed in Solid Bloekg<br />

Equalization of the Temperatureg<br />

!2t6789<br />

12 Point Artistic.<br />

Registered, No. 48,186.<br />

12 A, 28 a. Pica. $2.75<br />

FRPie+BREEZE8<br />

Burnished $6 + Summer Tourists<br />

Porridge Sooled Reasonably<br />

12S167896<br />

6 A, 14 a, without Initials, S3. 65 3 A, Initials, separately, $1.50<br />

18 Point Artistic Three-Line Nonpareil.<br />

With 24 Point Initials.<br />

lfiliitei^aghiii|+pggoeiaSoii<br />

fjf amished + JIpepu^Boiig + Jpolislied + Speedily<br />

5 A, 12 a, without Initials, $4.20 3 A, Initials, separately, $2.25<br />

24 Point Artistic Two-Line Pica.<br />

With 30 Point Initials.<br />

fe<br />

Fifteenth Regiment<br />

idni($M * fRopa


Registered, No. 24,026.<br />

12 Point Chancel.<br />

9 Point Chancel. C/Jg^** 8 10 A, 28 a. Three-Line Excelsior. $2.00<br />

A, 20 a. Pica. $2.10<br />

imB edim entai Association<br />

'<br />

imel" Suggestions<br />

Effectually Obstructing public Business<br />

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6 A, 14 a.<br />

18 Point Chancel.<br />

Three-Line Nonpareil. $2.1<br />

Spinney and Gatc>p<br />

GouFteous and Jtfoble Kindness<br />

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%<br />

24 Point Chancel.<br />

5 A, 10 a. Two-Line Pica. $3.!<br />

Jtfilita] ^Min^<br />

3 A, 5 a. 36 Point Chancel Three-Line Pica. $4.15<br />

j^meri^aii ^andipaft$<br />

10 Point Missal. 12 Point Missal.<br />

18 A. Long Primer. $2.85 14 A. Pica. $3.40<br />

Patented. Registered, No. 24,951.<br />

16 A. 12 Point Stencil-Gothic Pica. $1.60<br />

REFORMING- POLITICIANS<br />

EXTREMELY VISIONARY UNDERTAKING-<br />

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16 A. 12 Point Stencil-Gothic, No. 2. Pica. $1.95<br />

DAINTILY ATTIRED HOBGOBLINS<br />

12 A. 18 Point Stencil-Gothic Three-Line Nonpareil. $2.65<br />

BESIEGED BEFEHBER8<br />

U.L COMPLETE WITH FIGURES.<br />

The Mac/Cellar, Smiths &* "Jordan Co. Sansom Street, Philadelphia.<br />

258


18 Point Peaked.<br />

22 A, 28 a. Great Primer. $3.80<br />

JURY ILLUSIONS<br />

Pocket*Emptying Business<br />

1234567890<br />

28 Point Peaked.<br />

14 A, 20 a. Two-Line English. $6.40<br />

22 Point Peaked.<br />

A, 24 a. Two-Line Small Pica. $4.60<br />

CRASH'S SCHOOL<br />

Instructions in Turning<br />

12346700<br />

10 A, 14 a.<br />

36 Point Peaked.<br />

Two-Line Great Primer. $7.65<br />

MONEY Changer Airline TOUR<br />

48 Point Peaked.<br />

40 Point Peaked. 7 a, 10 a. Four-Line Pica. $10.15<br />

8 A, 14 a. Double Paragon. $8.25 A<br />

FIHE Horse I<br />

PET<br />

ALL COMPLETE WITH FIGURES.<br />

Rats<br />

18 Point Fancy Celtic.<br />

24 Point Fancy Celtic.<br />

A, 12 a. Three-Line Nonpareil. $2<br />

vlira' wmm<br />

7 A, 10 a. Two-Line Pica. $3.60<br />

lip k Bill<br />

landscape Garten Studies lividends andltock<br />

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4 A, 7 a. 36 Point Fancy Celtic Three-Line Pica<br />

I He , , , , , a<br />

LI<br />

family layings Deposits 38<br />

751* Mac /Cellar, Smiths &* Jordan Co. Sansont Street, Philadelphia.<br />

259<br />

|4.M


12 Point Dado. VicrrTTI I \* 10 A,<br />

12 A, 18 a. Pica. $2.55 ^aLM/JL.J*<br />

** Customs and Amusements a-<br />

Of the Olderi I'imes<br />

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16 Point Dado.<br />

14 a. Two-Line Brevier. $3.15<br />

Seashore ]Vtooii * Qazings<br />

~4 gtarlit * Spooning *><br />

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24 Point Dado. Two-Line Pica. $4.05<br />

Disreputable * Wirepullers *paYorbiddin<<br />

36 Point Dado. Two-Line Great Primer. $5.45<br />

^Political * iy]N[Q * Broken ST**<br />

18 Point Parsee. ^LM^JL-y 24 Point Parsee.<br />

12 A, 24 a. Three-Line Nonpareil. $3.15 #T^>1 9 A, 18 a. Two-Line Pica. $3.60<br />

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5 A, 10 a. 36 Point Parsee. Three-Line Pica. $4.60<br />

EXPENSE %ductioi?<br />

4 A, 7 a. 48 Point Parsee. Four-Line Pica. $5.75<br />

Barbaric NBTI8NS<br />

The various sizes of Parsee will line at the bottom with point justification.<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &" "Jordan Co. Sansom Street, Philadelphia.


36 A.<br />

6 Point Edson.<br />

Nonpar* u.<br />

HIM NOCTDBKAL GATHERINGS<br />

$1.90<br />

CONCATENATION OF LACHRYMOSE CIRCUMSTANCES<br />

36 A.<br />

1234567890<br />

10 Point Edson.<br />

Long Primer. f2.35<br />

BRIDGING, DIM, FLOITHS, LEVELING<br />

16 Point Edson.<br />

Two-Line Brevier. $3.30<br />

m A<br />

.71 ill<br />

6 Point Esthetic.<br />

) A. Nonpareil. $1.75<br />

UNLIMITED NUMBERS<br />

FITTING YOUTH FOR FUTURE STRUGGLES<br />

1234567890<br />

10 Point Esthetic.<br />

22 A. Long Primer. $1.95<br />

VEGETATION AND POPULATION<br />

16 Point Esthetic.<br />

Two-Line Brevier. $2.20<br />

8 Point Edson.<br />

Brevier. $2.20<br />

BLUEBEA1D THE SMGUIHBY<br />

BEMI3GEIGE3 OF HIS SCHOOLBOY DIYS<br />

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12 Point Edson.<br />

Pica. $2.85<br />

WILTfflG THROUGH THE MEIDOWi<br />

TATA<br />

24 Point Edson.<br />

Two-Line Pica. $3.75<br />

1/1/ OFF<br />

Point Edson. Two-Line Great Primer. $4.15<br />

Ml 7]A<br />

8 Point Esthetic.<br />

22 A. Brevier. $l><br />

FRIENDS IN NEED<br />

ILLUMINATING HOUSE-WARMERS<br />

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12 Point Esthetic.<br />

i A. Pica. $2.00<br />

INCREASING PROSPERITY<br />

12 A.<br />

24 Point Esthetic.<br />

Two-Line Pica. $3.00<br />

CHEERFUL SWEEPERS HOUSE KEEPERS<br />

36 Point Esthetic Two-Line Great Primer. $3.95<br />

SUCCESSFUL ALAMEDAN<br />

M-L COMPLETE WITH FIGURES.<br />

Tht MacKtllar, Smith* &* Jordan Co. Sansom Street, Philadelphia.<br />

261


10 Point Tendril. ^i^wi^J' 12 Point Tendril.<br />

12 A, 32 a. Long Primer. $3.15 J^TfeJ 10 A, 28 a. Pica. $3.75<br />

]\Tew l)csigns in &pplc t>iimplings<br />

Stomac^ iDElectaticn<br />

l%g67S90<br />

5&an3Eiring Sfyp6ri[onfii|iac<br />

8 A, 20 a. 18 Point Tendril,. Great Primer. . $4.60<br />

^4S Sanguinary liEEcIjes on t\v Rampage<br />

24 Point Tendril. Two-Line Pica. $5.60<br />

BueaMast-Mafile eCTisIpiESS 14<br />

8 Point Glyptic. ^"aLc^K^^J^ 10 Point Glyptic.<br />

22 A. Brevier. $2.10 T^^ 20 A. Long Primer. $2.10<br />

< I PETRIFIED POETRY ><br />

EjaBELMjSJIED -:* ST1^ICTU^E<br />

<br />

1^34567^90<br />

-McpiE^OGDYPJUCg^<br />

ANCIENT * DECIPHERING<br />

18 A. 12 Point Glyptic Pica. $2.55<br />

PEfflFeGGING-f-Mfie^fieN-ffECKNIC^MflEp-Mse^<br />

14 A. 18 Point Glyptic Great Primer. $2.95<br />

*B^MiI7ip *MYEMEP4*<br />

10 A. 24 Point Glyptic Two-Line Pica. $3.70<br />

The MacKe liar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

262


8 Point Glyptic, No. 2.<br />

20 A. Brevier. f 2.<br />

4 6UR + PRETTY + PUG*<br />

^W^LKED @PP R ^TSLEN^<br />

18 A.<br />

12 Point Glyptic, No. 2.<br />

Pica. $2.55<br />

PflGER+flND+WFiFER<br />

20 Point Glyptic, No. 2.<br />

12 A. Two-Line Long Primer. $3.30<br />

-^JUMPINS*-<br />

6 Point Glyptic Shaded.<br />

18 A. Nonpareil. $1.65<br />

tmuamw wmim<br />

*- KFIOTOKOT * VH0O0 *<br />

J334t*999<br />

12 Point Glyptic Shaded.<br />

14 A. Pica. $2.30<br />

IK GE]S0<br />

i,.<br />

10 Point Glyptic, No. 2.<br />

A. Long Primer. 2.20<br />

^LENGTHENING<br />

^NHTieNHli + NlSfiWHYgi-<br />

1254S67S90<br />

16 Point Glyptic, No. 2.<br />

14 A. Two-Line Brevier. $2.90<br />

-* BICYCLIST *-<br />

4PLiYINS+HW/IYf<br />

24 Point Glyptic, No. 2.<br />

10 A. Two-Line Pica. $3.60<br />

PINBgPI*-<br />

9 Point Glyptic Shaded.<br />

16 A. Three-Line Excelsior. $2.10<br />

18 Point Glyptic Shaded.<br />

10 A. Three-Line Nonpareil. $3.20<br />

S*D<br />

24 Point Glyptic Shaded. Two-Line Pica. $3.50<br />

36 Point Glyptic Shaded.<br />

*PpHM^MB*<br />

Three-Line Pica. $4.40<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

263


8 A, 18 a. 12 Point RiNGLET.-P/ca. $2.75<br />

STOGK BXCBflQSB RUffiQRS<br />

Facilities fefr Blevatiing and BepFessing fpieeg<br />

MFmafeii^ fop Bulls and Beapg<br />

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6 A, 12 a. 18 Point Ringlet. Three-Line Nonpareil. $3.45<br />

&GIERJPIFIG TOE8RIES<br />

GnfeFIIing yHdepgpuRd Guppenfeg<br />

5 A, 10 a. 24 Point Ringlet Two-Line Pica. $4.50<br />

PRflBIflR RI6S3FS<br />

5!apnamenfe<br />

Spienialisi^<br />

3 A, 5 a. 36 Point Ringlet. Three-Line Pica. 85.20<br />

fflaptiial Bupbel@ws<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

264


6 Point Archaic.<br />

36 A, 70 a. Nonpareil. $2.70<br />

MESSIEURS ENROBE & GARNISH<br />

Dispense Fig Leaces<br />

Smockfirocks, Castors, Kerchiefis, Mantillas<br />

25 A, 40 i<br />

Galligaskins and Wraprascals<br />

1234567890<br />

12 Point Archaic.<br />

Pica. $3.10<br />

FASHIONABLES<br />

Following the Bell-Wether<br />

Passiue Obedience<br />

Registered, No. 92,583.<br />

9 Point Archaic.<br />

A, 50 a. Three-Line Excelsior. $2.90<br />

WAGGLING BUSTLES<br />

Useful Improoements Exhibited<br />

Magnificent Assortment<br />

1234567890<br />

18 Point Archaic.<br />

14 A, 2(5 a. Three-Line Nonpareil. $3.75<br />

PHYSICIANS<br />

Faithful Attendance<br />

10 A, 18 a. 24 Point Archaic Two-Line Pica. $4.25<br />

STEAM ENGINES<br />

Hardworking and Pcrseoering<br />

30 Point Archaic Five-Line Nonpareil. $5.00<br />

CONTENTMENT<br />

Prosperous Enoironment<br />

36 Point Archaic Three-Line Pica.<br />

MANNERISM<br />

Superior Deportment<br />

ALL COMPLETE WITH FIGURES.<br />

The various sizes 0/ the above series will line at the bottom with point justification.<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

265


6 Point Oxonian.<br />

14 A, 25 a. Nonpareil. $2.15<br />

yoUNG Ol^ATOBJIGAL EFFORTS<br />

SILENT O^ATO^S<br />

F^EMINISGENGES OF FJEATHEN fflYllHOLOGY<br />

123&S6Z890<br />

8 Point Oxonian.<br />

12 A, 20 a. Brevier. $2.30<br />

]?ISHlOI^IGALi I^EGOLIiEGTIONS<br />

HODMAN (sONQLtESm<br />

GAP.LY (OUP^SHIP OP (q LEO PA TCP,A<br />

123^^6^890<br />

10 A, 20 a. 10 Point Oxonian. Long Primer. $2.50<br />

Twelfth (entui^y {Dimigi^ies<br />

Pantomime Amusements op Batons and ^nights<br />

1234^Z890<br />

12 Point Oxonian. Pica. ?3.05<br />

Springtime Rambles ^Imong E>agan emples<br />

Uncouth (Seremonials<br />

18 Point Oxonian. Great Primer. 3.70<br />

Social (Customs in ^mgient E?almyp,a<br />

CQeGHANIGAL flPPLIANGES<br />

7 A, 12 A. 20 Point Oxonian. Two-Line Long Primer. ^<br />

Spade and Shovel Gymnastics<br />

xgayating (upjosities<br />

5 A, 10 a. 24 Point Oxonian. Two-Line Pica. 4.25<br />

Olympian raining School<br />

yOUTHPUL l^EGIMEN<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

266


Registered, No. 110,405.<br />

A, 20 a. 12 Point Gdtenberg-Pica. $2.45<br />

(osmopolitan. finance (ompan^<br />

Provides Methods fof Reducing ffa WeigJtf of PocKef-Boofe<br />

^$s facilities f oF Seeing tfo Glepfyanf s?<br />

penin Jordan Co. Sansom Street, Philadelphia.<br />

267


6 Point Cadmus.<br />

16 A, 30 a. Nonpareil. 2.85<br />

BUTTERINE X SAUSAGE<br />

Furpisbers of Indigestible Edibles<br />

Useful to Eptertaip<br />

Nuiperous Unwelcoipe Visitors<br />

1234567890<br />

12 Point Cadmus.<br />

12 A, 25 a. Pica. $4.15<br />

Pecorated PuddiQg<br />

Prepared Paily<br />

123456<br />

It o% fif<br />

9 Point Cadmus.<br />

Registered, No. 69,099.<br />

14 A, 28 a. Three-Line Excelsior. $3.25<br />

PMUY visitors<br />

T^rou^ our Warehouses<br />

183456^890<br />

18 Point Cadmus.<br />

7 A, 14 a. Three-Line Nonpareil. $5.10<br />

|*(500P*f<br />

finest) (Zt)ccsc<br />

12345<br />

24 Point Cadmus. Two-Line Pica.<br />

(5KO^fET?Y<br />

Classical Teacher 4-<br />

36 Point Cadmus. Three-Line Pica.<br />

^Ftistic Pcsi^r)<br />

ALL COMPLETE WITH FIGURES.<br />

The Mac Kellar , Smiths &-' "Jordan Co. Sansom Street, Philadelphia.


Registered, No. 71,445-<br />

6 A, 18 a. 18 Point Pynson. Three-Line Nonpareil. $4.50<br />

Common Sense SilzsoeiaJrion<br />

talebearing<br />

iz IPosiiwelx? frohibited<br />

Initiation ralfuitous<br />

1234567890<br />

10 A, 28 a. 12 Point Pynson. Pica. $3.75<br />

Manned for Responsible' "Positions<br />

Individuals of Infegrii^<br />

IPermanen* ILmplo^ment and liberal Compensation<br />

IPerseveranee T^bsoluiel^ Indispensable<br />

Industrious Habits "Deeessar^<br />

1234567890<br />

5 A, 16 a. 24 Point Pynson. Two-Line Pica. $5.65<br />

Mantelpiece Banking<br />

"Fireside %ane<br />

IBoneg Received Continually<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

269


12 Point Kitcat.<br />

10 A, 14 a. Pica. $1.55<br />

12 A, 16 a. Three-Line Excelsior. $1.25<br />

< PITCH & CATCH X> XSAUEa^ THRIFT*<br />

<br />

12345678 1234567<br />

8 A, 12 a. 18 Point Kitcat. Three-Line Nonpareil. $2.45<br />

RAILROAD- EXCURSION X><br />

*< Summer- Tours $ Winter -Travels n-<br />

6 A, 8 a. 24 Point Kitcat. Two-Line Pica. $2.85<br />

o< HARROWING*<br />


6 Point Giraffe Extended.<br />

25 A. Nonpareil. 1.50<br />

BEDIZEN S GARNISH<br />

GEWGAWS AND ORNAMENTS<br />

FDR EAPRIEIDUS GIRLS<br />

I234557S9Q<br />

12 Point Giraffe Extended.<br />

12 A. Pica. 1.55<br />

GORGEOUS<br />

GREEN SHADE<br />

FRIN<br />

8 Point Giraffe Extended.<br />

20 A. Brevier. 1.50<br />

MOUNTEBANKS<br />

EMPIRICAL SOPHISTS<br />

12345S7S<br />

18 point Giraffe Extended.<br />

8 A. Three-Line Nonpareil. 2.15<br />

LAUGHING<br />

24 Point Giraffe Extended. Two-Line Pica. 2.70<br />

BROKEN HEARTS<br />

CONSOLED<br />

30 Point Giraffe Extended. Five-Line Nonpareil. 3.20<br />

BARGE CLUB<br />

36 Point Giraffe Extended. Three-Line Pica.<br />

CHARGE<br />

:i7-<br />

ALL COMPLETE WITH FIGURES.<br />

Agricultural D epartment<br />

Lining accurately at top and botto77i with point justification.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

r


8 Point Black Cap.<br />

30 A. Brevier. 1.60<br />

AERIAL DETOnATIOn<br />

DAHE HATURE'S RESERV/DIR<br />

EmPTIED BY REQUEST<br />

1234S67S90 I<br />

12 Point Black Cap.<br />

22 A. Pica. 1.85<br />

niTRO-SULPHUR<br />

AROUSinG AQUARIUS<br />

12345B7B<br />

16 A. 18 Point Black V\v Three-Line Nonpareil. 2.35<br />

BOULEVARDS SPRIRKLED<br />

INFERTILE CDURTRIES DRERCRED<br />

12 A. 24 Point Black Cap. Two-Line Pica. 2.95<br />

BAIRT swiTHin<br />

RETIRES FROm BUSIRESS<br />

9 A. 30 Point Black Cap. Five-Line Nonpareil. 83.15<br />

DRDUGHT CHECKED<br />

7 A. 36 Point Black Cay Three-Line Pica. 3.70<br />

mODERn STDRmS<br />

L 48 Point Black Cap. Four-Line Pica. 4.65<br />

PRDDUCERS<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths r> Jordan Co. Sansom Street, Philadelphia.<br />

272


Mechanical Patent, March 31, 1885.<br />

Registered, No. 178,262.<br />

8 A, 28 a. 24 Point Columbian. Two-Line Pica. $4.40<br />

(elebrafing^fie landing of (oIdn)bds<br />

Display of /Vn)erican and Ftiropean "Handicraft<br />

1234567890<br />

6 A, 16 a. 30 Point Columbian. Five-Line Nonpareil. 5.10<br />

Pictures 4 ^he (ai^nfic<br />

International (oI(in)bian l^rld's pair<br />

5 A, 10 a. 42 Point Columbian. Seven-Line Nonpareil, $6.00<br />

Portraying J)on)esfic Ii)d(istr^<br />

48 Point Columbian. Four-Line Pica. $6.70<br />

(on)n)erciaI PfdVarrtages<br />

60 Point Columbian. Five-Line Pica. $7.95<br />

akeside '[Farowa^s<br />

kLL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &* yordan Co. Sanson Street, Philadelphia.


24 Point Johnson.<br />

18 Point Johnson. ^T^^ 6 A, 12 a. Two-Line Pica. $5.06<br />

A, 10 a. Three-Line Nonpareil. $4.35 ^J***^<br />

cDebeome |<br />

QRfl^IDG<br />

Qeautiful flutumn peStiO^ 5p 0P^<br />

1234567890 12345678<br />

30 Point Johnson. Five-Line Nonpareil. S5.7-3<br />

^possing the (DountGins<br />

Point Johnson. Three-Line Pica.<br />

Gopgeoas Irandseope<br />

3 A, 6 a. 48 Point Johnson. Four-Line Pica. |7.60<br />

Sombpe (JaOepns<br />

60 Point JOHNSON. Five-Line Pica. $9.60<br />

Grand Jaunts<br />

COMPLETE WITH FIGURES.<br />

77^ MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


Registered, No. 96,696.<br />

Mechanical Patent, March 31, 1885.<br />

12 Point Kostkr. Pica.<br />

With 24 Point (Two-Line Pica) Initials<br />

iOMNOLENT & (%<br />

fabricators of ^ir-Gastles aijd HanWocks<br />

]VTattresses ai^d J^il^t-G^ps<br />

IO O Jd ft ^ *7 Q. O i~\ 14 A, 22 a, with 6 A Initials, 55.30<br />


Registered, No. 165,804.<br />

8 Point Giraffe. ^sL^^^A^J" 12 Point Giraffe.<br />

30 A. Brevier. 1.30<br />

T^>1 25 A. Pica. $1.60<br />

horest tradesrier<br />

PDU/DER ADD SHOT<br />

COLLEAGUES OF THE GOLDER RULE mnl -.. ._ ,-..<br />

horored ard respeeted R1ALEV0LERT DESTROYERS<br />

1231567890 1 2 3 4 5 G 7 8 3<br />

24 Point Giraffe.<br />

18 Point Giraffe. 12 A. Two-Line Pica. 12.30<br />

18 A. Three-Line Nonpareil. $2.00<br />

HUODBED LAUGHABLE GRARD CDREERT<br />

cnnunDRums<br />

conoUGTQR<br />

10 A. 30 Point Giraffe. Five-Line Nonpareil. $2.70<br />

mUSCULAR ATHLETES<br />

REGULAR COLLEGE STUDEfiTS<br />

36 Point Giraffe. Three-Line Pica.<br />

FRAEBAflT PERFUIHES<br />

5 A. 48 Point Giraffe. Pour-Line Pica. $3.55<br />

FEIRALE REPORTER<br />

all complete with figures.<br />

Lining Accurately at Top and Bottom with Point Justification.<br />

The MacKellar, Smiths


Registered, No. 165,805.<br />

18 Point Dynamo.<br />

12 Point Dynamo. I^J^JW 10 16 A, 25 a. Pica. $2.25 \J^^~ A, 14. Three-Line Nonpareil. $2.45<br />

TELEGRAPHING<br />

INDUSTRIAL<br />

Messages Between Gallants Proceeds Distributed<br />

1234567890 1234567890<br />

8 A, 10 a. 24 Point Dynamo. Two-Line Pica. $3.00<br />

RAILROAD EXCURSION<br />

flroiind the Continent Grattiifotisly<br />

Point Dynamo. Three-Line Pica.<br />

MONEY LOANING<br />

Government Pawnshops<br />

3 A, 4 a. 48 Point Dynamo. Four-Line Pica. $4.55<br />

PENSIONS<br />

Tutelve-day Service<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

277


24 Point Obelisk.<br />

16 Point Obelisk. P F^Bsi 7 A, 10 a. Two-Line Pica. $3.20<br />

10 A, 14 a. Two-Line Brevier. $2.50 v^^-*"<br />

Egyptian pjpjuj pYl(AMIDp<br />

pMgpfcne^,<br />

Uijique ^enf<br />

234567890<br />

^VBI] |IoiII? Ramble<br />

1234567890<br />

5 A, 7 a. 36 Point Obelisk. Three-Line Pica. S5.15<br />

i^mong (hpng ^peete<br />

4 A, 6 a. 48 Point Obelisk. Four-Line Pica. $5.75<br />

IVjUMMY HBpp<br />

pphin^e^ aqd J|oi]offili^<br />

3 A, 5 a. 60 Point Obelisk. Five-Line Pica. $6.50<br />

RUINED Temple?<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKcllar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

27S


Registered, No. 30,592.<br />

12 A, 25 a. 6 Point Culdee.-Nonpareil. $2.55<br />

^3KH,utumnal TVleeting of Boreal Association :<br />

Inauguration of tfie Clf ^one Hurricane, gimoon, and *Tornaao 8eason<br />

preuentiue Treasures Di soussea<br />

fjouel gobemes for )ireoting tBeir Patfivway Upward<br />

125J*S67890<br />

10 A, 25 a. 9 Point Culdee Three-Line Excelsior. $2.80<br />

TVlodern Ijjroadgauge ^ Jlneient Romanesque<br />

-*&. Printers and Stationers K-<br />

Commercial ^uenue and lousiness Street, 7VterG^an * 15 i^e<br />

Superiority, (Economy, Promptness<br />

8 A, 1G a. 12 Point Culdee Pica. $3.25<br />

-^Retirement from {business }#future<br />

Residence, gtone guilding in ,<br />

w>indler and Gom Pan I/<br />

guburbs<br />

5 A, 10 a. 18 Point Culdee. Three-Line Nonpareil.<br />

^igbten^Y)lum:s^<br />

$3.80<br />

Instructions in Outdoor ^Vlann ers<br />

Settentpvfiue Qollars (^acb<br />

4 A, 8 a. 24 Point Culdee. Two-Line Pica. $4.60<br />

^rmTiermc^<br />

Whitewashing Qomfxim/*<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths


14 A, 42 a.<br />

10 Point Monastic.<br />

Long Primer. $3.90<br />

684 Punning Devices and pAMEs<br />

18 Point Monastic.<br />

8 A, 20 a. Great Primer. $4.15<br />

Mountain (Streams 82<br />

36 Point Monastic--Two-Line Great Pi'imer.<br />

14 Point Monastic.<br />

8 A, 20 a. English. $3.15<br />

Quiet Country Hamlets 96<br />

6 A, 14 a.<br />

24 Point Monastic.<br />

Two-Line Pica. $4.75<br />

^4 John China^ AN<br />

6Roldface Undertakings<br />

4<br />

16 Point Monastic, No. 3. 20 Point Monastic, No. 3.<br />

8 A, 20 a. Two-Line Brevier. $3.50 6 A, 14 a. Two-Line Long Primer. $3.40<br />

23 ]^eiqhbof^hood JJr/wjl? pRIM^OgE ^OUQUET 53<br />

24 Point Monastic, No. 3. Two-Line Pica. $5.00<br />

17 ^0MBpHELL ^A^RANTED ^XPLOglVE<br />

8 Point Condensed Monastic.<br />

45 A. Brevier. $2.10<br />

823 HANDSOME PEREGRINATING<br />

YOUNG LADIES<br />

14 Point Condensed Monastic.<br />

25 A. English. $2.75<br />

SPIRITUAL PHOTOGRAPHERS 75<br />

24 Point Condensed Monastic.<br />

18 A. Two-Line Pica. $4.05<br />

326 REMUNERATIONS<br />

32 Point Condensed Monastic.<br />

14 A. Three-Line Small Pica. $4.95<br />

FOREST<br />

PINES 24<br />

12 Point Condensed Monastic.<br />

36 A. Pica. $2.85<br />

786 DOSES OF FUTILE LEGISLATION!<br />

20 Point Condensed Monastic.<br />

22 A. Two-Line Long Primer. $3.30<br />

POLITICAL HIRELINGS 543<br />

28 Point Condensed Monastic.<br />

14 A. Two-Line English. $3.80<br />

5 PEAR<br />

36 Point Condensed Monastic.<br />

14 A. Two-Line Great Primer. $5.65<br />

ELEPHANTS 76<br />

40 Point Condensed Monastic Double Paragon. $5.30<br />

8 ROISTERING STATESMEN<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

280


Registered, No. 165,!<br />

10 A, 28 a. 12 Point Zisco Pica. $3.50<br />

EHRIBSI51ES-0H5SIBE-5HE-MHSEHM<br />

^crsoqs u)r]0 ^Jccept |^|isjortur(es u)itjj ^rqilcs orj tjjeir (|uqter(aqecs<br />

^iOacious |f |aucj^ter=|DroOotyncj ^j^oeiates<br />

. . . 1234562890 .<br />

8 A, 20 a. 18 Point Zinco. Three-Line Nonpareil. $3.95<br />

Sjolorqori Rigu)iq, Retailer bT MO^ib<br />

fouqsellor iq Matters me rqost toriOolous or Morqerjtous<br />

^utrjor M Publisher oy fictitious jqciaeqts<br />

5 A, 14 a. 24 Point Zinco. Two-Line Pica. $4.30<br />

Hbuleqee M Pequru f5maDulatir[ci<br />

Mi^ior(arieslUor^ir(q unrjorm * Politieiaqs<br />

4 A, 10 a. 36 Point Zinco. Three-Line Pica. $6.25<br />

galijjurripia. ganging foeietg<br />

M-L COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &" Jordan Co. Sansom Street, Philadelphia.<br />

285


8 Point Attic.<br />

16 A, 25 a. Brevier.<br />

Professor Wiseacre<br />

Short Tails Indexes of Beauty and Intelligence<br />

__^123456?890


10 Point Minster. ^^.Jk^F' 12 Point Minster.<br />

12 A, 32 a. Long ft'imer. $3.25 l*!^-^] 10 A, 28 a. Pica. $3.70<br />

AMBIGUITIES<br />

|jp6ionaricA<br />

'hrcnclcqLst.s, Spiritual 'Medium^<br />

1234567890<br />

VOLCANOES<br />

^tna gooking for fgurope<br />

1234567890<br />

8 A, 20 a. 18 Point Minster. Great Primer. $4.60<br />

INSeRIPTrONS<br />

235 Reputations 4Sodthumou6lu 4Halcimined<br />

' Wtcenth<br />

24 Point Minster. Two-Line Pica. $5.75<br />

^Senturu llotterii 467<br />

12 Point Lacrosse.<br />

14 A, 20 a. Pica. $3.95<br />

18 Point Lacrosse.<br />

12 A18 a. Great Primer. $5.00<br />

economist<br />

AJTCJiy GLOUPS<br />

Jornadoes and Cyclones!<br />

1234567890 Thrifty, fTUgSil 765<br />

A, 14 a. 24 Point Lacrosse. Two-Line Pica.<br />

17 SCIENTIFIC Agriculturists<br />

36 Point Lacrosse. Two-Line Great Primer. $7.45<br />

Weather flEPOflpS 23<br />

40 Point Lacrosse. Pouble Paragon. $7.50<br />

25 JVLUSIC Wessons<br />

The MacKellar, Smiths Jordan Co. Sansom Street, PhiladclpJiia.<br />

287


8 Point Cloister Shaded.<br />

30 A. Brevier. $2.80<br />

UNIQUE INTIITJlIMMEMTS<br />

1234567890<br />

10 Point Cloister Shaded.<br />

25 A. Long Primer. $3.10<br />

CHEEBFUL EXERCISES<br />

1234567890<br />

12 Point Cloister Shaded. Pica. i?3.'Jn<br />

DELIGHTS WITH CHILDREN ?t8<br />

18 Point Cloister Shaded. Great Primer. $3.30<br />

3 KIND FEHALE SURGED<br />

22 Point Cloister Shaded. Two-Line Small Pica. $4.00<br />

1LEHT CONTEMPT 12;<br />

7 A. 28 Point Cloister Shaded. Two-Line English.<br />

4 BOG KEMMEL$4.45<br />

5 A. 36 Point Cloister Shaded. Two-Line Great Primer.<br />

GOOD TIMES 1<br />

40 Point Cloister Shaded. Dor/bte Paragon.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

288<br />

$4.75


8 Point Cond. Cloister Shadkd,<br />

30 A. Brevier. $2.40<br />

SILT 1IEI THROUGH THUS<br />

mm<br />

12 Point Condensed Cloister Shaded. Pica.<br />

ST11IT CLEAHIIG<br />

1234567890<br />

10 Point Cond. Cloister Shaded.<br />

25 A. Long Primer. $2.40<br />

DIBECT F10I WASHIH6T01<br />

1234567890<br />

$2.60<br />

18 Point Condensed Cloister Shaded. Great Primer. $2.75<br />

EXfflfimOI 18<br />

22 Point Condensed Cloister Shaded. Two-Line Small Pica. $3.05<br />

C1II0III1S FI1IISIE1 761<br />

28 Point Condensed Cloister Shaded. Two-Line English. I<br />

I1IE1 GABDEH<br />

5 A. 36 Point Condensed Cloister Shaded. Two-Line Great Primer.<br />

CI1CIS BJ1E1S 9<br />

5 A. 40 Point Condensed Cloister SHADED. Double Paragon. $5.00<br />

The MacKellar, Smiths &= yordan Co. Sansom Street, Philadelphia.<br />

289


^(iHGMS OH ()RJ>ERpt<br />

16 Point Tkojan. Two-Line Brevier. $3.00<br />

^EMPLE OH ^USTOffi<br />

6 7 3 2 1 4 5 8 9<br />

*- 1234507890 -"- fe >^<br />

5 A, 10 a. 20 Point Trojan. Tivo-Line Long Primer.<br />

^i- 1234567890<br />

5 A, 10 a. 24 Point Trojan. Two-Line Pica. $4.80<br />

6 7 3 2 1. 4 5 8 9<br />

-* -<br />

- ~<br />

123456<br />

^R^i of<br />

'<br />

6 Point Cimmerian. WeTAV/I \* -<br />

9 Point Cimmerian.<br />

14 A Three-Line Excelsior. 1.20<br />

18 A. Nonpareil. ^g^LM^r GOItTIDEiyWlL AFRICA<br />

POLICE ^RflOGEfflEiyrS V, T\friinnffniitir ri mi.n ,<br />

Uifll^DERII^CS II} THE DESERT<br />

ANECDOTES OF DUSKY fflflGISTflflTES<br />

1234567890<br />

1234567890<br />

12 Point Cimmerian.<br />

12 A. Pico. $1.50<br />

TRADERS OF jUfflERIG/I<br />

18 Point Cimmerian.<br />

10 A. Three-Line Nonpareil. $2.20<br />

GR/ISSHOPPE^S<br />

7 A. 24 Point Cimmerian. Two-Line Pica. $2.50<br />

flOOIJLICHT SflUtyTERIIJCS<br />

36 Point. Cimmerian. Three-Line Pica.<br />

jURCILLOGflLClT'E<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

290


6 A, 14 A. 18 Point Monastic Shaded. Great PiHmer. $3.00<br />

1945<br />

Unsuccessful Western Buffalo Hunters<br />

5 A, 10 A. 24 Point Monastic Shaded. Two-Line Pica. $3.50<br />

Mist'oric) RussoTraco Wjlj\ Pictures so<br />

4 A, 8 a. 28 Point Monastic Shaded. Two-Line English. $4.20<br />

>j<br />

TUtste ^01111 WoiDEES<br />

iECUBE<br />

40 Point Monastic Shaded. Double Paragon. $4.60<br />

14 Point Crosier. 22 Point Crosier.<br />

22 A, 32 a. English. $5.00 14 A, 20 a. Two-Line. Small Pica. $5.40<br />

fl Mischief-Making MACHINES<br />

28 Point Crosier.<br />

14 A, 20 a. Two-Line English. $6.S<br />

gg 0RANBERRY BogS<br />

36 Point Crosier.<br />

10 A, 14 a. Two-Line Great Primer. $7.20<br />

JURY gnpgnm 89 Skaters' HOPS 32<br />

40 Point Crosier. Double Paragon.<br />

56 Wandering COSMOPOLITAN<br />

7 A, 10 a. 44 Point Crosier. Canon. $9.55<br />

JUVENILE Researches 49<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

295


18 Point Franklin Shaded.<br />

10 A, 14 a. Great Primer. $5.50<br />

in immiiH<br />

a<br />

bus a in<br />

12 Point Philadelphian,<br />

14 A, 20 a. Pica. $4.10<br />

Impartial Judgment<br />

22 Point Philadelphian.<br />

7 A, 14 a. Two-Line Small Pica. $6.00<br />

MODEltlY<br />

22 Point Franklin Shaded.<br />

8 A, 10 a. Two-Line Small Pica. $6.20<br />

28 Point Franklin Shaded. Two-Line English. $8.40<br />

HP Itaiii<br />

18 Point Philadelphian.<br />

10 A, 14 a. Great Primer. $5.85<br />

Illlllfl<br />

123456<br />

28 Point Philadelphian.<br />

7 A, 10 a. Two-Line English. $8.35<br />

5 A, 7; 36 Point Philadelphian. Two-Line Great Primer.<br />

II btnitefi Hit!<br />

m<br />

5 A, 7 a. 40 Point Philadelphian. Double Paragon.<br />

UtatMi<br />

MM<br />

18<br />

48 Point Philadelphian. Four-Line Pica. $12.00<br />

Stair<br />

The Mac Kellar , Smiths &r* yordan Co. Sansom Street, Philadelphia.


Registered, No. 151,417-<br />

IS Point Lubay- Three-Line Nonpareil.<br />

PSkMHHlfc WWSk liHii<br />

WL\A<br />

24 Point IjVkay. Two-Line Pica.<br />

mymt^AaJ^<br />

|^<br />

$3.35<br />

ju^j<br />

30 Point Lukay. Five-Line Nonpareil. $4.30<br />

30 I 'or xt Lukay. Three-Line Pica. $5.40<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

297


10 Point French Clarendon Shaded<br />

30 A, 42 a. Long Primer. $3.75<br />

RESORTS FOR EVERYBODY<br />

Home Comforts for Wearied Pedestrians<br />

1284587880<br />

14 Point French Clarendon Shaded.<br />

22 A, 32 a. English. $5.25<br />

"AMI,<br />

I ollowtog Solid Actions<br />

12 Point French Clarendon Shaded.<br />

25 A, 32 a. Pica. $4.80<br />

Charming Rides, Rustle Scenes<br />

1134587810<br />

18 Point French Clarendon Shaded.<br />

18 A, 28 a. Great Primer. $5.75<br />

sham immm<br />

imatic St;<br />

14 A, 20 a. 22 Point French Clarendon Shaded. Two-Line Small Pica.<br />

Melodies foi Troubled- Hearts 458<br />

10 A, 14 a. 28 Point French Clarendon Shaded. Two-Line English. $7.00<br />

F MIOTSJ If Nnrai SFDI lie<br />

7 A, 10 a. 36 Point French Clarendon Shaded. Two-Line Great Primer.<br />

101III Deep Mmm $7.90<br />

40 Point French Clarendon Shaded. Double Paragon. $9.25<br />

41 Academies of IfSIB<br />

7 a. 48 Point French Clarendon Shaded. Four-Line Pica.<br />

! l!fJI SmmW<br />

The MacKellar, Smiths &" Jordan Co. Sansom Street, Philadelphia.<br />

$10.(


Registered, No. 165,806.<br />

16 A. 12 Point Shadow. Z'/m. $2.75<br />

WEALTH- PROMISING ASSOCIATION<br />

12 3 4 5 6 7 8 3<br />

10 A. 18 Point Shadow. -Three-Line Nonpareil, $3.40<br />

wmitRRMKittm<br />

CASH AND CREDULITY<br />

7 A. 24 Point Shadow. Two-Line Pica. $4.00<br />

CDNDUCTDRS<br />

ARTFUL DDDGERS<br />

3 A. 36 Point Shadow. Three-Line Pica. $4.60<br />

EN DING<br />

AIR-CASTLE<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths & Jordan Co. Sanson/ Street, Philadelphia.<br />

299


6 Point Caxtonian. V^*trf~Xf\. 8 PoiNT Caxtonian.<br />

18 A, 20 a. Nonpareil. $2.50 ^E^nblJI \* 14 A, 18 a. Brevier. if2.90<br />

ffilBOftl. IE5TRAINT ?fc>i STUFFEMWEf<br />

ThEBlpm.eters far from. Stationary<br />

1334567890<br />

Showmen and Sailor Yarns<br />

1234567890<br />

12 A, 16 a. 10 Point Caxtonian Long Primer. $3.00<br />

316 Bflnee Flesj mmdL Fmdldimg^ A.mmnall^' Istelfeuted,<br />

10 A, 14 a. 12 Point Caxtonian. Pica. $3.55<br />

SBCBBT CU&TODMlKS<br />

Keepers ff Earth* Freelems ^Mmgs 276<br />

7 A, 10 a. 18 Point Caxtonian. Great Prima: $4.00<br />

f4 Impecunious Counellmen<br />

5 A, 7 a. 24 Point Caxtonian. Two-Line Pica. $5.10<br />

lOKfl<br />

dlcMitae M@ms#to@ldl 6<br />

36 Point Caxtonian.<br />

LRC<br />

Tivo-Line Great Primer. $7.40<br />

K<br />

76 Starting Tim<br />

77/^ MacKellar, Smiths & yordan Co. Sansom Street, Philadelphia.<br />

300


12 Point Ruskin. Pica. $1.75<br />

^BUSKIN, TASTE'S P1IME MINISTERS<br />

^51284561890^<br />

18 Point Ruskin. Great Primer. $2.65<br />

7 A. 24 Point Ruskin. Two-Line Pica.<br />

A<br />

^MflSIGAI/^im\ rTM?><br />

A'<br />

A A 4>(<br />

36 Point Ruskin. Two-Line Great Primer.<br />

>li LvluJ'Jl<br />

5) f<br />

?>) ~A<<br />

a\ t/ iy.A\ -<br />

$3.25<br />

$4.05<br />

) >><br />

7%


Registered, No. 6104.<br />

7 A, 16 a. 18 Point Meballic- Three-Line Nonpareil. 3.00<br />

|prf)313 |3MPlDJJ}3il<br />

to JB3JHD3<br />

j)3ipllfll $3MD3pSD<br />

24 Point Medaivlic Two-Line Pica. 3.95<br />

1 fetoj tiffih jjtaato] *jMi<br />

4 A, 8 a. 36 Point Medai/lic Three-Line Pica.<br />

1111<br />

Registered, No. 33,830.<br />

v->l<br />

18 Point Crayon. Three-Line Nonpareil. 4.05<br />

5 A, 10 a. 24 Point Crayon. Two-Line Pica.<br />

me ;Ziei artsiCTi<br />

3 A, 5 a.<br />

^aqw ^eve<br />

36 Point Crayon. Three-Line Pica.<br />

Atlantis fa<br />

The MacKellar, Smiths & Jordan Co.<br />

ALL COMPLETE WITH FIGURES.<br />

306<br />

Sansom Street, Philadelphia.<br />

6.30<br />

3


10 A, 14 a. 22 Point VLi^auet. Two-Line Small Pica. $5.50<br />

^ ^b || ^b. ^y Jffl^ JiU<br />

ejS; 4^i y* II && J& sjp<br />

fftsiliag J|lmfa s |lliM $teii<br />

7 A, 12 a. 28 Point Minaret. Two-Line English. si;.<<br />

^Psv&k ptatiisMag Pxtsf ei<br />

f @


Registered, No. 9218.<br />

12 A. 12 Point Steelplate Gothic Pica, $2.15<br />

wmmmmm rin)E0097feM&<br />

peBPHm,r mmutmm mwwmmmw<br />

8 A. 18 Point Steelplate Gothic Three-Line Nonpareil. $2.45<br />

LI^(IM< iOIRiilllK!<br />

SUBURBAN DISTURBANCES<br />

7 A. 24 Point Steelpi>ate Gothic Two-Line Pica. $3.00<br />

OVERHANGING<br />

WKOiPOINi UUPiilOjtf<br />

4 A. 36 Point Steex,plate Gothic Three-Line Pica. 4.10<br />

REMEMBERING<br />

lb ||> iii p nUtoiiw I w IWiiPJlWJbf iHrlrlrvlrVVr<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


18 Point Mezzotype. Great Primer.<br />

ul A'croltja.s, ,'# yield)<br />

12 545 67890<br />

$2.80<br />

!6tftttd<br />

4 A, 8 a. 24 Point Mezzotype. Two-Line Pica. $4.15<br />

8iiL<br />

l<br />

X'.e'iii^kcld jttufkcrifigd<br />

3 A, 5 a. 36 Point Mezzotype. Two-Line Great Primer.<br />

CCMftjj iw**cy<br />

18 Point Celtic Single Shade.<br />

12 A. Great Primer. $4.35<br />

IT 74<br />

$4.90<br />

22 Point Celtic Single Shade.<br />

10 A. Two-Line Small Pica. $4.!<br />

crier m<br />

DHUMMI1<br />

7 A. 28 Point Celtic Single Shade. Two-Line English.<br />

5.&5<br />

;|<br />

18 Point Celtic Shaded.<br />

22 Point Celtic Shaded.<br />

12 A.<br />

(??*ea Primer. $4.35<br />

10 A. Two-Line Small Pica. $5.00<br />

SPOKES 21 BIRDS 76<br />

28 Point Celtic Shaded. Two-Line EngMk,<br />

3 1MD'C<br />

77^ MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

309


8 Point Cameo.<br />

18 A. Brevier. 2.40<br />

V'dl^Sl'&'l'l U^1^ J^^<br />

12 Point Cameo.<br />

14 A. Pica. $3.:<br />

WWMW'W'W<br />

tm wmwnmmwt<br />

10 Point Cameo.<br />

Long Pri?ner. $2.90<br />

18 Point Cameo.<br />

Great Primer. $3.50<br />

HWlf w@<br />

22 Point Cameo. Two^Line Small Pica. $3.60<br />

8 /MSWAPSSfflS<br />

10 Point Copperplate.<br />

18 A. Long Primer. $2<br />

IEAS1T T MAHDILIE<br />

1813415 6^81) D<br />

28 Point Cameo. Two-Line-English. $4.90<br />

18 Point Copperplate. Great Primer.<br />

)<br />

24 Point Copperplate. Two-Line Pica.<br />

12 Point Copperplate.<br />

16 A. Pica. $3.20<br />

The MacKellar, Smiths &* yordan Co. Sansom Street, Philadelphia.<br />

3io<br />

$3.80


12 Point Stkncil.<br />

10 A, 16 a. Pica. $3.30<br />

18 Point Stencil.<br />

7 A, 10a. Three-Line Nonpareil. $4.20<br />

iLSS'pILDl'jiS JIM Jisu^ia<br />

6 A, 8 a. 24 Point Stencil Two-Line Pica. $5.20<br />

XLLiiAiYJ) irXTJTJf<br />

Point Stencil. Three-Line Pica. $7.90<br />

(tfnitfp\\NfIRIPDWm^<br />

18 Point Pictorial.<br />

12 A. Three-Line Nonpareil.<br />

24 Point Pictorial.<br />

8 A. Two-Line Pica. $2.75<br />

uuuuvC see wes Sill HOMES<br />

Ml 1<br />

u<br />

:?(> Point Pictobiai* Three-Line Pica. $3.90<br />

VLL COMPLETE WITH FIGURES.<br />

The MacKt liar, Smiths &> Jordan Co. Sansoni Street , Philadelphia.<br />

3"


24 Point Fresco.<br />

5 A, 10 a. Two-Line Pica. $3.90<br />

3 A, 5 a.<br />

JIH<br />

r r<br />

48 Point Fresco. Four-Line Pica.<br />

^K^m^fmmmi<br />

12 A.<br />

a<br />

0!^-^i)7D<br />

24 Point Tinted.<br />

Two-Line Pica. $3.30<br />

Point Fresco.<br />

w<br />

4 A, 6 a. Three-Line Pica. 4.50<br />

wm<br />

Tr\<br />

-U.))%S<br />

REGISTERED, NO. 30,591.<br />

8 A.<br />

18 Point Tinted.<br />

Three-Line Nonpareil. $2.65<br />

30 Point Tinted.<br />

5 A. Five-Line Nonpareil. $3.85<br />

\<br />

LU.<br />

36 Point Tinted. Three-Line Pica. $4.60<br />

aasfsa sraasa<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

312


12 Point Radiant.<br />

Pica. $3.10<br />

S13OT33J f>tl3fl<br />

hsm<br />

18 Point Radiant.<br />

Great Primer. $3.80<br />

3i 845<br />

10 A. 24 Point Radiant. Two-Line Pica. $4.50<br />

\\^^\^# wwslwsr \\\\\\\\\w\\K w?\ w<br />

An appropriate space isfurnished with<br />

JJBIi<br />

36 Point Radiant. Two-Line Great Primer. $5.15<br />

the kerned letters A,<br />

12 Point Radiant, No. 2.<br />

18 A. Pica. $2.70<br />

iisiriBi tresis<br />

iiiii;<br />

Mi<br />

\\\\\\\\\\\\\\\VA\\\\\\\\\\\ WSSC^ \\\\\\\\\\\\\N<br />

the font, to be used when required after<br />

F, U, V, IV and Y.<br />

18 Point Radiant, No. 2.<br />

14 A. Great Primer. $3.50<br />

24 Point Radiant, No. 2. Two-Line Pica. $4.10<br />

'TOW<br />

36 Point Radiant, No. 2. Two-Line Great Primer.<br />

kLL COMPLETE WITH FIGURES.<br />

The MacKcllar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


12 Point Keystone Open.<br />

12 A, 18 a. Pica. $3.80<br />

inutility UstabMsfoed<br />

22 Point Keystone Open.<br />

7 A, 10 a. Two-Line Small Pica. $5.30<br />

n Dimes<br />

18 Point Keystone Open.<br />

8 A, 14 a. Great Primer. 4.80<br />

JOkwyrUrJKJJ<br />

II war _^.m &<br />

ikv Heights<br />

28 Point Keystone Open.<br />

5 A, 7 a. Two-Line English. 6.30<br />

HIMG<br />

2FHorses<br />

TRUE<br />

3A,5i Point Keystone Open. Two-Line Great Primer. 6.55<br />

Friend IS<br />

12 Point Keystone.<br />

18 A, 28 a. Pica. 3.55<br />

14 A, 14 a.<br />

18 Point Keystone.<br />

Great Primer. 4..35<br />

DETECTIVES HYMEN'S<br />

Fashionable Females<br />

Shady Retreat<br />

1234-5678 1234567<br />

10 A, 14 a.<br />

22 Point Keystone.<br />

Two-Line Small Pica. 5.30<br />

TOUGHS<br />

7 Fat Dudes<br />

8 A, 14 a.<br />

28 Point Keystone.<br />

JUST<br />

Two-Line English. 7.05<br />

3 Women<br />

7 A, 10 a. 36 Point Keystone. Two-Line Great Primer.<br />

Merrie MUSE 15<br />

40 Point Keystone. Double Paragon.<br />

76 ICE Banks<br />

The MacKellar, Smiths &> Jordan Co. Sanson Street, Philadelphia.<br />

3M


10 Point Opaque Shaped.<br />

18 A. Long Primer. $2.75<br />

PEOPLE-SERVERS<br />

12 Point Opaque Shaded.<br />

14 A. Pica. $2.95<br />

cobbing- Tim<br />

12345678<br />

18 Point Opaque Shaded.<br />

22 Point Opaque Shaded.<br />

10 A. Great Primer. 7 A. Two-Line Small Pica.<br />

$3.55<br />

$3.55<br />

KUNDJLNS ACrEWTTS<br />

28 Point Opaque Shaded. Two-Line English. $4.70<br />

BRIGH TNTRSi<br />

8 Point Plain Shade.<br />

18 A. Brevier. $2.40<br />

FSBSB&Xi GOtTBT<br />

JUSTICE IIP EQUITY<br />

12 Point Plain Shade.<br />

Pica.<br />

10 Point Plain Shade.<br />

18 A. Long Primer. $2.75<br />

TROTS ULW<br />

UNIFORM RIGHTS<br />

1284507890<br />

Rumr<br />

18 Point Plain Shade.<br />

10 A. Great Primer.<br />

D) 5<br />

EJ !<br />

. 1,J!EJ.M !TJ 'E J<br />

!<br />

.<br />

22 Point Plain Shade. Two-Line Small Pica.<br />

BLOQUXRT<br />

28 Point Plain Shade. Two-Line English.<br />

Qmmtzrmtt4.G5<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

315<br />

$3.50<br />

E<br />

$3.70


12 A, 18 a. 22 Point Gothic Ornate. Two-Line Small Pica. $4.30<br />

IISII IIIIIS nl luislil fremii m<br />

A, 12 a. 28 Point Gothic Ornate. Two-Line Encjlixh. 95.00<br />

Psniiis lislsl If 111 Hill<br />

7 A, 10 a. 36 Point Gothic Ornate. Two-Line Great Primer.<br />

Ifllliillill Business<br />

$6.50<br />

48 Point Gothic Ornate. Four-Line Pica. $9.00<br />

ii iiiitiii eiEiis<br />

5 A, 6 a. 60 Point Gothic Ornate. Five-Line Pica $11.25<br />

iiiilii SI<br />

r2 Point Gothic Ornate. Six-Line Pica $15.20<br />

If Ink HILLS<br />

A, 5 a. 84 Point Gothic Ornate. Seven-Line Pica. $17.15<br />

ORE Mines12<br />

1'he MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

316


25 A, 42 a.<br />

6 Point Francoxiax.<br />

Nonpar* it. $3.25<br />

IMPORTANT TO CAPITALISTS<br />

Chances Cor Old Fogies<br />

Valuable Services of Young Men Proffered<br />

Pleasing Manners and Address<br />

1284567890<br />

8 Point Franconian.<br />

25 A, 42 a. Brevier. $4.00<br />

BUSINESS REQUISITES<br />

Excellent Petty Cash-Book Keeper<br />

Energetic Supervision<br />

1284567890<br />

18 A, 32 a. 12 Point Francoxiax-Pica. $4.70<br />

COMPENSATION TO CTIHBEE4II0I<br />

Only Incentives<br />

Desire for General Usefulness, Fondness for Labor I8S<br />

12 Point Gothic Ornate, No. 2.<br />

14 A, 20 a. Pica. $3.35<br />

POLITICAL PORRIME<br />

Feeding-Times<br />

Succeeding Every Election<br />

/ 1234567890/<br />

18 Point Gothic Ornate, No. 2.<br />

10 A, 14 a. Ghval Primer. $3.50<br />

Homespun<br />

8 A, 14 a. 22 Point Gothic Ornate, No. 2. Two-Line Small Pica. $4.75<br />

ctions<br />

7 A, 10 a. 28 Point Gothic Ornate, No. 2. Two-Line English. $6.00<br />

SMOKING LESJ<br />

Quarrelsome Stomachs f!<br />

r> A, 7 a. 36 Point Gothic Ornate, No. 2. Two-Line Great Primer.<br />

CONVENTIONS<br />

457 Eventide Meetings<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

317


10 Point American.<br />

22 A, 32 a. Long P>-imer. 3.00<br />

12 Point American.<br />

20 A, 25 a. Pica. $3.15<br />

ARTISTIC ACCQiimms<br />

Mfui stock Repots luifietini Dilittpy liMmciial lusgm<br />

mmnm 1114117811<br />

18 Point American.<br />

14 A, 18 a. Great Primer. $3.65<br />

ill AMI BEASTS<br />

SnYMils tarn luittfti<br />

24 Point American.<br />

10 A, 14 a. Two-Line Pica. 4.!<br />

A, 8 a. 36 Point American- rmoXine Great Primer. 5.60<br />

I iironsrmsly IAHN0D<br />

22 A, 32 a.<br />

18 Point Phidiax.<br />

Great Primer. $3.75<br />

lltetag diamond?, fiolden |arnW<br />

28 Point Phidian.<br />

14 A, 20 a. Two-Line English. 5.25<br />

COMPLETE WITH FIGURES.<br />

n<br />

22 Point Phidian.<br />

18A,28a. Two-Line Small Pica. $4.25<br />

; W<br />

jupper^iWjIl^eiffidjrUi<br />

36 Point Phidian.<br />

12 A, 18 a. Two-Line Great Primer. 0.20<br />

A- L~ k > i Li. J<br />

40 Point Phidian. Double Paragon. 6.00<br />

|lil| |iteigg<br />

7%* MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


12 Point Horizontal.<br />

14 A, 20 a. Pica. $3.95<br />

TSWBEEEBSWWM<br />

miiuMo y-sasiy sijiiiiji^<br />

18 Point Horizontal.<br />

10 A, 14 a. Cheat Primer. $4.65<br />

24 Point Horizontal. Two-Line Pica. $5.50<br />

36 Point Horizontal. Two-Line Great Primer, $8.10<br />

rBsiinMLnivm'<br />

Ute^*!! M22M<br />

12 Point Monumental.<br />

14 A, 20 a. Pica. $3.95<br />

IPIEIEaiLtB)<br />

7 A, 10 a. 24 Point Monumental. Two-Line Pica.<br />

10 A, 14 a.<br />

18 Point Monumental.<br />

Great P>-imer.<br />

IBUJILMCDKI<br />

$4.65<br />

36 Point Monumental. Two-Line Great Primer. $8.40<br />

fflBSflCKBIEB<br />

The MacKellur, Smiths


6 Point Round Shaded.<br />

36 A, 42 a. Nonpareil. $4.40<br />

w&y* & etUNAftQueio. punters;, mm<br />

36 A, 42 a.<br />

8 Point Round Shaded.<br />

Brevier. $5.60<br />

><br />

Ma!ji


12 Point Aquatint.<br />

14 A, 20 a. Pica. $3.70<br />

HOODWINKED<br />

@TOt! Pons Mo rat ions<br />

18 Point Aquatint.<br />

10 A, 14 a. Great Firmer. $4.25<br />

RUSH I NO<br />

Mountain Streams<br />

42 345 7!>i<br />

7 A, 10 a. 24 Point Aquatint. Two-Line Pica, $5.55<br />

MfDEST HOMES}<br />

36 Point Aquatint. Two-Line Great Primer.<br />

IIlMilfl<br />

A, 14 a.<br />

22 Point Badiated.<br />

Two-Line Small Pica. $6.00<br />

B fnfre&d$g<br />

40 Point Badiated. Double Paragon<br />

$7.20<br />

28 Point Badiated.<br />

7 A, 10 a. Two-Line English. $7.50<br />

TIFFS<br />

MJ M*i -M k^<br />

Insect 1<br />

f ^<br />

||ustructors|<br />

19.75<br />

a 16^ S<br />

P<br />

Tlie MacKellar, Smiths &* "Jordan Co. Sansom Street , Philadelphia.


12 Point Japanesque, No. 2.<br />

12 A. Pfctt, $2.30<br />

OPPORTUNITY<br />

1M45<br />

18 Point Japanesque, No. 2.<br />

8 A. Grea Primer. $2.75<br />

SITMHIMS<br />

24 Point Japanesque, No. 2. Two-Line Pica.<br />

GOURTBSI1ES<br />

1934<br />

12 Point Japanesque, No. 3.<br />

12 A. .Pica.<br />

12345<br />

$3.70<br />

18 Point Japanesque, No. 3.<br />

A. Great JPrimer. 2.75<br />

24 Point Japanesque, No. 3. Two-Line Pica.<br />

ItNABfEOTEB<br />

12 Point Japanesque.<br />

Pica. $2.30<br />

12 A.<br />

GOLD NUGGETS CONQUEST<br />

$3.70<br />

18 Point Japanesque.<br />

Great Primer. $2.75<br />

12345 1234<br />

24 Point Japanesque. Two-Line Pica.<br />

$3.70<br />

TRIUMPHANT<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

322


6 Point Broadgauge Shaded,<br />

25 A. Nonpareil. $3.75<br />

BONA-FIDE<br />

ALMANAC FOR 181V<br />

10 Point Broadgauge Shaded.<br />

18 A. Long JPrimer. $4.10<br />

TRIPS<br />

18 Point Broadgauge Shaded.<br />

Great Primer. $5.50<br />

8 Point Broadgauge Shaded.<br />

2 A. Brevier. $4.00<br />

couhtry<br />

HUSKINGS ei"7I<br />

12 Point Broadgauge Shaded.<br />

14 A. Pica. $4.20<br />

22 Point Broadgauge Shaded.<br />

7 A. Two-Line Small Pica. $5.10<br />

5 A. 28 Point Broadgauge Shaded. Two-Line English. $6.25<br />

5 A.<br />

36 Point Broadgauge Shaded. Two-Line Great Ptnmer.<br />

fl<br />

MINE 3<br />

A.<br />

40 Point Broadgauge Shaded. Double Paragon.<br />

si!.;<br />

12 Point Broadgauge Ornate<br />

14 A. Pica. $3,<br />

22 Point Broadgauge Ornate.<br />

7 A. Two-Line Small Pica. $4.60<br />

5!<br />

$8.90<br />

i<br />

18 Point Broadgauge Ornate.<br />

10 A. Great Primer. $4.80<br />

tiK<br />

28 Point Broadgauge Ornate.<br />

m<br />

A. Two-Line English. $5.65<br />

36 Point Broadgauge Ornate. Two-Line Great Primer.<br />

The MacKellar, Smiths &* "Jordan Co. Sansom Street, Philadelphia.<br />

323


36 Point Byzantine. Two-Line Great Primer. $7.a r ><br />

20 Point Ornamented, No. 11. Two-Line Long Primer. $7.70<br />

HELD SPOHTS<br />

Base Sail asd Cricket Games<br />

Athletic Exercise 123<br />

Point Ornamented, No. 24. Two-Line Great Primer.<br />

[Patented.]<br />

^^ft?f{^?ftFf{ ^ff^f^^ff^^rff<br />

Aurora a DeftHteons neaveiis<br />

rostod Niagara Mi<br />

The MacKellar, Smiths &* "Jordan Co. Sansom Street, Philadelphia.<br />

324<br />

$5.90


22 Point Uniquk, No. 2.<br />

12 A, 20 a. Two-Line Small Pica. $4.40<br />

JVfa^pie Rifling Jrinljetg 13<br />

28 Point Unique, No. 2.<br />

A, 16 a. Two-Line English. $5.35<br />

Moilern (Jjurio$itie$ 2<br />

7 A, 12 a. 36 Point Unique, No. 2. Two-Line Great Primer. $6.10<br />

fiooil (Jjhililrei! Prepared for j^chool W>\<br />

22 Point Unique. ~"2k5|^^-V"' 28 Point Unique.<br />

12 A, 20 a. Two-Line Small Pica. $4.40 T^&J 8 A, 16 a. Two-Line English. $5.50<br />

tatoplaptie<br />

irnifi<br />

[f itl %liliiiaip |<br />

7 A, 12 a. 36 Point Unique. Two-Line Great Primer. $6.50<br />

22 Point Romanesque. ^L^JktT 28 Point Romanesque.<br />

A, 14 a. Two-Line Small Pica. $3.60 ^P^ai 7 A, 12 a. Two-Line English. $4.85<br />

ARS<br />

[isef^ievous illjifbreii<br />

w a J*<br />

||aeaat positions<br />

5 A, 8 a. 36 Point Romanesque. Two-Line Great Primer. $5.10<br />

ligfjkcn<br />

The MacKellar, Smiths &> Jordan Co.<br />

333<br />

0rafioiis<br />

Sansom Street, Philadelphia.


wmmmmmMmm<br />

24 Point Arboret. Two-Line Pica.<br />

^ -:<br />

:<br />

-vv/<br />

mmaam<br />

43 42 21 40<br />

ALL COMPLETE WITH FIGURES.<br />

Combination Border, Scries 95, is designed to work with Arboret.<br />

Registered, No. 6ioi.<br />

8 A. fo.00<br />

The MacKellar, Smiths &> Jordan Co. Sanson/ Street, Philadelphia.<br />

334


12 Point Aeboret, No. 2. Pica.<br />

SPRING<br />

UNDERWEAR<br />

! 17 18 12 10 9<br />

10 A. $3.80<br />

I O O J : U Registered, No. 32,316.<br />

18 Point Aeboret, No. 2. Three-Line Nonpareil. $4.90<br />

27 26 25<br />

_<br />

IS'VjAi.<br />

^ ^ 3C d* Sfra<br />

\ m m<br />

10 9 11 15 24 23 31 28<br />

24 Point Aeboret, No. 2. Two-Line Pica<br />

& ^ m COMPLETE WITH FIGURES<br />

The MacKc liar, Smiths &= Jordan Co. Sansoiu Street, Philadelphia.<br />

335


16 Point Filigree. Two-Line Brevier. 4.35<br />

JwraEEGDOEES -OF ^ftMEHMEHS V<br />

IIODEXOTp^OME^ :;<br />

2 3 5<br />

P[LKES OF ^HOl<br />

, i'MKET^HES OF MOLcUMBUS, < >. -,<br />

12 15 14 11<br />

? I<br />

]<br />

U 9 10<br />

1 f 8 7 , 4 l<br />

n k W ?<br />

6 A, 14 a. Two-Lixe Long Primer Filigree. $5.90<br />

wwmm (Jommeefee<br />

"<br />

iMpp-E-(^01^<br />

11 12 13 H 15<br />

89 H &. SB? 5<br />

,ufik,.<br />

j J||&MP^J|l^<br />

:.-<br />

f ,:<br />

7 5 2<br />

24 Point Filigree. Two-Line Pica. 6.60<br />

&&$<br />

J"<br />

^EM^EXX^LcPB s<br />

: rg* ?/?.^g^4^e<br />

-P<br />

:0 OPXePEE BIIIEIc^eElIlR.<br />

, ^.fr e)<br />

15 16 17 18<br />

1 f<br />

20 21 22<br />

li 4w *<br />

ii <br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

336


4 A, 7 a.<br />

^fe<br />

^^^<br />

15<br />

Two-Line Great Primer Filigree.<br />

^r<br />

11 7 1 3 4 5 6<br />

^ -o-*-o. ^<br />

16 17 19<br />

V Jordan Co Sansom Street, Philadelphia.<br />

337


14 A. 18 Point Believo, No. 2. Great Primer. $3.70<br />

wiuiRoiRftL mmmmmm<br />

W^^wibw fft9?$^r^*7$ r^^^h^^'Jr'VT'<br />

tmmmmm


Patented Feb. 18, 1890.<br />

Registered, No. 141,360.<br />

7 A. 36 Point Stipple. Three-Line Pica. $5.35<br />

48 Point Stipple. Four-Line Pica. $6.90<br />

Stipple Series Shown in Combination.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

339


12 Point Greenback.<br />

10 A, 28 a. JPica. $3<br />

Ming St&% 1D


Registered, No. 153.671.<br />

18 Point Fillet. Three-Line Nonpareil. $3.25<br />

24 Point Fillet. Two-Line Pica. s:;.s:><br />

Point Fillet.Three-Line Pica. $4.85<br />

15 H 13<br />

ALL COMPLETE WITH FIGURES.<br />

This series is designed to work beautifully ivith Combination Border, Series qq.<br />

The MacKellar, Smiths &f Jordan Co. Sansom Street, Philadelphia.<br />

34i


Registered, No. 143,982.<br />

12 Point Jenson. ^^il'^^-V"' 14 Point Jenson.<br />

16 A, 25 a. Pica. $2.85 ^J^bJ 14 A, 20 a. .*:;.().',<br />

INFORMATION FASCINATING<br />

Advertised Newsdealer JOVcQik CogitatioQ<br />

1234567890 1234567890<br />

18 Point Jenson.<br />

2* Poi* T Jenson.<br />

in A<br />

12 A, 18 a. Three-Line 10 A, Id a. Two-Line P,ca. $4.60<br />

Nonpareil. $3.85<br />

friendship CRANKY<br />

E^oiog Cbitcbat Koigbt Errai)t<br />

7 A, 10 a. 30 Point Jenson. Five-Line Nonpareil. $5.20<br />

PR0MNADIN


Registered, No. 151,34s<br />

9 A, 18 a. 12 Point Spiral. Pica.<br />

JDuII business


6 Point Oblique. ^skMf-*^ 8 Point Oblique.<br />

18 A. Nonpareil. 1.75<br />

T^t^l 10 A. Brevier. $2.10<br />

STREET SWEEPING OVERFLOWING<br />

COMMITTEE ON HYGIENE . __^<br />

proposes invited RIVERS &NI> LAKES<br />

1234567890 1234567890<br />

14 A. 10 Point Oblique. Long Primer. 2.25<br />

LUDICROUS MISTAKES<br />

ANTIQUARIAN AND PHILOSOPHICAL<br />

12S4S07S90<br />

10 A. 12 Point Oblique Pica. $2.25<br />

DOMESTIC CATTLE<br />

POSTHUMOUS BENEFACTORS<br />

I2S4SG7SOO<br />

7 A. 18 Point Oblique. Great Primer. |2.7S<br />

POLITICIANS<br />

SOCIETY MEETINGS<br />

5 A. 24 Point Oblique. Two-Line<br />

WRONGED<br />

Pica. 63.60<br />

C&VILOUSNESS<br />

ALL COMPLETE WITH FIGURES.<br />

y"/**' MacKellar, Smiths &" "Jordan Co. Sansom Street, Philadelphia.<br />

344


10 Point Continental,.<br />

18 A, 27 a. Long Primer. $3.65<br />

WHIPPING POST<br />

Association of Ancient Tramps<br />

18 Point Continental.<br />

10 A, 10 a. Great Primer. $5.00<br />

12 Point Continental.<br />

14 A, 20 a. Pica. $4.00<br />

ANTHROP(BAN<br />

1234368<br />

22 Point Continental.<br />

7 A, 14 a. Two-Line Small Pica. $5.40<br />

UTILITY<br />

mmer.<br />

28 Point Continental. Two-Line English. $6.40<br />

Ancestnd HONOR mi<br />

5 A, 10 a. 36 Point Continental. Two-Line Great Primer. $8.40<br />

gJOLLY Mfeguk<br />

8 Point Oblique Shaded.<br />

22 A, 32 a. Brevier. $4.50<br />

12 Point Oblique Shaded.<br />

14 A, 20 A. Pica. $5.30<br />

10 Point Oblique Shaded.<br />

18 A, 27 a. Long Primer. $4.;<br />

18 Point Oblique Shaded.<br />

10 A, 14 a. Great Primer. $6.35<br />

10 A, 14 a. 22 Point Oblique Shaded. Two-Line Small Pica. $8.30<br />

EFOitMi.yv<br />

7 A, 10 a. 28 Point Oblique Shaded. Two-Line English. $9.25<br />

'@&mK &MMBBEBS<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

345


6 Point Title Italic Open.<br />

30 A, 52 a. Nonpareil. $4.50<br />

./ N f) EFENB ENT FAR TIES<br />

Grasping for Spoils<br />

Fools Hush where Angels Fear to Tread<br />

12345(f>789<br />

10 Point Title Italic Open.<br />

18 A, 14 a, 32 a. Long Primer. $5.90<br />

BOMMMIAWS<br />

4S6 Agreeable Sem vants<br />

8 Point Title Italic Open.<br />

22 A, 18 a, 32 a. Brevier. $5.40<br />

Profit and Loss<br />

DEBT OF HONOM<br />

Extrente Ethics of Generosity<br />

12345678<br />

12 Point Title Italic Open.<br />

12 A, 10 a, 24 a. Pica. $6.00<br />

FREEBMEN<br />

Noisy Monkeys S24<br />

10 A, 10 a, 18 a. 18 Point Title Italic Open. Great Primer. $7.30<br />

97 UNSETTLED Heart Accounts<br />

10 A, 8 a, 12 a. 22 Point Title Italic Open. Two-Line Small Pica. $7.90<br />

ERA of Sterling HONESTY 81<br />

A, 5 a, 10 a. 28 Point Title Italic Open.<br />

MEN<br />

Two-Line English. $9.25<br />

ofIron Sinew<br />

10 Point Italic Inlaid.<br />

P^teaJ<br />

12 Point Italic Inlaid.<br />

18 A, 32 a. Long Primer. $4.60 KJJ^^ 14 A, 24 a. Pica. $5.10<br />

DELIGHTFUL BALLOON<br />

432 Momantic Mountains Q@ Seconds to MOOU<br />

18 Point Italic Inlaid. Great Primer. |S.60<br />

65 HINTS to help Quick TEMPER,<br />

22 Point Italic Inlaid. Two-Line Small Pica. $5.95<br />

Amels% NONE! Creditors, 423<br />

7 A, 10 a. 28 Point Italic Inlaid. Two-Line English. $7.10<br />

The Mac Kellar , Smiths & yordau Co. Sansom Street, Philadelphia.<br />

346<br />

I


8 Point Lithographic Slope,<br />

22 A, 32 a. Brevier. $4.10<br />

PUEITY ANjB OOUBAQE<br />

Highly BmQimimg Habilinsemt<br />

12 Point Lithographic Slope.<br />

14 A, 20 a. Pica. $4.20<br />

18 Point Lithographic Slope.<br />

10 A, 14 a. Great Primer. $5.60<br />

MET<br />

10 Point Lithographic Slope.<br />

18 A, 28 a. Long Primer. $4.10<br />

PAEEQE SGENB<br />

14 Point Lithographic Slope.<br />

14 A, 20 a. English. % L80<br />

FMmMmg W@w@m@mt<br />

22 Point Lithographic Slope.<br />

7 A, 14 a. Two-Line Small Pica. $6.15<br />

MASOS<br />

Mmsie F@@M@f MmM MpFlMMS<br />

12 Point Smithsonian.<br />

18 A, 28 a. Pica. $4.65<br />

BIBBTBBBBBBB<br />

18 Point Smithsonian.<br />

14 A, 20 a. Great Primer. 5.75<br />

i%faiiii Tumbling imMate<br />

12345078<br />

22 Point Smithsonian.<br />

10 A, 18 a. Two-Line Small Pica.<br />

36 Point Smithsonian.<br />

7 A, 10 a. Two-Line Great Primer. $9.50<br />

Armftfii<br />

M.L COMPLETE WITH FIGURES.<br />

28 Point Smithsonian.<br />

7 A, 12 a. Two-Line English. $7.00<br />

unr<br />

40 Point Smithsonian.<br />

5 A, 8 a. Double Paragon. $9.!<br />

The Mac/Cellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

347


10 Point Italic Copperplate. PF^^ 12 Point Italic Copperplate.<br />

ISA. Long Primer. $3.25 *>* Jordan Co. Sansom Street, Philadelphia.<br />

348


10 Point Fb. Clarendon Italic.<br />

JO A, 42 a. Long Primer. $2.25<br />

SUMMERTIDE LECTURES<br />

Aminadab Quacktone Joyfully Announces<br />

The Following Display of Talent<br />

1234567890<br />

18 Point French Clarendon Italic.<br />

18 A, 28 a. Great Primer. $3.:<br />

OFFICEHOLDERS<br />

12 Point Fr. Clarendon Italic.<br />

LINGUAL SPOUTERS<br />

$2.95<br />

Lawyers on Cross-Examinations<br />

1234567890<br />

22 Point French Clarendon Italic.<br />

14 A, 20 a. Two-Line Small. Pica.<br />

$4.15<br />

FIMEMRAB<br />

27 Pocketffling Machines 13 National Supplies<br />

12 A, 18 a. 28 Point French Clarendon Italic Two-Line English. $6.25<br />

WITNESSES to Truth and Trust 45<br />

8 Point Italic Ornate.<br />

22 A, 42 a. Brevier. $3.30<br />

$yMcM iAyNT(lN$S<br />

Momentous Questions (Regarding gime-gables<br />

Peace & Satisfaction of the Family<br />

1234567890<br />

12 Point Italic Ornate.<br />

14 A, 28 a. Pica. $3.75<br />

(Hunters # unners on the Chase<br />

1234567890<br />

10 Point Italic Ornate.<br />

18 A, 36 a. Long Primer. $3.30<br />

(Internal Storm premonitions # Sickness<br />

1234567890<br />

18 Point Italic Ornate.<br />

10 A, 18 a. Great Primer. $4.35<br />

34 Shoots * Blossoms<br />

A, 16 a. 22 Point Italic Ornate. Two-Line Small Pica. $5.00<br />

167 $$$$$ # (Happy earts<br />

5 A, 10 a. 28 Point Italic Ornate. Two-Line English. $5.60<br />

Mountains # ^4SMSi 32<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

349


12 Point Tilted.<br />

A, 25 a. Pica.<br />

Registered, No. 56,684.<br />

18 Point Tilted.<br />

$2.90 pJ^jsJ 6 A, 14 a. Three-Line Nonpareil. $3.60<br />

n > , !i) Peeuhap and<br />

Mumnt. and Om&m&l<br />

I e6ible < v-y ><br />

Quoting and egible<br />

123^36?<br />

123^36?<br />

24 Point Tilted. Two-Line Pica. $4.15<br />

pending {o (^i^eumsiiaziees<br />

ei surety ^riving ft op )Ubbotf 38<br />

10 Point Slanting Shaded.<br />

25 A, 36 a. Long Primer. $3.<<br />

FLATTERY AND TMM<br />

Guaranteed to Chip Name and Character<br />

1224591999<br />

14 Point Slanting Shaded.<br />

18 A, 32 a. English. $4.<<br />

Wild Beast EnoomimMS<br />

12 A, 20 a. 22 Point Slanting Shaded. Two-Line Small Pica.<br />

12 Point Slanting Shaded.<br />

22 A, 32 a. Pica. $4.35<br />

FINGER UOTEUMWTS<br />

Select Classes in Silent Speech<br />

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18 Point Slanting Shaded.<br />

16 A, 24 a.. Great Primer. $5.65<br />

xMmmnm<br />

145 Tmimi Bjmnasts<br />

MYSTIC WINDINGS<br />

$ by Mm&dled Pede<br />

JU0<br />

A, 14 a. 28 Point Slanting Shaded. Two-Line English. $6.1<br />

ATMOSPHERIC<br />

imalie Poms of Aquarius<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

$5.90


5 Point Extended.<br />

52 A. Pearl. $4.20<br />

.SO AXCIEXT BTKKPI.B 11 I1.1IKI1H<br />

5 Point Ornamented.<br />

52 A. Pearl. $2.80<br />

SOCIETY I0H THE PREVENTION 01" DRUNKENNESS 682<br />

10 Point Ornamented, No. 5.<br />

22 A. Long Primer. $3.50<br />

574 MONUMENTS<br />

12 Point Ornamented, No. 26.<br />

25 A. Two-Luxe Nonpareil. $4.35<br />

WJSKOT SHOTS<br />

16 Point Antique Open.<br />

22 A. Two-Line Minion. $5.20<br />

MO WE Y KING<br />

18 Point Ornamented, No. 14.<br />

14 A. Great Primer. $4.00<br />

89 SPECTRES<br />

20 Point Ornamented, No. 5.<br />

14 A. Two-Line Long Primer. $5.00<br />

22 Point Ornamented, No. 13.<br />

14 A. Two-Line Small Pica. $5.90<br />

5 Point Ornamented, No. 2.<br />

36 A. Pearl. $4.20<br />

J2&A JPTTXIXC JTXIOW SJPXi^JVG.S<br />

6 Point Ornamented, No. 2.<br />

52 A. Nonpareil. $3.00<br />

HANDSOME MINIATURE ORNAMENT* 87<br />

12 Point Ornamented, No. 25.<br />

22 A. Two-Line Nonpareil. $3.55<br />

68 SILVER HA1NS<br />

25 A.<br />

14 Point Tuscan.<br />

English. $4.35<br />

DEWBERRY PIES 53<br />

20 Point Ornamented, No. 19.<br />

14 A. Two-Line Long Primer. $4.70<br />

HBA<br />

22 Point Ornamented, No. 11.<br />

14 A. Two-Line Small Pica. $4.1<br />

W)


6 Point Ornamented, No. 4.<br />

30 A. Nonpareil, $2.75<br />

8 Point Ornamented, No. 4.<br />

25 A. Brevier. $3.00<br />

jmiMMram&a wmmwx^m iii^lE H I te d c l o ui<br />

aosei800 ift6fg$f<br />

10 Point Ornamented, No. 12. 12 Point Ornamented, No. 27.<br />

22 A. Long Primer. $3.00 18 A. Tivo-Line Nonpar< il. $3.00<br />

1S1AM1 IT RIDES<br />

18 Point Ornamented, No. 17.<br />

14 A. Great Primer. $3.70<br />

28 Point Ornamented, No. 25.<br />

7 A. Two-Line English. $4.05<br />

IS DROPS<br />

16 Point Ornamented, No. 11.<br />

14 A. Two-Line Brevier. $3.90<br />

'<br />

20 Point Ornamented, No. 20.<br />

14 A. Two-Line Long Primer. $4.70<br />

36 Point Ornamented, No. 19.<br />

'<br />

7 A. Two-Line Great Primer. $5.25<br />

SS HUGS<br />

20 Point Ornamented, No. 18.<br />

14 A. Two-Line Long Pr-imer. $5.00<br />

neramBs as DStKAli<br />

22 Point Ornamented, No. 20.<br />

10 A. Two-Line Small Pica. $3.70<br />

ft I<br />

28 Point Ornamented, No. 24.<br />

7 A. Two-Line English. $4.40<br />

BRASS 48<br />

36 Point Ornamented, No. 22.<br />

A. Two-Line Great Primer. $5.75<br />

r*7 -ri(\ir<br />

12 Point Rustic.<br />

A. Pica. $3.85<br />

S10K1M iOiifiS SI<br />

32 Point Rustic.<br />

Three-Line Small Pica.<br />

24 Point Ornamented, No. 30.<br />

Two-Line Pica. $5.45<br />

LOG<br />

28 Point Ornamented, No. 22.<br />

Two-Line English. $5.00<br />

36 Point Ornamented, No. 20.<br />

Two-Line Great Primer. $6.05<br />

IT1<br />

22 Point Rustic.<br />

Two-Line Small Pica.<br />

36 Point Rustic.<br />

Two-Line Great Primer.<br />

The MacKellar, Smiths


10 Point Ornamented, No. 9.<br />

25 A. Long P>-imer. $3.10<br />

12 Point Ornamented, No. 18.<br />

22 A. Two-Line Nonpareil. $3.55<br />

17 FEMALE GROWLERS 9 SPECKLED THOUT<br />

20 Point Ornamented, No. 10.<br />

14 A. Two-Line Long Primer. fLt<br />

24 Point Ornamented, No. 22.<br />

14 A. Two-Line Pica. $5.30<br />

CURB BITS 5 SOWERS 96<br />

12 Point Ornamented, No. 21.<br />

22 A. Two-Line Nonpareil.<br />

16 Point Ornamented, No. 10.<br />

18 A. Two-Line Brevier. $3.!<br />

m&MO'm mioY/n FB1M6B Bill!<br />

20 Point Ornamented, No. 13.<br />

14 A. Two-Line Long Primer. $4.25<br />

SG'ffLPTBIW-rkA<br />

10 Point Ornamented, No. 3.<br />

A. Long Primer. $3.90<br />

28 Point Ornamented, No. 17.<br />

10 A. Two-Line English. $5.10<br />

12 Point Ornamented, No. 15.<br />

22 A. Two-Line Nonpareil. $3.50<br />

CREEPING ELOWEKS M&WB&& &)<br />

18 Point Ornamented, No. 8.<br />

14 A. Great Primer. $4.20<br />

7<br />

8 Point Ornamented, No. 3.<br />

A. Brevier. $2.70<br />

24 Point Ornamented, No. 20.<br />

10 A. Two-Line Pica. $5.40<br />

10 Point Ornamented, No. 10.<br />

25 A. Long Primer. $3.75<br />

language; F FkOWSKS m 3SSE.H.HY' COUSINS S3<br />

12 Point Ornamented, No. 16.<br />

22 A. Two-Line Nonpareil. $3.95<br />

156 VEttCIfUJES<br />

24 Point Ornamented, No. m11.<br />

10 A. Two-Line Pica. $5.45<br />

giants<br />

20 Point Ornamented, No. 9.<br />

14 A. Two-Line Jxmg Primer. $4.95<br />

36 Point Ornamented, No. 9.<br />

7 A. Two-Line Great<br />

UN<br />

Primer. $7.05<br />

48 Point Ornamented, No. \r>. Four-Line Pica. $10.15<br />

The Mac Kellar , Smiths &f Jordan Co. Sansom Street, Philadelphia.<br />

36i


12 Point Tuscan Shaded, No. 4.<br />

Two-Line Nonpareil. $4.35<br />

If CLOTH GAITERS<br />

18 Point Tuscan Shaded, No. 3.<br />

18 A. Great Primer. $4.80<br />

*QSSEYE]<br />

22 Point Tuscan Shaded.<br />

Two-Line Small Pica. $4.90<br />

98 PEACHES<br />

28 Point Tuscan Shaded, No. 4.<br />

10 A. Two-Line English. $6.00<br />

12 Point Tuscan Antique.<br />

25 A. Two-Line Nonpareil. $4.05<br />

34 BUMPER CHECKS<br />

18 Point Tuscan Antique.<br />

18 A. Great Primer. $4.50<br />

SILK SKIRTS 25<br />

22 Point Tuscan Antique.<br />

14 A. Two-Line Small Pica. $4.65<br />

3 CHERRIES<br />

28 Point Tuscan Antique.<br />

10 A. Two-Line English. $6.50<br />

RIFLES 3 MINES 4<br />

36 Point Tuscan Shaded.<br />

7 A. Two-Line Great Primer. $5.45<br />

8 MUGS<br />

5 A,<br />

48 Point Tuscan Shaded.<br />

Four-Line Pica. $9.35<br />

36 Point Tuscan Antique.<br />

7 A. Two-Line Great Primer. $5.35<br />

8 SKINS<br />

48 Point Tuscan Antique.<br />

5 A. Four-Line Pica. $9.10<br />

IRON<br />

60 Point Tuscan Shaded, No. 2. 60 Point Tuscan Antique.<br />

5 A. Five-Line Pica. $10.50 5 A. Five-Line Pica. $11.05<br />

RICE SIZE<br />

r2 Point Tuscan Shaded.<br />

Six-Line Pica. $16.70<br />

72 Point Tuscan Antique, No. 2.<br />

Six-Line Pica. $15.90<br />

5 A.<br />

RIX DIN<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &*> Jordan Co. Sansom Street, Philadelphia.


12 POINT CHAMBL TEXT.<br />

12 A, 32 a. Pica. $3.85<br />

18 POINT CHAPEL TEXT -<br />

10 A, 28 a. Great Primer. $5.00<br />

Stmusntitm ofj \t^m*Mim Jithijar^ a!} J5ratn H(ottirf rs<br />

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8 A, 20 a. 22 Point Chapel Text- Two-Line Small J'ica. $5.30<br />

Jforo-fflafc^r* lip Jjiaimt* jSiaMf-|Wbr$<br />

1264507890<br />

A, 14 a. 28 Point Chapel, Text. Tivo-Line English.<br />

1234567890<br />

24 Point Medieval. 28 Point Medieval.<br />

8 A, 20 a. Two-Line Pica. $6.15 6 A, 14 a. Two-Line English. $5.95<br />

Wnmlfimipb Pinups<br />

^noting Qpotohs<br />

1234S6 12345<br />

5 A, 10 a. 44 Point Medieval. Four-Line Small Pica. $10.05<br />

iBfmonririr (tjmfrnnfol<br />

frfp %M |Kppt<br />

7'A* MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

367


20 Point Saxon Orxate Shaded, No. 2.<br />

A, 20 a. Two-Line Long Primer. $5.75<br />

Vmt % n$\<br />

24 Point Saxon Ornate Shaded, No. 2.<br />

6 A, 14 a. Two-Line Pica. $6.70<br />

f<br />

5 A, 10 a. 36 Point Saxon Ornate Shaded, No. 2.<br />

sy9<br />

ml $<br />

Two-Line Great Primer.<br />

20 Point Saxon Ornate Shaded.<br />

A, 20 a. Two-Line Long Primer. $5.75<br />

$11.00<br />

24 Point Saxon Ornate Shaded.<br />

6 A, 14 a. Two-Line Pica. $6.70<br />

36 Point Saxon Ornate Shaded. Two-Line Great Primer.<br />

20 Point Saxon Ornate.<br />

8 A, 20 a. Two-Line Long Primer. $5.75<br />

C|<br />

r<br />

r<br />

$10.75<br />

6 A, 14 a.<br />

24 Point Saxon Ornate.<br />

Two-Line Pica. $6.70<br />

c5<br />

Gg'J<br />

36 Point Saxon Ornate. Two-Line Great Primer. $10.75<br />

lg|!ion! wai&tioii&<br />

The fonts of 20 Point (Two-Line Long Primer) contain an assortment of Flourishes of 10 varieties ;<br />

Pica), 17 ;<br />

the 36 Point (Two-Line Great Primer), 24.<br />

the 24 Point (Two-Line<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

368


15 A, 42 a. 10 Point Antiquarian. Long Primer. $3.60<br />

Biscovcry of J234 (^entuijy-^iddcn tjrcaswjcs of (ftobujebbed j^ttic-^o^ner^ !<br />

Mot;m-Baten and $)u$t-(Povej]ed (^utjioaities<br />

8 Point Tudokesque.<br />

20 A, 52 a. Brevier. $4.70<br />

w&mmgL grutsrams<br />

Modern Fancies<br />

Jjfattghti) Knights'<br />

1234567890<br />

Stainless Standard<br />

18 Point Tudokesque.<br />

A, 20 a. Great Primer. $4.G5<br />

12 Point Tudokesque. .<br />

12 A, 32 a. Pica. $4.35<br />

Qt*E8 CJtt?im<br />

Mouthful Genius of Wight<br />

1234567890<br />

6 A, 14 a.<br />

22 Point Tudokesque.<br />

Two-Line Small Pica. $4.50<br />

83 id-Sttjie Bances 31 MiXVid &am88<br />

6 A, 14 28 Point Tudokesque. Two-Line English. $7.35<br />

Knight Templar's Inspiration<br />

Faith 123 45 fope<br />

22 Point Teutonic SHADED.<br />

8 A, 20 a. Two-Line Small Pica. $0.40<br />

123456<br />

:t Jordan Co. Sansoni Street , Philadelphia.<br />

369


12 Point AxgloGothic.<br />

8 A, 20 a. Pica. $3.20<br />

Athletic iDlbtime Festiuals<br />

12345678<br />

22 Point Anglo-Gothic Two-Line Small Pica.<br />

Ije itronycles of Englanbe<br />

18 Point Anglo-Gothic.<br />

8 A, 18 a. Great Primer. $3.90<br />

Continental (Travelers<br />

1234567<br />

an6 Bcotia<br />

Pflo5ern 123456 History<br />

22 Point Black Ornate Shaded.<br />

8 A, 20 a. Two-Line Small Pica. p.90<br />

ffiitbg<br />

onb Sate<br />

fate Ikdibaie's ffemrah<br />

28 Point Black Ornate Shaded.<br />

6 A, 14 a. Two-Line English. $4.;<br />

5SS<br />

ifWBSte<br />

A, 18 a.<br />

22 Point Teuton Text.<br />

Two-Line Small Pica. $4.20<br />

mum u<br />

A, 8 a. 40 Point Teuton Tkxt. Double Paragon.<br />

22 Point Black Ornate.<br />

A, 20 a. Two-Line Small. Pica. $3.90<br />

)onit Jjjrrrcsiire Jlmtttitiis<br />

28 Point Black Ornate.<br />

A, 14 a. Two-Line English. $4.80<br />

Inspection<br />

Jarlor llrmnenafles<br />

5 A, 10 a.<br />

32 Point Teuton Text.<br />

Three-Line Small Pica. $5.25<br />

$tmty fawn far %\ttb f>suts<br />

II!<br />

The MacKellar, Smiths &= yordan Co. Sansotti Street, Philadelphia.<br />

370


8 A, 20 a.<br />

18 Point Title Text.<br />

Great Primer. )|J0<br />

rlg ^Trains to Sran^ ShojJ,><br />

Yfgttttittg ^sprcss<br />

24 Point Title Text.<br />

6 A, 14 a. Ttoo-Line Pica. $4.85<br />

oltfcti iJljlcittUHg^<br />

fading %&int<br />

22 Point Titi.k Text.<br />

8 A, 20 a. Two-Line Small Pica. $4.30<br />

28 Point Title Text.<br />

6 A, 14 a. Two-Line English. $5.75<br />

||ighf peii ^cufuni<br />

5 A, 10 a. 36 Point Title Text. Two-Line Great Primer. $5.80<br />

meet Mtnvi flok<br />

%ttkv ^jjjrtffen bj| JUtatnt 1 0l!cr


18 Point Title Text Open.<br />

A, 20 a. Oreat Primer.<br />

A,<br />

22 Point Title Text Open, No. 2.<br />

20 a. Two-Line Small Pica. ?H.20<br />

\\ niinir; 11 liciioiitciin<br />

tmmmt<br />

nil llolflkun^<br />

22 Point Title Text Open.<br />

A, 20 a. Two-Line Small Pica. $4.;<br />

tmmt<br />

mn<br />

24 Point Title Text Open.<br />

6 A, 14 a. Two-Line Pica. f4.85<br />

28 Point Title Text Open. Two-Line English. $5.75<br />

lightning ^TalcnlatoTS<br />

5 A, 10 a. 36 Point Title Tkxt Ovex. Two-Line Great Primer. ?5.80<br />

tilitical fi|ftif| anil ^[orucr i1|;iltcir.s<br />

nlitle |i| a clmtatfom;<br />

40 Point Title Text Open. Double Paragon. >-).:<br />

^ arftigs IKmtfe of pientieiillc<br />

3 A, 5 a. 48 Point Title Text Open. Four-Line Pica. $6.85<br />

Ktqliegrteif<br />

anta<br />

77;t' MacKcllar, Smiths 6r= yordan Co. Sansom Street, Philadelphia.<br />

t<br />

V


24 Point Title Text Open, No. 3.<br />

6 A, 14 a. Two-Line Pica. $4.85<br />

36 Point Title Text Open, No. 3.<br />

5 A, 10 a. Two-Litie Great Primer. $5.1<br />

\A.<br />

6 A, 14 a.<br />

18 Point Graphic Text.<br />

Three-Line Nonpareil. $3.G<br />

;l iit ils an |]i!ijF<br />

ii:tBiil!]iil ^liislorinil<br />

( rY [<br />

I 1<br />

\I-V<br />

mm \<br />

28 Point Title Text Open, No. 3.<br />

6 A, 14 a. Two-Line English. $5.75<br />

T<br />

naubluij<br />

IrofradeilinleetiniiS<br />

40 Point Title Text Open, No. 3.<br />

4 A, 7 a. Double Paragon. $5.1<br />

-t-t<br />

itetiini<br />

24 Point Graphic Text.<br />

5 A, 10 a. Two-Line Pica. $3.95<br />

umj flwtfs<br />

36 Point Graphic Text. Three-Line Pica. $4.55<br />

QtntlUHTill tiufmiiiis<br />

The Mac Ktllar, Smith* & Jordan Co. Sansom Street, Philadelphia.


f^ftl<br />

jg,<br />

28 Point Eureka Text. Two-Line English. 6 A, 14 a. $7.50<br />

36 Point Eureka Text. Two-Line Great Primer. 6 A, 12 a. $9.00<br />

40 Point Eureka Text. Double Paragon. 5 A, 10 a. $9.20<br />

4 A, 8 a. $9.90<br />

tctuwi<br />

24 Point Eureka Shaded. Two-Line Pica. $4.90<br />

5 A, 10 32 Point Eureka Shaded. Three-Line Small Pica.<br />

f%fT PWAP*Wf Jordan Co. Sansom Street, Philadelphia.<br />

374<br />

$6.00<br />

ff<br />

$7.10<br />

$7.80


10 A, 28 a.<br />

6 Point Title Black.<br />

Nonpareil. $2.50<br />

lUirroscopic ileuclolioiis<br />

? user I 5Cifc<br />

\louartcs 'STh.rough a Urop of TOntcr<br />

Customs of th* inhabitants<br />

12 045 0789<br />

10 Point Title Black.<br />

8 A, 20 a. Long Primer. $2.85<br />

Correct Habits<br />

(^unrnnfees ot Congeottg<br />

^Tirreescore nno ^en<br />

1204567<br />

8 Point Title Black.<br />

8 A, 20 a. Brevier. $2.70<br />

Hills and fallens<br />

311 a ii ii in in Summer 3 aunts<br />

1 in inn in Hi e Uloods<br />

1234567390<br />

7 A, 1G:<br />

12 Point Title Black.<br />

Pica. $3.00<br />

(ftrcat Bictorg<br />

National Coon Hunt<br />

^ull (Same Bags<br />

1234507<br />

18 Point Title Black. Greet* Primer. $3.40<br />

Moonlight Association<br />

Uncertainty of forked Ciglttnina<br />

1204567690<br />

24 Point Title Black. Two-Line Pica. $4.45<br />

public Speakers<br />

^Rme^fiouorei Customs<br />

36 Point Title Black. Two-Line Great Primer. $6.10<br />

Ifree Xante<br />

Unfettered Press<br />

ALL COMPLETE WITH FIGURES<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.


Registered, No. 6105.<br />

18 Point Title Black Shaded. Great Primer. 6 A, 10 a. $3.40<br />

Vci m n it re. ~L en ejues<br />

3T1 a on [i<br />

cj[yt Jattmts ta 3iir&mlmt&<br />

3Ut1Q?& Ctrmtjirt 31npimiej<br />

24 Point Title Black Shaded. Two-Line Pica. 4.45<br />

450100<br />

3 A, fia. 36 Point Title Black Shaded. TtVO-Liane Great Primer. $6.10<br />

'<br />

tttlt dfas<br />

The MacKellar, Smiths & Jordan Co.<br />

&*> &&<br />

376<br />

Sansout Street, Philadelphia.


j.<br />

f<br />

Registered, no. 6103.<br />

W~<br />

;1f<br />

Fiaai %Mf^fnt<br />

,~^<br />

18 Point Lady Text. Three-Line Nonpareil. 18.90<br />

2 3 4 6 9 8 7 5 1<br />

t * ;* \ 4 A *<br />


6 Point Caxton Black. i<br />

8<br />

Point Caxton Black.<br />

14 A, 45 a. Nonpareil. $1.75 12 A, 40 a. Brevier. $2.15<br />

3u&t issue* Qt twoSmp0 cmo Company Qfttanftinb 3nffuenceb fig fimafe<br />

ifi3eb<br />

(particufar escrtpfion of fge gKt>ebaf Samtf2 foraging Qpropencif ies of gumatuf<br />


28 Point Text Ornate.<br />

8 A, 20 a. Two-Line Eruilixh. $5.00<br />

I*mHflr|affflwfy^<br />

40 Point Text Ornate.<br />

A, 14 a. Double Paragon. |6.68<br />

Ittt^i Imifbttl mttnttm<br />

5 A, 10 a. 48 Point Text Ornate. Four-Line Pica. $7.20<br />

A,<br />

18 Point Illuminated, No. 2.<br />

14 a. Great Primer. $3.90<br />

24 Point Illuminated, No. 2.<br />

5 A, 10 a. Two-Line Pica. 5.30<br />

j@<br />

4 A, 7 a. 36 Point Illuminated, No. 2. Two-Line Great Primer. $6.45<br />

^IHiP<br />

A, 14 a. 18 Point Illuminated. Great Primer. $4.30<br />

tnmmmm<br />

24 Point thLVWarATED. Two-Line Pica. $5.25<br />

m Mmismt W^M^mm<br />

4 A, 7 a. 36 Point I i.i.im inatkh. Two-Line Great Primer. $G.G5<br />

$Mak &mm M<br />

The MaeKetlar, Smiths 4* Jordan Co. Sansom Street, Philadelphia.<br />

379


16 Point Queen-Anne Text.<br />

A each, 20 a. Two-Line Brevier. |4J0<br />

ileiDand fon gallant rfonduct<br />

|J,econd of proceedings of the Society<br />

Regulating the (nnegulan<br />

1234561890<br />

24 Point Quekn-Anxk Text.<br />

4 A each, 10 a. Two-Line Pint. |45<br />

lymphs<br />

of the<br />

||ashpaDC<br />

123456T890<br />

3 A each, 6 a. 36 Point Queen-Anne Text. Three-Line Pica. |7.36<br />

ronoacatioQ of<br />

18 Point Ripple Text.<br />

A, 18 a. Great Primer. $3.1)5<br />

Monthly Sociable^<br />

f<br />

$ Conccntions<br />

1I|;45fi78!)II<br />

ons and<br />

aucjhtens<br />

til Ol'KN. Shaded.<br />

36 Point Ripple Text. Two-Line Great Primer.<br />

6 A,<br />

24 Point Ripple Text.<br />

14 a. Two-Line Pica. |5.15<br />

Jlomestic fdidtij<br />

liiJiti<br />

p'iuut loin pang<br />

11UK1T11I<br />

The MacKcIlar, Smiths & Jordan Co. Sansotit Sti-eet, Philadelphia.<br />

180


22 Point Medieval Text Ornate.<br />

12 A, 32 a. Tivo-Line Small Pica. $4.70<br />

ImMt |oiiml |dd!Ii |jkrfn<br />

36 Point Medieval Text Ornate.<br />

A, 14 a. Two-Line, Great Primer. $4.<br />

pafifjlaik pfi$|tj<br />

28 Point Medieval Text Ornate.<br />

A, 20 a. Two-Line English. $4.70<br />

kAaiipf fw ittt Ififlfe<br />

40 Point Medieval Text Ornate.<br />

6 A, 14 a. Loubte Paragon. $5.60<br />

48 Point Medieval Text Ornate. Four-Line Pica. $7.20<br />

IfMfififa pwlii pwwi<br />

22 Point Medieval Text.<br />

12 A, 32 a. Two-Line Small Pica. $4.70<br />

36 Point Medieval Text.<br />

A, 14 a. Two-Line Great Primer. $4.80<br />

28 Point Medieval Text.<br />

A, 20 a. Two-Line English. $4.70<br />

40 Point Medieval Text.<br />

A, 14 a. Double Paragon. $5.i<br />

^m\\m\ twiilf iwwflB Irlifrflfp<br />

5 A, 10 a.<br />

48 Point MEDIEVAL 'Vkxt. Four-Line Pica. $7.20<br />

i<br />

f mitwi' liiij^, (ij|f| fkiilimitt<br />

'///


28 Point Card Text Shaded.<br />

A, 20 a. Two-Line English. $4.40<br />

stdituuM<br />

5 A, 10 a. 44 Point Card Text Shaded. Four-Line Small Pica.<br />

32 Point Card Text Shaded.<br />

6 A, 14 a. Three-Line Small Pica. $5.00<br />

jjp&m]jp$ Spiting |raf<br />

I^afcti jtk\<br />

$6.00<br />

o) ifaMtepaptt^<br />

5 A, 10 a. 48 Point Card Text Shaded. Four-Line Pica.<br />

9<br />

24 Point Card Text, No. 2.<br />

A, 18 a. Two-Line Pica. $4.50<br />

II frit fiiafnttg |arfe<br />

14 Point Card Text.<br />

12 A, 32 a. English. $4.00<br />

jjjuttDttchop Mnmmrbng, Importrr ojj fjorrrlam j\wi<br />

28 Point Card Text.<br />

A, 20 a. Two-Line English. $4.40<br />

|)tfaipations % |oo^9mulcr<br />

mixM mklmt<br />

I f<br />

28 Point Card Text, No. 2.<br />

14 a. Two-Line English. $4.85<br />

A,<br />

Innnligljt falte<br />

22 Point Card Text.<br />

12 A, 32 a. Two-Line Small Pica. $4.40<br />

Jljanlrobc | runks of jjjiss |)rnrie ||ooH<br />

32 Point Card Text.<br />

A, 14 a. Three-Line Small Pica. $5.00<br />

3<br />

jefepte from Sitiampoo^<br />

44 Point Card Text. Four-Line Small Pica. $6.00<br />

liellaij |pt(iitjj of fli awjghtg JMularhmtf<br />

5 A, 10 a. 48 Point Card Text. Four-Line Pica. $7.20<br />

Ijoanlmjj mihitA for<br />

'<br />

joanj yjah$<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

3S2


22 Point Fancy Text Shaded.<br />

10 A, 28 a. Two-Line Small Pica. |4.30<br />

28 Point Fancy Text Shaded.<br />

A, 18 a. Two-Line English. $5.40<br />

tmi 4*!fcdimt 4 flwtefttip $ttjttttt$ t{ H c^<br />

ck<br />

5 A, 10 a.<br />

w<br />

4 A, 7 a<br />

"1i<br />

36 Point Fancy Text Shaded. Two-Line Great Primer. $5.40<br />

12 A, 32 a.<br />

18 Point Fancy Text.<br />

Great Primer* $4.00<br />

28 Point Fancy Text.<br />

8 A, 18 a. Two-Line English. $5.40<br />

J(iit0 Jfrmmsfll ^bits<br />

lander, jfalm Jordan Co. Sansom Street, Philadelphia.<br />

383


12 Point Sloping Black Shaded.<br />

12 A, 32 a. Pica. $4.60<br />

j~lf!icioii;;ly<br />

rvnii\d<br />

freeze$ from ^htiseg if ore<br />

lS3i$$780O<br />

18 Point Sloping Black Shaded.<br />

A, 20 a. Great Primer. $4.75<br />

rem mub<br />

1334567$<br />

22 Point Sloping Black Shaded. 28 Point Sloping Black Shaded.<br />

A, 18 a. Two-Line Small Pica. $6.00 5 A, 10 a. Two-Line English. $G.G0<br />

ft jf C<br />

13345<br />

4 A, 7 a. 36 Point Sloping Black Shaded. Two-Line Great Primer. $6.60<br />

to<br />

12 Point Sloping Black.<br />

12 A, 32 a. Pica. $4.60<br />

(fioblitf $$trommwg<br />

^fainying JJhilet and /ent(ie$<br />

1234507890<br />

22 Point Sloping Black.<br />

A, 18 a. Two-Line Small Pica.<br />

g Hjy0nt?i$mec<br />

18 Point Sloping Black.<br />

A, 20 a. Great Primer. $4.75<br />

ikirne ^>n


12 Point Treasury Open.<br />

10 A, 24 a. Pica. 1*3.20<br />

$n%tyttgaium>*> of Mnivntijivr<br />

6 A, 14 a.<br />

22 Point Treasury Open.<br />

Two-Line Small Pica. $3.90<br />

* \iMtmal t$rm'!i<br />

i)i){> till) oil/ 1<br />

ay* Jordan Co. Sansom Street, Philadelphia.<br />

385


10 Point Condensed Black.<br />

20 A, 52 a. Long Primer. $4.55<br />

*'chui|UuU $gftttft<br />

(Stoat $xttt*xtbm*l $


8 Point Black, No. 2.<br />

24 A, 70 a. Brevier. $2.70<br />

10 Point Black, No. 3.<br />

20 A, 52 a. Long Primer. $3.15<br />

profc00or MnstU on Ancient (fcimcracks tXH&OtDS' Mural ijjomesteabs 146<br />

12 A, 32 a.<br />

12 POINT BLACK, NO. 3.<br />

Pica. $2.40<br />

18 P *NT B ^ ACK ' NO<br />

' 3-<br />

u A 0ft<br />

8 A, 20 a. Great Primer. $2.70<br />

235 (luttoua closet pjmicjs for poltiual (Exattjjrnu<br />

1234-567890<br />

12 Point Black, No. 4.<br />

12 A, 32 a. Pica. $2.65<br />

Errijaeological Ut$wxtl)t8<br />

18 Point Black, No. 4.<br />

8 A, 20 a. Great Primer. $3.00<br />

Slncient Copgftoofe<br />

28 Point Black.<br />

6 A, 14 a. Two-Line English. $4.60<br />

flruclanwttim<br />

48 Point Black, No. 2.<br />

3 A, 5 a. Pour-Line Pica. $6.45<br />

40 Point Black<br />

3 A, 9 a. Double Paragon,<br />

9 a. Double Paragon. $5.55 ^^itof 4<br />


12 Point Modern Text. 18 Point Modern Text.<br />

12 A, 32 a. Pica. $4.15 10 A, 28 a. Great Primer. $4.80<br />

ihgnifimit land dnkt 9mt<br />

IHoiutcrfut J rt


9 Point Condensed Black, No. 3.<br />

20 A, 52 a. Bourgeois. $4.00<br />

Antorratic Rulers ^bbication humiliating<br />

1234567890<br />

12 Point Condensed Black, No. 3.<br />

4.60<br />

Accelerated Parcl) runup 1)0<br />

1234567890<br />

18 Point Condensed Black, No. 3.<br />

8 A, 20 a. Great Primer.<br />

11 Point Condensed Black, No. 3.<br />

15 A, 42 a. Small Pica. 4.20<br />

JJombarMng Snmnctble Jortreaaes<br />

1234567890<br />

10 A, 28 i English.<br />

14 Point Condensed Black, No. 3.<br />

4.40<br />

QtmlttB $ljot itetreaUng<br />

1234567890<br />

22 Point Condensed Black, No. 3.<br />

4.90 8 A, 20 a. Two-Line Small Pica. 5.85<br />

37 lennlle Hoikoil* 27 Public linnet<br />

6 A, 14 a. 28 Point Condensed Black, No. 3. Two-Line English. 7.10<br />

247 Penurious Porker*' tenure<br />

5 A, 10 a. Point Condensed Black, No. 3. Two-Line Great Primer. 6.75<br />

Acrimonious leprimono 35<br />

5 A, 10 a. 40 Point Condensed Black, No. 3. Double Paragon. 8.40<br />

42 Ilardjmg f onteniarto<br />

3 A, 7 a. 36 Point School Text. Two-Line Great Primer. 5.00<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

39


8 Point Borussian.<br />

24 A, 70 a. Brevier. $3.60<br />

Dliereas, on tne lOtft dag of Hoy fast, a warrant issued<br />

6g 3orcm iSfucftstone, one of our justices of tne pence in<br />

and for tlie county of adoiout, roas directed nnd defiDcrcd<br />

to Gregory darefess, SonstaBfe of fifacbiffe, in tne said<br />

1234567890<br />

15 A, 42 i<br />

14 Point Borussian.<br />

Two-Line Minion. $5.50<br />

IMercas, on tlie lOtfi. day of iflay<br />

fast a warrant issued 6g lorem<br />

lifacistone, one of our justices of<br />

20 A, 52 a.<br />

11 Point Borussian.<br />

Small Pica. $4.05<br />

IMcreas> on ffte KM day of Jlay fnst, a roar-<br />

rant issued fry 3taem JSfacistonc* one of our<br />

justices of tne peace in and for tfie county of<br />

1234567890<br />

22 Point Borussian.<br />

A, 20 a. Two-Line Small Pica. $4.55<br />

liereas, on tne lOtn day<br />

of May fast, a warrant of<br />

5 A, 10 a. 36 Point Borussian. Two-Line Great Primer. $5.45<br />

Astute and learned ^Barristers 3167<br />

15 A, 42 a.<br />

8 Point Boldface Borussian. Brevier.<br />

(Brand Unnuaf .Hush to Mountain (Erystaf Springs<br />

(Ostentatious Display of (trunlss of JashionaoCe Jtummcry \>\\ knight (Errant Uddfcpatc Softasmush<br />

1234567890<br />

11 Point Boldface Borussian. Small Pica. $3.10<br />

12345 J2ioe Curiosities and phenomenal! Jrcahs of Mature at tne Soofogical (Barden<br />

Specimens of dbetinet Schthyosaurians<br />

14 Point Boldface Borussian. Two-Line Minion.. $3.70<br />

Jananciaf Monopolies by $dav& s reedy Capitalists 6789<br />

Stri&eSj HiotSj JMoodsfted, Unarehy<br />

A, 14 a. 22 Point Boldface Borussian. Two-Line Small Pica. $4.05<br />

o502 Mmv (Bonding, Shuffling pettifoggers<br />

Suss loggerhead, J&tignnt<br />

4 A, 7 a. 36 Point Boldface Borussian. Two-Line Great Primer. $5.50<br />

iMor&id JiaflWinations 6318<br />

The above Series are adapted to line with each other.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

395


14 Point Teutonic Extended. 22 Point Teutonic Extended.<br />

8 A, 20 a. English. $4.25 6 A, 14 a. Two-Line Small Pica. $4.80<br />

^Mobevn ^Philosophers (&uiet QSacKciors<br />

1294567890 |<br />

j m66T80o<br />

5 A, 10 a. 24 Point Teutonic Extended. Two-Line Pica. $5.70<br />

56 l^Czeful ^2Pur#uii# QTtecjIecteb<br />

8 Point Teutonic. 10 Point Teutonic.<br />

24 A, 70 a. Brevier. $6.20 20 A, 52 a. Long Primer. $5.85<br />

^letting Scenes of J>is$ofinng breams gotttpounbtttfl genuine tiffanies<br />

1234567890 1234567890<br />

12 Point Teutonic.<br />

12 A, 32 a. Pica. $4.95<br />

14 Point Teutonic.<br />

12 A, 32 a. English. $5.95<br />

134 3fuii-^afiinfl meceipfe 37 ^orottflj} @ounseffors<br />

22 Point Teutonic.<br />

18 Point Teutonic. . .<br />

8<br />

10 A, 28 a. Great Primer. A, 20 a. Two-Line Small Pica. $6.60<br />

$6.95<br />

^easGoie offages 75 pax Patigexs 49<br />

28 Point Teutonic<br />

6 A, 14 a. Two-Line English.<br />

36 Point Teutonic.<br />

5 A, 10 a. Two-Line Great Primer. $8.40<br />

12 'gfap om 3553knuer Jordan Co. Sansom Street, Philadelphia.<br />

396


6 Point German, No. 12.<br />

)ie bofye tufe, JoeldEtc bie 93ud)brncferfnnft untcr ben rftnbungen be ntenfd)lid)en (SeifteS eiiis<br />

nimtnt, fiat bie Gbre, bie ebnrtSftatte berfelben ju fcirt, jum egcnftanbe e:ne lebbaften nod)<br />

nntt beehbigten StretteS gemaa)t, fcit a3 iljre (Srfinbung bem Grange<br />

eineS reif geliwbenen 3eitbebiirfniffe3 oerbantt, ta3 bt3 unmittelbar an ib,re djtoelle oorbereitenb<br />

1234567890<br />

8 Point German, No. 12.<br />

2)te fyofye (Stufe, it>ctc^e bie 93ud)bruderfunft unter ben rfinbungen be menfd>s<br />

lichen eifte einnimmt, fyat bie fyre, bie eburtsftatte berfelben gu fein, gum<br />

egenftanbe eine lebfyaften nod; nid)t beenbigten treite gemad)t, feit (3tra=<br />

burg, befonberS aber feit partem e fid) angelegen fein tte, bie tabt 9ttaing<br />

au ifyrem fritter unbeftrittenen au^fcfyUefjlicfyen 33eft|e, ber t>on partem fogar<br />

al ein unreblicfyer angefod)ten mirb, gang ober bod) grbfjtentfyeil gu uerbran-<br />

1234567890<br />

10 Point German, No. 12.<br />

)te fyofye tufe, meldje bie 23ucl)brutferfunft unter ben rfinbungen be<br />

menfd)Iidj)en eifte3 einnimmt, fyat bie @fyre, bie eburtftatte berfel=<br />

htn gu fein, gum egenftanbe eine3 lebfyaften nod) nicfyt beenbigten<br />

StreiteS gemadjt, feit tragburg, befonberg aber feit arlem e<br />

angelegen fein lieg, bie 6tabt -Jftaing au ifyrem friiber unbeftrittenen<br />

au3fa)lieglicl>en SBefitje, ber toon arlem fogar al3 ein unreblicfyer an=<br />

1234567890<br />

11 Point German, No. 12.<br />

)te l;ol)e tufe, wetd)e bie SBucfybrucferftmft unter ben (Srfinbungen<br />

be3 menfd;lid)en @etfte<br />

berfelben p fein, ^um<br />

einnimmt, t;at bie @l)re, bie ($eburt3ftattc<br />

egenftanbe eine lebfyaften nod) nidjt beem<br />

bigten treite gemadjt, feit tra^burg, befonber aber feit partem<br />

c> fid; angelegen fein liefc, bie tabt TOainj au% ifyrem frut;er unbe=<br />

ftrittenen aufd)lieJ3tid)cn 23efi|e, ber oon arlem fogar al3 ein un=<br />

1234567890<br />

12 Point German, No. 12.<br />

2)ie fyofye tufe, toeld^e bie SBucfybrucferfunft unter ben @r-<br />

finbungen be menfcfylicr)en eifte einnimmt, fyat bie tyre,<br />

bie eburtftatte berfelben ju fein, jum egenftanbe eine<br />

leb^aften nod; nicfyt beenbigten @treite gemac^t, feit @tra-<br />

burg, befonber aber feit arlem e<br />

1234567890<br />

fia)<br />

fid^> angelegen fein liefs,<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.


6 Point German, No. 13.<br />

&te b>Ije tufe, rceldje bie 33ud)bmderfunft unter ben rfinbungen be menfd)lid)en etfte ein*<br />

nimmt, fyat bie @t>re, bie eburtsftatte berfelben ju fein, jum egenftanbe eineS lebfyaften nocb,<br />

nidjt beenbigten re rfinbung<br />

bem range eineS reif geroorbenen geitbebiirfmffeS werbantt, wa bi unmittelbar an tt>re<br />

1234567890<br />

8 Point German, No. 13.<br />

2)ie fjofje tufe, roetdje bie $ud)brucferfunft unter ben rfinbungen be menftf)'<br />

lichen etfte3 einnimmt, fyat bie Ijre, bie eburtSftdtte berfelben gu fein, gum<br />

egenftanbe eine tebfyaften notf) nirf)t beenbigten (StretteS gemaajt, feit (Stra3;<br />

burg, befonberg aber feit partem e fid) angetegen fein lie'jj, bie (Stabt 9Jiains<br />

au3 iljrem frii^er unbeftrittenen au^fdjliefjlitfien 93efi|e, ber oon partem fogar<br />

al3 ein unreblidfjer angefoajten nrirb, gan ober botf) grofjtentljeUS gu oerbrdn-<br />

1234567890<br />

10 Point German, No. 13.<br />

)ie Ijofye tufe, melaje bie SBudjbrutferfunft unter ben rfinbungen be<br />

menfdjlidjen eifteS einnimmt, fyat bie @re, bie eburtgftatte berfelben<br />

ju fein, gum egenftanbe eineS lebfyaften nod) niajt beenbigten treiteS<br />

gemadjt, feit StraSburg, befonberS aber feit arlem e fid) angelegen<br />

fein Itej$, bie tabt 9ftain au i^rem fritter unbeftrittenen auSfdjltefc<br />

lichen SBefi^e, ber con arlem fogar aU ein unrebliajer angefod)ten<br />

1234567890<br />

11 Point German, No. 13.<br />

3)ie f)ol)e tufe, roeldje bie $ud)brucferrunft unter btn (Srfmbungen<br />

bes menfd)ttdjen eifte3 einnimmt, fyat bie @l)re, bie eburtsftatte ber=<br />

felben gu fein, gum egenftanbe eines lebtjaften nod) nic^t beenbigten<br />

treites gemadjt, feit trasburg, befonbers aber feit partem es fidj<br />

angelegen fein Heft, bie tabt Sttatnj aus ujrem fritter unbeftrittenen<br />

au^fdt)lieIidt)en SBeftfee, ber r>on partem fogar ate ein unrebltdjer<br />

1234567890<br />

12 Point German, No. 13.<br />

SDie Ijofje tufe, roeld^e bie 93ud)brucferfunft unter ben 6r*<br />

finbungen beg menfd)lidE)en eifteS einnimmt, Ijat bie Ijre,<br />

bie eburtsftatte berfelben u fein, gum egenftanbe eineS<br />

leb^aften noc^ nirf)t beenbigten (StreiteS gemac^t, feit<br />

tra^-<br />

burg, befonberS aber feit arlem e^ fid) angelegen fein Kefs,<br />

1234567890<br />

The MacKellar, Smiths


5 Point German, No. 10.<br />

S)ie ^ol)e tufe, rceldje bte Sudjbtutfetfunft unter ben (Srfinbungen beS menfd)lid)en eifteS etnntmmt, Ijat bte (Sljre,<br />

bte eburtSftcitte berfelben ju fein, 311m cgenftanbe eineg lebfyaften nod) nid)t beenbtgten treiteS gemadjt, feU<br />

traSburg, befonberg abet feit partem eS fid) ongelegen fetn liefj, bte tabt Wains au tfyrem fritter unbeftrittenen<br />

auSfdjliefolidjen Sefifje, ber con partem fogar ali ein unrebtidjer angefod)ten roirb, ganj ober bod) grofetenttieitS }u<br />

fcerbrangen. 3n ben baburdj entftanbenen treitfdjriften l)errfd)t bag SBorurtfyetl, jene ftunft tonne nut in einem<br />

einjigen Jfopfe entftanben fetn, unb baS treben toor, biefem ju unft, 'HVLei \vai iljre (Srfinbung bent Grange etneg<br />

reif geroorbenen ^citbcbiirfniffeS eerbanft, roaS bis unmtttelbar an ifyre d)roette oorberettenb unb etnlettenb<br />

fd)on toon Stnbern unb felbft oon ganjen cwcrben gefdjeljen mar, ju itberfeljen ober gering ju ad)ten. tatt bte<br />

ftarfamen, oft truben Quclten ber efd)id)te btefer (Srftnbung trittfd) ju ftdjten, ftatt bte barauf Sejug tjabenben<br />

rfdjcinungen unb Urhtnben tm 3 uiammen&,ange ju betradjtett unb fie mit etnanber in Uebereinftimmung ju<br />

1234567890<br />

6 Point German, No. 10.<br />

Die f>of)e tufe, toetdje bte 93ud)brucferfunft unter ben Srftnbungen be menfd)ttd)en eiftes einnimmt,<br />

l)at bte @bre, bte eburtsftatte berfelben ju fein, pm egenftanbe eine$ lebfyaften nod) nid)t beenbtgten<br />

treites gemad)t, feit tragburg, befonbers aber feit Harlem es ftd) angelegen fein lie, bte tabt<br />

3flainj au$ itjrem fritter unbeftrittenen ausfd)lielid)en SBeft^e, ber con Harlem fogar aU ein unrebti*<br />

d)er angefod)ten tuirb, ganj ober bod) grojjtentbeits ju serbrangen. $n ben baburd) entftanbenen treit*<br />

fdjriften berrfd)t bag Sorurtbeit, jene itunft fbnne nur in einem einjigen $opfe entftanben fein, unb ba$<br />

treben or, biefem jit unft, Allies toai ifjre rfinbung bent 2)range eines reif getoorbenen 3itbebiirfniffe$<br />

oerbanft, n?a$ bi$ unmittelbar an ifyre djfoeu'e sorbereitenb unb einteitenb fd)on oon 5lnbern unb<br />

1234567890<br />

7 Point German, No. 10.<br />

)te Me tufe, roeldje bte Sudjbrucferfunfi unter ben rfinbungen beS menfcfylidjen<br />

eifteS etnntmmt, ^>at bie (f?re, bte (55e6urt^ildtte berfelben ju fetn, jum egenftanbe<br />

eirte^ Iebt)aften nod) nidft beenbtgten treite^ gemadft, feit traSburg, befonberS aber<br />

feit |>arlem eat bte (Sfyre, bte eburt^ftatte berfelben ju fetn, jum egenftanbe<br />

etne^ lebt)aften nocfy ntc|t beenbtgten tretteg gemac^t, feit ie fjolje tufc, tueldje hk ud)brucferfiin[t unter ben rfinbungen be6 menfd)li-<br />

djen eifte einnimmt, l)at bie (jre, bie cbttrteftatte berfelben 311 fein, 311m e-<br />

geitftanbe eineS lebfjafteu nod; ntdjt beenbigten treite gemadjt, feit tra^burg,<br />

oefonberS aber feit partem es fid) angelegen fein Hep, bie &tabt Wtain^ au iljrcm<br />

frii()er unbeftrittenen au^fdjlicplirijen ber Don<br />

Sejifee, ^orient fogar ale ein unrebli*<br />

djer angefori;teu tuirb, ganj ober bod; groptentfjeile 311 oerbrdugen. 3n ben baburd;<br />

entftanbenen treirfragen l)errfd;t bat SSorttrtl;eil, jene fttmft fonne nur in einem<br />

1234567890<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

399


9 Point German, No. 9.<br />

>ic bol)e 8tufc, roeld)c bic S3ud)brucferfunft unter ben Grfinbungcn bc8 mcnfd)=<br />

lid)en eiftco cinnimmt, bat bie (5I)re, bic ebnrtdfldtte bcrfclbcn ^u fein, 511m<br />

cgenftanbc eintf lebbaftcn nod) nid)t bcenbigten trelttf cjcmactjt, felt trad*<br />

burg, befonbert abcr feit >arlcm e& fid) angelegen fein lief, bic (Stabt SRaitijj<br />

auo il)rcm fru ber unbeftrtttenen au&fd)liefjlid)cn efttje, ber Don $arlem fogar<br />

al8 ein unrcblid)cr angcfodjtcn totrb, gang ober bod) grofjtcntbciis ju berbran-<br />

gen. 3n ben baburd) entftanbcnen treitfd)riften I)errfd)t bad SBorurtrjeU, jenc<br />

1234567890<br />

9 Point German, No. 10.<br />

Die We tufe, roelcfye bie Sudjbrucferfunjt unter ben (rfinbungen be$<br />

menfcr/lidjen Oeijie^ einnimmt, $at bie (fyre, bie eburtsjtdtte berfelben ju<br />

[ein, junt egenjranbe eineg (ebfyaften nodj nidjt beenbigten treiteg gemacfyt,<br />

feit trasburg, befonbers aber feit partem eg ftc^ angelegen fein lief?, bie<br />

tabt $fainj aus ifyrem friit>er unbejtrittenen au$fdjtiej)iid)en Sejtfce, ber<br />

oon Harlem fogar aU ein unreblicfyer angefocfyten roirb, ganj ober bod) grof-<br />

tentt>eiX^ ju serbrdngen. %n ben baburd) entjianbenen treitfdjrtften fyerrfd)*<br />

1234567890<br />

9 Point German, No. 11.<br />

SMe bjolje tufe, meldje bte $ud)brudcrfunft unter hm rfinbiiiigcn beS<br />

mcnfd)ltd)cn eiftel cinnimmt, t)at bie @l)re, bie eburteftatte berfelben 311 fein,<br />

gum egenftanbe etncS lebl)aften nod; nidjt bcenbigten $treite$ gemadjt, feit<br />

traSburg, befonberS aber feit partem e$ fid) angelegen fein lief*, bie tabt<br />

URaitq au$ il)reiu fritter unbeftrtttenen au$fd)liefiiid)cn Sefifce, ber turn f>arlcm<br />

fogar al3 ein uttrcblidjcr angefodjten roirb, ganj ober bod) gri>j}tcntl)cil3 gu oerbrangen.<br />

3n ben baburd) entftanbenen treitfajriften t)errfd)t ba$ 3>orurtt)etl,<br />

1234567890<br />

10 Point German, No. 8.<br />

)te rjofye tufe, roekrje bie 23ucr)brucferfunjt unter ben (rftnbungen<br />

bc mcttfcWtchen etitc cinnimmt, t>at btc C^t)rc, btc eburr3ftdtre<br />

bcrfclbcn $tt fein, jum cantjfanbe etneg (cbfyafren norf) ntcrjt be*<br />

cnbtgtcn trcttcg gemacfyt, feit tra^burg, befonber^ abcr feit $>av*<br />

(cm c$ ftd) angelegen fein (teg, bte tabt 5ftain$ au tfyrem fritter<br />

unbeftrtttenen au^fd)(teg(id)cn 23ejTe, ber Don ar(em fogar a(g ctn<br />

1234567890<br />

10 Point German, No. 9.<br />

2)ie t)Ol)c Shift, roeldjc bic Sudjbrucferfunft unter ben (irfinbungen bed<br />

mcnfd)lid)cu QkiftcS cinnimmt, bat bie Srjtt, bic cburtbftatte bcrfclbcn 311<br />

fein, $ttm egenftanbe rinefl lcbl)aftcn nod) nid)t bcenbigten @treite ge=<br />

mad)t, feit trabburg, befonberb abcr fctt partem c<br />

fid) angelegen fein<br />

liejj, bic Stabt SRainj and il)rcm fritter unbeftrtttenen audfdr)Iicglid)cn e*<br />

ft 15c, ber bon arlcm fogar aid ein ttnrcblid)cr angcfod)tcn toirb, ganj ober<br />

1234567890<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


10 Point German, No. 10.<br />

Die fyofye (Stufe, rcetdje bte 23ud)btuderhtnft unter ben Srfmbungen bed<br />

menfd)tid)en eifted einntmmt, tjat bte (Sfyre, bie eburt^ftatte berfelben<br />

gu fein, 311m egenftanbe eined lebfyaftcn nod) nid)t beenbigten tretted<br />

gemad)t, feit tradbnrg, befonberd aber feit partem ed fid) angelegen<br />

fein Kief, bie (Stabt SDcatng and invent fritter unbeftrittenen audfd)liej^<br />

lichen 33efte, ber son partem fogar aid ein unreblid)er angefodjten mirb,<br />

gang ober bod) grbfitentfyeitd gu setbrangen. 3u ben baburd) entftan*<br />

1234567890<br />

10 Point German, No. 11.<br />

te l)ol)c tufe, rocldje bie $ud)brutferfunft untcr ben (Srftnbitngen<br />

bc mcnfd)lid)en eiftcS einnimmt, l)at bie (Sljrc, bie cburtSftdtte ber=<br />

felbcn gu fein, gum eaenftanbe eineS Icbljaften nod) nid)t beenbigten<br />

6trcite3 gemadjt, feit traSbura, bcfonbcrS abcr feit arlcm e3 fid)<br />

angctcgen fein liefj, bie Stabt 9J?aing aitS Ujrem friil)er uubeftrittcnen<br />

aitsfd)licj}lid)cn SBeftfee, ber Don arlem fogar al$ ein unrcb(id)er angcfodjtcn<br />

loirb, gang ober bod) grojjtentljetlS gu oerbrdngen. 3n \)tn ba><br />

1234567890<br />

11 Point German, No. 10.<br />

Die fyofye tufe, roelcfye bie 23ud)brucferfunft unter ben @rfmbungcn<br />

beg menfdjlidjen eifteg einnimmt, fyat bie Qtyxt, bie (MurtSftdtte<br />

berfelben gu fein, gum egenftanbe eme tebfyaften nod) ntdjt be?<br />

enbigten trctte^ gemad)t, feit tragburg, befonberd aber feit partem<br />

eg ftd) angetegen fein liefj, bte tafct 27totng aug ifyrem fritter un-<br />

beftrittenen aufd)lietid)en 33efte, ber on partem fogar<br />

al$ tin<br />

unrebltcfyer angefocfyten tibfo, gang ober bocf) grtftenti)etlg gu ser-<br />

1234567890<br />

12 Point German, No. 8.<br />

)te fyot)e tufe, roelxfye bte 23ud)brucferfrtnft unter ben<br />

(Srftnbungen be menfd)(td)en etffeg etnntmmt, fyat<br />

bte @t)re,bte eburtgftatte berfelben ju fein, jnm @e^<br />

gettflfanbe etneg Cebt)aften nod) nicfyt beenbtcjten trettei?<br />

gemacfyt, fett tra^burg, befonberg aber feit partem e3<br />

(let) angetegen fetn (te, bte &tabt Sfflaxm au tfyrem<br />

fritter unbejlrtttenen auSfcfyKejHtcfyen SBejtfce,<br />

1234567890<br />

ber t>on<br />

7H MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

401


12 Point German, No. 10.<br />

Die Ijofje tufe, toelcfye bte SSucfybrucferfunft unter ben (Erfm=<br />

bungen be3 menfcpcljen etfteS etnmmmt, fyat bte Sfyre, bte<br />

eburtsftcitte berfelben $u fein, jum egenftanbe eineS letM<br />

fyaften m>$ nicfyt beenbigten tretteS<br />

cjemacfyt, fett tra$*<br />

burg, befonberS aber fett Harlem e3 ftcfy angelegen fetn lte,<br />

bte tabt 2Wain$ au$ t^rem fritter unbeftrtttenen au^fcfyltej^<br />

1234567890<br />

12 Point German, No. 11.<br />

ie l;ol)e tufe, meldje bie 33ud)brucEetfunft unter ben r-<br />

finbungen be3 menfcpdjen eifte$ einnimmt, Ijat bie<br />

tyre,<br />

bie eburtSftatte berfelben u fetn, gum cgcnftanbc euteS<br />

lebtjaften nod) nidjt beenbigten tretteS gemadjt, fett tra$<br />

burg, befonberS aber fett fmrlent e$ fid) angelegen fein liefr<br />

bie tabt 9Ratnj au8 iljrent fritter unbeftrtttenen auSfdfj-<br />

1234567890<br />

14 Point German, No. 3.<br />

>ie Me @tufe, foetcpe bie 23ud)brucferfunft<br />

unter ben rfmbungen beg ntenfeptidjen (Mfteg<br />

einnimmt, oat bte dbre, bie (Deburtsftdtte berfelben<br />

ju fein, sum egenftanbe etnes (e^aften<br />

nod nid)t kenbigten


22 Point German. i<br />

24<br />

Point German.<br />

30 A, 150 a. $20.65 16 A, 60 a. $13.10<br />

SJUttetalterft^et Steifter grtoin0<br />

mmux saltan<br />

16 A, 60 a. 28 Point German. $17.65<br />

&er Stotfjbart tin Stffljflufcr<br />

9 A, 16 a. 40 Point German. $10.25<br />

$eutfdje efellfrfiaften<br />

48 Point German. $11.00<br />

ant)el^3ettuno<br />

4 A, 8 a. 60 Point German. $13.40<br />

)enffd)tifteii<br />

3 A, 4 a. 72 Point German, No. 2. $13.10<br />

(Solwmtntf<br />

ALL COMPLETE WITH FIGURES.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

403


6 Point Condensed German Title.<br />

25 A, 60 a. $2.80<br />

$a SBurfj ber 9iatnr Itcflt feit Saljrtanfenben anf*<br />

flefrfjlaflcit bor bent SBlirfe beg 9Wenfdjen. &$ iff in<br />

nrojjcn unb Ijerrlidjcn #itnen oefdjricben, eg eittQal<br />

bnc< SSunberbare itnti tin-? Wiii;lirtn\ uiib nebcn bent<br />

1234567890<br />

8 Point Condensed German Title.<br />

25 A, 60 a. $3.65<br />

$ag $udj bcr 9Jatur ticgt fcit $al)rtau=<br />

fenben aufgcfdjlancn bor bem SBIicfc be<br />

9Wenfd)cn. @3 ift in tvrofecn unto Ijerrlid)<br />

1234567890<br />

10 Point Condensed German Title.<br />

18 A, 30 a. $2.30<br />

$o ltd) bcr 9latux ttcgt fcit Saljrs<br />

dor bem SBlirfc bc ftWcn=<br />

taufenben<br />

fojcn aufgcfdjlagcn. (g iff in grog<br />

1234567890<br />

12 Point Condensed German Title.<br />

18 A, 30 a. $3.10<br />

$nS ltd) ber 9latur (tegt fett<br />

3a(jrtanfettbett bor bem $lttfe<br />

1234567890<br />

7 Point Condensed German Title.<br />

25 A, 60 a. $3.10<br />

$rt JBurfj ber 9iatnr Hcgt fcit ^nfirtanfenben tflf<<br />

ncfrfilnncu bar bent SUirfe beg 9Jlcnfrfjen. 6g ift<br />

in Qrofjen nnb fjerrlidjen ^itgen {jefrfjricben, eg en<br />

1234567890<br />

9 Point Condensed German Title.<br />

25 A, 60 a. $3.60<br />

$ag %n$ bcr Hotur lieflt fcit Mrtan*<br />

fcitbctt oufflcfrf)(ttficn bor bem SHitfe be<br />

SDIenfi^ett.<br />


6 Point German Title.<br />

25 A, 60 a. $3.25<br />

$a$ 93ud) ber SJfatur Uegt feit 3aF)rtaufen<br />

ben anfgefd>laflen oor bem SMitfe be$ 3Jien=<br />

iMn-n. @S ift in groften nnb lurrlidnn $iiaS 58ud) bcr $tatux licgt fcit<br />

^aljrtaufcnbcit t>or ban SStitfc<br />

bc SD^cnfrfKit aufcjcfcblagcm a$ SSttd) bet Statin lie$t<br />

fett Saljttrtttfettfcett auf#e=<br />

fd)Irtem 3*Ucfe be$<br />

1234567890<br />

12 Point German Title.<br />

18 A, 30 a. $4.40<br />

a$ S$ucJ> ber 9?atur<br />

Uejjt fett 3 al^^ rt f^ tts<br />

&en t>or &em 2$ltce &e$<br />

24 Point German Title.<br />

7 Point German Title.<br />

25 A, 60 a. $3.50<br />

$a 35ud) ber SRatur Uegt feit 3af>rtan*<br />

fenben aufgefd)(en. @S ift in grofjen nnb fjerrlid)<br />

1334567890<br />

9 Point German Title.<br />

18 A, 30 a. $2.55<br />

a$ $8u$ bcr %latuv ttcgt fcit<br />

Sa^rtaiifcnbcn or bem SSItcfc<br />

be# 9ftenfd)eiu (3 ift in grofjen<br />

1234567890<br />

11 Point German Title.<br />

18 A, 30 a. $3.10<br />

&ie fyvl)e


10 Point German Shaded.<br />

18 A, 30 a. $5.45<br />

14 Point German Shaded.<br />

9 A, 16 a. $4.20<br />

18 A,; 14 Point German Ornamented. $6.70<br />

$Da$ Bu$ &er %\tm iiegt fcit Sojjrtaufenben dufgef^togen<br />

24 Point German Shaded.<br />

4 A, 8 a. $4.85<br />

28 Point German Shaded.<br />

4 A, 8 a. $6.55<br />

iffettftyaften SetfttlMtttg<br />

20 Point German Shaded.<br />

9 A, 16 a. $5.75<br />

er Slumcnprten<br />

28 Point German Shaded, No. 2.<br />

4 A, 8 a. $5.25<br />

4 A, 8 a. Point German Ornamented. $6.55<br />

4 A, 8 a.<br />

18 Point Black Shaded.<br />

8 A, 20 a. $5.15<br />

22 Point German Shaded.<br />

9 A, 16 a. $8.25<br />

28 Point German Ornamented.<br />

4 A, 8 a. $6.25<br />

18 Point German Open.<br />

9 A, 16 a. $5.70<br />

Mkim Smfellpelt<br />

28 Point Black Shaded.<br />

4 A, 8 a. $7.30<br />

ltfo i<br />

40 Point German Ornamented.<br />

4 A, 8 a. $9.60<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

406


yewspGtpei 3 Ke-ccelim<br />

84 Point Modern Text Open.<br />

fJlffll<br />

84 Point Modern Text.<br />

N3<br />

(Telegraph<br />

96 Point Modern Text Shaded.<br />

120 Point Modern Text Double Shaded.<br />

84, gb, and 120 Point 0/ all the above are furnished.<br />

The MacKellar, Smiths &" Jordan Co. Sansom Street, Philadelphia.<br />

407


72 Point Sloping Black.<br />

[Patented.]<br />

P aily gtem<br />

96 Point Sloping Black.<br />

[Patented.] /^^i<br />

ecordeij<br />

96 Point Scribe Text.<br />

csptrh<br />

Point Black Open.<br />

iirtifi<br />

The MacKellar, Smiths &> Jordan Co. Satisom Street, Philadelphia.<br />

408


60 Point Black Open, No. 1.<br />

main Stm<br />

60 Point Black.<br />

Citeratnte<br />

m<br />

84 Point Black Shaded.<br />

84 Point Black Shaded, No. 2.<br />

qb Point Black also furnished.<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

409


LANTERN<br />

48 Point Lightface.<br />

TORCH<br />

72 Point Lightface.<br />

108 Point Lightface.<br />

ITE A I<br />

48 PointJMortised.<br />

MERCURY<br />

LEDGER<br />

60 Point, No. 2.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

410


No. 195. 90 cts. No. 194. 90 cts.<br />

No. 126. 30 c. No. 169. 30 c. No. 123. 30 c. No. 120}. 30 c. No. 122. 30 c. No. 129. 30 c. No. 171. 45 c.<br />

No. 203. 45 c. No. 127. 30 c. No. 175. 45 c. No. 174. 45 c. No. 117M- 30 c. No. 204. 45 c.<br />

The Price given over each Corner is for a set of Four.<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

415


JVTortised (jpijanjeijts<br />

".A'.--.''T<br />

Mechanical Patent, Mar. 31, 1885.<br />

-^- CHARACTERS -*<br />

Cast on Point System Bodies. Price per font, $2.75.<br />

proclamation<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

416


_ - . . - . a .<br />

ilhpy^ortised Qrnaments<br />

[Useful ir\ GOery Printing ffi^<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


flouris^Omametits.<br />

-^sin/is<br />

SERIES 3.<br />

CHARACTER.<br />

Registered, No. 9216.<br />

11 14 15 11<br />

Cast on Point System Bodies. Price per font, $4.25.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

418


"fo<br />

flourist)-Oraametits.<br />

SERIES 4.<br />

Registered, No. 9216.<br />

Mechanical Patent, March 31, 1885.<br />

c3-~^ -^Z^S^ 44^^ ?fy >5<br />

8 24 5 9 10<br />

^t^jQP<br />

^s<br />

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16 17 12 13 14 15<br />

The Mac Kellar , Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

419


The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

420


KKHfflMKmgmggg<br />

^J


JWKM/KMIK<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

422


\<br />

7%^ MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

423


^RIES e<br />

Registered, Nos. 115,160 to 115,165.<br />

yL THH TTTT1TffH TTHTTTTTMTfT1TTTTTT1HfTTTT1T1HV THMH TT!TTTTTTTT1THITTTtTH1HTTTTTTTTTTTTTHH THH TTf1TTTTTHTTT1?H?TTTTMT?TTTT1T!fTHM TTTTT Hfe<br />

CHARACTERS.<br />

%nfflnnnwnw iwiin^ ^^<br />

16 15 11<br />

:<br />

i;:ii'"ii,ir i!.!n;.,ii-<br />

6 7<br />

LJ<br />

Cast on Point System Bodies. Price per Font, $6.25.<br />

2 (fe. 1<br />

'',<br />

a 11<br />

The MacKeliar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

424


u<br />

V<br />

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2 3<br />

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25 24<br />

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S3<br />

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77?


The MacKellar, Smiths &" Jordan Co.<br />

426<br />

Sansom Street, Philadelphia.


fr &^ .<br />

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tz^^<br />

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23 24 18<br />

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16<br />

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20 21 19<br />

33 30 31 25<br />

77** MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

><br />

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77z^ MacKeliar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

428


"II t I<br />

?' >^S^>^ 2<br />

%^ *<br />

fc $ti&S ,K<br />

and is put together with<br />

facility.<br />

/ 8BRISS 10. \ _ j "3 1111<br />

* :<br />

,|||fi:<br />

^ tO<br />

,,,.41'!.<br />

ro^ d<br />

7*Ai'j series is cast on our patented<br />

sloping bodies.<br />

#3^&<br />

il/!!"'! f Cast on Point system Bodies. Price per font, $3.50. "ii"'l|li J(t 'Jji,<br />

111" /%H ft n 1111 h<br />

1 t<br />

9 "I 'U" 1<br />

' W5<br />

? , ^i<br />

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,R ;: .<br />

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The MacKe liar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

429


-N<br />

^ w<br />

0ZFurnished<br />

with the Font.<br />

7<br />

Adjustable Quadrates ^<br />

^^1^:W^<br />

>>>. flfox<br />

This Series is cast on our Patented Sloping Bodies, and is easily put together.<br />

Office of ^^S V^'-^<br />

1g Ns. >-M ^ ^r<br />

^xD %- \sr<br />

5^^ 3^3<br />

Price per font, $4.50.<br />

* 4.<br />

M\ ML<br />

CAST ON POINT SYSTEM BODIES.<br />

^<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

430


Cast on Point System Bodies.<br />

CHARACTERS OF FIRST SECTION.<br />

Price per font, $4.00.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

431<br />

23


&&* '%<br />

GMARAGTERS OF SEGOND SECTION.<br />

Price per font, $4.00.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia,<br />

432


$^?<br />

Series gg.<br />

4<br />

yfi<br />

-A CHARACTERS * OFtTMIRD * SECTION k-<br />

Price per font, $4.00. 13 5 6 4 2<br />

The MacKe liar, Smiths &> Jordan Co. Sanson/ Street, Philadelphia.<br />

433


,** imi* %<<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.


-^ CHABACTEB3.^--<br />

7X* MacKellar, Smiths &* Jordan Co. Sansoin Street, IViiladelphia.<br />

435


o^ 20 Jt^ "^<br />

*ftlBS<br />

@ "<br />

CAST ON POINT SYSTEM BODIES.<br />

2 7 4<br />

7>i* MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

436


The MacKellar, Smiths &* Jordan Co. Sanson*. Street , Philadelphia<br />

437


The MacKellar, Smiths & Jordan Co.<br />

SERIES 81.<br />

43S<br />

fy<br />

_. ;-""<br />

Sattsom Street, Philadelphia.


^s %<br />

The MacKellar, Smiths &> Jordan Co. Sanson Street, Philadelphia<br />

439


The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

440


^mM8% T<br />

SERIES series m.<br />

The MacKellar, Smiths &> Jordan Co. Sanson! Street, Philadelphia.<br />

441<br />

r:5r*


The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.


njHSJHH v^ Combination m -_5<br />

:<br />

**tiit*ttitttittttt**ttti***<br />

CHARACTKim,<br />

12 3 1 2 24 5 4 6 35 9 11 16 26<br />

a v r n i^bh Hi \<br />

23 20 27 13 14 8 7 10 25<br />

21 22 28 48 20 10 30 36 32<br />

37 39 38 57 18 33 31<br />

I i r<br />

::i -j l- i::<br />

..linn nn i*._<br />

v - feu tdJ i: julT-j<br />

The MacKdlar, Smiths & Jordan Co. Sansoiu Street, Philadelphia.


.:<br />

I<br />

p | COMBINATION j^-t^^M * "^<br />

*^0^V MAY BE BEAUTIFULLY COMBINED WITH SERIES 93.<br />

15 21 a 9 19<br />

24 m28 17 5 lfi 2.3 26 27 29 25<br />

g I $ % m # f<br />

83 :u 38 M 37 SG 39<br />

^*#a*<br />

The MacKellar, Smiths & Jordan Co. Sanson* Street, Philadelphia.


The MacKellar, Smiths &* Jordan Co. Sansotn Street, Philadelphia.<br />

445


llllWllllmllllP^lll [((m)^=[mM^={(i<br />

* H<br />

05SS<br />

G~^ |||||<br />

plf<br />

Cast on Point System Bodies.<br />

&


For Characters, see opposite Pagt<br />

^S<br />

fifififi*^<br />

Combination Border<br />

Series 97<br />

^f^#saf^#s<br />

wT^P ^r^?;<br />

ife ^fe ^#i iCTaaa^aas<br />

^> S^s><br />

imi^ii^^mm^f^<br />

Iw ffeJw IfkeM ((km ((km ((km ((k<br />

chilli ^3 dS|l||g>> Jordan Co. Sansom Street, Philadelphia.<br />

447


Combination Border, Series 96.<br />

Mechanical Patent, Mar. 3<br />

Registered, No. 71,547.<br />

sraE3ra2iE33rasras IS21<br />

The MacKellar, Smiths &> yordan Co. Sansom Street, Philadelphia.


SECON D I ch^rac-i^rs | _E CTION<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

449


V>* SERIES 96. *<br />

Registered, No. 71,547.<br />

Cast on Point System<br />

Bodies.<br />

The MacKellar, Sttiiths &* Jordan Co. Sansom Street, Philadelphia.


Patented Feb. 18, 1890. Registered, No. 141,359.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

451


Combination Border<br />

Patented Feb. 18, 1890.<br />

Series<br />

' 98<br />

SiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniinH<br />

eHAKACTEKS.<br />

Price, $4.00.<br />

niiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiiiiiiiiiiiiiiiin<br />

Cast on Point System Bodies.<br />

Ik' ^Sj^JM f^T Wk<br />

Second Se^ctiojn.<br />

Registered, No. 141,359.<br />

The MacKellar, Smiths &" Jordan Co. Sansom Str'cet, Philadelphia.<br />

452<br />

p


The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

453


The MacKcllar, Smiths & Jordan Co. Sansoju Street, Philadelphia,


o S<br />

77z


4% Point. Diamond.<br />

3 4 5 6 7 8 9 10 11<br />

- x ^ = if a a > i'<br />

12 13 14 15<br />

f i_ : ::<br />

6 Point. Nonpareil. $2.40<br />

123456789<br />

10 11 12 13 14 15 16<br />

a < v t *- : ::<br />

8 Point, No. 1. Brevier. $1.45<br />

12 3 4 5 6<br />

+ - "X H-<br />

7 8 9<br />

9 Point, No. 2. Bourgeois. 1.55<br />

12 3 4 5 6<br />

7 8 9<br />

A<br />

10<br />

<<br />

11<br />

V<br />

12<br />

f<br />

13 14 15 16<br />

11 Point, NO. 2. $1.35<br />

Small Pica.<br />

12 3 4 5 6<br />

7 8 9 10<br />

D A <<br />

11 12<br />

f<br />

13 14 16 17<br />

4>2 Point. Diamond.<br />

22 23 24 25<br />

5 3 9 IV<br />

7 Point, No. 1.<br />

Minion.<br />

15 16 17 18<br />

3 5 3 9;<br />

9 Point, No. 1.<br />

Bourgeois.<br />

15 16 17 18<br />

5 3 9<br />

11 Point, No. 2.<br />

Small Pica.<br />

24 25 26 27<br />

5 Point. PearZ. $2.05<br />

1<br />

+<br />

2 3 4 5 6 7 8 9 10 11<br />

X-r=-K-DA>V<br />

12<br />

f<br />

13<br />

*_<br />

14<br />

:<br />

15<br />

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12346678<br />

7 Point, No. 1. Minion. $1.55<br />

+ X-^ = -H-DA<br />

9 10 11 12 13 14<br />

8 Point, No. 2. Brevier. $1.80<br />

12 3 4 5 6<br />

7 8<br />

a<br />

9<br />

a<br />

10<br />

<<br />

11 12<br />

f<br />

13 14 15 16<br />

10 Point, No. 1. $1.80<br />

Long Primer.<br />

12 3 4 5 6 7<br />

+ - X -4- = ^ -+-<br />

8 9 10 11 12 13 14<br />

A < > x/ ^<br />

15 16 17 18<br />

5J Point ^#ate. $1.70<br />

12 3 45678 9<br />

10 11 12 13 14 15<br />

< V # *- : ::<br />

7 Point, No. 2.3finion. $1.75<br />

12 3 4 5 6 7 8<br />

+ - x -*- = -* a<br />

9 10 11 12 13 14 15 16<br />

l\: ::<br />

9 Point, No. 1. Bourgeois. $1.55<br />

12 3 4 5 6<br />

+ - X -4- = 4*<br />

7 8 9<br />

A >/<br />

10 11<br />

^ ^ .<br />

12 13 14<br />

10 Point, No. 2. $1.50<br />

Long Primer.<br />

2 3 4 5 6<br />

8 9 10 11 12<br />

A < V f<br />

13 14 15 16<br />

14 Point. English. $1.25<br />

12 POINT.-PiCrt. $1.50<br />

2 3 4 5<br />

12 3 4 5 6<br />

"<br />

+ X^ = -+ _X 7"-<br />

6 7 8 9 10<br />

7 8 9 10 11<br />

12 13 14 18 19 12 13 14 18 19<br />

5 Point. Pearl.<br />

22 23 24<br />

S 3 9 IV<br />

7 Point, No. 2.<br />

Minion.<br />

23 24 25 -26<br />

3 3 9 R<br />

9 Point, No. 2.<br />

Bourgeois.<br />

I 3 9 B<br />

12 Point Pica.<br />

Pedicel JSigns.<br />

b lA Point. Agate.<br />

33 34 35 36<br />

3 5 9^<br />

8 Point, No. 1.<br />

Brevier.<br />

11 12 13 14<br />

I 3 9 J*<br />

6 Point. Nonpareil.<br />

58 59 60 61<br />

S 5 3 #<br />

8 Point, No. 2.<br />

.Brevier.<br />

23 24 25 26<br />

l z d a<br />

10 Point, No. 1.<br />

Zona Primer.<br />

10 Point, No. 2.<br />

Long Primer.<br />

24<br />

5<br />

25<br />

3<br />

26<br />

9<br />

27 23<br />

|3<br />

24<br />

3<br />

25<br />

B<br />

26<br />

B<br />

12 Point, No.2. Pica. 14 Point. English.<br />

32 33 34 35<br />

S539.S38ty533Br539Jfc<br />

4y2 Point. Diamond.<br />

16 17 18 19 20 21 26<br />

f @ % i ^ lb V<br />

7 Point, No. 2.<br />

Jfinfon.<br />

17 18 19 20 21 22 27 28<br />

i 17<br />

5 Point. Pear^.<br />

16<br />

$<br />

17<br />

@<br />

18<br />

$<br />

19<br />

*<br />

20<br />

/<br />

21<br />

b><br />

26<br />

y<br />

8 Point, No. 2.<br />

Brevier.<br />

18 19 20 21 22 27<br />

^@% %f^t<br />

28 29 30 31 32 33 34<br />

10 Point, ]S o. 2. Long Primer.<br />

X1 PomTt No . 2 .<br />

Small Pica.<br />

17 18 19 20 21 22<br />

ffc@ %%/lb 27 28 29 30 C4<br />

tf # * t *<br />

18 19 20 21 22<br />

? @ % % f<br />

23 28 29 30<br />

ft ? # t<br />

JJljSCELL7IJSE0ajS JSigns.<br />

5% Point. Agate. 6 Point. Nonpareil.<br />

7<br />

J<br />

28 29<br />

@<br />

30 31 32 37<br />

* I<br />

52 53 54 55 56 57 62 64<br />

ft t $@^0tt>t*<br />

10 Point, No. 1.<br />

9 Point, No. 2.<br />

Bourgeois. Long Primer.<br />

17 18 19 20 21 22 27<br />

^@fc%f^t f<br />

12 Point Pica.<br />

26 27 28 29 30 31<br />

14 Point. English.<br />

27 28 29 30 ^ y ^<br />

36 37 38 39 40<br />

7&^ MacKellar, Smiths &* Jordan Co. Sansotn Street, Philadelphia.<br />

472<br />

M<br />

t<br />

3 '


&% Point Almanac Signs. Agate.<br />

12 3 4 5<br />

$3.05<br />

6 7 8 9 10 11 12<br />

13 14 IS 16 17 18 19 20 21 22 23 24 25 26<br />

27 28 29 30 31 32 33 34 35 36 37 38<br />

3 d ^ A D * G S<br />

8 Point Almanac Signs, No. 1. Brevier.<br />

$3.80<br />

1 2 3 4 5 6 7 8 9 10 11 12<br />

13 14 15 16 17 18 19 20 21 22 23 24<br />

25 26 27 28 29 30 31 32 33 34 35<br />

8 Point Almanac Stgns, No. 3. Brevier.<br />

$1.05 1234 5<br />

9 10 11 12<br />

& ^<br />

i Astronomical * and * Planetary * Signs &<br />

678<br />

10 Point Almanac Signs, No. l.Long Primer.<br />

$3.50<br />

12345 678 9 10 11<br />

T 8 n q SI i Ttj; ^ / v? ^<br />

12 13 14 15 16 33 17 18 19 20 21<br />

22 23 24 25 26 27 28 29 30 31 32<br />

DO#Oc$


8 Point Cancelled Fig uees. Brevier.<br />

10 Point Cancelled Figures. Long Primer.<br />

n$nwn$<br />

6 Point En Newspaper Figures. Nonpareil.<br />

1234567890<br />

7 Point En Newspaper Figures. 3finion.<br />

1234567890<br />

8 Point En Newspaper Figures. Brevier.<br />

1234567890<br />

9 Point En Newspaper Figures. Bourgeois.<br />

1234567890<br />

10 Point En Newspaper Figures.<br />

Long Primer.<br />

1234567890<br />

5% Point Em Fractions. Agate.<br />

Mi V2 3 4 % % % 7 /s % %<br />

5i& Point One-and-a-Half Em Fractions.<br />

Agate.<br />

Vie Ms Me Ke %e % % %<br />

6 Point Em Fractions. Nonpareil.<br />

*kWy& % % % \ \<br />

7 Point Em Fractions. Minion.<br />

\ \ % % % % % \ %<br />

5 Point Italic Figures.<br />

Pearl.<br />

123A567890<br />

5% Point Italic Figures.<br />

Agate.<br />

1234567890<br />

6 Point Italic Figures.<br />

Nonpareil.<br />

12SU567 890<br />

7 Point Italic Figures.<br />

Minion.<br />

123 4567 890<br />

Ca.ne:e:lle;cL Figtxxe^s.<br />

Speeial Figures.<br />

Special Fractions.<br />

Italic: Figixrcs.<br />

8 Point Italic Figures.<br />

Brevier.<br />

12 3 4567 8 90<br />

9 Point Italic Figures.<br />

Bourgeois.<br />

1231+567 890<br />

10 Point Italic Figures.<br />

Long Primer.<br />

123 1^567 890<br />

11 Point Italic Figures.<br />

Small Pica.<br />

12 3 45 6 7 8 9<br />

9 Point Cancelled Figukes. Bourgeois.<br />

11 Point Cancelled Figures. Small Pica.<br />

5} Point Five-Seventh Figures. Agate.<br />

1234567890 $<br />

6 Point Five-Seventh Figures. Nonpareil.<br />

1234567890 $<br />

6 Point Three-Quarter Figures.<br />

Nonpareil.<br />

1234567890 $<br />

7 Point Five-Eighth Figures. Minion.<br />

1234567890 $<br />

8 Point Em Fractions. Brevier.<br />

%X%%%/8/8/3/3<br />

9 Point Em Fractions. Bourgeois.<br />

1/ 1/ 3/ 1/ 3/ 5/ 7/ 1/ 2/<br />

/4 /2 /4 /8 /8 X8 /8 /3 /3<br />

10 Point Em Fractions. Long Primer.<br />

/8 /I<br />

12 Point Italic Figures.<br />

Pica.<br />

123456 7 89<br />

14 Point Italic Figures.<br />

English.<br />

1234.567 890<br />

18 Point Italic Figures.<br />

Great Primer.<br />

1234567890<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

474


THIRTEENTH SERIKS.<br />

,<br />

Fnam^ntal ^initial ^l^ft^Ff<br />

Sixteenth Series.<br />

Fourteenth Series. Twenty-Sixth Series. Fifteenth Series.<br />

Twentieth Series.<br />

ml 9<br />

Nineteenth Series<br />

Twenty-Fourth Series. Twenty-Seventh Series.<br />

fit<br />

Twenty-Third Series.<br />

if<br />

Twenty-First Series.<br />

Twenty-Fifth Series.<br />

Twenty-Second Series.<br />

IP t<br />

c<br />

l'RCES : Thirteenth, Sixteenth, and Twenty-Seventh Series, per Set, $12.50; Single Utter, 60 cts. Fourteenth, Fifteenth, and Nineteenth Series, per Set,<br />

$10.00 j Single Letter, 50 cts. Twentieth and Twenty-fourth Series, per Set, |6.00 ; Single Letter, 18 its. Twenty-fifth Series, per Set, *(i.00. Single<br />

Letter, 30 cts. Twenty-first, Twinty-sccuud, Twenty-third, and Twenty-sixth Series, per Set, 17.00; Single Letter, 35 cts.<br />

The MacKcllar, Smiths &= Jordan Co.<br />

479<br />

Sansom Street, Philadelphia.


Ornamental Initial Letters.<br />

Twenty-Eighth Series. Thirtieth Series.<br />

% %*<br />

er Set. $12.50 ; Single Letter, GO cts. Fortieth Series,<br />

per Set, with Pendants and Spaces, $5.00; Single Letter, with Pendants, 30 cts. Forty-first Series, per Set, with Pendants and Spaces, $7.00; Single<br />

Letter, with Pendants, 40 cts. Forty-second Series, per Set, $10.00 ; Single Letter, 50 cts.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

480


Registered, No. 24,024.<br />

Mechanical Patent, Mar. 31, 1885.<br />

1 This<br />

Or^an^eijtal Initial fetters.<br />

Registered, No. 12,945.<br />

2, cxgXj e/JU<br />

Forty-Third Series.<br />

This Series is cast on 4S Point body, with 36 Point mortise.<br />

Price, per Set, $4.00. Single Letter, 40 cts.<br />

Mechanical Patent, Mar. 31, 1885.<br />

48 Point Mortised, No. 2. Four-Line Pica. $6.00<br />

2*SL<br />

HNTERHOSESf<br />

'<br />

G) ff)<br />

6 10<br />

type will give a new idea to the printer, and add to his facilities for varying the style of .^*^-^<br />

his work. Types of numerous faces can be easily and accuratelyy<br />

fitted into kS'vS<br />

the slotted sides, and the extension pieces, being cast on<br />

12 Point bodies, added without justification.<br />

The MacKellar, Smiths ?> Jordan Co. Sanson Street, Philadelphia.<br />

481


Index Initials. Registered, No. 166,601<br />

Jj-vfe;<br />

Price, Singly, 50 cents. Per Set, $10.00.<br />

E POINT u)ith pride to the beatififttl<br />

TYPES AND BORDERS<br />

Exhibited in this Specimen Book<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

482


Index Initials<br />

SECOND SERIES.<br />

Price, Singly, 40 Cents. Per Set, $8.00.<br />

OVELTY and attractiveness are combined in<br />

these Index Initials. For advertising purposes<br />

they are unmistakable Pointers, and<br />

will be found exceedingly useful.<br />

Electrotypes on Solid Metal Base.<br />

Point System Body.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

483


Stcs^ii Service gjc^s.<br />

12 Price per font, f 1.75. 36 Point Weather Indicators. Three-Line Pica.<br />

3 4 5<br />

CLEAR FAIR<br />

NO<br />

CHANGE<br />

CLOUDY RAIN<br />

WARM COLD WIND STORM<br />

Single, 15 cts.<br />

Price per font, $1.50. 24 Point Weather Signals. Two-Line Pica. Single, 10 cts.<br />

1 3 6 4<br />

P P ^ [i<br />

Price per font, $2.00. 48 Point Weather Signals. Four-Line Pica. Single, 20,cts.<br />

1<br />

6<br />

SNOW


501. ioc. !<br />

502. ioc.<br />

/Jf\jfy<br />

505. io cts.<br />

i&q /fy 0T<br />

No. 536. 20 cts.<br />

rau<br />

No. 540. 20 cts.<br />

/#>f/fitow/<br />

No. 517. 25 cts.<br />

cAtmv<br />

No. 518. 25 cts.<br />

No. 533. 25 cts<br />

c ^m^ecZ<br />

No. 539. 25 cts.<br />

>effttftfpefI ^my^,<br />

PATENTED AND COPYRIGHTED<br />

510. IO C.<br />

513. io cts. 515. io c.<br />

No. 512. io cts. No. 521. 25 cts. 514. 10 cts,<br />

C/<br />

ra f.<br />

No. 526. 25 cts. No. 520. 25 cts.<br />

No. 531. 25 cts. No. 530. 25 cts.<br />

No. 523. 25 cts.<br />

No. 528. 25 cts.<br />

No. 527. 25 cts.<br />

c &mnmt/<br />

^mwrnizt/<br />

m<br />

tm^/Cmz<br />

r.<br />

No. 519. 25 cts.<br />

No. 522. 25 cts.<br />

/<br />

No. 524. 25 cts. No. 525. 25 cts.<br />

c<br />

Mc^ Si<br />

No. 529. 25 cts. No. 537. 20 cts.<br />

No. 534. 30 cts.<br />

No. 535. 30 cts.<br />

No. 538. 30 cts. No. 543. 30 cts.<br />

^af^y^^i^^/t^ an^Ame^/^ace^m^/,<br />

No. 532. 25 cts. No. 541. 30 cts.<br />

a<br />

/dtfms/^iY ^^/^m^A^t^t^<br />

No. 542. 20 cts.<br />

/0i//wai0t/<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


]<br />

%fg^f elml jcgcbjij<br />

PATENTED AND COPYRIGHTED.<br />

No. 552. 30 cts. No. 562. 30 cts. No. 557. 30 cts.<br />

0^\ f tim vcmtm<br />

No. 559. 30 cts. No. 564. 30 cts.<br />

'aMmmm<br />

7/m c ^4^Mfp^c/<br />

z<br />

No. 565. 30 cts.<br />

No. 551. 30 cts. No. 555. 30 cts. No. 561. 30 cts. No. 570. 25 cts.<br />

No. 554. 30 cts. No. 573. 25 cts. No. 556. 30 cts.<br />

w\CMm /w/mM/<br />

No. 574. 25 cts.<br />

#$/&<br />

No. 572. 35 cts.<br />

No. 567. 25 cts.<br />

w\


Check Lines.<br />

IN ORDERING BE CAREFUL TO ADD THE WORDS "CHECK LINE" TO THE NUMBER WANTED.<br />

J. 18 cts. 74. 18 cts.<br />

The MacKellar, Smiths &= "Jordan Co. Sansom Street, Philadelphia.<br />

490


CARD LOGOTYPES.<br />

M *g tSf 9<br />

110 111 112 113 U4 115 116 117 118 119 120 121 122 128 125 126<br />

128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145<br />

if *$ 11 ii *si mi<br />

Cast on Point System Bodies. Price, per font, $3.00.<br />

No. 94. 40 cts.<br />

BILLHEAD LOGOTYPES.<br />

No. 97. 40 cts.<br />

RECIPE MARKS.<br />

ACCORDING TO ACT OF CONGRESS.<br />

No. 93. 35 cts.<br />

Prices : Nos. 1 to 8, Six cents each ; 9 to 11, Ten cents each. Cast on Point System Bodies. Complete set, 75 cents.<br />

No. I. No. 3. No. 5. No. 7. No. 9<br />

* R<br />

No. 10. No. 8. No. 6. No. 4. No. 2.<br />

R *<br />

+<br />

xr ,, fl Wij ' No. 15.<br />

V No. 12. -"^ A<br />

' - a<br />

No. 4. No. 2. No.1. N^. No. 5. No. 7. ^<br />

FIVE-POISED STARS. Put up in fonts of four each. Cast on Point System Bodies. Price, $1.00.<br />

^BT<br />

The MacKellar, Smiths & "Jordan Co. Sansom Street, Philadelphia.<br />

491


eaiisiss wlokees*<br />

IN ORDERING BE CAREFUL TO ADD THE WORDS "CHECK BLANK" TO THE NUMBER WANTED.<br />

No. 327. 75 cts.<br />

~<br />

_ _<br />

No. 328. 75 cts.<br />

IDXEKI^<br />

The MacKellar, Smiths &> Jordan Co. Sanson Street, Philadelphia.<br />

492


(CIDIKBIK IBLLlMiK^<br />

IN ORDERING BE CAREFUL TO ADD THE WORDS "CHECK BLANK" TO THE NUMBER WANTED.<br />

No. 29(5. 40 cts.<br />

The MacKellar, Smiths &f yordan Co. Sansom Street, Philadelphia.<br />

493<br />

4


155.8 c.<br />

156 go. 157.8 c. 158.8c. 159.8c. 161. 12 cts.<br />

g#4 4JgjEfc<br />

526. 18 cts. 330. 18 cts.<br />


209. 12 c. 210. i8cts. 416. 12 c. 344. 12 c.<br />

'225. 15 cts.<br />

3^* ^Z l^ 5


BxjsinsrEiss Cuts.<br />

Price, 90 cents each. By mail, postage prepaid, $1.00 each. COPYRIGHT SECURED.<br />

DRY GOODS.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

496


Business Cuts.<br />

Price, 90 cents each. By mail, postage prepaid, $1.00 each. COPYRIGHT SECURED.<br />

PROVISIONS.<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

497


INDEX CORNERS^<br />

Copyrighted According to I*aw.<br />

No. 3986. No. 3987. No. 3991. No. 3990. No. 3989. No.<br />

BLOCKED ON SOLID METAL BODIES.<br />

The MacKellar, Smiths & yordan Co. Sansom Street, Philadelphia.<br />

498


No. 4100. 75 cts. No. 4103. 75 cts.<br />

No. 4104. 75 cts.<br />

No. 4101. 75 cts.<br />

No. 4107. 75 cts.<br />

No. 4102. 75 cts.<br />

The MacKcllar, Smiths


No. 4108. 75 cts. No. 4111. 75 cts.<br />

No. 4115. 75 cts.<br />

The MacKellar, Smiths


No. 4116. 75 cts. No. 4119. 75 cts.<br />

No. 2956. 30 cts.<br />

No. 4117. 75 cts. No. 4118. 75 cts. ^<br />

The Mac/Cellar, Smiths &> Jordan Co. Sansoiu Street, Philadelphia.<br />

505


No. 2715. Mortised. $1.25. 2946. 15 cts. No. 2735. Mortised. $1.25. 2943. 15 cts. No. 2733. Mortised. $1.25.<br />

*?E8&i<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

506


No. 2054. is cts<br />

2948. 15 cts.<br />

No. 2818. 50 cts.<br />

No. 2396. 15 cts.<br />

The MacKellar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

507


No. 3198. 40 cts.<br />

The MacKellar, Smiths &* Jordan Co<br />

No. 2400. $1.00.<br />

508<br />

No. 3199. 30 cts.


No. 3438. 40 cts. No. 2723. 25 cts. No. 3051. 75 cts.<br />

No. '2724. 30 cts.<br />

No. 2480. $1.25. No. 2969. 25 cts.<br />

No. 3677. $1.25.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

509


No. 3055. 38 cts. No. 2635. 75 cts. No. 2974. 30 cts.<br />

No. 2398. gi.oo,<br />

No. 3710. 25 cts.<br />

2328. 75 cts.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

510


No. 3061. 40 cts. No. 2929. $1.00. No. 3712. 40 cts.<br />

The MacKcllar, Smiths &* Jordan Co. Sansom Street, Philadelphia.<br />

5"


No. 2898. Mortised. $1.25.<br />

Tii T' T<br />

The MaeKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

512


No. 1243. 25 cts.<br />

The MacKellar, SmitJis & Jordan Co. Sattsom Street, Philadelphia.


No. 2637. 75 cts. No. 3037. 6o cts.<br />

The MacKe liar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

5H


3094. 75 cts. No. 1611. 6octs.<br />

^ifeK<br />

^<br />

No. 2172H. so cts. No. 2171. 50 cts.<br />

The MacKellar, Smiths & Jordan Co.<br />

515<br />

Sansotn Street, Philadelphia.


No. 2854. 50 cts.<br />

The MacKellar, Smiths &* jfordan Co. Sansom Street, Philadelphia.<br />

516


No. 2317. 38 cts. So. 8986, 35 cts No. 2344. 50 cts. No. 3353. 30 cts.<br />

77?^ MacKellar, Smiths 67 s Jordan Co. Sanson/ Street, Philadelphia.<br />

5'7


No. 3950. 75 cts No. 3951. 75 cts.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.


No. 2823. 25 cts No. 3190. 6o cts.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

519


No. 3664. 35 cts No. 2703. Mortised. gi.oo. No. 3663. 35 cts.<br />

ILLINOIS.<br />

Seals of all the States of the Union, of the three sizes shown, furnished at above prices.<br />

The MacKellar, Smiths &= Jordan Co. Sansom Street, Philadelphia.<br />

520


No. 2559. $1.00. No. 3813. so cts. No. 3487. $i.oo.<br />

The MacKellar, Smiths &> Jordan Co. Saiisoiu Street, Philadelphia.<br />

52i


No. 3675. $1.25. No. 3466. 50 cts. No. 2073. 75 cts.<br />

News Cut.<br />

No. 367. 12 cts. No. 2338. 51.00.<br />

News Cut.<br />

No. 365. 12 cts.


No. 3595. 6octs. No. 3972. 60 cts. No. 3594. 60 cts.<br />

tit-til<br />

No. 2433. $1.50.<br />

The MacKellar, Smiths Jordan Co. Sanson/ Street, Philadelphia.<br />

523


The MacKellar, Smiths &* Jordan Co.<br />

No. 3981. $1.75.<br />

524<br />

Sansom Street, Philadelphia.


No. '2471. socts. No. 1888. 7Scts.<br />

The MacKellar, Smiths & Jordan Co. Sanson* Street, Philadelphia.<br />

525


No. 3994. $1.00. No. 3984. $i.oo.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

526


No. 3451. 50 cts. No. 3788. $1.00. No. 3164. 50 cts.<br />

The MacKellar, Smiths & Jordan Co. Sansotn Street, Philadelphia.<br />

527


No. 3957. 60 cts. No. 3785. 75 cts.<br />

The MacKellar, Smiths & Jordan Co. Sansom Street, Philadelphia.<br />

528


No. 3407. 60 cts.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

529


No. 3397. $1.00. No. 3455. 50 cts. No. 3281. 60 cts.<br />

The MacKellar, Smiths &* "Jordan Co. Sansom Street, Philadelphia.<br />

530


No. 3169. 80 cts<br />

The MacKellar, Smiths &> yordan Co. Sansom Street, Philadelphia.<br />

531


No. 3154. 65 cts. No. 3818. $1.50. No. 3156. 6q cts.<br />

The MacKellar, Smiths &> Jordan Co. Sansom Street, Philadelphia.<br />

532


No. 3810. 40 cts. No. 2G91. 75 cts<br />

The MacKellar, Smiths &> Jordan Co. Sanson Street, Philadelphia.<br />

533


No. 4069. 75 cts. No. 4064. 75 cts.<br />

The MacKellar, Smiths & Jordan Co. Sansoni Street, Philadelphia.<br />

534


No. 4065. 75 cts. No. 4056. 75 cts.<br />

No. 4067. 6o cts. No. 4075. 50 cts.<br />

No. 4073. 50 cts.<br />

0if: a<br />

cJ^H<br />

JJS ^ET^JkR<br />

No 1068. 60 cts.<br />

The MacKcllar, Smiths &> Jordan Co. Sansom Street, PJuladelphia.<br />

535


No. 3181. 6octs.<br />

Xo. 'J 141. gi.25.<br />

.No. n !!>_'. 7 c cts. No. 2750. so cts.<br />

No. 3954. 75 cts. No. 4095. 40 cts. No. 2998. 30 cts. No. 4094. 60 cts.<br />

The MacKdlar, Smiths 6* Jordan Co. Sansom Street, Philadelphia.<br />

536


American Point System of Type Bodies<br />

BASED ON OUR PICA BODY. ONE POINT ONE-TWELFTH OF PICA.<br />

To the intelligent printer the advantages of the American Point<br />

System are too apparent to need explanation.<br />

In ordering, designate the<br />

size of the body by the number of Points. The bodies indicated by<br />

heavy type conform to the Old System and the American Point System.<br />

Printers having type manufactured by us upon these bodies will require<br />

no change in them in adopting the Point System.<br />

Name under Point System. Name under Old System.<br />

IO<br />

II<br />

12<br />

14<br />

16<br />

18<br />

20<br />

22<br />

24<br />

28<br />

30<br />

32<br />

36<br />

40<br />

42<br />

44<br />

48<br />

54<br />

60<br />

72<br />

Point body Excelsior.<br />

'2<br />

'<br />

Brilliant.<br />

Semi-Brevier.<br />

Diamond.<br />

Pearl.<br />

Agate.<br />

Nonpareil.<br />

Minion.<br />

Brevier.<br />

r Bourgeois.<br />

\ 3-line Excelsior.<br />

Long Primer.<br />

Small Pica.<br />

Pica.<br />

r 2-line Minion.<br />

i English.<br />

2 -line Brevier.<br />

r Great Primer.<br />

1 3-line Nonpareil.<br />

r 2-line Long Primer.<br />

\ Paragon.<br />

2-line Small Pica.<br />

2-line Pica.<br />

2-line English.<br />

5-line Nonpareil.<br />

I 3-line Small Pica.<br />

1 4-line Brevier.<br />

2-line Great Primer.<br />

3-line Pica.<br />

Double Paragon.<br />

7-line Nonpareil.<br />

f 4-line Small Pica.<br />

\ Canon.<br />

4-line Pica.<br />

f 5-line Small Pica.<br />

I 9-line Nonpareil.<br />

5-line Pica.<br />

6-line Pica.


Printers' Ue$fr-!Books.<br />

TBaeTKellar'g American 'Printer.<br />

S\ oJUovnuoi of ^yp*x%vophy, <br />

bvonb for JTlonaaina oU &o/o of a ePi4nJina Qf^m } o&<br />

vwll a6> tyym\Aoto, IviMrwrtiom l for Mopr


Mis


vi 1 Ujjgin UAijim, [<br />

tl<br />

M 1" '*<br />

~*i.V>'<br />

t^mM '<br />

'** *r<br />

&**#<br />


v^-s *v<br />

^,jfc*4<br />

ms>j^i:ww-%

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