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Albertopolis Walking Tour: transcript - Royal Institute of British ...

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were possibly influenced in their choice <strong>of</strong> decoration by the University Museum, Oxford, by<br />

Deane & Woodward, which Waterhouse visited in 1858.<br />

All <strong>of</strong> the decoration and the whole façade facing are carried out in terracotta. Waterhouse<br />

chose this relatively new material since it could mass produce cheap, durable, and washable<br />

ornament.<br />

The overall result <strong>of</strong> the façade is reminiscent <strong>of</strong> both a cathedral front and a medieval<br />

market hall. The building is entered via a magisterial staircase and cathedral like portal, a<br />

theme which is continued in the grand entrance hall which resembles a large church nave.<br />

The interior <strong>of</strong> the museum is equally as decorative and beautiful as its exterior and is well<br />

worth exploring, even if you’re not interested in dinosaurs!<br />

Continue to walk eastwards along Cromwell Road towards the main entrance to the V&A.<br />

Pause the recording<br />

21. Victoria and Albert Museum<br />

47.22mins<br />

Before you is the world renowned<br />

Victoria and Albert Museum, however<br />

the museum began its life under a<br />

different name and in a different<br />

location. The first seed <strong>of</strong> what was to<br />

become the South Kensington<br />

Museum, and later the V&A, was the<br />

founding <strong>of</strong> the Government School <strong>of</strong><br />

Design, established in Somerset House<br />

in 1837. The Department <strong>of</strong> Practical<br />

Art followed in 1852 with the<br />

associated Museum <strong>of</strong> Manufactures set<br />

up in Marlborough House, which<br />

included objects purchased from the<br />

Great Exhibition.<br />

Aerial photograph <strong>of</strong> the Victoria and Albert<br />

Museum, 2002<br />

Copyright: English Heritage. NMR<br />

The result was the first public<br />

institution to <strong>of</strong>fer education in design,<br />

with the objective to make works <strong>of</strong> art<br />

available to all, and to inspire contemporary design. Both the department and museum were<br />

renamed in 1853, and in 1857 they moved to the site before you.<br />

Henry Cole became the museum’s first director, and it was he who coined the name South<br />

Kensington for both the area and the museum. The South Kensington Museum opened in<br />

the summer <strong>of</strong> 1857 to the north east <strong>of</strong> where you are standing, in a temporary iron building<br />

which earned the derogatory nickname the ‘Brompton Boilers.’ Cole quickly employed the<br />

engineer Captain Francis Fowke to design new permanent buildings for the museum<br />

collections. The Brompton Boilers was dismantled in 1864 and partially re-erected at Bethnal<br />

Green for a new museum, now the Museum <strong>of</strong> Childhood.<br />

22

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