THE SATANIC ROOTS OF ROCK.pdf

planned and well-timed. America had just suffered the shock of the assassination of
President John Kennedy, while in the streets the mass-based civil rights movement had
just held a Washington, D.C. rally, led by Martin Luther King, of 500,000 people. The
rock counterculture would be used as a weapon to destroy such political movements.
Later in 1968 and 1969, years which saw a mass strike of students and workers in the
United States and Europe, huge, open-air rock concerts were used to head off the
growing discontent of the population. The rock concerts were devised as a means for
mass recruitment to the drug-saturated, free-sex counterculture. For the millions who
came to these concerts, thousands of tablets of the hallucinogenic drug, LSD, were
made freely avaliable. These drugs were secretly placed in drinks such as Coca-Cola,
turning thousands of unsuspecting victims into raving psychotics. Many committed
suicide.
Less than a half century ago, our young children studied violin and piano, learning
about the great classical composers such as Bach, Mozart, and Beethoven. As will be
shown, the same record companies who today promote Satanic "heavy-metal" rock
have run covert operations to destroy the musical heritage of these great classical
composers.
For the past thirty years, Western society has been under the gun of a deliberate plan
of cultural warfare, with the purpose of eliminating Judeo-Christian civilization as we
know it. These plans must not succeed. So that the reader can better combat this evil,
we'll go back nearly thirty years, when those four innocent lads from Liverpool, England,
the Beatles, were just starting out.
Creating the Beatles
The Beatles first began performing in the late 1950s in jazz clubs in England and West
Germany. These clubs, always located in the seediest part of the cities, served as a
marketplace for prostitution and the circulation of drugs. Beatle biographer Philip
Norman writes: "Their only regular engagement was a strip club. The club owner paid
them ten shillings each to strum their guitars while a stripper named Janice grimly shed
her clothes before an audience of sailors, guilty businessmen and habitues with
raincoat-covered laps." (Philip Norman, Shout! The Beatles in Their Generation, p. 81)
The Beatles got their first big break in Germany, in August 1960, when they obtained a
booking at a jazz club in Hamburg's notorious Reeperbahn district. Describing the area
Norman writes it had, "red-lit windows containing whores in every type of fancy dress,
all ages from nymphet to granny...Everything was free. Everything was easy. The sex
was easy... Here it came after you." (Philip Norman, Shout! The Beatles in Their
Generation, p. 91)
Far from the picture of innocence, the Beatles, even in their first performances, were
always high on a drug called Preludin, "John (Lennon), would be foaming at the mouth,
he'd have so many pills inside him...John, began to go berserk on stage, prancing and
groveling...The fact that the audience could not understand a word he said, provoked
John into cries of `Sieg Heil!' and `F____ing Nazis' to which the audience invariably
responded by laughing and clapping." (Philip Norman, Shout! The Beatles in Their
Generation, pp. 152,91)
Off the stage, the Beatles were just as evil. Norman continues, "while in Hamburg,
John, each Sunday would stand on the balcony, taunting the churchgoers as they
walked to St. Joseph's. He attached a water-filled contraceptive to an effigy of Jesus
and hung it out for the churchgoers to see. Once he urinated on the heads of three
nuns."(Philip Norman, Shout! The Beatles in Their Generation, p. 152)