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Phonological Representation in Akkadian Orthography

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Spell<strong>in</strong>g strategies<br />

There were several strategies available for<br />

writ<strong>in</strong>g CVC.CVC words (red means a 1:1<br />

syllable to graph relationship):<br />

CVC – CVC šar-rum (Only if CVC available, and<br />

even then, optionally)<br />

CV 1 - V 1C – CVC ša-ar-rum<br />

CVC – CV 1 - V 1C šar-ru-um<br />

CV 1 - V 1C – CV 1 - V 1C ša-ar-ru-um<br />

CVC – VC if C 2=C 3 šar-um. This “broken writ<strong>in</strong>g” is<br />

rare (Lip<strong>in</strong> 1973:29, Huehnergard & Woods 2004:228). It<br />

should not happen <strong>in</strong> a syllabary because it <strong>in</strong>volves the<br />

divorce of C 3 from the vowel <strong>in</strong> its rhyme.<br />

Subsyllabic analysis<br />

While the syllabograms give too little phonological<br />

<strong>in</strong>formation as I have just described, there is also evidence<br />

that they were used to represent subsyllabic <strong>in</strong>formation <strong>in</strong> a<br />

way that a true syllabary (under Poser’s def<strong>in</strong>ition) does not.<br />

Long vowels, which are contrastive <strong>in</strong> <strong>Akkadian</strong>, were<br />

(optionally) dist<strong>in</strong>guished through the usage of CV-V plene<br />

sign sequences (Mercer 1921:6). This is exactly parallel to<br />

Japanese katakana, which Poser (2004:5) analyzes as moraic.<br />

Similarly, double consonants were often <strong>in</strong>dicated by VC-CV<br />

sequences (Huehnergard & Woods 2004:228). This shows<br />

precisely the type of subsyllabic analysis that Poser says<br />

dist<strong>in</strong>guishes moraic writ<strong>in</strong>g systems from true syllabaries.<br />

– Inaddiššum (‘s/he will give to him’) attested <strong>in</strong> four forms<br />

– i-na-di-šum, i-na-ad-di-šum, i-na-di-iš-šum, i-na-ad-di-iš-šum<br />

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