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Wiener Silber Manufactur

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<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />

Office Schwarzenbergstraße 1–3/2<br />

2<br />

1010 Vienna, Austria<br />

manufacture Boschanstraße 3/Halle 1<br />

2483 Ebreichsdorf – Weigelsdorf<br />

Austria<br />

Phone +43 2254 - 728 50<br />

fax +43 2254 - 728 50 10<br />

email office@wienersilbermanufactur.com<br />

Shop Spiegelgasse 14<br />

1010 Vienna, Austria<br />

Phone +43 1 - 513 05 00<br />

fax +43 1 - 513 05 01<br />

email shop@wienersilbermanufactur.com<br />

www.wienersilbermanufactur.com<br />

<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />

Steeped in tradition to create Something new<br />

Inspired by the vision of an innovative company, though rich in<br />

tradition, Georg Stradiot founded the <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

in 2008, a brand whose roots go back to 1882.<br />

DeSiGn<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has an archive of 11,000 original<br />

designs, including works of masters of the <strong>Wiener</strong> Werkstätte<br />

such as Josef Hoffmann, Kolo Moser, Otto Prutscher and Oswald<br />

Haerdtl. It was in their creative period that Vienna became the<br />

artistic and intellectual centre of Europe.<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> reissues original designs, including<br />

masterpieces like Josef Hoffmann's revolutionary cutlery No. 135<br />

from 1902, or a sugar bowl designed by Kolo Moser, which<br />

Gustav Mahler gave to his wife Alma on their first Christmas Eve<br />

together in 1902.<br />

In cooperation with national and international contemporary<br />

designers like Thomas Feichtner, Tino Valentinitsch, Rainer Scharf,<br />

Claesson–Koivisto–Rune, Marco Dessi or Tomás Alonso, all of<br />

whom have a worldwide reputation, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

brings out state-of-the-art design of the highest quality.<br />

Silver<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> uses a special alloy that contains 94%<br />

by mass of silver (Sterling silver, by comparison, only contains<br />

92.5% of silver). The high value of raw materials ensures that the<br />

product value will increase over the years. In addition, the silverware<br />

is exceptionally easy to clean, since it is dishwasher-proof<br />

and extremely resistant to tarnishing.


craftSmanShiP<br />

Apart from the high quality of silver, exquisite craftsmanship is the<br />

main quality criterion. In fact every piece of the <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

product range, which includes cutlery, tea sets, candelabra,<br />

bowls etc., is produced by hand in the south of Vienna.<br />

teamWOrk<br />

With a staff of 20 highly qualified members, including three<br />

master silversmiths, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has a team of<br />

specialists who are deeply committed to producing the finest<br />

of silverware.<br />

hallmark<br />

Every product that leaves our house is adorned with a four-leaf<br />

clover, the symbol and hallmark of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>.<br />

The four-leaf clover is also available as a lovely little pendant.<br />

WeiGhtS anD meaSureS<br />

All dimensions specified in this catalog may vary slightly.<br />

YOur WiSheS, Our Service<br />

The articles shown in this catalog represent the standard product<br />

range of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>, while its entire portfolio is of<br />

course much wider.<br />

Many designs that are not presented here can be manufactured<br />

by request. This includes custom-made engravings.<br />

Moreover, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> offers a repair and cleaning<br />

service.<br />

<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />

DeliverY timeS<br />

Most of the products shown in the catalog are in stock and can<br />

be delivered immediately. In case of special orders, delivery time<br />

is approximately 6 weeks.<br />

Our ShOP in the heart Of vienna<br />

Everyone is warmly welcome to visit the exquisite <strong>Wiener</strong> <strong>Silber</strong><br />

<strong>Manufactur</strong> Shop at Spiegelgasse 14, in Vienna's first district,<br />

where architect Michael Embacher made sure only the finest<br />

materials were used. The clever color concept, technical equipment<br />

and a sophisticated combination of historical and contemporary<br />

forms create a wonderful atmosphere that reflects the soul of<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>.<br />

"Art and craftsmanship of the silversmith have a<br />

long tradition in Vienna. We are proud of being<br />

a part of this tradition."<br />

Georg Stradiot, Owner of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

3


CUTLERY


Josef Hoffmann BD-135<br />

Oswald Haerdtl BD-192<br />

Hofburg BVC-189<br />

Geigenkasten BVC-193<br />

Otto Prutscher BD-179<br />

Schönbrunn BVC-177<br />

Mirabell BVC-190<br />

<strong>Wiener</strong> Wamperl BVC-101<br />

Otto Prutscher Faden BD-181<br />

Belvedere BVC-185<br />

Eselsrücken BVC-104<br />

Cutt KB-401<br />

cutlerY<br />

7


DeSiGner cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 203 97<br />

Dinner fork - 02 l 214 92<br />

Dinner knife - 03 l 232 45<br />

Dessert spoon - 09 l 165 67<br />

Dessert fork -10 l 178 56<br />

Dessert knife -11 l 198 31<br />

Coffee or tea spoon -13 l 140 41<br />

Mocca spoon -14 l 100 14<br />

Pastry fork -15 l 153 34<br />

Fish fork -17 l 203 67<br />

Fish knife -19 l 218 73<br />

Fruit fork -21 l 155 36<br />

Fruit knife, silver blade -22 l 160 41<br />

Fruit spoon -24 l 153 42<br />

Ice cream spoon -25 l 132 39<br />

Long drink spoon<br />

Butter knife, small,<br />

-26 l 195 74<br />

silver blade -28 l 145 52<br />

Cold meat fork -29 l 210 61<br />

Roast fork -30 l 245 124<br />

Roast spoon<br />

Butter knife, large,<br />

-31 l 233 145<br />

silver blade<br />

Butter knife, large,<br />

-33 l 168 62<br />

silver blade<br />

Ice cream<br />

-34 l 168 73<br />

serving spoon -35 l 216 114<br />

Fish serving fork -37 l 230 141<br />

Fish serving knife -39 l 240 115<br />

Potato serving spoon -42 l 230 152<br />

Fruit serving spoon -43 l 225 113<br />

8<br />

Josef Hoffmann<br />

1902<br />

Hoffmann cutlery No. 135<br />

BD-135<br />

Hoffmann Cutlery No. 135


Sugar Tongs | Cake Server I<br />

Asparagus Tongs No. 135<br />

Fish Cutlery Nr. 135<br />

DeSiGner cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Salad serving spoon<br />

Salad serving spoon,<br />

-47 l 228 152<br />

long -47 l l 280 152<br />

Salad serving fork<br />

Salad serving fork,<br />

-48 l 228 149<br />

long -48 l l 280 149<br />

Salt and spice spoon -51 l 88 12<br />

Sandwich serving fork -52 l 150 36<br />

Sandwich server -53 l 180 74<br />

Gravy ladle<br />

Cheese knife,<br />

-54 l 195 107<br />

small, silver blade -58 l 145 52<br />

Asparagus tongs -60 l 175 245<br />

Soup ladle, large -61 l 375 410<br />

Soup ladle, small -62 l 305 290<br />

Cake server -64 l 250 115<br />

Serving spoon -67 l 228 152<br />

Lemon fork -68 l 105 37<br />

Sugar sprinkling spoon -69 l l 170<br />

Sugar tongs<br />

Ice cream serving knife,<br />

-70 l 100 62<br />

silver blade -85 l 230 115<br />

Mixed pickles fork -86 l 250 68<br />

Mixed pickles spoon -87 l 250 75<br />

Oyster fork -93 l 145 39<br />

Josef Hoffmann's famous cutlery No. 135 was designed a year<br />

before the founding of the <strong>Wiener</strong> Werkstätte. It marked a revolution<br />

in the history of silverware, since it involved a departure from<br />

historicism in favor of clear lines, an uncompromising allegiance<br />

to functionality.<br />

The original sets were produced for the Kohn, Wittgenstein and<br />

Mautner Markhof families. Today, we treasure the original dies<br />

as some of our most priceless possessions. They are used when<br />

special people are looking for something exceptional – for<br />

products of pure perfection.<br />

9


DeSiGner cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 210 95<br />

Dinner fork - 02 l 205 80<br />

Dinner knife - 03 l 215 40<br />

Pastry fork -15 l 150 40<br />

Coffee or tea spoon -13 l 145 40<br />

This richly rounded set of cutlery was designed by Otto Prutscher<br />

in the 1930s. The slightly curved upper face of the handles is<br />

characteristic of his work from the 1930s. The contrast between<br />

the soft organic forms and the material's shimmering hardness<br />

constitutes this pattern's particular appeal. The pieces rest solidly<br />

and comfortably in the hand.<br />

10<br />

Otto Prutscher<br />

1930s<br />

Prutscher cutlery<br />

BD-179<br />

Prutscher Cutlery


"Faden" Cutlery by Prutscher<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Otto Prutscher<br />

1920s<br />

DeSiGner cutlerY<br />

"Faden" cutlery by Prutscher<br />

BD-181<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 210 85<br />

Dinner fork - 02 l 200 75<br />

Dinner knife - 03 l 215 36<br />

Pastry fork -15 l 140 34<br />

Coffee or tea spoon -13 l 135 32<br />

Purity of form is the particular feature of Otto Prutscher's cutlery.<br />

This early masterpiece of Viennese Art Deco is clearly in the<br />

tradition of Josef Hoffmann, but is also imbued with the spirit of a<br />

new age. The handles appear to be lined by a thread that runs<br />

along the edges. While in the forks and spoons the thread stops<br />

just before the bottom of the handles, it runs all around the bottom<br />

ends of the knives' rounded handles. The understated elegance of<br />

this design is absolutely timeless.<br />

11


DeSiGner cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 195 78<br />

Dinner fork - 02 l 195 65<br />

Dinner knife - 03 l 213 30<br />

Pastry fork -15 l 150 30<br />

Coffee or tea spoon -13 l 135 40<br />

The advent of espresso in the 1950s brought new life to Vienna's<br />

coffeehouse scene. Inspired by the light-heartedness of the Italian<br />

way of life, architect Oswald Haerdtl designed the interiors<br />

of numerous cafés in the style of the time, including the famous<br />

Arabia Espresso at Vienna's Kohlmarkt. The design of his cutlery<br />

reflects the positive, buoyant mood of the epoch. Its fine, deeply<br />

engraved fluting quotes from classical forms of decoration and is<br />

enriched by contemporary Italian influences.<br />

12<br />

Oswald Haerdtl<br />

1956<br />

Haerdtl cutlery<br />

BD-192<br />

Haerdtl Cutlery


Name "Cutt" des Cutlery Produktes<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Thomas Feichtner<br />

2006<br />

"Cutt" cutlery<br />

KB-401<br />

DeSiGner cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 192 85<br />

Dinner fork - 02 l 192 80<br />

Dinner knife - 03 l 195 42<br />

Pastry fork -15 l 130 42<br />

Coffee or tea spoon -13 l 130 45<br />

Fish fork -17 l 192 92<br />

Fish knife -19 l 192 89<br />

The "Cutt" cutlery set is exemplary of Thomas Feichtner's experi-<br />

mental approach. Designed in 2006, it challenges the functional<br />

and ergonomic requirements on cutlery, and yet it surprises with its<br />

functionality once it gets used. Individual surfaces folded to shape<br />

a bowl-like cavity turn out to be the body of the spoon or fork.<br />

The set was initially manufactured on a small scale by <strong>Wiener</strong><br />

<strong>Silber</strong> <strong>Manufactur</strong>; meanwhile "Cutt" has found its way into various<br />

cutlery and design collections.<br />

13


claSSic cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon -01 l 210 95<br />

Dinner fork -02 l 210 75<br />

Dinner knife -03 l 240 35<br />

Pastry fork -15 l 140 27<br />

Coffee or tea spoon -13 l 135 28<br />

Vienna's Schönbrunn Palace was eponymous for this pattern.<br />

Forms inspired by the Baroque introduced the glory and grandeur<br />

of the imperial court to the dining tables of the upper middle class.<br />

Today this pattern remains an expression of the joyous celebration<br />

of dining; it embodies luxury and classiness, the joie de vivre of<br />

an epoch.<br />

14<br />

Archive<br />

Undated<br />

"Schönbrunn" cutlery<br />

BVC-177<br />

"Schönbrunn"


"Belvedere"<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

Undated<br />

"Belvedere" cutlery<br />

BVC-185<br />

claSSic cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 210 89<br />

Dinner fork - 02 l 205 73<br />

Dinner knife - 03 l 250 35<br />

Pastry fork -15 l 145 30<br />

Coffee or tea spoon -13 l 135 35<br />

With its lightness and easy elegance the "Belvedere" cutlery<br />

dovetails with both traditional interiors and modern settings. Its<br />

continuous ornamentation and delicate curves at the bottom of the<br />

handles reflect the opulence of the Baroque, introducing an air of<br />

the savoir vivre of those bygone days to the modern dining table.<br />

15


claSSic cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 200 95<br />

Dinner fork - 02 l 195 75<br />

Dinner knife - 03 l 240 35<br />

Pastry fork -15 l 140 35<br />

Coffee or tea spoon -13 l 135 38<br />

The "Hofburg" cutlery is a modernized version of a design that<br />

was used by the Imperial family until 1918. It was initially produced<br />

in 1881 for the Prague residence of Crown Prince Rudolf<br />

and his newly-wed wife Stéphanie of Belgium. In 1902, Stéphanie<br />

commissioned silver manufacturer Alexander Sturm to produce a<br />

new set for the wedding of her daughter, Archduchess Elisabeth.<br />

Until today, "Hofburg" has been the official state cutlery of the<br />

Czech Republic. And it is still used in Austrian embassies throughout<br />

the world.<br />

16<br />

Archive<br />

Undated<br />

"Hofburg" cutlery<br />

BVC-189<br />

"Hofburg"


Name "Mirabell" des Produktes<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

Undated<br />

"Mirabell" cutlery<br />

BVC-190<br />

claSSic cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 203 88<br />

Dinner fork - 02 l 200 72<br />

Dinner knife - 03 l 215 30<br />

Pastry fork -15 l 140 32<br />

Coffee or tea spoon -13 l 130 30<br />

In 1606, Prince-Archbishop Wolf Dietrich von Raitenau had Mirabell<br />

Palace in Salzburg built as a gift for his true love, Salome<br />

Alt. The romance of this story is reflected in the "Mirabell" pattern.<br />

With trefoil ends to the handles and encircling grooves, it borrows<br />

from the sensuous lines of the Baroque.<br />

17


claSSic cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 195 75<br />

Dinner fork - 02 l 196 70<br />

Dinner knife - 03 l 225 35<br />

Pastry fork -15 l 140 30<br />

Coffee or tea spoon -13 l 135 32<br />

The "Geigenkasten" cutlery, named after the violin shape of the<br />

handle, is one of our most traditional silver tableware patterns.<br />

Its form and functionality were already highly appreciated in the<br />

Baroque era, when a refined dining etiquette required that the<br />

spoon and fork be held with three dainty fingers. In the 1970s,<br />

the concept was revived by adapting the pattern to suit modern<br />

ways of dining. This cutlery is a "must have" on any wedding gift<br />

list. It harmonizes extremely well with any china service and offers<br />

a sufficiently large area to engrave coats of arms or monograms.<br />

18<br />

Archive<br />

Undated<br />

"Geigenkasten" cutlery<br />

BVC-193<br />

"Geigenkasten"


"<strong>Wiener</strong> Wamperl"<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

Undated<br />

"<strong>Wiener</strong> Wamperl" cutlery<br />

BVC-101<br />

claSSic cutlerY<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon -01 l 210 80<br />

Dinner fork -02 l 205 70<br />

Dinner knife -03 l 250 44<br />

Pastry fork -15 l 145 30<br />

Coffee or tea spoon -13 l 142 34<br />

The gentle elegance of the "<strong>Wiener</strong> Wamperl" ("Viennese pot-bel-<br />

ly") exudes the cheery functionality of Biedermeier culture. Empress<br />

Elisabeth chose this cutlery in 1895 for her Kammermeierei (private<br />

dairy farm) in Schönbrunn, and Emperor Franz Joseph I had it set<br />

in various hunting lodges until 1918. Berndorf-based Arthur Krupp<br />

used this pattern to manufacture cutlery in the newly developed<br />

German silver (alpacca). Today, we produce this typical Biedermeier<br />

cutlery in solid silver. Its austerity makes it harmonize with<br />

any place setting or ambiance and look more modern than many<br />

a contemporary set.<br />

19


claSSic cutlerY<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 210 95<br />

Dinner fork - 02 l 202 65<br />

Dinner knife - 03 l 250 42<br />

Pastry fork -15 l 142 30<br />

Coffee or tea spoon -13 l 140 35<br />

When Empress Elisabeth was residing at the legendary Achil-<br />

leion, her summer palace on the Greek island of Corfu, the table<br />

was laid with this cutlery. Its form is a variation on the "<strong>Wiener</strong><br />

Wamperl"; it derives its name from the prominent ridge along<br />

the handle that gives this pattern its unmistakable appearance.<br />

"Eselsrücken" is a functional and aesthetically pleasing Biedermeier<br />

cutlery pattern that has always been one of the most popular<br />

models in our classic range.<br />

20<br />

Archive<br />

Undated<br />

"Eselsrücken" cutlery<br />

BVC-104<br />

"Eselsrücken"


Cutlery<br />

30<br />

25<br />

20<br />

15<br />

10<br />

5<br />

cm<br />

30<br />

25<br />

20<br />

15<br />

10<br />

5<br />

cm<br />

30<br />

25<br />

20<br />

15<br />

10<br />

5<br />

cm<br />

Dinner<br />

spoon /<br />

fork /<br />

knife<br />

Fish serving<br />

fork /<br />

knife<br />

Sugar<br />

tongs /<br />

spoon<br />

Fish<br />

fork /<br />

knife<br />

Dessert<br />

spoon /<br />

fork /<br />

knife<br />

Sandwich<br />

server /<br />

serving fork<br />

Cheese /<br />

Butter<br />

knife<br />

Gravy<br />

ladle,<br />

small<br />

Bouillon<br />

spoon<br />

Cold<br />

meat<br />

fork<br />

Milk<br />

laddle<br />

Fruit<br />

fork /<br />

knife<br />

Long<br />

drink<br />

spoon<br />

Serving cutlery is available for all <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> cutlery sets.<br />

The sets and components shown above are exemplary.<br />

The sizes and serving cutlery may vary according to the set.<br />

Coffee /<br />

tea<br />

spoon<br />

Ice<br />

cream<br />

serving<br />

spoon<br />

Asparagus<br />

serving<br />

tongs<br />

Serving cutlery is available for all <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> cutlery<br />

sets. The sets and components shown above are exemplary.<br />

The sizes and serving cutlery may vary according to the set.<br />

Mocca<br />

spoon<br />

Ice<br />

cream<br />

spoon<br />

Soup ladle,<br />

small /<br />

large<br />

Pastry<br />

fork<br />

Fruit<br />

spoon<br />

Rice<br />

spoon<br />

Butter<br />

knife<br />

small<br />

Crab<br />

fork /<br />

knife<br />

Carving<br />

fork /<br />

knife<br />

Roast<br />

fork /<br />

spoon<br />

Salad<br />

serving<br />

spoon /<br />

fork<br />

Cake server Porridge<br />

spoon /<br />

pusher<br />

Spice<br />

spoon<br />

Pastry<br />

tongs<br />

Tea<br />

strainer<br />

cutlerY<br />

Potato<br />

serving<br />

spoon<br />

Infant<br />

fork /<br />

knife<br />

Lemon<br />

fork<br />

21


SuGar tOnGS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weightw | g<br />

22<br />

Oswald Haerdtl<br />

Undated<br />

Sugar tongs by Haerdtl (above)<br />

BD-6884<br />

l 80<br />

26<br />

Otto Prutscher<br />

Undated<br />

Sugar tongs by Prutscher (below)<br />

BD-6802<br />

l 90<br />

38<br />

Josef Hoffmann<br />

1902<br />

Sugar tongs, set No. 135<br />

BD-135<br />

-70<br />

l 100<br />

60<br />

These three models are reissued after original drawings from our<br />

archives. Oswald Haerdtl restricts himself to stringent reduction,<br />

whereas Otto Prutscher plays with softly curved organic elements.<br />

The sugar tongs by Josef Hoffmann are part of cutlery set No. 135,<br />

designed in 1902.<br />

Sugar Tongs by Haerdtl | Prutscher<br />

Sugar Tongs No. 135


"Sisi" Sugar Sprinkling Spoon<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

"Sisi" sugar sprinkling spoon<br />

BVC-104<br />

-69/KL<br />

l 146<br />

40<br />

"SiSi" SPOOn<br />

With a shell-shaped, finely perforated bowl and an imperial<br />

crown engraved on the handle, the "Sisi" sugar sprinkler is a<br />

masterpiece of the silversmith's craft. Along with the "<strong>Wiener</strong><br />

Wamperl" this sifting spoon formed part of Sisi's silverware at<br />

the Kammermeierei dairy in Schönbrunn.<br />

23


ACCESSORIES<br />

SILVER<br />

POTPOURRI


PenDantS<br />

Four-Leaf Clover Pendant<br />

26<br />

Designer<br />

Year of design<br />

item<br />

<strong>Manufactur</strong><br />

2009<br />

Four-leaf clover pendant<br />

item item no. finish Size Weight<br />

annex mm g<br />

KAT-2098 polished 15 2<br />

KAT-2099 polished 25 5<br />

KAT-2099 -m martelé 25 5<br />

KAT-2100 polished 35 9,5<br />

KAT-2100 -m martelé 35 9,5<br />

KAT-2101 polished 50 20<br />

KAT-2101 -m martelé 50 20<br />

The four-leaf clover pendant is the logo of <strong>Wiener</strong> <strong>Silber</strong> Manu-<br />

factur. It is available in various sizes, with a brightly polished or<br />

martelé finish.


Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

The Dandy Penguin, designed by Tino Valentinitsch, was given<br />

to all gentlemen at the 2008 Vienna Opera Ball as a gift.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

Tino Valentinitsch<br />

2008<br />

Dandy Penguin bookmark<br />

KDA-2007<br />

-PG<br />

l 85<br />

9<br />

Tino Valentinitsch<br />

2008<br />

Poodle Princess bookmark<br />

KDA-2010<br />

-PD<br />

l 85<br />

8<br />

Here comes the female counterpart, the Poodle Princess, to keep<br />

company with the Dandy Penguin.<br />

Dandy Penguin Bookmark<br />

Poodle Princess Bookmark<br />

Silver POtPOurri<br />

27


OXeS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Pillbox -2<br />

28<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2005<br />

Pillbox | Cigarette tin<br />

KD-10018<br />

-1.2 -2 -9<br />

50 50 50<br />

h 12 h 20 h 90<br />

47 70 150<br />

Pillbox -1,2<br />

Pillbox -9 | Cigarette Tin


Box with a Gemstone<br />

Candy Box<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2007<br />

Box with a gemstone<br />

KD-10138<br />

-10<br />

Moss agate / Onyx / Lapis lazuli /<br />

Amethyst / Silver knob<br />

100<br />

h 70<br />

370<br />

bOXeS<br />

This classical Biedermeier-style box is available in different sizes.<br />

It has no soldered seams, since both the lid and the tin are each<br />

turned from a single piece. The lid knob can be made of different<br />

types of semiprecious gemstones, at the customer's option.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

Candy box<br />

KD-6128<br />

120<br />

h 65<br />

430<br />

29


OXeS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish<br />

Size | mm<br />

Weight | g<br />

This cigarette box, wrought by hand, has a martelé look and is<br />

decorated with two lapis lazuli stones.<br />

30<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2005<br />

Cigarette box with lapis lazuli<br />

KD -10111<br />

martelé<br />

l 70 I b 70 I h 110<br />

500<br />

Cigarette Box with Lapis Lazuli


Coral Sugar Box<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Kolo Moser<br />

1902<br />

Sugar box<br />

KD-3078<br />

item Size Weight<br />

mm g<br />

Coral sugar box b 135 I l 110 I h 90 620<br />

Onyx sugar box b 135 I l 110 I h 90 800<br />

Monogrammed sugar box b 135 I l 110 I h 90 625<br />

Onyx Sugar Box Monogrammed Sugar Box<br />

bOXeS<br />

What composer Gustav Mahler had in mind as a Christmas<br />

present for his young wife Alma was a silver box, adorned with<br />

corals, so he had it designed by Kolo Moser and manufactured<br />

by Alexander Sturm. It became a Christmas present that was<br />

nothing less than a love declaration in the shape of a silver box.<br />

Today, Moser's original draft is in our archives, where it serves<br />

as a reference for our beautiful, hand-made sugar box.<br />

31


Ottle StOPPerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Weight | g<br />

Designed by Josef Hoffmann, this highly decorative bottle stop-<br />

per has an integrated cork and is available in a polished or<br />

martelé look.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

32<br />

Josef Hoffmann<br />

Undated<br />

"Bell" bottle stopper<br />

KCT-10005<br />

-m<br />

polished martelé<br />

50 50<br />

50 50<br />

Josef Hoffmann<br />

1951<br />

Bottle stopper<br />

KCT-6774<br />

h 56<br />

60<br />

Josef Hoffmann also designed a napkin ring (KTK-6752) and<br />

a silver beaker (KCT-6272) to go with this bottle stopper.<br />

"Bell" Bottle Stopper<br />

Bottle Stopper


"Sphere" Bottle Stopper<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Weight | g<br />

Archive<br />

Undated<br />

bOttle StOPPerS<br />

"Sphere" bottle stopper<br />

KCT-4191<br />

k k-m -m<br />

polished martelé polished martelé<br />

40 40 50 50<br />

55 55 70 70<br />

This bottle stopper is available in two sizes, with a polished or<br />

martelé finish.<br />

33


eakerS<br />

Designer<br />

Year of design<br />

item<br />

art-nt<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished -8 58 h 83 140<br />

martelé -8m 58 h 83 140<br />

polished -10 70 h 100 170<br />

martelé -10m 70 h 100 170<br />

polished -14 70 h 140 205<br />

martelé -14m 70 h 140 205<br />

34<br />

Archive<br />

Undated<br />

Beaker<br />

KCT-1909<br />

These beakers are available in different sizes and with a highly<br />

polished or martelé finish. They can be obtained with a goldplated<br />

or silver interior.<br />

Beaker


Schnapps Beaker<br />

Beaker with a Cast Base<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

1926<br />

Schnapps beaker<br />

KCT-5363<br />

-5<br />

polished<br />

34<br />

h 50<br />

40<br />

Archive<br />

Undated<br />

Beaker with a cast base<br />

KCT-7001<br />

62<br />

h 80<br />

130<br />

beakerS<br />

This beaker is manufactured according to original drawings from<br />

our archive.<br />

35


eakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

With its simple geometric construction, pragmatic expression and<br />

clean all-round finish, this fine beaker is a perfect representative of<br />

the <strong>Wiener</strong> Werkstätte. It is crafted to an original design by Josef<br />

Hoffmann and goes nicely with the napkin ring (KTK-6752) and<br />

bottle stopper (KCT-6774).<br />

36<br />

Archive<br />

Undated<br />

"Alt Wien" beaker<br />

KCT-7003<br />

-U<br />

60<br />

h 78<br />

140<br />

Josef Hoffmann<br />

1930s<br />

Chased beaker<br />

KCT-6272<br />

68<br />

h 78<br />

120<br />

"Alt Wien" Beaker<br />

Chased Beaker


Christening Beaker<br />

Beaker with Handle<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

Undated<br />

Christening beaker<br />

KCT-7009<br />

beakerS<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

Christening beaker 65 h 65 60<br />

Beaker with handle -H 65 h 66 85<br />

This attractive, bell-shaped beaker is available with or without a<br />

handle. It has a rolled rim and is well-proportioned, which makes<br />

it lie comfortably in the hand.<br />

37


eakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

38<br />

Archive<br />

Undated<br />

Travel folding beaker<br />

KCT-5379<br />

-8<br />

58<br />

h 90<br />

140<br />

This folding beaker is not only a popular gift and functional travel<br />

companion, but is in fact a masterpiece of Viennese silver craftsmanship.<br />

There are five telescoped sections hidden under the lid.<br />

Travel Folding Beaker


Sugar Tongs by Haerdtl | Prutscher<br />

Sugar Tongs No. 135<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

Oswald Haerdtl<br />

Undated<br />

SuGar tOnGS<br />

Sugar tongs by Haerdtl (above)<br />

BD-6884<br />

l 80<br />

26<br />

Otto Prutscher<br />

Undated<br />

Sugar tongs by Prutscher (below)<br />

BD-6802<br />

l 90<br />

38<br />

Josef Hoffmann<br />

1902<br />

Sugar tongs, set No. 135<br />

BD-135<br />

-70<br />

l 100<br />

60<br />

The strictly geometrical sugar tongs by Josef Hoffmann are part of<br />

cutlery set No. 135, designed in 1902. The fan-shaped grooves<br />

on Oswald Haerdtl's sugar tongs are typical of 1950s design,<br />

whereas Otto Prutscher's design is inspired by more organic forms<br />

like those of buds and leaves. All three models are reissued after<br />

original drawings from our archives.<br />

39


"SiSi" SPOOn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

Along with the "Eselsrücken" cutlery, this sifting spoon formed part<br />

of Sisi's silverware at the Kammermeierei dairy in Schönbrunn. This<br />

is why the sugar sprinkler has an imperial crown engraved on the<br />

back of its handle. It is still made by hand but has slightly altered<br />

dimensions.<br />

40<br />

Archive<br />

Undated<br />

"Sisi" sugar sprinkling spoon<br />

BVC-104<br />

-69/KL<br />

l 146<br />

40<br />

"Sisi" Sugar Sprinkling Spoon


Spherical Salt<br />

and Pepper Shakers<br />

Egg-Shaped Salt<br />

and Pepper Shakers<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Salt anD PePPer ShakerS<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2006<br />

Spherical salt shaker<br />

KTK-10126<br />

Spherical pepper shaker<br />

KTK-10127<br />

42<br />

h 43<br />

55<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2007<br />

Egg-shaped salt and pepper shakers<br />

KTK-10132<br />

35<br />

h 40<br />

45<br />

41


Salt anD PePPer ShakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size|mm<br />

Weight |g<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

42<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2005<br />

Salt shaker<br />

KTK-10049<br />

-7<br />

30<br />

h 75<br />

57<br />

Pepper shaker<br />

KTK-10050<br />

-7<br />

30<br />

h 75<br />

54<br />

Salt and Pepper Shakers


Napkin Ring, Court-Shaped<br />

Napkin Ring,<br />

Circular / with a Stone<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

Napkin ring, court-shaped<br />

KTK-6160<br />

46<br />

h 32<br />

43<br />

naPkin rinGS<br />

This unpretentious napkin ring goes nicely with any cutlery set.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

Napkin ring, circular / with a stone<br />

KTK-9854<br />

Napkin ring, circular<br />

KTK-9855<br />

50<br />

h 30<br />

50<br />

This napkin ring is available with various semiprecious stones or<br />

in a puristic, highly modern version.<br />

43


naPkin rinGS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

44<br />

<strong>Manufactur</strong><br />

2009<br />

Napkin ring, oval (left)<br />

KTK-9851<br />

l 60 I b 30 I h 25<br />

60<br />

<strong>Manufactur</strong><br />

2009<br />

Napkin ring, egg cup (right)<br />

KTK-9852<br />

40–50<br />

b 40<br />

90<br />

The circular napkin ring can also be used as an egg cup.<br />

Oval Napkin Ring<br />

Napkin Ring | Egg Cup


Napkin Ring with a Rolled Rim<br />

Napkin Ring, Oval, Court-Shaped<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

naPkin rinGS<br />

Napkin ring with a rolled rim<br />

KTK-9856<br />

-0<br />

50<br />

h 33<br />

40<br />

With its simple, rolled rim, this napkin ring goes nicely with both<br />

plain and classically shaped cutlery.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

Napkin ring, oval, court-shaped<br />

KTK-6179<br />

l 46 I b 32 I h 32<br />

30<br />

45


naPkin rinGS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Here is a wonderful example of Josef Hoffmann's formal language:<br />

the napkin ring consists of three rows of little humps that<br />

reflect and refract the light. It goes nicely with Hoffmann's beaker<br />

(KCT-6272) and bottle stopper (KCT-6774).<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

46<br />

Josef Hoffmann<br />

Undated<br />

Napkin ring<br />

KTK-6752<br />

l 52 I b 40<br />

42<br />

Archive<br />

Undated<br />

"Chippendale" napkin ring<br />

KTK-6200<br />

l 55 I b 40<br />

40<br />

The "Chippendale" napkin ring is highly decorative, especially<br />

as a supplement to unpretentious cutlery.<br />

Napkin Ring<br />

"Chippendale" Napkin Ring


"Belvedere" Napkin Ring<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

naPkin rinGS<br />

"Belvedere" napkin ring<br />

KTK-7001<br />

With or without gold-plated interior<br />

l 54 I b 30 I h 35<br />

40<br />

Available with or without a gold-plated interior, the "Belvedere"<br />

napkin ring tops off the "Belvedere" cutlery set (BVC-185).<br />

47


OWlS<br />

künstler<br />

entwurfsjahr<br />

artikel<br />

art-nr<br />

art-nr annex<br />

ausführung<br />

ø mm<br />

Größe | mm<br />

Gewicht | g<br />

Josef Hoffmann refined the classical round bowl form into a nice<br />

composition of eight leaves, linked to form a bowl. The result is<br />

a fan-shaped martelé bowl that requires the highest perfection in<br />

craftsmanship.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designed by Josef Hoffmann in 1932, this silver bowl looks as<br />

modern as ever.<br />

48<br />

Josef Hoffmann<br />

Undated<br />

Martelé silver bowl<br />

KSC-6092<br />

-16<br />

martelé<br />

160<br />

h 65<br />

340<br />

Josef Hoffmann<br />

1932<br />

Silver Bowl<br />

KSC-6488<br />

-12 -16<br />

120 160<br />

h 40 h 50<br />

140 300<br />

Martelé Silver Bowl<br />

Silver Bowl


"Pumpkin" Bowl, Martelé<br />

Name Bowl with des Rounded ProduktesFeet<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

"Pumpkin" bowl, martelé<br />

KSC-6617<br />

Oswald Haerdtl<br />

Undated<br />

Bowl with rounded feet<br />

KSC-6493<br />

-20<br />

martelé<br />

200<br />

h 65<br />

365<br />

bOWlS<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

martelé -12 120 h 30 100<br />

martelé -14 140 h 45 160<br />

martelé -18 180 h 45 195<br />

martelé -20 200 h 60 300<br />

martelé -23 230 h 65 500<br />

This beautiful bowl with a martelé finish is available in different sizes.<br />

Designed by Oswald Haerdtl, this bowl opens like a lotus flower.<br />

Its ball feet carry a corpus with a delicate martelé finish.<br />

49


OWlS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

The base of this bowl by Otto Prutscher makes it look as if it were<br />

floating. Available with a polished or martelé finish.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. ø mm Size Weight<br />

annex mm g<br />

-10 100 h 25 166<br />

-14 140 h 35 340<br />

-18 180 h 50 527<br />

Josef Hoffmann designed this smooth, well-proportioned bowl in<br />

1902, inspired by the purism of traditional Japanese tableware,<br />

but its balance and timeless simplicity still conforms with contemporary<br />

aesthetics. The bowl is available in various sizes.<br />

50<br />

Otto Prutscher<br />

Undated<br />

Bowl with a base<br />

KSC-6098<br />

-18 -18<br />

polished martelé<br />

180 180<br />

h 35 h 35<br />

500 500<br />

Josef Hoffmann<br />

Undated<br />

Bowl with a pedestal<br />

KSC-6419<br />

Bowl with a Base<br />

Bowl with a Pedestal


CHILDREN


chilDren<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

54<br />

Archive<br />

Undated<br />

Baby's rattle "Sad & Happy"<br />

KB-5103<br />

l 155 I b 45<br />

70<br />

This fine little rattle, crafted by hand, has a laughing face on one<br />

side and a crying face on the other.<br />

Archive<br />

Undated<br />

"Pear" rattle<br />

KB-7006<br />

l 140 I b 40<br />

45<br />

Name Baby's des Rattle Produktes "Sad & Happy"<br />

"Pear" Rattle


"Spinning Top" Teething Ring<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

"Spinning Top" teething ring<br />

KB-5130<br />

55<br />

h 60<br />

50<br />

chilDren<br />

55


Place SettinGS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

The porridge bowl has two small handles and is a perfect supplement<br />

to our infant cutlery sets.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

56<br />

Archive<br />

Undated<br />

Porridge bowl<br />

KSC-6165<br />

160<br />

h 29<br />

200<br />

Archive<br />

Undated<br />

"Geigenkasten" porridge set<br />

BVC-193<br />

item Size Weight<br />

mm g<br />

Porridge spoon l 145 32<br />

Porridge pusher l 110 30<br />

Porridge cutlery sets are available in all our cutlery designs.<br />

Porridge Bowl<br />

"Geigenkasten" Porridge Set


Prutscher Baby Cutlery<br />

"Faden" Children's Cutlery<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Our baby cutlery is available in all designs, for instance in this<br />

design by Otto Prutscher.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Otto Prutscher<br />

1930s<br />

Prutscher baby cutlery<br />

BD-179<br />

item Size Weight<br />

mm g<br />

Baby spoon l 110 30<br />

Baby fork l 110 30<br />

Otto Prutscher<br />

1920s<br />

"Faden" children's cutlery<br />

BD-181<br />

item Size Weight<br />

mm g<br />

Children's spoon l 180 68<br />

Children's fork l 175 51<br />

Children's knife l 185 24<br />

Place SettinGS<br />

Our children's cutlery is available in all designs, for instance in the<br />

"Faden" design by Otto Prutscher.<br />

57


chriSteninG beakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

"Bell"<br />

christening beaker<br />

Beaker with a<br />

65 h 65 60<br />

handle -H 65 h 66 85<br />

This beaker resembles a little bell. It is attractively proportioned,<br />

has an ergonomic design and a comfortable, rolled rim. Available<br />

with or without a handle.<br />

58<br />

Archive<br />

Undated<br />

"Bell" christening beaker<br />

KCT-7009<br />

"Bell" Christening Beaker<br />

Beaker with a Handle


Christening Beaker<br />

with a Cast Base<br />

"Alt Wien" Christening Beaker<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

chriSteninG beakerS<br />

Archive<br />

Undated<br />

Christening beaker with a cast base<br />

KCT-7001<br />

62<br />

h 80<br />

130<br />

This christening beaker has a decorative, cast base. Available<br />

with or without a base.<br />

Archive<br />

Undated<br />

"Alt Wien" christening beaker<br />

KCT-7003<br />

-U<br />

60<br />

h 78<br />

140<br />

59


chriSteninG beakerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

60<br />

Josef Hoffmann<br />

1930s<br />

Christening beaker, martelé<br />

KCT-6272<br />

68<br />

h 78<br />

120<br />

This fine beaker is crafted to a design by Josef Hoffmann. Its geometric<br />

construction, reduced in form, pragmatic in expression and<br />

with an all-round clean finish, is a perfect example of the qualities<br />

of the <strong>Wiener</strong> Werkstätte. It goes nicely with Hoffmann's napkin<br />

ring (KTK-6752) and bottle stopper (KCS-6774).<br />

Christening Beaker, Martelé


Pillbox<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

<strong>Manufactur</strong>, Karl Schmidt<br />

2005<br />

Pillbox<br />

KD-10018<br />

-2<br />

50<br />

h 20<br />

70<br />

bOXeS<br />

The pill box can optionally be engraved. It is an ideal storage box<br />

for precious little things.<br />

61


TABLEWARE


canDle hOlDerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

This sculptural and voluminous girandole is typical of Otto<br />

Prutscher's use of organic forms. Four tender arms meander<br />

around a proud center, enthroned upon a solid base.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

Size | mm<br />

Weight | g<br />

The smaller version of Otto Prutscher's girandole has only two<br />

arms, but is just as charming.<br />

64<br />

Otto Prutscher<br />

1930s<br />

4-branched girandole with a central light<br />

KK-6381<br />

-4M<br />

320<br />

h 250<br />

1085<br />

Otto Prutscher<br />

Undated<br />

2-Branched Candelabrum<br />

KK-6382<br />

-2a<br />

h 140<br />

430<br />

4-Branched Girandole<br />

with a Central Light<br />

2-Branched Candelabrum


Four-Light Candelabrum<br />

Pair of Candlesticks<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Otto Prutscher<br />

Undated<br />

Four-light candelabrum<br />

KK-6383<br />

martelé<br />

150<br />

h155<br />

605<br />

Otto Prutscher<br />

Undated<br />

Pair of candlesticks<br />

KK-6385<br />

143<br />

h 315<br />

900<br />

canDle hOlDerS<br />

Towering and aiming high: Otto Prutscher's candlesticks are rooted<br />

in a solid circular base, and yet they show some organic elements<br />

characteristic of his work.<br />

65


canDle hOlDerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

2-branched<br />

candelabrum "Classic" -2<br />

2-branched candelabrum<br />

"Classic" with<br />

h 120 310<br />

a central light<br />

3-branched candelabrum<br />

"Classic" with<br />

-2m h 155 360<br />

a central light<br />

4-branched candelabrum<br />

"Classic" with<br />

-3m 250 h 160 460<br />

a central light -4m 250 h 270 1070<br />

These classical candelabra are variations on historical girandoles.<br />

With their playful details and rococo curves, they create a solemn<br />

atmosphere in any environment when their full glory unfolds in the<br />

candlelight.<br />

66<br />

Archive<br />

Undated<br />

2-branched candelabrum "Classic"<br />

KK-7166<br />

2-Branched Candelabrum<br />

"Classic"<br />

2-Branched Candelabrum<br />

with a Central Light


3-Branched Candelabrum<br />

with a Central Light<br />

4-Branched Girandole<br />

with a Central Light<br />

canDle hOlDerS<br />

67


canDle hOlDerS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

68<br />

Archive<br />

Undated<br />

"Classic" candle holder<br />

KK-7169<br />

70–90<br />

h 60<br />

130<br />

"Classic" Candle Holder


"Chippendale" Tray<br />

Oval Tray<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Archive<br />

Undated<br />

"Chippendale" tray<br />

KT-7612<br />

Various sizes<br />

Various sizes<br />

Various sizes<br />

Archive<br />

Undated<br />

Oval tray<br />

KT-1427<br />

Various sizes<br />

Various sizes<br />

Various sizes<br />

This simple, timeless tray is available in various sizes.<br />

tr aYS<br />

The classical "Chippendale" tray is available in various sizes and<br />

shapes (circular, oval or rectangular).<br />

69


tr aYS<br />

Designer<br />

Year of design<br />

The bone-like pattern on the rim of this tray by Otto Prutscher gives<br />

it a rather unusual, though very charming appearance. Available<br />

in various sizes.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

A tray like this may look simple to the eye, but it actually is a pretty<br />

sophisticated artifact that requires great craftsmanship: on its large,<br />

smooth surfaces any imperfection immediately catches the eye.<br />

Available in various sizes.<br />

70<br />

Otto Prutscher<br />

Undated<br />

item<br />

Tray with a bone-patterned rim<br />

item no. KT-6584<br />

item no. annex -20 -30 -35<br />

Size | mm l 190 I b 160 l 290 I b 200 l 330 I b 280<br />

<strong>Manufactur</strong><br />

Undated<br />

Rectangular tray<br />

KT-6596 G<br />

Various sizes<br />

Various sizes<br />

Various sizes<br />

Tray with<br />

a Bone-Patterned Rim<br />

Rectangular Tray


Underplate<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Weight | g<br />

<strong>Manufactur</strong><br />

Undated<br />

This underplate is available in various sizes.<br />

unDerPlateS<br />

Underplate<br />

KU-76375<br />

-28U -31GL -33GL<br />

280 310 330<br />

620 950 1060<br />

71


MASTERPIECES


maSterPieceS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished -15 150 h 130 250<br />

martelé -16m 160 h 140 293<br />

martelé -21m 210 h 150 390<br />

polished -25 250 h 190 1020<br />

martelé -25m 250 h 190 890<br />

With its long pole and a ball on each end, this fruit bowl by Otto<br />

Prutscher is characteristic of the artist's poetic, playful approach, and it<br />

fires our imagination: does it resemble a drop of water that drips into a<br />

basin? Its finely hammered surface breaks up the lights into thousands<br />

of glittering reflections. The bowl is available in various sizes in a polished<br />

or martelé finish, with a silver or semiprecious stone ball at the top.<br />

Fruit Bowl with<br />

a Semiprecious Stone<br />

74<br />

Otto Prutscher<br />

Undated<br />

Fruit bowl<br />

KSC-6089<br />

Fruit Bowl -16m<br />

Fruit Bowl -25m


Name Centerpiece des Produktes with Lapis Lazuli<br />

Martelé Centerpiece<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

1902<br />

Josef Hoffmann<br />

Undated<br />

Martelé centerpiece<br />

KSC-6072<br />

-19<br />

190<br />

h 90<br />

380<br />

maSterPieceS<br />

Centerpiece with lapis lazuli<br />

KSC-2331-24<br />

.1 .2 .3<br />

240 240 245<br />

h 180 h 120 h 85<br />

1134 965 780<br />

This sculptural centerpiece is made to an early design by Josef<br />

Hoffman. Its pure, long-legged physique and the smooth surface<br />

of its base are revolutionary. Its only adornment consists of four<br />

semiprecious stones. Designed in 1902, this centerpiece became<br />

a major work of 20th century Viennese design. Available in different<br />

heights, with malachites, lapis lazuli or onyx stones.<br />

The gleaming lines and concentric circles on this martelé bowl by<br />

Josef Hoffmann make the light dance in a vibrant rhythm. The vertical<br />

and horizontal composition of this centerpiece represents a use<br />

of forms that is typical of the 1930s.<br />

75


maSterPieceS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ausführung<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

When this bowl was created in the early 1930s, Oswald Haerdtl<br />

was running Josef Hoffmann's studio. The bowl gives us an idea<br />

of how close their collaboration was, although a new momentum<br />

comes into play in this design by Haerdtl: the grooves and ridges<br />

make the light flicker and shimmer. Similar patterns of fluting can<br />

be found on his 1950s cutlery (e.g. Flatware 192).<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

The ellipsoidal container of this 1920s bonbonnière by Otto<br />

Prutscher rests on a delicate eight-shafted pole decorated with four<br />

stylized, sharp-edged wings at mid-height. The polished hemispherical<br />

foot reflects the central ellipsoid, which hovers over it like<br />

a spaceship. There are rosettes and buds added to the connecting<br />

points that even enhance the unorthodox character of this design.<br />

76<br />

Oswald Haerdtl<br />

1930s<br />

Martelé bowl<br />

KSC-6654<br />

-F<br />

martelé<br />

295<br />

h 85<br />

850<br />

Otto Prutscher<br />

1920s<br />

Silver ball bonbonnière<br />

KV-6221<br />

130<br />

h 320<br />

530<br />

Martelé Bowl<br />

Silver Ball Bonbonnière


Jug with a Gold-Plated Interior<br />

Vase<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

Size | mm<br />

Weight | g<br />

Otto Prutscher<br />

1930s<br />

maSterPieceS<br />

Jug with a gold-plated interior<br />

KV-6909<br />

-m<br />

martelé polished<br />

h 250 h 250<br />

940 940<br />

Relief coating of hollowware has always been one of the most<br />

difficult techniques for a silversmith. This jug, designed by Otto<br />

Prutscher in the 1930s, captures the light in its protruding elements<br />

and reflects its surroundings. Its manufacturing requires total mastery<br />

of the material, and yet the vivacious elegance of the object<br />

conceals all the difficulty involved in its production.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Otto Prutscher<br />

1930s<br />

Vase<br />

KV-6409<br />

105<br />

h 255<br />

960<br />

Otto Prutscher developed this elegant vase from the design of a<br />

calyx. When made of silver, the vase seems to metamorphose: its<br />

contours begin to dance and animate the object. The tender outlines<br />

start moving as colorful reflections flicker across the surface.<br />

77


maSterPieceS<br />

Coral Sugar Box<br />

Onyx Sugar Box Monogrammed Sugar Box<br />

78<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Kolo Moser<br />

1902<br />

Coral sugar box<br />

KD-3078<br />

item Size Weight<br />

mm g<br />

Coral sugar box b 135 I l 110 I h 90 620<br />

Onyx sugar box b 135 I l 110 I h 90 800<br />

Monogrammed sugar box b 135 I l 110 I h 90 625<br />

What composer Gustav Mahler had in mind as a Christmas<br />

present for his young wife Alma was a silver box, adorned with<br />

corals, so he had it designed by Kolo Moser and manufactured<br />

by Alexander Sturm. It became a Christmas present that was<br />

nothing less than a love declaration in the shape of a silver box.<br />

Today, Moser's original draft is in our archives, where it serves as<br />

a reference for our beautiful, hand-made sugar box.


Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Otto Prutscher<br />

Undated<br />

Trophy<br />

KV-6280<br />

120<br />

h 260<br />

500<br />

Otto Prutscher designed this trophy in the style of the classical<br />

base–stem–cup pattern. The chalice is divided into two sections,<br />

with an attractive double curve in the outlines. The buds on the<br />

stem and on the tip of the lid are a reference to the organic world<br />

of plants, which is typical of Prutscher.<br />

Trophy<br />

maSterPieceS<br />

79


maSterPieceS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

80<br />

Tokyo<br />

1904<br />

Japanese teapot<br />

KTS-9821 KTS-9820<br />

60 132<br />

h 80 h 140<br />

250 760<br />

The design of this teapot was commissioned by famous Japanese<br />

Admiral Togo Heihachiro, who defeated the Russian fleet in 1905.<br />

It is available in two sizes, with different handles.<br />

Japanese Teapot<br />

Japanese Teapot


TEA AND<br />

COFFEE SETS


tea anD cOffee SetS<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

finish<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

Teapot -Tk 150 h 200 810<br />

Cream jug -RaK 90 I 140 h 80 I h 100 260<br />

Sugar bowl -Zv 90 h 80 260<br />

Tray -Ta 400 1550<br />

The great talent of architect and product designer Otto Prutscher<br />

was his ability to tell stories by means of forms. In this case,<br />

Prutscher's art imitates a quartet of pumpkins. With martelé surfaces<br />

and hand-carved handles of macassar wood that look like<br />

stalks, this set is available with an optional gold-plated interior.<br />

84<br />

Otto Prutscher<br />

1930s<br />

Four-part pumpkin service<br />

KTS-7502<br />

martelé<br />

Pumpkin Service


Designer Otto Prutscher<br />

Year of design 1947<br />

item<br />

item no.<br />

Four-part travel service<br />

KTS-9800<br />

item item no. Size Weight<br />

annex mm g<br />

Teapot -Tk h 165 I l 260 w. handle I b 125 850<br />

Cream jug -RaK h 80 I l 135 w. handle I b 70 172<br />

Sugar bowl -Zv h 100 I l 190 w. handle I b 90 415<br />

Tray -Ta l 400 I b 226 855<br />

Otto Pruscher designed what he called his "Travel Service" for the<br />

first great Austrian Art Exhibition in 1947, held in Vienna. In formal<br />

terms it relates to the elegant models of the 1930s: compact, oval<br />

forms, integrated lids, polished, reflective silver surfaces that contrast<br />

with the volutes of the precious black wood handles. Details<br />

like silver rivets convey a touch a functionalism.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Otto Prutscher<br />

1935/38<br />

Bud service<br />

KTS-6909<br />

item item no. Size Weight<br />

annex mm g<br />

Teapot -Tk h 105 I l 110 I b 130 700<br />

Cream jug -RaK h 80 I l 70 I b 160 215<br />

Sugar bowl -Zv h 70 I l 75 I b 90 200<br />

Convex, humped forms were a favorite motif in Renaissance and<br />

Baroque silverware. Continuous lines, irregular curvatures and<br />

the relation between the decoration and the overall form … Otto<br />

Prutscher delved into ornamentation and translated historic shapes<br />

into his own formal language. Transferring the lines drawn on paper<br />

onto the hard metal and giving them a three-dimensional form<br />

still demands utmost mastery of craftsmanship today.<br />

Travel Service<br />

Bud Service<br />

tea anD cOffee SetS<br />

85


tea anD cOffee SetS<br />

Classic Tea or Coffee Set<br />

85 / 1<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Archive<br />

About 1900<br />

Classic tea or coffee set<br />

KTS-4701<br />

item item no. Size Weight<br />

annex mm g<br />

Coffee pot -Kk h 235 862<br />

Tea pot -Tk h 220 1212<br />

Milk jug -Mk h 110 306<br />

Sugar bowl -Zd h 155 546<br />

Timeless features, proven functionality, lasting value … If you love<br />

classic elegance, you will love this tea set, which is one of our top<br />

sellers. For generations, this ensemble has been an expression of<br />

stylish living and exclusive domestic culture.


MODERN DESIGN


mODern DeSiGn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

The "Viennese Pot" is defined by edges that have an effect of<br />

dynamics instead of making the pot look heavy and bulky. The<br />

tapered spout seems to almost make the teapot tip over, but the<br />

handle made of Swiss pine provides counterbalance. The sophisticated<br />

handle, which is actually a continuation of two surfaces,<br />

allows perfect one-handed pouring without spilling.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Thomas Feichtner's "Fruit Bowl" has in fact nothing in common<br />

with the round objects you normally put fruits on. Instead, it is<br />

a sophisticated interplay of internal and external surfaces. It appears<br />

as if the fruit might fall out through the openings in the legs,<br />

but it actually gets wedged and is thus caught. This is both an<br />

intended irritation and the most significant functional element<br />

of the fruit bowl.<br />

88<br />

Thomas Feichtner<br />

2008<br />

"Viennese Pot"<br />

KDA- 0110 -WK<br />

180–350<br />

h 200<br />

800<br />

Thomas Feichtner<br />

2010<br />

Fruit bowl<br />

KDA-0100-OS<br />

180<br />

h 160<br />

800<br />

"Viennese Pot"<br />

"Fruit Bowl"


"Cutt" Cutlery Set<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Thomas Feichtner<br />

2006<br />

"Cutt" cutlery set<br />

KB-401<br />

mODern DeSiGn<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 192 85<br />

Dinner fork - 02 l 192 80<br />

Dinner knife - 03 l 195 42<br />

Pastry fork -15 l 130 42<br />

Coffee or tea spoon -13 l 130 45<br />

Fish fork -17 l 192 92<br />

Fish knife -19 l 192 89<br />

The "Cutt" cutlery set is exemplary of Thomas Feichtner's experi-<br />

mental approach. Designed in 2006, it challenges the functional<br />

and ergonomic requirements on cutlery, and yet it surprises with its<br />

functionality once it gets used. Individual surfaces folded to shape<br />

a bowl-like cavity turn out to be the body of the spoon or fork.<br />

The set was initially manufactured on a small scale by <strong>Wiener</strong><br />

<strong>Silber</strong> <strong>Manufactur</strong>; meanwhile "Cutt" has found its way into various<br />

cutlery and design collections.<br />

89


mODern DeSiGn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

This charming piece designed by Viennese graphic and product<br />

designer Sebastian Menschhorn is reminiscent of a flower in<br />

bloom. The cut-out style geometric elements allude to the<br />

<strong>Wiener</strong> Moderne.<br />

90<br />

Sebastian Menschhorn<br />

2006<br />

"Flora" centerpiece<br />

KSC-10021<br />

-16<br />

165<br />

h 160<br />

620<br />

"Flora" Centerpiece


"Frame" Tray<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Marco Dessi<br />

2011<br />

"Frame" Tray<br />

KDA-DES<br />

mODern DeSiGn<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

Tray silver<br />

Tray silver /<br />

-02 330 l 280 I b 280 2000<br />

Persex -01 330 l 280 I b 280 630<br />

A clever design by young designer Marco Dessi: "Frame" not<br />

only combines two different geometric figures – the circle and<br />

the square – but also two materials, namely silver and (colored)<br />

Perspex. To facilitate washing this piece, the silver frame can be<br />

easily detached. An object that is both striking and great fun!<br />

"Frame" was created for the context of the WIEN PRODUCTS<br />

Collection 2011 and was chosen by the press as its favorite piece.<br />

90 / 1


mODern DeSiGn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. ø mm Size Weight<br />

annex mm g<br />

Teapot -Tk 140 h 60 530<br />

Sugar bowl -Zv 80 h 40 115<br />

Milk jug -Mk 55 h 120 185<br />

Spoon -L l 100 17<br />

Tray -Ta 300 750<br />

Those who know Thomás Alonso, whose design often looks like<br />

light, three-dimensional drafts made of simple wood, probably<br />

won't associate his work with silver. This made our collaboration<br />

for the VIENNA DESIGN WEEK 2011 all the more fascinating.<br />

True to the motto "functionality of the pattern", Alonso designed this<br />

plain tea service with a fluted pattern on the underside of the set<br />

and on the upper side of the tray so as to make them engage with<br />

each other. The set looks witty, yet at the same time harmonious.<br />

90 / 2<br />

Tomás Alonso<br />

2011<br />

Tea service<br />

KDA-AL01<br />

Tea Service


"Vindobona" Vase Series<br />

The Vindobona Collection is the result of a collaboration between<br />

<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> and J. & L. Lobmeyr for the VIENNA<br />

DESIGN WEEK 2010. In creating this series of vases, the aim<br />

of Swedish architect and designer trio Claesson–Koivisto–Rune<br />

was to produce design icons of the dining culture. In fact the<br />

process of manufacture was very ambitious too, for it required<br />

the utmost skill from the silversmiths, the glass blowers and all<br />

engravers involved.<br />

Designer<br />

Year of design<br />

Claesson Koivisto Rune<br />

2010<br />

mODern DeSiGn<br />

item<br />

"Tulips" Vase<br />

item no.<br />

KDA-0201-MR<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74–160 h 100 325<br />

brushed -b 74–160 h 100 325<br />

martelé -m 74–160 h 100 325<br />

gold-plated -g 74–160 h 100 325<br />

item<br />

"Poppies" Vase<br />

item no.<br />

KDA-0200-WR<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74–195 h 55 325<br />

brushed -b 74–195 h 55 325<br />

martelé -m 74–195 h 55 325<br />

gold-plated -g 74–195 h 55 325<br />

item<br />

"Lily" Vase<br />

item no.<br />

KDA-0202-HR<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74–65 h 185 440<br />

brushed -b 74–65 h 185 440<br />

martelé -m 74–65 h 185 440<br />

gold-plated -g 74–65 h 185 440<br />

item<br />

"Tumbler" Mug<br />

item no.<br />

KDA-0203-M<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74–70 h 70 163<br />

brushed -b 74–70 h 70 163<br />

martelé -m 74–70 h 70 163<br />

gold-plated -g 74–70 h 70 163<br />

item<br />

"Crown" Protection Ring<br />

item no.<br />

KDA-0204-R<br />

finish item no. ø mm Size Weight<br />

annex mm g<br />

polished 74 36<br />

gold-plated -g 74 36<br />

91


mODern DeSiGn<br />

"Tulips" Vase<br />

"Lily" Vase<br />

92<br />

"Poppies" Vase<br />

"Tumbler" Mug


"Crown" Protection Ring<br />

mODern DeSiGn<br />

93


mODern DeSiGn<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

models item no. Size<br />

annex mm<br />

Clar 0 h 21<br />

Ginko 1 h 21<br />

Rothschild 2 h 21<br />

Powolny 3 h 21<br />

Nobis 4 h 21<br />

Örsta 5 h 21<br />

J. & L. Lobmeyr have produced 6 designs of glasses. The<br />

protection ring is available in a polished or gold-plated<br />

silver finish.<br />

94<br />

Claesson Koivisto Rune<br />

2010<br />

Lobmeyr glasses & "Crown" protection ring<br />

KDA-0205<br />

Glasses & Protection Ring<br />

"Ginko" Glass


"Rothschild" Glass "Nobis" Glass<br />

"Powolny" Glass "Örsta" Glass<br />

mODern DeSiGn<br />

95


DESIGN BY<br />

JOSEF HOFFMANN


hOffmann<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Weight | g<br />

Designed by Josef Hoffmann, this highly decorative bottle<br />

stopper has an integrated cork and is available in a polished<br />

or martelé look.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann also designed a napkin ring (KTK-6752) and<br />

a silver beaker (KCT-6272) to go with this bottle stopper.<br />

98<br />

Josef Hoffmann<br />

Undated<br />

"Bell" bottle stopper<br />

KCT-10005<br />

-m<br />

polished martelé<br />

50 50<br />

50 50<br />

Josef Hoffmann<br />

1951<br />

Bottle stopper<br />

KCT-6774<br />

h 56<br />

60<br />

"Bell" Bottle Stopper<br />

Bottle Stopper


Name Chased des Beaker Produktes<br />

Napkin Ring<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

1930s<br />

Chased beaker<br />

KCT-6272<br />

68<br />

h 78<br />

120<br />

Josef Hoffmann<br />

Undated<br />

Napkin ring<br />

KTK-6752<br />

52<br />

l 52/b 40<br />

42<br />

hOffmann<br />

With its simple geometric construction, pragmatic expression and<br />

clean all-round finish, this fine beaker is a perfect representative of<br />

the <strong>Wiener</strong> Werkstätte. It is crafted to an original design by Josef<br />

Hoffmann and goes nicely with the napkin ring (KTK-6752) and<br />

bottle stopper (KCT-6774).<br />

This napkin ring is a wonderful example of Josef Hoffmann's<br />

formal language: it consists of three rows of little humps that reflect<br />

and refract the light. The ring goes nicely with Hoffmann's beaker<br />

(KCT-6272) and bottle stopper (KCT-6774).<br />

99


hOffmann<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

100<br />

Josef Hoffmann<br />

Undated<br />

Martelé silver bowl<br />

KSC-6092<br />

-16<br />

martelé<br />

160<br />

h 65<br />

340<br />

Josef Hoffmann refined the classical round bowl form into a nice<br />

composition of eight leaves, linked to form a bowl. The result is<br />

a fan-shaped martelé bowl that requires the highest perfection in<br />

craftsmanship.<br />

Josef Hoffmann<br />

1932<br />

Silver bowl<br />

KSC-6488<br />

-12 -16<br />

120 160<br />

h 40 h 50<br />

140 300<br />

Designed by Josef Hoffmann in 1932, this silver bowl looks as<br />

modern as ever.<br />

Name Martelé des Silver Produktes Bowl<br />

Name Silver Bowl des Produktes


Name Bowl with des a Produktes Pedestal<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

Undated<br />

hOffmann<br />

Bowl with a pedestal<br />

KSC-6419<br />

-10 -14 -18<br />

100 140 180<br />

h 25 h 35 h 50<br />

166 340 527<br />

Josef Hoffmann designed this smooth, well-proportioned bowl in<br />

1902, inspired by the purism of traditional Japanese tableware,<br />

but its balance and timeless simplicity still conform with contemporary<br />

aesthetics. The bowl is available in various sizes.<br />

101


hOffmann<br />

Martelé Centerpiece<br />

Centerpiece with Lapis Lazuli<br />

102<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

Undated<br />

Martelé centerpiece<br />

KSC-6072<br />

-19<br />

190<br />

h 90<br />

380<br />

The gleaming lines and concentric circles on this martelé bowl by<br />

Josef Hoffmann make the light dance in a vibrant rhythm. The vertical<br />

and horizontal composition of this centerpiece represents a use<br />

of forms typical of the 1930s.<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item no. annex<br />

finish<br />

ø mm<br />

Size | mm<br />

Weight | g<br />

Josef Hoffmann<br />

1902<br />

Centerpiece with lapis lazuli<br />

KSC-2331-24<br />

.1 .2 .3<br />

240 240 245<br />

h 180 h 120 h 85<br />

1134 965 780<br />

This sculptural centerpiece is made to an early design by Josef<br />

Hoffman. Its pure, long-legged physique and the smooth surface<br />

of its base are revolutionary. Its only adornment consists of four<br />

semiprecious stones. Designed in 1902, this centerpiece became<br />

a major work of 20th century Viennese design. It is available in<br />

different heights, with malachites, lapis lazuli or onyx stones.


Hoffmann Cutlery No. 135<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

Josef Hoffmann<br />

1902<br />

Hoffmann Cutlery No. 135<br />

BD-135<br />

hOffmann<br />

item item no. Size Weight<br />

annex mm g<br />

Dinner spoon - 01 l 203 97<br />

Dinner fork - 02 l 214 92<br />

Dinner knife - 03 l 232 45<br />

Pastry fork -15 l 153 34<br />

Coffee or tea spoon -13 l 140 41<br />

Josef Hoffmann's famous cutlery No. 135 was designed a year<br />

before the founding of the <strong>Wiener</strong> Werkstätte. It marked a revolution<br />

in the history of silverware, since it involved a departure from<br />

historicism in favor of clear lines, an uncompromising allegiance<br />

to functionality.<br />

The original sets were produced for the Kohn, Wittgenstein and<br />

Mautner Markhof families. Today we treasure the original dies as<br />

some of our most priceless possessions. They are used when special<br />

people are looking for something exceptional – for products<br />

of pure perfection.<br />

103


hOffmann<br />

Designer<br />

Year of design<br />

item<br />

item no.<br />

item item no. Size Weight<br />

Asparagus<br />

annex mm g<br />

serving tongs -60 l 175 245<br />

Sugar tongs -70 l 100 62<br />

Cake server -64 l 250 115<br />

Sugar Tongs No. 135<br />

104<br />

Josef Hoffmann<br />

1902<br />

Asparagus serving tongs No. 135<br />

BD-135<br />

Asparagus Serving<br />

Tongs No. 135<br />

Cake Server No. 135


hOffmann<br />

item no.<br />

length i mm<br />

Weight i g<br />

item no.<br />

length i mm<br />

Weight i g<br />

item no.<br />

length i mm<br />

Weight i g<br />

106<br />

dinner Spoon<br />

bd -135- 01<br />

203<br />

97<br />

fiSh Serving fork<br />

Sugar tongS<br />

bd -135-37<br />

230<br />

141<br />

bd -135-70<br />

100<br />

62<br />

dinner fork<br />

bd -135- 02<br />

214<br />

92<br />

fiSh Serving knife<br />

bd -135-38<br />

240<br />

115<br />

dinner knife<br />

bd -135- 03<br />

232<br />

45<br />

Sugar Sifting Spoon<br />

fiSh fork<br />

bd -135- 69L<br />

170<br />

80<br />

deSSert Spoon<br />

bd-135-17<br />

203<br />

67<br />

bd -135- 09<br />

165<br />

67<br />

fiSh knife<br />

deSSert fork<br />

bd-135-19<br />

218<br />

73<br />

bd-135-10<br />

178<br />

56<br />

Sandwich Server<br />

bd -135-53<br />

180<br />

74<br />

deSSert knife<br />

bd-135-11<br />

188<br />

31<br />

coLd meat fork<br />

bd -135-28<br />

210<br />

61<br />

Sandwich Serving fork<br />

bd -135-52<br />

150<br />

36<br />

Long drink Spoon<br />

fruit fork<br />

bd -135-21<br />

155<br />

36<br />

bd -135-26<br />

195<br />

74<br />

fruit knife<br />

bd -135-22<br />

160<br />

41<br />

aSparaguS tongS<br />

coffee / tea Spoon<br />

ice cream Serving Spoon<br />

bd -135- 60<br />

175<br />

245<br />

bd -135-13<br />

140<br />

41<br />

bd-135-35<br />

216<br />

114<br />

ice cream Serving knife<br />

Soup LadLe, SmaLL<br />

mocca Spoon<br />

bd-135-14<br />

100<br />

14<br />

bd -135-85<br />

230<br />

115<br />

bd -135- 62<br />

305<br />

290<br />

Soup LadLe, Large<br />

bd-135-15<br />

153<br />

34<br />

ice cream Spoon<br />

paStry fork<br />

bd -135-25<br />

132<br />

39<br />

bd -135 - 61<br />

375<br />

410


item no.<br />

length i mm<br />

Weight i g<br />

item no.<br />

length i mm<br />

Weight i g<br />

item no.<br />

length i mm<br />

Weight i g<br />

Serving Spoon<br />

SaLad Serving fork<br />

bd -135- 67<br />

228<br />

152<br />

bd -135-48<br />

228<br />

149<br />

butter knife, SmaLL<br />

bd -135-28<br />

145<br />

52<br />

SaLad Serving Spoon<br />

bd -135-47<br />

228<br />

152<br />

roaSt Serving fork<br />

bd -135-30<br />

245<br />

124<br />

butter knife, Large<br />

bd -135-33<br />

168<br />

62<br />

SaLad Serving fork, Long<br />

roaSt Serving Spoon<br />

bd -135-31<br />

233<br />

145<br />

bd -135-48L<br />

280<br />

149<br />

SaLad Serving Spoon, Long<br />

cheeSe knife, SmaLL<br />

bd -135-58<br />

145<br />

52<br />

bd -135-47L<br />

280<br />

152<br />

gravy LadLe<br />

bd -135-54<br />

195<br />

107<br />

cheeSe knife, Large<br />

bd -135-34<br />

168<br />

73<br />

Spice / SaLt Spoon<br />

bd -135-51<br />

88<br />

12<br />

mixed pickLeS fork<br />

fruit Serving Spoon<br />

cake Server<br />

bd -135-86<br />

250<br />

68<br />

bd -135-43<br />

225<br />

113<br />

bd -135- 64<br />

250<br />

115<br />

mixed pickLeS Spoon<br />

bd -135-87<br />

250<br />

75<br />

oySter fork<br />

hOffmann<br />

potato Spoon<br />

bd -135-93<br />

145<br />

39<br />

bd -135-42<br />

230<br />

152<br />

Lemon fork<br />

bd -135- 68<br />

105<br />

37<br />

107


DESIGNERS<br />

108


109


DeSiGnerS<br />

Josef Hoffmann<br />

110<br />

JOSef hOffmann (Pirnitz 1870–1956 vienna)<br />

Josef Hoffmann's ideal was the Gesamtkunstwerk, an all-embrac-<br />

ing artwork. He united – and impersonated – art, architecture,<br />

craftsmanship and design. In 1903, together with his like-minded<br />

colleague Kolo Moser, Hoffmann founded the <strong>Wiener</strong> Werkstätte.<br />

They designed the Purkersdorf Sanatorium and the Stoclet House<br />

in Brussels, two masterpieces of the <strong>Wiener</strong> Moderne. Our archives<br />

contain many groundbreaking drawings by Josef Hoffmann.<br />

Designs like his landmark pattern No. 135 are among the most<br />

popular in our range.


Kolo Moser<br />

kOlO mOSer (vienna 1868–1918)<br />

DeSiGnerS<br />

Like Josef Hoffmann, painter, graphic artist and craftsman Kolo<br />

Moser was greatly inspired by the English Arts and Crafts Movement,<br />

which was the first to propagate the idea of the total work<br />

of art. He was the co-founder of both the <strong>Wiener</strong> Secession and<br />

the <strong>Wiener</strong> Werkstätte, for which he designed mostly furniture,<br />

lamps and fashion accessories. At Gustav Mahler's request, Kolo<br />

Moser designed a magnificent little casket, which Mahler gave<br />

to his wife Alma. We still produce this masterpiece today after<br />

Moser's original draft.<br />

111


DeSiGnerS<br />

Otto Prutscher<br />

112<br />

OttO PrutScher (vienna 1880–1949)<br />

Otto Prutscher, a student of Josef Hoffmann, was one of the most<br />

influential personalities in early 20th century architecture. As an<br />

architect, his name remains inseparably linked to Red Vienna's<br />

housing complexes. He also worked as a designer for Kohn<br />

manufacturers of bentwood furniture and the <strong>Wiener</strong> Werkstätte.<br />

Prutscher has left an extensive collection of drawings for silver<br />

cutlery, tea and coffee services, candlesticks and other silverware<br />

accessories, which is preserved in our archives. <strong>Wiener</strong><br />

<strong>Silber</strong> <strong>Manufactur</strong> is now producing some of the highlights of<br />

his design work, including his famous "Pumpkin" service from<br />

the 1930s.


Oswald Haerdtl<br />

OSWalD haerDtl (vienna 1899–1959)<br />

DeSiGnerS<br />

Oswald Haerdtl studied under Kolo Moser and worked together<br />

with Josef Hoffmann. He was one of the key Austrian architects<br />

and designers of the inter-war and post-war periods. His magnum<br />

opus is the Wien Museum on Karlsplatz. Apart from furniture,<br />

lamps, chinaware and glasses, Haerdtl also designed cutlery and<br />

objects made of silver. <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has reissued his<br />

pattern No. 192 and a martelé dish. Many of Haerdtl's original<br />

design drafts are preserved in our archives.<br />

113


DeSiGnerS<br />

Thomas Feichtner<br />

114<br />

thOmaS feichtner<br />

Thomas Feichtner (born in 1970) has won various international de-<br />

sign awards such as the IF Design Award, the Swiss Design Prize,<br />

the German Design Prize, the red dot design award, the European<br />

Design Award and the Josef Binder Award. His work focuses on<br />

artistic aspects and takes an experimental approach. Feichtner<br />

designs products for traditional crafters but always tries to look at<br />

things from an unconventional perspective. <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

produces his "Cutt" cutlery.


Sebastian Menschhorn<br />

SebaStian menSchhOrn<br />

DeSiGnerS<br />

Sebastian Menschhorn (born in 1971) studied under Paulo Piva<br />

and Toshiyuki Kita at the University of Applied Arts in Vienna.<br />

With a profound knowledge of the history of culture and art he<br />

translates patterns, forms and functions into design objects and<br />

graphics. His contemporary, yet timeless designs are thus rooted<br />

in history but nevertheless tell new stories.<br />

115


DeSiGnerS<br />

Rainer Scharf<br />

116<br />

rainer Scharf<br />

Rainer Scharf (born 1970) opened his studio 24hdesign in Vienna<br />

in 2003. He was Senior Designer at Philips Design and worked<br />

for Audi and KTM. Rainer Scharf lives in London and designs consumer<br />

electronics and furniture, as well as interiors for airlines and<br />

shops for the design studio forpeople. For <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />

he designed the Turkish coffee pot "Cezve", a contribution to<br />

the WIEN PRODUCTS Collection 2010.


Tino Valentinitsch<br />

tinO valentinitSch<br />

DeSiGnerS<br />

Tino Valentinitsch (born in 1972) studied industrial design in<br />

Essen, Germany. During his studies he worked in Milan for Aldo<br />

Cibic, co-founder of "Memphis", and drew designs for Koziol. In<br />

addition to his work for the avant-garde sportswear label Y-3 he<br />

has also designed perfume bottles for Versace, as well as shoes,<br />

bags and home accessories for Helmut Lang. Since he has been<br />

working for the New York-based agency Pandiscio Co., Tino<br />

Valentinitsch focuses on the fields of luxury products and brand<br />

design. He creates brands, designs furniture, consumer goods<br />

and packaging, as well as interiors and exhibitions. For <strong>Wiener</strong><br />

<strong>Silber</strong> <strong>Manufactur</strong>, Tino Valentinitsch designed the "Lockenschale"<br />

("Curls Bowl") in 2011.<br />

117


DeSiGnerS<br />

Claesson, Koivisto, Rune<br />

118<br />

mårten claeSSOn, eerO kOiviStO, Ola rune<br />

Since 1995, Mårten Claesson, Eero Koivisto and Ola Rune have<br />

been working under a joint Stockholm-based label. In addition to<br />

their architectural projects they produce designs for manufacturers<br />

such as Cappellini and iittala. The Vindobona series, which was<br />

a joint project with <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> and glass producer<br />

J. & L. Lobmeyr, was presented on the occasion of the VIENNA<br />

DESIGN WEEK 2010. The trio has received numerous awards<br />

and honors. For instance, they were the first Swedish architects to<br />

be shown in the international category at the Venice Architecture<br />

Biennale (2004).


Marco Dessi<br />

marcO DeSSi<br />

DeSiGnerS<br />

After an apprenticeship in the technical field, Marco Dessí (born<br />

1976 in Merano, Italy) studied industrial design at the University<br />

of Applied Arts Vienna. Some of his student projects already<br />

drew international attention.<br />

In 2007 Marco Dessí founded his own design studio. His approach<br />

of tinkering with shapes and possibilities until they feel<br />

light and intuitive again, leads to products that suggest both the<br />

radically contemporary and aesthetic longevity.<br />

We produce his "Frame" tray, designed for the WIEN PRODUCTS<br />

Collection 2011.<br />

119


DeSiGnerS<br />

Tomás Alonso<br />

120<br />

tOmáS alOnSO<br />

Tomás Alonso, born in Vigo, Spain, in 1974, graduated from<br />

the Royal College of Art in London. In 2006 he co-founded the<br />

design collective OKAYstudio with five other recent graduates<br />

from the RCA.<br />

His work has been widely published and exhibited, from Aram<br />

Gallery or Whitechapel Gallery in London to exhibitions in Italy,<br />

Spain, France, Canada and Japan. His work is part of the permanent<br />

collection of the Design Museum in London. He has also<br />

received numerous international awards including the first prize in<br />

the Promosedia International Design Competition 2008 with his<br />

"chair No. 7".<br />

Our coorporation with Tomás Alonso for VIENNA DESIGN WEEK<br />

2011 yielded a wonderful silver tea service.


IMPRINT<br />

Executive partner: Georg Stradiot<br />

Art director: Dr Barbara Kamler-Wild<br />

Text: Dr Barbara Kamler-Wild, Irene Marenzi, Charlotte Pott-Pálffy,<br />

Reinhard Söbbing, Mag (FH) Eva Thiery-Metlewicz<br />

Edited by: Irene Marenzi, Charlotte Pott-Pálffy<br />

Concept, design and illustrations: Perndl+Co, Regula Widmer, Aleksandra Gustin, Claudette Hanzl<br />

Photos: Greg Dillon, Elwoods, Klaus Fritsch, Irina Gavrich, Renée del Messier, Klaus Pichler<br />

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