Wiener Silber Manufactur
Wiener Silber Manufactur
Wiener Silber Manufactur
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<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />
Office Schwarzenbergstraße 1–3/2<br />
2<br />
1010 Vienna, Austria<br />
manufacture Boschanstraße 3/Halle 1<br />
2483 Ebreichsdorf – Weigelsdorf<br />
Austria<br />
Phone +43 2254 - 728 50<br />
fax +43 2254 - 728 50 10<br />
email office@wienersilbermanufactur.com<br />
Shop Spiegelgasse 14<br />
1010 Vienna, Austria<br />
Phone +43 1 - 513 05 00<br />
fax +43 1 - 513 05 01<br />
email shop@wienersilbermanufactur.com<br />
www.wienersilbermanufactur.com<br />
<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />
Steeped in tradition to create Something new<br />
Inspired by the vision of an innovative company, though rich in<br />
tradition, Georg Stradiot founded the <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />
in 2008, a brand whose roots go back to 1882.<br />
DeSiGn<br />
<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has an archive of 11,000 original<br />
designs, including works of masters of the <strong>Wiener</strong> Werkstätte<br />
such as Josef Hoffmann, Kolo Moser, Otto Prutscher and Oswald<br />
Haerdtl. It was in their creative period that Vienna became the<br />
artistic and intellectual centre of Europe.<br />
<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> reissues original designs, including<br />
masterpieces like Josef Hoffmann's revolutionary cutlery No. 135<br />
from 1902, or a sugar bowl designed by Kolo Moser, which<br />
Gustav Mahler gave to his wife Alma on their first Christmas Eve<br />
together in 1902.<br />
In cooperation with national and international contemporary<br />
designers like Thomas Feichtner, Tino Valentinitsch, Rainer Scharf,<br />
Claesson–Koivisto–Rune, Marco Dessi or Tomás Alonso, all of<br />
whom have a worldwide reputation, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />
brings out state-of-the-art design of the highest quality.<br />
Silver<br />
<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> uses a special alloy that contains 94%<br />
by mass of silver (Sterling silver, by comparison, only contains<br />
92.5% of silver). The high value of raw materials ensures that the<br />
product value will increase over the years. In addition, the silverware<br />
is exceptionally easy to clean, since it is dishwasher-proof<br />
and extremely resistant to tarnishing.
craftSmanShiP<br />
Apart from the high quality of silver, exquisite craftsmanship is the<br />
main quality criterion. In fact every piece of the <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />
product range, which includes cutlery, tea sets, candelabra,<br />
bowls etc., is produced by hand in the south of Vienna.<br />
teamWOrk<br />
With a staff of 20 highly qualified members, including three<br />
master silversmiths, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has a team of<br />
specialists who are deeply committed to producing the finest<br />
of silverware.<br />
hallmark<br />
Every product that leaves our house is adorned with a four-leaf<br />
clover, the symbol and hallmark of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>.<br />
The four-leaf clover is also available as a lovely little pendant.<br />
WeiGhtS anD meaSureS<br />
All dimensions specified in this catalog may vary slightly.<br />
YOur WiSheS, Our Service<br />
The articles shown in this catalog represent the standard product<br />
range of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>, while its entire portfolio is of<br />
course much wider.<br />
Many designs that are not presented here can be manufactured<br />
by request. This includes custom-made engravings.<br />
Moreover, <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> offers a repair and cleaning<br />
service.<br />
<strong>Wiener</strong> <strong>Silber</strong> manufactur<br />
DeliverY timeS<br />
Most of the products shown in the catalog are in stock and can<br />
be delivered immediately. In case of special orders, delivery time<br />
is approximately 6 weeks.<br />
Our ShOP in the heart Of vienna<br />
Everyone is warmly welcome to visit the exquisite <strong>Wiener</strong> <strong>Silber</strong><br />
<strong>Manufactur</strong> Shop at Spiegelgasse 14, in Vienna's first district,<br />
where architect Michael Embacher made sure only the finest<br />
materials were used. The clever color concept, technical equipment<br />
and a sophisticated combination of historical and contemporary<br />
forms create a wonderful atmosphere that reflects the soul of<br />
<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong>.<br />
"Art and craftsmanship of the silversmith have a<br />
long tradition in Vienna. We are proud of being<br />
a part of this tradition."<br />
Georg Stradiot, Owner of <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />
3
CUTLERY
Josef Hoffmann BD-135<br />
Oswald Haerdtl BD-192<br />
Hofburg BVC-189<br />
Geigenkasten BVC-193<br />
Otto Prutscher BD-179<br />
Schönbrunn BVC-177<br />
Mirabell BVC-190<br />
<strong>Wiener</strong> Wamperl BVC-101<br />
Otto Prutscher Faden BD-181<br />
Belvedere BVC-185<br />
Eselsrücken BVC-104<br />
Cutt KB-401<br />
cutlerY<br />
7
DeSiGner cutlerY<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 203 97<br />
Dinner fork - 02 l 214 92<br />
Dinner knife - 03 l 232 45<br />
Dessert spoon - 09 l 165 67<br />
Dessert fork -10 l 178 56<br />
Dessert knife -11 l 198 31<br />
Coffee or tea spoon -13 l 140 41<br />
Mocca spoon -14 l 100 14<br />
Pastry fork -15 l 153 34<br />
Fish fork -17 l 203 67<br />
Fish knife -19 l 218 73<br />
Fruit fork -21 l 155 36<br />
Fruit knife, silver blade -22 l 160 41<br />
Fruit spoon -24 l 153 42<br />
Ice cream spoon -25 l 132 39<br />
Long drink spoon<br />
Butter knife, small,<br />
-26 l 195 74<br />
silver blade -28 l 145 52<br />
Cold meat fork -29 l 210 61<br />
Roast fork -30 l 245 124<br />
Roast spoon<br />
Butter knife, large,<br />
-31 l 233 145<br />
silver blade<br />
Butter knife, large,<br />
-33 l 168 62<br />
silver blade<br />
Ice cream<br />
-34 l 168 73<br />
serving spoon -35 l 216 114<br />
Fish serving fork -37 l 230 141<br />
Fish serving knife -39 l 240 115<br />
Potato serving spoon -42 l 230 152<br />
Fruit serving spoon -43 l 225 113<br />
8<br />
Josef Hoffmann<br />
1902<br />
Hoffmann cutlery No. 135<br />
BD-135<br />
Hoffmann Cutlery No. 135
Sugar Tongs | Cake Server I<br />
Asparagus Tongs No. 135<br />
Fish Cutlery Nr. 135<br />
DeSiGner cutlerY<br />
item item no. Size Weight<br />
annex mm g<br />
Salad serving spoon<br />
Salad serving spoon,<br />
-47 l 228 152<br />
long -47 l l 280 152<br />
Salad serving fork<br />
Salad serving fork,<br />
-48 l 228 149<br />
long -48 l l 280 149<br />
Salt and spice spoon -51 l 88 12<br />
Sandwich serving fork -52 l 150 36<br />
Sandwich server -53 l 180 74<br />
Gravy ladle<br />
Cheese knife,<br />
-54 l 195 107<br />
small, silver blade -58 l 145 52<br />
Asparagus tongs -60 l 175 245<br />
Soup ladle, large -61 l 375 410<br />
Soup ladle, small -62 l 305 290<br />
Cake server -64 l 250 115<br />
Serving spoon -67 l 228 152<br />
Lemon fork -68 l 105 37<br />
Sugar sprinkling spoon -69 l l 170<br />
Sugar tongs<br />
Ice cream serving knife,<br />
-70 l 100 62<br />
silver blade -85 l 230 115<br />
Mixed pickles fork -86 l 250 68<br />
Mixed pickles spoon -87 l 250 75<br />
Oyster fork -93 l 145 39<br />
Josef Hoffmann's famous cutlery No. 135 was designed a year<br />
before the founding of the <strong>Wiener</strong> Werkstätte. It marked a revolution<br />
in the history of silverware, since it involved a departure from<br />
historicism in favor of clear lines, an uncompromising allegiance<br />
to functionality.<br />
The original sets were produced for the Kohn, Wittgenstein and<br />
Mautner Markhof families. Today, we treasure the original dies<br />
as some of our most priceless possessions. They are used when<br />
special people are looking for something exceptional – for<br />
products of pure perfection.<br />
9
DeSiGner cutlerY<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 210 95<br />
Dinner fork - 02 l 205 80<br />
Dinner knife - 03 l 215 40<br />
Pastry fork -15 l 150 40<br />
Coffee or tea spoon -13 l 145 40<br />
This richly rounded set of cutlery was designed by Otto Prutscher<br />
in the 1930s. The slightly curved upper face of the handles is<br />
characteristic of his work from the 1930s. The contrast between<br />
the soft organic forms and the material's shimmering hardness<br />
constitutes this pattern's particular appeal. The pieces rest solidly<br />
and comfortably in the hand.<br />
10<br />
Otto Prutscher<br />
1930s<br />
Prutscher cutlery<br />
BD-179<br />
Prutscher Cutlery
"Faden" Cutlery by Prutscher<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Otto Prutscher<br />
1920s<br />
DeSiGner cutlerY<br />
"Faden" cutlery by Prutscher<br />
BD-181<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 210 85<br />
Dinner fork - 02 l 200 75<br />
Dinner knife - 03 l 215 36<br />
Pastry fork -15 l 140 34<br />
Coffee or tea spoon -13 l 135 32<br />
Purity of form is the particular feature of Otto Prutscher's cutlery.<br />
This early masterpiece of Viennese Art Deco is clearly in the<br />
tradition of Josef Hoffmann, but is also imbued with the spirit of a<br />
new age. The handles appear to be lined by a thread that runs<br />
along the edges. While in the forks and spoons the thread stops<br />
just before the bottom of the handles, it runs all around the bottom<br />
ends of the knives' rounded handles. The understated elegance of<br />
this design is absolutely timeless.<br />
11
DeSiGner cutlerY<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 195 78<br />
Dinner fork - 02 l 195 65<br />
Dinner knife - 03 l 213 30<br />
Pastry fork -15 l 150 30<br />
Coffee or tea spoon -13 l 135 40<br />
The advent of espresso in the 1950s brought new life to Vienna's<br />
coffeehouse scene. Inspired by the light-heartedness of the Italian<br />
way of life, architect Oswald Haerdtl designed the interiors<br />
of numerous cafés in the style of the time, including the famous<br />
Arabia Espresso at Vienna's Kohlmarkt. The design of his cutlery<br />
reflects the positive, buoyant mood of the epoch. Its fine, deeply<br />
engraved fluting quotes from classical forms of decoration and is<br />
enriched by contemporary Italian influences.<br />
12<br />
Oswald Haerdtl<br />
1956<br />
Haerdtl cutlery<br />
BD-192<br />
Haerdtl Cutlery
Name "Cutt" des Cutlery Produktes<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Thomas Feichtner<br />
2006<br />
"Cutt" cutlery<br />
KB-401<br />
DeSiGner cutlerY<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 192 85<br />
Dinner fork - 02 l 192 80<br />
Dinner knife - 03 l 195 42<br />
Pastry fork -15 l 130 42<br />
Coffee or tea spoon -13 l 130 45<br />
Fish fork -17 l 192 92<br />
Fish knife -19 l 192 89<br />
The "Cutt" cutlery set is exemplary of Thomas Feichtner's experi-<br />
mental approach. Designed in 2006, it challenges the functional<br />
and ergonomic requirements on cutlery, and yet it surprises with its<br />
functionality once it gets used. Individual surfaces folded to shape<br />
a bowl-like cavity turn out to be the body of the spoon or fork.<br />
The set was initially manufactured on a small scale by <strong>Wiener</strong><br />
<strong>Silber</strong> <strong>Manufactur</strong>; meanwhile "Cutt" has found its way into various<br />
cutlery and design collections.<br />
13
claSSic cutlerY<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon -01 l 210 95<br />
Dinner fork -02 l 210 75<br />
Dinner knife -03 l 240 35<br />
Pastry fork -15 l 140 27<br />
Coffee or tea spoon -13 l 135 28<br />
Vienna's Schönbrunn Palace was eponymous for this pattern.<br />
Forms inspired by the Baroque introduced the glory and grandeur<br />
of the imperial court to the dining tables of the upper middle class.<br />
Today this pattern remains an expression of the joyous celebration<br />
of dining; it embodies luxury and classiness, the joie de vivre of<br />
an epoch.<br />
14<br />
Archive<br />
Undated<br />
"Schönbrunn" cutlery<br />
BVC-177<br />
"Schönbrunn"
"Belvedere"<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Archive<br />
Undated<br />
"Belvedere" cutlery<br />
BVC-185<br />
claSSic cutlerY<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 210 89<br />
Dinner fork - 02 l 205 73<br />
Dinner knife - 03 l 250 35<br />
Pastry fork -15 l 145 30<br />
Coffee or tea spoon -13 l 135 35<br />
With its lightness and easy elegance the "Belvedere" cutlery<br />
dovetails with both traditional interiors and modern settings. Its<br />
continuous ornamentation and delicate curves at the bottom of the<br />
handles reflect the opulence of the Baroque, introducing an air of<br />
the savoir vivre of those bygone days to the modern dining table.<br />
15
claSSic cutlerY<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 200 95<br />
Dinner fork - 02 l 195 75<br />
Dinner knife - 03 l 240 35<br />
Pastry fork -15 l 140 35<br />
Coffee or tea spoon -13 l 135 38<br />
The "Hofburg" cutlery is a modernized version of a design that<br />
was used by the Imperial family until 1918. It was initially produced<br />
in 1881 for the Prague residence of Crown Prince Rudolf<br />
and his newly-wed wife Stéphanie of Belgium. In 1902, Stéphanie<br />
commissioned silver manufacturer Alexander Sturm to produce a<br />
new set for the wedding of her daughter, Archduchess Elisabeth.<br />
Until today, "Hofburg" has been the official state cutlery of the<br />
Czech Republic. And it is still used in Austrian embassies throughout<br />
the world.<br />
16<br />
Archive<br />
Undated<br />
"Hofburg" cutlery<br />
BVC-189<br />
"Hofburg"
Name "Mirabell" des Produktes<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Archive<br />
Undated<br />
"Mirabell" cutlery<br />
BVC-190<br />
claSSic cutlerY<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 203 88<br />
Dinner fork - 02 l 200 72<br />
Dinner knife - 03 l 215 30<br />
Pastry fork -15 l 140 32<br />
Coffee or tea spoon -13 l 130 30<br />
In 1606, Prince-Archbishop Wolf Dietrich von Raitenau had Mirabell<br />
Palace in Salzburg built as a gift for his true love, Salome<br />
Alt. The romance of this story is reflected in the "Mirabell" pattern.<br />
With trefoil ends to the handles and encircling grooves, it borrows<br />
from the sensuous lines of the Baroque.<br />
17
claSSic cutlerY<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 195 75<br />
Dinner fork - 02 l 196 70<br />
Dinner knife - 03 l 225 35<br />
Pastry fork -15 l 140 30<br />
Coffee or tea spoon -13 l 135 32<br />
The "Geigenkasten" cutlery, named after the violin shape of the<br />
handle, is one of our most traditional silver tableware patterns.<br />
Its form and functionality were already highly appreciated in the<br />
Baroque era, when a refined dining etiquette required that the<br />
spoon and fork be held with three dainty fingers. In the 1970s,<br />
the concept was revived by adapting the pattern to suit modern<br />
ways of dining. This cutlery is a "must have" on any wedding gift<br />
list. It harmonizes extremely well with any china service and offers<br />
a sufficiently large area to engrave coats of arms or monograms.<br />
18<br />
Archive<br />
Undated<br />
"Geigenkasten" cutlery<br />
BVC-193<br />
"Geigenkasten"
"<strong>Wiener</strong> Wamperl"<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Archive<br />
Undated<br />
"<strong>Wiener</strong> Wamperl" cutlery<br />
BVC-101<br />
claSSic cutlerY<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon -01 l 210 80<br />
Dinner fork -02 l 205 70<br />
Dinner knife -03 l 250 44<br />
Pastry fork -15 l 145 30<br />
Coffee or tea spoon -13 l 142 34<br />
The gentle elegance of the "<strong>Wiener</strong> Wamperl" ("Viennese pot-bel-<br />
ly") exudes the cheery functionality of Biedermeier culture. Empress<br />
Elisabeth chose this cutlery in 1895 for her Kammermeierei (private<br />
dairy farm) in Schönbrunn, and Emperor Franz Joseph I had it set<br />
in various hunting lodges until 1918. Berndorf-based Arthur Krupp<br />
used this pattern to manufacture cutlery in the newly developed<br />
German silver (alpacca). Today, we produce this typical Biedermeier<br />
cutlery in solid silver. Its austerity makes it harmonize with<br />
any place setting or ambiance and look more modern than many<br />
a contemporary set.<br />
19
claSSic cutlerY<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 210 95<br />
Dinner fork - 02 l 202 65<br />
Dinner knife - 03 l 250 42<br />
Pastry fork -15 l 142 30<br />
Coffee or tea spoon -13 l 140 35<br />
When Empress Elisabeth was residing at the legendary Achil-<br />
leion, her summer palace on the Greek island of Corfu, the table<br />
was laid with this cutlery. Its form is a variation on the "<strong>Wiener</strong><br />
Wamperl"; it derives its name from the prominent ridge along<br />
the handle that gives this pattern its unmistakable appearance.<br />
"Eselsrücken" is a functional and aesthetically pleasing Biedermeier<br />
cutlery pattern that has always been one of the most popular<br />
models in our classic range.<br />
20<br />
Archive<br />
Undated<br />
"Eselsrücken" cutlery<br />
BVC-104<br />
"Eselsrücken"
Cutlery<br />
30<br />
25<br />
20<br />
15<br />
10<br />
5<br />
cm<br />
30<br />
25<br />
20<br />
15<br />
10<br />
5<br />
cm<br />
30<br />
25<br />
20<br />
15<br />
10<br />
5<br />
cm<br />
Dinner<br />
spoon /<br />
fork /<br />
knife<br />
Fish serving<br />
fork /<br />
knife<br />
Sugar<br />
tongs /<br />
spoon<br />
Fish<br />
fork /<br />
knife<br />
Dessert<br />
spoon /<br />
fork /<br />
knife<br />
Sandwich<br />
server /<br />
serving fork<br />
Cheese /<br />
Butter<br />
knife<br />
Gravy<br />
ladle,<br />
small<br />
Bouillon<br />
spoon<br />
Cold<br />
meat<br />
fork<br />
Milk<br />
laddle<br />
Fruit<br />
fork /<br />
knife<br />
Long<br />
drink<br />
spoon<br />
Serving cutlery is available for all <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> cutlery sets.<br />
The sets and components shown above are exemplary.<br />
The sizes and serving cutlery may vary according to the set.<br />
Coffee /<br />
tea<br />
spoon<br />
Ice<br />
cream<br />
serving<br />
spoon<br />
Asparagus<br />
serving<br />
tongs<br />
Serving cutlery is available for all <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> cutlery<br />
sets. The sets and components shown above are exemplary.<br />
The sizes and serving cutlery may vary according to the set.<br />
Mocca<br />
spoon<br />
Ice<br />
cream<br />
spoon<br />
Soup ladle,<br />
small /<br />
large<br />
Pastry<br />
fork<br />
Fruit<br />
spoon<br />
Rice<br />
spoon<br />
Butter<br />
knife<br />
small<br />
Crab<br />
fork /<br />
knife<br />
Carving<br />
fork /<br />
knife<br />
Roast<br />
fork /<br />
spoon<br />
Salad<br />
serving<br />
spoon /<br />
fork<br />
Cake server Porridge<br />
spoon /<br />
pusher<br />
Spice<br />
spoon<br />
Pastry<br />
tongs<br />
Tea<br />
strainer<br />
cutlerY<br />
Potato<br />
serving<br />
spoon<br />
Infant<br />
fork /<br />
knife<br />
Lemon<br />
fork<br />
21
SuGar tOnGS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
Size | mm<br />
Weightw | g<br />
22<br />
Oswald Haerdtl<br />
Undated<br />
Sugar tongs by Haerdtl (above)<br />
BD-6884<br />
l 80<br />
26<br />
Otto Prutscher<br />
Undated<br />
Sugar tongs by Prutscher (below)<br />
BD-6802<br />
l 90<br />
38<br />
Josef Hoffmann<br />
1902<br />
Sugar tongs, set No. 135<br />
BD-135<br />
-70<br />
l 100<br />
60<br />
These three models are reissued after original drawings from our<br />
archives. Oswald Haerdtl restricts himself to stringent reduction,<br />
whereas Otto Prutscher plays with softly curved organic elements.<br />
The sugar tongs by Josef Hoffmann are part of cutlery set No. 135,<br />
designed in 1902.<br />
Sugar Tongs by Haerdtl | Prutscher<br />
Sugar Tongs No. 135
"Sisi" Sugar Sprinkling Spoon<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
"Sisi" sugar sprinkling spoon<br />
BVC-104<br />
-69/KL<br />
l 146<br />
40<br />
"SiSi" SPOOn<br />
With a shell-shaped, finely perforated bowl and an imperial<br />
crown engraved on the handle, the "Sisi" sugar sprinkler is a<br />
masterpiece of the silversmith's craft. Along with the "<strong>Wiener</strong><br />
Wamperl" this sifting spoon formed part of Sisi's silverware at<br />
the Kammermeierei dairy in Schönbrunn.<br />
23
ACCESSORIES<br />
SILVER<br />
POTPOURRI
PenDantS<br />
Four-Leaf Clover Pendant<br />
26<br />
Designer<br />
Year of design<br />
item<br />
<strong>Manufactur</strong><br />
2009<br />
Four-leaf clover pendant<br />
item item no. finish Size Weight<br />
annex mm g<br />
KAT-2098 polished 15 2<br />
KAT-2099 polished 25 5<br />
KAT-2099 -m martelé 25 5<br />
KAT-2100 polished 35 9,5<br />
KAT-2100 -m martelé 35 9,5<br />
KAT-2101 polished 50 20<br />
KAT-2101 -m martelé 50 20<br />
The four-leaf clover pendant is the logo of <strong>Wiener</strong> <strong>Silber</strong> Manu-<br />
factur. It is available in various sizes, with a brightly polished or<br />
martelé finish.
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
Size | mm<br />
Weight | g<br />
The Dandy Penguin, designed by Tino Valentinitsch, was given<br />
to all gentlemen at the 2008 Vienna Opera Ball as a gift.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
Size | mm<br />
Weight | g<br />
Tino Valentinitsch<br />
2008<br />
Dandy Penguin bookmark<br />
KDA-2007<br />
-PG<br />
l 85<br />
9<br />
Tino Valentinitsch<br />
2008<br />
Poodle Princess bookmark<br />
KDA-2010<br />
-PD<br />
l 85<br />
8<br />
Here comes the female counterpart, the Poodle Princess, to keep<br />
company with the Dandy Penguin.<br />
Dandy Penguin Bookmark<br />
Poodle Princess Bookmark<br />
Silver POtPOurri<br />
27
OXeS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Pillbox -2<br />
28<br />
<strong>Manufactur</strong>, Karl Schmidt<br />
2005<br />
Pillbox | Cigarette tin<br />
KD-10018<br />
-1.2 -2 -9<br />
50 50 50<br />
h 12 h 20 h 90<br />
47 70 150<br />
Pillbox -1,2<br />
Pillbox -9 | Cigarette Tin
Box with a Gemstone<br />
Candy Box<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
<strong>Manufactur</strong>, Karl Schmidt<br />
2007<br />
Box with a gemstone<br />
KD-10138<br />
-10<br />
Moss agate / Onyx / Lapis lazuli /<br />
Amethyst / Silver knob<br />
100<br />
h 70<br />
370<br />
bOXeS<br />
This classical Biedermeier-style box is available in different sizes.<br />
It has no soldered seams, since both the lid and the tin are each<br />
turned from a single piece. The lid knob can be made of different<br />
types of semiprecious gemstones, at the customer's option.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
Candy box<br />
KD-6128<br />
120<br />
h 65<br />
430<br />
29
OXeS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
finish<br />
Size | mm<br />
Weight | g<br />
This cigarette box, wrought by hand, has a martelé look and is<br />
decorated with two lapis lazuli stones.<br />
30<br />
<strong>Manufactur</strong>, Karl Schmidt<br />
2005<br />
Cigarette box with lapis lazuli<br />
KD -10111<br />
martelé<br />
l 70 I b 70 I h 110<br />
500<br />
Cigarette Box with Lapis Lazuli
Coral Sugar Box<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Kolo Moser<br />
1902<br />
Sugar box<br />
KD-3078<br />
item Size Weight<br />
mm g<br />
Coral sugar box b 135 I l 110 I h 90 620<br />
Onyx sugar box b 135 I l 110 I h 90 800<br />
Monogrammed sugar box b 135 I l 110 I h 90 625<br />
Onyx Sugar Box Monogrammed Sugar Box<br />
bOXeS<br />
What composer Gustav Mahler had in mind as a Christmas<br />
present for his young wife Alma was a silver box, adorned with<br />
corals, so he had it designed by Kolo Moser and manufactured<br />
by Alexander Sturm. It became a Christmas present that was<br />
nothing less than a love declaration in the shape of a silver box.<br />
Today, Moser's original draft is in our archives, where it serves<br />
as a reference for our beautiful, hand-made sugar box.<br />
31
Ottle StOPPerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Weight | g<br />
Designed by Josef Hoffmann, this highly decorative bottle stop-<br />
per has an integrated cork and is available in a polished or<br />
martelé look.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
32<br />
Josef Hoffmann<br />
Undated<br />
"Bell" bottle stopper<br />
KCT-10005<br />
-m<br />
polished martelé<br />
50 50<br />
50 50<br />
Josef Hoffmann<br />
1951<br />
Bottle stopper<br />
KCT-6774<br />
h 56<br />
60<br />
Josef Hoffmann also designed a napkin ring (KTK-6752) and<br />
a silver beaker (KCT-6272) to go with this bottle stopper.<br />
"Bell" Bottle Stopper<br />
Bottle Stopper
"Sphere" Bottle Stopper<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Weight | g<br />
Archive<br />
Undated<br />
bOttle StOPPerS<br />
"Sphere" bottle stopper<br />
KCT-4191<br />
k k-m -m<br />
polished martelé polished martelé<br />
40 40 50 50<br />
55 55 70 70<br />
This bottle stopper is available in two sizes, with a polished or<br />
martelé finish.<br />
33
eakerS<br />
Designer<br />
Year of design<br />
item<br />
art-nt<br />
finish item no. ø mm Size Weight<br />
annex mm g<br />
polished -8 58 h 83 140<br />
martelé -8m 58 h 83 140<br />
polished -10 70 h 100 170<br />
martelé -10m 70 h 100 170<br />
polished -14 70 h 140 205<br />
martelé -14m 70 h 140 205<br />
34<br />
Archive<br />
Undated<br />
Beaker<br />
KCT-1909<br />
These beakers are available in different sizes and with a highly<br />
polished or martelé finish. They can be obtained with a goldplated<br />
or silver interior.<br />
Beaker
Schnapps Beaker<br />
Beaker with a Cast Base<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Archive<br />
1926<br />
Schnapps beaker<br />
KCT-5363<br />
-5<br />
polished<br />
34<br />
h 50<br />
40<br />
Archive<br />
Undated<br />
Beaker with a cast base<br />
KCT-7001<br />
62<br />
h 80<br />
130<br />
beakerS<br />
This beaker is manufactured according to original drawings from<br />
our archive.<br />
35
eakerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
With its simple geometric construction, pragmatic expression and<br />
clean all-round finish, this fine beaker is a perfect representative of<br />
the <strong>Wiener</strong> Werkstätte. It is crafted to an original design by Josef<br />
Hoffmann and goes nicely with the napkin ring (KTK-6752) and<br />
bottle stopper (KCT-6774).<br />
36<br />
Archive<br />
Undated<br />
"Alt Wien" beaker<br />
KCT-7003<br />
-U<br />
60<br />
h 78<br />
140<br />
Josef Hoffmann<br />
1930s<br />
Chased beaker<br />
KCT-6272<br />
68<br />
h 78<br />
120<br />
"Alt Wien" Beaker<br />
Chased Beaker
Christening Beaker<br />
Beaker with Handle<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Archive<br />
Undated<br />
Christening beaker<br />
KCT-7009<br />
beakerS<br />
item item no. ø mm Size Weight<br />
annex mm g<br />
Christening beaker 65 h 65 60<br />
Beaker with handle -H 65 h 66 85<br />
This attractive, bell-shaped beaker is available with or without a<br />
handle. It has a rolled rim and is well-proportioned, which makes<br />
it lie comfortably in the hand.<br />
37
eakerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
38<br />
Archive<br />
Undated<br />
Travel folding beaker<br />
KCT-5379<br />
-8<br />
58<br />
h 90<br />
140<br />
This folding beaker is not only a popular gift and functional travel<br />
companion, but is in fact a masterpiece of Viennese silver craftsmanship.<br />
There are five telescoped sections hidden under the lid.<br />
Travel Folding Beaker
Sugar Tongs by Haerdtl | Prutscher<br />
Sugar Tongs No. 135<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
Size | mm<br />
Weight | g<br />
Oswald Haerdtl<br />
Undated<br />
SuGar tOnGS<br />
Sugar tongs by Haerdtl (above)<br />
BD-6884<br />
l 80<br />
26<br />
Otto Prutscher<br />
Undated<br />
Sugar tongs by Prutscher (below)<br />
BD-6802<br />
l 90<br />
38<br />
Josef Hoffmann<br />
1902<br />
Sugar tongs, set No. 135<br />
BD-135<br />
-70<br />
l 100<br />
60<br />
The strictly geometrical sugar tongs by Josef Hoffmann are part of<br />
cutlery set No. 135, designed in 1902. The fan-shaped grooves<br />
on Oswald Haerdtl's sugar tongs are typical of 1950s design,<br />
whereas Otto Prutscher's design is inspired by more organic forms<br />
like those of buds and leaves. All three models are reissued after<br />
original drawings from our archives.<br />
39
"SiSi" SPOOn<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
Size | mm<br />
Weight | g<br />
Along with the "Eselsrücken" cutlery, this sifting spoon formed part<br />
of Sisi's silverware at the Kammermeierei dairy in Schönbrunn. This<br />
is why the sugar sprinkler has an imperial crown engraved on the<br />
back of its handle. It is still made by hand but has slightly altered<br />
dimensions.<br />
40<br />
Archive<br />
Undated<br />
"Sisi" sugar sprinkling spoon<br />
BVC-104<br />
-69/KL<br />
l 146<br />
40<br />
"Sisi" Sugar Sprinkling Spoon
Spherical Salt<br />
and Pepper Shakers<br />
Egg-Shaped Salt<br />
and Pepper Shakers<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Salt anD PePPer ShakerS<br />
<strong>Manufactur</strong>, Karl Schmidt<br />
2006<br />
Spherical salt shaker<br />
KTK-10126<br />
Spherical pepper shaker<br />
KTK-10127<br />
42<br />
h 43<br />
55<br />
<strong>Manufactur</strong>, Karl Schmidt<br />
2007<br />
Egg-shaped salt and pepper shakers<br />
KTK-10132<br />
35<br />
h 40<br />
45<br />
41
Salt anD PePPer ShakerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size|mm<br />
Weight |g<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
42<br />
<strong>Manufactur</strong>, Karl Schmidt<br />
2005<br />
Salt shaker<br />
KTK-10049<br />
-7<br />
30<br />
h 75<br />
57<br />
Pepper shaker<br />
KTK-10050<br />
-7<br />
30<br />
h 75<br />
54<br />
Salt and Pepper Shakers
Napkin Ring, Court-Shaped<br />
Napkin Ring,<br />
Circular / with a Stone<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
Napkin ring, court-shaped<br />
KTK-6160<br />
46<br />
h 32<br />
43<br />
naPkin rinGS<br />
This unpretentious napkin ring goes nicely with any cutlery set.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
Napkin ring, circular / with a stone<br />
KTK-9854<br />
Napkin ring, circular<br />
KTK-9855<br />
50<br />
h 30<br />
50<br />
This napkin ring is available with various semiprecious stones or<br />
in a puristic, highly modern version.<br />
43
naPkin rinGS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
44<br />
<strong>Manufactur</strong><br />
2009<br />
Napkin ring, oval (left)<br />
KTK-9851<br />
l 60 I b 30 I h 25<br />
60<br />
<strong>Manufactur</strong><br />
2009<br />
Napkin ring, egg cup (right)<br />
KTK-9852<br />
40–50<br />
b 40<br />
90<br />
The circular napkin ring can also be used as an egg cup.<br />
Oval Napkin Ring<br />
Napkin Ring | Egg Cup
Napkin Ring with a Rolled Rim<br />
Napkin Ring, Oval, Court-Shaped<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
naPkin rinGS<br />
Napkin ring with a rolled rim<br />
KTK-9856<br />
-0<br />
50<br />
h 33<br />
40<br />
With its simple, rolled rim, this napkin ring goes nicely with both<br />
plain and classically shaped cutlery.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
Napkin ring, oval, court-shaped<br />
KTK-6179<br />
l 46 I b 32 I h 32<br />
30<br />
45
naPkin rinGS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Here is a wonderful example of Josef Hoffmann's formal language:<br />
the napkin ring consists of three rows of little humps that<br />
reflect and refract the light. It goes nicely with Hoffmann's beaker<br />
(KCT-6272) and bottle stopper (KCT-6774).<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
46<br />
Josef Hoffmann<br />
Undated<br />
Napkin ring<br />
KTK-6752<br />
l 52 I b 40<br />
42<br />
Archive<br />
Undated<br />
"Chippendale" napkin ring<br />
KTK-6200<br />
l 55 I b 40<br />
40<br />
The "Chippendale" napkin ring is highly decorative, especially<br />
as a supplement to unpretentious cutlery.<br />
Napkin Ring<br />
"Chippendale" Napkin Ring
"Belvedere" Napkin Ring<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
finish<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
naPkin rinGS<br />
"Belvedere" napkin ring<br />
KTK-7001<br />
With or without gold-plated interior<br />
l 54 I b 30 I h 35<br />
40<br />
Available with or without a gold-plated interior, the "Belvedere"<br />
napkin ring tops off the "Belvedere" cutlery set (BVC-185).<br />
47
OWlS<br />
künstler<br />
entwurfsjahr<br />
artikel<br />
art-nr<br />
art-nr annex<br />
ausführung<br />
ø mm<br />
Größe | mm<br />
Gewicht | g<br />
Josef Hoffmann refined the classical round bowl form into a nice<br />
composition of eight leaves, linked to form a bowl. The result is<br />
a fan-shaped martelé bowl that requires the highest perfection in<br />
craftsmanship.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designed by Josef Hoffmann in 1932, this silver bowl looks as<br />
modern as ever.<br />
48<br />
Josef Hoffmann<br />
Undated<br />
Martelé silver bowl<br />
KSC-6092<br />
-16<br />
martelé<br />
160<br />
h 65<br />
340<br />
Josef Hoffmann<br />
1932<br />
Silver Bowl<br />
KSC-6488<br />
-12 -16<br />
120 160<br />
h 40 h 50<br />
140 300<br />
Martelé Silver Bowl<br />
Silver Bowl
"Pumpkin" Bowl, Martelé<br />
Name Bowl with des Rounded ProduktesFeet<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
"Pumpkin" bowl, martelé<br />
KSC-6617<br />
Oswald Haerdtl<br />
Undated<br />
Bowl with rounded feet<br />
KSC-6493<br />
-20<br />
martelé<br />
200<br />
h 65<br />
365<br />
bOWlS<br />
finish item no. ø mm Size Weight<br />
annex mm g<br />
martelé -12 120 h 30 100<br />
martelé -14 140 h 45 160<br />
martelé -18 180 h 45 195<br />
martelé -20 200 h 60 300<br />
martelé -23 230 h 65 500<br />
This beautiful bowl with a martelé finish is available in different sizes.<br />
Designed by Oswald Haerdtl, this bowl opens like a lotus flower.<br />
Its ball feet carry a corpus with a delicate martelé finish.<br />
49
OWlS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
The base of this bowl by Otto Prutscher makes it look as if it were<br />
floating. Available with a polished or martelé finish.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. ø mm Size Weight<br />
annex mm g<br />
-10 100 h 25 166<br />
-14 140 h 35 340<br />
-18 180 h 50 527<br />
Josef Hoffmann designed this smooth, well-proportioned bowl in<br />
1902, inspired by the purism of traditional Japanese tableware,<br />
but its balance and timeless simplicity still conforms with contemporary<br />
aesthetics. The bowl is available in various sizes.<br />
50<br />
Otto Prutscher<br />
Undated<br />
Bowl with a base<br />
KSC-6098<br />
-18 -18<br />
polished martelé<br />
180 180<br />
h 35 h 35<br />
500 500<br />
Josef Hoffmann<br />
Undated<br />
Bowl with a pedestal<br />
KSC-6419<br />
Bowl with a Base<br />
Bowl with a Pedestal
CHILDREN
chilDren<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
54<br />
Archive<br />
Undated<br />
Baby's rattle "Sad & Happy"<br />
KB-5103<br />
l 155 I b 45<br />
70<br />
This fine little rattle, crafted by hand, has a laughing face on one<br />
side and a crying face on the other.<br />
Archive<br />
Undated<br />
"Pear" rattle<br />
KB-7006<br />
l 140 I b 40<br />
45<br />
Name Baby's des Rattle Produktes "Sad & Happy"<br />
"Pear" Rattle
"Spinning Top" Teething Ring<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
"Spinning Top" teething ring<br />
KB-5130<br />
55<br />
h 60<br />
50<br />
chilDren<br />
55
Place SettinGS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
The porridge bowl has two small handles and is a perfect supplement<br />
to our infant cutlery sets.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
56<br />
Archive<br />
Undated<br />
Porridge bowl<br />
KSC-6165<br />
160<br />
h 29<br />
200<br />
Archive<br />
Undated<br />
"Geigenkasten" porridge set<br />
BVC-193<br />
item Size Weight<br />
mm g<br />
Porridge spoon l 145 32<br />
Porridge pusher l 110 30<br />
Porridge cutlery sets are available in all our cutlery designs.<br />
Porridge Bowl<br />
"Geigenkasten" Porridge Set
Prutscher Baby Cutlery<br />
"Faden" Children's Cutlery<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Our baby cutlery is available in all designs, for instance in this<br />
design by Otto Prutscher.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Otto Prutscher<br />
1930s<br />
Prutscher baby cutlery<br />
BD-179<br />
item Size Weight<br />
mm g<br />
Baby spoon l 110 30<br />
Baby fork l 110 30<br />
Otto Prutscher<br />
1920s<br />
"Faden" children's cutlery<br />
BD-181<br />
item Size Weight<br />
mm g<br />
Children's spoon l 180 68<br />
Children's fork l 175 51<br />
Children's knife l 185 24<br />
Place SettinGS<br />
Our children's cutlery is available in all designs, for instance in the<br />
"Faden" design by Otto Prutscher.<br />
57
chriSteninG beakerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. ø mm Size Weight<br />
annex mm g<br />
"Bell"<br />
christening beaker<br />
Beaker with a<br />
65 h 65 60<br />
handle -H 65 h 66 85<br />
This beaker resembles a little bell. It is attractively proportioned,<br />
has an ergonomic design and a comfortable, rolled rim. Available<br />
with or without a handle.<br />
58<br />
Archive<br />
Undated<br />
"Bell" christening beaker<br />
KCT-7009<br />
"Bell" Christening Beaker<br />
Beaker with a Handle
Christening Beaker<br />
with a Cast Base<br />
"Alt Wien" Christening Beaker<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
chriSteninG beakerS<br />
Archive<br />
Undated<br />
Christening beaker with a cast base<br />
KCT-7001<br />
62<br />
h 80<br />
130<br />
This christening beaker has a decorative, cast base. Available<br />
with or without a base.<br />
Archive<br />
Undated<br />
"Alt Wien" christening beaker<br />
KCT-7003<br />
-U<br />
60<br />
h 78<br />
140<br />
59
chriSteninG beakerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
60<br />
Josef Hoffmann<br />
1930s<br />
Christening beaker, martelé<br />
KCT-6272<br />
68<br />
h 78<br />
120<br />
This fine beaker is crafted to a design by Josef Hoffmann. Its geometric<br />
construction, reduced in form, pragmatic in expression and<br />
with an all-round clean finish, is a perfect example of the qualities<br />
of the <strong>Wiener</strong> Werkstätte. It goes nicely with Hoffmann's napkin<br />
ring (KTK-6752) and bottle stopper (KCS-6774).<br />
Christening Beaker, Martelé
Pillbox<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
<strong>Manufactur</strong>, Karl Schmidt<br />
2005<br />
Pillbox<br />
KD-10018<br />
-2<br />
50<br />
h 20<br />
70<br />
bOXeS<br />
The pill box can optionally be engraved. It is an ideal storage box<br />
for precious little things.<br />
61
TABLEWARE
canDle hOlDerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
This sculptural and voluminous girandole is typical of Otto<br />
Prutscher's use of organic forms. Four tender arms meander<br />
around a proud center, enthroned upon a solid base.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
Size | mm<br />
Weight | g<br />
The smaller version of Otto Prutscher's girandole has only two<br />
arms, but is just as charming.<br />
64<br />
Otto Prutscher<br />
1930s<br />
4-branched girandole with a central light<br />
KK-6381<br />
-4M<br />
320<br />
h 250<br />
1085<br />
Otto Prutscher<br />
Undated<br />
2-Branched Candelabrum<br />
KK-6382<br />
-2a<br />
h 140<br />
430<br />
4-Branched Girandole<br />
with a Central Light<br />
2-Branched Candelabrum
Four-Light Candelabrum<br />
Pair of Candlesticks<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Otto Prutscher<br />
Undated<br />
Four-light candelabrum<br />
KK-6383<br />
martelé<br />
150<br />
h155<br />
605<br />
Otto Prutscher<br />
Undated<br />
Pair of candlesticks<br />
KK-6385<br />
143<br />
h 315<br />
900<br />
canDle hOlDerS<br />
Towering and aiming high: Otto Prutscher's candlesticks are rooted<br />
in a solid circular base, and yet they show some organic elements<br />
characteristic of his work.<br />
65
canDle hOlDerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. ø mm Size Weight<br />
annex mm g<br />
2-branched<br />
candelabrum "Classic" -2<br />
2-branched candelabrum<br />
"Classic" with<br />
h 120 310<br />
a central light<br />
3-branched candelabrum<br />
"Classic" with<br />
-2m h 155 360<br />
a central light<br />
4-branched candelabrum<br />
"Classic" with<br />
-3m 250 h 160 460<br />
a central light -4m 250 h 270 1070<br />
These classical candelabra are variations on historical girandoles.<br />
With their playful details and rococo curves, they create a solemn<br />
atmosphere in any environment when their full glory unfolds in the<br />
candlelight.<br />
66<br />
Archive<br />
Undated<br />
2-branched candelabrum "Classic"<br />
KK-7166<br />
2-Branched Candelabrum<br />
"Classic"<br />
2-Branched Candelabrum<br />
with a Central Light
3-Branched Candelabrum<br />
with a Central Light<br />
4-Branched Girandole<br />
with a Central Light<br />
canDle hOlDerS<br />
67
canDle hOlDerS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
68<br />
Archive<br />
Undated<br />
"Classic" candle holder<br />
KK-7169<br />
70–90<br />
h 60<br />
130<br />
"Classic" Candle Holder
"Chippendale" Tray<br />
Oval Tray<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Archive<br />
Undated<br />
"Chippendale" tray<br />
KT-7612<br />
Various sizes<br />
Various sizes<br />
Various sizes<br />
Archive<br />
Undated<br />
Oval tray<br />
KT-1427<br />
Various sizes<br />
Various sizes<br />
Various sizes<br />
This simple, timeless tray is available in various sizes.<br />
tr aYS<br />
The classical "Chippendale" tray is available in various sizes and<br />
shapes (circular, oval or rectangular).<br />
69
tr aYS<br />
Designer<br />
Year of design<br />
The bone-like pattern on the rim of this tray by Otto Prutscher gives<br />
it a rather unusual, though very charming appearance. Available<br />
in various sizes.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
A tray like this may look simple to the eye, but it actually is a pretty<br />
sophisticated artifact that requires great craftsmanship: on its large,<br />
smooth surfaces any imperfection immediately catches the eye.<br />
Available in various sizes.<br />
70<br />
Otto Prutscher<br />
Undated<br />
item<br />
Tray with a bone-patterned rim<br />
item no. KT-6584<br />
item no. annex -20 -30 -35<br />
Size | mm l 190 I b 160 l 290 I b 200 l 330 I b 280<br />
<strong>Manufactur</strong><br />
Undated<br />
Rectangular tray<br />
KT-6596 G<br />
Various sizes<br />
Various sizes<br />
Various sizes<br />
Tray with<br />
a Bone-Patterned Rim<br />
Rectangular Tray
Underplate<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Weight | g<br />
<strong>Manufactur</strong><br />
Undated<br />
This underplate is available in various sizes.<br />
unDerPlateS<br />
Underplate<br />
KU-76375<br />
-28U -31GL -33GL<br />
280 310 330<br />
620 950 1060<br />
71
MASTERPIECES
maSterPieceS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
finish item no. ø mm Size Weight<br />
annex mm g<br />
polished -15 150 h 130 250<br />
martelé -16m 160 h 140 293<br />
martelé -21m 210 h 150 390<br />
polished -25 250 h 190 1020<br />
martelé -25m 250 h 190 890<br />
With its long pole and a ball on each end, this fruit bowl by Otto<br />
Prutscher is characteristic of the artist's poetic, playful approach, and it<br />
fires our imagination: does it resemble a drop of water that drips into a<br />
basin? Its finely hammered surface breaks up the lights into thousands<br />
of glittering reflections. The bowl is available in various sizes in a polished<br />
or martelé finish, with a silver or semiprecious stone ball at the top.<br />
Fruit Bowl with<br />
a Semiprecious Stone<br />
74<br />
Otto Prutscher<br />
Undated<br />
Fruit bowl<br />
KSC-6089<br />
Fruit Bowl -16m<br />
Fruit Bowl -25m
Name Centerpiece des Produktes with Lapis Lazuli<br />
Martelé Centerpiece<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Josef Hoffmann<br />
1902<br />
Josef Hoffmann<br />
Undated<br />
Martelé centerpiece<br />
KSC-6072<br />
-19<br />
190<br />
h 90<br />
380<br />
maSterPieceS<br />
Centerpiece with lapis lazuli<br />
KSC-2331-24<br />
.1 .2 .3<br />
240 240 245<br />
h 180 h 120 h 85<br />
1134 965 780<br />
This sculptural centerpiece is made to an early design by Josef<br />
Hoffman. Its pure, long-legged physique and the smooth surface<br />
of its base are revolutionary. Its only adornment consists of four<br />
semiprecious stones. Designed in 1902, this centerpiece became<br />
a major work of 20th century Viennese design. Available in different<br />
heights, with malachites, lapis lazuli or onyx stones.<br />
The gleaming lines and concentric circles on this martelé bowl by<br />
Josef Hoffmann make the light dance in a vibrant rhythm. The vertical<br />
and horizontal composition of this centerpiece represents a use<br />
of forms that is typical of the 1930s.<br />
75
maSterPieceS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ausführung<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
When this bowl was created in the early 1930s, Oswald Haerdtl<br />
was running Josef Hoffmann's studio. The bowl gives us an idea<br />
of how close their collaboration was, although a new momentum<br />
comes into play in this design by Haerdtl: the grooves and ridges<br />
make the light flicker and shimmer. Similar patterns of fluting can<br />
be found on his 1950s cutlery (e.g. Flatware 192).<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
The ellipsoidal container of this 1920s bonbonnière by Otto<br />
Prutscher rests on a delicate eight-shafted pole decorated with four<br />
stylized, sharp-edged wings at mid-height. The polished hemispherical<br />
foot reflects the central ellipsoid, which hovers over it like<br />
a spaceship. There are rosettes and buds added to the connecting<br />
points that even enhance the unorthodox character of this design.<br />
76<br />
Oswald Haerdtl<br />
1930s<br />
Martelé bowl<br />
KSC-6654<br />
-F<br />
martelé<br />
295<br />
h 85<br />
850<br />
Otto Prutscher<br />
1920s<br />
Silver ball bonbonnière<br />
KV-6221<br />
130<br />
h 320<br />
530<br />
Martelé Bowl<br />
Silver Ball Bonbonnière
Jug with a Gold-Plated Interior<br />
Vase<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
Size | mm<br />
Weight | g<br />
Otto Prutscher<br />
1930s<br />
maSterPieceS<br />
Jug with a gold-plated interior<br />
KV-6909<br />
-m<br />
martelé polished<br />
h 250 h 250<br />
940 940<br />
Relief coating of hollowware has always been one of the most<br />
difficult techniques for a silversmith. This jug, designed by Otto<br />
Prutscher in the 1930s, captures the light in its protruding elements<br />
and reflects its surroundings. Its manufacturing requires total mastery<br />
of the material, and yet the vivacious elegance of the object<br />
conceals all the difficulty involved in its production.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Otto Prutscher<br />
1930s<br />
Vase<br />
KV-6409<br />
105<br />
h 255<br />
960<br />
Otto Prutscher developed this elegant vase from the design of a<br />
calyx. When made of silver, the vase seems to metamorphose: its<br />
contours begin to dance and animate the object. The tender outlines<br />
start moving as colorful reflections flicker across the surface.<br />
77
maSterPieceS<br />
Coral Sugar Box<br />
Onyx Sugar Box Monogrammed Sugar Box<br />
78<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Kolo Moser<br />
1902<br />
Coral sugar box<br />
KD-3078<br />
item Size Weight<br />
mm g<br />
Coral sugar box b 135 I l 110 I h 90 620<br />
Onyx sugar box b 135 I l 110 I h 90 800<br />
Monogrammed sugar box b 135 I l 110 I h 90 625<br />
What composer Gustav Mahler had in mind as a Christmas<br />
present for his young wife Alma was a silver box, adorned with<br />
corals, so he had it designed by Kolo Moser and manufactured<br />
by Alexander Sturm. It became a Christmas present that was<br />
nothing less than a love declaration in the shape of a silver box.<br />
Today, Moser's original draft is in our archives, where it serves as<br />
a reference for our beautiful, hand-made sugar box.
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Otto Prutscher<br />
Undated<br />
Trophy<br />
KV-6280<br />
120<br />
h 260<br />
500<br />
Otto Prutscher designed this trophy in the style of the classical<br />
base–stem–cup pattern. The chalice is divided into two sections,<br />
with an attractive double curve in the outlines. The buds on the<br />
stem and on the tip of the lid are a reference to the organic world<br />
of plants, which is typical of Prutscher.<br />
Trophy<br />
maSterPieceS<br />
79
maSterPieceS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
80<br />
Tokyo<br />
1904<br />
Japanese teapot<br />
KTS-9821 KTS-9820<br />
60 132<br />
h 80 h 140<br />
250 760<br />
The design of this teapot was commissioned by famous Japanese<br />
Admiral Togo Heihachiro, who defeated the Russian fleet in 1905.<br />
It is available in two sizes, with different handles.<br />
Japanese Teapot<br />
Japanese Teapot
TEA AND<br />
COFFEE SETS
tea anD cOffee SetS<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
finish<br />
item item no. ø mm Size Weight<br />
annex mm g<br />
Teapot -Tk 150 h 200 810<br />
Cream jug -RaK 90 I 140 h 80 I h 100 260<br />
Sugar bowl -Zv 90 h 80 260<br />
Tray -Ta 400 1550<br />
The great talent of architect and product designer Otto Prutscher<br />
was his ability to tell stories by means of forms. In this case,<br />
Prutscher's art imitates a quartet of pumpkins. With martelé surfaces<br />
and hand-carved handles of macassar wood that look like<br />
stalks, this set is available with an optional gold-plated interior.<br />
84<br />
Otto Prutscher<br />
1930s<br />
Four-part pumpkin service<br />
KTS-7502<br />
martelé<br />
Pumpkin Service
Designer Otto Prutscher<br />
Year of design 1947<br />
item<br />
item no.<br />
Four-part travel service<br />
KTS-9800<br />
item item no. Size Weight<br />
annex mm g<br />
Teapot -Tk h 165 I l 260 w. handle I b 125 850<br />
Cream jug -RaK h 80 I l 135 w. handle I b 70 172<br />
Sugar bowl -Zv h 100 I l 190 w. handle I b 90 415<br />
Tray -Ta l 400 I b 226 855<br />
Otto Pruscher designed what he called his "Travel Service" for the<br />
first great Austrian Art Exhibition in 1947, held in Vienna. In formal<br />
terms it relates to the elegant models of the 1930s: compact, oval<br />
forms, integrated lids, polished, reflective silver surfaces that contrast<br />
with the volutes of the precious black wood handles. Details<br />
like silver rivets convey a touch a functionalism.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Otto Prutscher<br />
1935/38<br />
Bud service<br />
KTS-6909<br />
item item no. Size Weight<br />
annex mm g<br />
Teapot -Tk h 105 I l 110 I b 130 700<br />
Cream jug -RaK h 80 I l 70 I b 160 215<br />
Sugar bowl -Zv h 70 I l 75 I b 90 200<br />
Convex, humped forms were a favorite motif in Renaissance and<br />
Baroque silverware. Continuous lines, irregular curvatures and<br />
the relation between the decoration and the overall form … Otto<br />
Prutscher delved into ornamentation and translated historic shapes<br />
into his own formal language. Transferring the lines drawn on paper<br />
onto the hard metal and giving them a three-dimensional form<br />
still demands utmost mastery of craftsmanship today.<br />
Travel Service<br />
Bud Service<br />
tea anD cOffee SetS<br />
85
tea anD cOffee SetS<br />
Classic Tea or Coffee Set<br />
85 / 1<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Archive<br />
About 1900<br />
Classic tea or coffee set<br />
KTS-4701<br />
item item no. Size Weight<br />
annex mm g<br />
Coffee pot -Kk h 235 862<br />
Tea pot -Tk h 220 1212<br />
Milk jug -Mk h 110 306<br />
Sugar bowl -Zd h 155 546<br />
Timeless features, proven functionality, lasting value … If you love<br />
classic elegance, you will love this tea set, which is one of our top<br />
sellers. For generations, this ensemble has been an expression of<br />
stylish living and exclusive domestic culture.
MODERN DESIGN
mODern DeSiGn<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
The "Viennese Pot" is defined by edges that have an effect of<br />
dynamics instead of making the pot look heavy and bulky. The<br />
tapered spout seems to almost make the teapot tip over, but the<br />
handle made of Swiss pine provides counterbalance. The sophisticated<br />
handle, which is actually a continuation of two surfaces,<br />
allows perfect one-handed pouring without spilling.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Thomas Feichtner's "Fruit Bowl" has in fact nothing in common<br />
with the round objects you normally put fruits on. Instead, it is<br />
a sophisticated interplay of internal and external surfaces. It appears<br />
as if the fruit might fall out through the openings in the legs,<br />
but it actually gets wedged and is thus caught. This is both an<br />
intended irritation and the most significant functional element<br />
of the fruit bowl.<br />
88<br />
Thomas Feichtner<br />
2008<br />
"Viennese Pot"<br />
KDA- 0110 -WK<br />
180–350<br />
h 200<br />
800<br />
Thomas Feichtner<br />
2010<br />
Fruit bowl<br />
KDA-0100-OS<br />
180<br />
h 160<br />
800<br />
"Viennese Pot"<br />
"Fruit Bowl"
"Cutt" Cutlery Set<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Thomas Feichtner<br />
2006<br />
"Cutt" cutlery set<br />
KB-401<br />
mODern DeSiGn<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 192 85<br />
Dinner fork - 02 l 192 80<br />
Dinner knife - 03 l 195 42<br />
Pastry fork -15 l 130 42<br />
Coffee or tea spoon -13 l 130 45<br />
Fish fork -17 l 192 92<br />
Fish knife -19 l 192 89<br />
The "Cutt" cutlery set is exemplary of Thomas Feichtner's experi-<br />
mental approach. Designed in 2006, it challenges the functional<br />
and ergonomic requirements on cutlery, and yet it surprises with its<br />
functionality once it gets used. Individual surfaces folded to shape<br />
a bowl-like cavity turn out to be the body of the spoon or fork.<br />
The set was initially manufactured on a small scale by <strong>Wiener</strong><br />
<strong>Silber</strong> <strong>Manufactur</strong>; meanwhile "Cutt" has found its way into various<br />
cutlery and design collections.<br />
89
mODern DeSiGn<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
This charming piece designed by Viennese graphic and product<br />
designer Sebastian Menschhorn is reminiscent of a flower in<br />
bloom. The cut-out style geometric elements allude to the<br />
<strong>Wiener</strong> Moderne.<br />
90<br />
Sebastian Menschhorn<br />
2006<br />
"Flora" centerpiece<br />
KSC-10021<br />
-16<br />
165<br />
h 160<br />
620<br />
"Flora" Centerpiece
"Frame" Tray<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Marco Dessi<br />
2011<br />
"Frame" Tray<br />
KDA-DES<br />
mODern DeSiGn<br />
item item no. ø mm Size Weight<br />
annex mm g<br />
Tray silver<br />
Tray silver /<br />
-02 330 l 280 I b 280 2000<br />
Persex -01 330 l 280 I b 280 630<br />
A clever design by young designer Marco Dessi: "Frame" not<br />
only combines two different geometric figures – the circle and<br />
the square – but also two materials, namely silver and (colored)<br />
Perspex. To facilitate washing this piece, the silver frame can be<br />
easily detached. An object that is both striking and great fun!<br />
"Frame" was created for the context of the WIEN PRODUCTS<br />
Collection 2011 and was chosen by the press as its favorite piece.<br />
90 / 1
mODern DeSiGn<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. ø mm Size Weight<br />
annex mm g<br />
Teapot -Tk 140 h 60 530<br />
Sugar bowl -Zv 80 h 40 115<br />
Milk jug -Mk 55 h 120 185<br />
Spoon -L l 100 17<br />
Tray -Ta 300 750<br />
Those who know Thomás Alonso, whose design often looks like<br />
light, three-dimensional drafts made of simple wood, probably<br />
won't associate his work with silver. This made our collaboration<br />
for the VIENNA DESIGN WEEK 2011 all the more fascinating.<br />
True to the motto "functionality of the pattern", Alonso designed this<br />
plain tea service with a fluted pattern on the underside of the set<br />
and on the upper side of the tray so as to make them engage with<br />
each other. The set looks witty, yet at the same time harmonious.<br />
90 / 2<br />
Tomás Alonso<br />
2011<br />
Tea service<br />
KDA-AL01<br />
Tea Service
"Vindobona" Vase Series<br />
The Vindobona Collection is the result of a collaboration between<br />
<strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> and J. & L. Lobmeyr for the VIENNA<br />
DESIGN WEEK 2010. In creating this series of vases, the aim<br />
of Swedish architect and designer trio Claesson–Koivisto–Rune<br />
was to produce design icons of the dining culture. In fact the<br />
process of manufacture was very ambitious too, for it required<br />
the utmost skill from the silversmiths, the glass blowers and all<br />
engravers involved.<br />
Designer<br />
Year of design<br />
Claesson Koivisto Rune<br />
2010<br />
mODern DeSiGn<br />
item<br />
"Tulips" Vase<br />
item no.<br />
KDA-0201-MR<br />
finish item no. ø mm Size Weight<br />
annex mm g<br />
polished 74–160 h 100 325<br />
brushed -b 74–160 h 100 325<br />
martelé -m 74–160 h 100 325<br />
gold-plated -g 74–160 h 100 325<br />
item<br />
"Poppies" Vase<br />
item no.<br />
KDA-0200-WR<br />
finish item no. ø mm Size Weight<br />
annex mm g<br />
polished 74–195 h 55 325<br />
brushed -b 74–195 h 55 325<br />
martelé -m 74–195 h 55 325<br />
gold-plated -g 74–195 h 55 325<br />
item<br />
"Lily" Vase<br />
item no.<br />
KDA-0202-HR<br />
finish item no. ø mm Size Weight<br />
annex mm g<br />
polished 74–65 h 185 440<br />
brushed -b 74–65 h 185 440<br />
martelé -m 74–65 h 185 440<br />
gold-plated -g 74–65 h 185 440<br />
item<br />
"Tumbler" Mug<br />
item no.<br />
KDA-0203-M<br />
finish item no. ø mm Size Weight<br />
annex mm g<br />
polished 74–70 h 70 163<br />
brushed -b 74–70 h 70 163<br />
martelé -m 74–70 h 70 163<br />
gold-plated -g 74–70 h 70 163<br />
item<br />
"Crown" Protection Ring<br />
item no.<br />
KDA-0204-R<br />
finish item no. ø mm Size Weight<br />
annex mm g<br />
polished 74 36<br />
gold-plated -g 74 36<br />
91
mODern DeSiGn<br />
"Tulips" Vase<br />
"Lily" Vase<br />
92<br />
"Poppies" Vase<br />
"Tumbler" Mug
"Crown" Protection Ring<br />
mODern DeSiGn<br />
93
mODern DeSiGn<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
models item no. Size<br />
annex mm<br />
Clar 0 h 21<br />
Ginko 1 h 21<br />
Rothschild 2 h 21<br />
Powolny 3 h 21<br />
Nobis 4 h 21<br />
Örsta 5 h 21<br />
J. & L. Lobmeyr have produced 6 designs of glasses. The<br />
protection ring is available in a polished or gold-plated<br />
silver finish.<br />
94<br />
Claesson Koivisto Rune<br />
2010<br />
Lobmeyr glasses & "Crown" protection ring<br />
KDA-0205<br />
Glasses & Protection Ring<br />
"Ginko" Glass
"Rothschild" Glass "Nobis" Glass<br />
"Powolny" Glass "Örsta" Glass<br />
mODern DeSiGn<br />
95
DESIGN BY<br />
JOSEF HOFFMANN
hOffmann<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Weight | g<br />
Designed by Josef Hoffmann, this highly decorative bottle<br />
stopper has an integrated cork and is available in a polished<br />
or martelé look.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Size | mm<br />
Weight | g<br />
Josef Hoffmann also designed a napkin ring (KTK-6752) and<br />
a silver beaker (KCT-6272) to go with this bottle stopper.<br />
98<br />
Josef Hoffmann<br />
Undated<br />
"Bell" bottle stopper<br />
KCT-10005<br />
-m<br />
polished martelé<br />
50 50<br />
50 50<br />
Josef Hoffmann<br />
1951<br />
Bottle stopper<br />
KCT-6774<br />
h 56<br />
60<br />
"Bell" Bottle Stopper<br />
Bottle Stopper
Name Chased des Beaker Produktes<br />
Napkin Ring<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Josef Hoffmann<br />
1930s<br />
Chased beaker<br />
KCT-6272<br />
68<br />
h 78<br />
120<br />
Josef Hoffmann<br />
Undated<br />
Napkin ring<br />
KTK-6752<br />
52<br />
l 52/b 40<br />
42<br />
hOffmann<br />
With its simple geometric construction, pragmatic expression and<br />
clean all-round finish, this fine beaker is a perfect representative of<br />
the <strong>Wiener</strong> Werkstätte. It is crafted to an original design by Josef<br />
Hoffmann and goes nicely with the napkin ring (KTK-6752) and<br />
bottle stopper (KCT-6774).<br />
This napkin ring is a wonderful example of Josef Hoffmann's<br />
formal language: it consists of three rows of little humps that reflect<br />
and refract the light. The ring goes nicely with Hoffmann's beaker<br />
(KCT-6272) and bottle stopper (KCT-6774).<br />
99
hOffmann<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
100<br />
Josef Hoffmann<br />
Undated<br />
Martelé silver bowl<br />
KSC-6092<br />
-16<br />
martelé<br />
160<br />
h 65<br />
340<br />
Josef Hoffmann refined the classical round bowl form into a nice<br />
composition of eight leaves, linked to form a bowl. The result is<br />
a fan-shaped martelé bowl that requires the highest perfection in<br />
craftsmanship.<br />
Josef Hoffmann<br />
1932<br />
Silver bowl<br />
KSC-6488<br />
-12 -16<br />
120 160<br />
h 40 h 50<br />
140 300<br />
Designed by Josef Hoffmann in 1932, this silver bowl looks as<br />
modern as ever.<br />
Name Martelé des Silver Produktes Bowl<br />
Name Silver Bowl des Produktes
Name Bowl with des a Produktes Pedestal<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Josef Hoffmann<br />
Undated<br />
hOffmann<br />
Bowl with a pedestal<br />
KSC-6419<br />
-10 -14 -18<br />
100 140 180<br />
h 25 h 35 h 50<br />
166 340 527<br />
Josef Hoffmann designed this smooth, well-proportioned bowl in<br />
1902, inspired by the purism of traditional Japanese tableware,<br />
but its balance and timeless simplicity still conform with contemporary<br />
aesthetics. The bowl is available in various sizes.<br />
101
hOffmann<br />
Martelé Centerpiece<br />
Centerpiece with Lapis Lazuli<br />
102<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Josef Hoffmann<br />
Undated<br />
Martelé centerpiece<br />
KSC-6072<br />
-19<br />
190<br />
h 90<br />
380<br />
The gleaming lines and concentric circles on this martelé bowl by<br />
Josef Hoffmann make the light dance in a vibrant rhythm. The vertical<br />
and horizontal composition of this centerpiece represents a use<br />
of forms typical of the 1930s.<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item no. annex<br />
finish<br />
ø mm<br />
Size | mm<br />
Weight | g<br />
Josef Hoffmann<br />
1902<br />
Centerpiece with lapis lazuli<br />
KSC-2331-24<br />
.1 .2 .3<br />
240 240 245<br />
h 180 h 120 h 85<br />
1134 965 780<br />
This sculptural centerpiece is made to an early design by Josef<br />
Hoffman. Its pure, long-legged physique and the smooth surface<br />
of its base are revolutionary. Its only adornment consists of four<br />
semiprecious stones. Designed in 1902, this centerpiece became<br />
a major work of 20th century Viennese design. It is available in<br />
different heights, with malachites, lapis lazuli or onyx stones.
Hoffmann Cutlery No. 135<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
Josef Hoffmann<br />
1902<br />
Hoffmann Cutlery No. 135<br />
BD-135<br />
hOffmann<br />
item item no. Size Weight<br />
annex mm g<br />
Dinner spoon - 01 l 203 97<br />
Dinner fork - 02 l 214 92<br />
Dinner knife - 03 l 232 45<br />
Pastry fork -15 l 153 34<br />
Coffee or tea spoon -13 l 140 41<br />
Josef Hoffmann's famous cutlery No. 135 was designed a year<br />
before the founding of the <strong>Wiener</strong> Werkstätte. It marked a revolution<br />
in the history of silverware, since it involved a departure from<br />
historicism in favor of clear lines, an uncompromising allegiance<br />
to functionality.<br />
The original sets were produced for the Kohn, Wittgenstein and<br />
Mautner Markhof families. Today we treasure the original dies as<br />
some of our most priceless possessions. They are used when special<br />
people are looking for something exceptional – for products<br />
of pure perfection.<br />
103
hOffmann<br />
Designer<br />
Year of design<br />
item<br />
item no.<br />
item item no. Size Weight<br />
Asparagus<br />
annex mm g<br />
serving tongs -60 l 175 245<br />
Sugar tongs -70 l 100 62<br />
Cake server -64 l 250 115<br />
Sugar Tongs No. 135<br />
104<br />
Josef Hoffmann<br />
1902<br />
Asparagus serving tongs No. 135<br />
BD-135<br />
Asparagus Serving<br />
Tongs No. 135<br />
Cake Server No. 135
hOffmann<br />
item no.<br />
length i mm<br />
Weight i g<br />
item no.<br />
length i mm<br />
Weight i g<br />
item no.<br />
length i mm<br />
Weight i g<br />
106<br />
dinner Spoon<br />
bd -135- 01<br />
203<br />
97<br />
fiSh Serving fork<br />
Sugar tongS<br />
bd -135-37<br />
230<br />
141<br />
bd -135-70<br />
100<br />
62<br />
dinner fork<br />
bd -135- 02<br />
214<br />
92<br />
fiSh Serving knife<br />
bd -135-38<br />
240<br />
115<br />
dinner knife<br />
bd -135- 03<br />
232<br />
45<br />
Sugar Sifting Spoon<br />
fiSh fork<br />
bd -135- 69L<br />
170<br />
80<br />
deSSert Spoon<br />
bd-135-17<br />
203<br />
67<br />
bd -135- 09<br />
165<br />
67<br />
fiSh knife<br />
deSSert fork<br />
bd-135-19<br />
218<br />
73<br />
bd-135-10<br />
178<br />
56<br />
Sandwich Server<br />
bd -135-53<br />
180<br />
74<br />
deSSert knife<br />
bd-135-11<br />
188<br />
31<br />
coLd meat fork<br />
bd -135-28<br />
210<br />
61<br />
Sandwich Serving fork<br />
bd -135-52<br />
150<br />
36<br />
Long drink Spoon<br />
fruit fork<br />
bd -135-21<br />
155<br />
36<br />
bd -135-26<br />
195<br />
74<br />
fruit knife<br />
bd -135-22<br />
160<br />
41<br />
aSparaguS tongS<br />
coffee / tea Spoon<br />
ice cream Serving Spoon<br />
bd -135- 60<br />
175<br />
245<br />
bd -135-13<br />
140<br />
41<br />
bd-135-35<br />
216<br />
114<br />
ice cream Serving knife<br />
Soup LadLe, SmaLL<br />
mocca Spoon<br />
bd-135-14<br />
100<br />
14<br />
bd -135-85<br />
230<br />
115<br />
bd -135- 62<br />
305<br />
290<br />
Soup LadLe, Large<br />
bd-135-15<br />
153<br />
34<br />
ice cream Spoon<br />
paStry fork<br />
bd -135-25<br />
132<br />
39<br />
bd -135 - 61<br />
375<br />
410
item no.<br />
length i mm<br />
Weight i g<br />
item no.<br />
length i mm<br />
Weight i g<br />
item no.<br />
length i mm<br />
Weight i g<br />
Serving Spoon<br />
SaLad Serving fork<br />
bd -135- 67<br />
228<br />
152<br />
bd -135-48<br />
228<br />
149<br />
butter knife, SmaLL<br />
bd -135-28<br />
145<br />
52<br />
SaLad Serving Spoon<br />
bd -135-47<br />
228<br />
152<br />
roaSt Serving fork<br />
bd -135-30<br />
245<br />
124<br />
butter knife, Large<br />
bd -135-33<br />
168<br />
62<br />
SaLad Serving fork, Long<br />
roaSt Serving Spoon<br />
bd -135-31<br />
233<br />
145<br />
bd -135-48L<br />
280<br />
149<br />
SaLad Serving Spoon, Long<br />
cheeSe knife, SmaLL<br />
bd -135-58<br />
145<br />
52<br />
bd -135-47L<br />
280<br />
152<br />
gravy LadLe<br />
bd -135-54<br />
195<br />
107<br />
cheeSe knife, Large<br />
bd -135-34<br />
168<br />
73<br />
Spice / SaLt Spoon<br />
bd -135-51<br />
88<br />
12<br />
mixed pickLeS fork<br />
fruit Serving Spoon<br />
cake Server<br />
bd -135-86<br />
250<br />
68<br />
bd -135-43<br />
225<br />
113<br />
bd -135- 64<br />
250<br />
115<br />
mixed pickLeS Spoon<br />
bd -135-87<br />
250<br />
75<br />
oySter fork<br />
hOffmann<br />
potato Spoon<br />
bd -135-93<br />
145<br />
39<br />
bd -135-42<br />
230<br />
152<br />
Lemon fork<br />
bd -135- 68<br />
105<br />
37<br />
107
DESIGNERS<br />
108
109
DeSiGnerS<br />
Josef Hoffmann<br />
110<br />
JOSef hOffmann (Pirnitz 1870–1956 vienna)<br />
Josef Hoffmann's ideal was the Gesamtkunstwerk, an all-embrac-<br />
ing artwork. He united – and impersonated – art, architecture,<br />
craftsmanship and design. In 1903, together with his like-minded<br />
colleague Kolo Moser, Hoffmann founded the <strong>Wiener</strong> Werkstätte.<br />
They designed the Purkersdorf Sanatorium and the Stoclet House<br />
in Brussels, two masterpieces of the <strong>Wiener</strong> Moderne. Our archives<br />
contain many groundbreaking drawings by Josef Hoffmann.<br />
Designs like his landmark pattern No. 135 are among the most<br />
popular in our range.
Kolo Moser<br />
kOlO mOSer (vienna 1868–1918)<br />
DeSiGnerS<br />
Like Josef Hoffmann, painter, graphic artist and craftsman Kolo<br />
Moser was greatly inspired by the English Arts and Crafts Movement,<br />
which was the first to propagate the idea of the total work<br />
of art. He was the co-founder of both the <strong>Wiener</strong> Secession and<br />
the <strong>Wiener</strong> Werkstätte, for which he designed mostly furniture,<br />
lamps and fashion accessories. At Gustav Mahler's request, Kolo<br />
Moser designed a magnificent little casket, which Mahler gave<br />
to his wife Alma. We still produce this masterpiece today after<br />
Moser's original draft.<br />
111
DeSiGnerS<br />
Otto Prutscher<br />
112<br />
OttO PrutScher (vienna 1880–1949)<br />
Otto Prutscher, a student of Josef Hoffmann, was one of the most<br />
influential personalities in early 20th century architecture. As an<br />
architect, his name remains inseparably linked to Red Vienna's<br />
housing complexes. He also worked as a designer for Kohn<br />
manufacturers of bentwood furniture and the <strong>Wiener</strong> Werkstätte.<br />
Prutscher has left an extensive collection of drawings for silver<br />
cutlery, tea and coffee services, candlesticks and other silverware<br />
accessories, which is preserved in our archives. <strong>Wiener</strong><br />
<strong>Silber</strong> <strong>Manufactur</strong> is now producing some of the highlights of<br />
his design work, including his famous "Pumpkin" service from<br />
the 1930s.
Oswald Haerdtl<br />
OSWalD haerDtl (vienna 1899–1959)<br />
DeSiGnerS<br />
Oswald Haerdtl studied under Kolo Moser and worked together<br />
with Josef Hoffmann. He was one of the key Austrian architects<br />
and designers of the inter-war and post-war periods. His magnum<br />
opus is the Wien Museum on Karlsplatz. Apart from furniture,<br />
lamps, chinaware and glasses, Haerdtl also designed cutlery and<br />
objects made of silver. <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> has reissued his<br />
pattern No. 192 and a martelé dish. Many of Haerdtl's original<br />
design drafts are preserved in our archives.<br />
113
DeSiGnerS<br />
Thomas Feichtner<br />
114<br />
thOmaS feichtner<br />
Thomas Feichtner (born in 1970) has won various international de-<br />
sign awards such as the IF Design Award, the Swiss Design Prize,<br />
the German Design Prize, the red dot design award, the European<br />
Design Award and the Josef Binder Award. His work focuses on<br />
artistic aspects and takes an experimental approach. Feichtner<br />
designs products for traditional crafters but always tries to look at<br />
things from an unconventional perspective. <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />
produces his "Cutt" cutlery.
Sebastian Menschhorn<br />
SebaStian menSchhOrn<br />
DeSiGnerS<br />
Sebastian Menschhorn (born in 1971) studied under Paulo Piva<br />
and Toshiyuki Kita at the University of Applied Arts in Vienna.<br />
With a profound knowledge of the history of culture and art he<br />
translates patterns, forms and functions into design objects and<br />
graphics. His contemporary, yet timeless designs are thus rooted<br />
in history but nevertheless tell new stories.<br />
115
DeSiGnerS<br />
Rainer Scharf<br />
116<br />
rainer Scharf<br />
Rainer Scharf (born 1970) opened his studio 24hdesign in Vienna<br />
in 2003. He was Senior Designer at Philips Design and worked<br />
for Audi and KTM. Rainer Scharf lives in London and designs consumer<br />
electronics and furniture, as well as interiors for airlines and<br />
shops for the design studio forpeople. For <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong><br />
he designed the Turkish coffee pot "Cezve", a contribution to<br />
the WIEN PRODUCTS Collection 2010.
Tino Valentinitsch<br />
tinO valentinitSch<br />
DeSiGnerS<br />
Tino Valentinitsch (born in 1972) studied industrial design in<br />
Essen, Germany. During his studies he worked in Milan for Aldo<br />
Cibic, co-founder of "Memphis", and drew designs for Koziol. In<br />
addition to his work for the avant-garde sportswear label Y-3 he<br />
has also designed perfume bottles for Versace, as well as shoes,<br />
bags and home accessories for Helmut Lang. Since he has been<br />
working for the New York-based agency Pandiscio Co., Tino<br />
Valentinitsch focuses on the fields of luxury products and brand<br />
design. He creates brands, designs furniture, consumer goods<br />
and packaging, as well as interiors and exhibitions. For <strong>Wiener</strong><br />
<strong>Silber</strong> <strong>Manufactur</strong>, Tino Valentinitsch designed the "Lockenschale"<br />
("Curls Bowl") in 2011.<br />
117
DeSiGnerS<br />
Claesson, Koivisto, Rune<br />
118<br />
mårten claeSSOn, eerO kOiviStO, Ola rune<br />
Since 1995, Mårten Claesson, Eero Koivisto and Ola Rune have<br />
been working under a joint Stockholm-based label. In addition to<br />
their architectural projects they produce designs for manufacturers<br />
such as Cappellini and iittala. The Vindobona series, which was<br />
a joint project with <strong>Wiener</strong> <strong>Silber</strong> <strong>Manufactur</strong> and glass producer<br />
J. & L. Lobmeyr, was presented on the occasion of the VIENNA<br />
DESIGN WEEK 2010. The trio has received numerous awards<br />
and honors. For instance, they were the first Swedish architects to<br />
be shown in the international category at the Venice Architecture<br />
Biennale (2004).
Marco Dessi<br />
marcO DeSSi<br />
DeSiGnerS<br />
After an apprenticeship in the technical field, Marco Dessí (born<br />
1976 in Merano, Italy) studied industrial design at the University<br />
of Applied Arts Vienna. Some of his student projects already<br />
drew international attention.<br />
In 2007 Marco Dessí founded his own design studio. His approach<br />
of tinkering with shapes and possibilities until they feel<br />
light and intuitive again, leads to products that suggest both the<br />
radically contemporary and aesthetic longevity.<br />
We produce his "Frame" tray, designed for the WIEN PRODUCTS<br />
Collection 2011.<br />
119
DeSiGnerS<br />
Tomás Alonso<br />
120<br />
tOmáS alOnSO<br />
Tomás Alonso, born in Vigo, Spain, in 1974, graduated from<br />
the Royal College of Art in London. In 2006 he co-founded the<br />
design collective OKAYstudio with five other recent graduates<br />
from the RCA.<br />
His work has been widely published and exhibited, from Aram<br />
Gallery or Whitechapel Gallery in London to exhibitions in Italy,<br />
Spain, France, Canada and Japan. His work is part of the permanent<br />
collection of the Design Museum in London. He has also<br />
received numerous international awards including the first prize in<br />
the Promosedia International Design Competition 2008 with his<br />
"chair No. 7".<br />
Our coorporation with Tomás Alonso for VIENNA DESIGN WEEK<br />
2011 yielded a wonderful silver tea service.
IMPRINT<br />
Executive partner: Georg Stradiot<br />
Art director: Dr Barbara Kamler-Wild<br />
Text: Dr Barbara Kamler-Wild, Irene Marenzi, Charlotte Pott-Pálffy,<br />
Reinhard Söbbing, Mag (FH) Eva Thiery-Metlewicz<br />
Edited by: Irene Marenzi, Charlotte Pott-Pálffy<br />
Concept, design and illustrations: Perndl+Co, Regula Widmer, Aleksandra Gustin, Claudette Hanzl<br />
Photos: Greg Dillon, Elwoods, Klaus Fritsch, Irina Gavrich, Renée del Messier, Klaus Pichler<br />
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