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Höfner Electric Guitars & Basses

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<strong>Höfner</strong> specialist dealer:<br />

<strong>Guitars</strong> & <strong>Basses</strong><br />

– since 1887 –<br />

Karl <strong>Höfner</strong> GmbH & Co. KG<br />

Egerlandstr. 38<br />

91083 Baiersdorf-Hagenau<br />

Germany<br />

Tel. +49 (0) 9133-7758-0<br />

Fax +49 (0) 9133-7758-58<br />

hofner@hofner.com<br />

www.hofner.com<br />

<strong>Höfner</strong><br />

<strong>Electric</strong> <strong>Guitars</strong><br />

& <strong>Basses</strong><br />

Chancellor<br />

Jazzica<br />

President<br />

Verythin<br />

Club Bass<br />

Violin <strong>Basses</strong><br />

<strong>Guitars</strong> & <strong>Basses</strong><br />

– since 1887 –


Karl <strong>Höfner</strong>,<br />

founder of the company<br />

President (1956)<br />

Committee (1959)<br />

<strong>Guitars</strong> & <strong>Basses</strong><br />

– since 1887 –<br />

500/1 (1956)<br />

Golden <strong>Höfner</strong> (1960)<br />

Master violin maker Karl <strong>Höfner</strong> founded his own stringed and fretted instrument<br />

company in Schönbach, Germany in 1887. With a reputation for quality,<br />

craftsmanship and innovation, <strong>Höfner</strong> soon became the largest manufacturer<br />

of stringed and fretted instruments in Germany. Thus, in 1907 Karl <strong>Höfner</strong> was<br />

entrusted with the repair of the King of Saxony’s violin, and the master performed<br />

his job to the full satisfaction of his client.<br />

When his two sons, Josef and Walter, joined their father's company in 1919<br />

and 1921 respectively, acoustic guitars already represented a significant part<br />

of <strong>Höfner</strong>’s instrument production. In a market dominated by inexpensive<br />

student guitars during the 1920s and 1930s, <strong>Höfner</strong> guitars were already<br />

establishing new standards and the company capitalized on that leadership<br />

during the decades that followed.<br />

The product range of <strong>Höfner</strong> is extensive and not only limited to string instruments<br />

and acoustic guitars. <strong>Höfner</strong> has built excellent electric guitars since the 1950’s.<br />

<strong>Höfner</strong> hollowbodies graced the clubs and concert halls of Europe’s post-war<br />

jazz scene, and <strong>Höfner</strong> solidbodies and basses were among the instruments<br />

that ignited the musical imaginations of many who would later launch the<br />

”British Invasion.”<br />

In 1955 Walter <strong>Höfner</strong>, a creative businessman as well as a violin and guitar<br />

maker, invented an electrically amplified semi-acoustic bass. The distinctive<br />

500/1 bass was launched at the 1956 Frankfurt Music Fair and subsequently<br />

rose to fame under a different name. In 1961 Paul McCartney bought his first<br />

<strong>Höfner</strong> bass in a music shop in Hamburg. Paul’s ‘Beatle Bass’ can be heard<br />

on many of the Beatles‘ most famous songs and still accompanies him on<br />

stage and in the studio to this day.<br />

A new chapter in <strong>Höfner</strong> history began in 1997 when the company moved to<br />

a new production facility near the village of Hagenau. Millions of Euros have<br />

since been invested in state-of-the-art, environmentally-friendly production<br />

technologies. Today, <strong>Höfner</strong> continues to build fine quality, hand-crafted hollowbody<br />

and bass guitars for new generations of players and collectors.<br />

Guitar production around 1965<br />

A major asset of <strong>Höfner</strong> is the large<br />

selection of naturally air-dried and<br />

seasoned tonewood.<br />

The traditional way of binding the body


Like the guitars they protect, <strong>Höfner</strong>’s<br />

hardshell cases are carefully crafted to<br />

ensure a snug fit and to minimize random<br />

movement.<br />

Durable yet light in weight, <strong>Höfner</strong>’s<br />

hardshell cases are rigidly constructed with<br />

five layers of wood and provide a secure<br />

yet very portable environment for storing<br />

your guitar.<br />

See page 14 for specifications.<br />

Chancellor with violin varnish<br />

<strong>Guitars</strong> & <strong>Basses</strong><br />

– since 1887 –<br />

The free-floating <strong>Höfner</strong><br />

jazz guitar pick-up is<br />

attached to the end of the<br />

fingerboard, thus enabling<br />

the guitar top to resonate<br />

freely all the way up to the<br />

neck joint. The pick-up is<br />

mounted in a special<br />

surround which offers<br />

height adjustment for the<br />

pick-up as a whole and,<br />

thanks to the individual<br />

pole-pieces, separate<br />

volume adjustment for<br />

each string.<br />

Chancellor<br />

The Chancellor is the new flagship of <strong>Höfner</strong>’s jazz guitar<br />

range. Our Master luthiers have put all their years of<br />

experience and craftsmanship into creating this gem. With<br />

its 17“ body width the Chancellor carries on where the<br />

legendary ‘Golden <strong>Höfner</strong>’ of the 60s left off. Furthermore,<br />

thanks to its sophisticated construction, it meets all the<br />

demands of today’s professional guitarists – and yet<br />

remains timeless.<br />

Only the finest tonewoods, which are naturally airdried<br />

and seasoned for many years, are selected.<br />

We use narrow-grained German spruce for the allsolid<br />

top and European flamed maple for the fullysolid<br />

back and sides.<br />

Each top and back is individually graduated and handcarved.<br />

Hand-carving a Chancellor top<br />

Chancellor with natural finish<br />

5


The Jazzica’s 24-fret neck is joined to the<br />

body at the 16 th<br />

fret, thereby easing access<br />

to the upper registers and encouraging<br />

new fingerboard explorations across two<br />

full octaves.<br />

Fret work on an<br />

archtop guitar’s neck.<br />

The Jazzica Custom exemplifies beauty<br />

that is functional as well as cosmetic.<br />

For example, separate ebony tone and<br />

volume controls and a streamlined ebony<br />

pickguard. What´s more, the floating pickup<br />

attached to the base of the neck preserves<br />

its solid German spruce top acoustic<br />

integrity and maximizes its resonance.<br />

See page 14 for specifications.<br />

<strong>Guitars</strong> & <strong>Basses</strong><br />

– since 1887 –<br />

Every <strong>Höfner</strong> Jazzica<br />

Custom includes a set of<br />

ebony soundhole plugs<br />

which are simply inserted<br />

into the sound hole<br />

openings to reduce the<br />

potential for feedback at<br />

higher volume levels.<br />

Use of the soundhole<br />

plugs will dampen the<br />

instrument’s acoustic<br />

output but will enable the<br />

player to increase amplifier<br />

volume with less risk of<br />

feedback.<br />

Jazzica Custom<br />

As the most innovative of <strong>Höfner</strong>’s hand-made hollow-body<br />

guitars, the Jazzica Custom seamlessly blends old-world<br />

craftsmanship with contemporary features.<br />

For example, the ’Contour’ body design draws guitarist<br />

and instrument closer together, enabling one to seem like<br />

a natural extension of the other without compromising<br />

structural integrity or tone. And, as Germany’s largest<br />

maker of guitars and violins, we freely apply our<br />

expertise across the <strong>Höfner</strong> family of instruments.<br />

That’s why the Jazzica’s solid German spruce top<br />

is hand-carved and graduated, similar to a traditional<br />

violin. That’s also why the Jazzica’s top is braced<br />

with a bass bar – again, like a violin.<br />

Quality without compromise – <strong>Höfner</strong>’s Jazzica Custom<br />

is a masterpiece of meticulous craftsmanship that<br />

redefines the expectations of what a hand-made archtop<br />

guitar should be.<br />

The traditional way of binding the body<br />

7


New President<br />

The New President represents the pinnacle<br />

of the guitar maker’s art. Exquisite woods<br />

– from the hand-carved, solid German<br />

spruce to the flamed maple back and<br />

sides – exude an aura of stunning physical<br />

beauty. Gold-plated hardware, ebony trim<br />

and mother-of-pearl fingerboard inlays add<br />

just the right touch to the New President’s<br />

tasteful elegance.<br />

The New President exemplifies beauty that<br />

is functional as well as cosmetic. For<br />

example, separate tone and volume<br />

controls are mounted discreetly on the<br />

New President’s streamlined ebony<br />

pickguard. And, as with the floating pickup<br />

attached to the base of the neck, the lack<br />

of milling holes in the solid German spruce<br />

top preserves its acoustic integrity and<br />

maximizes its resonance.<br />

See page 14 for specifications.<br />

New President with<br />

violin varnish<br />

New President with natural finish<br />

<strong>Guitars</strong> & <strong>Basses</strong><br />

– since 1887 –<br />

The Thin President’s bridge<br />

produces the warm tone<br />

typical of ebony and resets<br />

the standard for balance,<br />

accuracy and intonation on<br />

an archtop guitar. The saddles,<br />

made from high-grade fret<br />

wire, may be moved to<br />

intonate your choice of string<br />

type or gauge and adjust<br />

the string spacing<br />

with pinpoint<br />

precision.<br />

President Series<br />

<strong>Höfner</strong>’s President Series establishes the current models as worthy<br />

successors to their legendary namesake which, as celebrated<br />

examples of premium European archtops, are owned by<br />

renowned and influential jazz guitarists.<br />

While many design elements of <strong>Höfner</strong>’s President Series<br />

have a traditional flair, special features – such as the 16 th<br />

fret neck-to-body joint – distinguish them from ordinary jazz<br />

guitars.<br />

Thin President<br />

<strong>Höfner</strong>’s hand-crafted excellence and uncompromising<br />

flexibility invigorate the familiar platform of<br />

the Thin President. A sustain block inside the body<br />

made of a solid piece of high quality timber is hand<br />

fitted to both the German spruce top and the flamed<br />

maple back. The master volume and tone controls<br />

for the <strong>Höfner</strong> standard size humbucking neck pickup<br />

are tastefully covered by solid ebony knobs.<br />

A President’s hand-carved neck<br />

Thin President<br />

9


Verythin Standard<br />

The current version updates the original<br />

1960 <strong>Höfner</strong> ”Verithin” design with<br />

contemporary features and resets<br />

the benchmark for ”Standard” semihollowbody<br />

guitars. A super slender<br />

body crafted from highly-flamed maple<br />

makes the Verythin Standard beautiful<br />

to behold.<br />

Verythin JS<br />

The Verythin ”John Stowell” Signature<br />

model is based on the Verythin Classic<br />

and comes with the noble ebony and<br />

gold hardware of the <strong>Höfner</strong> Jazzica<br />

Custom. Its breathtaking optional<br />

Vintage finish, French-polished to a<br />

perfect glaze, is a rare offering even<br />

on custom instruments costing many<br />

times as much.<br />

Indeed: very thin!<br />

See page 14/15 for specifications.<br />

Verythin Standard<br />

<strong>Guitars</strong> & <strong>Basses</strong><br />

– since 1887 –<br />

Mounting the hardware<br />

on a Verythin Classic<br />

Verythin Series<br />

Celebrated for its flexibility and broad tonal palette, <strong>Höfner</strong>’s versions of the semihollowbody<br />

– the Verythin Standard, Classic and JS – can portray the subdued<br />

warmth of a full hollowbody, the bright and primary hues of a solidbody, or just<br />

about any shade of tone in between.<br />

The <strong>Höfner</strong> Verythin Series has a much smaller, thinner body profile than conventional<br />

semi-hollowbody guitars. In addition, every Verythin employs a handfitted<br />

solid spruce sustain block that does not use tone bars. These<br />

features reduce the potential for feedback, accentuate the tonal<br />

punch and attack and preserve the guitar’s acoustic qualities.<br />

Verythin Classic<br />

Traditional violin varnish<br />

of the Verythin JS<br />

From the introspective lament of a jazz lick to the aggressive fire<br />

of a rock riff, <strong>Höfner</strong>’s Verythin Classic is at home in just about<br />

any musical milieu. Its German spruce top and flamed maple<br />

back and sides provide a regal backdrop for the Classic’s<br />

elegant inlays and gold-plated appointments.<br />

With the roll of a knob, the unique ’Clear Contour’ electronic<br />

circuitry of the Verythin Classic can simulate the sound of<br />

near-silent single-coil or humbucking pickups. This simplicity<br />

of operation frees the guitarist to concentrate on the performance<br />

rather than risk distraction from awkward switches or gimmicks.<br />

Verythin JS with violin varnish Verythin Classic with natural finish<br />

11


Vintage ’62<br />

Based on the 1962 model Paul McCartney<br />

still uses today, the Vintage ’62 has delighted<br />

<strong>Höfner</strong> aficionados by replicating details<br />

of the original. For example, the ’strip’<br />

machine heads, the slot-head screws on<br />

the hardware, and the two-piece neck are<br />

authentic touches that connect this<br />

instrument to an earlier time.<br />

In the Vintage ’62, <strong>Höfner</strong> has created a<br />

replica of Paul’s bass historically accurate<br />

enough to satisfy even the most demanding<br />

Beatles fan.<br />

Vintage ’63<br />

Named for the year the most familiar version<br />

of the Violin Bass was popularized, the<br />

Vintage ’63 captures its characteristic<br />

tone – deep, warm and reminiscent of a<br />

full-size string bass. Built to be as durable<br />

as its legacy, the compact-sized, easy-toplay,<br />

light-weight Vintage ’63 is equally at<br />

home on stage or in the studio.<br />

See page 15 for specifications.<br />

Vintage ’62 LH<br />

<strong>Guitars</strong> & <strong>Basses</strong><br />

– since 1887 –<br />

Vintage ’62 · Vintage ’63<br />

A legend was born<br />

In 1956, Walter <strong>Höfner</strong> had an idea for an amplified semi-acoustic bass.<br />

When it was brought to life, his idea revolutionized popular music. Many<br />

players revere <strong>Höfner</strong>’s Violin Bass as a legend because of its historical<br />

significance and its warm, woody, double-bass-like amplified tone.<br />

The <strong>Höfner</strong> Violin Bass is a unique instrument with a smooth, sweet<br />

sound and a playing ease that simply eludes most ordinary basses.<br />

5000/1 Deluxe<br />

A distinct departure from the other Violin <strong>Basses</strong>, the 5000/1<br />

Deluxe is a thoroughly exclusive instrument with a onepiece<br />

European maple neck, ebony fingerboard, goldplated<br />

hardware, and diamond-shaped mother-of-pearl<br />

headstock inlays.<br />

500/2 Club Bass<br />

With originals scarce and expensive, popular<br />

demand compelled <strong>Höfner</strong> to recreate the Club<br />

Bass 500/2. The new Club Bass borrows the feel,<br />

the tone, and many features from the Vintage’63 and<br />

combines them with a single-cutaway profile.<br />

The set-in neck of a Beatle Bass is<br />

hand-fitted to the body.<br />

Vintage ’63 5000/1 Deluxe 500/2 in black<br />

13


Top<br />

Back and Sides<br />

Neck<br />

Fretboard<br />

Inlays<br />

Scale<br />

Nut width<br />

Machine Heads<br />

Bridge<br />

Tailpiece<br />

Pickguard<br />

Pickups<br />

Electronics<br />

Hardware<br />

Colours<br />

Case (included)<br />

Chancellor Jazzica President Series V erythin Series Violin <strong>Basses</strong> Club Bass<br />

Chancellor Jazzica New Thin Verythin Verythin Verythin 500/1 500/1 5000/1 500/2<br />

Custom President President JS Classic Standard Vintage ´62 Vintage ´63 Deluxe Club Bass<br />

Selected solid<br />

German spruce,<br />

hand-carved<br />

and graduated<br />

Selected solid<br />

European flamed<br />

maple<br />

European flamed<br />

hard rock maple<br />

Ebony, bound,<br />

22 frets<br />

Mother-of-pearl<br />

block inlays<br />

~ 25 1 /4" (64.3 cm)<br />

~ 1 3 /4" (44 mm)<br />

Schaller M6 with<br />

ebony buttons<br />

<strong>Höfner</strong> 72/22-G<br />

Ebony bridge with<br />

compensated<br />

B-string<br />

<strong>Höfner</strong> 62/EB-G<br />

Ebony,<br />

brass reinforced<br />

<strong>Höfner</strong> 65/C-E<br />

Floating ebony<br />

pickguard<br />

<strong>Höfner</strong> 514/FN-G<br />

Floating<br />

humbucking neck<br />

pickup, adjustable<br />

1 Volume control,<br />

1 Tone control<br />

Gold-plated<br />

hardware<br />

Natural,<br />

Violin varnish<br />

<strong>Höfner</strong> 3052-17<br />

Deluxe wooden<br />

hardshell case,<br />

cream tweed<br />

covering<br />

Selected solid<br />

German spruce,<br />

hand-carved<br />

and graduated<br />

Selected<br />

flamed maple<br />

European<br />

hard rock maple<br />

Ebony, bound,<br />

24 frets<br />

Mother-of-pearl<br />

block inlays<br />

Ebony, bound,<br />

22 frets<br />

Flamed maple Selected German spruce<br />

Selected<br />

German spruce<br />

2-piece maple Maple-beech-maple<br />

Flamed maple Selected European<br />

birds-eye maple<br />

Ebony, bound,<br />

22 frets<br />

Abalone<br />

double dots<br />

European flamed<br />

maple<br />

Rosewood, bound,<br />

22 frets<br />

Mother-of-pearl<br />

dots<br />

~ 25 1 /4" (64.3 cm) ~ 25 ~ 30" (76 cm)<br />

~ 30" (76 cm)<br />

1 /4" (64.3 cm)<br />

~ 25 1 ~ 25 /4" (64.3 cm)<br />

1 /4" (64.3 cm)<br />

~ 1 3 /4" (44 mm)<br />

Schaller M6 with<br />

ebony buttons<br />

<strong>Höfner</strong> 72/22-G<br />

Ebony bridge with<br />

compensated<br />

B-string<br />

<strong>Höfner</strong> 62/EB-G<br />

Ebony,<br />

brass reinforced<br />

<strong>Höfner</strong> 65/JC-E<br />

Floating ebony<br />

pickguard<br />

<strong>Höfner</strong> 514/FN-G<br />

Floating<br />

humbucking neck<br />

pickup, adjustable<br />

1 Volume control,<br />

1 Tone control<br />

Gold-plated<br />

hardware<br />

Natural<br />

<strong>Höfner</strong> 3052-16<br />

Deluxe wooden<br />

hardshell case,<br />

cream tweed<br />

covering<br />

Selected solid<br />

German spruce,<br />

hand-carved<br />

and graduated<br />

European hard rock maple<br />

<strong>Höfner</strong> 72/22-G<br />

Ebony bridge with<br />

compensated<br />

B-string<br />

<strong>Höfner</strong> 65/NP-E<br />

Floating ebony<br />

pickguard with<br />

mounted volume<br />

and tone controls<br />

<strong>Höfner</strong> 514/FN-G<br />

Floating<br />

humbucking neck<br />

pickup, adjustable<br />

1 Volume control,<br />

1 Tone control<br />

Gold-plated<br />

hardware<br />

Natural,<br />

Violin varnish<br />

<strong>Höfner</strong> 3052-16<br />

Deluxe wooden<br />

hardshell case,<br />

cream tweed<br />

covering<br />

Selected<br />

flamed maple<br />

Mother-of-pearl<br />

block inlays<br />

~ 1 3 /4" (44 mm)<br />

Schaller M6 with<br />

ebony buttons<br />

<strong>Höfner</strong> 62/EB-G<br />

Ebony,<br />

brass reinforced<br />

Selected<br />

German spruce<br />

<strong>Höfner</strong> 72/20-N<br />

Ebony bridge<br />

with movable<br />

metal saddles<br />

<strong>Höfner</strong> 65/TP-E<br />

Floating ebony<br />

pickguard<br />

<strong>Höfner</strong> 515/TB<br />

standard size<br />

humbucker<br />

1 Volume control,<br />

1 Tone controls,<br />

Gold-plated<br />

hardware<br />

Selected<br />

German spruce<br />

Selected<br />

flamed maple<br />

European hard rock maple<br />

Ebony, bound,<br />

22 frets<br />

Mother-of-pearl<br />

block inlays<br />

Schaller GTM<br />

(with Bigsby option:<br />

Schaller STM)<br />

<strong>Höfner</strong> 62/10-G<br />

Trapeze tailpiece,<br />

brass,<br />

Option: Bigsby<br />

<strong>Höfner</strong> 514/VC-B,<br />

<strong>Höfner</strong> 514/VC-N<br />

humbuckers<br />

2 Volume controls,<br />

2 tone controls,<br />

3-way toggle,<br />

'Clear Contour'<br />

tone control<br />

~ 1 3 /4" (44 mm)<br />

Schaller M6<br />

with tulip buttons<br />

Flamed maple<br />

Schaller GTM<br />

Schaller GTM<br />

Stop tailpiece<br />

<strong>Höfner</strong> 515/VS-B,<br />

<strong>Höfner</strong> 515/VS-N<br />

standard size<br />

humbuckers<br />

2 Volume controls,<br />

2 Tone controls,<br />

3-way pickup switch<br />

Violin varnish Natural,<br />

Natural, Transparent amber,<br />

Violin varnish Violin varnish Transparent cherry<br />

<strong>Höfner</strong> 3052N<br />

Deluxe wooden<br />

hardshell case,<br />

cream tweed<br />

covering<br />

Selected<br />

German spruce<br />

Selected<br />

flamed maple<br />

European hard rock<br />

maple<br />

Ebony, bound,<br />

22 frets<br />

Mother-of-pearl<br />

block inlays<br />

~ 1 3 /4" (44 mm)<br />

Schaller M6 with<br />

ebony buttons<br />

<strong>Höfner</strong> 72/22-G<br />

Ebony bridge with<br />

compensated<br />

B-string<br />

<strong>Höfner</strong> 62/EB-G<br />

Ebony,<br />

brass reinforced<br />

<strong>Höfner</strong> 65/JC-E<br />

Floating ebony<br />

pickguard<br />

<strong>Höfner</strong> 514/FN-G<br />

Floating<br />

humbucking neck<br />

pickup, adjustable<br />

1 Volume control,<br />

1 Tone control<br />

Gold-plated<br />

hardware<br />

<strong>Höfner</strong> 3052N<br />

Deluxe wooden<br />

hardshell case,<br />

cream tweed<br />

covering<br />

Option:<br />

<strong>Höfner</strong> 65/VC-C,<br />

Celluloid pickguard,<br />

black<br />

Gold-plated<br />

hardware<br />

<strong>Höfner</strong> 3052N<br />

Deluxe wooden<br />

hardshell case,<br />

cream tweed<br />

covering<br />

Rosewood, bound,<br />

22 frets<br />

Abalone dots<br />

Option:<br />

<strong>Höfner</strong> 65/VS-C<br />

Celluloid pickguard,<br />

black<br />

Nickel-plated<br />

hardware<br />

Selected European<br />

flamed maple<br />

Rosewood, 22 frets<br />

<strong>Höfner</strong> 61/74B<br />

(2 on a strip)<br />

<strong>Höfner</strong> 3059<br />

Vintage 60's style<br />

Mother-of-pearl dots<br />

<strong>Höfner</strong> 61/73B<br />

(4 individual)<br />

<strong>Höfner</strong> 72/20B<br />

Ebony bridge with movable metal saddles<br />

for perfect intonation and string spacing<br />

<strong>Höfner</strong> 62/30<br />

Trapeze tailpiece, brass<br />

<strong>Höfner</strong> 65/36-P<br />

Floating celluloid pickguard, pearl<br />

2 <strong>Höfner</strong> 511B 'Staple' humbucking pickups<br />

<strong>Höfner</strong> A2-B control panel<br />

with 2 volume controls,<br />

2 on/off switches,<br />

rhythm/solo switch for volume boost<br />

Nickel-plated hardware<br />

Antique-brown sunburst<br />

Rosewood, 22 frets,<br />

Option: Ebony, fretless<br />

<strong>Höfner</strong> 259B<br />

Aluminum bullet case<br />

1-piece maple<br />

<strong>Höfner</strong> 61/73B<br />

(4 individual)<br />

<strong>Höfner</strong> 65/36-B<br />

Floating celluloid<br />

pickguard, black<br />

<strong>Höfner</strong> 61/73B<br />

(4 individual)<br />

<strong>Höfner</strong> 72/20B<br />

Ebony bridge with<br />

movable saddles<br />

<strong>Höfner</strong> 62/30<br />

Trapeze tailpiece,<br />

brass<br />

<strong>Höfner</strong> 65/CB-P<br />

Floating celluloid<br />

pickguard, pearl<br />

2 <strong>Höfner</strong> 511B<br />

'Staple'<br />

humbuckers<br />

<strong>Höfner</strong> A2-B<br />

control panel<br />

Nickelplated<br />

hardware<br />

Natural Antiquebrown<br />

sunburst<br />

Maple-beech-maple<br />

~ 1 5 /8" (42 mm) ~ 1 5 /8" (42 mm)<br />

Gold-plated<br />

hardware<br />

Goldplated<br />

hardware<br />

Black<br />

<strong>Höfner</strong> 259/2B<br />

Aluminum<br />

bullet case<br />

All specifications are subject to change without notice<br />

15

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