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OF MICE AND MEN CURLEY • Curley is the most hated figure on ...

OF MICE AND MEN CURLEY • Curley is the most hated figure on ...

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<str<strong>on</strong>g>Curley</str<strong>on</strong>g> lashed h<str<strong>on</strong>g>is</str<strong>on</strong>g> body round. By Chr<str<strong>on</strong>g>is</str<strong>on</strong>g>t he’s gotta talk when he’s spoke to.’<br />

Th<str<strong>on</strong>g>is</str<strong>on</strong>g> passage dem<strong>on</strong>strates clearly h<str<strong>on</strong>g>is</str<strong>on</strong>g> singling out of any<strong>on</strong>e bigger<br />

than him, as if he’s weighing <str<strong>on</strong>g>the</str<strong>on</strong>g>m up, seeing if <str<strong>on</strong>g>the</str<strong>on</strong>g>y are a potential<br />

threat. The use of <str<strong>on</strong>g>the</str<strong>on</strong>g> verb ‘lashed’ <str<strong>on</strong>g>is</str<strong>on</strong>g> particularly appropriate or <str<strong>on</strong>g>the</str<strong>on</strong>g><br />

way he moves – it <str<strong>on</strong>g>is</str<strong>on</strong>g> usually used to describe <str<strong>on</strong>g>the</str<strong>on</strong>g> movement of a whip –<br />

fast and sharp – it <str<strong>on</strong>g>is</str<strong>on</strong>g> <str<strong>on</strong>g>the</str<strong>on</strong>g> same with <str<strong>on</strong>g>Curley</str<strong>on</strong>g> – he will not let anything go,<br />

<str<strong>on</strong>g>is</str<strong>on</strong>g> very c<strong>on</strong>fr<strong>on</strong>tati<strong>on</strong>al and wants to cause as much harm as he<br />

possibly can.<br />

The initial descripti<strong>on</strong> of <str<strong>on</strong>g>Curley</str<strong>on</strong>g> tells <str<strong>on</strong>g>the</str<strong>on</strong>g> reader a lot about him:<br />

‘At that moment a young man came into <str<strong>on</strong>g>the</str<strong>on</strong>g> bunkhouse; a thin young man<br />

with a brown face, with brown eyes and a head of tightly curled hair. He<br />

wore a glove <strong>on</strong> h<str<strong>on</strong>g>is</str<strong>on</strong>g> left hand, and like <str<strong>on</strong>g>the</str<strong>on</strong>g> boss, he wore high-heeled boots.’<br />

It <str<strong>on</strong>g>is</str<strong>on</strong>g> not so much h<str<strong>on</strong>g>is</str<strong>on</strong>g> appearance, but what he <str<strong>on</strong>g>is</str<strong>on</strong>g> described as wearing<br />

that singles him out here. The high heeled boots are worn by h<str<strong>on</strong>g>is</str<strong>on</strong>g><br />

fa<str<strong>on</strong>g>the</str<strong>on</strong>g>r as well but unlike <str<strong>on</strong>g>Curley</str<strong>on</strong>g>, h<str<strong>on</strong>g>is</str<strong>on</strong>g> fa<str<strong>on</strong>g>the</str<strong>on</strong>g>r doesn’t seem like he has<br />

<str<strong>on</strong>g>the</str<strong>on</strong>g> attitude to go with <str<strong>on</strong>g>the</str<strong>on</strong>g>m. The boots signify <str<strong>on</strong>g>the</str<strong>on</strong>g>ir elevated positi<strong>on</strong><br />

<strong>on</strong> <str<strong>on</strong>g>the</str<strong>on</strong>g> ranch and <str<strong>on</strong>g>the</str<strong>on</strong>g>ir importance over <str<strong>on</strong>g>the</str<strong>on</strong>g> o<str<strong>on</strong>g>the</str<strong>on</strong>g>r men.<br />

The reader later d<str<strong>on</strong>g>is</str<strong>on</strong>g>covers that <str<strong>on</strong>g>Curley</str<strong>on</strong>g> not <strong>on</strong>ly wears <str<strong>on</strong>g>the</str<strong>on</strong>g> high-heeled<br />

cowboy boots but that h<str<strong>on</strong>g>is</str<strong>on</strong>g> have spurs attached to <str<strong>on</strong>g>the</str<strong>on</strong>g> back. These<br />

would be used to dig into <str<strong>on</strong>g>the</str<strong>on</strong>g> side of h<str<strong>on</strong>g>is</str<strong>on</strong>g> horse to make it go faster –<br />

ano<str<strong>on</strong>g>the</str<strong>on</strong>g>r cruel and aggressive indicati<strong>on</strong> of <str<strong>on</strong>g>Curley</str<strong>on</strong>g>’s character.<br />

Most of <str<strong>on</strong>g>Curley</str<strong>on</strong>g>’s appearances in <str<strong>on</strong>g>the</str<strong>on</strong>g> novel are precluded by <str<strong>on</strong>g>the</str<strong>on</strong>g> fact<br />

that he <str<strong>on</strong>g>is</str<strong>on</strong>g> looking for h<str<strong>on</strong>g>is</str<strong>on</strong>g> wife. Th<str<strong>on</strong>g>is</str<strong>on</strong>g> indicates two things. Firstly he has<br />

no c<strong>on</strong>trol over her and never knows where she <str<strong>on</strong>g>is</str<strong>on</strong>g>. Sec<strong>on</strong>dly that he<br />

doesn’t trust her and knows that <str<strong>on</strong>g>the</str<strong>on</strong>g> o<str<strong>on</strong>g>the</str<strong>on</strong>g>r men, particularly Slim are<br />

far better company than he <str<strong>on</strong>g>is</str<strong>on</strong>g>.<br />

On h<str<strong>on</strong>g>is</str<strong>on</strong>g> first such encounter with George he also reveals a fur<str<strong>on</strong>g>the</str<strong>on</strong>g>r<br />

d<str<strong>on</strong>g>is</str<strong>on</strong>g>turbing habit – that of sizing up all <str<strong>on</strong>g>the</str<strong>on</strong>g> men he meets, as if for a<br />

fight:<br />

‘You seen a girl around here? He demanded angrily.<br />

Well what <str<strong>on</strong>g>the</str<strong>on</strong>g> hell was she doin’?<br />

George stood still, watching <str<strong>on</strong>g>the</str<strong>on</strong>g> angry little man.<br />

2 www.purplehobbit.co.uk

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