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T H E MA K I N G OF<br />
S H E L T E R<br />
Beginning in early 2010, <strong>Shelter</strong> took just over two years from conception to screen.<br />
Wrion Bowling and Adam Caudill formed Afflicted Pictures with the goal of producing<br />
their first independent feature film. Having developed a history of ambitious projects<br />
and successful collaborations throughout their education at Ohio University, they<br />
started writing their first script together in February of 2010, focusing on a premise that<br />
would allow them to produce the film despite financial and logistical limitations: a<br />
dialogue-heavy story about five characters in a single interior location.<br />
Building their own set in Akron, Ohio, Wrion and Adam recruited a cast and crew as<br />
ambitious and passionate about the project as they were. They shot over three weeks<br />
in the fall of 2010. The crew composed of colleagues, friends and family worked long<br />
hours, diligently taking advantage of having their own studio for the first time.<br />
Production designer Amy Spencer brought their 900-square-foot set to life, producing<br />
dozens of props, costumes, and set dressings on a shoestring budget.<br />
Cinematographers Chad Kean and Jinwei Zeng crafted the look of the film, developing<br />
a shooting style that accommodated more than 750 setups in the 18-day shooting<br />
schedule.<br />
<strong>Shelter</strong> is a film that would not have been possible to make without recent<br />
technological innovations. Adam lives in Columbus, Ohio, while Wrion lives in New<br />
York City, so they collaborated on the script via video chat and file-sharing services.<br />
The cameras required to produce a quality high-definition image would have been<br />
prohibitively expensive as recently as five years ago. Almost all of the post production<br />
was completed on the directors’ personal computers, 500 miles apart. Now that the<br />
barrier for entry has been so dramatically lowered, the filmmakers are excited to see<br />
what kind of projects will continue to emerge.