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Shelter - Press Pack - shelter-movie

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T H E MA K I N G OF<br />

S H E L T E R<br />

Beginning in early 2010, <strong>Shelter</strong> took just over two years from conception to screen.<br />

Wrion Bowling and Adam Caudill formed Afflicted Pictures with the goal of producing<br />

their first independent feature film. Having developed a history of ambitious projects<br />

and successful collaborations throughout their education at Ohio University, they<br />

started writing their first script together in February of 2010, focusing on a premise that<br />

would allow them to produce the film despite financial and logistical limitations: a<br />

dialogue-heavy story about five characters in a single interior location.<br />

Building their own set in Akron, Ohio, Wrion and Adam recruited a cast and crew as<br />

ambitious and passionate about the project as they were. They shot over three weeks<br />

in the fall of 2010. The crew composed of colleagues, friends and family worked long<br />

hours, diligently taking advantage of having their own studio for the first time.<br />

Production designer Amy Spencer brought their 900-square-foot set to life, producing<br />

dozens of props, costumes, and set dressings on a shoestring budget.<br />

Cinematographers Chad Kean and Jinwei Zeng crafted the look of the film, developing<br />

a shooting style that accommodated more than 750 setups in the 18-day shooting<br />

schedule.<br />

<strong>Shelter</strong> is a film that would not have been possible to make without recent<br />

technological innovations. Adam lives in Columbus, Ohio, while Wrion lives in New<br />

York City, so they collaborated on the script via video chat and file-sharing services.<br />

The cameras required to produce a quality high-definition image would have been<br />

prohibitively expensive as recently as five years ago. Almost all of the post production<br />

was completed on the directors’ personal computers, 500 miles apart. Now that the<br />

barrier for entry has been so dramatically lowered, the filmmakers are excited to see<br />

what kind of projects will continue to emerge.

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