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LANG & LIT - Foshay Learning Center

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<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 01<br />

CHAPTER 1.1 THE PERIOD<br />

1. B Dickens begins A Tale of Two Cities with a famous example<br />

of an anaphora, "It was the best of times, it was the worst<br />

of times, it was the age of wisdom, it was the age of<br />

foolishness..." An anaphora is a rhetorical device in which<br />

words are repeated at the beginnings of neighboring<br />

clauses in order to provide emphasis. [T2C: 3, 1]<br />

2. D Dickens describes the period in which A Tale of Two Cities<br />

takes place as "the age of wisdom," "the epoch of<br />

incredulity," "the season of Light," and "the winter of<br />

despair." He does not say that the period is "superlative,"<br />

rather that it can be received "in the superlative degree of<br />

comparison only." [T2C: 3, 1]<br />

3. B Dickens compares the time period of A Tale of Two Cities to<br />

"the present period." When the book was first published<br />

(1859), the present was the 1850s. [T2C: 3, 1]<br />

4. C During the time in which A Tale of Two Cities takes place,<br />

George III and Charlotte Sophia ruled England. Dickens<br />

describes them as a "king with a large jaw and a queen with<br />

a plain face." Louis VXI and Marie Antoinette, who Dickens<br />

describes as a "king with a large jaw and a queen with a fair<br />

face," were on the throne of France. [T2C: 3, 2]<br />

5. B A Tale of Two Cities begins in "the year of Our Lord one<br />

thousand seven hundred and seventy‐five." Book Two<br />

begins five years later in 1780. [T2C: 3, 3]<br />

6. E Mrs. Joanna Southcott was a famous religious visionary in<br />

England, known for her prophetic writings. 1 Around the<br />

time of her birth, or "sublime appearance," a prophetic<br />

private in the Life Guards predicted that London and<br />

Westminster would be destroyed. The prophecy itself<br />

caused panic in London, a particularly spiritual place during<br />

the time period. [T2C: 3, 3]<br />

7. B The Cock‐lane ghost was a poltergeist phenomenon,<br />

believed to be the spirit of a woman who was murdered<br />

and buried near a house on Cock Lane in which scratching<br />

and knocking noises were heard. 2 The "ghost" was exposed<br />

as a fraud and laid to rest in 1762, just over 12 years before<br />

the novel begins in 1775. [T2C: 3,3]<br />

8. B Dickens wrote a number of satirical articles about spirit‐<br />

rappers and mediums. He refers to them as "supernaturally<br />

deficient in originality" in A Tale of Two Cities. His allusion<br />

to the "spirits of this very year last past" is a jab at spirit<br />

mediums who faked communication with the dead. [T2C: 3, 3]<br />

9. A Dickens compares the messages of the Cock‐lane ghost to<br />

the more useful messages, containing petitions of<br />

grievances, sent from the American Continental Congress to<br />

the British Parliament. [T2C: 3, 3]<br />

1 Prophets come in all shapes and sizes. The oracle at Delphi is classic,<br />

but one of my personal favorites is Phil the mechanic from the television<br />

show Everwood.‐Melanie<br />

2 I can't help but picture Sam and Dean Winchester of Supernatural<br />

fighting off ghosts in 18th century England.‐Melanie<br />

10. E England was represented by the shield and trident. 3 These<br />

symbols were often seen on British coins, in contrast with<br />

the more commonly used paper money of France. [T2C: 4, 1]<br />

11. E Dickens refers to a French youth being sentenced to have<br />

his hands chopped off, tongue torn out, and body burned<br />

alive after he disrespected a procession of monks by not<br />

kneeling down in the rain as they walked within his view.<br />

This is an allusion to the case of Chevalier de la Barre, who<br />

was in actuality sentenced and executed in 1766 for this<br />

offence, as well as other incidents of religious irreverence.<br />

[T2C: 4, 1]<br />

12. D Dickens describes the woodman, responsible for chopping<br />

down the trees that will be turned into guillotines, as the<br />

embodiment of Fate. This is possibly a reference to a<br />

passage in Carlyle's The French Revolution about the growth<br />

and destruction of significant things, as represented by an<br />

oak tree. [T2C: 4, 1]<br />

13. D Dickens describes the guillotine, an execution device used<br />

to chop off peoples' heads at the neck, as a "certain<br />

movable framework with a sack and knife in it." The device,<br />

which was named after its original inventor, was intended<br />

to be a humane means of killing instantly and painlessly. Its<br />

use was not officially discontinued in France until 1981,<br />

though the last execution by guillotine took place in 1977.<br />

4 [T2C: 4,1]<br />

14. B Dickens characterizes Death as the Farmer, working silently<br />

and incessantly alongside the Woodman. [T2C: 4, 1]<br />

15. C Tumbrils were originally farm carts that were given a new<br />

purpose during the French Revolution. Though originally<br />

"snuffed about by pigs, and roosted in by poultry," the carts<br />

were later used to transport people from their trials to the<br />

guillotine. Dickens portrays Death setting aside these "rude<br />

carts, bespattered with rustic mire" for use in the<br />

Revolution. [T2C: ]<br />

16. A Dickens portrays England in 1775 as a place overrun with<br />

crime and disorder. He describes, specifically, highway<br />

robberies, burglaries, prison fights, and public shootings as<br />

common occurrences. Even the Lord Mayor of London and<br />

other nobles were frequent victims of theft. [T2C: 4, 2]<br />

17. B The Lord Mayor of London was forced by a single<br />

highwayman to "stand and deliver" 5 on Turnham Green,<br />

meaning he had to stay still and hand over all of his money<br />

and valuable possessions. Today we would simply say that<br />

he was mugged. [T2C: 4, 2]<br />

18. A Dickens describes an incident in which seven robbers<br />

attacked and stole from a mail coach, one of many crimes<br />

he paraphrased from the Annual Register. The guard was<br />

3<br />

Think of the magical weapon of King Triton in The Little Mermaid.‐<br />

Melanie<br />

4<br />

I have had a few nightmares since seeing images of alpacas being<br />

guillotined. In my opinion, certain French Revolution themed illustrations<br />

are too disturbing to be rendered.‐Melanie<br />

5<br />

"Stand and deliver" does not, in this case, mean that one has to learn<br />

calculus. That task can be left to the students in the movie by that<br />

name.‐Melanie


<strong>LANG</strong> & <strong>LIT</strong> NOVEL FOCUSED QUIZ 01 PAGE 2 OF 47 DEMIDEC RESOURCES ©2009<br />

able to shoot three of the robbers, but was shot by the<br />

other four when his ammunition failed him. [T2C: 4, 2]<br />

19. D A turnkey is in charge of the keys at a jail, written as "gaol"<br />

in British spelling. Dickens writes about prisoners fighting<br />

with their turnkeys, causing the majesty of the law to shoot<br />

into the crowds. [T2C: 4, 2]<br />

20. D A blunderbuss is a type of gun. More specifically, it is a<br />

musket with a large bore and flaring muzzle that is loaded<br />

with shot and only accurate at close range. The gun's name<br />

comes from the Dutch words for "thunder" and "pipe." It is<br />

believed that it was called a blunderbuss because of the<br />

confusion caused by the loud noise when the gun was shot<br />

off. The musket was also called a dragon or dragoon, as it<br />

was often decorated with images of dragons and created a<br />

loud noise comparable to that of a fire‐breathing dragon.<br />

[T2C: 4, 2]<br />

21. E Dickens calls the hangman, who kills murderers and petty<br />

thieves alike, "ever busy and ever worse than useless." [T2C: 4,<br />

2]<br />

22. E Dickens discusses the hangman's responsibility for both<br />

burning pamphlets outside Westminster Hall and burning<br />

criminals at Newgate prison. Pamphlets were burned to<br />

publicly condemn sedition. [T2C: 4, 2]<br />

23. C Dickens writes that the French and English kings "carried<br />

their divine rights with a high hand." The Divine Right of<br />

Kings was a doctrine asserting that the power of kings was<br />

derived from God, and that monarchs are not subject to<br />

any earthly authority. Thus, the kings were not obligated to<br />

heed the wills of their subjects. [T2C: 5, 1]<br />

24. A The first chapter of A Tale of Two Cities, entitled "The<br />

Period," is intended to establish the era and setting of the<br />

novel. Dickens compares and contrasts France and England,<br />

primarily through descriptions of events that took place<br />

around the year 1775. [T2C: 3‐5]<br />

25. D During the time in which the novel takes place, France is<br />

spending money excessively, has a harsh justice system,<br />

and its people are interested in religion primarily out of fear<br />

rather than spirituality. England is overrun with criminals,<br />

doles out the death penalty indiscriminately, has subjects<br />

petitioning grievances from America, and its people are<br />

enthralled with the supernatural and spiritual. [T2C: 3‐5]


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 02<br />

CHAPTER 1.2 THE MAIL<br />

1. B The Dover mail coach lumbers up Shooter's Hill on its way<br />

from London to Dover. 6 The journey is treacherous,<br />

requiring the passengers to walk up the hill beside the<br />

coach. [T2C: 6, 1]<br />

2. E Three passengers traveled on the Dover mail coach. In<br />

actuality, this coach did not exist until many years later. It<br />

was common in Dickens' time, though, for passengers to<br />

book seats on mail coaches. [T2C: 7, 1]<br />

3. E The Dover mail coach makes its journey in November, a<br />

time when the road is already thick with mud and the air is<br />

filled with a cold mist. [T2C: 6, 1]<br />

4. A The Dover mail coach is traveling on a Friday night in<br />

November of 1775. [T2C: 6, 1]<br />

5. E The passengers of the Dover mail coach must walk up<br />

Shooter's Hill because the harness, mail, and mud prove too<br />

heavy for the horses to carry. The horses stop three times<br />

and draw the coach across the road once before the<br />

passengers get out and walk alongside the coach. [T2C: 6, 1]<br />

6. D The horses of the Dover mail coach pull the coach across<br />

the road, mutinously intending to take it back to<br />

Blackheath. Blackheath is the station preceding Shooter's<br />

Hill, about three miles back toward London. [T2C: 6, 1]<br />

7. E The Dover mail coach driver shakes his head like an<br />

emphatic horse as he denies that the coach can make it up<br />

Shooter's Hill. [T2C: 6, 2]<br />

8. B The Dover mail coach makes its journey through a cold,<br />

muddy, misty, dark night. All of these factors help establish<br />

an ominous and foreboding atmosphere. Shadows play a<br />

part in creating such an atmosphere later on, but not during<br />

the mail coach's journey. [T2C: 6‐7]<br />

9. E Dickens compares the mist to an "evil spirit, seeking rest<br />

and finding none" as it roams up the hill and shuts out the<br />

light and visibility. [T2C: 6, 3]<br />

10. A The passengers of the Dover mail coach all wear jack‐boots,<br />

a sturdy knee‐high military boot. [T2C: 7, 1]<br />

11. C The mail coach passengers are wrapped in layers up to their<br />

cheekbones and over their ears. Their appearances are<br />

hidden and nondescript. [T2C: 7, 1]<br />

12. E The mail coach passengers, and other travelers during that<br />

time period, are afraid of revealing much to anyone<br />

because anybody could be a robber or connected with a<br />

group of robbers. [T2C: 7, 1]<br />

13. D The guard of the Dover mail carries approximately eight to<br />

ten weapons: a blunderbuss, six or eight horse‐pistols, and<br />

a cutlass. A cutlass is a short, slashing sword. [T2C: 7, 1]<br />

14. E The Dover mail coach makes it to the summit of Shooter's<br />

Hill shortly after eleven o'clock at night. [T2C: 7, 6]<br />

15. B The Dover mail coachman calls out to Joe, the guard, who<br />

then calls the coachman by his name, Tom, when they hear<br />

a horse galloping toward them. [T2C: 8, 4]<br />

6 The appropriately named Shooter's Hill was known as a place where<br />

dangerous criminals lurked, adding to the difficulty of the journey.‐<br />

Melanie<br />

16. E Jerry Cruncher asks the mail guard for passenger Jarvis<br />

Lorry, who recognizes Jerry's voice from a distance. [T2C: 9, 12]<br />

17. B Jerry Cruncher is a messenger for Tellson's Bank in London,<br />

where Jarvis Lorry is a banker. [T2C: 9, 16]<br />

18. A Jarvis Lorry tells the mail coach guard that he is headed<br />

from London to Paris on business for Tellson's Bank. [T2C: 10,<br />

5]<br />

19. E Jerry Cruncher's message to Jarvis Lorry says, "Wait at<br />

Dover for Mam'selle." [T2C: 10, 7]<br />

20. D Jarvis Lorry tells Jerry Cruncher to bring Tellson's the<br />

message "Recalled to life" as assurance that he received<br />

Jerry's note. Jerry considers this a "blazing strange answer."<br />

[T2C: 10, 7]<br />

21. E Flint and steel were used to start fires before matches were<br />

invented. 7 The mail coach guard keeps flint and steel<br />

available in case the coachlamps are blown out so that he<br />

can relight them. [T2C: 10, 11]<br />

22. A At the end of the second chapter, Jerry speaks to his horse<br />

and himself while walking back down Shooter's Hill. He calls<br />

the horse "old lady.' [T2C: 11, 9]<br />

23. E As Jerry Cruncher heads back down Shooter's Hill, he is wet<br />

and muddy, confused by Lorry's message, and distrustful of<br />

his horse's ability to carry him. However, he does not seem<br />

angry. [T2C: 11, 8‐9]<br />

24. B The passengers on the Dover mail coach keep themselves<br />

and their possessions hidden away as much as possible.<br />

They are secretive, not sharing much information with each<br />

other. Dickens describes them as "hidden under almost as<br />

many wrappers from the eyes of the mind, as from the eyes<br />

of the body." When Jarvis Lorry leaves the coach to speak<br />

to Jerry Cruncher, the other passengers hide their<br />

belongings and pretend to sleep. [T2C: 7, 1; 9, 17; 10, 10]<br />

25. A The Dover mail passengers hide away their possessions<br />

inside their boots while Jarvis Lorry and Jerry Cruncher<br />

speak outside the coach, worried that they might be<br />

robbed. [T2C: 10, 10]<br />

7 I think now they are only used to frustrate players on reality television<br />

shows like Survivor.‐Melanie


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 03<br />

CHAPTER 1.3 THE NIGHT SHADOWS<br />

1. E Dickens writes that it is "a wonderful fact to reflect upon,<br />

that every human creature is constituted to be that<br />

profound secret and mystery to every other." Throughout<br />

the novel, he continues to demonstrate that every<br />

individual and every household has secrets, some of which<br />

are taken to the grave. [T2C: 11, 10]<br />

2. C The novel has a third‐person omniscient narrator. This type<br />

is one of the most common and most reliable narrators. A<br />

third‐person omniscient narrator knows all of the facts of<br />

the story and all of the character's thoughts, sometimes<br />

offering opinions about the plot and characters. [T2C: 11‐16]<br />

3. D In the phrases "coach and six" and "coach and sixty," six<br />

and sixty refer to the number of horses drawing the coach.<br />

The passengers of the mail coach are in close quarters, but<br />

as mysterious to each other as they would be in a larger<br />

coach or separated by the breadth of a country. [T2C: 12, 1]<br />

4. A Jerry Cruncher, who Dickens also refers to as "the<br />

messenger," makes frequent stops at ale‐houses on his<br />

return to Tellson's Bank after delivering Jarvis Lorry's<br />

message. [T2C: 12, 2]<br />

5. B Jerry cruncher has a hoarse voice that raises the mail coach<br />

guard's suspicion. His eyes are described as being without<br />

depth, color, or form, and very near together "as if they<br />

were afraid of being found out in something, singly."<br />

Cruncher also has black hair, except for a bald spot on the<br />

crown of his head, and a broad, blunt nose. While riding<br />

back from delivering his message, he wears a three‐<br />

cornered hat and a muffler, or scarf, over his chin and<br />

throat. Cruncher has to move the scarf out of his mouth's<br />

way when he stops to consume liquor. [T2C: 11, 9; 12, 2; 13, 2]<br />

6. A Jerry Cruncher has stiff, black hair, except in the bald area<br />

of his crown. Dicken's compares his jagged hair to a<br />

"strongly spiked wall," saying that it would endanger even<br />

the best leap‐frog players. [T2C: 13, 2]<br />

7. A Dickens jokes that even the best leap‐frog players would<br />

decline playing with Jerry Cruncher because of his<br />

dangerously spiky hair. [T2C: 13, 2]<br />

8. B Jarvis Lorry drifts through dreams as he sleeps on the mail<br />

coach, most commonly dreaming of his work at Tellson's<br />

Bank. He also dreams, though, that he is about to dig<br />

somebody out of a grave. [T2C: 13, 5]<br />

9. E In his dream, Jarvis Lorry illuminates the strong‐rooms of<br />

his bank with a candle. Oil‐lamps were also commonly used<br />

at the time, though matches, gas lighting, and electric<br />

lighting were not yet invented. [T2C: 13, 5]<br />

10. C Jarvis Lorry dreams mostly of his work at the bank while<br />

sleeping in the mail coach. However, he also has "another<br />

current of impression that never ceased to run, all<br />

throughout the night." This impression is that he is on his<br />

way to dig somebody out of a grave. 8 [T2C: 14, 1]<br />

11. E Jarvis Lorry sees a variety of faces of the man he is about to<br />

recall to life, all of them about 45 years old. [T2C: 14, 2]<br />

8 Lorry's digging is often compared to Dickens' digging up peoples'<br />

secrets.‐Melanie<br />

12. E The spectre Jarvis Lorry sees in his dream varies in facial<br />

expression, appearance of sunken cheeks, skin color, and<br />

emaciation of hands and fingers. All the faces he sees,<br />

though, have prematurely white hair. [T2C: 14, 2]<br />

13. B Jarvis Lorry repeatedly asks the spectre in his dreams,<br />

"Buried how long?" [T2C: 14, 3]<br />

14. C Every time Jarvis Lorry asks the spectre how long he has<br />

been buried, the response is almost eighteen years. [T2C: 14, 4]<br />

15. E Lorry imagines a variety of responses to the question, "Will<br />

you come and see her?" The answers are various and<br />

contradictory. One such answer is a broken reply, fearful of<br />

causing pain by going too soon. Another is tearful before<br />

deciding to go see her. Yet another was staring, bewildered,<br />

and confused. None of these imaginary responses are<br />

enthusiastic and certain. [T2C: 14, 12]<br />

16. C Before Jarvis Lorry wakes up from his dream, he digs a<br />

creature out of a grave, emerges covered in dirt, and turns<br />

to dust. [T2C: 15, 1]<br />

17. D Each time Jarvis Lorry asks the ghostly face, "Do you care to<br />

live?" the answer remains, "I can't say." [T2C: 14, 10; 15, 6]<br />

18. C Jarvis Lorry lowers his window so that the feeling of the rain<br />

and mist can bring him back to reality when he awakens<br />

from a dream. However, when the other passengers urge<br />

him to pull the window up, he loses himself to sleep again.<br />

[T2C: 15, 1]<br />

19. C Jarvis Lorry awakens from his dreams to see the sun rising<br />

over a ridge of ploughed land in front of a coppice‐wood 9<br />

with some trees still covered in red and yellow leaves. The<br />

earth, however, is still wet when Lorry awakens. [T2C: 15, 13]<br />

20. A When Jarvis Lorry awakens from his dreams, he sees a<br />

wood and a farm, reminiscent of Fate and Death from the<br />

first chapter. The rising sun likely symbolizes a resurrection<br />

or rebirth from the shadows of night to the illumination of<br />

daytime. [T2C: 15, 13]<br />

9 Coppicing is cutting young tree stems down to almost ground level so<br />

that new shoots will emerge over the years before eventual harvesting.‐<br />

Melanie


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 04<br />

CHAPTER 1.4 THE PREPARATION<br />

1. E The Dover mail successfully arrives "in the course of the<br />

forenoon," meaning the morning. 10 [T2C: 16, 2]<br />

2. C Jarvis Lorry stays at the Royal George Hotel while he is in<br />

Dover. 11 [T2C: 16, 2]<br />

3. D The narrator compares the mail coach to a large dog‐<br />

kennel. By the end of its journey, the coach is mildewy,<br />

damp, dirty, and malodorous. 12 Mr. Lorry, the last of the<br />

passengers, is similarly compared to a dog as he shakes off<br />

the straw and mud from his body. [T2C: 16, 3]<br />

4. D A drawer at a hotel is a bartender, also known as a tapster<br />

at a tavern. [T2C: 16, 2]<br />

5. B Jarvis Lorry asks the hotel drawer if a packet, or boat, will<br />

be going to Calais. A packet went frequently between two<br />

parts to convey mail, goods, and passengers. [T2C: 16, 4]<br />

6. E Mr. Lorry requests a bedroom and a barber. Lorry wears a<br />

wig, but may still want to keep his actual hair cut short, or<br />

have his facial hair shaved. [T2C: 16, 6]<br />

7. D Lorry's hotel room, or set of rooms, is named Concord. This<br />

room is assigned to mail passengers who commonly enter<br />

and exit looking like entirely different people. [T2C: 16, 7]<br />

8. E Jarvis Lorry is sixty years old when the novel begins. [T2C: 17, 1]<br />

9. D A number of the hotel staff position themselves between<br />

Mr. Lorry's room and the coffee‐room in order to see what<br />

he looks like after removing his travel clothes. [T2C: 17, 1]<br />

10. D Mr. Lorry is dressed formally in a well‐kept brown suit with<br />

brown stockings and plainly buckled shoes. Much of his<br />

clothing is out of fashion by the time, but he still appears<br />

well groomed. [T2C: 17, 1]<br />

11. D Jarvis Lorry is said to be vain about his shapely legs, as he<br />

wears tightly fitted brown stockings made of finely textured<br />

material. [T2C: 17, 3]<br />

12. C While waiting in the coffee‐room for his breakfast, Mr.<br />

Lorry sits so still that he resembles a man sitting for a<br />

portrait, and then falls asleep until his breakfast arrives. 13<br />

[T2C: 18, 1]<br />

13. D While many of the Tellson's Bank employees travel<br />

frequently between London and Paris, Jarvis Lorry has not<br />

made the trek for the 15 years prior to his trip with Miss<br />

Manette. [T2C: 18, 8]<br />

14. C Dover is famous for its white cliffs, made out of chalk. [T2C:<br />

19, 1]<br />

10 This is my least favorite time of day. I would sleep through it more<br />

often if my cat and puppy would let me.‐Melanie<br />

11 This hotel was destroyed the year after the novel was published in<br />

order to make room for a railway. These days, they would be making<br />

room for a strip mall.‐Melanie<br />

12 I recently worked at a veterinary hospital where I cleaned quite a few<br />

dog kennels. I can attest to them being quite dirty and malodorous.‐<br />

Melanie<br />

13 I, too, am likely to fall right back to sleep without my morning coffee.<br />

Though, sometimes a nice cup of tea, especially chai, will suffice.‐<br />

Melanie<br />

15. D Dickens compares the beach town of Dover to a marine<br />

ostrich, making reference to the common belief that<br />

ostriches hide their heads in the sand. [T2C: 19, 1]<br />

16. D The air in Dover is piscatory, meaning that it smells fishy.<br />

Dickens says that "one might have supposed sick fish went<br />

up to be dipped in it, as sick people went down to be<br />

dipped in the sea." [T2C: 19. 1]<br />

17. A Dickens alludes to the many smugglers in Dover who bring<br />

goods from France to England. He says that much strolling<br />

takes place at night, tradesman make fortunes without<br />

doing any business, and everybody has an aversion to<br />

lamplighters. [T2C: 19, 1]<br />

18. E Jarvis Lorry has finished dinner and is drinking a bottle of<br />

claret, a type of wine, when he hears the wheels of Miss<br />

Manette's coach rattling along the street by his hotel. [T2C: 19.<br />

3]<br />

19. C Dickens describes Miss Manette as a young woman, not<br />

more than seventeen years old, when she meets with Mr.<br />

Lorry. [T2C: 20, 2]<br />

20. C Jarvis Lorry sees a likeness between Miss Manette and a<br />

child he once took across the English Channel, but the<br />

likeness passed away "like a breath along the surface of the<br />

gaunt pier‐glass behind her." [T2C: 20, 2]<br />

21. A Miss Manette says that the Bank sent for Mr. Lorry because<br />

she was advised to go to France, but has no friends or<br />

family with whom to travel. [T2C: 21, 10]<br />

22. E Mr. Lorry tells Miss Manette to think of him as a speaking<br />

machine, simply fulfilling his business responsibilities,<br />

though he seems to possess strong feelings for a machine.<br />

He says he spends his life as a "pecuniary mangle," a<br />

machine for solving fiscal problems. [T2C: 22, 9; 23, 5]<br />

23. A The French aristocracy had "the privilege of filling up blank<br />

forms," meaning they could have their enemies imprisoned<br />

without a trial. [T2C: 24, 4]<br />

24. A The gentleman of Lorry's story, Doctor Manette, is from the<br />

French city of Beauvais, a town north of Paris. [T2C: 22, 13]<br />

25. C Miss Manette's emotion confuses Mr. Lorry, who is<br />

attempting to tell her father's story as a business matter.<br />

He asks her to perform monetary calculations to<br />

demonstrate that she is clear‐headed. Lorry is comforted by<br />

the familiar business of banking, even if Miss Manette does<br />

not directly answer his questions. [T2C: 25, 2]<br />

26. A Miss Manette was only two years old when her mother<br />

died. Her father disappeared right before the time of her<br />

birth. [T2C: 25, 4]<br />

27. B Miss Manette goes into shock when she is told that her<br />

father is still alive. She speaks only in a dream‐like whisper,<br />

her body and facial expression fixed and unmoving. [T2C: 26‐27]<br />

28. B Miss Manette's caregiver is a "wild‐looking woman," with<br />

red hair, tight‐fitting clothing, a tall bonnet, brawny hands,<br />

and a manly appearance. In her anger with Mr. Lorry for<br />

upsetting Miss Manette, the caregiver sends him flying up<br />

against a wall. (He declares, "I really think this must be a<br />

man!") She then loudly demands that the inn servants fetch


<strong>LANG</strong> & <strong>LIT</strong> NOVEL FOCUSED QUIZ 04 PAGE 6 OF 47 DEMIDEC RESOURCES ©2009<br />

smelling‐salts, cold water, and vinegar to revive Miss<br />

Manette. [T2C: 27, 1‐2]<br />

29. E Miss Manette's caregiver demands smelling salts, cold<br />

water, and vinegar to use as restoratives. Heated bricks,<br />

mustard plasters, and lavender oil were also commonly<br />

used during that time to revive women suffering from<br />

hysteria. 14 [T2C: 27, 3]<br />

30. C When Jarvis Lorry asks Miss Manette's caregiver if she will<br />

accompany Miss Manette to France, she responds, "If it<br />

was ever intended that I should go across salt water, do you<br />

suppose Providence would have cast my lot in an island?"<br />

This suggests that she is fearful of the boat ride necessary<br />

to travel from England to France. [T2C: 28, 3]<br />

14 I have never personally had the opportunity to try these remedies,<br />

though I once soothed a number of wasp stings with rosemary oil.‐<br />

Melanie


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 05<br />

CHAPTER 1.5 THE WINE‐SHOP<br />

1. D When a cask of wine spills in the streets of Saint Antoine,<br />

the people stop what they are doing to sip wine from the<br />

streets. [T2C: 28, 6]<br />

2. E A "tall joker" named Gaspard writes the word "blood" in<br />

wine‐lees on the wall of the wine shop. [T2C: 29, 2]<br />

3. B Dickens writes about Saint Antoine as though it is a person,<br />

referring to its "sacred countenance." [T2C: 30, 2]<br />

4. E Hunger is prevalent everywhere in Saint Antoine. Dickens<br />

uses an anaphora to describe the ubiquity of hunger in<br />

every area of the town, continuing to refer to it and<br />

taxation as primary causes of the revolution throughout the<br />

novel. [T2C: 30, 2]<br />

5. D Dickens says, "Hunger was shred into atomies in every<br />

farthing porringer of husky chips of potato, fried with some<br />

reluctant drops of oil." A farthing is a coin worth a quarter<br />

of a penny, and a porringer is a bowl that is usually used to<br />

hold liquid foods. A "farthing porringer" implies a very<br />

small, simple meal. [T2C:30, 2]<br />

6. D The trade signs of Saint Antoine are described as "grim<br />

illustrations of Want," with lean meat on the butcher's sign<br />

and meager loaves of bread on the baker's sign. [T2C: 30. 3]<br />

7. E Tools and weapons are the only things represented as<br />

flourishing in Saint Antoine. The knives and axes are<br />

described as sharp and bright, the hammers are heavy, and<br />

the guns murderous. Everything else seems to be perishing<br />

and falling apart. [T2C: 30; 3]<br />

8. E The "tall joker" who writes the word "blood" in wine on the<br />

wall of the wine‐shop is named Gaspard. [T2C: 32, 2]<br />

9. D The wine‐shop keeper is described as a "bull‐necked,<br />

martial‐looking" man with dark skin and "crisply, curling<br />

short dark hair." He has "good eyes and a good bold<br />

breadth between them." Further, he is "good‐humored‐<br />

looking" and "implacable‐looking." Implacable means not<br />

easily appeased. However, Dickens says he is "a man not<br />

desirable to be met." His harsh interaction with Gaspard<br />

suggests that he is not especially friendly. [T2C: 32, 7]<br />

10. C The wine‐shop owner, Ernest Defarge, is the leader of a<br />

band of revolutionary peasants called the Jacquerie. The<br />

members referred to each other as Jacques to preserve<br />

their anonymity. [T2C: 33‐34]<br />

11. D Madame Defarge is picking her teeth with a toothpick when<br />

Monsieur Defarge returns to his wine‐shop after the spilling<br />

of the cask. She continues to pick at her teeth while he<br />

speaks to his customers, then picks up her knitting. [T2C: 32, 8]<br />

12. B Doctor Manette is kept in a locked chamber on the fifth<br />

floor of the wine‐shop. [34, 9]<br />

13. C Defarge keeps Manette locked up because he does not<br />

want to frighten Manette, who lived for many years locked<br />

up and might not know what to do if left with the freedom<br />

of an open door. [T2C: 37, 4]<br />

14. D Defarge says he shows Manette to a chosen few men of his<br />

name, meaning members of the Jacquerie, as he believes<br />

the sight will do them good. Lorry is angry at Defarge for<br />

displaying Doctor Manette. [T2C: 38, 7]<br />

15. B Jarvis Lorry often repeats the words "business, business" to<br />

Lucie Manette, perhaps to comfort himself more than her.<br />

[T2C: 37, 8]<br />

16. B The garret where Doctor Manette is held by Monsieur<br />

Defarge was intended to be a depository for firewood. [T2C:<br />

39, 1]<br />

17. C When Lucie Manette, Jarvis Lorry, and Monseiur Defarge<br />

enter the garret where Doctor Manette is living, they see<br />

him stooped over busily making shoes. [T2C: 39, 1]<br />

18. E The people of Saint Antoine drink wine from the streets<br />

(but do not roll in them), some getting tigerish smears<br />

around their mouths. Dickens says they have a hunted air<br />

about them and carry a wild‐beast thought of turning at<br />

bay. He portrays a loss of humanity as people are overcome<br />

with hunter and anger. [T2C: 28‐31]<br />

19. B Dickens foreshadows the French Revolution, still 14 years<br />

away, with the staining of the streets in wine, much like the<br />

blood that is to come. The mob mentality the people show<br />

in drinking wine off the streets is similar to their later frenzy<br />

over sharpening their weapons. Dickens also writes about<br />

the scarecrows someday conceiving of ways to haul up men<br />

by ropes and pulleys. The incredible hunger felt by the<br />

people of France will later motivate their revolutionary<br />

anger. Further, Madame Defarge's knitting symbolizes her<br />

vengefulness, which she will later use to knit registries of<br />

those sentenced to death. [T2C: 28‐39]<br />

20. C Lucie Manette says that she is afraid of her father. Her<br />

fragile mentality and Monsieur Defarge's hurriedness force<br />

Jarvis Lorry to physically carry her toward the room where<br />

her father is kept. [T2C: 38, 11]<br />

21. C<br />

22. B<br />

23. B<br />

24. C<br />

25. C


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 06<br />

CHAPTER 1.6 THE SHOEMAKER<br />

1. E Doctor Manette's voice is faint from disuse. Dickens<br />

compares it to a "once beautiful colour faded away into a<br />

poor weak stain." [T2C: 40, 1]<br />

2. D Doctor Manette's eyes are repeatedly described as<br />

haggard. They are tired, dull, and mechanical. [T2C: 40, 2]<br />

3. A Doctor Manette tells Mr. Lorry that he is making a lady's<br />

walking‐shoe of the present mode based on a pattern. [T2C:<br />

42, 5]<br />

4. E Doctor Manette identifies himself as One Hundred and Five,<br />

North Tower, demonstrating the impact of his lengthy<br />

imprisonment. [T2C: 42, 10]<br />

5. A Doctor Manette requested a leave during his time in prison<br />

to teach himself how to make shoes. [T2C: 42, 16]<br />

6. B When Doctor Manette first sees Lucie, he asks if she is the<br />

jailer's daughter. She replies no and then he inquires about<br />

who she is before eventually recognizing her. [T2C: 44, 9]<br />

7. A Doctor Manette keeps a lock of his wife's golden hair in a<br />

rag around his neck to help him escape "in the spirit" while<br />

imprisoned. [T2C: 45, 1‐4]<br />

8. E Doctor Manette's prematurely white hair is contrasted with<br />

his daughter's radiant, golden hair. [T2C: 46, 3]<br />

9. B Lucie's hair is compared to "the light of Freedom" shining<br />

on her father in the darkness of Defarge's garret. Her<br />

golden hair, similar to her mother's, helps Doctor Manette<br />

recognize her. [T2C: 46, 3]<br />

10. C Lucie Manette repeatedly implores her father to "weep for<br />

it" if he remembers anything of his former life and home.<br />

[T2C: 46, 4‐6]<br />

11. D Mr. Lorry asks Lucie if her father is fit for the journey out of<br />

Paris, but Lucie and Monsieur Defarge declare that traveling<br />

is better than remaining in the city. [T2C: 47, 4]<br />

12. E Lorry and Defarge gather bread, meat, wine, and coffee for<br />

Doctor Manette's journey out of France. Defarge then puts<br />

provender, or food, on the shoemaker's bench before<br />

waking Doctor Manette for the trip. [T2C: 48, 2]<br />

13. D Doctor Manette alters his walking as he reaches the<br />

courtyard outside Defarge's shop, expecting to encounter a<br />

drawbridge as he would at the Bastille. [T2C: 49, 3]<br />

14. B Madame Defarge stands against the doorpost knitting while<br />

Doctor Manette is taken from the garret to his coach. There<br />

are no other people in the street or discernible from the<br />

windows. [T2C: 49, 4]<br />

15. A Doctor Manette asks for his shoemaking tools and<br />

unfinished shoes before leaving France. Madame Defarge<br />

brings them to him. [T2C: 49, 5]<br />

16. E Monsieur Defare gives the word to go to the barrier before<br />

leaving the courtyard outside his wine shop. [T2C: 49, 6]<br />

17. C A postilion is a coach‐driver who sits mounted on one of<br />

the horses, unlike the coachman who sits on the vehicle<br />

with the passengers. The postilion cracks his whip and gets<br />

the horses moving when Defarge gives the word to leave.<br />

[T2C: 49, 6]<br />

18. E The first book of the novel ends with Mr. Lorry wondering if<br />

Doctor Manette will "care to be recalled to life" and the old<br />

answer from the shadows of, "I can't say." [T2C: 50, 4]<br />

19. A The tone of the reunion between the Manettes is<br />

sentimental and saccharine, perhaps so much so that<br />

modern readers might find it difficult to take seriously.<br />

However, Dickens' readers would likely have wept at the<br />

melodramatic scene. [T2C: 44‐47]<br />

20. A Mr. Lorry, a typically business‐oriented individual, makes<br />

plans for Doctor Manette's journey out of Paris. He says, "If<br />

business is to be done, I had better do it." [T2C: 47, 7]<br />

21. A<br />

22. C<br />

23. D<br />

24. B<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 07<br />

CHAPTER 2.1 FIVE YEARS LATER<br />

1. B The second book of A Tale of Two Cities begins in 1780, five<br />

years after Doctor Manette is brought from France to<br />

England. [T2C: 53, 1]<br />

2. D Tellson's Bank, located next to Temple Bar, is described as<br />

old‐fashioned. It is small, dark, ugly, and objectionable.<br />

These features are thought to be the key to its<br />

respectability. [T2C: 54, 1]<br />

3. B Tellson's Bank and the country of England are on par in that<br />

both would disinherit their sons for suggesting<br />

improvements to respectable, though objectionable,<br />

businesses and laws. [T2C: 53, 2]<br />

4. C The door of Tellson's Bank has a "weak rattle in its throat."<br />

When you pass through the door of "idiotic obstinacy" you<br />

stumble down two steps into the shop. [T2C: 53, 3]<br />

5. B Tellson's keeps "lighter boxes of family papers" in a<br />

Barmecide room. A Barmecide room is one in which things<br />

are an illusion, alluding to a prince in Arabian Nights who<br />

presents a beggar with an empty plate while offering him a<br />

feast. [T2C: 53, 3]<br />

6. C Dickens says, "Death is Nature's remedy for all things, and<br />

why not Legislation's?" Execution is a common punishment<br />

in England during A Tale of Two Cities. [T2C: 54, 1]<br />

7. B Dickens says that at the time "putting to death was a recipe<br />

much in vogue with all trades and professions." Tellson's is<br />

no exception, responsible for identifying counterfeiters,<br />

debtors, forgers, and purloiners to be put to death. Grave<br />

robbers would likely be put to death as well, but Tellson's<br />

reports crimes related to banking. [T2C: 54, 1]<br />

8. E The displayed heads of the executed at Temple Bar are<br />

compared to the brutality of Abyssinia or Ashantee, two<br />

African countries known for their barbarity. [T2C: 53, 3]<br />

9. C Dickens says that the death penalty does not do any good<br />

in preventing crime, but does eliminate the trouble of<br />

dealing with each case, leaving nothing to look after. [T2C: 54,<br />

1]<br />

10. A Young men go into Tellson's and are hidden in a dark place,<br />

like cheese, until they grow old and develop the full flavor<br />

of the place. [T2C: 55, 1]<br />

11. B Jerry Cruncher, Tellson's odd‐job‐man, serves as the "live<br />

sign of the house." [T2C: 55, 2]<br />

12. C Jerry Cruncher is always outside Tellson's, unless on an<br />

errand. When he is gone, he is represented by his son of<br />

the same name who is described as a "grisly urchin." [T2C: 55, 2]<br />

13. D Young Jerry Cruncher, an "express image" of his father, is<br />

twelve years old. [T2C: 55, 2]<br />

14. E Young Jerry Cruncher received his name during his baptism<br />

at the easterly parish church of Houndsditch. [T2C: 55, 2]<br />

15. D Jerry Cruncher's home is located in Hanging‐sword‐alley,<br />

Whitefriars. [T2C: 55, 3]<br />

16. D The second book begins on a "windy March morning" in<br />

1780. [T2C: 55, 3]<br />

17. E Jerry Cruncher mistakes Anno Domini for Anna Dominoes.<br />

Dickens jokes that Cruncher must think the Christian era<br />

dated from the invention of the game by a lady who gave it<br />

her name. [T2C: 55, 3]<br />

18. E Jerry Cruncher is angry with his wife for saying her prayers,<br />

convinced that she is praying against his prosperity. [T2C: 56, 8]<br />

19. A Jerry Cruncher throws a muddy boot at his wife when he<br />

believes she is praying against him. His boots, interestingly,<br />

are clean when he gets home from work at the bank, but<br />

dirty the next morning. [T2C: 56, 5]<br />

20. C Mr. Cruncher calls his wife "Aggerawayter," likely his way of<br />

saying aggravator. [T2C: 56, 6]<br />

21. E Jerry Cruncher bring a wooden stool, made from a cut<br />

down broken‐backed chair, to sit on outside the banking<br />

house. [T2C: 58, 6]<br />

22. A Jerry Cruncher is encamped at Tellson's by a quarter before<br />

nine. [T2C: 58, 7]<br />

23. B The two Jerry Crunchers look like a pair of monkeys are<br />

they look out at the morning traffic in Fleet‐street. [T2C: 58, 7]<br />

24. A Jerry Cruncher's fingers are always suspiciously rusty. His<br />

son wonders where he gets the iron rust from, as it does<br />

not come from working at the bank. [T2C: 59, 5]<br />

25. A Jerry Cruncher is suspicious in his paranoia regarding his<br />

wife's prayers, mysteriously muddy boots, and rusty fingers.<br />

[T2C: 56‐59]


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 08<br />

CHAPTER 2.2 A SIGHT<br />

1. E The Old Bailey is a criminal court on Old Bailey Street in<br />

London. [T2C: 59, 6]<br />

2. D Jerry Cruncher is sent to the Old Bailey to act as a<br />

messenger for Jarvis Lorry. [T2C: 60, 5]<br />

3. D The punishment for treason is quartering, which involves<br />

partial hanging, eviscerating while alive, beheading, and<br />

then cutting the body into pieces. [T2C: 60, 11]<br />

4. E The "Judge in the black cap" alludes to the cap worn when<br />

giving the death sentence. Dickens says that the judge<br />

giving the sentence was often killed before the prisoner. [T2C:<br />

61, 1]<br />

5. D The Old Bailey illustrates the aphorism that "Whatever is, is<br />

right," which Dickens describes as being "as final as it is<br />

lazy." [T2C: 61, 1]<br />

6. D People paid to see the entertainment at the Old Bailey as<br />

they did at Bedlam, a famous London mental hospital,<br />

though Dickens says that the former was more<br />

entertaining. [T2C: 61, 2]<br />

7. A The prisoner is a 25‐year‐old man described as "well‐grown<br />

and well‐looking." [T2C: 63, 2]<br />

8. B The prisoner's hair is long, dark, and gathered in a ribbon at<br />

the back of his neck. [T2C: 63, 2]<br />

9. A The prisoner, Charles Darnay, is accused of divulging<br />

information to the French King. [T2C: 64, 1]<br />

10. A Charles Darnay allegedly gave the King of France<br />

information about England's plans to send armed forces to<br />

fight in the American colonies. [T2C: 64, 1]<br />

11. B Charles Darnay is quiet, attentive, and composed during his<br />

trial. [T2C: 64, 2]<br />

12. B Herbs and vinegar are sprinkled in the courtroom in order<br />

to prevent jail air and jail fever. Typhus was endemic in<br />

confined places. [T2C: 64, 2]<br />

13. E A mirror hangs over Charles Darnay's head in the<br />

courtroom, reflections of the prisoner passing much like the<br />

many prisoners who passed from the earth before him. [T2C:<br />

64, 3]<br />

14. A Doctor Manette, a witness at Darnay's trial has an intense<br />

face described as "pondering and self‐communing." [T2C: 65, 2]<br />

15. D Lucie Manette's noticeable pity for Charles Darnay causes<br />

the spectators to stare and wonder who she is. [T2C: 65, 3]<br />

16. B Doctor and Lucie Manette are witnesses against Charles<br />

Darnay. [T2C: 65, 5]<br />

17. C Jerry Cruncher sucks rust off his fingers while absorbed in<br />

the trial. [T2C: 65, 4]<br />

18. A Dickens juxtaposes the formality of the trial with informal,<br />

parenthetical thoughts of the uneducated spectators. [T2C:<br />

64]<br />

19. E Darnay's paleness that comes through despite the darkness<br />

of his skin shows his soul to be "stronger than the sun." [T2C;<br />

63, 2]<br />

20. D The spectators have an interest in Darnay's trial that<br />

Dickens says, "was not a sort that elevated humanity." Their<br />

eager faces and enthusiastic speech show a level of interest<br />

that he calls "Ogreish." [T2C: 63, 3]<br />

21. A<br />

22. E<br />

23. E<br />

24. A<br />

25. B


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 09<br />

CHAPTER 2.3 A DISAPPOINTMENT<br />

1. D John Barsad is described by the Attorney‐General as a<br />

patriot who rooted out his friend's treasonous actions for<br />

the good of his country. [T2C: 66, 1; 68, 2]<br />

2. E The Attorney‐General tells the jury that if they do not find<br />

the prisoner guilty they will never be able to lay their heads<br />

upon their pillows, or tolerate the idea of their wives or<br />

children laying their heads on their pillows. [T2C: 66, 1]<br />

3. B The courtroom is repeatedly filled with a buzzing as<br />

through blue‐flies are already swarming Darnay before he is<br />

even sentenced. [T2C: 68, 1]<br />

4. D John Barsad has a history of multiple imprisonments,<br />

gambling, cheating, and debt. He is asked whether he has<br />

worked as a spy, but denies it, and no evidence is provided<br />

to the contrary. [T2C: 68, 3]<br />

5. E Roger Cly, who is shown to be a rather untrustworthy<br />

witness, says that he observed Charles Darnay showing lists<br />

to several French gentlemen. [T2C: 69, 1]<br />

6. B Dickens portrays the British legal satirically, mocking the<br />

Attorney‐General's self‐important speech, courtroom<br />

legalese, and hyperbolized virtuousness of the witnesses.<br />

[T2C: 66‐79]<br />

7. A Jarvis Lorry cannot swear that he saw Charles Darnay on<br />

the Dover mail coach because the passengers were all<br />

bundled up, but is certain that Darnay was on the packet‐<br />

ship at Calais. [T2C: 70, 19]<br />

8. C Lucie Manette speaks well of Darnay, who helped her shield<br />

her father from the wind and weather on the ship from<br />

France to England. She saw the prisoner showing papers to<br />

two French gentlemen, but does not know anything about<br />

them or the specifics of Darnay's business. [T2C: 72, 3]<br />

9. D Lucie Manette turns the court against Darnay most when<br />

she describes his conversation about George Washington<br />

gaining as much fame as George the Third. The Judge<br />

considers this "tremendous heresy." [T2C: 73, 5]<br />

10. A Doctor Manette cannot identify Charles Darnay from his<br />

travels between France and England because he does not<br />

remember anything about the period. His memory of the<br />

time between working in the Bastille and living with his<br />

daughter in London is blank. [T2C: 74, 12]<br />

11. D Sydney Carton spends most of the trial staring at the<br />

ceiling, looking disinterested. Despite his apparent<br />

disinterest, he notices details crucial to acquitting Darnay.<br />

[T2C: 74, 14]<br />

12. B Carton realizes that he resembles Charles Darnay, causing<br />

Stryver to question whether the prosecution's witness<br />

might be mistaken about the identity of the man he saw.<br />

He could have seen somebody who looked similar to<br />

Darnay and rashly decided that it was the prisoner. [T2C: 74‐75]<br />

13. D Stryver tries to convince the jury that Barsad and Cly, not<br />

Darnay, are the spies. He argues that Darnay is an innocent<br />

victim, caught up in the trial because family affairs force<br />

him to travel between England and France. [T2C: 75, 7]<br />

14. C Dickens compares Stryver and the Attorney‐General's<br />

presentations of information to the jury with fitting a suit of<br />

clothes, then turning it inside out and outside in. [T2C: 75‐76]<br />

15. A Jerry Cruncher remarks on Sydney Carton's debauched<br />

appearance, saying that Sydney Carton does not look like<br />

the type to get much law‐work to do. [T2C: 76, 3]<br />

16. D Sydney Carton, who mostly stares at the ceiling, is the first<br />

to notice his resemblance with Darnay and the first to see<br />

Lucie Manette fainting. [T2C: 77, 1]<br />

17. B Darnay says that he expects the worst from the jury,<br />

meaning he anticipates being sentenced to the death<br />

penalty. [T2C: 78, 15]<br />

18. A The jury spent an hour and a half deliberating before<br />

returning to the courtroom with their verdict. [T2C: 79, 1]<br />

19. C Jerry Cruncher delivers the message "Acquitted" to<br />

Tellson's Bank following Darnay's trial. However, Cruncher<br />

tells Lorry that the message "Recalled to Life" would have<br />

made sense to him this time. [T2C: 79, 6]<br />

20. C The crowd leaving the courthouse after Darnay's trial for<br />

treason is compared with buzzing blue‐flies in search of<br />

other carrion, as Darnay will no longer be killed. [T2C: 79, 8]<br />

21. D<br />

22. E<br />

23. B<br />

24. A<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 10<br />

CHAPTER 2.4 CONGRATULATORY<br />

1. A Doctor Manette, Lucie Manette, Jarvis Lorry, and Mr.<br />

Stryver gather around Charles Darnay to congratulate him<br />

after his trial. Carton approaches Darnay later to invite him<br />

out to a tavern. [T2C: 79, 9]<br />

2. C While in London, Doctor Manette is approximately three<br />

hundred miles away from the Bastille. [T2C: 80, 1]<br />

3. E Lucie Manette is often described as a golden thread,<br />

connecting her father with his past and present. [T2C: 80, 2]<br />

4. A Mr. Stryver is about thirty years old, but looks closer to 50,<br />

during Darnay's first trial. [T2C: 80, 3]<br />

5. A Mr Stryver looks 20 years older than his 30 years, appearing<br />

"stout, loud, red, bluff, and free from any drawback of<br />

delicacy." [T2C: 80, 3]<br />

6. A Stryver is not at all delicate, pushing his way into companies<br />

and conversations. He is stout, loud, bluff, and red. [T2C: 80, 3]<br />

7. B Lorry criticizes Carton for not being a man of business,<br />

saying that business is a respectable thing. [T2C: 82, 7‐13]<br />

8. B When Carton approaches Darnay after the trial, he smells<br />

of port wine and appears drunk. [T2C: 83, 1]<br />

9. E Charles Darnay toasts to Miss Manette after he finishes<br />

eating his post‐trial dinner with Sydney Carton. [T2C: 84, 5]<br />

10. E Darnay tells Carton that he will call the whole reckoning,<br />

meaning he will pay the entirety of the bill in thanks for<br />

Carton's role in the trial. [T2C: 85, 5‐6]<br />

11. A Before Darnay leaves him for the night, Carton orders more<br />

wine and asks the drawer to wake him up at ten o'clock. [T2C:<br />

85, 6]<br />

12. C Carton says that he drinks because he is a "disappointed<br />

drudge." He believes that he does not care for anyone, and<br />

nobody cares for him. [T2C: 85, 11]<br />

13. A Carton dislikes Darnay because he shows what Carton has<br />

fallen away from, and what he might have been. [T2C: 85, 15]<br />

14. E Carton believes that if he could change places with Darnay,<br />

Lucie Manette would look at him with the same affection.<br />

[T2C: 85, 15]<br />

15. A Carton falls asleep at his table in the tavern after drinking<br />

too much wine, with a "long winding‐sheet in the candle<br />

dripping down upon him." The winding‐sheet is usually a<br />

burial shroud, but in this case a solid candle dripping that<br />

foreshadows death. [T2C: 86, 1]<br />

16. E Carton drunkenly falls asleep at the dinner table in the<br />

tavern, his hair hanging over the table and candle drippings<br />

falling on him. [T2C: 86, 1]<br />

17. C Darnay and Carton resemble each other in physical<br />

appearances, though their temperaments, dress, manner,<br />

and status differ drastically. [T2C: 82‐86]<br />

18. E Doctor Manette looks at Darnay after the trial while still<br />

shadowed by his past. He has a look that is described as<br />

"intent" with a frown of "dislike and distrust." [T2C: 81, 8]<br />

19. D Darnay's friends disperse after congratulating him,<br />

assuming that he will not be released that night. [T2C: 81, 13]<br />

20. E Carton, jealous of Lucie's apparent affection for Darnay,<br />

asks him if it is worth being tried for his life to be the object<br />

of her sympathy. He does not answer the question. [T2C: 84, 10]<br />

21. B<br />

22. D<br />

23. A<br />

24. E<br />

25. E


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 11<br />

CHAPTER 2.5 THE JACKAL<br />

1. B The courthouse is also known as the "bed of wigs," as wigs<br />

and hair powder were commonly worn in the legal setting.<br />

[T2C: 86, 3]<br />

2. D Stryver worked his way high up the ranks of his profession,<br />

like a "great sunflower pushing its way at the sun from a<br />

rank gardenfull of flaring comparisons." [T2C: 86, 3]<br />

3. D In the English legal year, there are four terms. The first is<br />

Hilary Term and the last is Michaelmas Term; roughly a full<br />

year passes between them. [T2C: 87, 1]<br />

4. C Sydney Carton is described as the "idlest and most<br />

uncompromising of men." Though he and Stryver went to<br />

the same school and begin as colleagues, Stryver quickly<br />

outranked Carton. [T2C: 87, 1]<br />

5. C A jackal, like Sydney Carton, is someone who performs<br />

menial tasks for another person. Carton works as Stryver's<br />

researcher and assistant. [T2C: 87, 1]<br />

6. A Stryver has a "wild, strained, seared marking about the<br />

eyes." Dickens attributes this to drinking, saying it is<br />

observed in all "free livers of his class" and "through the<br />

portraits of every Drinking Age." [T2C: 87, 9]<br />

7. E Carton folds wet towels on his head while readying himself<br />

for a night's work, reapplying this "damp headgear" when<br />

his work becomes especially challenging. [T2C: 88, 9]<br />

8. B Carton and Stryver finish their work at three in the<br />

morning, then fill another bumper of punch and talk. [T2C: 89,<br />

1]<br />

9. D Carton and Stryver attended school together at Shrewsbury<br />

School, a prestigious English public school that would have<br />

specialized in classical education. [T2C: 89, 8]<br />

10. D Stryver calls Carton "seesaw Sydney," criticizing his mood<br />

fluctuations. Stryver urges Carton to drink more punch to<br />

smooth out his temper. [T2C: 89, 8]<br />

11. C While Carton is compared to a jackal, Stryver is made out to<br />

be a lion. [T2C: 87‐89]<br />

12. E Carton believes that Stryver was born at the front rank, and<br />

stayed there through a combination of luck, shouldering<br />

and pressing others out of the way, and paying Carton for<br />

help. He does not attribute any sort of exceptional<br />

intelligence to Stryver. [T2C: 90]<br />

13. E Stryver refers to Lucie as "picturesque" and "pretty," saying<br />

she was the admiration of the entire court. Carton<br />

dismisses her as a "golden‐haired doll." [T2C: 91, 3]<br />

14. E A perspective‐glass is a device that improves a person's<br />

vision. Carton says that such an aid is unnecessary for a<br />

man to see a girl swooning. [T2C: 91, 10]<br />

15. E When Carton leaves Stryver's chambers to go home, he<br />

emerges into a lifeless, grim, silent city. The landscape is<br />

cold, sad, dull, dark, and dim. [T2C: 91, 11]<br />

16. A When he arrives at home, Carton falls asleep, still in his<br />

clothes, wetting his pillow with tears. [T2C: 91, 12]<br />

17. C Carton is resigned to his low professional status, accepting<br />

his role in helping Stryver to achieve greater rank. [T2C: 92, 1]<br />

18. E Carton and Stryver's relationship is primarily friendly.<br />

Though there are some hard feelings between them, they<br />

work and talk and drink together peacefully, reflecting on<br />

the many years they have known each other. [T2C: 88‐91]<br />

19. C Carton hides his longings for a better life, but sees a mirage<br />

filled with the things he longs for: love, hope, ambition,<br />

perseverance, and self‐denial. As quickly as it appears, it<br />

disappears, leaving Carton to return home and cry himself<br />

to sleep. [T2C: 91, 12]<br />

20. C Stryver's chamber is full of books and papers, with a blazing<br />

fire, a kettle, and all the ingredients for punch. Jeffries'<br />

portrait is alluded to when Dickens discusses the marks<br />

around the eyes of those with "free livers," but it is not<br />

located in Stryver's chambers. [T2C: 88, 3]<br />

21. D<br />

22. D<br />

23. A<br />

24. E<br />

25. D


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 12<br />

CHAPTER 2.6 HUNDREDS OF PEOPLE<br />

1. E Doctor Manette resides on a quiet street‐corner near Soho‐<br />

square. [T2C: 92, 2]<br />

2. B Dickens compares the positive freedom of country breezes<br />

to the languishing of stay paupers. The poor were supposed<br />

to be given assistance by their parishes, but during Dickens'<br />

time, they were often abused. [T2C: 92, 4]<br />

3. B Though Lucie Manette does not know anything about her<br />

birth country, she derived from it the ability to make much<br />

of little means. Her home is decorated with many simple,<br />

but well‐adorned, things. [T2C: 94, 8]<br />

4. A The "best" room in the Manette house is Lucie's room, full<br />

of her birds, flowers, books, desk, work‐table, and water‐<br />

colors. [T2C: 94, 9]<br />

5. B Doctor Manette's consulting‐room is also used as the dining<br />

room. His shoemaker's bench and tools are in his bedroom.<br />

[T2C: 94, 9]<br />

6. E Jarvis Lorry first met Miss Pross at the Royal George Hotel,<br />

where he told Lucie the story of her father's imprisonment.<br />

[T2C: 95, 3]<br />

7. A Miss Pross calls Lucie Manette her "Ladybird." [T2C: 95, 10]<br />

8. E Miss Pross's character, apart from her stature, is shortness.<br />

She is quick to anger. [T2C: 95, 12]<br />

9. B Miss Pross says she is put out by Lucie because too many<br />

unworthy people are trying to court Lucie, initially saying<br />

that there are dozens, then hundreds, of suitors. [T2C: 95, 16]<br />

10. A Miss Pross says that she and Lucie have lived together since<br />

Lucie was ten years old. [T2C: 95, 21]<br />

11. D Jarvis Lorry believes there is nothing better in the world<br />

than the kind of faithful service of the heart Miss Pross<br />

provides for Lucie Manette. [T2C: 96, 7]<br />

12. C Miss Pross believes her brother Solomon the man most<br />

worthy of Lucie, if only he had not made the mistake of<br />

stealing all of Miss Pross's possessions and leaving her in<br />

poverty. [T2C: 96, 8]<br />

13. A When Jarvis Lorry begins to ask Miss Pross if she imagines<br />

something, she responds, "Never imagine anything. Have<br />

no imagination at all." [T2C: 97, 9]<br />

14. B Miss Pross believes that Doctor Manette does not discuss<br />

the topic of his imprisonment because his initial loss of<br />

himself occurred because of it and he is afraid of losing<br />

himself again. [T2C: 98, 5]<br />

15. E When Lucie discovers her father pacing, his mind returned<br />

to his imprisonment, she walks back and forth with him<br />

until he composes himself. [T2C: 98, 7]<br />

16. D The domestic staff regards Miss Pross as a Sorceress, or<br />

Cinderella's Grandmother, able to take any food ingredients<br />

and turn them into whatever she likes. [T2C: 100, 1]<br />

17. E Miss Pross dines at the Doctor's table on Sundays,<br />

otherwise eating in the servant's quarters or her own room.<br />

[T2C: 100, 2]<br />

18. C When Charles Darnay presents himself at the Manette<br />

household after dinner, Miss Pross is overcome with a "fit<br />

of the jerks" and retires inside the house. [T2C: 101, 2]<br />

19. D A prisoner in the Tower of London wrote DIG on the wall of<br />

his cell, though the writing was unsteady and initially<br />

thought to say D.I.C. However, when the floor was<br />

examined, the ashes of a paper and a bag were found. [T2C:<br />

101, 8]<br />

20. D After Darnay's story about the prisoner in the Tower of<br />

London, Doctor Manette is startled, but blames the rain<br />

and recovers quickly. [T2C: 102, 2]<br />

21. E Mr. Carton joins the Manettes, Mr. Lorry, and Mr. Darnay<br />

during tea‐time. Dickens remarks that the hundreds of<br />

people expected by Miss Pross are still not there, only two<br />

have joined in. [T2C: 102, 6]<br />

22. B Lucie says that she often sits alone in the evening listening<br />

to the echoes of footsteps, imagining them to be the<br />

echoes of all the footsteps coming into her life. [T2C: 103, 8]<br />

23. B When Lucie imagines the footsteps she hears to be the<br />

steps of all the people coming into her life, Carton says,<br />

"There is a great crowd coming one day into our lives, if<br />

that be so." He foreshadows the multitude of<br />

revolutionaries who will soon create an upheaval in the<br />

character's lives. [T2C: 103, 9]<br />

24. A Lorry always retains Jerry Cruncher's services to protect him<br />

from "footpads," highwaymen who rob by foot. [T2C: 104, 3]<br />

25. B Lucie and Carton predict a great number of people entering<br />

their lives. This premonition is ominous and foreboding.<br />

Dickens describes the crowd of people coming with a "rush<br />

and roar, bearing down upon them." [T2C: 103‐104]


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 13<br />

CHAPTER 2.7 MONSEIGNEUR IN TOWN<br />

1. A Monseigneur requires the help of four men, other than the<br />

cook, to drink hot chocolate. 15 This beverage, like modern<br />

hot chocolate, was reserved for the aristocracy because it<br />

was rare and expensive. [T2C: 104, 8]<br />

2. E An escutcheon is a shield displaying a family crest. Dickens<br />

says of Monseigneur, "Deep would have been the blot upon<br />

his escutcheon if his chocolate had been ignobly waited on<br />

by only three men." [T2C: 105, 1]<br />

3. E Monseigneur's "one truly noble idea of general public<br />

business" is to let everything go on as it is. He is primarily<br />

concerned with tending to his own power and wealth. [T2C:<br />

105, 3]<br />

4. A Monseigneur places himself above God, replacing the<br />

pronoun of "the Lord" with "Monseigneur" in a biblical<br />

phrase. [T2C: 105, 3]<br />

5. E Monseigneur allies himself with the Farmer‐General, who is<br />

a tax collector for a French parish The Farmers‐General<br />

were suspected of taking more money from the people<br />

then they sent back to the government. [T2C: 106, 1]<br />

6. C Monseigneur takes his sister from a convent to marry her<br />

off to the Farmer‐General in order to win his favor and his<br />

money. [T2C: 106, 1]<br />

7. D The Farmer‐General's cane is topped with a golden apple.<br />

[T2C: 106, 1]<br />

8. A The guests at Monseigneur's reception are superficial<br />

French aristocrats who have lost touch with reality. They<br />

hold themselves above God, vocation, and parenting. [T2C:<br />

106‐107]<br />

9. A Dress is the "unfailing talisman" that the aristocrats use to<br />

keep everything in the correct places. Everybody at<br />

Monseigneur's party is finely dressed and made up. [T2C: 108,<br />

2]<br />

10. A The axe was reserved for rare executions of the aristocracy.<br />

The guillotine was considered to be an egalitarian<br />

development as it made execution by blade available to all<br />

types of people. 16 [T2C: 108, 2]<br />

11. C The Marquis is angered by Monseigneur's haughtiness.<br />

Before leaving the party he says, "I devote you to the<br />

Devil!" and shakes snuff from his fingers. [T2C: 109, 4]<br />

12. A The Marquis has a hat under his harm and holds a snuff‐box<br />

in his hand while he stands around as the last person at the<br />

party. [T2C: 109, 3]<br />

13. B The Marquis is about 60 years old. [T2C: 109, 6]<br />

14. D The Marquis has a mask‐like face with clearly defined<br />

features and minimal facial expressions. He is well‐dressed<br />

and has a haughty demeanor. [T2C: 109, 6]<br />

15. B The Marquis' carriage driver charges recklessly through the<br />

streets, endangering the commoners who do not have<br />

sidewalks, and ultimately killing a child. [T2C: 111, 3]<br />

15<br />

I am pretty good at consuming chocolate in any form all by myself.‐<br />

Melanie<br />

16<br />

I have never thought of an execution method as egalitarian before,<br />

but I suppose everything is relative.‐Melanie<br />

16. D The Marquis throws coins to the father of the stricken‐child<br />

and Defarge, but yells angrily at the people for not getting<br />

out of the way of his horses. [T2C: 111, 11]<br />

17. B The father of the stricken child is Gaspard, the man who<br />

previously wrote "blood" on the wall of the wine shop. [T2C:<br />

112, 1]<br />

18. B A peasant throws one of the Marquis' coins back into his<br />

carriage, angering him enough to threaten to crush the<br />

person beneath his wheels. [T2C: 112, 7]<br />

19. B The French peasants are compared to rats who creep out of<br />

their holes to look at the spectacle and then return to their<br />

dark holes to sleep close together. [T2C: 113]<br />

20. D Madame Defarge knits while conspicuously watching the<br />

scene with the Marquis' carriage. Dickens says she "knitted<br />

on with the steadfastness of Fate." [T2C: 112‐113]<br />

21. D<br />

22. D<br />

23. A<br />

24. B<br />

25. E


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 14<br />

CHAPTER 2.8 MONSEIGNEUR IN THE COUNTRY<br />

1. E The landscape the Marquis rides through on he way to the<br />

country is sparse, with patches of poor rye, peas, beans,<br />

and coarse vegetables. [T2C: 113, 2]<br />

2. E Four post‐horses and two postilions drive the Marquis'<br />

carriage from Paris to the countryside. [T2C: 114, 1]<br />

3. D The Marquis is covered in a crimson, blood‐like light from<br />

the sunset during his ride to the countryside. [T2C: 114, 2]<br />

4. B The Marquis sees a church‐tower, a windmill, a forest, and<br />

a prison during his travels to the country. No mention is<br />

made of a courthouse. [T2C: 114, 4]<br />

5. D The village has a massive number of taxes, causing Dickens<br />

to remark that it is a wonder that there is "any village left<br />

unswallowed." [T2C: 114, 5]<br />

6. B The Marquis asks to speak to a "grizzled mender of the<br />

roads" who he saw when coming up the hill and at the top<br />

of the hill. [T2C: 115]<br />

7. E The road mender says that a man swung by the chain of the<br />

drag on the Marquis' carriage. [T2C: 115, 14]<br />

8. C Monsieur Gabelle is the Postmaster as well as a tax official.<br />

[T2C: 116, 12]<br />

9. B The Marquis stops at a burial ground where he sees a cross<br />

and a wooden figure of Jesus that looks "dreadfully spare<br />

and thin." [T2C: 117, 6]<br />

10. E The women in the graveyard asks the Marquis for a grave‐<br />

marker for her husband to differentiate his heap of grass<br />

from all the others. [T2C: 118, 9]<br />

11. C The Marquis initially does not seem to understand the<br />

petition of the woman at the graveyard, asking what she<br />

expects from him. When she pleas for a grave‐marker for<br />

her husband he acts disinterested and drives away without<br />

response. [T2C: 118]<br />

12. E In Greek Mythology, the Furies are deities who personify<br />

the anger of the dead. The Marquis' brisk carriage ride is<br />

"escorted by the Furies." [T2C: 118, 10]<br />

13. B Dickens says the road mender is nothing without the aid of<br />

his blue cap. [T2C: 118, 11]<br />

14. E The Marquis asks for "Monsieur Charles" when he arrives<br />

home, but Darnay is not yet there. [T2C: 119, 2]<br />

15. C Two postilions drive the Marquis' four horses to the<br />

countryside. [T2C: 114, 1]<br />

16. E When the Marquis asks Gabelle to look for the alleged thief<br />

on his carriage, Gabelle says that he is flattered to attend to<br />

the Marquis' orders. [T2C: 116, 15]<br />

17. E The Marquis' usually reckless carriage is slowed to a "foot<br />

pace" by a steep hill. [T2C: 117, 5]<br />

18. E The woman at the graveyard says that her husband, and<br />

many others, are dying of want. The Marquis is unmoved by<br />

the plight of the peasants. [T2C: 118, 7]<br />

19. D The Marquis appears selfish, disinterested in the painful<br />

lives of the people in his village or those in the city. He<br />

ignores peoples' petitions and tries to buy off those he<br />

hurts as though they are merchandise. [T2C: 115‐118]<br />

20. D During his travels, the Marquis shows more interest in the<br />

alleged thief on his carriage than he does in the peasants<br />

over whom he rules. [T2C: 113‐119]<br />

21. D<br />

22. B<br />

23. D<br />

24. A<br />

25. D


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 15<br />

CHAPTER 2.9 THE GORGON'S HEAD<br />

1. E The Marquiz' chateau is a "heavy mass of a building" with<br />

the court‐yard, staircases, balustrades, urns, flowers, and<br />

statues all made of stone. [T2C: 119, 4]<br />

2. A A Gorgon is one of three sisters in Greek mythology with<br />

snakes for hair. Anyone who looks upon them is turned to<br />

stone. [T2C: 119, 4]<br />

3. E The Marquis' chateau is two centuries old. [T2C: 119, 4]<br />

4. E As the Marquis walks from his carriage to his chateau he<br />

hears the howling of an owl, as though it is scolding him for<br />

disturbing the quietness of the night. [T2C: 119, 5]<br />

5. E The Marquis' hallway is grimly decorated with old boar‐<br />

spears, knives, swords, riding‐whips, and riding‐rods. [T2C: 119,<br />

6]<br />

6. B The chateau has four towers that resemble candle‐<br />

extinguishers. This may be symbolic of the Marquis himself<br />

being extinguished. [T2C: 120, 2]<br />

7. D Charles Darnay is the Marquis' nephew, though he<br />

renounces his family ties. [T2C: 121, 6]<br />

8. B The Marquis receives Darnay in a "courtly manner." He is<br />

polite, but not overly warm or welcoming. [T2C: 121, 8]<br />

9. C Darnay believes that if his uncle was not in disgrace with<br />

the Court he would have been sent a letter de cachet,<br />

imprisoning him indefinitely without a trial. [T2C: 122, 13]<br />

10. D The Marquis' nose is the only part of his mask‐like face that<br />

ever betrays his emotions. The rest of his expression<br />

remains constant. [T2C: 122, 4]<br />

11. E The Marquis says that a man was poniarded, or stabbed, for<br />

an "insolent delicacy respecting his daughter." This refers to<br />

the feudal practice of sleeping with a bride before the<br />

husband does in consummating the marriage. [T2C: 123, 3]<br />

12. E Darnay believes his family name is the most detested in all<br />

of France. [T2C: 123, 5]<br />

13. E The Marquis tells his nephew, "Repression is the only<br />

lasting philosophy. The dark deference of fear and slavery,<br />

my friend, will keep the dogs obedient to the whip, as long<br />

as this roof shuts out the sky." [T2C: 124, 4]<br />

14. D Darnay says his mother's last request was for him to right<br />

his family's wrongs. [T2C: 125, 2]<br />

15. D When the Marquis urges his nephew to accept his "natural<br />

destiny," Darnay instead renounces his ties to his family<br />

and France. [T2C: 125, 8]<br />

16. B Darnay tells his uncle that he plans to support himself in the<br />

way that others of his countrymen do, by working. [T2C: 126, 8]<br />

17. C The Marquis asks Darnay if he knows a Doctor and his<br />

daughter who have found refuge in England. When Darnay<br />

confirms that he does, the Marquis smiles mysteriously and<br />

bids him goodnight. [T2C: 126‐127]<br />

18. B The Marquis, laying dead in his bed, looks as though the<br />

Gorgon saw him in the night and added him as a stone face<br />

in the building's collection of stone figures. [T2C: 130, 1‐3]<br />

19. D The note left by the Marquis' murderer reads, "Drive him<br />

fast to his tomb. This, from Jacques." It is attached to the<br />

Marquis by a knife driven through his heart. It is later<br />

revealed that Gaspard murders the Marquis to avenge the<br />

death of his child. [T2C: 130, 4]<br />

20. B Darnay believes his family name to be the most detested in<br />

France. The Marquis tells him, "Detestation of the high is<br />

the involuntary homage of the low." [T2C: 123, 6]<br />

21. B<br />

22. D<br />

23. D<br />

24. C<br />

25. E


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 16<br />

CHAPTER 2.10 TWO PROMISES<br />

1. E One year passes between the chapter in which the Marquis<br />

is killed and that in which Darnay confesses his love for<br />

Lucie Manette. [T2C: 130, 5]<br />

2. C Darnay works as a French Tutor in England as he is familiar<br />

with the language and literature of his home country. He is<br />

a Tutor, rather than a Professor, because modern languages<br />

were not officially taught in universities at the time. [T2C: 130,<br />

5]<br />

3. D Charles Darnay falls in love with Lucie Manette during his<br />

trial, which he refers to as "the hour of his danger." [T2C: 131,<br />

4]<br />

4. C Charles Darnay chooses to speak with Doctor Manette<br />

about his affection for Lucie at a time when she will be<br />

running errands with Miss Pross. [T2C: 132, 1; 132, 6]<br />

5. B Charles Darnay tells Doctor Manette that he loves his<br />

daughter "fondly, dearly, disinterestedly, devotedly." He<br />

asks Doctor Manette to recall his own love and let it speak<br />

to Darnay's feelings. [T2C: 133, 14]<br />

6. C Darnay tries to keep his feelings for Lucie inside because he<br />

does not want to get in between her and her father, but<br />

can only bear it in silence for so long before he must tell<br />

Doctor Manette. [T2C: 135, 1]<br />

7. D Darnay does not ask for guidance or help in telling Lucie<br />

about his feelings. He asks if Lucie has other suitors, but not<br />

that Manette keep them away. He requests only that<br />

Manette not urge Lucie against him if she asks for her<br />

father's opinion. [T2C: 136‐137]<br />

8. B Doctor Manette tells Darnay that the state of his daughter's<br />

heart is a mystery to him. He describes mysteries that arise<br />

out of close love as "subtle and delicate, and difficult to<br />

penetrate." [T2C: 136, 12]<br />

9. A Darnay attempts to tell Doctor Manette his original name,<br />

but Manette makes him promise to wait until asked to tell<br />

this secret. [T2C: 137, 10]<br />

10. B Doctor Manette asks Darnay to wait until the morning of his<br />

marriage, if his relationship with Lucie prospers, before<br />

revealing the secret of his original family name. [T2C: 138, 5]<br />

11. B When Lucie arrives home from her errands with Miss Pross,<br />

she is startled to find her father making shoes in his<br />

bedroom. [T2C: 138, 10]<br />

12. B The world of man, Dickens says, has invariably gone in the<br />

way of the love of a woman. Charles Darnay is no different<br />

as he falls for Lucie Manette. [T2C: 131, 3]<br />

13. C Doctor Manette is described as energetic, resolute,<br />

vigorous, and firm of purpose. Though he is sometimes<br />

fitful and sudden, as well, this is less common than it was<br />

after he returned home from imprisonment. [T2C: 132, 2]<br />

14. B Throughout Darnay's confession of love for Lucie, his<br />

treatment of Doctor Manette is deferential. He truly<br />

respects Manette and seeks his approval. [T2C: 133, 6]<br />

15. B When Darnay mentions Manette's love for his wife,<br />

Manette cries as though in physical pain. The sound<br />

continues to ring in Darnay's ears. [T2C: 133, 15‐17]<br />

16. A<br />

17. C<br />

18. C<br />

19. B<br />

20. C<br />

21. C<br />

22. B<br />

23. B<br />

24. B<br />

25. C


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 17<br />

CHAPTER 2.11 A COMPANION PICTURE<br />

1. D Sydney Carton applies wet towels to his head to help his<br />

headaches and hangovers. [T2C: 139, 3]<br />

2. E Stryver and Carton work extra hours to complete their<br />

paperwork before the end of the legal term. When Stryver<br />

discusses his plans to marry, the two are still at work at<br />

5:00 A.M. [T2C: 140, 4]<br />

3. C Stryver wants Carton to guess who he is going to marry.<br />

However, after a long night's work, Carton tells him, "If you<br />

want me to guess, you must ask me to dinner." [T2C: 140, 4]<br />

4. E Stryver believes he is more agreeable than Carton, and thus<br />

knows better how to get along with women. [T2C: 140, 11]<br />

5. B Stryver tells Carton that he is ashamed of Carton's<br />

moroseness at the Manette's house. [T2C: 140, 13]<br />

6. B Stryver makes his unhappiness with Carton known through<br />

the use of a number of names, calling him an insensible<br />

dog, a devilish ill‐conditioned fellow, disagreeable, and<br />

incorrigible, among others. [T2C: 140‐141]<br />

7. C Stryver thinks that Carton might be uncomfortable about<br />

Stryver's plans to marry Lucie because of his previous<br />

description of the woman as a golden‐haired doll. [T2C: 141, 9]<br />

8. D Stryver says that he has made up his mind to marry Lucie in<br />

order to please himself because he can afford to do so. [T2C:<br />

142, 2]<br />

9. C Stryver tells Carton that he should find a woman to marry<br />

who has property. [T2C: 142, 8]<br />

10. E Stryver suggests that Carton finds somebody to marry so<br />

that he can be taken care of, regardless of whether he<br />

enjoys or understands women's society. [T2C: 142, 8]<br />

11. E Carton is outwardly approving of Stryver's plan to marry<br />

Lucie, acting calm as Stryver continues to insult Carton's<br />

own prospects of marriage. [T2C: 142, 3‐5]<br />

12. C Stryver is extremely arrogant in his discussion of marriage<br />

with Carton, presuming that he can marry Lucie before<br />

discussing the matter with her, and harshly demeaning<br />

Carton. [T2C: 141‐142]<br />

13. B Unlike Darnay, who is a romantic, Stryver views marriage as<br />

a practical way to have a pleasant home and the<br />

respectability of a wife. His views were typical in the<br />

Victorian era. [T2C: 142, 6]<br />

14. D On the same day as Darnay reveals his feelings for Lucie<br />

Manette, Stryver informs Carton of his plans to marry Lucie.<br />

[T2C: 139, 1]<br />

15. E When Stryver asks Carton his thoughts about Stryver's<br />

plans to marry Lucie, Carton's responses are sarcastic.<br />

However, Stryver misses the sarcasm and accepts them as<br />

supportive and approving. [T2C: 139‐143]<br />

16. D<br />

17. E<br />

18. C<br />

19. B<br />

20. A<br />

21. E<br />

22. A<br />

23. A<br />

24. C<br />

25. B


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 18<br />

CHAPTER 2.12 THE FELLOW OF DELICACY<br />

1. D Stryver views his courtship as a court case with clear<br />

evidence in his favor. [T2C: 143, 3]<br />

2. E Stryver considers taking Lucie to Vauxhall Gardens or<br />

Ranelagh, two popular public amusement parks. [T2C: 143, 4]<br />

3. C On his way to propose to Lucie, Stryver stops at Tellson's<br />

Bank to speak with Lorry about his plans. [T2C: 144, 1]<br />

4. B Stryver always seems too large for any space. His presence<br />

in Tellson's is overwhelming, causing others to look at him<br />

as though he is pushing them up against the wall. [T2C: 144, 3]<br />

5. C Lorry, and other Tellson's employees, have a pecular, self‐<br />

abnegating handshake as though they represent Tellson<br />

and Co. [T2C: 144, 4]<br />

6. B Lorry looks at Stryver dubiously when he reveals his plans<br />

to propose to Lucie. [T2C: 145, 1]<br />

7. E Mr. Lorry tells Stryver that he would not propose without<br />

first knowing if he the venture will be successful, suggesting<br />

that Stryver wait until Lorry speaks with the Manettes<br />

about the proposal. [T2C: 146, 1]<br />

8. E Lorry is protective of Lucie, telling Stryver that he will not<br />

allow anyone to speak disrespectfully about her. [T2C: 146, 5‐7]<br />

9. C Stryver is vexed by Lorry's advice about waiting to propose<br />

to Lucie. He cannot conceive of Lucie not wanting to marry<br />

him. [T2C: 147, 5]<br />

10. A When Lorry arrives at Stryver's chambers after visiting with<br />

the Manettes, Stryver appears preoccupied and surprised<br />

to see Lorry there. [T2C: 148, 7]<br />

11. C When Lorry asks the Manettes about Stryver's proposal of<br />

marriage, they tell him that they would not accept the<br />

offer. [T2C: 149, 2]<br />

12. E Stryver acts uninterested in Lucie Manette when Lorry<br />

informs him that the Manettes will not accept his marriage<br />

proposal. He encourages Lorry to forget all about the<br />

incident. [T2C: 149]<br />

13. D Stryver makes Lucie out to be an empty‐headed, foolish<br />

woman for rejecting his offer of marriage. He says that<br />

others have made the same mistake and wound up<br />

penniless and obscure. [T2C: 149, 7]<br />

14. B Lorry and Stryver are character foils who highlight each<br />

other's personalities through their many differences. [T2C:<br />

143‐150]<br />

15. D In anticipation of Lucie's rejection, Stryver tells himself that<br />

he can escape embarrassment by putting Lucie in the<br />

wrong. [T2C: 148, 6]<br />

16. C<br />

17. D<br />

18. C<br />

19. E<br />

20. D<br />

21. B<br />

22. C<br />

23. D<br />

24. C<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 19<br />

CHAPTER 2.13 THE FELLOW OF NO DELICACY<br />

1. C Sydney Carton often wanders Soho, the Manette's<br />

neighborhood, when unable to sleep at night. [T2C: 150, 3]<br />

2. D Lucie feels uneasy around Carton, feeling somewhat<br />

embarrassed when he goes to meet with her in her home.<br />

[T2C: 151, 1]<br />

3. D Carton tells Lucie, with tears in his eyes, that it is too late<br />

for him to live a better life. He anticipates that his life will<br />

only get worse. [T2C: 131, 8]<br />

4. A Carton is thankful that Lucie does not return his love<br />

because he would bring her misery, disgrace her, and pull<br />

her down with him. [T2C: 152, 3]<br />

5. E Carton compares his striving toward a better future with a<br />

dream that ends with no result, leaving the dreamer asleep<br />

where he began. [T2C: 152, 6]<br />

6. D In the month of August, Carton goes to Lucie Manette's<br />

home to declare his hopeless love for her. [T2C: 150, 4]<br />

7. D Carton views Lucie as the "last dream of [his] soul." She<br />

stirs up feelings of remorse and inspires him to hope for a<br />

better life. [T2C: 152, 6]<br />

8. D Lucie is tearful while trying to convince Carton that she<br />

might be able to repay his confidence and help turn him<br />

toward good. [T2C: 152‐153]<br />

9. C Carton promises Lucie that he will sacrifice anything,<br />

including his life, for her and those close to her. This<br />

foreshadows his ultimate sacrifice to save Darnay from<br />

execution. [T2C: 154, 5]<br />

10. E Carton refers to himself as a profligate, or an immoral<br />

person. [T2C: 151, 3]<br />

11. A Carton uses a metaphor to poetically compare himself with<br />

a heap of ashes transformed by Lucie into a fire. 17 [T2C: 153, 1]<br />

12. A Carton makes several supplications, or requests, of Lucie.<br />

He asks that she keep their meeting a secret, believe in the<br />

truth of his words, and remember that there is someone<br />

who will give anything for her. [T2C: 154, 2‐4]<br />

13. A Carton offers his life for Lucie, or one she loves. Carton,<br />

who resembles Darnay in appearance and affection for<br />

Lucie, trades places with him later in order to save him<br />

from execution. Carton's promise of sacrifice is an example<br />

of foreshadowing what is to come later in the novel. 18 [T2C:<br />

154, 4]<br />

14. C Dickens titles the chapters about Stryver and Carton<br />

confessing their love for Lucie "The Fellow of Delicacy" and<br />

"The Fellow of No Delicacy." These titles are ironic because<br />

the characters appear just the opposite of what the titles<br />

imply. [T2C: 143, 150]<br />

17 Litotes are my favorite literary devices. I always remember what they<br />

are because of a vivid lesson from my first decathlon coach. She shut off<br />

all the lights in the room, leaving the team in pitch‐black darkness, and<br />

told us it was "not light," another way of saying "light out." Light out<br />

sounds like litote, which a way of understating something by denying its<br />

opposite.‐Melanie<br />

18 Psittacism is parrot‐like speech. I think it is also my favorite new<br />

word.‐Melanie<br />

15. C Sydney Carton compares himself to someone who died at a<br />

young age with all their life before him. He feels as though<br />

he has the potential for a much better life, but will never<br />

live it. [T2C: 151, 15]<br />

16. A<br />

17. A<br />

18. A<br />

19. B<br />

20. C<br />

21. B<br />

22. A<br />

23. B<br />

24. E<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 20<br />

CHAPTER 2.14 THE HONEST TRADESMAN<br />

1. D Jerry Cruncher, while sitting outside Tellson's watching<br />

processions of people, is compared to a heathen who<br />

spends centuries staring at one stream. [T2C: 155, 3]<br />

2. A A single mourner travels in Roger Cly's funeral procession<br />

until the protesting mob tries to pull him from his coach.<br />

[T2C: 156, 8]<br />

3. A The hearse, coach, and mourner involved in Roger Cly's<br />

funeral procession are all described as dingy. [T2C: 156, 8]<br />

4. B Protesters shout, "Spies!" at Roger Cly's mourning coach.<br />

Cly is a convicted spy who testified again Darnay at his trial<br />

for treason. [T2C: 157, 2]<br />

5. A Typical clothing for a mourner included a hat with a<br />

hatband, the size of which varied relative to the<br />

relationship with the deceased, a white handkerchief, and a<br />

black cloak. Little or no jewelry was worn because it was<br />

considered too ostentatious for such a somber occasion.<br />

[T2C: 157, 10]<br />

6. B Dickens uses the funeral procession to illustrate the<br />

extreme inhumanity of mobs, a theme that reoccurs more<br />

violently later in the novel. Dickens writes that tradesmen<br />

even closed their shops because a crow "stopped at<br />

nothing, and was a monster much dreaded." [T2C: 156‐159]<br />

7. A When the undertakers try to fight off the protesters who<br />

take over the mourning coach, they are threated with<br />

immersion in the nearby river, causing them to give up<br />

quickly. [T2C: 158, 1]<br />

8. B Cly's "remodeled procession" consists of a chimney‐sweep<br />

driving the hearse, a pieman and cabinet minister driving<br />

the hearse, and a bear‐leader adding ornamentation in the<br />

street. [T2C: 158, 1]<br />

9. A Cly's funeral procession makes its final stop as the old<br />

church of Saint Pancras. [T2C: 158, 2]<br />

10. D After disposing of Roger Cly's body, one of the protersters<br />

suggests impeaching passers‐by as spies. This harassment<br />

quickly evolves into a larger riot that involves destruction of<br />

property and plundering of goods. When the mob gets<br />

word that Guards are coming, the crowd quickly dissipates.<br />

[T2C: 158, 3]<br />

11. C Jerry Cruncher does not partake in the riotous activity after<br />

the funeral. He stays at the churchyard to speak with the<br />

undertakers, spokes a pipe, and then goes to speak with a<br />

surgeon before returning to Tellson's before closing. [T2C: 159,<br />

3]<br />

12. C Cruncher commonly has trouble pronouncing the letter "v,"<br />

saying "wenturs" and "aggerawayter" instead of "ventures"<br />

and "aggravator." [T2C: 159, 5]<br />

13. A Jerry Cruncher often beats his wife for allegedly praying<br />

against him if his night work as a grave robber goes wrong.<br />

[T2C: 159, 5]<br />

14. C Jerry Cruncher tells his wife and son that he is going fishing<br />

at night when he is, in fact, grave robbing. [T2C: 160, 8]<br />

15. D When Young Jerry Cruncher asks if he'll have fish from his<br />

father's fishing trip, Jerry Cruncher tells him that if he does<br />

not bring any home there will be "short commons," or<br />

minimal food, the next day. [T2C: 160, 12]<br />

16. A Cruncher tells his wife that her first duty as a mother is to<br />

"blow her boy out." This expression referred to feeding, but<br />

may have been anachronistic, not coming into popularity<br />

until after the events of the novel took place. [T2C: 161, 2]<br />

17. B Jerry Cruncher does not leave his home to go grave robbing<br />

until one in the morning. 19 [T2C: 161, 4]<br />

18. B The Crunchers live in a lodging house where many people<br />

rent room and the door is left ajar all night. Young Jerry<br />

does not worry about getting back into his home when he<br />

follows his father out at night. [T2C: 161, 5]<br />

19. D Izaak Walton is the author of a fishing manual. Dickens'<br />

allusion to a disciple of Walton is a sarcastic reference to<br />

Cruncher's fishing alibi. [T2C: 161, 6]<br />

20. A Jerry Cruncher tells his wife that if he brings home meat or<br />

beer, she should partake in them. He says, "When you go to<br />

Rome, do as Rome does. Rome will be a ugly customer to<br />

you, if you don't. I'm your Rome, you know." [T2C: 160, 14]<br />

21. D Two men join Cruncher on the road as he walks from his<br />

home to Roger Cly's gravesite. [T2C: 162, 2]<br />

22. C Young Jerry runs home from the graveyard, thinking the<br />

coffin is chasing after him in "a spectral sort of race." He<br />

envisions the coffin like a swollen kite missing its tail. [T2C:<br />

163, 1]<br />

23. D Young Jerry tells his father he wants to be a Resurrection‐<br />

Man when he grows up. His father encourages him to<br />

develops his talents and not say more than necessary to<br />

anybody. [T2C: 165, 9]<br />

24. D When Young Jerry wakes up, he sees his father beating his<br />

mother, as had been promised if the grave robbing<br />

excursion did not go well. [T2C: 163, 3]<br />

25. A Cly's funeral scene and the subsequent grave robbery are<br />

intended to be satirical tableaux. They do not advance the<br />

plot or serve much dramatic purpose, but they descriptively<br />

illustrate the themes of death and mob mentality that<br />

persist throughout the novel. [T2C: 155‐165]<br />

19 It seems like everyone in this book is up at all hours of the night. I had<br />

no idea the 18th century was such a nocturnal time, even in the absence<br />

of electricity.‐Melanie


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 21<br />

CHAPTER 2.15 KNITTING<br />

1. A Defarge brings the road mender, who previously saw<br />

someone hanging from the Marquis' carriage, to the wine<br />

shop. He refers to the man as Jacque, indicating that he is<br />

one of the revolutionaries. [T2C: 167, 5]<br />

2. C Five "Jacques" meet in the garret to discuss Gaspard's<br />

execution for killing the Marquis. [T2C: 168, 4]<br />

3. B The mender of roads recognizes Gaspard by his "tall figure."<br />

[T2C: 168, 12]<br />

4. B The road mender describes Gaspard's capture vividly, as if<br />

he were there in the moment. [T2C: 170, 1]<br />

5. E The soldiers take Gaspard straight to the prison, the entire<br />

village looking on as the prison gate swallows him. [T2C: 170, 4]<br />

6. A The men in Degarge's garret are compared to a tribunal, an<br />

ancient type of judicial body. [T2C: 170, 7]<br />

7. C Petitions about Gaspard's insanity following the death of his<br />

child are presented to the King, and the villagers believe<br />

that Gaspard will be spared execution despite his sentence.<br />

[T2C: 171, 2]<br />

8. C Gaspard is executed as a parricide because the Marquis was<br />

viewed as the father of his tenants. A parricide is the killing<br />

of a parent or other reverenced person in a parental<br />

position, commonly a ruler. [T2C: 172, 1]<br />

9. A A gallows forty feet high is built near the fountain for<br />

Gaspard's execution. [T2C: 172, 6]<br />

10. A The Jacques calls for the extermination of the entire<br />

aristocracy, particularly the Evremondes, after Gaspard is<br />

executed for the Marquis' murder. [T2C: 174, 4]<br />

11. D Defarge says, "It would be easier for the wakest poltroon<br />

that lives, to erase himself from existence, than to erase<br />

one letter of his name or crimes from the knitted register of<br />

Madame Defarge." A poltroon is a coward. [T2C: 174, 8]<br />

12. B Madame Defarge knits the registry of those the<br />

revolutionaries decide must be executed. Her husband has<br />

great confidence in her ability to decipher her stitches and<br />

symbols. [T2C: 174, 8]<br />

13. E When the road mender wants to see the King and Queen,<br />

one of the Jacques questions whether that is a good sign.<br />

Defarge responds, "Jacques, judiciously show a cat milk, if<br />

you wish her to thirst for it. Judiciously show a dog his<br />

natural prey, if you wish him to bring it down one day." [T2C:<br />

174, 12]<br />

14. D The road mender is terrified at the sight of Madame<br />

Defarge. He believes it impossible to predict what she<br />

might do next, convincing himself that she might pretend<br />

she saw him murder someone. [T2C: 175, 1 ]<br />

15. A The mender of roads joins the Defarges on a trip to see the<br />

King and Queen in Versailles. The road mender is not<br />

pleased that Madame Defarge goes on the trip, finding her<br />

knitting disconcerting. [T2C: 175, 2]<br />

16. A Madame Defarge tells an inquisitive stranger that she is<br />

knitting shrouds, which are clothes used to wrap bodies for<br />

burial. [T2C: 175, 8]<br />

17. B The road mender, caught up in the excitement of seeing<br />

royalty, shouts out "Long live the King, Long live the Queen,<br />

Long live everybody and everything!" Defarge is pleased, as<br />

this display will give the aristocracy false confidence and<br />

bring them to a faster end. [T2C: 175, 9]<br />

18. B Madame Defarge patronizes the road mender, who she<br />

believes "would shout and shed tears for anything if it<br />

made a show and a noise." [T2C: 176, 6]<br />

19. C Madame Defarge compares the French royalty to dolls and<br />

birds to be plucked at, encouraging the road mender to<br />

destroy them for his own advantage. [T2C: 177, 4]<br />

20. B Madame Defarge is single‐minded in her pursuit of revenge<br />

against the aristocracy. She spends all her time focused on<br />

knitting the registry of those awaiting execution. [T2C: 174‐177 ]<br />

21. E<br />

22. E<br />

23. C<br />

24. C<br />

25. D


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 22<br />

CHAPTER 2.16 STILL KNITTING<br />

1. B The policeman who stops the Defarges on their return to<br />

Saint Antoine is a Jacques. He informs them that another<br />

spy has been commissioned for their quarter. [T2C: 178, 5]<br />

2. E Madame Defarge adds John Barsad to her registry after<br />

finding out that he will be spying in her neighborhood. [T2C:<br />

178, 6‐9]<br />

3. B Madame Defarge knots her money into a chain inside her<br />

handkerchief to keep it safe during the night. [T2C: 179, 8]<br />

4. E Defarge worries that the revolution will take such a long<br />

time that he will not live to see the triumph. His wife<br />

encourages him, saying that it is good enough that they<br />

shall have helped. [T2C: 180]<br />

5. B Madame Defarge criticizes her husband's need to see his<br />

victim and opportunity to sustain his work. She tells him<br />

that he should sustain himself without that, instead<br />

readying himself for the right time. [T2C: 181, 6]<br />

6. B When Madame Defarge sees a new figure entering the<br />

wine shop she pins a rose in her head‐dress. The other<br />

customers stop talking and slowly leave the shop. [T2C: 181, 9]<br />

7. E Madame Defarge tells Barsad that she knits simply for<br />

pastime, but that if she finds a use for it one day, she will<br />

use it. [T2C: 182, 14]<br />

8. C Madame Defarge informs Barsad that she does not think<br />

about others, she stays busy enough focusing on how she<br />

and her husband will live. [T2C: 183, 11]<br />

9. E Barsad first refers to Ernest Defarge as "Jacques," trying to<br />

earn his trust. Defarge deflects this maneuver and tells<br />

Barsad that he must be mistaken as his name is Ernest<br />

Defarge. [T2C: 184, 6]<br />

10. D Barsad informs the Defarges that Lucie Manette is engaged<br />

to Charles Darnay. They have not had correspondence with<br />

the Manettes since Doctor Manette was taken from their<br />

garret. [T2C: 185, 15]<br />

11. B John Barsad shows great sympathy for Gaspard, trying to<br />

ferret out Madame Defarge's feelings about the execution.<br />

Defarge tells him that Gaspard paid the price for his crime.<br />

[T2C: 183, 13]<br />

12. A Dickens connects the French women's knitting with the<br />

hunger the fuels the revolution, saying that knitting is a<br />

"mechanical substitute for eating and drinking" and keeps<br />

their stomachs from feeling more "famine‐pinched." [T2C: 187,<br />

5]<br />

13. B Dickens alludes to the group of French women who knitted<br />

during executions, saying that the women with whom<br />

Defarge knits are "closing in around a structure yet unbuilt,<br />

where they were to sit knitting, knitting, counting dropping<br />

heads." [T2C: 188, 1]<br />

14. E Ernest Defarge grows depressed over the length of time<br />

required for the revolution. He says, "It does not take a long<br />

time to strike a man with lightening." His wife responds,<br />

asking him, "How long does it take to make and store the<br />

lightning?" [T2C: 180, 5]<br />

15. E John Barsad is about 40‐years‐old, five foot nine, with dark<br />

hair and complexion. His face is thin and long and his nose<br />

has an inclination toward the left cheek. Defarge makes a<br />

pun that Barsad's expression is sinister, meaning not only<br />

that it looks evil, but that it lies toward the left side of the<br />

body. [T2C: 179, 6]<br />

16. C John Barsad is English, which Madame Defarge perceives by<br />

his accent. [T2C: 186, 1]<br />

17. E Ernest Defarge hopes that Charles Darnay will stay out of<br />

France, for Lucie's sake, because his name is knitted on the<br />

registry of those to be killed. [T2C: 186, 11]<br />

18. B Madame Defarge remains composed throughout John<br />

Barsad's visit to the wine shop. Despite his repeated<br />

attempts to pry information from her, she reveals nothing.<br />

[T2C: 182‐186]<br />

19. D When the people leave the wine shop in order to avoid<br />

Barsad, Madame Defarge tells him that business is very bad<br />

because the people are so poor. [T2C: 183, 7]<br />

20. D Barsad drinks a couple glasses of cognac and water while<br />

spying at the Defarge's shop. He remarks that the cognac is<br />

very good, but Madame Defarge does not believe his<br />

compliment., though she says the cognac is flattered. [T2C:<br />

182, 5]<br />

21. E<br />

22. C<br />

23. A<br />

24. C<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 23<br />

CHAPTER 2.17 ONE NIGHT<br />

1. C Lucie tells her father that she will remain consecrated to<br />

him, and that she would be unhappy if her marriage<br />

separated her from by even a few streets. [T2C: 189, 1]<br />

2. D Doctor Manette is cheerful about his daughter's wedding,<br />

telling her that his happiness would not be complete<br />

without hers. [T2C: 189, 5]<br />

3. B Doctor Manette asks his doctor how he could be happy if<br />

she was not, assuring her that he is pleased about her<br />

impending marriage. [T2C: 189, 9]<br />

4. A Doctor Manette refers to his imprisonment as "the dark<br />

part of my life," but is glad that it did not cast its shadow on<br />

Lucie. [T2C: 190, 1]<br />

5. B Doctor Manette tells Lucie that he used to stare at the<br />

moon from his prison window, imagining how many lines<br />

he could draw across it in each direction. [T2C: 190, 3]<br />

6. D Doctor Manette imagined Lucie growing up without any<br />

knowledge of him, his place in her life completely blank.<br />

[T2C: 191, 1]<br />

7. E Doctor Manette tries to anatomise, or dissect, his<br />

imprisoned condition in order to explain it to Lucie. [T2C: 191,<br />

8]<br />

8. A Doctor Manette tells his daughter that he is happier with<br />

her than he ever could have imagined in prison. [T2C: 192, 4]<br />

9. B The only person invited to Lucie's marriage is Mr. Lorry. [T2C:<br />

192, 6]<br />

10. E Miss Pross is Lucie's only bridesmaid. [T2C: 192, 6]<br />

11. E Lucie and Darnay live in the upper rooms of the Manette's<br />

home, where an apocryphal lodger formerly lived. They do<br />

not want to change their place of residence. [T2C: 192, 6]<br />

12. C The Manette's upper rooms belonged to a fictitious<br />

invisible lodger before Lucie and Darnay make use of them.<br />

[T2C: 192, 6]<br />

13. C Doctor Manette, Lucie, and Miss Pross are the only ones at<br />

the dinner table the night before Lucie's wedding. Charles is<br />

off on a "loving little plot." [T2C: 192, 7]<br />

14. C At three o'clock, the morning of her wedding, Lucie watches<br />

her father sleeping quietly before returning to her bed. [T2C:<br />

193, 1]<br />

15. B Lucie prays that she will stay as true to her father as "her<br />

love aspired to be, and as his sorrows deserved." [T2C: 193, 3]<br />

16. B<br />

17. C<br />

18. E<br />

19. C<br />

20. E<br />

21. A<br />

22. B<br />

23. C<br />

24. B<br />

25. B


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 24<br />

CHAPTER 2.18 NINE DAYS<br />

1. D Miss Pross cannot view Lucie's wedding as an event of<br />

absolute bliss because her brother Solomon is not the<br />

groom. She believes her brother to be the only man worthy<br />

of Lucie's affection. [T2C: 193, 4]<br />

2. D When Lorry speculates on the possibility of having had a<br />

wife, Miss Pross tells him that he was a bachelor in his<br />

cradle and that he was designed to be a bachelor before<br />

being put in his cradle. [T2C: 194, 9]<br />

3. D Lucie and Darnay will be gone on their honeymoon in<br />

Warwickshire for a fortnight, or fourteen days. [T2C: 194, 12]<br />

4. E Darnay and Lucie plan to spend a fornight of their<br />

honeymoon alone together in Warwickshire, a county<br />

northwest of London. [T2C: 194, 12]<br />

5. A Doctor Manette plans to meet the married couple for a<br />

two‐week trip in Wales. [T2C: 194, 12]<br />

6. D When Doctor Manette emerges from his private meeting<br />

with Darnay, he appears completely pale, but composed.<br />

[T2C: 195, 2]<br />

7. A As he promised, Charles Darnay meets with Doctor<br />

Manette before the wedding to tell Manette his true family<br />

name and the reasons behind his emigration to England.<br />

[T2C: 195, 2]<br />

8. E Doctor Manette, distressed from his conversation with<br />

Charles before the wedding, experiences a relapse in which<br />

he makes shoes and cannot recall the names of those<br />

around him. [T2C: 196, 6]<br />

9. A When Doctor Manette relapses, Lorry takes his first ever<br />

leave from Tellson's in order to watch him closely. [T2C: 198, 1]<br />

10. E Doctor Manette relapses for nine days after Lucie's<br />

wedding. He makes shoes and is generally unresponsive to<br />

Mr. Lory and Miss Pross. [T2C: 199, 7]<br />

11. A Mr. Lorry repeatedly asks Doctor Manette if he would like<br />

to go out, ensuring him that he is in a free place and can<br />

leave as he chooses. [T2C: 198, 5]<br />

12. A Lorry and Pross tell Doctor Manette's patients that he is not<br />

feeling well in order to avoid revealing his relapse. [T2C: 197, 9]<br />

13. D Doctor Manette's manner during his relapse is mechanical<br />

and submissive. [T2C: 197, 6]<br />

14. C Miss Pross tells Lucie that her father is away professionally<br />

in order to keep his relapse a secret. [T2C: 197, 9]<br />

15. B Jarvis Lorry holds Lucie and gives her a kiss with a "genuine<br />

tenderness and delicacy which, if such things be old‐<br />

fashioned, were as old as Adam" before she is wed to<br />

Charles Darnay. [T2C: 194, 12]<br />

16. B<br />

17. A<br />

18. C<br />

19. C<br />

20. B<br />

21. E<br />

22. A<br />

23. D<br />

24. B<br />

25. D


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 25<br />

CHAPTER 2.19 AN OPINION<br />

1. B When Doctor Manette wakes up from his relapse, he<br />

believes it is the day after Lucie's wedding. [T2C: 201, 2]<br />

2. A Shoemaking materials discolor Doctor Manette's hands,<br />

which troubles him when he recovers from his relapse. [T2C:<br />

201, 5]<br />

3. E When Lorry first discovers that Manette has recovered<br />

from his relapse, he and Miss Pross decide to act as usual.<br />

After breakfast, Lorry and Manette speak about the<br />

incident as though it happened to somebody else. [T2C: 201‐<br />

202]<br />

4. C Lorry and Doctor Manette are both described as sagacious<br />

in chapters 18 and 19. Sagacity is shrewdness or<br />

reasonableness. [T2C: 203, 1]<br />

5. E Jarvis Lorry is extremely concerned that Doctor Manette<br />

overworks himself with his reading and medical<br />

experimentation. [T2C: 205, 1]<br />

6. E Doctor Manette believes that a relapse occurred because of<br />

a strong memory of the initial malady, in this case brought<br />

on by his discussion with Darnay. [T2C: 204, 1]<br />

7. C Mr. Lorry's fictional sufferer performed blacksmith's work<br />

during his relapse. Lorry inquires as to whether this<br />

blacksmith should have his tools taken from him. [T2C: 205, 8]<br />

8. C In the 18 th and 19 th century, the word "nice" typically<br />

meant dainty or difficult to please. In the case of Mr. Lorry's<br />

question about taking away Manette's tools, a "nice<br />

question" is one that is delicate and requires some tact. [T2C:<br />

206, 3]<br />

9. D Doctor Manette compares the fear over losing his tools to<br />

the terror of a lost child. [T2C: 206, 4]<br />

10. E Doctor Manette agrees to give up his cobbler's tools for the<br />

sake of his daughter, despite his great resistance to losing<br />

them. [T2C: 207, 2]<br />

11. C Doctor Manette asks that his tools be taken away when he<br />

is absent. They are destroyed after he leaves for his trip to<br />

Wales with Lucie and Darnay [T2C: 207, 2]<br />

12. A Doctor Manette relapses for nine days and spends four<br />

days perfectly recovered from his relapse before going to<br />

join Lucie and her husband on the fourteenth day of their<br />

trip. [T2C: 207, 3]<br />

13. C Mr. Lorry and Miss Pross destroy the shoemaker's tools.<br />

They take apart the bench before burning it, and bury the<br />

remainder of tools, shoes, and leather in the garden. The<br />

two, working secretly by candlelight, appear to be<br />

committing a horrible crime and removing all traces of their<br />

deed. [T2C: 207, 4]<br />

14. C Doctor Manette says that shoemaking "relieves his pain so<br />

much, by substituting the perplexity o the fingers for the<br />

perplexity of the brain, and by substituting, as he became<br />

more practiced, the ingenuity of the hands, for the<br />

ingenuity of mental torture." [T2C: 206, 4]<br />

15. E Doctor Manette, speaking of himself as a fictional sufferer,<br />

says that he dreaded a relapse but thinks it unlikely that he<br />

will experience another. He is pleased that his daughter is<br />

unaware of the relapse. Manette is extremely hesitant<br />

16. E<br />

17. A<br />

18. B<br />

19. D<br />

20. B<br />

21. C<br />

22. A<br />

23. A<br />

24. E<br />

25. B<br />

about giving up his shoemaking tools, but ultimately<br />

decides that it is best to do so for Lucie's sake. [T2C: 202‐207]


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 26<br />

CHAPTER 2.20 A PLEA<br />

1. A Sydney Carton is the firt to offer Lucie and Darnay<br />

congratulations upon their arrival home after the<br />

honeymoon. [T2C: 207, 5]<br />

2. E When Carton asks Darnay if they can be friends, Darnay<br />

responds that they are already friends. [T2C: 208, 3]<br />

3. D Carton apologizes for his unusual drunkenness after<br />

Darnay's trial. [T2C: 208, 6]<br />

4. E Darnay is quick to forgive Carton's drunken transgressions,<br />

but Carton has trouble believing that Darnay has moved on<br />

so easily. He says, "Oblivion is not so easy to me, as you<br />

represent it to be to you." [T2C: 208, 12]<br />

5. B Carton says that at the time of Darnay's trial, his service<br />

was "mere professional claptrap" and he did not care about<br />

Darnay, but that was purely in the past. [T2C: 209, 1]<br />

6. C Sydney Carton believes Charles Darnay sees him as a<br />

"dissolute dog who has never done any good, and never<br />

will." He also compares himself to unornamental furniture<br />

that is tolerated for its service, but not taken notice of. [T2C:<br />

209, 5]<br />

7. B Carton is extraordinarily self‐effacing in his request for<br />

permission to visit Darnay and Lucy. He describes himself as<br />

a "worthless fellow, and a fellow of such indifferent<br />

reputation." [T2C: 209, 7]<br />

8. B When Carton requests permission to visit Darnay's family,<br />

he says that he will not abuse such permission and will only<br />

avail himself of it four times a year. [T2C: 209, 7]<br />

9. D After Carton's visit, Darnay remarks that Carton is a<br />

"problem o carelessness and recklessness." Dickens says<br />

that Darnay speaks of him "as anybody might who saw him<br />

as he showed himself." [T2C: 210, 1]<br />

10. A Lucie asks her husband to be more considerate and<br />

respectful of Carton, but requests that he not seek more<br />

information from her. [T2C: 210, 9]<br />

11. E Lucie tells Charles that Carton has a wounded heart, rarely<br />

shown to anyone, and that while he is weak in his misery,<br />

he deserves compassion and is capable of good things.<br />

However, she does not believe his character or fortune are<br />

reparable. [T2C: 210, 13; 211, 1‐3]<br />

12. B Lucie is the epitome of innocence. Dickens creates her as a<br />

fairly flat, but perfect, woman. She is compassionate,<br />

thoughtful, faithful, pure, and virtuous. [T2C: 210‐211]<br />

13. B Charles is extremely loving in his relationship with Lucie,<br />

referring to her as his life and the heart that beats for him.<br />

The couple communicates about their problems, each<br />

opinion seemingly receiving an equal weight. [T2C: 210‐211]<br />

14. E Carton tells Darnay that he is "incapable of all the higher<br />

and better flights of men," and that Stryver would affirm<br />

this statement. Darnay tells Carton that he would rather<br />

form his own opinion. [T2C: 209, 3]<br />

15. E Charles Darnay tells Sydney Carton that he is not alarmed<br />

by Carton's earnestness when Carton apologizes for his<br />

drunkenness after the trial. [T2C: 208, 9]<br />

16. D<br />

17. E<br />

18. D<br />

19. A<br />

20. A<br />

21. B<br />

22. E<br />

23. D<br />

24. A<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 27<br />

CHAPTER 2.21 ECHOING FOOTSTEPS<br />

1. C Lucie often sits in her home listening to the echoes of<br />

footsteps outside. When she becomes pregnant, her<br />

thoughts are invaded by worries over death in childbirth.<br />

During the time of her pregnancy, women frequently died<br />

in childbirth, even when attended to by the best of doctors.<br />

[T2C: 211,8]<br />

2. E Lucie gives birth to a girl and a boy, but the boy dies early<br />

on. In that time, nearly half of the children born died before<br />

the age of five. [T2C: 212, 1‐3]<br />

3. C Little Lucie learns to speak "in the tongues of the Two Cities<br />

that were blended in her life," English and French. [T2C: 213, 1]<br />

4. C Sydney Carton visits the Darnays about a half‐dozen times a<br />

year, earning the affection of Lucie's children. He is the first<br />

stranger to whom little Lucie holds out her arms, and<br />

before Lucie's little boy dies he says, "Poor Carton! Kiss him<br />

for me!" [T2C: 213, 3]<br />

5. C Stryver is compared to a boat engine pushing through<br />

turbid water, with Carton as the boat towed behind in his<br />

wake. [T2C: 213, 4]<br />

6. B Stryver marries a widow with three children and property, a<br />

life he had previously suggested for Sydney Carton. Dickens<br />

says that the children "had nothing particularly shining<br />

about them but the straight hair of their dumpling heads."<br />

[T2C: 213, 4]<br />

7. C Stryver brings his three children to Darnay for tutoring, but<br />

Darnay politely rejects the offer. Stryver is angered by this<br />

rejection and tells his children to "beware the pride of<br />

Beggars, like that tutor‐fellow." [T2C: 214, 1]<br />

8. A Stryver often drunkenly tells his wife and other lawyers that<br />

Lucie tried to "catch" him, but he used his wits to keep<br />

himself from being caught. [T2C: 214, 1]<br />

9. D Doctor Manette believes Lucie to be even more devoted to<br />

him in marriage, and Charles finds that "no cares and duties<br />

seemed to divide her love for him or her help to him."<br />

Darnay asks her, "What is the magic secret, my darling, of<br />

your being everything to all of us, as if there were only one<br />

of us, yet never seeming to be hurried, or have too much to<br />

do?" [T2C: 214, 2]<br />

10. E Little Lucie is six‐years‐old when the French Revolution<br />

begins in 1789. Therefore, she was born in 1783. [T2C: 215, 1‐2]<br />

11. E The French Revolution, which is described as a "great storm<br />

in France with a dreadful sea rising," began on July 14,<br />

1789. [T2C: 214, 2]<br />

12. E The Darnays are married in 1781, and have little Lucie two<br />

years later in 1783. Eight years pass between their marriage<br />

and the beginning of the French Revolution. [T2C: 215, 2]<br />

13. E The French Revolution causes bank customers to be<br />

uneasy. They take their property from France and send it to<br />

England, creating a "run of confidence" upon Tellson's<br />

English branch. [T2C: 215, 3]<br />

14. E Doctor Manette offers to play backgammon with Lorry, but<br />

Lorry refuses, saying he is "not to be pitted" against<br />

Manette that night. [T2C: 215, 10]<br />

15. D Defarge's wine shop is the vortex in the whirlpool of activity<br />

surrounding the storming of the Bastille. The Defarges are<br />

leaders of the revolution, issuing orders and weapons<br />

amongst the crowds. [T2C: 217, 1]<br />

16. D Madame Defarge carries an axe in her hands, in place of her<br />

knitting needles, and keeps a pistol and knife at her waist.<br />

[T2C: 217, 3]<br />

17. D Dickens uses alliteration to create a harsh sound in the<br />

phrase, "Defarge of the wine‐shop at his gun, grown double<br />

hot by the service of Four fierce hours." Consonant sounds<br />

are repeated in the words "gun" and "grown," and "four"<br />

and "fierce." [T2C: 218, 2]<br />

18. D Dickens creates a more tangible impression of the storming<br />

of the Bastille by using onomatopoeia, or words that<br />

imitate a sound. He writes of "bravery without sting, boom,<br />

smash and rattle, and the furious sounding of the living<br />

sea." [T2C: 218, 2]<br />

19. A A parley is a discussion or conference. During the storming<br />

of the Bastille, a white flag of surrender is raised from<br />

within the fortress a parley occurs before Defarge goes<br />

inside the towers. [T2C: 218, 3]<br />

20. E When the Bastille is taken by the revolutionaries, the cry<br />

most taken up is, "The Prisoners!" Seven prisoners are<br />

released from the Bastille. [T2C: 219, 3]<br />

21. C Defarge finds Doctor Manette's initials, "A.M.," carved into<br />

the walls of One hundred and five, North Tower. He also<br />

discovers the words "a poor physician," and a calendar<br />

scratched onto the stone. He does not find anything hidden<br />

inside the wood or straw within the cell. [T2C: 220, 7]<br />

22. D The governor of Saint Antoine is killed at the Hotel de Ville,<br />

or the town hall. [T2C: 221, 6]<br />

23. C Madame Defarge cuts off the governor's head after he is<br />

beaten and stabbed by the large crowd of people<br />

surrounding him. [T2C: 221, 7]<br />

24. D Seven prisoners are released from the Bastille, all appearing<br />

scared and lost amidst the sea of revolutionaries. [T2C: 222, 3]<br />

25. E In contrast with the seven released prisoners, seven guards<br />

are killed and their heads hoised up on pikes "to be left on<br />

guard." [T2C: 222, 3]


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 28<br />

CHAPTER 2.22 THE SEA STILL RISES<br />

1. E The Vengeance serves as Madame Defarge's lieutenant in<br />

leading the revolutionary women. She is the "plump wife of<br />

a starved grocer" and has three children. [T2C: 224, 1]<br />

2. D Defarge wears a red cap, known as a "Phrygian cap." The<br />

caps were worn as symbols of patriotism. [T2C: 224, 5]<br />

3. C Foulon, a wealthy man, said that the starving people should<br />

eat grass. [T2C: 224, 9]<br />

4. E Foulon fakes his own death in order to escape the<br />

revolutionaries. He organized his own funeral to avoid<br />

emigration. [T2C: 224, 13]<br />

5. D Foulon is held prisoner at the Hotel de Ville, the town hall<br />

outside which the governor of Saint Antoine is killed. [T2C: 224,<br />

13]<br />

6. A Foul is described as a "wretched old sinner of more than<br />

threescore years and ten." A score is 20 years, so Foulon is<br />

about 70 during the storming of the Bastille. [T2C: 224, 14]<br />

7. A The Vengeance shrieks and flings her arms about on her<br />

way to kill Foulon, resembling all of the Furies at once. [T2C:<br />

225, 2]<br />

8. B The revolutionary women are "a sight to chill the boldest"<br />

on the way to the murder of Foulon. They lash out in a blind<br />

frenzy, striking at anyone nearby, angry over Foulon's lack<br />

of compassion for their hunger and need. [T2C: 225, 3]<br />

9. D The Defarges, The Vengeance, and Jacques Three are at the<br />

forefront of the mob when going to murder Foulon. [T2C: 226,<br />

1]<br />

10. E A bushel is a measurement of grain or produce. Dickens<br />

refers to "winning of many bushels of words," suggesting<br />

that the crowd at Foulon's murder separates out the<br />

important segments of Madame Defarge's speech for<br />

repetition. [T2C: 226, 3]<br />

11. E Foulon is hanged three times. The first two times the rope<br />

broke, but the third time it was "merciful" and killed him.<br />

[T2C: 227, 1]<br />

12. A After Foulon is hanged, his head is put up on a pike. He is<br />

stuffed with "grass enough in the mouth for all of Saint<br />

Antoine to dance at the sight of." [T2C: 227, 1]<br />

13. E Foulon's son‐in‐law is killed after Foulon. His head and<br />

heart are put up on a pike to keep Foulon company. [T2C: 2]<br />

14. A Viands are articles of food. Though the people of Saint<br />

Antoine have little to eat, Dickens writes that their<br />

companionship brings them some nourishment. [T2C: 228, 1]<br />

15. C The voice of the drum is the only one unchanged by the<br />

"blood and hurry." The other voices grow hoarse from<br />

yelling through the course of the revolution. [T2C: 228, 5]<br />

16. B<br />

17. B<br />

18. C<br />

19. A<br />

20. A<br />

21. C<br />

22. E<br />

23. D<br />

24. B<br />

25. E


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 29<br />

CHAPTER 2.23 FIRE RISES<br />

1. E The road mender's village is desolate, with all of its grass<br />

and crops shriveled and its people poor, miserable, and<br />

worn out. [T2C: 229, 1]<br />

2. A Dickens uses the individual appellation of "Monseigneur" to<br />

represent the aristocracy as a whole. This is an example of<br />

metonymy. [T2C: 229, 2]<br />

3. C Dickens writes, "Monseigneur began to run way from a<br />

phenomenon so low and accountable," referring to the First<br />

Emigration in 1789, when a number of aristocrats fled the<br />

country. [T2C: 229, 2]<br />

4. A The mender of roads spends much of his solitary working<br />

time thinking about his hunger. Dickens remarks that<br />

though the road mender works in the dust, he does not<br />

reflect that "dust he was and to dust he must return." [T2C::<br />

229, 4]<br />

5. D The village fountain is surrounded by "lean kine" brought<br />

there to drink. Kine is an old word for cattle. [T2C: 232, 5]<br />

6. B Gabelle, who sees the villagers out late at night, informs the<br />

church official in charge of the equipment that he might<br />

need to ring the alarm bell, known as the tocsin. [T2C: 232, 5]<br />

7. D Dickens refers to the four figures who burn the Marquis'<br />

chateau as "East, West, North, and South," furthering the<br />

portrayal of the revolution as a force of nature. [T2C: 233, 1]<br />

8. B While the Marquis' chateau burns down, the road mender<br />

and "two hundred and fifty particular friends" stand at the<br />

fountain and watch the fire in the sky. They remark that the<br />

fire is about forty feet tall. [T2C: 233, 2]<br />

9. B The villagers say that the fire from the burning of the<br />

Marquis' chateau rises to about forty feet, the same height<br />

as the gallows used to execute Gaspard earlier in the novel.<br />

[T2C: 233, 2]<br />

10. D The soldiers are asked to help save valuable items from the<br />

fire at the burning chateau, but they are unsympathetic.<br />

They shrug their shoulders and say, "It must burn." [T2C: 233, 4]<br />

11. E Monsieur Gabelle, a tax collector, is named after a pre‐<br />

revolutionary tax on salt. [T2C: 235, 1]<br />

12. D Gabelle is a "Southern man of retaliative temperament."<br />

The "Southern" temperament is stereotypically passionate.<br />

[T2C: 235, 1]<br />

13. E Gabelle climbs up on his roof and hides behind his<br />

chimneys until morning comes and the villagers disperse<br />

from his home. He plans to jump from his parapet and<br />

crush others as he plummets to his death if his house is<br />

broken into. [T2C: 235, 1]<br />

14. A The Marquis' chateau is burned down in the month of July,<br />

showing that the revolution moves quickly to the<br />

countryside after the storming of the Bastille. [T2C: 230, 1]<br />

15. E Dickens writes that villagers light fires in many other<br />

villages, often getting caught and hanged. However, the<br />

killing of some revolutionaries does not prevent the starting<br />

of many other fires elsewhere. The forces of nature steadily<br />

run their course, and the gallows cannot hang enough<br />

revolutionaries to end the fight. The narrator says, "The<br />

altitude of the gallows that would turn to water and quench<br />

16. A<br />

17. C<br />

18. D<br />

19. E<br />

20. D<br />

21. D<br />

22. B<br />

23. D<br />

24. B<br />

25. B<br />

it, no functionary, by any stretch of mathematics, was able<br />

to calculate successfully." [T2C: 235, 3]


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 30<br />

CHAPTER 2.24 DRAWN TO THE LOADSTONE ROCK<br />

1. B Sardanapalus is an Assyrian king known for his very lavish<br />

lifestyle. [T2C: 236, 4]<br />

2. A Chapter 24 jumps ahead three years, to 1792, when the<br />

Monseigneur have scattered. Darnay receives news of<br />

Gabelle's imprisonment and feels it is his duty to rescue<br />

him. [T2C: 237, 1]<br />

3. B Tellson's Bank is Monseigneur's gathering place in London.<br />

Dickens says, "Spirits are supposed to haunt the places<br />

were their bodies most resorted, and Monseigneur without<br />

a guinea haunted the spot where his guineas used to be."<br />

[T2C: 237, 2]<br />

4. A Lorry is sent to Tellson's Paris office to salvage precious<br />

books and papers that might be destroyed if the city was<br />

sacked or burnt down. [T2C: 238, 8]<br />

5. A Jarvis Lorry takes Jerry Cruncher with him to Paris as a<br />

bodyguard. He says that he is used to Jerry from working<br />

with him for so many nights in the past. [T2C: 239, 5]<br />

6. D Dickens compares Stryver's implausible plans for<br />

exterminating the French peasants with the proverb about<br />

killing birds by sprinkling salt on their tales. The birds will<br />

certainly not stay still long enough to be killed. [T2C: 240, 2]<br />

7. D The general opinion of the people at Tellson's is that the<br />

Marquis St. Evremonde is a degenerate, coward who<br />

deserves the wrath of his people. [T2C: 241, 3‐6]<br />

8. B Gabelle is held in the Prison of the Abbaye, a prison famous<br />

for holding many aristocrats during the revolution. It was<br />

destroyed in the 1850s to accommodate changes in the<br />

Paris streets. [T2C: 243, 3]<br />

9. A Gabelle is imprisoned for treason because he allegedly acts<br />

against his people for an emigrant, the Marquis St.<br />

Evremonde. [T2C: 243, 5]<br />

10. A Darnay is driven back to France with the "influence of the<br />

Loadstone Rock," which alludes to a rock with a naturally<br />

magnetic mineral used in compasses. [T2C: 245, 2]<br />

11. E Darnay compares himself to Lorry, calling him the "brave<br />

old gentleman in whom duty was so strong." [T2C: 245, 2]<br />

12. E Darnay writes letters to Lucie and Doctor Manette<br />

explaining his obligation to go to Paris and assuring them<br />

that he is not in any danger and will write when he arrives<br />

safely. [T2C: 246, 15]<br />

13. E Charles Darnay cries out, as he departs for Paris, "For the<br />

love of Heaven, of justice, of generosity, of the honour of<br />

your noble name!" Gabelle also writes this in his letter to<br />

Darnay. [T2C: 247, 2]<br />

14. E Darnay sends Lorry with a verbal message for Gabelle, as a<br />

written message might be too dangerous to take across the<br />

border. He asks Lorry to inform Gabelle that the Marquis St.<br />

Evremonde has received the letter and will come. [T2C: 246, 9]<br />

15. E Darnay realizes, in retrospect, that his renunciation of his<br />

place as the Marquis St. Evremonde was hurried and<br />

incomplete. He feels obligated to return to France to<br />

correct his mistakes. [T2C: 244, 1]<br />

16. D<br />

17. B<br />

18. D<br />

19. E<br />

20. D<br />

21. B<br />

22. D<br />

23. C<br />

24. E<br />

25. B


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 31<br />

CHAPTER 3.1 IN SECRET<br />

1. C Gabelle's letter from prison allows Darnay to get through<br />

many guard‐houses while traveling through Paris. [T2C: 252, 1]<br />

2. D Darnay is required to pay for the escort of two armed<br />

patriots in order to make it to Paris. [T2C: 252, 11]<br />

3. D On the day Darnay leaves England to rescue Gabelle, a<br />

decree passes in France allowing the state to confiscate the<br />

property of emigrants. [T2C: 254, 5]<br />

4. D Darnay, or Evremonde as he is called in France, is 37‐years‐<br />

old when he is imprisoned. [T2C: 256, 7]<br />

5. B Darnay is consigned to La Force Prison, while Gabelle is in<br />

the Prison of the Abbaye. [T2C: 256, 13]<br />

6. E The officer handling Darnay's imprisonment writes the<br />

words, "In secret," on a paper that Defarge bring with him<br />

to the prison. "In secret" means that Darnay is kept in<br />

solitary confinement. [T2C: 257, 1]<br />

7. E Defarge escorts Darnay to prison, inquiring about whether<br />

Darnay is the one who married Lucie, but offering no<br />

assistance. [T2C: 257]<br />

8. A Darnay asks Defarge to convey a message about his<br />

imprisonment to Lorry, who is in Paris at the time. Defarge<br />

responds that he will do nothing for Darnay, his duty is to<br />

his country and people. [T2C: 258, 3]<br />

9. E Darnay's jailer is irritated by another prison, especially in<br />

solitary confinement, when the prison is already "full to<br />

bursting." [T2C: 259, 2‐7]<br />

10. D La Force Prison has the "horrible smell of foul sleep."<br />

Dickens remarks that this noisome smell is present in all<br />

such places that are not taken care of well. [T2C: 259, 6]<br />

11. B Darnay compares his fellow prisoners to ghosts looking at<br />

him with "eyes that were changed by the death they had<br />

died in coming there." [T2C: 260, 4]<br />

12. C Darnay is not permitted to buy pen, ink, and paper in<br />

prison. He is only allowed to purchase food. [T2C: 261, 11]<br />

13. C Darnay's jailer is extremely bloated, as though he had<br />

drowned and filled with water. [T2C: 259, 2]<br />

14. B Darnay's paces out his cell, measuring it at five paces by<br />

four and a half. [T2C: 262, 1]<br />

15. D After being locked away in solitary confinement, Darnay<br />

paces his cell, counting, and talking to himself about Doctor<br />

Manette and the other prisoners. [T2C: 262, 1]<br />

16. D<br />

17. C<br />

18. C<br />

19. A<br />

20. B<br />

21. B<br />

22. D<br />

23. A<br />

24. D<br />

25. E


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 32<br />

CHAPTER 3.2 THE GRINDSTONE<br />

1. D Tellson's Bank is located in the Saint Germain Quarter of<br />

Paris. It is located inside the wing of a large house formerly<br />

owned by the Monseigneur. [T2C: 262, 2]<br />

2. D Dickens says that the Monseigneur had to flee from<br />

revolutionaries, but is the same Monseigneur in his<br />

metempsychosis, or transmigration of the soul. [T2C: 262, 2]<br />

3. D Dickens remarks that if the Paris Tellson's were in London,<br />

it would be driven to the Gazette. This means it would go<br />

bankrupt, resulting in a notice in the London Gazette. He<br />

writes that the Paris branch is distastefully decorated with<br />

orange‐trees in boxes and a whitewashed Cupid over the<br />

counter and the clerks there are not old. [T2C: 263, 2]<br />

4. B Jarvis Lorry occupies rooms in the Bank house while<br />

working at the Paris branch. The other residents, who are<br />

patriots, keep the building safe. [T2C: 264, 1]<br />

5. E Lucie Manette informs Jarvis Lorry that her husband has<br />

been imprisoned in France. [T2C: 265, 9]<br />

6. D Darnay is in prison for about three or four days before Lucie<br />

brings word of it to Lorry. [T2C: 265, 9]<br />

7. E Doctor Manette is respected in France because of his status<br />

as a Bastille prisoner. The patriots allow him to pass<br />

through the barrier and will not do him any harm. [T2C: 265, 14]<br />

8. C The courtyard outside Tellson's contains a throng of about<br />

forty or fifty people sharpening their weapons on the<br />

grindstone. [T2C: 266, 6]<br />

9. B Dickens portrays the grindstone scene as hellish, with the<br />

men turning the grindstone depicted as wild savages and<br />

demons. [T2C: 266, 8]<br />

10. E The people at the grindstone sharpen their weapons in<br />

order to murder the prisoners. Lorry urges Doctor Manette<br />

to use his status to rescue Darnay from La Force Prison<br />

before he is killed there. [T2C: 267, 2]<br />

11. A The people at the grindstone stand with shoulders linked<br />

and shout out, "Live the Bastille prisoner! Help for the<br />

Bastille prisoner in front there! Save the prisoner<br />

Evremonde at La Force!" [T2C: 268, 1]<br />

12. B Everyone sharpening their weapons at the grindstone is<br />

covered in blood. Their clothing and bodies are stained with<br />

the red of blood, and when they finish, the grindstone itself<br />

is red. [T2C: 266, 8]<br />

13. E Lucie waits in a back room while Lorry and Doctor Manette<br />

discuss how to rescue Charles Darnay. She then sleeps and<br />

moans through the night while her father is gone. She is<br />

fearful, and unable to do anything to help, but hopeful for<br />

her husband's rescue. [T2C: 266, 3; 268, 2‐4]<br />

14. B Dickens describes Earth as "the great grindstone," referring<br />

to the grindstone outside Tellson's as "the lesser<br />

grindstone." [T2C: 269, 1]<br />

15. C The grindstone scene is reminiscent of the scene in which<br />

the cask breaks outside Defarge's wine shop. In both, the<br />

people are frenzied, smeared with blood, and inhuman in<br />

their mob mentality. [T2C: 266, 8]<br />

16. D<br />

17. A<br />

18. C<br />

19. B<br />

20. A<br />

21. E<br />

22. E<br />

23. C<br />

24. B<br />

25. B


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 33<br />

CHAPTER 3.3 THE SHADOW<br />

1. A Lorry finds another dwelling‐place for Lucie and her<br />

daughter, rather than allowing them to stay at Tellson's,<br />

because he does not want to endanger the business by<br />

harboring the family of an emigrant prisoner. [T2C: 269, 2]<br />

2. C Lorry leaves his bodyguard, Jerry Cruncher, to protect Lucie<br />

and her family at a temporary dwelling near the bank. [T2C:<br />

270, 1]<br />

3. D Defarge, described as a "strongly made man with dark<br />

curling hair, from forty‐five to fifty years of age" delivers<br />

Lorry a note from Doctor Manette. He requests to bring<br />

another note from Charles Darnay to Lucie. [T2C: 270, 11]<br />

4. B Doctor Manette sends Lorry a note that Charles is safe, but<br />

they cannot yet leave the prison. He sends Defarge with a<br />

note for Lucie, as well. [T2C: 270, 11]<br />

5. D Seventeen years pass between Doctor Manette's rescue<br />

from imprisonment and Darnay's imprisonment. [T2C: 271, 2]<br />

6. C The Defarges, The Vengeance, and Jarvis Lorry all visit<br />

Lucie, bringing a note from Charles Darnay. His note tells<br />

her to take courage and kiss little Lucie for him, but not to<br />

answer. [T2C: 271, 1‐6]<br />

7. A Jarvis Lorry tries to appease, or propitiate, Lucie by the tone<br />

and manner of his voice. [T2C: 272, 2]<br />

8. C Miss Pross, not intimated by anybody, calls The Vengeance<br />

"Boldface" and coughs on Madame Defarge. [T2C: 272, 3]<br />

9. D Dickens says that Madame Defarge has a "shadow<br />

attendant" that falls on Lucie and little Lucie, threatening<br />

them both. [T2C: 272, 6]<br />

10. E Lucie asks for Madame Defarge's help in saving her<br />

husband, imploring her as a wife and mother. However,<br />

Madame Defarge says that the wives and mothers she has<br />

seen have had their husbands and fathers kept prisoners<br />

while the woman and children suffered. [T2C: 273, 8]<br />

11. A The Defarges and the Vengeance visit Lucie so that they can<br />

recognize her and protect her from street uprisings. [T2C: 271,<br />

11]<br />

12. D Charles Darnay writes a hopeful note to his wife from<br />

prison, telling her to take courage as he is well and her<br />

father has influence in his favor. [T2C: 271, 8]<br />

13. D Ernest Defarge is described as a "strongly made man with<br />

dark curling hair." He is between 45 and 50‐years‐old at the<br />

time of Darnay's imprisonment. [T2C: 270, 4]<br />

14. A Lucie is found weeping in her temporary domicile when the<br />

Defarges, The Vengeance, and Lorry bring her a note from<br />

her imprisoned husband. [T2C: 271, 7]<br />

15. A Madame Defarge seems to be complimented by Lucie's<br />

admission of fear of her. While Lucie is hopeful about her<br />

husband's status in prison, she worries about the shadow<br />

cast upon her by Madame Defarge. [T2C: 273, 1‐2]<br />

16. D<br />

17. B<br />

18. E<br />

19. D<br />

20. E<br />

21. E<br />

22. D<br />

23. C<br />

24. A<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 34<br />

CHAPTER 3.4 CALM IN STORM<br />

1. A Doctor Manette spends four days with Darnay in prison,<br />

watching as the revolutionaries massacre other prisoners.<br />

[T2C: 274, 4]<br />

2. A Dickens writes Darnay's time in prison during the historic<br />

September Massacres. The revolutionaries kill<br />

approximately 1,100 prisoners during that time. [T2C: 274, 4]<br />

3. C The prison tribunal offers Charles Darnay safe custody<br />

because of Doctor Manette's status as a Bastille prisoner.<br />

[T2C: 275, 1]<br />

4. B Doctor Manette is empowered by his prison experience,<br />

saying that it was not "mere waste and ruin" because it<br />

allows him to restore his daughter's husband, as she once<br />

restored him. [T2C: 276, 1]<br />

5. E Doctor Manette uses his influence with the revolutionaries<br />

to become the physician for three prisons, including La<br />

Force, so that he can keep an eye on Darnay. [T2C: 276, 2]<br />

6. A Doctor Manette visits Darnay in La Force Prison weekly.<br />

Darnay is moved into the general body of prisoners rather<br />

than solitary confinement. [T2C: 2]<br />

7. D Doctor Manette has a sense of pride while living in France<br />

because he is able to offer strength and influence to help<br />

his daughter, who has previously done so much for him.<br />

[T2C: 277, 3]<br />

8. E Jarvis Lorry finds Doctor Manette's sense of pride in France<br />

somewhat curious, but natural and worthy. He think, "take<br />

the lead, my dear friend, and keep it; it couldn't be in better<br />

hands." [T2C: 276, 3]<br />

9. C Dickens refers to the new Republic as the "Republic of<br />

Liberty, Equality, Fraternity, or Death." [T2C: 277, 1]<br />

10. E The black flag outside Notre Dame after the execution of<br />

the French king represents danger of foreign attack, as<br />

other European countries are upset by the act of regicide.<br />

[T2C: 277, 1]<br />

11. E King Louis XVI is beheaded on January 21, 1793; his wife is<br />

executed on October 18, 1793. Dickens rounds this to<br />

"eight weary months of imprisoned widowhood and<br />

misery." [T2C: 277, 2]<br />

12. A Dickens says that the guillotine was a popular theme for<br />

jokes. "It was the best cure of headache, it infallibly<br />

prevented the hair from turning grey, it imparted a peculiar<br />

delicacy to the complexion, it was the National Razor which<br />

shaved close: who kissed La Guillotine, looked through the<br />

little window and sneezed into the sack." [T2C: 278, 2]<br />

13. B The guillotine is "worn on breasts from which the Cross was<br />

discarded, and it was bowed down to and believed in where<br />

the Cross was denied." Dickens uses the worshipping of the<br />

guillotine, rather than the cross, to symbolize the<br />

secularization of France during the Reign of Terror. [T2C: 278, 2]<br />

14. C Dickens described the execution of "two‐two friends of high<br />

public mark, twenty‐one living and one dead." The group to<br />

which he refers is the Girondin Party. One member of the<br />

party committed suicide before being beheaded by the<br />

guillotine with the rest of the political faction. [T2C: 278, 3]<br />

15. D Charles Darnay spends one year and three months in<br />

prison. Doctor Manette remains confident throughout that<br />

he will be able to rescue his daughter's husband. [T2C: 279, 1]<br />

16. B<br />

17. E<br />

18. D<br />

19. C<br />

20. E<br />

21. A<br />

22. D<br />

23. B<br />

24. D<br />

25. B


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 35<br />

CHAPTER 3.5 THE WOOD‐SAWYER<br />

1. D Lucie wears plain dark dresses, like mourning dresses,<br />

during Darnay's imprisonment. However, she generally<br />

remains pretty and neat. [T2C: 280, 3]<br />

2. B Doctor Manette tells Lucie that Charles is able to see out a<br />

certain window around three in the afternoon on some<br />

days, and she can stand in a certain spot outside so that he<br />

might see her. Lucie goes between two and four every day<br />

to maximize Charles' chances of seeing her. [T2C: 280, 5]<br />

3. C Lucie stands outside the prison, often with little Lucie, for<br />

two hours each day. She arrives and two and leaves at four,<br />

hoping that that Charles will see her at some point in<br />

between, even though she cannot see him. [T2C: 281, 2]<br />

4. A The wood‐sawyer, whose house is near the prison, was<br />

formerly the road mender from the Marquis' village. [T2C: 281,<br />

9]<br />

5. D The wood sawyer, trying to understand what Lucie is doing<br />

near the prison each day, points at the prison and puts his<br />

fingers over his face to represent bars. He peeps through<br />

his fingers "jocosely," meaning humorously or jokingly. [T2C:<br />

281, 9]<br />

6. B The wood‐sawyer calls his saw "Little Guillotine" and "Little<br />

Sainte Guillotine." He appears overly enthusiastic about his<br />

pretend sawing of wooden heads. [T2C: 282, 3]<br />

7. A The wood‐sawyer refers to himself as the "Samson of the<br />

firewood guillotine." Samson is known for having<br />

extraordinary strength, used to combat his enemies. 20 [T2C:<br />

282, 5]<br />

8. D As Lucie must stand near the wood‐sawyer in order to be<br />

seen by Charles, she tries to earn his good will by speaking<br />

with him first and offering him drink‐money. [T2C: 282, 6]<br />

9. B Lucie kisses the prison wall each day before she leaves.<br />

Darnay sees her from the window about once in five or six<br />

times. [T2C: 282, 8]<br />

10. E The revolutionaries dance the Carmagnole near the prison,<br />

frightening Lucie while she stands nearby. [T2C: 284, 1]<br />

11. C Darnay is moved to the Concierge, an old prison adjacent to<br />

the Palais de Justice, where many prisoners spent their last<br />

days before being executed by the guillotine. [T2C: 284, 12]<br />

12. D Darnay sees his wife from the prison window about once in<br />

five or six times, but Lucie willingly stands by the window<br />

daily to preserve that possibility. [T2C: 282, 8]<br />

13. B A decree during the revolution forced everybody to refer to<br />

each other as "citizen" and "citizeness." [T2C: 281, 6]<br />

14. D After Lucie watches the dancing of the Carmagnole outside<br />

the prison, she sees the snow fall quietly and "lay as white<br />

and soft, as if it had never been." The snow represents her<br />

purity and love for Darnay, which Madame Defarge soon<br />

walks by and overshadows. [T2C: 284, 1]<br />

15. D Doctor Manette assures Lucie that nothing can happen to<br />

her husband without his knowledge, and he feels confident<br />

that he will be able to save Darnay. [T2C: 280, 3]<br />

20 Two of my best friends happen to be named Isaiah and Obadiah;<br />

apparently I get along well with people named after biblical characters.‐<br />

Melanie<br />

16. D<br />

17. C<br />

18. B<br />

19. B<br />

20. E<br />

21. B<br />

22. D<br />

23. D<br />

24. C<br />

25. D


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 36<br />

CHAPTER 3.6 TRIUMPH<br />

1. C The tribunal consists of five Judges, the Public Prosecutor,<br />

and a jury. [T2C: 286, 1]<br />

2. D Darnay is accused as an emigrant. A decree, passed after his<br />

return to France, demands the life of all emigrants. [T2C: 288, 1]<br />

3. D The court spectators are fickle in their reaction to Darnay.<br />

At first they act impatient to sent him off to be executed,<br />

but upon hearing his relation to the Manettes, they cry in<br />

sympathy. [T2C: 289, 3]<br />

4. A Darnay tells the court that he did not return to France<br />

sooner than at Gabelle's request because he had resigned<br />

his only means of living in France, while he could work at a<br />

tutor of French language and literature in England. [T2C: 289, 6]<br />

5. C Gabelle is released from prison three days before Darnay's<br />

trial, in time to serve as a witness. [T2C: 289, 9]<br />

6. E Darnay's surrender satisfies Gabelle's Jury. They consider all<br />

accusations against him answered for, and release him<br />

from prison three days before Darnay's trial. [T2C: 289, 9]<br />

7. D Doctor Manette is a witness for Darnay at his trial, arguing<br />

in favor of his loyalty to the Manettes and his previous trial<br />

for treason by the English government. Lorry's<br />

corroboration of the trial helps convince the jury of<br />

Darnay's innocence. [T2C: 290, 1]<br />

8. D The five people tried as one after Darnay are all sentenced<br />

to death, indicated by the customary prison sign of a raised<br />

finger. [T2C: 291, 1]<br />

9. A The court where Darnay is tried is next to the bank of the<br />

Seine. Dickens compares the running of the river as "mad,<br />

like the people on the shore." [T2C: 291, 2]<br />

10. A Darnay is carried home on a chair after his acquittal. The<br />

court audience throws a red flag over the chair and binds a<br />

pike with a red cap on it to the back. Despite Doctor<br />

Manette's entreaties, the people carry him up on their<br />

shoulders in a procession that makes Darnay wonder if he is<br />

not actually on his way to the guillotine. [T2C: 291, 3]<br />

11. B The court spectators dance the Carmagnole in celebration<br />

of Darnay and Lucie's reunion. [T2C: 292, 1]<br />

12. E Doctor Manette tells Lucie, as she lays her head on his<br />

chest, that she "must not be weak" because he has saved<br />

Darnay. [T2C: 292, 7]<br />

13. B Lucie and Charles pray in thanks to God for saving Charles<br />

and returning him home to Lucie. [T2C: 292, 4‐5]<br />

14. E Madame Defarge is seen knitting during Darnay's trial, an<br />

ominous reminder that Darnay's name is still on the<br />

register. Though he is acquitted, he is not yet safe from her<br />

vengeance. [T2C: 287, 3]<br />

15. D The court spectators at Darnay's trial are examples of the<br />

very malleable nature of the French people. Their opinions<br />

change quickly, first lusting for Darnay's execution, then<br />

supporting his innocence. However, it is implied that this<br />

flexibility can just as easily reverse again. [T2C: 289, 3]<br />

16. B<br />

17. D<br />

18. C<br />

19. E<br />

20. D<br />

21. A<br />

22. E<br />

23. D<br />

24. D<br />

25. D


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 37<br />

CHAPTER 3.7 A KNOCK AT THE DOOR<br />

1. C The Darnays are frugal in their housekeeping and do not<br />

have a servant because they are not rich, primarily because<br />

Charles had to spend much of his money on prison<br />

expenses, and they consider it safer. There is less risk of<br />

having a domestic spy in their home, and they are less likely<br />

to offend people. [T2C: 293, 4]<br />

2. E The Republic requires everyone to paint their names on the<br />

door or doorpost of their home in a certain size, at a certain<br />

height from the ground. Darnay hires a painter to add his<br />

name to the list on his door. The list also includes Jerry<br />

Cruncher, who essentially lives with the Darnays on retainer<br />

from Lorry. [T2C: 294, 1]<br />

3. D Doctor Manette and the other members of his household<br />

must go each evening to purchase various household items<br />

in small quantities at several different shops. They aim to<br />

avoid talk and envy as much as possible, so they do not<br />

want to be seen purchasing too much at any one place. [T2C:<br />

294, 2]<br />

4. B Miss Pross and Jerry Cruncher procure goods for the<br />

Doctor's household, with Miss Pross carrying the money<br />

and Jerry Cruncher carrying the basket. [T2C: 294, 3]<br />

5. E Miss Pross always bargains with the shopkeepers when she<br />

goes shopping for household supplies. Though she speaks<br />

no French, she communicates her price by holding up one<br />

less finger than the merchant, regardless of the number.<br />

[T2C: 294, 3]<br />

6. D After living in the Manette household for some time, the<br />

rust from grave robbing wears off of Jerry Cruncher's<br />

fingers. However, Dickens says "nothing would file his spiky<br />

head down." [T2C: 295, 1]<br />

7. C Jerry Cruncher tells Miss Pross, "It will be much the same to<br />

your knowledge, miss, I should think, whether they drink<br />

your health or the Old Un's." He clarifies that he is speaking<br />

of Old Nick, a name for the devil. [T2C: 295, 5]<br />

8. A Miss Pross, as a citizen of England, says that her maxim is,<br />

"Confound their politics, Frustrate their knavish tricks, On<br />

him our hopes we fix, God save the King!" [T2C: 295, 12]<br />

9. B Four "rough men in red caps, armed with sabres and<br />

pistols" arrest Darnay shortly after his acquittal, confirming<br />

Lucie's suspicions that the danger is not yet past. [T2C: 297, 1]<br />

10. A The men arresting Darnay tell him that he, is accused by<br />

Saint Antoine. Later, one admits that the Defarges and one<br />

other accused Darnay. [T2C: 297, 16]<br />

11. E One of the men arresting Darnay tells Doctor Manette that<br />

he should stop asking questions. He says, "Citizen Doctor,<br />

ask no more. If the Republic demands sacrifices from you,<br />

without doubt you as a good patriot will be happy to make<br />

them. The Republic goes before all. The people is<br />

Supreme." [T2C: 297, 18]<br />

12. C Though it is against the rules, one of the soldiers arresting<br />

Darnay tells Doctor Manette that the Defarges and one<br />

other person denounced Darnay. [T2C: 298, 4]<br />

13. B When Doctor Manette asks the soldier of Saint Antoine<br />

who the third person to denounce Darnay is, the solder<br />

responds that he is "dumb," or speechless. [T2C: 298, 8]<br />

14. A Charles Darnay is freed from prison, and then immediately<br />

taken back by order of the Defarges. Madame Defarge did<br />

much the same with Foulon, letting him escape before<br />

catching and killing him. She is ruthless in her games of cat<br />

and mouse with those whom she wishes to have killed. [T2C:<br />

296‐298]<br />

15. A Doctor Manette tells Miss Pross she can take the liberty of<br />

asking a question, but she responds, "For gracious sake,<br />

don't talk about Liberty; we have quite enough of that." [T2C:<br />

295, 10]<br />

16. B<br />

17. B<br />

18. D<br />

19. D<br />

20. C<br />

21. E<br />

22. C<br />

23. D<br />

24. E<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 38<br />

CHAPTER 3.8 A HAND AT CARDS<br />

1. C Miss Pross and Jerry Cruncher visit a wine shop called The<br />

Good Republican Brutus of Antiquitity. The shop name<br />

likely refers to Lucius Junius Brutus, who helped to establish<br />

the Roman Republic. 21 [T2C:298, 10]<br />

2. D Miss Pross refers to Jerry Cruncher as her cavalier. A<br />

cavalier was originally a knight, but later came to refer to a<br />

gentleman. [T2C: 298, 10]<br />

3. C Miss Pross screams when she sees her brother in the wine<br />

shop, but the other customers look as though expecting<br />

that somebody was assassinated over a difference of<br />

opinion. [T2C: 299, 2‐3]<br />

4. D Solomon Pross is vexed by encountering his sister in a wine<br />

shop. He worries that she will blow his cover as a spy. He is<br />

not surprised, telling her that he already knew she was in<br />

France. [T2C: 300, 1]<br />

5. B Miss Pross explores "the depths of her reticule," which is a<br />

small bag like a purse, in order to pay for her wine and go<br />

outside to speak to her brother. [T2C: 300, 8]<br />

6. D Jerry Cruncher and Sydney Carton recognize Miss Pross'<br />

brother Solomon as John Barsad from Darnay's previous<br />

trial in England. [T2C: 301‐302]<br />

7. B Sydney Carton appears almost out of nowhere in the wine<br />

shop, identifying Solomon Pross as John Barsad, while Jerry<br />

Cruncher can only partially remember Pross' English name.<br />

[T2C: 302, 6‐8]<br />

8. A Solomon Pross is a tergiversator, one who uses evasions or<br />

subterfuge, or who forsakes a position of allegiance. [T2C: 306,<br />

5]<br />

9. A Sydney Carton discusses all the cards he has in his hand,<br />

relative to Solomon Pross' poor hand of cards, as a<br />

metaphor for the power that he holds. [T2C: 305‐307]<br />

10. C Solomon Pross put paving stones and dirt in Roger Cly's<br />

coffin, helping to fake the man's funeral. He is revealed as<br />

the only mourner at the funeral. Pross tells Carton that Cly's<br />

unpopularity prevented him from following the remains,<br />

but he helped to lay Cly in his coffin. [T2C: 309, 8]<br />

11. D Sydney Carton threatens to denounce Solomon Pross for<br />

communicating with Roger Cly, another spy for the<br />

aristocratic English government. The former employer of<br />

the two spies is the enemy of France, the country for which<br />

they now work, but would likely sentence them to death if<br />

this information were revealed. [T2C: 309, 13]<br />

12. B Jerry Cruncher, who attempted to rob Roger Cly's grave,<br />

reveals that Cly was not actually buried. Rather, his coffin<br />

was filled with stones and dirt so that he could escape from<br />

England, where he was extremely unpopular. Cruncher, of<br />

course, has a hard time explaining how he knows about this<br />

funeral deception. [T2C: 309]<br />

13. B Solomon Pross is frightened of Madame Defarge, who knits<br />

while talking to him and has an ominous look. He knows<br />

that, given his occupation, it is unlikely that he can escape<br />

her registers. [T2C: 306, 5]<br />

21 Interestingly, if you search Google Maps for Paris wine shop, Defarge's<br />

wine shop appears as a placemark in A Tale of Two Cities.‐Melanie<br />

14. A Sydney Carton tells Jarvis Lorry that times are desperate,<br />

but that Doctor Manette can play the winning came while<br />

he will play the losing one, sacrificing himself for Darnay.<br />

[T2C: 305, 6]<br />

15. E Sydney Carton refers to Solomon Pross as a "Sheep of the<br />

Prisons," a name for one who spies in prisons in order to<br />

obtain incriminating evidence about a prisoner. [T2C: 302, 9]<br />

16. B<br />

17. B<br />

18. B<br />

19. B<br />

20. A<br />

21. B<br />

22. A<br />

23. B<br />

24. E<br />

25. D


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 39<br />

CHAPTER 3.9 THE GAME MADE<br />

1. E Jarvis Lorry reprimands Jerry Cruncher for working as a<br />

grave robber, telling him that he will be fired from Tellson's.<br />

[T2C: 311, 6]<br />

2. C Jerry Cruncher tells Mr. Lorry that there might be "medical<br />

doctors at the present hour, a picking up their guineas<br />

where a honest tradesman don't pick up his fardens."<br />

"Fardens" are actually farthings, coins worth a quarter of a<br />

penny. [T2C: 311, 7]<br />

3. C Jarvis Lorry tells Jerry Cruncher not to prevaricate, or lie,<br />

about his illegal activity robbing graves. 22 [T2C: 312, 3]<br />

4. B Jerry Cruncher asks Mr. Lorry to let his son assume his job<br />

at Tellson's so that the boy can take care of his mother. [T2C:<br />

312, 4]<br />

5. B Jerry Cruncher plans to become a grave digger to "make<br />

amends for what he would have un‐dug." He says that he<br />

will dig them "with conwictions respectin' the futur' keepin'<br />

of 'em safe." [T2C: 312, 4]<br />

6. C Barsad and Carton make a deal that if things do not go well<br />

for Darnay, Carton can visit him once in prison. [T2C: 313,4]<br />

7. E Carton tells Lorry that he is a "good man and a true friend,"<br />

and that he cannot stand to see him weep any more than<br />

he could if Lorry was his own father, but says that Lorry is<br />

"free from that misfortune." [T2C: 314, 1]<br />

8. A Sydney Carton speaks with the wood‐sawyer outside La<br />

Force Prison, who tells him that Samson, the executioner<br />

,complains of being exhausted. [T2C: 317, 5]<br />

9. B The wood‐sawyer times the speed of the executions by the<br />

number of pipes he smokes; when speaking to Carton, he<br />

said that 63 people were killed that day in two pipes. [T2C:<br />

317, 9‐10]<br />

10. D Sydney Carton visits a chemist's shop after speaking with<br />

Barsad, Lorry, and then the wood‐sawyer. He writes down<br />

what he wants on a scrap of paper, keeping it a mystery to<br />

the reader. The chemist indicates that the substances are<br />

dangerous if they are mixed together. [T2C: 317, 18]<br />

11. D As Carton walks the steets at night, seemingly preparing to<br />

die, he hears a quote in his head that was read at his<br />

father's funeral: "I am the resurrection and the life, saith<br />

the Lord: he that believeth in me, though he were dead, yet<br />

shall he live: and whosoever liveth and believeth in me,<br />

shall never die." This passage is from the Book of John, and<br />

commonly recited during burial services. [T2C: 318, 9]<br />

12. B Dickens describe the darkness during Sydney Carton's<br />

night‐time walk, saying that the time when the moon and<br />

stars turned pale, it looked as if "Creation were delivered<br />

over to Death's dominion." After, the sun rises and warms<br />

his heart. This represents resurrection, a common theme<br />

throughout the novel. [T2C: 319, 5]<br />

13. A The court says that three people openly denounced Charles<br />

Darnay, the Defarges and Doctor Manette. [T2C: 321, 12]<br />

14. D Defarge found a written paper in One Hundred and Five,<br />

North Tower in the Bastille. The paper was written by<br />

22 Prevaricate is a common SAT and GRE word. When Cruncher says it,<br />

the word is "prewaricate."‐Melanie<br />

Doctor Manette, and is considered his denouncement of<br />

Darnay. [T2C: 323, 2]<br />

15. C Carton and Lorry reflect on what makes life worthwhile,<br />

primarily an emotional connection with other people.<br />

When Carton asks Lorry whether his childhood memories<br />

seem far off, Lorry replies that they once did, but as he gets<br />

older he feels closer to the beginning. [T2C: 316, 5]<br />

16. D<br />

17. A<br />

18. D<br />

19. D<br />

20. C<br />

21. B<br />

22. C<br />

23. D<br />

24. D<br />

25. A


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 40<br />

CHAPTER 3.10 THE SUBSTANCE OF THE SHADOW<br />

1. E Doctor Manette hid away a letter explaining the cause of<br />

his imprisonment. Defarge found the paper in the chimney<br />

walls within his cell, expecting that it might be found after<br />

his death. [T2C: 323, 5]<br />

2. C Doctor Manette wrote the letter explaining the reasons<br />

behind his imprisonment in the last month of the 10 th year<br />

of his captivity. [T2C: 324, 1]<br />

3. B Doctor Manette was arrested in 1757, and rescued by his<br />

daughter 18 years later, the point at which the novel<br />

begins. [T2C: 324, 2]<br />

4. C The twin Evremonde brothers take Doctor Manette to treat<br />

a young woman who repeatedly says, "My husband, my<br />

father, and my brother." She then counts to twelve and<br />

says, "Hush!" [T2C: 326, 5]<br />

5. A The young peasant boy was stabbed by a sword. Doctor<br />

Manette, after seeing the wound, believes it too severe for<br />

him to have lived, even if seen without a delay of twenty to<br />

twenty‐four hours. [T2C: 328, 9]<br />

6. E Doctor Manette believe the young peasant woman has a<br />

high fever of the brain, something akin to delirium,<br />

followed by her collapse. [T2C: 326, 2]<br />

7. D Doctor Manette gives the sick peasant woman a dose of<br />

narcotic medicine, the only kind the Evremonde brothers<br />

seem to have. Manette says, "If I had wanted to use<br />

anything save narcotic medicines that were poisons in<br />

themselves, I would not have administered any of these."<br />

The medicine likely made her sleepy and less aware of her<br />

illness. [T2C: 327, 9]<br />

8. E The peasant girl's brother tells Doctor Manette that the<br />

Evremondes convinced her husband to lend her to them by<br />

harnessing him to their carts as a driver and making him<br />

stay out to quiet the frogs all night. [T2C: 330, 4]<br />

9. A The peasant boy takes his young sister somewhere out of<br />

the Evremonde brothers' reaches so that she cannot<br />

become their slave. He then tracked the brother who took<br />

his other sister, attempting to kill, but instead being killed<br />

himself. [T2C: 331, 2]<br />

10. C The Evremonde brothers raped the peasant woman, caused<br />

the deaths of her brother and father, and then imprisoned<br />

Doctor Manette to keep their crimes a secret. [T2C: 331, 2]<br />

11. D The peasant boy draws a cross in blood to signal his cure on<br />

the Evremonde brothers and their entire "bad race." [T2C: 322,<br />

1]<br />

12. A The Marquis believes that the "common bodies" of the<br />

peasant girl and her brother have no strength. Doctor<br />

Manette tells him, "There is prodigious strength in sorrow<br />

and despair." Prodigious means extraordinary or<br />

remarkable. [T2C: 333, 3]<br />

13. B Doctor Manette tells the Evremonde brothers that his<br />

communications with patients are received in confidence,<br />

but says that he is guarded in response because of the<br />

troubling nature of what he saw and heard. [T2C: 333, 5‐8]<br />

14. D Doctor Manette abridges his narrative of the incident with<br />

the Evremonde brothers because he fears being detected<br />

and moved to a dark, underground dungeon. He states,<br />

however, that he remembers every work spoken between<br />

him and the brothers. [T2C: 333, 10]<br />

15. D The Marquis' wife seeks out Doctor Manette to find out the<br />

name and location of the younger sister of the two<br />

murdered peasants. She hopes to help the sister, but<br />

Manette does not know where the girl was hidden. [T2C: 336, 1]<br />

16. E The Marquis' wife hopes to make amends for the actions of<br />

her husband and brother‐in‐law, worrying that if no other<br />

atones for their actions, her young boy Charles will be<br />

required to atone for them one day. [T2C: 336, 4]<br />

17. C Charles Evremonde, or Darnay, is about two or three years<br />

old when he and his mother go to Doctor Manette in an<br />

attempt to help the younger sister of the murdered<br />

peasants. [T2C: 336, 3]<br />

18. C Ernest Defarge is Doctor Manette's servant at the time<br />

Manette is imprisoned. He was only a youth at the time. [337,<br />

1]<br />

19. D The Evremonde family name was anathematized, or cursed,<br />

by Saint Antoine for a long time, and was knitted into<br />

Madame Defarge's fatal register. [T2C: 337, 6]<br />

20. B Darnay's jury votes unanimously to have him sent back to<br />

the Concierge and executed within twenty‐four hours.<br />

There is no sympathy for Doctor Manette's imprisonment,<br />

only vengeance against a member of the aristocracy. [T2C: 338,<br />

4]<br />

21. D<br />

22. B<br />

23. C<br />

24. A<br />

25. B


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 41<br />

CHAPTER 3.11 DUSK<br />

1. A John Barsad, one of the only jailers left in the courthouse<br />

after the trial, allows Lucie to embrace her husband for just<br />

a moment before he is taken back to jail to await his<br />

execution. [T2C: 339, 3]<br />

2. C Lucie believes that she will die of a broken heart and join<br />

her husband in death, but will first do her duty raising their<br />

daughter. [T2C: 339, 8]<br />

3. B Lucie says that when she dies of a broken heart, God will<br />

give little Lucie friends, as he once did for her. [T2C: 339, 8]<br />

4. D Darnay tries to comfort Doctor Manette after the trial,<br />

telling him that the outcome is not his fault. Darnay is<br />

grateful for Manette's struggle in accepting him despite his<br />

descent and working toward his freedom. [T2C: 339, 10]<br />

5. D After Lucie is separated from her husband for what she<br />

believes to be the last time, she lays her head on her<br />

father's breast and faints at his feet. [T2C: 340, 3]<br />

6. A Little Lucie asks Carton, who helps carry the unconscious<br />

Lucie home, to do something to help her mother and save<br />

her father. She implores him, "Can you, of all the people<br />

who love her, bear to see her so?" [T2C: 340, 9]<br />

7. E Carton whispers, "A life you love," to the unconscious Lucie<br />

before leaving her for the last time. This recalls his earlier<br />

conversation with her in the chapter, "A Fellow of No<br />

Delicacy," when he tells her that he would give his life for<br />

her or someone she loves. [T2C: 341, 3]<br />

8. A After Darnay is sentenced to death, Carton begs Doctor<br />

Manette to try to use his influence to persuade the judges<br />

before the execution. [T2C: 341, 5]<br />

9. E Sydney Carton, begging Doctor Manette to persuade the<br />

judges to change their minds about Darnay's execution,<br />

tells him that his efforts are worthwhile. He says, "Of little<br />

worth as life is when we misuse it, it is worth that effort. It<br />

would cost nothing to lay down if it were not." [T2C: 341, 9]<br />

10. C Sydney Carton and Doctor Manette plan to meet at<br />

Tellson's at nine o'clock on the night before the day Darnay<br />

is scheduled to be executed. [T2C: 342, 1]<br />

11. E Lorry tells Carton that he has no hope of saving Darnay,<br />

saying, "If any of these men, or all of these men, were<br />

disposed to spare him‐which is a large supposition; for what<br />

is his life or any man's to them!‐I doubt if they durst spare<br />

him after the demonstration in the court." Carton agrees,<br />

responding, "And so do I. I heard the fall of the axe in that<br />

sound." [T2C: 342, 5]<br />

12. E After Darnay's sentencing, the court empties into the<br />

streets to celebrate his imminent execution. [T2C: 339, 1]<br />

13. D Lucie and Darnay's parting is somewhat melodramatic, full<br />

of saccharine language such as "dear darling of my soul."<br />

[T2C: 339, 4‐8]<br />

14. B Doctor Manette plans to beg with the tribunal judges after<br />

their celebration in the streets, which is about an hour or<br />

two after dark. Carton says it will be dark around four, and<br />

asks to meet with Manette at Tellson's around 9:00 PM to<br />

discuss what happened. [T2C: 342, 1]<br />

15. E Charles Darnay, comforting Doctor Manette, tells him, "All<br />

things have worked together as they have fallen out. It was<br />

the always vain endeavor to discharge my poor mother's<br />

trust that first brought my fatal presence near you. Good<br />

could never come of such evil, a happier end was not in<br />

nature to so unhappy a beginning." [T2C: 340, 2]<br />

16. C<br />

17. E<br />

18. D<br />

19. E<br />

20. B<br />

21. A<br />

22. B<br />

23. A<br />

24. B<br />

25. E


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 42<br />

CHAPTER 3.12 DARKNESS<br />

1. D Sydney Carton goes to Defarge's wine shop to make his<br />

presence known to the local citizens. He debates this<br />

decision, but decides it is a sound precaution that makes<br />

sense if Darnay is to leave France under his name. [T2C: 342, 13]<br />

2. A On the night before Darnay's scheduled execution, the<br />

night before Carton himself is to die, he does not have a<br />

strong drink for the first time in years. The preceding<br />

evening he had only a small amount of light wine, and<br />

poured his brandy on Lorry's hearth. [T2C: 343, 2]<br />

3. B Jacques Three, who was also a member of Darnay's jury, is<br />

the only customer in Defarge's wine shop when Sydney<br />

Carton stops in to make his presence known in the city. The<br />

Vengeance is also there, but appears like a regular member<br />

of the establishment rather than a customer. [T2C: 343, 4]<br />

4. C Carton picks up a Jacobin journal and pretends to read it in<br />

front of Madame Defarge while she pours him a glass of<br />

wine. [T2C: 344, 3]<br />

5. D The Defarges are taken aback by Sydney Carton's presence<br />

in their wine shop because his appearance is so similar to<br />

Darnay's. [T2C: 344, 3]<br />

6. E Sydney Carton overhears Madame Defarge discussing her<br />

desire to exterminate Doctor Manette and Lucie Darnay,<br />

while her husband believes that they have gone far enough<br />

with Charles Darnay and must stop somewhere. [T2C: 345, 1‐3]<br />

7. A Madame Defarge reveals that she is the sister of the<br />

peasants who were killed by the Evremonde brothers. After<br />

being hidden away, she was raised by fisherman. This<br />

explains her ruthlessness in trying to annihilate the entire<br />

Evremonde line, as the matter goes beyond the Revolution<br />

to a very personal tragedy. [T2C: 345, 14]<br />

8. B Sydney Carton pays for his wine and asks Madame Defarge<br />

for directions to the National Palace, which is on the side of<br />

Paris opposite the wine shop. [T2C: 346, 4]<br />

9. C Doctor Manette was supposed to return to Tellson's at nine<br />

o'clock to discuss the results of his attempt to persude the<br />

tribunal against executing Darnay. However, he does not<br />

shop up at nine or ten. Lorry decides to return to Lucie<br />

while Carton waits for Manette. When Doctor Manette<br />

appears shortly after Lorry returns to Tellson's at midnight.<br />

[T2C: 347, 1‐2]<br />

10. E When Doctor Manette is unable to save Darnay from<br />

execution, he experiences a relapse and begins looking for<br />

his shoemaking bench so that he can return to his work,<br />

telling Lorry and Carton, "Time presses: I must finish those<br />

shoes." [T2C: 347, 6]<br />

11. E Carton asks Lorry to hold on to his passport as well as those<br />

of Doctor Manette and Lucie Darnay, though he does not<br />

fully explain his reasoning. However, he does inform Lorry<br />

that Madame Defarge plans to denounce Manette and<br />

Lucie, putting them in grant danger. [T2C: 348, 7‐11]<br />

12. A The wood‐sawyer is under the control of the Defarges. He<br />

tells them about Lucie's visits to the prison, where she<br />

makes signs and signals to prisoners. Carton worries that<br />

Madame Defarge could construe this as a prison plot,<br />

resulting in the execution of Lucie, her daughter, and her<br />

father, who have stood with her at the prison as well. [T2C:<br />

349, 4]<br />

13. A Carton believes that Madame Defarge will wait to<br />

denounce Lucie and Doctor Manette until about a week<br />

after Darnay's execution so that she can add the capital<br />

crime of mourning for a victim of the Guillotine to her<br />

charges against them. [T2C: 349, 6]<br />

14. A Lorry plans to bring Doctor Manette, Lucie, little Lucie, and<br />

Carton back to England at two o'clock on the day of<br />

Darnay's execution. He and Carton believe they must not<br />

delay any longer because their passports will be recalled if<br />

Madame Defarge denounces them. [T2C: 349,8]<br />

15. C Carton tells Lorry that he must not change or delay his<br />

plans to return to England with Doctor Manette, Lucie, little<br />

Lucie, and Carton or many lives will be lost. Lorry promises<br />

to remember Carton's words and do his part. [T2C: 350, 11]<br />

16. C<br />

17. D<br />

18. D<br />

19. D<br />

20. B<br />

21. C<br />

22. C<br />

23. A<br />

24. D<br />

25. C


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 43<br />

CHAPTER 3.13 FIFTY‐TWO<br />

1. C Fifty‐two people are condemned to die on the day of<br />

Darnay's execution, which Dickens points out is the same<br />

number as the weeks of the year. [T2C: 351, 1]<br />

2. A Darnay writes letters to Lucie, Doctor Manette, and Lorry<br />

on the night before he is to be executed. He asks them to<br />

comfort and take care of each other. However, Dickens<br />

notes that Darnay never once thinks of Carton, who will<br />

soon sacrifice himself for Darnay. The next day, as he is<br />

waiting to die, he paces and prays. [T2C: 352, 4‐6]<br />

3. D Charles Darnay confides his wife and daughter to the care<br />

of Doctor Manette, hoping that caring for his family will<br />

keep Manette from heading toward relapse into<br />

depression. [T2C: 353, 1]<br />

4. C The night before Darnay is to be executed, he dreams that<br />

he is back in Soho with Lucie. She tells him that everything<br />

was just a dream and he never left for Paris. He awakes to<br />

the realization that it is the day of his death. [T2C: 353, 4]<br />

5. E Darnay paces in his prison cell, awaiting his death, and<br />

counting down the hours he will never see again. At about<br />

1:00 P.M., Sydney Carton surprises Darnay by visiting him.<br />

[T2C: 355, 5]<br />

6. E Carton convinces Darnay to swap clothes with him,<br />

including his cravat, or neckband. [T2C: 356, 2]<br />

7. C John Barsad helps Carton trade places with Darnay, getting<br />

Darnay to the coach where his family awaits so long as<br />

Carton stays true in the exchange to the death. [T2C: 358, 2]<br />

8. A Carton drugs Darnay with vapors made by the ingredients<br />

he purchased at the chemist's shop. Barsad can then take<br />

Darnay out, pretending that Carton fainted from the stress<br />

of his meeting, and bring him to the coach where his family<br />

waits to leave Paris. [T2C: 357]<br />

9. A A seamstress who was previously imprisoned with Darnay<br />

sees Carton in line awaiting the wagons headed to the<br />

guillotine. She asks to hold his hand for comfort in the<br />

wagon, and asks if he is dying for Darnay. [T2C: 360, 11]<br />

10. E The Republican working at the Barrier tells little Lucie to<br />

kiss him, saying, "Now, thou hast kissed a good Republican;<br />

something new in they family; remember it!" [T2C: 361, 11]<br />

11. D Jarvis Lorry replies to all the questions of the official at the<br />

Barrier between England and France, while the others in<br />

the coach do not seem to be holding up as well. [T2C: 361, 17]<br />

12. C Lorry tells Lucie that they cannot drive too quickly after<br />

leaving the Barrier or it will look like flight and rouse<br />

peoples' suspicions. [T2C: 362, 6]<br />

13. D Someone stops Lorry's coach, giving all a fright that they<br />

are being pursued, to ask how many people are being<br />

executed by guillotine at the last post. [T2C: 363, 5]<br />

14. D As Lorry, Doctor Manette, Lucie, little Lucie, and Darnay<br />

flee France, the narrative switches from third‐person to<br />

first‐person. Dickens begins writing using "we" and "our."<br />

This first‐person narrative continues with Carton's death.<br />

[T2C: 362‐363]<br />

15. B While awaiting their executions, a seamstress believes she<br />

recognizes Darnay from imprisonment in La Force. She<br />

approaches him to speak and ask to hold his hand in the<br />

16. D<br />

17. B<br />

18. B<br />

19. D<br />

20. E<br />

21. B<br />

22. E<br />

23. D<br />

24. E<br />

25. A<br />

wagon for comfort. The seamstress tells Carton, before<br />

realizing that he is not Darnay, "I am not afraid to die,<br />

Citizen Evremonde, but I have done nothing. I am not<br />

unwilling to die, if the Republic which is to do so much good<br />

to us poor, will profit by my death; but I do not know how<br />

that can be, Citizen Evremonde. Such a poor weak little<br />

creature!" [T2C: 360, 5]


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 44<br />

CHAPTER 3.14 THE KNITTING DONE<br />

1. C Jacques Three believes that Ernest Defarge's weakness for<br />

Doctor Manette is "not quite like a good citizen." Madame<br />

Defarge insists that, despite this, her husband is a good<br />

Republican. [T2C: 364, 3]<br />

2. B Jacques Three speaks of Lucie going to the guillotine, saying<br />

"She has a fine head for it. I have seen blue eyes and golden<br />

hair there, and they looked charming when Samson held<br />

them up." Dickens remarks that he speaks like an epicure,<br />

or a person with refined tastes. [T2C: 364, 5]<br />

3. D Jacques Three says that Manette and Lucie must not escape<br />

from France because not enough people are being<br />

guillotines. He thinks six score, or 120, should be killed a<br />

day. [T2C: 364, 9]<br />

4. D The wood‐sawyer plans to testify that Lucie Darnay,<br />

sometimes with her child, stood outside the prison for two<br />

hours every day signaling to the prisoners. He believes this<br />

is a clear indication of plotting, the crime for which the<br />

seamstress is executed. [T2C: 365, 2]<br />

5. E Miss Pross and Jerry Cruncher do not leave France at the<br />

same time as the rest of their household. They plan to leave<br />

an hour later, allowing the other coach to go through the<br />

Barrier with less time required for inspection of the<br />

passengers. Further, they do not want to overload the<br />

other coach and slow it down. [T2C: 368, 1]<br />

6. C Jerry Cruncher promises Miss Pross that if Lucie and Darnay<br />

escape France safely he will stop grave robbing and beating<br />

his wife for praying. [T2C: 369, 4]<br />

7. B Jerry Cruncher plans to stop interefering with his wife's<br />

flopping, or praying, when he returns home from France.<br />

He tells Miss Pross that he hopes his wife is praying during<br />

his escape. [T2C: 369, 4]<br />

8. A Miss Pross believes it best that the coach taking her back to<br />

England leave from a location other than the household<br />

from which Lorry's coach departed. She sends Cruncher to<br />

get the coach and wait for her at Notre Dame Cathedral.<br />

[T2C: 370, 8]<br />

9. A Miss Pross is laving, or washing, her swollen, red eyes when<br />

Madame Defarge appears in the doorway of her home.<br />

Pross drops her water basin and cries out in surprise. When<br />

Defarge asks her where Lucie is, Miss Pross' first instinct is<br />

to close all the doors in the home to avoid suspicion that<br />

Lucie has fled. [T2C: 371, 2]<br />

10. A Miss Pross says Madame Defarge looks like the wife of<br />

Lucifer, but insists that Defarge will not get the better of<br />

her because she is an Englishwoman. [T2C: 271, 7]<br />

11. A Dickens describes the battle between Miss Pross and<br />

Madame Defarge as on between love and hate,<br />

foreshadowing that Pross will succeed by saying that love is<br />

always stronger than hate. [T2C: 374, 2]<br />

12. D Miss Pross' murder of Madame Defarge occurs very quickly.<br />

Dickens writes, "Madame Defarge's hands were at her<br />

bosom. Miss Pross looked up, saw what it was, struck at it,<br />

struck out a flash and a carsh, and stood alone‐blinded with<br />

smoke." The noise of the gunshot deafens Miss Pross. [T2C:<br />

374, 4]<br />

13. A The noise of the gunshot that kills Madame Defarge<br />

deafens Miss Pross. When she goes to meet Jerry Cruncher<br />

at the Cathedral, she hears no noises in the streets. When<br />

Cruncher tries to speak to her, she understands him only<br />

through nods. Though Pross is able to overcome Defarge,<br />

she makes a large sacrifice in the process. [T2C: 375]<br />

14. D Miss Pross and Jerry Cruncher meet at the Cathedral at 3:00<br />

P.M., an hour after the rest of their group departs, to flee<br />

France and return home to England. [T2C: 368, 1]<br />

15. C Miss Pross stands up to Madame Defarge, telling her, "If<br />

those eyes of yours were bed‐winches, and I was an English<br />

four‐poster, they shouldn't loose a splinter of me."<br />

However, Defarge and Pross cannot understand each other,<br />

as Defarge speaks French and Pross English. Throughout<br />

their lengthy conversation, they gauge everything by look<br />

and manner. [T2C: 372, 5]<br />

16. C<br />

17. B<br />

18. B<br />

19. A<br />

20. D<br />

21. E<br />

22. C<br />

23. E<br />

24. E<br />

25. C


<strong>LANG</strong> & <strong>LIT</strong><br />

NOVEL FOCUSED QUIZ 45<br />

CHAPTER 3.15 THE FOOTSTEPS DIE OUT FOR EVER<br />

1. B Dickens writes, "Crush humanity out of shape once more,<br />

under similar hammers, and it will twist itself into the same<br />

tortured forms. Sow the same seed of rapacious licence and<br />

oppression over again, and it will surely yield the same fruit<br />

according to its kind." Thus, he considers the horrors of the<br />

Revolution inevitable given the inhumanity and oppression<br />

that preceded it. [T2C: 376, 3]<br />

2. B Six tumbrils carry the 52 people being sent to their deaths<br />

on the day Carton sacrifices himself. Approximately nine<br />

people are in each cart. Carton is in the third cart. [T2C: 376, 3]<br />

3. B The French citizens are accustomed to seeing death‐carts<br />

roll through the streets. When Carton and the others<br />

sentenced to die are taken to the guillotine, nobody stops<br />

what they are doing to go look. [T2C: 377, 1]<br />

4. C John Barsad stands watching the carts of prisoners to be<br />

executed, ensuring that Carton is following through on his<br />

promise. When a man cheers for Darnay's execution,<br />

Barsad tells him to be quiet and let him be at peace before<br />

he pays the forfeit. [T2C: 378, 7]<br />

5. B The Vengeance repeatedly calls out for Madame Defarge<br />

before the executions begin, surprised by her absence<br />

because she has never missed one before. The Vengeance<br />

saved her a seat and held onto her knitting, and is vexed<br />

and disappointed when she does not appear in time to see<br />

Darnay beheaded. [T2C: 378, 12]<br />

6. C The seamstress thanks Carton for comforting her. He holds<br />

her hand until the moment she goes to be executed and<br />

blocks her sight of the guillotine. She says, "But for you,<br />

dear stranger, I should not be so composed, for I am<br />

naturally a poor little thing, faint of heart." [T2C: 379, 4]<br />

7. D The seamstress asks Carton if it will feel like a long time<br />

before she sees her cousin, who is her only relative, in<br />

Heaven. Carton assures her that there is no time or trouble<br />

in Heaven. [T2C: 380, 5]<br />

8. C The seamstress is executed right before Carton, at which<br />

point the knitting‐women count 22 deaths. [T2C: 380, 11]<br />

9. C Before the seamstress releases Carton's hand to go to her<br />

death, she and Carton kiss. She has a "sweet, bright<br />

constancy" on her face when she leaves him. [T2C: 380, 11]<br />

10. B Before he dies, Carton recites the biblical passage that was<br />

read at his father's funeral: "I am the Resurrection and the<br />

Life, saith the Lord: he that believeth in me, though he were<br />

dead, yet shall he live: and whosoever liveth and believeth<br />

in me shall never die." [T2C: 380, 12]<br />

11. E As Carton dies, it is said that he looks peaceful, sublime,<br />

and prophetic. [T2C: 381, 1]<br />

12. B Dickens uses first‐person narration to convey Carton's last<br />

thoughts. However, it is unclear whether they are actually<br />

his thoughts, or those prophesized by the narrator. The<br />

narrator says, "One of the most remarkable sufferers by the<br />

same axe‐awoman‐had asked at the foot of the same<br />

scaffold, not long before, to be allowed to write down the<br />

thoughts that were inspiring her. If he had given an<br />

utterance to his, and they were prophetic, they would have<br />

been these." 23 [T2C: 381‐381]<br />

13. E In Carton's last thoughts before death, he predicts that the<br />

oppressors during the revolution will die by their own<br />

instrument and France will rise out of its abyss. He sees<br />

Jarvis Lorry living another ten years, Doctor Manette<br />

returning to work as a doctor, and Lucie and Charles having<br />

a son who bears Carton's name. Carton believes that child<br />

will follow the path he himself never took in life and make<br />

his name illustrious. [T2C: 381]<br />

14. C Sydney Carton's famous last words are, "It is a far, far<br />

better thing that I do, than I have ever done; it is a far, far<br />

better rest that I go to than I have ever known." His words<br />

provide a soothing resolution to the novel through their use<br />

of repetition. [T2C: 381, 2]<br />

15. D Carton's last words make use of anaphora, the repetition of<br />

words at the beginning of neighboring clauses. In this way,<br />

Dickens ends the book much like he begins it. [T2C: 381, 2]<br />

16. B<br />

17. E<br />

18. D<br />

19. C<br />

20. A<br />

21. B<br />

22. C<br />

23. A<br />

24. E<br />

25. D<br />

23 The woman to whom he refers is Madame Roland, a member of the<br />

Girondin party who did indeed ask to write down her thoughts at the<br />

guillotine.‐Melanie

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