LANG & LIT - Foshay Learning Center
LANG & LIT - Foshay Learning Center
LANG & LIT - Foshay Learning Center
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<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 01<br />
CHAPTER 1.1 THE PERIOD<br />
1. B Dickens begins A Tale of Two Cities with a famous example<br />
of an anaphora, "It was the best of times, it was the worst<br />
of times, it was the age of wisdom, it was the age of<br />
foolishness..." An anaphora is a rhetorical device in which<br />
words are repeated at the beginnings of neighboring<br />
clauses in order to provide emphasis. [T2C: 3, 1]<br />
2. D Dickens describes the period in which A Tale of Two Cities<br />
takes place as "the age of wisdom," "the epoch of<br />
incredulity," "the season of Light," and "the winter of<br />
despair." He does not say that the period is "superlative,"<br />
rather that it can be received "in the superlative degree of<br />
comparison only." [T2C: 3, 1]<br />
3. B Dickens compares the time period of A Tale of Two Cities to<br />
"the present period." When the book was first published<br />
(1859), the present was the 1850s. [T2C: 3, 1]<br />
4. C During the time in which A Tale of Two Cities takes place,<br />
George III and Charlotte Sophia ruled England. Dickens<br />
describes them as a "king with a large jaw and a queen with<br />
a plain face." Louis VXI and Marie Antoinette, who Dickens<br />
describes as a "king with a large jaw and a queen with a fair<br />
face," were on the throne of France. [T2C: 3, 2]<br />
5. B A Tale of Two Cities begins in "the year of Our Lord one<br />
thousand seven hundred and seventy‐five." Book Two<br />
begins five years later in 1780. [T2C: 3, 3]<br />
6. E Mrs. Joanna Southcott was a famous religious visionary in<br />
England, known for her prophetic writings. 1 Around the<br />
time of her birth, or "sublime appearance," a prophetic<br />
private in the Life Guards predicted that London and<br />
Westminster would be destroyed. The prophecy itself<br />
caused panic in London, a particularly spiritual place during<br />
the time period. [T2C: 3, 3]<br />
7. B The Cock‐lane ghost was a poltergeist phenomenon,<br />
believed to be the spirit of a woman who was murdered<br />
and buried near a house on Cock Lane in which scratching<br />
and knocking noises were heard. 2 The "ghost" was exposed<br />
as a fraud and laid to rest in 1762, just over 12 years before<br />
the novel begins in 1775. [T2C: 3,3]<br />
8. B Dickens wrote a number of satirical articles about spirit‐<br />
rappers and mediums. He refers to them as "supernaturally<br />
deficient in originality" in A Tale of Two Cities. His allusion<br />
to the "spirits of this very year last past" is a jab at spirit<br />
mediums who faked communication with the dead. [T2C: 3, 3]<br />
9. A Dickens compares the messages of the Cock‐lane ghost to<br />
the more useful messages, containing petitions of<br />
grievances, sent from the American Continental Congress to<br />
the British Parliament. [T2C: 3, 3]<br />
1 Prophets come in all shapes and sizes. The oracle at Delphi is classic,<br />
but one of my personal favorites is Phil the mechanic from the television<br />
show Everwood.‐Melanie<br />
2 I can't help but picture Sam and Dean Winchester of Supernatural<br />
fighting off ghosts in 18th century England.‐Melanie<br />
10. E England was represented by the shield and trident. 3 These<br />
symbols were often seen on British coins, in contrast with<br />
the more commonly used paper money of France. [T2C: 4, 1]<br />
11. E Dickens refers to a French youth being sentenced to have<br />
his hands chopped off, tongue torn out, and body burned<br />
alive after he disrespected a procession of monks by not<br />
kneeling down in the rain as they walked within his view.<br />
This is an allusion to the case of Chevalier de la Barre, who<br />
was in actuality sentenced and executed in 1766 for this<br />
offence, as well as other incidents of religious irreverence.<br />
[T2C: 4, 1]<br />
12. D Dickens describes the woodman, responsible for chopping<br />
down the trees that will be turned into guillotines, as the<br />
embodiment of Fate. This is possibly a reference to a<br />
passage in Carlyle's The French Revolution about the growth<br />
and destruction of significant things, as represented by an<br />
oak tree. [T2C: 4, 1]<br />
13. D Dickens describes the guillotine, an execution device used<br />
to chop off peoples' heads at the neck, as a "certain<br />
movable framework with a sack and knife in it." The device,<br />
which was named after its original inventor, was intended<br />
to be a humane means of killing instantly and painlessly. Its<br />
use was not officially discontinued in France until 1981,<br />
though the last execution by guillotine took place in 1977.<br />
4 [T2C: 4,1]<br />
14. B Dickens characterizes Death as the Farmer, working silently<br />
and incessantly alongside the Woodman. [T2C: 4, 1]<br />
15. C Tumbrils were originally farm carts that were given a new<br />
purpose during the French Revolution. Though originally<br />
"snuffed about by pigs, and roosted in by poultry," the carts<br />
were later used to transport people from their trials to the<br />
guillotine. Dickens portrays Death setting aside these "rude<br />
carts, bespattered with rustic mire" for use in the<br />
Revolution. [T2C: ]<br />
16. A Dickens portrays England in 1775 as a place overrun with<br />
crime and disorder. He describes, specifically, highway<br />
robberies, burglaries, prison fights, and public shootings as<br />
common occurrences. Even the Lord Mayor of London and<br />
other nobles were frequent victims of theft. [T2C: 4, 2]<br />
17. B The Lord Mayor of London was forced by a single<br />
highwayman to "stand and deliver" 5 on Turnham Green,<br />
meaning he had to stay still and hand over all of his money<br />
and valuable possessions. Today we would simply say that<br />
he was mugged. [T2C: 4, 2]<br />
18. A Dickens describes an incident in which seven robbers<br />
attacked and stole from a mail coach, one of many crimes<br />
he paraphrased from the Annual Register. The guard was<br />
3<br />
Think of the magical weapon of King Triton in The Little Mermaid.‐<br />
Melanie<br />
4<br />
I have had a few nightmares since seeing images of alpacas being<br />
guillotined. In my opinion, certain French Revolution themed illustrations<br />
are too disturbing to be rendered.‐Melanie<br />
5<br />
"Stand and deliver" does not, in this case, mean that one has to learn<br />
calculus. That task can be left to the students in the movie by that<br />
name.‐Melanie
<strong>LANG</strong> & <strong>LIT</strong> NOVEL FOCUSED QUIZ 01 PAGE 2 OF 47 DEMIDEC RESOURCES ©2009<br />
able to shoot three of the robbers, but was shot by the<br />
other four when his ammunition failed him. [T2C: 4, 2]<br />
19. D A turnkey is in charge of the keys at a jail, written as "gaol"<br />
in British spelling. Dickens writes about prisoners fighting<br />
with their turnkeys, causing the majesty of the law to shoot<br />
into the crowds. [T2C: 4, 2]<br />
20. D A blunderbuss is a type of gun. More specifically, it is a<br />
musket with a large bore and flaring muzzle that is loaded<br />
with shot and only accurate at close range. The gun's name<br />
comes from the Dutch words for "thunder" and "pipe." It is<br />
believed that it was called a blunderbuss because of the<br />
confusion caused by the loud noise when the gun was shot<br />
off. The musket was also called a dragon or dragoon, as it<br />
was often decorated with images of dragons and created a<br />
loud noise comparable to that of a fire‐breathing dragon.<br />
[T2C: 4, 2]<br />
21. E Dickens calls the hangman, who kills murderers and petty<br />
thieves alike, "ever busy and ever worse than useless." [T2C: 4,<br />
2]<br />
22. E Dickens discusses the hangman's responsibility for both<br />
burning pamphlets outside Westminster Hall and burning<br />
criminals at Newgate prison. Pamphlets were burned to<br />
publicly condemn sedition. [T2C: 4, 2]<br />
23. C Dickens writes that the French and English kings "carried<br />
their divine rights with a high hand." The Divine Right of<br />
Kings was a doctrine asserting that the power of kings was<br />
derived from God, and that monarchs are not subject to<br />
any earthly authority. Thus, the kings were not obligated to<br />
heed the wills of their subjects. [T2C: 5, 1]<br />
24. A The first chapter of A Tale of Two Cities, entitled "The<br />
Period," is intended to establish the era and setting of the<br />
novel. Dickens compares and contrasts France and England,<br />
primarily through descriptions of events that took place<br />
around the year 1775. [T2C: 3‐5]<br />
25. D During the time in which the novel takes place, France is<br />
spending money excessively, has a harsh justice system,<br />
and its people are interested in religion primarily out of fear<br />
rather than spirituality. England is overrun with criminals,<br />
doles out the death penalty indiscriminately, has subjects<br />
petitioning grievances from America, and its people are<br />
enthralled with the supernatural and spiritual. [T2C: 3‐5]
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 02<br />
CHAPTER 1.2 THE MAIL<br />
1. B The Dover mail coach lumbers up Shooter's Hill on its way<br />
from London to Dover. 6 The journey is treacherous,<br />
requiring the passengers to walk up the hill beside the<br />
coach. [T2C: 6, 1]<br />
2. E Three passengers traveled on the Dover mail coach. In<br />
actuality, this coach did not exist until many years later. It<br />
was common in Dickens' time, though, for passengers to<br />
book seats on mail coaches. [T2C: 7, 1]<br />
3. E The Dover mail coach makes its journey in November, a<br />
time when the road is already thick with mud and the air is<br />
filled with a cold mist. [T2C: 6, 1]<br />
4. A The Dover mail coach is traveling on a Friday night in<br />
November of 1775. [T2C: 6, 1]<br />
5. E The passengers of the Dover mail coach must walk up<br />
Shooter's Hill because the harness, mail, and mud prove too<br />
heavy for the horses to carry. The horses stop three times<br />
and draw the coach across the road once before the<br />
passengers get out and walk alongside the coach. [T2C: 6, 1]<br />
6. D The horses of the Dover mail coach pull the coach across<br />
the road, mutinously intending to take it back to<br />
Blackheath. Blackheath is the station preceding Shooter's<br />
Hill, about three miles back toward London. [T2C: 6, 1]<br />
7. E The Dover mail coach driver shakes his head like an<br />
emphatic horse as he denies that the coach can make it up<br />
Shooter's Hill. [T2C: 6, 2]<br />
8. B The Dover mail coach makes its journey through a cold,<br />
muddy, misty, dark night. All of these factors help establish<br />
an ominous and foreboding atmosphere. Shadows play a<br />
part in creating such an atmosphere later on, but not during<br />
the mail coach's journey. [T2C: 6‐7]<br />
9. E Dickens compares the mist to an "evil spirit, seeking rest<br />
and finding none" as it roams up the hill and shuts out the<br />
light and visibility. [T2C: 6, 3]<br />
10. A The passengers of the Dover mail coach all wear jack‐boots,<br />
a sturdy knee‐high military boot. [T2C: 7, 1]<br />
11. C The mail coach passengers are wrapped in layers up to their<br />
cheekbones and over their ears. Their appearances are<br />
hidden and nondescript. [T2C: 7, 1]<br />
12. E The mail coach passengers, and other travelers during that<br />
time period, are afraid of revealing much to anyone<br />
because anybody could be a robber or connected with a<br />
group of robbers. [T2C: 7, 1]<br />
13. D The guard of the Dover mail carries approximately eight to<br />
ten weapons: a blunderbuss, six or eight horse‐pistols, and<br />
a cutlass. A cutlass is a short, slashing sword. [T2C: 7, 1]<br />
14. E The Dover mail coach makes it to the summit of Shooter's<br />
Hill shortly after eleven o'clock at night. [T2C: 7, 6]<br />
15. B The Dover mail coachman calls out to Joe, the guard, who<br />
then calls the coachman by his name, Tom, when they hear<br />
a horse galloping toward them. [T2C: 8, 4]<br />
6 The appropriately named Shooter's Hill was known as a place where<br />
dangerous criminals lurked, adding to the difficulty of the journey.‐<br />
Melanie<br />
16. E Jerry Cruncher asks the mail guard for passenger Jarvis<br />
Lorry, who recognizes Jerry's voice from a distance. [T2C: 9, 12]<br />
17. B Jerry Cruncher is a messenger for Tellson's Bank in London,<br />
where Jarvis Lorry is a banker. [T2C: 9, 16]<br />
18. A Jarvis Lorry tells the mail coach guard that he is headed<br />
from London to Paris on business for Tellson's Bank. [T2C: 10,<br />
5]<br />
19. E Jerry Cruncher's message to Jarvis Lorry says, "Wait at<br />
Dover for Mam'selle." [T2C: 10, 7]<br />
20. D Jarvis Lorry tells Jerry Cruncher to bring Tellson's the<br />
message "Recalled to life" as assurance that he received<br />
Jerry's note. Jerry considers this a "blazing strange answer."<br />
[T2C: 10, 7]<br />
21. E Flint and steel were used to start fires before matches were<br />
invented. 7 The mail coach guard keeps flint and steel<br />
available in case the coachlamps are blown out so that he<br />
can relight them. [T2C: 10, 11]<br />
22. A At the end of the second chapter, Jerry speaks to his horse<br />
and himself while walking back down Shooter's Hill. He calls<br />
the horse "old lady.' [T2C: 11, 9]<br />
23. E As Jerry Cruncher heads back down Shooter's Hill, he is wet<br />
and muddy, confused by Lorry's message, and distrustful of<br />
his horse's ability to carry him. However, he does not seem<br />
angry. [T2C: 11, 8‐9]<br />
24. B The passengers on the Dover mail coach keep themselves<br />
and their possessions hidden away as much as possible.<br />
They are secretive, not sharing much information with each<br />
other. Dickens describes them as "hidden under almost as<br />
many wrappers from the eyes of the mind, as from the eyes<br />
of the body." When Jarvis Lorry leaves the coach to speak<br />
to Jerry Cruncher, the other passengers hide their<br />
belongings and pretend to sleep. [T2C: 7, 1; 9, 17; 10, 10]<br />
25. A The Dover mail passengers hide away their possessions<br />
inside their boots while Jarvis Lorry and Jerry Cruncher<br />
speak outside the coach, worried that they might be<br />
robbed. [T2C: 10, 10]<br />
7 I think now they are only used to frustrate players on reality television<br />
shows like Survivor.‐Melanie
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 03<br />
CHAPTER 1.3 THE NIGHT SHADOWS<br />
1. E Dickens writes that it is "a wonderful fact to reflect upon,<br />
that every human creature is constituted to be that<br />
profound secret and mystery to every other." Throughout<br />
the novel, he continues to demonstrate that every<br />
individual and every household has secrets, some of which<br />
are taken to the grave. [T2C: 11, 10]<br />
2. C The novel has a third‐person omniscient narrator. This type<br />
is one of the most common and most reliable narrators. A<br />
third‐person omniscient narrator knows all of the facts of<br />
the story and all of the character's thoughts, sometimes<br />
offering opinions about the plot and characters. [T2C: 11‐16]<br />
3. D In the phrases "coach and six" and "coach and sixty," six<br />
and sixty refer to the number of horses drawing the coach.<br />
The passengers of the mail coach are in close quarters, but<br />
as mysterious to each other as they would be in a larger<br />
coach or separated by the breadth of a country. [T2C: 12, 1]<br />
4. A Jerry Cruncher, who Dickens also refers to as "the<br />
messenger," makes frequent stops at ale‐houses on his<br />
return to Tellson's Bank after delivering Jarvis Lorry's<br />
message. [T2C: 12, 2]<br />
5. B Jerry cruncher has a hoarse voice that raises the mail coach<br />
guard's suspicion. His eyes are described as being without<br />
depth, color, or form, and very near together "as if they<br />
were afraid of being found out in something, singly."<br />
Cruncher also has black hair, except for a bald spot on the<br />
crown of his head, and a broad, blunt nose. While riding<br />
back from delivering his message, he wears a three‐<br />
cornered hat and a muffler, or scarf, over his chin and<br />
throat. Cruncher has to move the scarf out of his mouth's<br />
way when he stops to consume liquor. [T2C: 11, 9; 12, 2; 13, 2]<br />
6. A Jerry Cruncher has stiff, black hair, except in the bald area<br />
of his crown. Dicken's compares his jagged hair to a<br />
"strongly spiked wall," saying that it would endanger even<br />
the best leap‐frog players. [T2C: 13, 2]<br />
7. A Dickens jokes that even the best leap‐frog players would<br />
decline playing with Jerry Cruncher because of his<br />
dangerously spiky hair. [T2C: 13, 2]<br />
8. B Jarvis Lorry drifts through dreams as he sleeps on the mail<br />
coach, most commonly dreaming of his work at Tellson's<br />
Bank. He also dreams, though, that he is about to dig<br />
somebody out of a grave. [T2C: 13, 5]<br />
9. E In his dream, Jarvis Lorry illuminates the strong‐rooms of<br />
his bank with a candle. Oil‐lamps were also commonly used<br />
at the time, though matches, gas lighting, and electric<br />
lighting were not yet invented. [T2C: 13, 5]<br />
10. C Jarvis Lorry dreams mostly of his work at the bank while<br />
sleeping in the mail coach. However, he also has "another<br />
current of impression that never ceased to run, all<br />
throughout the night." This impression is that he is on his<br />
way to dig somebody out of a grave. 8 [T2C: 14, 1]<br />
11. E Jarvis Lorry sees a variety of faces of the man he is about to<br />
recall to life, all of them about 45 years old. [T2C: 14, 2]<br />
8 Lorry's digging is often compared to Dickens' digging up peoples'<br />
secrets.‐Melanie<br />
12. E The spectre Jarvis Lorry sees in his dream varies in facial<br />
expression, appearance of sunken cheeks, skin color, and<br />
emaciation of hands and fingers. All the faces he sees,<br />
though, have prematurely white hair. [T2C: 14, 2]<br />
13. B Jarvis Lorry repeatedly asks the spectre in his dreams,<br />
"Buried how long?" [T2C: 14, 3]<br />
14. C Every time Jarvis Lorry asks the spectre how long he has<br />
been buried, the response is almost eighteen years. [T2C: 14, 4]<br />
15. E Lorry imagines a variety of responses to the question, "Will<br />
you come and see her?" The answers are various and<br />
contradictory. One such answer is a broken reply, fearful of<br />
causing pain by going too soon. Another is tearful before<br />
deciding to go see her. Yet another was staring, bewildered,<br />
and confused. None of these imaginary responses are<br />
enthusiastic and certain. [T2C: 14, 12]<br />
16. C Before Jarvis Lorry wakes up from his dream, he digs a<br />
creature out of a grave, emerges covered in dirt, and turns<br />
to dust. [T2C: 15, 1]<br />
17. D Each time Jarvis Lorry asks the ghostly face, "Do you care to<br />
live?" the answer remains, "I can't say." [T2C: 14, 10; 15, 6]<br />
18. C Jarvis Lorry lowers his window so that the feeling of the rain<br />
and mist can bring him back to reality when he awakens<br />
from a dream. However, when the other passengers urge<br />
him to pull the window up, he loses himself to sleep again.<br />
[T2C: 15, 1]<br />
19. C Jarvis Lorry awakens from his dreams to see the sun rising<br />
over a ridge of ploughed land in front of a coppice‐wood 9<br />
with some trees still covered in red and yellow leaves. The<br />
earth, however, is still wet when Lorry awakens. [T2C: 15, 13]<br />
20. A When Jarvis Lorry awakens from his dreams, he sees a<br />
wood and a farm, reminiscent of Fate and Death from the<br />
first chapter. The rising sun likely symbolizes a resurrection<br />
or rebirth from the shadows of night to the illumination of<br />
daytime. [T2C: 15, 13]<br />
9 Coppicing is cutting young tree stems down to almost ground level so<br />
that new shoots will emerge over the years before eventual harvesting.‐<br />
Melanie
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 04<br />
CHAPTER 1.4 THE PREPARATION<br />
1. E The Dover mail successfully arrives "in the course of the<br />
forenoon," meaning the morning. 10 [T2C: 16, 2]<br />
2. C Jarvis Lorry stays at the Royal George Hotel while he is in<br />
Dover. 11 [T2C: 16, 2]<br />
3. D The narrator compares the mail coach to a large dog‐<br />
kennel. By the end of its journey, the coach is mildewy,<br />
damp, dirty, and malodorous. 12 Mr. Lorry, the last of the<br />
passengers, is similarly compared to a dog as he shakes off<br />
the straw and mud from his body. [T2C: 16, 3]<br />
4. D A drawer at a hotel is a bartender, also known as a tapster<br />
at a tavern. [T2C: 16, 2]<br />
5. B Jarvis Lorry asks the hotel drawer if a packet, or boat, will<br />
be going to Calais. A packet went frequently between two<br />
parts to convey mail, goods, and passengers. [T2C: 16, 4]<br />
6. E Mr. Lorry requests a bedroom and a barber. Lorry wears a<br />
wig, but may still want to keep his actual hair cut short, or<br />
have his facial hair shaved. [T2C: 16, 6]<br />
7. D Lorry's hotel room, or set of rooms, is named Concord. This<br />
room is assigned to mail passengers who commonly enter<br />
and exit looking like entirely different people. [T2C: 16, 7]<br />
8. E Jarvis Lorry is sixty years old when the novel begins. [T2C: 17, 1]<br />
9. D A number of the hotel staff position themselves between<br />
Mr. Lorry's room and the coffee‐room in order to see what<br />
he looks like after removing his travel clothes. [T2C: 17, 1]<br />
10. D Mr. Lorry is dressed formally in a well‐kept brown suit with<br />
brown stockings and plainly buckled shoes. Much of his<br />
clothing is out of fashion by the time, but he still appears<br />
well groomed. [T2C: 17, 1]<br />
11. D Jarvis Lorry is said to be vain about his shapely legs, as he<br />
wears tightly fitted brown stockings made of finely textured<br />
material. [T2C: 17, 3]<br />
12. C While waiting in the coffee‐room for his breakfast, Mr.<br />
Lorry sits so still that he resembles a man sitting for a<br />
portrait, and then falls asleep until his breakfast arrives. 13<br />
[T2C: 18, 1]<br />
13. D While many of the Tellson's Bank employees travel<br />
frequently between London and Paris, Jarvis Lorry has not<br />
made the trek for the 15 years prior to his trip with Miss<br />
Manette. [T2C: 18, 8]<br />
14. C Dover is famous for its white cliffs, made out of chalk. [T2C:<br />
19, 1]<br />
10 This is my least favorite time of day. I would sleep through it more<br />
often if my cat and puppy would let me.‐Melanie<br />
11 This hotel was destroyed the year after the novel was published in<br />
order to make room for a railway. These days, they would be making<br />
room for a strip mall.‐Melanie<br />
12 I recently worked at a veterinary hospital where I cleaned quite a few<br />
dog kennels. I can attest to them being quite dirty and malodorous.‐<br />
Melanie<br />
13 I, too, am likely to fall right back to sleep without my morning coffee.<br />
Though, sometimes a nice cup of tea, especially chai, will suffice.‐<br />
Melanie<br />
15. D Dickens compares the beach town of Dover to a marine<br />
ostrich, making reference to the common belief that<br />
ostriches hide their heads in the sand. [T2C: 19, 1]<br />
16. D The air in Dover is piscatory, meaning that it smells fishy.<br />
Dickens says that "one might have supposed sick fish went<br />
up to be dipped in it, as sick people went down to be<br />
dipped in the sea." [T2C: 19. 1]<br />
17. A Dickens alludes to the many smugglers in Dover who bring<br />
goods from France to England. He says that much strolling<br />
takes place at night, tradesman make fortunes without<br />
doing any business, and everybody has an aversion to<br />
lamplighters. [T2C: 19, 1]<br />
18. E Jarvis Lorry has finished dinner and is drinking a bottle of<br />
claret, a type of wine, when he hears the wheels of Miss<br />
Manette's coach rattling along the street by his hotel. [T2C: 19.<br />
3]<br />
19. C Dickens describes Miss Manette as a young woman, not<br />
more than seventeen years old, when she meets with Mr.<br />
Lorry. [T2C: 20, 2]<br />
20. C Jarvis Lorry sees a likeness between Miss Manette and a<br />
child he once took across the English Channel, but the<br />
likeness passed away "like a breath along the surface of the<br />
gaunt pier‐glass behind her." [T2C: 20, 2]<br />
21. A Miss Manette says that the Bank sent for Mr. Lorry because<br />
she was advised to go to France, but has no friends or<br />
family with whom to travel. [T2C: 21, 10]<br />
22. E Mr. Lorry tells Miss Manette to think of him as a speaking<br />
machine, simply fulfilling his business responsibilities,<br />
though he seems to possess strong feelings for a machine.<br />
He says he spends his life as a "pecuniary mangle," a<br />
machine for solving fiscal problems. [T2C: 22, 9; 23, 5]<br />
23. A The French aristocracy had "the privilege of filling up blank<br />
forms," meaning they could have their enemies imprisoned<br />
without a trial. [T2C: 24, 4]<br />
24. A The gentleman of Lorry's story, Doctor Manette, is from the<br />
French city of Beauvais, a town north of Paris. [T2C: 22, 13]<br />
25. C Miss Manette's emotion confuses Mr. Lorry, who is<br />
attempting to tell her father's story as a business matter.<br />
He asks her to perform monetary calculations to<br />
demonstrate that she is clear‐headed. Lorry is comforted by<br />
the familiar business of banking, even if Miss Manette does<br />
not directly answer his questions. [T2C: 25, 2]<br />
26. A Miss Manette was only two years old when her mother<br />
died. Her father disappeared right before the time of her<br />
birth. [T2C: 25, 4]<br />
27. B Miss Manette goes into shock when she is told that her<br />
father is still alive. She speaks only in a dream‐like whisper,<br />
her body and facial expression fixed and unmoving. [T2C: 26‐27]<br />
28. B Miss Manette's caregiver is a "wild‐looking woman," with<br />
red hair, tight‐fitting clothing, a tall bonnet, brawny hands,<br />
and a manly appearance. In her anger with Mr. Lorry for<br />
upsetting Miss Manette, the caregiver sends him flying up<br />
against a wall. (He declares, "I really think this must be a<br />
man!") She then loudly demands that the inn servants fetch
<strong>LANG</strong> & <strong>LIT</strong> NOVEL FOCUSED QUIZ 04 PAGE 6 OF 47 DEMIDEC RESOURCES ©2009<br />
smelling‐salts, cold water, and vinegar to revive Miss<br />
Manette. [T2C: 27, 1‐2]<br />
29. E Miss Manette's caregiver demands smelling salts, cold<br />
water, and vinegar to use as restoratives. Heated bricks,<br />
mustard plasters, and lavender oil were also commonly<br />
used during that time to revive women suffering from<br />
hysteria. 14 [T2C: 27, 3]<br />
30. C When Jarvis Lorry asks Miss Manette's caregiver if she will<br />
accompany Miss Manette to France, she responds, "If it<br />
was ever intended that I should go across salt water, do you<br />
suppose Providence would have cast my lot in an island?"<br />
This suggests that she is fearful of the boat ride necessary<br />
to travel from England to France. [T2C: 28, 3]<br />
14 I have never personally had the opportunity to try these remedies,<br />
though I once soothed a number of wasp stings with rosemary oil.‐<br />
Melanie
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 05<br />
CHAPTER 1.5 THE WINE‐SHOP<br />
1. D When a cask of wine spills in the streets of Saint Antoine,<br />
the people stop what they are doing to sip wine from the<br />
streets. [T2C: 28, 6]<br />
2. E A "tall joker" named Gaspard writes the word "blood" in<br />
wine‐lees on the wall of the wine shop. [T2C: 29, 2]<br />
3. B Dickens writes about Saint Antoine as though it is a person,<br />
referring to its "sacred countenance." [T2C: 30, 2]<br />
4. E Hunger is prevalent everywhere in Saint Antoine. Dickens<br />
uses an anaphora to describe the ubiquity of hunger in<br />
every area of the town, continuing to refer to it and<br />
taxation as primary causes of the revolution throughout the<br />
novel. [T2C: 30, 2]<br />
5. D Dickens says, "Hunger was shred into atomies in every<br />
farthing porringer of husky chips of potato, fried with some<br />
reluctant drops of oil." A farthing is a coin worth a quarter<br />
of a penny, and a porringer is a bowl that is usually used to<br />
hold liquid foods. A "farthing porringer" implies a very<br />
small, simple meal. [T2C:30, 2]<br />
6. D The trade signs of Saint Antoine are described as "grim<br />
illustrations of Want," with lean meat on the butcher's sign<br />
and meager loaves of bread on the baker's sign. [T2C: 30. 3]<br />
7. E Tools and weapons are the only things represented as<br />
flourishing in Saint Antoine. The knives and axes are<br />
described as sharp and bright, the hammers are heavy, and<br />
the guns murderous. Everything else seems to be perishing<br />
and falling apart. [T2C: 30; 3]<br />
8. E The "tall joker" who writes the word "blood" in wine on the<br />
wall of the wine‐shop is named Gaspard. [T2C: 32, 2]<br />
9. D The wine‐shop keeper is described as a "bull‐necked,<br />
martial‐looking" man with dark skin and "crisply, curling<br />
short dark hair." He has "good eyes and a good bold<br />
breadth between them." Further, he is "good‐humored‐<br />
looking" and "implacable‐looking." Implacable means not<br />
easily appeased. However, Dickens says he is "a man not<br />
desirable to be met." His harsh interaction with Gaspard<br />
suggests that he is not especially friendly. [T2C: 32, 7]<br />
10. C The wine‐shop owner, Ernest Defarge, is the leader of a<br />
band of revolutionary peasants called the Jacquerie. The<br />
members referred to each other as Jacques to preserve<br />
their anonymity. [T2C: 33‐34]<br />
11. D Madame Defarge is picking her teeth with a toothpick when<br />
Monsieur Defarge returns to his wine‐shop after the spilling<br />
of the cask. She continues to pick at her teeth while he<br />
speaks to his customers, then picks up her knitting. [T2C: 32, 8]<br />
12. B Doctor Manette is kept in a locked chamber on the fifth<br />
floor of the wine‐shop. [34, 9]<br />
13. C Defarge keeps Manette locked up because he does not<br />
want to frighten Manette, who lived for many years locked<br />
up and might not know what to do if left with the freedom<br />
of an open door. [T2C: 37, 4]<br />
14. D Defarge says he shows Manette to a chosen few men of his<br />
name, meaning members of the Jacquerie, as he believes<br />
the sight will do them good. Lorry is angry at Defarge for<br />
displaying Doctor Manette. [T2C: 38, 7]<br />
15. B Jarvis Lorry often repeats the words "business, business" to<br />
Lucie Manette, perhaps to comfort himself more than her.<br />
[T2C: 37, 8]<br />
16. B The garret where Doctor Manette is held by Monsieur<br />
Defarge was intended to be a depository for firewood. [T2C:<br />
39, 1]<br />
17. C When Lucie Manette, Jarvis Lorry, and Monseiur Defarge<br />
enter the garret where Doctor Manette is living, they see<br />
him stooped over busily making shoes. [T2C: 39, 1]<br />
18. E The people of Saint Antoine drink wine from the streets<br />
(but do not roll in them), some getting tigerish smears<br />
around their mouths. Dickens says they have a hunted air<br />
about them and carry a wild‐beast thought of turning at<br />
bay. He portrays a loss of humanity as people are overcome<br />
with hunter and anger. [T2C: 28‐31]<br />
19. B Dickens foreshadows the French Revolution, still 14 years<br />
away, with the staining of the streets in wine, much like the<br />
blood that is to come. The mob mentality the people show<br />
in drinking wine off the streets is similar to their later frenzy<br />
over sharpening their weapons. Dickens also writes about<br />
the scarecrows someday conceiving of ways to haul up men<br />
by ropes and pulleys. The incredible hunger felt by the<br />
people of France will later motivate their revolutionary<br />
anger. Further, Madame Defarge's knitting symbolizes her<br />
vengefulness, which she will later use to knit registries of<br />
those sentenced to death. [T2C: 28‐39]<br />
20. C Lucie Manette says that she is afraid of her father. Her<br />
fragile mentality and Monsieur Defarge's hurriedness force<br />
Jarvis Lorry to physically carry her toward the room where<br />
her father is kept. [T2C: 38, 11]<br />
21. C<br />
22. B<br />
23. B<br />
24. C<br />
25. C
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 06<br />
CHAPTER 1.6 THE SHOEMAKER<br />
1. E Doctor Manette's voice is faint from disuse. Dickens<br />
compares it to a "once beautiful colour faded away into a<br />
poor weak stain." [T2C: 40, 1]<br />
2. D Doctor Manette's eyes are repeatedly described as<br />
haggard. They are tired, dull, and mechanical. [T2C: 40, 2]<br />
3. A Doctor Manette tells Mr. Lorry that he is making a lady's<br />
walking‐shoe of the present mode based on a pattern. [T2C:<br />
42, 5]<br />
4. E Doctor Manette identifies himself as One Hundred and Five,<br />
North Tower, demonstrating the impact of his lengthy<br />
imprisonment. [T2C: 42, 10]<br />
5. A Doctor Manette requested a leave during his time in prison<br />
to teach himself how to make shoes. [T2C: 42, 16]<br />
6. B When Doctor Manette first sees Lucie, he asks if she is the<br />
jailer's daughter. She replies no and then he inquires about<br />
who she is before eventually recognizing her. [T2C: 44, 9]<br />
7. A Doctor Manette keeps a lock of his wife's golden hair in a<br />
rag around his neck to help him escape "in the spirit" while<br />
imprisoned. [T2C: 45, 1‐4]<br />
8. E Doctor Manette's prematurely white hair is contrasted with<br />
his daughter's radiant, golden hair. [T2C: 46, 3]<br />
9. B Lucie's hair is compared to "the light of Freedom" shining<br />
on her father in the darkness of Defarge's garret. Her<br />
golden hair, similar to her mother's, helps Doctor Manette<br />
recognize her. [T2C: 46, 3]<br />
10. C Lucie Manette repeatedly implores her father to "weep for<br />
it" if he remembers anything of his former life and home.<br />
[T2C: 46, 4‐6]<br />
11. D Mr. Lorry asks Lucie if her father is fit for the journey out of<br />
Paris, but Lucie and Monsieur Defarge declare that traveling<br />
is better than remaining in the city. [T2C: 47, 4]<br />
12. E Lorry and Defarge gather bread, meat, wine, and coffee for<br />
Doctor Manette's journey out of France. Defarge then puts<br />
provender, or food, on the shoemaker's bench before<br />
waking Doctor Manette for the trip. [T2C: 48, 2]<br />
13. D Doctor Manette alters his walking as he reaches the<br />
courtyard outside Defarge's shop, expecting to encounter a<br />
drawbridge as he would at the Bastille. [T2C: 49, 3]<br />
14. B Madame Defarge stands against the doorpost knitting while<br />
Doctor Manette is taken from the garret to his coach. There<br />
are no other people in the street or discernible from the<br />
windows. [T2C: 49, 4]<br />
15. A Doctor Manette asks for his shoemaking tools and<br />
unfinished shoes before leaving France. Madame Defarge<br />
brings them to him. [T2C: 49, 5]<br />
16. E Monsieur Defare gives the word to go to the barrier before<br />
leaving the courtyard outside his wine shop. [T2C: 49, 6]<br />
17. C A postilion is a coach‐driver who sits mounted on one of<br />
the horses, unlike the coachman who sits on the vehicle<br />
with the passengers. The postilion cracks his whip and gets<br />
the horses moving when Defarge gives the word to leave.<br />
[T2C: 49, 6]<br />
18. E The first book of the novel ends with Mr. Lorry wondering if<br />
Doctor Manette will "care to be recalled to life" and the old<br />
answer from the shadows of, "I can't say." [T2C: 50, 4]<br />
19. A The tone of the reunion between the Manettes is<br />
sentimental and saccharine, perhaps so much so that<br />
modern readers might find it difficult to take seriously.<br />
However, Dickens' readers would likely have wept at the<br />
melodramatic scene. [T2C: 44‐47]<br />
20. A Mr. Lorry, a typically business‐oriented individual, makes<br />
plans for Doctor Manette's journey out of Paris. He says, "If<br />
business is to be done, I had better do it." [T2C: 47, 7]<br />
21. A<br />
22. C<br />
23. D<br />
24. B<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 07<br />
CHAPTER 2.1 FIVE YEARS LATER<br />
1. B The second book of A Tale of Two Cities begins in 1780, five<br />
years after Doctor Manette is brought from France to<br />
England. [T2C: 53, 1]<br />
2. D Tellson's Bank, located next to Temple Bar, is described as<br />
old‐fashioned. It is small, dark, ugly, and objectionable.<br />
These features are thought to be the key to its<br />
respectability. [T2C: 54, 1]<br />
3. B Tellson's Bank and the country of England are on par in that<br />
both would disinherit their sons for suggesting<br />
improvements to respectable, though objectionable,<br />
businesses and laws. [T2C: 53, 2]<br />
4. C The door of Tellson's Bank has a "weak rattle in its throat."<br />
When you pass through the door of "idiotic obstinacy" you<br />
stumble down two steps into the shop. [T2C: 53, 3]<br />
5. B Tellson's keeps "lighter boxes of family papers" in a<br />
Barmecide room. A Barmecide room is one in which things<br />
are an illusion, alluding to a prince in Arabian Nights who<br />
presents a beggar with an empty plate while offering him a<br />
feast. [T2C: 53, 3]<br />
6. C Dickens says, "Death is Nature's remedy for all things, and<br />
why not Legislation's?" Execution is a common punishment<br />
in England during A Tale of Two Cities. [T2C: 54, 1]<br />
7. B Dickens says that at the time "putting to death was a recipe<br />
much in vogue with all trades and professions." Tellson's is<br />
no exception, responsible for identifying counterfeiters,<br />
debtors, forgers, and purloiners to be put to death. Grave<br />
robbers would likely be put to death as well, but Tellson's<br />
reports crimes related to banking. [T2C: 54, 1]<br />
8. E The displayed heads of the executed at Temple Bar are<br />
compared to the brutality of Abyssinia or Ashantee, two<br />
African countries known for their barbarity. [T2C: 53, 3]<br />
9. C Dickens says that the death penalty does not do any good<br />
in preventing crime, but does eliminate the trouble of<br />
dealing with each case, leaving nothing to look after. [T2C: 54,<br />
1]<br />
10. A Young men go into Tellson's and are hidden in a dark place,<br />
like cheese, until they grow old and develop the full flavor<br />
of the place. [T2C: 55, 1]<br />
11. B Jerry Cruncher, Tellson's odd‐job‐man, serves as the "live<br />
sign of the house." [T2C: 55, 2]<br />
12. C Jerry Cruncher is always outside Tellson's, unless on an<br />
errand. When he is gone, he is represented by his son of<br />
the same name who is described as a "grisly urchin." [T2C: 55, 2]<br />
13. D Young Jerry Cruncher, an "express image" of his father, is<br />
twelve years old. [T2C: 55, 2]<br />
14. E Young Jerry Cruncher received his name during his baptism<br />
at the easterly parish church of Houndsditch. [T2C: 55, 2]<br />
15. D Jerry Cruncher's home is located in Hanging‐sword‐alley,<br />
Whitefriars. [T2C: 55, 3]<br />
16. D The second book begins on a "windy March morning" in<br />
1780. [T2C: 55, 3]<br />
17. E Jerry Cruncher mistakes Anno Domini for Anna Dominoes.<br />
Dickens jokes that Cruncher must think the Christian era<br />
dated from the invention of the game by a lady who gave it<br />
her name. [T2C: 55, 3]<br />
18. E Jerry Cruncher is angry with his wife for saying her prayers,<br />
convinced that she is praying against his prosperity. [T2C: 56, 8]<br />
19. A Jerry Cruncher throws a muddy boot at his wife when he<br />
believes she is praying against him. His boots, interestingly,<br />
are clean when he gets home from work at the bank, but<br />
dirty the next morning. [T2C: 56, 5]<br />
20. C Mr. Cruncher calls his wife "Aggerawayter," likely his way of<br />
saying aggravator. [T2C: 56, 6]<br />
21. E Jerry Cruncher bring a wooden stool, made from a cut<br />
down broken‐backed chair, to sit on outside the banking<br />
house. [T2C: 58, 6]<br />
22. A Jerry Cruncher is encamped at Tellson's by a quarter before<br />
nine. [T2C: 58, 7]<br />
23. B The two Jerry Crunchers look like a pair of monkeys are<br />
they look out at the morning traffic in Fleet‐street. [T2C: 58, 7]<br />
24. A Jerry Cruncher's fingers are always suspiciously rusty. His<br />
son wonders where he gets the iron rust from, as it does<br />
not come from working at the bank. [T2C: 59, 5]<br />
25. A Jerry Cruncher is suspicious in his paranoia regarding his<br />
wife's prayers, mysteriously muddy boots, and rusty fingers.<br />
[T2C: 56‐59]
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 08<br />
CHAPTER 2.2 A SIGHT<br />
1. E The Old Bailey is a criminal court on Old Bailey Street in<br />
London. [T2C: 59, 6]<br />
2. D Jerry Cruncher is sent to the Old Bailey to act as a<br />
messenger for Jarvis Lorry. [T2C: 60, 5]<br />
3. D The punishment for treason is quartering, which involves<br />
partial hanging, eviscerating while alive, beheading, and<br />
then cutting the body into pieces. [T2C: 60, 11]<br />
4. E The "Judge in the black cap" alludes to the cap worn when<br />
giving the death sentence. Dickens says that the judge<br />
giving the sentence was often killed before the prisoner. [T2C:<br />
61, 1]<br />
5. D The Old Bailey illustrates the aphorism that "Whatever is, is<br />
right," which Dickens describes as being "as final as it is<br />
lazy." [T2C: 61, 1]<br />
6. D People paid to see the entertainment at the Old Bailey as<br />
they did at Bedlam, a famous London mental hospital,<br />
though Dickens says that the former was more<br />
entertaining. [T2C: 61, 2]<br />
7. A The prisoner is a 25‐year‐old man described as "well‐grown<br />
and well‐looking." [T2C: 63, 2]<br />
8. B The prisoner's hair is long, dark, and gathered in a ribbon at<br />
the back of his neck. [T2C: 63, 2]<br />
9. A The prisoner, Charles Darnay, is accused of divulging<br />
information to the French King. [T2C: 64, 1]<br />
10. A Charles Darnay allegedly gave the King of France<br />
information about England's plans to send armed forces to<br />
fight in the American colonies. [T2C: 64, 1]<br />
11. B Charles Darnay is quiet, attentive, and composed during his<br />
trial. [T2C: 64, 2]<br />
12. B Herbs and vinegar are sprinkled in the courtroom in order<br />
to prevent jail air and jail fever. Typhus was endemic in<br />
confined places. [T2C: 64, 2]<br />
13. E A mirror hangs over Charles Darnay's head in the<br />
courtroom, reflections of the prisoner passing much like the<br />
many prisoners who passed from the earth before him. [T2C:<br />
64, 3]<br />
14. A Doctor Manette, a witness at Darnay's trial has an intense<br />
face described as "pondering and self‐communing." [T2C: 65, 2]<br />
15. D Lucie Manette's noticeable pity for Charles Darnay causes<br />
the spectators to stare and wonder who she is. [T2C: 65, 3]<br />
16. B Doctor and Lucie Manette are witnesses against Charles<br />
Darnay. [T2C: 65, 5]<br />
17. C Jerry Cruncher sucks rust off his fingers while absorbed in<br />
the trial. [T2C: 65, 4]<br />
18. A Dickens juxtaposes the formality of the trial with informal,<br />
parenthetical thoughts of the uneducated spectators. [T2C:<br />
64]<br />
19. E Darnay's paleness that comes through despite the darkness<br />
of his skin shows his soul to be "stronger than the sun." [T2C;<br />
63, 2]<br />
20. D The spectators have an interest in Darnay's trial that<br />
Dickens says, "was not a sort that elevated humanity." Their<br />
eager faces and enthusiastic speech show a level of interest<br />
that he calls "Ogreish." [T2C: 63, 3]<br />
21. A<br />
22. E<br />
23. E<br />
24. A<br />
25. B
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 09<br />
CHAPTER 2.3 A DISAPPOINTMENT<br />
1. D John Barsad is described by the Attorney‐General as a<br />
patriot who rooted out his friend's treasonous actions for<br />
the good of his country. [T2C: 66, 1; 68, 2]<br />
2. E The Attorney‐General tells the jury that if they do not find<br />
the prisoner guilty they will never be able to lay their heads<br />
upon their pillows, or tolerate the idea of their wives or<br />
children laying their heads on their pillows. [T2C: 66, 1]<br />
3. B The courtroom is repeatedly filled with a buzzing as<br />
through blue‐flies are already swarming Darnay before he is<br />
even sentenced. [T2C: 68, 1]<br />
4. D John Barsad has a history of multiple imprisonments,<br />
gambling, cheating, and debt. He is asked whether he has<br />
worked as a spy, but denies it, and no evidence is provided<br />
to the contrary. [T2C: 68, 3]<br />
5. E Roger Cly, who is shown to be a rather untrustworthy<br />
witness, says that he observed Charles Darnay showing lists<br />
to several French gentlemen. [T2C: 69, 1]<br />
6. B Dickens portrays the British legal satirically, mocking the<br />
Attorney‐General's self‐important speech, courtroom<br />
legalese, and hyperbolized virtuousness of the witnesses.<br />
[T2C: 66‐79]<br />
7. A Jarvis Lorry cannot swear that he saw Charles Darnay on<br />
the Dover mail coach because the passengers were all<br />
bundled up, but is certain that Darnay was on the packet‐<br />
ship at Calais. [T2C: 70, 19]<br />
8. C Lucie Manette speaks well of Darnay, who helped her shield<br />
her father from the wind and weather on the ship from<br />
France to England. She saw the prisoner showing papers to<br />
two French gentlemen, but does not know anything about<br />
them or the specifics of Darnay's business. [T2C: 72, 3]<br />
9. D Lucie Manette turns the court against Darnay most when<br />
she describes his conversation about George Washington<br />
gaining as much fame as George the Third. The Judge<br />
considers this "tremendous heresy." [T2C: 73, 5]<br />
10. A Doctor Manette cannot identify Charles Darnay from his<br />
travels between France and England because he does not<br />
remember anything about the period. His memory of the<br />
time between working in the Bastille and living with his<br />
daughter in London is blank. [T2C: 74, 12]<br />
11. D Sydney Carton spends most of the trial staring at the<br />
ceiling, looking disinterested. Despite his apparent<br />
disinterest, he notices details crucial to acquitting Darnay.<br />
[T2C: 74, 14]<br />
12. B Carton realizes that he resembles Charles Darnay, causing<br />
Stryver to question whether the prosecution's witness<br />
might be mistaken about the identity of the man he saw.<br />
He could have seen somebody who looked similar to<br />
Darnay and rashly decided that it was the prisoner. [T2C: 74‐75]<br />
13. D Stryver tries to convince the jury that Barsad and Cly, not<br />
Darnay, are the spies. He argues that Darnay is an innocent<br />
victim, caught up in the trial because family affairs force<br />
him to travel between England and France. [T2C: 75, 7]<br />
14. C Dickens compares Stryver and the Attorney‐General's<br />
presentations of information to the jury with fitting a suit of<br />
clothes, then turning it inside out and outside in. [T2C: 75‐76]<br />
15. A Jerry Cruncher remarks on Sydney Carton's debauched<br />
appearance, saying that Sydney Carton does not look like<br />
the type to get much law‐work to do. [T2C: 76, 3]<br />
16. D Sydney Carton, who mostly stares at the ceiling, is the first<br />
to notice his resemblance with Darnay and the first to see<br />
Lucie Manette fainting. [T2C: 77, 1]<br />
17. B Darnay says that he expects the worst from the jury,<br />
meaning he anticipates being sentenced to the death<br />
penalty. [T2C: 78, 15]<br />
18. A The jury spent an hour and a half deliberating before<br />
returning to the courtroom with their verdict. [T2C: 79, 1]<br />
19. C Jerry Cruncher delivers the message "Acquitted" to<br />
Tellson's Bank following Darnay's trial. However, Cruncher<br />
tells Lorry that the message "Recalled to Life" would have<br />
made sense to him this time. [T2C: 79, 6]<br />
20. C The crowd leaving the courthouse after Darnay's trial for<br />
treason is compared with buzzing blue‐flies in search of<br />
other carrion, as Darnay will no longer be killed. [T2C: 79, 8]<br />
21. D<br />
22. E<br />
23. B<br />
24. A<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 10<br />
CHAPTER 2.4 CONGRATULATORY<br />
1. A Doctor Manette, Lucie Manette, Jarvis Lorry, and Mr.<br />
Stryver gather around Charles Darnay to congratulate him<br />
after his trial. Carton approaches Darnay later to invite him<br />
out to a tavern. [T2C: 79, 9]<br />
2. C While in London, Doctor Manette is approximately three<br />
hundred miles away from the Bastille. [T2C: 80, 1]<br />
3. E Lucie Manette is often described as a golden thread,<br />
connecting her father with his past and present. [T2C: 80, 2]<br />
4. A Mr. Stryver is about thirty years old, but looks closer to 50,<br />
during Darnay's first trial. [T2C: 80, 3]<br />
5. A Mr Stryver looks 20 years older than his 30 years, appearing<br />
"stout, loud, red, bluff, and free from any drawback of<br />
delicacy." [T2C: 80, 3]<br />
6. A Stryver is not at all delicate, pushing his way into companies<br />
and conversations. He is stout, loud, bluff, and red. [T2C: 80, 3]<br />
7. B Lorry criticizes Carton for not being a man of business,<br />
saying that business is a respectable thing. [T2C: 82, 7‐13]<br />
8. B When Carton approaches Darnay after the trial, he smells<br />
of port wine and appears drunk. [T2C: 83, 1]<br />
9. E Charles Darnay toasts to Miss Manette after he finishes<br />
eating his post‐trial dinner with Sydney Carton. [T2C: 84, 5]<br />
10. E Darnay tells Carton that he will call the whole reckoning,<br />
meaning he will pay the entirety of the bill in thanks for<br />
Carton's role in the trial. [T2C: 85, 5‐6]<br />
11. A Before Darnay leaves him for the night, Carton orders more<br />
wine and asks the drawer to wake him up at ten o'clock. [T2C:<br />
85, 6]<br />
12. C Carton says that he drinks because he is a "disappointed<br />
drudge." He believes that he does not care for anyone, and<br />
nobody cares for him. [T2C: 85, 11]<br />
13. A Carton dislikes Darnay because he shows what Carton has<br />
fallen away from, and what he might have been. [T2C: 85, 15]<br />
14. E Carton believes that if he could change places with Darnay,<br />
Lucie Manette would look at him with the same affection.<br />
[T2C: 85, 15]<br />
15. A Carton falls asleep at his table in the tavern after drinking<br />
too much wine, with a "long winding‐sheet in the candle<br />
dripping down upon him." The winding‐sheet is usually a<br />
burial shroud, but in this case a solid candle dripping that<br />
foreshadows death. [T2C: 86, 1]<br />
16. E Carton drunkenly falls asleep at the dinner table in the<br />
tavern, his hair hanging over the table and candle drippings<br />
falling on him. [T2C: 86, 1]<br />
17. C Darnay and Carton resemble each other in physical<br />
appearances, though their temperaments, dress, manner,<br />
and status differ drastically. [T2C: 82‐86]<br />
18. E Doctor Manette looks at Darnay after the trial while still<br />
shadowed by his past. He has a look that is described as<br />
"intent" with a frown of "dislike and distrust." [T2C: 81, 8]<br />
19. D Darnay's friends disperse after congratulating him,<br />
assuming that he will not be released that night. [T2C: 81, 13]<br />
20. E Carton, jealous of Lucie's apparent affection for Darnay,<br />
asks him if it is worth being tried for his life to be the object<br />
of her sympathy. He does not answer the question. [T2C: 84, 10]<br />
21. B<br />
22. D<br />
23. A<br />
24. E<br />
25. E
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 11<br />
CHAPTER 2.5 THE JACKAL<br />
1. B The courthouse is also known as the "bed of wigs," as wigs<br />
and hair powder were commonly worn in the legal setting.<br />
[T2C: 86, 3]<br />
2. D Stryver worked his way high up the ranks of his profession,<br />
like a "great sunflower pushing its way at the sun from a<br />
rank gardenfull of flaring comparisons." [T2C: 86, 3]<br />
3. D In the English legal year, there are four terms. The first is<br />
Hilary Term and the last is Michaelmas Term; roughly a full<br />
year passes between them. [T2C: 87, 1]<br />
4. C Sydney Carton is described as the "idlest and most<br />
uncompromising of men." Though he and Stryver went to<br />
the same school and begin as colleagues, Stryver quickly<br />
outranked Carton. [T2C: 87, 1]<br />
5. C A jackal, like Sydney Carton, is someone who performs<br />
menial tasks for another person. Carton works as Stryver's<br />
researcher and assistant. [T2C: 87, 1]<br />
6. A Stryver has a "wild, strained, seared marking about the<br />
eyes." Dickens attributes this to drinking, saying it is<br />
observed in all "free livers of his class" and "through the<br />
portraits of every Drinking Age." [T2C: 87, 9]<br />
7. E Carton folds wet towels on his head while readying himself<br />
for a night's work, reapplying this "damp headgear" when<br />
his work becomes especially challenging. [T2C: 88, 9]<br />
8. B Carton and Stryver finish their work at three in the<br />
morning, then fill another bumper of punch and talk. [T2C: 89,<br />
1]<br />
9. D Carton and Stryver attended school together at Shrewsbury<br />
School, a prestigious English public school that would have<br />
specialized in classical education. [T2C: 89, 8]<br />
10. D Stryver calls Carton "seesaw Sydney," criticizing his mood<br />
fluctuations. Stryver urges Carton to drink more punch to<br />
smooth out his temper. [T2C: 89, 8]<br />
11. C While Carton is compared to a jackal, Stryver is made out to<br />
be a lion. [T2C: 87‐89]<br />
12. E Carton believes that Stryver was born at the front rank, and<br />
stayed there through a combination of luck, shouldering<br />
and pressing others out of the way, and paying Carton for<br />
help. He does not attribute any sort of exceptional<br />
intelligence to Stryver. [T2C: 90]<br />
13. E Stryver refers to Lucie as "picturesque" and "pretty," saying<br />
she was the admiration of the entire court. Carton<br />
dismisses her as a "golden‐haired doll." [T2C: 91, 3]<br />
14. E A perspective‐glass is a device that improves a person's<br />
vision. Carton says that such an aid is unnecessary for a<br />
man to see a girl swooning. [T2C: 91, 10]<br />
15. E When Carton leaves Stryver's chambers to go home, he<br />
emerges into a lifeless, grim, silent city. The landscape is<br />
cold, sad, dull, dark, and dim. [T2C: 91, 11]<br />
16. A When he arrives at home, Carton falls asleep, still in his<br />
clothes, wetting his pillow with tears. [T2C: 91, 12]<br />
17. C Carton is resigned to his low professional status, accepting<br />
his role in helping Stryver to achieve greater rank. [T2C: 92, 1]<br />
18. E Carton and Stryver's relationship is primarily friendly.<br />
Though there are some hard feelings between them, they<br />
work and talk and drink together peacefully, reflecting on<br />
the many years they have known each other. [T2C: 88‐91]<br />
19. C Carton hides his longings for a better life, but sees a mirage<br />
filled with the things he longs for: love, hope, ambition,<br />
perseverance, and self‐denial. As quickly as it appears, it<br />
disappears, leaving Carton to return home and cry himself<br />
to sleep. [T2C: 91, 12]<br />
20. C Stryver's chamber is full of books and papers, with a blazing<br />
fire, a kettle, and all the ingredients for punch. Jeffries'<br />
portrait is alluded to when Dickens discusses the marks<br />
around the eyes of those with "free livers," but it is not<br />
located in Stryver's chambers. [T2C: 88, 3]<br />
21. D<br />
22. D<br />
23. A<br />
24. E<br />
25. D
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 12<br />
CHAPTER 2.6 HUNDREDS OF PEOPLE<br />
1. E Doctor Manette resides on a quiet street‐corner near Soho‐<br />
square. [T2C: 92, 2]<br />
2. B Dickens compares the positive freedom of country breezes<br />
to the languishing of stay paupers. The poor were supposed<br />
to be given assistance by their parishes, but during Dickens'<br />
time, they were often abused. [T2C: 92, 4]<br />
3. B Though Lucie Manette does not know anything about her<br />
birth country, she derived from it the ability to make much<br />
of little means. Her home is decorated with many simple,<br />
but well‐adorned, things. [T2C: 94, 8]<br />
4. A The "best" room in the Manette house is Lucie's room, full<br />
of her birds, flowers, books, desk, work‐table, and water‐<br />
colors. [T2C: 94, 9]<br />
5. B Doctor Manette's consulting‐room is also used as the dining<br />
room. His shoemaker's bench and tools are in his bedroom.<br />
[T2C: 94, 9]<br />
6. E Jarvis Lorry first met Miss Pross at the Royal George Hotel,<br />
where he told Lucie the story of her father's imprisonment.<br />
[T2C: 95, 3]<br />
7. A Miss Pross calls Lucie Manette her "Ladybird." [T2C: 95, 10]<br />
8. E Miss Pross's character, apart from her stature, is shortness.<br />
She is quick to anger. [T2C: 95, 12]<br />
9. B Miss Pross says she is put out by Lucie because too many<br />
unworthy people are trying to court Lucie, initially saying<br />
that there are dozens, then hundreds, of suitors. [T2C: 95, 16]<br />
10. A Miss Pross says that she and Lucie have lived together since<br />
Lucie was ten years old. [T2C: 95, 21]<br />
11. D Jarvis Lorry believes there is nothing better in the world<br />
than the kind of faithful service of the heart Miss Pross<br />
provides for Lucie Manette. [T2C: 96, 7]<br />
12. C Miss Pross believes her brother Solomon the man most<br />
worthy of Lucie, if only he had not made the mistake of<br />
stealing all of Miss Pross's possessions and leaving her in<br />
poverty. [T2C: 96, 8]<br />
13. A When Jarvis Lorry begins to ask Miss Pross if she imagines<br />
something, she responds, "Never imagine anything. Have<br />
no imagination at all." [T2C: 97, 9]<br />
14. B Miss Pross believes that Doctor Manette does not discuss<br />
the topic of his imprisonment because his initial loss of<br />
himself occurred because of it and he is afraid of losing<br />
himself again. [T2C: 98, 5]<br />
15. E When Lucie discovers her father pacing, his mind returned<br />
to his imprisonment, she walks back and forth with him<br />
until he composes himself. [T2C: 98, 7]<br />
16. D The domestic staff regards Miss Pross as a Sorceress, or<br />
Cinderella's Grandmother, able to take any food ingredients<br />
and turn them into whatever she likes. [T2C: 100, 1]<br />
17. E Miss Pross dines at the Doctor's table on Sundays,<br />
otherwise eating in the servant's quarters or her own room.<br />
[T2C: 100, 2]<br />
18. C When Charles Darnay presents himself at the Manette<br />
household after dinner, Miss Pross is overcome with a "fit<br />
of the jerks" and retires inside the house. [T2C: 101, 2]<br />
19. D A prisoner in the Tower of London wrote DIG on the wall of<br />
his cell, though the writing was unsteady and initially<br />
thought to say D.I.C. However, when the floor was<br />
examined, the ashes of a paper and a bag were found. [T2C:<br />
101, 8]<br />
20. D After Darnay's story about the prisoner in the Tower of<br />
London, Doctor Manette is startled, but blames the rain<br />
and recovers quickly. [T2C: 102, 2]<br />
21. E Mr. Carton joins the Manettes, Mr. Lorry, and Mr. Darnay<br />
during tea‐time. Dickens remarks that the hundreds of<br />
people expected by Miss Pross are still not there, only two<br />
have joined in. [T2C: 102, 6]<br />
22. B Lucie says that she often sits alone in the evening listening<br />
to the echoes of footsteps, imagining them to be the<br />
echoes of all the footsteps coming into her life. [T2C: 103, 8]<br />
23. B When Lucie imagines the footsteps she hears to be the<br />
steps of all the people coming into her life, Carton says,<br />
"There is a great crowd coming one day into our lives, if<br />
that be so." He foreshadows the multitude of<br />
revolutionaries who will soon create an upheaval in the<br />
character's lives. [T2C: 103, 9]<br />
24. A Lorry always retains Jerry Cruncher's services to protect him<br />
from "footpads," highwaymen who rob by foot. [T2C: 104, 3]<br />
25. B Lucie and Carton predict a great number of people entering<br />
their lives. This premonition is ominous and foreboding.<br />
Dickens describes the crowd of people coming with a "rush<br />
and roar, bearing down upon them." [T2C: 103‐104]
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 13<br />
CHAPTER 2.7 MONSEIGNEUR IN TOWN<br />
1. A Monseigneur requires the help of four men, other than the<br />
cook, to drink hot chocolate. 15 This beverage, like modern<br />
hot chocolate, was reserved for the aristocracy because it<br />
was rare and expensive. [T2C: 104, 8]<br />
2. E An escutcheon is a shield displaying a family crest. Dickens<br />
says of Monseigneur, "Deep would have been the blot upon<br />
his escutcheon if his chocolate had been ignobly waited on<br />
by only three men." [T2C: 105, 1]<br />
3. E Monseigneur's "one truly noble idea of general public<br />
business" is to let everything go on as it is. He is primarily<br />
concerned with tending to his own power and wealth. [T2C:<br />
105, 3]<br />
4. A Monseigneur places himself above God, replacing the<br />
pronoun of "the Lord" with "Monseigneur" in a biblical<br />
phrase. [T2C: 105, 3]<br />
5. E Monseigneur allies himself with the Farmer‐General, who is<br />
a tax collector for a French parish The Farmers‐General<br />
were suspected of taking more money from the people<br />
then they sent back to the government. [T2C: 106, 1]<br />
6. C Monseigneur takes his sister from a convent to marry her<br />
off to the Farmer‐General in order to win his favor and his<br />
money. [T2C: 106, 1]<br />
7. D The Farmer‐General's cane is topped with a golden apple.<br />
[T2C: 106, 1]<br />
8. A The guests at Monseigneur's reception are superficial<br />
French aristocrats who have lost touch with reality. They<br />
hold themselves above God, vocation, and parenting. [T2C:<br />
106‐107]<br />
9. A Dress is the "unfailing talisman" that the aristocrats use to<br />
keep everything in the correct places. Everybody at<br />
Monseigneur's party is finely dressed and made up. [T2C: 108,<br />
2]<br />
10. A The axe was reserved for rare executions of the aristocracy.<br />
The guillotine was considered to be an egalitarian<br />
development as it made execution by blade available to all<br />
types of people. 16 [T2C: 108, 2]<br />
11. C The Marquis is angered by Monseigneur's haughtiness.<br />
Before leaving the party he says, "I devote you to the<br />
Devil!" and shakes snuff from his fingers. [T2C: 109, 4]<br />
12. A The Marquis has a hat under his harm and holds a snuff‐box<br />
in his hand while he stands around as the last person at the<br />
party. [T2C: 109, 3]<br />
13. B The Marquis is about 60 years old. [T2C: 109, 6]<br />
14. D The Marquis has a mask‐like face with clearly defined<br />
features and minimal facial expressions. He is well‐dressed<br />
and has a haughty demeanor. [T2C: 109, 6]<br />
15. B The Marquis' carriage driver charges recklessly through the<br />
streets, endangering the commoners who do not have<br />
sidewalks, and ultimately killing a child. [T2C: 111, 3]<br />
15<br />
I am pretty good at consuming chocolate in any form all by myself.‐<br />
Melanie<br />
16<br />
I have never thought of an execution method as egalitarian before,<br />
but I suppose everything is relative.‐Melanie<br />
16. D The Marquis throws coins to the father of the stricken‐child<br />
and Defarge, but yells angrily at the people for not getting<br />
out of the way of his horses. [T2C: 111, 11]<br />
17. B The father of the stricken child is Gaspard, the man who<br />
previously wrote "blood" on the wall of the wine shop. [T2C:<br />
112, 1]<br />
18. B A peasant throws one of the Marquis' coins back into his<br />
carriage, angering him enough to threaten to crush the<br />
person beneath his wheels. [T2C: 112, 7]<br />
19. B The French peasants are compared to rats who creep out of<br />
their holes to look at the spectacle and then return to their<br />
dark holes to sleep close together. [T2C: 113]<br />
20. D Madame Defarge knits while conspicuously watching the<br />
scene with the Marquis' carriage. Dickens says she "knitted<br />
on with the steadfastness of Fate." [T2C: 112‐113]<br />
21. D<br />
22. D<br />
23. A<br />
24. B<br />
25. E
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 14<br />
CHAPTER 2.8 MONSEIGNEUR IN THE COUNTRY<br />
1. E The landscape the Marquis rides through on he way to the<br />
country is sparse, with patches of poor rye, peas, beans,<br />
and coarse vegetables. [T2C: 113, 2]<br />
2. E Four post‐horses and two postilions drive the Marquis'<br />
carriage from Paris to the countryside. [T2C: 114, 1]<br />
3. D The Marquis is covered in a crimson, blood‐like light from<br />
the sunset during his ride to the countryside. [T2C: 114, 2]<br />
4. B The Marquis sees a church‐tower, a windmill, a forest, and<br />
a prison during his travels to the country. No mention is<br />
made of a courthouse. [T2C: 114, 4]<br />
5. D The village has a massive number of taxes, causing Dickens<br />
to remark that it is a wonder that there is "any village left<br />
unswallowed." [T2C: 114, 5]<br />
6. B The Marquis asks to speak to a "grizzled mender of the<br />
roads" who he saw when coming up the hill and at the top<br />
of the hill. [T2C: 115]<br />
7. E The road mender says that a man swung by the chain of the<br />
drag on the Marquis' carriage. [T2C: 115, 14]<br />
8. C Monsieur Gabelle is the Postmaster as well as a tax official.<br />
[T2C: 116, 12]<br />
9. B The Marquis stops at a burial ground where he sees a cross<br />
and a wooden figure of Jesus that looks "dreadfully spare<br />
and thin." [T2C: 117, 6]<br />
10. E The women in the graveyard asks the Marquis for a grave‐<br />
marker for her husband to differentiate his heap of grass<br />
from all the others. [T2C: 118, 9]<br />
11. C The Marquis initially does not seem to understand the<br />
petition of the woman at the graveyard, asking what she<br />
expects from him. When she pleas for a grave‐marker for<br />
her husband he acts disinterested and drives away without<br />
response. [T2C: 118]<br />
12. E In Greek Mythology, the Furies are deities who personify<br />
the anger of the dead. The Marquis' brisk carriage ride is<br />
"escorted by the Furies." [T2C: 118, 10]<br />
13. B Dickens says the road mender is nothing without the aid of<br />
his blue cap. [T2C: 118, 11]<br />
14. E The Marquis asks for "Monsieur Charles" when he arrives<br />
home, but Darnay is not yet there. [T2C: 119, 2]<br />
15. C Two postilions drive the Marquis' four horses to the<br />
countryside. [T2C: 114, 1]<br />
16. E When the Marquis asks Gabelle to look for the alleged thief<br />
on his carriage, Gabelle says that he is flattered to attend to<br />
the Marquis' orders. [T2C: 116, 15]<br />
17. E The Marquis' usually reckless carriage is slowed to a "foot<br />
pace" by a steep hill. [T2C: 117, 5]<br />
18. E The woman at the graveyard says that her husband, and<br />
many others, are dying of want. The Marquis is unmoved by<br />
the plight of the peasants. [T2C: 118, 7]<br />
19. D The Marquis appears selfish, disinterested in the painful<br />
lives of the people in his village or those in the city. He<br />
ignores peoples' petitions and tries to buy off those he<br />
hurts as though they are merchandise. [T2C: 115‐118]<br />
20. D During his travels, the Marquis shows more interest in the<br />
alleged thief on his carriage than he does in the peasants<br />
over whom he rules. [T2C: 113‐119]<br />
21. D<br />
22. B<br />
23. D<br />
24. A<br />
25. D
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 15<br />
CHAPTER 2.9 THE GORGON'S HEAD<br />
1. E The Marquiz' chateau is a "heavy mass of a building" with<br />
the court‐yard, staircases, balustrades, urns, flowers, and<br />
statues all made of stone. [T2C: 119, 4]<br />
2. A A Gorgon is one of three sisters in Greek mythology with<br />
snakes for hair. Anyone who looks upon them is turned to<br />
stone. [T2C: 119, 4]<br />
3. E The Marquis' chateau is two centuries old. [T2C: 119, 4]<br />
4. E As the Marquis walks from his carriage to his chateau he<br />
hears the howling of an owl, as though it is scolding him for<br />
disturbing the quietness of the night. [T2C: 119, 5]<br />
5. E The Marquis' hallway is grimly decorated with old boar‐<br />
spears, knives, swords, riding‐whips, and riding‐rods. [T2C: 119,<br />
6]<br />
6. B The chateau has four towers that resemble candle‐<br />
extinguishers. This may be symbolic of the Marquis himself<br />
being extinguished. [T2C: 120, 2]<br />
7. D Charles Darnay is the Marquis' nephew, though he<br />
renounces his family ties. [T2C: 121, 6]<br />
8. B The Marquis receives Darnay in a "courtly manner." He is<br />
polite, but not overly warm or welcoming. [T2C: 121, 8]<br />
9. C Darnay believes that if his uncle was not in disgrace with<br />
the Court he would have been sent a letter de cachet,<br />
imprisoning him indefinitely without a trial. [T2C: 122, 13]<br />
10. D The Marquis' nose is the only part of his mask‐like face that<br />
ever betrays his emotions. The rest of his expression<br />
remains constant. [T2C: 122, 4]<br />
11. E The Marquis says that a man was poniarded, or stabbed, for<br />
an "insolent delicacy respecting his daughter." This refers to<br />
the feudal practice of sleeping with a bride before the<br />
husband does in consummating the marriage. [T2C: 123, 3]<br />
12. E Darnay believes his family name is the most detested in all<br />
of France. [T2C: 123, 5]<br />
13. E The Marquis tells his nephew, "Repression is the only<br />
lasting philosophy. The dark deference of fear and slavery,<br />
my friend, will keep the dogs obedient to the whip, as long<br />
as this roof shuts out the sky." [T2C: 124, 4]<br />
14. D Darnay says his mother's last request was for him to right<br />
his family's wrongs. [T2C: 125, 2]<br />
15. D When the Marquis urges his nephew to accept his "natural<br />
destiny," Darnay instead renounces his ties to his family<br />
and France. [T2C: 125, 8]<br />
16. B Darnay tells his uncle that he plans to support himself in the<br />
way that others of his countrymen do, by working. [T2C: 126, 8]<br />
17. C The Marquis asks Darnay if he knows a Doctor and his<br />
daughter who have found refuge in England. When Darnay<br />
confirms that he does, the Marquis smiles mysteriously and<br />
bids him goodnight. [T2C: 126‐127]<br />
18. B The Marquis, laying dead in his bed, looks as though the<br />
Gorgon saw him in the night and added him as a stone face<br />
in the building's collection of stone figures. [T2C: 130, 1‐3]<br />
19. D The note left by the Marquis' murderer reads, "Drive him<br />
fast to his tomb. This, from Jacques." It is attached to the<br />
Marquis by a knife driven through his heart. It is later<br />
revealed that Gaspard murders the Marquis to avenge the<br />
death of his child. [T2C: 130, 4]<br />
20. B Darnay believes his family name to be the most detested in<br />
France. The Marquis tells him, "Detestation of the high is<br />
the involuntary homage of the low." [T2C: 123, 6]<br />
21. B<br />
22. D<br />
23. D<br />
24. C<br />
25. E
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 16<br />
CHAPTER 2.10 TWO PROMISES<br />
1. E One year passes between the chapter in which the Marquis<br />
is killed and that in which Darnay confesses his love for<br />
Lucie Manette. [T2C: 130, 5]<br />
2. C Darnay works as a French Tutor in England as he is familiar<br />
with the language and literature of his home country. He is<br />
a Tutor, rather than a Professor, because modern languages<br />
were not officially taught in universities at the time. [T2C: 130,<br />
5]<br />
3. D Charles Darnay falls in love with Lucie Manette during his<br />
trial, which he refers to as "the hour of his danger." [T2C: 131,<br />
4]<br />
4. C Charles Darnay chooses to speak with Doctor Manette<br />
about his affection for Lucie at a time when she will be<br />
running errands with Miss Pross. [T2C: 132, 1; 132, 6]<br />
5. B Charles Darnay tells Doctor Manette that he loves his<br />
daughter "fondly, dearly, disinterestedly, devotedly." He<br />
asks Doctor Manette to recall his own love and let it speak<br />
to Darnay's feelings. [T2C: 133, 14]<br />
6. C Darnay tries to keep his feelings for Lucie inside because he<br />
does not want to get in between her and her father, but<br />
can only bear it in silence for so long before he must tell<br />
Doctor Manette. [T2C: 135, 1]<br />
7. D Darnay does not ask for guidance or help in telling Lucie<br />
about his feelings. He asks if Lucie has other suitors, but not<br />
that Manette keep them away. He requests only that<br />
Manette not urge Lucie against him if she asks for her<br />
father's opinion. [T2C: 136‐137]<br />
8. B Doctor Manette tells Darnay that the state of his daughter's<br />
heart is a mystery to him. He describes mysteries that arise<br />
out of close love as "subtle and delicate, and difficult to<br />
penetrate." [T2C: 136, 12]<br />
9. A Darnay attempts to tell Doctor Manette his original name,<br />
but Manette makes him promise to wait until asked to tell<br />
this secret. [T2C: 137, 10]<br />
10. B Doctor Manette asks Darnay to wait until the morning of his<br />
marriage, if his relationship with Lucie prospers, before<br />
revealing the secret of his original family name. [T2C: 138, 5]<br />
11. B When Lucie arrives home from her errands with Miss Pross,<br />
she is startled to find her father making shoes in his<br />
bedroom. [T2C: 138, 10]<br />
12. B The world of man, Dickens says, has invariably gone in the<br />
way of the love of a woman. Charles Darnay is no different<br />
as he falls for Lucie Manette. [T2C: 131, 3]<br />
13. C Doctor Manette is described as energetic, resolute,<br />
vigorous, and firm of purpose. Though he is sometimes<br />
fitful and sudden, as well, this is less common than it was<br />
after he returned home from imprisonment. [T2C: 132, 2]<br />
14. B Throughout Darnay's confession of love for Lucie, his<br />
treatment of Doctor Manette is deferential. He truly<br />
respects Manette and seeks his approval. [T2C: 133, 6]<br />
15. B When Darnay mentions Manette's love for his wife,<br />
Manette cries as though in physical pain. The sound<br />
continues to ring in Darnay's ears. [T2C: 133, 15‐17]<br />
16. A<br />
17. C<br />
18. C<br />
19. B<br />
20. C<br />
21. C<br />
22. B<br />
23. B<br />
24. B<br />
25. C
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 17<br />
CHAPTER 2.11 A COMPANION PICTURE<br />
1. D Sydney Carton applies wet towels to his head to help his<br />
headaches and hangovers. [T2C: 139, 3]<br />
2. E Stryver and Carton work extra hours to complete their<br />
paperwork before the end of the legal term. When Stryver<br />
discusses his plans to marry, the two are still at work at<br />
5:00 A.M. [T2C: 140, 4]<br />
3. C Stryver wants Carton to guess who he is going to marry.<br />
However, after a long night's work, Carton tells him, "If you<br />
want me to guess, you must ask me to dinner." [T2C: 140, 4]<br />
4. E Stryver believes he is more agreeable than Carton, and thus<br />
knows better how to get along with women. [T2C: 140, 11]<br />
5. B Stryver tells Carton that he is ashamed of Carton's<br />
moroseness at the Manette's house. [T2C: 140, 13]<br />
6. B Stryver makes his unhappiness with Carton known through<br />
the use of a number of names, calling him an insensible<br />
dog, a devilish ill‐conditioned fellow, disagreeable, and<br />
incorrigible, among others. [T2C: 140‐141]<br />
7. C Stryver thinks that Carton might be uncomfortable about<br />
Stryver's plans to marry Lucie because of his previous<br />
description of the woman as a golden‐haired doll. [T2C: 141, 9]<br />
8. D Stryver says that he has made up his mind to marry Lucie in<br />
order to please himself because he can afford to do so. [T2C:<br />
142, 2]<br />
9. C Stryver tells Carton that he should find a woman to marry<br />
who has property. [T2C: 142, 8]<br />
10. E Stryver suggests that Carton finds somebody to marry so<br />
that he can be taken care of, regardless of whether he<br />
enjoys or understands women's society. [T2C: 142, 8]<br />
11. E Carton is outwardly approving of Stryver's plan to marry<br />
Lucie, acting calm as Stryver continues to insult Carton's<br />
own prospects of marriage. [T2C: 142, 3‐5]<br />
12. C Stryver is extremely arrogant in his discussion of marriage<br />
with Carton, presuming that he can marry Lucie before<br />
discussing the matter with her, and harshly demeaning<br />
Carton. [T2C: 141‐142]<br />
13. B Unlike Darnay, who is a romantic, Stryver views marriage as<br />
a practical way to have a pleasant home and the<br />
respectability of a wife. His views were typical in the<br />
Victorian era. [T2C: 142, 6]<br />
14. D On the same day as Darnay reveals his feelings for Lucie<br />
Manette, Stryver informs Carton of his plans to marry Lucie.<br />
[T2C: 139, 1]<br />
15. E When Stryver asks Carton his thoughts about Stryver's<br />
plans to marry Lucie, Carton's responses are sarcastic.<br />
However, Stryver misses the sarcasm and accepts them as<br />
supportive and approving. [T2C: 139‐143]<br />
16. D<br />
17. E<br />
18. C<br />
19. B<br />
20. A<br />
21. E<br />
22. A<br />
23. A<br />
24. C<br />
25. B
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 18<br />
CHAPTER 2.12 THE FELLOW OF DELICACY<br />
1. D Stryver views his courtship as a court case with clear<br />
evidence in his favor. [T2C: 143, 3]<br />
2. E Stryver considers taking Lucie to Vauxhall Gardens or<br />
Ranelagh, two popular public amusement parks. [T2C: 143, 4]<br />
3. C On his way to propose to Lucie, Stryver stops at Tellson's<br />
Bank to speak with Lorry about his plans. [T2C: 144, 1]<br />
4. B Stryver always seems too large for any space. His presence<br />
in Tellson's is overwhelming, causing others to look at him<br />
as though he is pushing them up against the wall. [T2C: 144, 3]<br />
5. C Lorry, and other Tellson's employees, have a pecular, self‐<br />
abnegating handshake as though they represent Tellson<br />
and Co. [T2C: 144, 4]<br />
6. B Lorry looks at Stryver dubiously when he reveals his plans<br />
to propose to Lucie. [T2C: 145, 1]<br />
7. E Mr. Lorry tells Stryver that he would not propose without<br />
first knowing if he the venture will be successful, suggesting<br />
that Stryver wait until Lorry speaks with the Manettes<br />
about the proposal. [T2C: 146, 1]<br />
8. E Lorry is protective of Lucie, telling Stryver that he will not<br />
allow anyone to speak disrespectfully about her. [T2C: 146, 5‐7]<br />
9. C Stryver is vexed by Lorry's advice about waiting to propose<br />
to Lucie. He cannot conceive of Lucie not wanting to marry<br />
him. [T2C: 147, 5]<br />
10. A When Lorry arrives at Stryver's chambers after visiting with<br />
the Manettes, Stryver appears preoccupied and surprised<br />
to see Lorry there. [T2C: 148, 7]<br />
11. C When Lorry asks the Manettes about Stryver's proposal of<br />
marriage, they tell him that they would not accept the<br />
offer. [T2C: 149, 2]<br />
12. E Stryver acts uninterested in Lucie Manette when Lorry<br />
informs him that the Manettes will not accept his marriage<br />
proposal. He encourages Lorry to forget all about the<br />
incident. [T2C: 149]<br />
13. D Stryver makes Lucie out to be an empty‐headed, foolish<br />
woman for rejecting his offer of marriage. He says that<br />
others have made the same mistake and wound up<br />
penniless and obscure. [T2C: 149, 7]<br />
14. B Lorry and Stryver are character foils who highlight each<br />
other's personalities through their many differences. [T2C:<br />
143‐150]<br />
15. D In anticipation of Lucie's rejection, Stryver tells himself that<br />
he can escape embarrassment by putting Lucie in the<br />
wrong. [T2C: 148, 6]<br />
16. C<br />
17. D<br />
18. C<br />
19. E<br />
20. D<br />
21. B<br />
22. C<br />
23. D<br />
24. C<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 19<br />
CHAPTER 2.13 THE FELLOW OF NO DELICACY<br />
1. C Sydney Carton often wanders Soho, the Manette's<br />
neighborhood, when unable to sleep at night. [T2C: 150, 3]<br />
2. D Lucie feels uneasy around Carton, feeling somewhat<br />
embarrassed when he goes to meet with her in her home.<br />
[T2C: 151, 1]<br />
3. D Carton tells Lucie, with tears in his eyes, that it is too late<br />
for him to live a better life. He anticipates that his life will<br />
only get worse. [T2C: 131, 8]<br />
4. A Carton is thankful that Lucie does not return his love<br />
because he would bring her misery, disgrace her, and pull<br />
her down with him. [T2C: 152, 3]<br />
5. E Carton compares his striving toward a better future with a<br />
dream that ends with no result, leaving the dreamer asleep<br />
where he began. [T2C: 152, 6]<br />
6. D In the month of August, Carton goes to Lucie Manette's<br />
home to declare his hopeless love for her. [T2C: 150, 4]<br />
7. D Carton views Lucie as the "last dream of [his] soul." She<br />
stirs up feelings of remorse and inspires him to hope for a<br />
better life. [T2C: 152, 6]<br />
8. D Lucie is tearful while trying to convince Carton that she<br />
might be able to repay his confidence and help turn him<br />
toward good. [T2C: 152‐153]<br />
9. C Carton promises Lucie that he will sacrifice anything,<br />
including his life, for her and those close to her. This<br />
foreshadows his ultimate sacrifice to save Darnay from<br />
execution. [T2C: 154, 5]<br />
10. E Carton refers to himself as a profligate, or an immoral<br />
person. [T2C: 151, 3]<br />
11. A Carton uses a metaphor to poetically compare himself with<br />
a heap of ashes transformed by Lucie into a fire. 17 [T2C: 153, 1]<br />
12. A Carton makes several supplications, or requests, of Lucie.<br />
He asks that she keep their meeting a secret, believe in the<br />
truth of his words, and remember that there is someone<br />
who will give anything for her. [T2C: 154, 2‐4]<br />
13. A Carton offers his life for Lucie, or one she loves. Carton,<br />
who resembles Darnay in appearance and affection for<br />
Lucie, trades places with him later in order to save him<br />
from execution. Carton's promise of sacrifice is an example<br />
of foreshadowing what is to come later in the novel. 18 [T2C:<br />
154, 4]<br />
14. C Dickens titles the chapters about Stryver and Carton<br />
confessing their love for Lucie "The Fellow of Delicacy" and<br />
"The Fellow of No Delicacy." These titles are ironic because<br />
the characters appear just the opposite of what the titles<br />
imply. [T2C: 143, 150]<br />
17 Litotes are my favorite literary devices. I always remember what they<br />
are because of a vivid lesson from my first decathlon coach. She shut off<br />
all the lights in the room, leaving the team in pitch‐black darkness, and<br />
told us it was "not light," another way of saying "light out." Light out<br />
sounds like litote, which a way of understating something by denying its<br />
opposite.‐Melanie<br />
18 Psittacism is parrot‐like speech. I think it is also my favorite new<br />
word.‐Melanie<br />
15. C Sydney Carton compares himself to someone who died at a<br />
young age with all their life before him. He feels as though<br />
he has the potential for a much better life, but will never<br />
live it. [T2C: 151, 15]<br />
16. A<br />
17. A<br />
18. A<br />
19. B<br />
20. C<br />
21. B<br />
22. A<br />
23. B<br />
24. E<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 20<br />
CHAPTER 2.14 THE HONEST TRADESMAN<br />
1. D Jerry Cruncher, while sitting outside Tellson's watching<br />
processions of people, is compared to a heathen who<br />
spends centuries staring at one stream. [T2C: 155, 3]<br />
2. A A single mourner travels in Roger Cly's funeral procession<br />
until the protesting mob tries to pull him from his coach.<br />
[T2C: 156, 8]<br />
3. A The hearse, coach, and mourner involved in Roger Cly's<br />
funeral procession are all described as dingy. [T2C: 156, 8]<br />
4. B Protesters shout, "Spies!" at Roger Cly's mourning coach.<br />
Cly is a convicted spy who testified again Darnay at his trial<br />
for treason. [T2C: 157, 2]<br />
5. A Typical clothing for a mourner included a hat with a<br />
hatband, the size of which varied relative to the<br />
relationship with the deceased, a white handkerchief, and a<br />
black cloak. Little or no jewelry was worn because it was<br />
considered too ostentatious for such a somber occasion.<br />
[T2C: 157, 10]<br />
6. B Dickens uses the funeral procession to illustrate the<br />
extreme inhumanity of mobs, a theme that reoccurs more<br />
violently later in the novel. Dickens writes that tradesmen<br />
even closed their shops because a crow "stopped at<br />
nothing, and was a monster much dreaded." [T2C: 156‐159]<br />
7. A When the undertakers try to fight off the protesters who<br />
take over the mourning coach, they are threated with<br />
immersion in the nearby river, causing them to give up<br />
quickly. [T2C: 158, 1]<br />
8. B Cly's "remodeled procession" consists of a chimney‐sweep<br />
driving the hearse, a pieman and cabinet minister driving<br />
the hearse, and a bear‐leader adding ornamentation in the<br />
street. [T2C: 158, 1]<br />
9. A Cly's funeral procession makes its final stop as the old<br />
church of Saint Pancras. [T2C: 158, 2]<br />
10. D After disposing of Roger Cly's body, one of the protersters<br />
suggests impeaching passers‐by as spies. This harassment<br />
quickly evolves into a larger riot that involves destruction of<br />
property and plundering of goods. When the mob gets<br />
word that Guards are coming, the crowd quickly dissipates.<br />
[T2C: 158, 3]<br />
11. C Jerry Cruncher does not partake in the riotous activity after<br />
the funeral. He stays at the churchyard to speak with the<br />
undertakers, spokes a pipe, and then goes to speak with a<br />
surgeon before returning to Tellson's before closing. [T2C: 159,<br />
3]<br />
12. C Cruncher commonly has trouble pronouncing the letter "v,"<br />
saying "wenturs" and "aggerawayter" instead of "ventures"<br />
and "aggravator." [T2C: 159, 5]<br />
13. A Jerry Cruncher often beats his wife for allegedly praying<br />
against him if his night work as a grave robber goes wrong.<br />
[T2C: 159, 5]<br />
14. C Jerry Cruncher tells his wife and son that he is going fishing<br />
at night when he is, in fact, grave robbing. [T2C: 160, 8]<br />
15. D When Young Jerry Cruncher asks if he'll have fish from his<br />
father's fishing trip, Jerry Cruncher tells him that if he does<br />
not bring any home there will be "short commons," or<br />
minimal food, the next day. [T2C: 160, 12]<br />
16. A Cruncher tells his wife that her first duty as a mother is to<br />
"blow her boy out." This expression referred to feeding, but<br />
may have been anachronistic, not coming into popularity<br />
until after the events of the novel took place. [T2C: 161, 2]<br />
17. B Jerry Cruncher does not leave his home to go grave robbing<br />
until one in the morning. 19 [T2C: 161, 4]<br />
18. B The Crunchers live in a lodging house where many people<br />
rent room and the door is left ajar all night. Young Jerry<br />
does not worry about getting back into his home when he<br />
follows his father out at night. [T2C: 161, 5]<br />
19. D Izaak Walton is the author of a fishing manual. Dickens'<br />
allusion to a disciple of Walton is a sarcastic reference to<br />
Cruncher's fishing alibi. [T2C: 161, 6]<br />
20. A Jerry Cruncher tells his wife that if he brings home meat or<br />
beer, she should partake in them. He says, "When you go to<br />
Rome, do as Rome does. Rome will be a ugly customer to<br />
you, if you don't. I'm your Rome, you know." [T2C: 160, 14]<br />
21. D Two men join Cruncher on the road as he walks from his<br />
home to Roger Cly's gravesite. [T2C: 162, 2]<br />
22. C Young Jerry runs home from the graveyard, thinking the<br />
coffin is chasing after him in "a spectral sort of race." He<br />
envisions the coffin like a swollen kite missing its tail. [T2C:<br />
163, 1]<br />
23. D Young Jerry tells his father he wants to be a Resurrection‐<br />
Man when he grows up. His father encourages him to<br />
develops his talents and not say more than necessary to<br />
anybody. [T2C: 165, 9]<br />
24. D When Young Jerry wakes up, he sees his father beating his<br />
mother, as had been promised if the grave robbing<br />
excursion did not go well. [T2C: 163, 3]<br />
25. A Cly's funeral scene and the subsequent grave robbery are<br />
intended to be satirical tableaux. They do not advance the<br />
plot or serve much dramatic purpose, but they descriptively<br />
illustrate the themes of death and mob mentality that<br />
persist throughout the novel. [T2C: 155‐165]<br />
19 It seems like everyone in this book is up at all hours of the night. I had<br />
no idea the 18th century was such a nocturnal time, even in the absence<br />
of electricity.‐Melanie
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 21<br />
CHAPTER 2.15 KNITTING<br />
1. A Defarge brings the road mender, who previously saw<br />
someone hanging from the Marquis' carriage, to the wine<br />
shop. He refers to the man as Jacque, indicating that he is<br />
one of the revolutionaries. [T2C: 167, 5]<br />
2. C Five "Jacques" meet in the garret to discuss Gaspard's<br />
execution for killing the Marquis. [T2C: 168, 4]<br />
3. B The mender of roads recognizes Gaspard by his "tall figure."<br />
[T2C: 168, 12]<br />
4. B The road mender describes Gaspard's capture vividly, as if<br />
he were there in the moment. [T2C: 170, 1]<br />
5. E The soldiers take Gaspard straight to the prison, the entire<br />
village looking on as the prison gate swallows him. [T2C: 170, 4]<br />
6. A The men in Degarge's garret are compared to a tribunal, an<br />
ancient type of judicial body. [T2C: 170, 7]<br />
7. C Petitions about Gaspard's insanity following the death of his<br />
child are presented to the King, and the villagers believe<br />
that Gaspard will be spared execution despite his sentence.<br />
[T2C: 171, 2]<br />
8. C Gaspard is executed as a parricide because the Marquis was<br />
viewed as the father of his tenants. A parricide is the killing<br />
of a parent or other reverenced person in a parental<br />
position, commonly a ruler. [T2C: 172, 1]<br />
9. A A gallows forty feet high is built near the fountain for<br />
Gaspard's execution. [T2C: 172, 6]<br />
10. A The Jacques calls for the extermination of the entire<br />
aristocracy, particularly the Evremondes, after Gaspard is<br />
executed for the Marquis' murder. [T2C: 174, 4]<br />
11. D Defarge says, "It would be easier for the wakest poltroon<br />
that lives, to erase himself from existence, than to erase<br />
one letter of his name or crimes from the knitted register of<br />
Madame Defarge." A poltroon is a coward. [T2C: 174, 8]<br />
12. B Madame Defarge knits the registry of those the<br />
revolutionaries decide must be executed. Her husband has<br />
great confidence in her ability to decipher her stitches and<br />
symbols. [T2C: 174, 8]<br />
13. E When the road mender wants to see the King and Queen,<br />
one of the Jacques questions whether that is a good sign.<br />
Defarge responds, "Jacques, judiciously show a cat milk, if<br />
you wish her to thirst for it. Judiciously show a dog his<br />
natural prey, if you wish him to bring it down one day." [T2C:<br />
174, 12]<br />
14. D The road mender is terrified at the sight of Madame<br />
Defarge. He believes it impossible to predict what she<br />
might do next, convincing himself that she might pretend<br />
she saw him murder someone. [T2C: 175, 1 ]<br />
15. A The mender of roads joins the Defarges on a trip to see the<br />
King and Queen in Versailles. The road mender is not<br />
pleased that Madame Defarge goes on the trip, finding her<br />
knitting disconcerting. [T2C: 175, 2]<br />
16. A Madame Defarge tells an inquisitive stranger that she is<br />
knitting shrouds, which are clothes used to wrap bodies for<br />
burial. [T2C: 175, 8]<br />
17. B The road mender, caught up in the excitement of seeing<br />
royalty, shouts out "Long live the King, Long live the Queen,<br />
Long live everybody and everything!" Defarge is pleased, as<br />
this display will give the aristocracy false confidence and<br />
bring them to a faster end. [T2C: 175, 9]<br />
18. B Madame Defarge patronizes the road mender, who she<br />
believes "would shout and shed tears for anything if it<br />
made a show and a noise." [T2C: 176, 6]<br />
19. C Madame Defarge compares the French royalty to dolls and<br />
birds to be plucked at, encouraging the road mender to<br />
destroy them for his own advantage. [T2C: 177, 4]<br />
20. B Madame Defarge is single‐minded in her pursuit of revenge<br />
against the aristocracy. She spends all her time focused on<br />
knitting the registry of those awaiting execution. [T2C: 174‐177 ]<br />
21. E<br />
22. E<br />
23. C<br />
24. C<br />
25. D
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 22<br />
CHAPTER 2.16 STILL KNITTING<br />
1. B The policeman who stops the Defarges on their return to<br />
Saint Antoine is a Jacques. He informs them that another<br />
spy has been commissioned for their quarter. [T2C: 178, 5]<br />
2. E Madame Defarge adds John Barsad to her registry after<br />
finding out that he will be spying in her neighborhood. [T2C:<br />
178, 6‐9]<br />
3. B Madame Defarge knots her money into a chain inside her<br />
handkerchief to keep it safe during the night. [T2C: 179, 8]<br />
4. E Defarge worries that the revolution will take such a long<br />
time that he will not live to see the triumph. His wife<br />
encourages him, saying that it is good enough that they<br />
shall have helped. [T2C: 180]<br />
5. B Madame Defarge criticizes her husband's need to see his<br />
victim and opportunity to sustain his work. She tells him<br />
that he should sustain himself without that, instead<br />
readying himself for the right time. [T2C: 181, 6]<br />
6. B When Madame Defarge sees a new figure entering the<br />
wine shop she pins a rose in her head‐dress. The other<br />
customers stop talking and slowly leave the shop. [T2C: 181, 9]<br />
7. E Madame Defarge tells Barsad that she knits simply for<br />
pastime, but that if she finds a use for it one day, she will<br />
use it. [T2C: 182, 14]<br />
8. C Madame Defarge informs Barsad that she does not think<br />
about others, she stays busy enough focusing on how she<br />
and her husband will live. [T2C: 183, 11]<br />
9. E Barsad first refers to Ernest Defarge as "Jacques," trying to<br />
earn his trust. Defarge deflects this maneuver and tells<br />
Barsad that he must be mistaken as his name is Ernest<br />
Defarge. [T2C: 184, 6]<br />
10. D Barsad informs the Defarges that Lucie Manette is engaged<br />
to Charles Darnay. They have not had correspondence with<br />
the Manettes since Doctor Manette was taken from their<br />
garret. [T2C: 185, 15]<br />
11. B John Barsad shows great sympathy for Gaspard, trying to<br />
ferret out Madame Defarge's feelings about the execution.<br />
Defarge tells him that Gaspard paid the price for his crime.<br />
[T2C: 183, 13]<br />
12. A Dickens connects the French women's knitting with the<br />
hunger the fuels the revolution, saying that knitting is a<br />
"mechanical substitute for eating and drinking" and keeps<br />
their stomachs from feeling more "famine‐pinched." [T2C: 187,<br />
5]<br />
13. B Dickens alludes to the group of French women who knitted<br />
during executions, saying that the women with whom<br />
Defarge knits are "closing in around a structure yet unbuilt,<br />
where they were to sit knitting, knitting, counting dropping<br />
heads." [T2C: 188, 1]<br />
14. E Ernest Defarge grows depressed over the length of time<br />
required for the revolution. He says, "It does not take a long<br />
time to strike a man with lightening." His wife responds,<br />
asking him, "How long does it take to make and store the<br />
lightning?" [T2C: 180, 5]<br />
15. E John Barsad is about 40‐years‐old, five foot nine, with dark<br />
hair and complexion. His face is thin and long and his nose<br />
has an inclination toward the left cheek. Defarge makes a<br />
pun that Barsad's expression is sinister, meaning not only<br />
that it looks evil, but that it lies toward the left side of the<br />
body. [T2C: 179, 6]<br />
16. C John Barsad is English, which Madame Defarge perceives by<br />
his accent. [T2C: 186, 1]<br />
17. E Ernest Defarge hopes that Charles Darnay will stay out of<br />
France, for Lucie's sake, because his name is knitted on the<br />
registry of those to be killed. [T2C: 186, 11]<br />
18. B Madame Defarge remains composed throughout John<br />
Barsad's visit to the wine shop. Despite his repeated<br />
attempts to pry information from her, she reveals nothing.<br />
[T2C: 182‐186]<br />
19. D When the people leave the wine shop in order to avoid<br />
Barsad, Madame Defarge tells him that business is very bad<br />
because the people are so poor. [T2C: 183, 7]<br />
20. D Barsad drinks a couple glasses of cognac and water while<br />
spying at the Defarge's shop. He remarks that the cognac is<br />
very good, but Madame Defarge does not believe his<br />
compliment., though she says the cognac is flattered. [T2C:<br />
182, 5]<br />
21. E<br />
22. C<br />
23. A<br />
24. C<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 23<br />
CHAPTER 2.17 ONE NIGHT<br />
1. C Lucie tells her father that she will remain consecrated to<br />
him, and that she would be unhappy if her marriage<br />
separated her from by even a few streets. [T2C: 189, 1]<br />
2. D Doctor Manette is cheerful about his daughter's wedding,<br />
telling her that his happiness would not be complete<br />
without hers. [T2C: 189, 5]<br />
3. B Doctor Manette asks his doctor how he could be happy if<br />
she was not, assuring her that he is pleased about her<br />
impending marriage. [T2C: 189, 9]<br />
4. A Doctor Manette refers to his imprisonment as "the dark<br />
part of my life," but is glad that it did not cast its shadow on<br />
Lucie. [T2C: 190, 1]<br />
5. B Doctor Manette tells Lucie that he used to stare at the<br />
moon from his prison window, imagining how many lines<br />
he could draw across it in each direction. [T2C: 190, 3]<br />
6. D Doctor Manette imagined Lucie growing up without any<br />
knowledge of him, his place in her life completely blank.<br />
[T2C: 191, 1]<br />
7. E Doctor Manette tries to anatomise, or dissect, his<br />
imprisoned condition in order to explain it to Lucie. [T2C: 191,<br />
8]<br />
8. A Doctor Manette tells his daughter that he is happier with<br />
her than he ever could have imagined in prison. [T2C: 192, 4]<br />
9. B The only person invited to Lucie's marriage is Mr. Lorry. [T2C:<br />
192, 6]<br />
10. E Miss Pross is Lucie's only bridesmaid. [T2C: 192, 6]<br />
11. E Lucie and Darnay live in the upper rooms of the Manette's<br />
home, where an apocryphal lodger formerly lived. They do<br />
not want to change their place of residence. [T2C: 192, 6]<br />
12. C The Manette's upper rooms belonged to a fictitious<br />
invisible lodger before Lucie and Darnay make use of them.<br />
[T2C: 192, 6]<br />
13. C Doctor Manette, Lucie, and Miss Pross are the only ones at<br />
the dinner table the night before Lucie's wedding. Charles is<br />
off on a "loving little plot." [T2C: 192, 7]<br />
14. C At three o'clock, the morning of her wedding, Lucie watches<br />
her father sleeping quietly before returning to her bed. [T2C:<br />
193, 1]<br />
15. B Lucie prays that she will stay as true to her father as "her<br />
love aspired to be, and as his sorrows deserved." [T2C: 193, 3]<br />
16. B<br />
17. C<br />
18. E<br />
19. C<br />
20. E<br />
21. A<br />
22. B<br />
23. C<br />
24. B<br />
25. B
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 24<br />
CHAPTER 2.18 NINE DAYS<br />
1. D Miss Pross cannot view Lucie's wedding as an event of<br />
absolute bliss because her brother Solomon is not the<br />
groom. She believes her brother to be the only man worthy<br />
of Lucie's affection. [T2C: 193, 4]<br />
2. D When Lorry speculates on the possibility of having had a<br />
wife, Miss Pross tells him that he was a bachelor in his<br />
cradle and that he was designed to be a bachelor before<br />
being put in his cradle. [T2C: 194, 9]<br />
3. D Lucie and Darnay will be gone on their honeymoon in<br />
Warwickshire for a fortnight, or fourteen days. [T2C: 194, 12]<br />
4. E Darnay and Lucie plan to spend a fornight of their<br />
honeymoon alone together in Warwickshire, a county<br />
northwest of London. [T2C: 194, 12]<br />
5. A Doctor Manette plans to meet the married couple for a<br />
two‐week trip in Wales. [T2C: 194, 12]<br />
6. D When Doctor Manette emerges from his private meeting<br />
with Darnay, he appears completely pale, but composed.<br />
[T2C: 195, 2]<br />
7. A As he promised, Charles Darnay meets with Doctor<br />
Manette before the wedding to tell Manette his true family<br />
name and the reasons behind his emigration to England.<br />
[T2C: 195, 2]<br />
8. E Doctor Manette, distressed from his conversation with<br />
Charles before the wedding, experiences a relapse in which<br />
he makes shoes and cannot recall the names of those<br />
around him. [T2C: 196, 6]<br />
9. A When Doctor Manette relapses, Lorry takes his first ever<br />
leave from Tellson's in order to watch him closely. [T2C: 198, 1]<br />
10. E Doctor Manette relapses for nine days after Lucie's<br />
wedding. He makes shoes and is generally unresponsive to<br />
Mr. Lory and Miss Pross. [T2C: 199, 7]<br />
11. A Mr. Lorry repeatedly asks Doctor Manette if he would like<br />
to go out, ensuring him that he is in a free place and can<br />
leave as he chooses. [T2C: 198, 5]<br />
12. A Lorry and Pross tell Doctor Manette's patients that he is not<br />
feeling well in order to avoid revealing his relapse. [T2C: 197, 9]<br />
13. D Doctor Manette's manner during his relapse is mechanical<br />
and submissive. [T2C: 197, 6]<br />
14. C Miss Pross tells Lucie that her father is away professionally<br />
in order to keep his relapse a secret. [T2C: 197, 9]<br />
15. B Jarvis Lorry holds Lucie and gives her a kiss with a "genuine<br />
tenderness and delicacy which, if such things be old‐<br />
fashioned, were as old as Adam" before she is wed to<br />
Charles Darnay. [T2C: 194, 12]<br />
16. B<br />
17. A<br />
18. C<br />
19. C<br />
20. B<br />
21. E<br />
22. A<br />
23. D<br />
24. B<br />
25. D
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 25<br />
CHAPTER 2.19 AN OPINION<br />
1. B When Doctor Manette wakes up from his relapse, he<br />
believes it is the day after Lucie's wedding. [T2C: 201, 2]<br />
2. A Shoemaking materials discolor Doctor Manette's hands,<br />
which troubles him when he recovers from his relapse. [T2C:<br />
201, 5]<br />
3. E When Lorry first discovers that Manette has recovered<br />
from his relapse, he and Miss Pross decide to act as usual.<br />
After breakfast, Lorry and Manette speak about the<br />
incident as though it happened to somebody else. [T2C: 201‐<br />
202]<br />
4. C Lorry and Doctor Manette are both described as sagacious<br />
in chapters 18 and 19. Sagacity is shrewdness or<br />
reasonableness. [T2C: 203, 1]<br />
5. E Jarvis Lorry is extremely concerned that Doctor Manette<br />
overworks himself with his reading and medical<br />
experimentation. [T2C: 205, 1]<br />
6. E Doctor Manette believes that a relapse occurred because of<br />
a strong memory of the initial malady, in this case brought<br />
on by his discussion with Darnay. [T2C: 204, 1]<br />
7. C Mr. Lorry's fictional sufferer performed blacksmith's work<br />
during his relapse. Lorry inquires as to whether this<br />
blacksmith should have his tools taken from him. [T2C: 205, 8]<br />
8. C In the 18 th and 19 th century, the word "nice" typically<br />
meant dainty or difficult to please. In the case of Mr. Lorry's<br />
question about taking away Manette's tools, a "nice<br />
question" is one that is delicate and requires some tact. [T2C:<br />
206, 3]<br />
9. D Doctor Manette compares the fear over losing his tools to<br />
the terror of a lost child. [T2C: 206, 4]<br />
10. E Doctor Manette agrees to give up his cobbler's tools for the<br />
sake of his daughter, despite his great resistance to losing<br />
them. [T2C: 207, 2]<br />
11. C Doctor Manette asks that his tools be taken away when he<br />
is absent. They are destroyed after he leaves for his trip to<br />
Wales with Lucie and Darnay [T2C: 207, 2]<br />
12. A Doctor Manette relapses for nine days and spends four<br />
days perfectly recovered from his relapse before going to<br />
join Lucie and her husband on the fourteenth day of their<br />
trip. [T2C: 207, 3]<br />
13. C Mr. Lorry and Miss Pross destroy the shoemaker's tools.<br />
They take apart the bench before burning it, and bury the<br />
remainder of tools, shoes, and leather in the garden. The<br />
two, working secretly by candlelight, appear to be<br />
committing a horrible crime and removing all traces of their<br />
deed. [T2C: 207, 4]<br />
14. C Doctor Manette says that shoemaking "relieves his pain so<br />
much, by substituting the perplexity o the fingers for the<br />
perplexity of the brain, and by substituting, as he became<br />
more practiced, the ingenuity of the hands, for the<br />
ingenuity of mental torture." [T2C: 206, 4]<br />
15. E Doctor Manette, speaking of himself as a fictional sufferer,<br />
says that he dreaded a relapse but thinks it unlikely that he<br />
will experience another. He is pleased that his daughter is<br />
unaware of the relapse. Manette is extremely hesitant<br />
16. E<br />
17. A<br />
18. B<br />
19. D<br />
20. B<br />
21. C<br />
22. A<br />
23. A<br />
24. E<br />
25. B<br />
about giving up his shoemaking tools, but ultimately<br />
decides that it is best to do so for Lucie's sake. [T2C: 202‐207]
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 26<br />
CHAPTER 2.20 A PLEA<br />
1. A Sydney Carton is the firt to offer Lucie and Darnay<br />
congratulations upon their arrival home after the<br />
honeymoon. [T2C: 207, 5]<br />
2. E When Carton asks Darnay if they can be friends, Darnay<br />
responds that they are already friends. [T2C: 208, 3]<br />
3. D Carton apologizes for his unusual drunkenness after<br />
Darnay's trial. [T2C: 208, 6]<br />
4. E Darnay is quick to forgive Carton's drunken transgressions,<br />
but Carton has trouble believing that Darnay has moved on<br />
so easily. He says, "Oblivion is not so easy to me, as you<br />
represent it to be to you." [T2C: 208, 12]<br />
5. B Carton says that at the time of Darnay's trial, his service<br />
was "mere professional claptrap" and he did not care about<br />
Darnay, but that was purely in the past. [T2C: 209, 1]<br />
6. C Sydney Carton believes Charles Darnay sees him as a<br />
"dissolute dog who has never done any good, and never<br />
will." He also compares himself to unornamental furniture<br />
that is tolerated for its service, but not taken notice of. [T2C:<br />
209, 5]<br />
7. B Carton is extraordinarily self‐effacing in his request for<br />
permission to visit Darnay and Lucy. He describes himself as<br />
a "worthless fellow, and a fellow of such indifferent<br />
reputation." [T2C: 209, 7]<br />
8. B When Carton requests permission to visit Darnay's family,<br />
he says that he will not abuse such permission and will only<br />
avail himself of it four times a year. [T2C: 209, 7]<br />
9. D After Carton's visit, Darnay remarks that Carton is a<br />
"problem o carelessness and recklessness." Dickens says<br />
that Darnay speaks of him "as anybody might who saw him<br />
as he showed himself." [T2C: 210, 1]<br />
10. A Lucie asks her husband to be more considerate and<br />
respectful of Carton, but requests that he not seek more<br />
information from her. [T2C: 210, 9]<br />
11. E Lucie tells Charles that Carton has a wounded heart, rarely<br />
shown to anyone, and that while he is weak in his misery,<br />
he deserves compassion and is capable of good things.<br />
However, she does not believe his character or fortune are<br />
reparable. [T2C: 210, 13; 211, 1‐3]<br />
12. B Lucie is the epitome of innocence. Dickens creates her as a<br />
fairly flat, but perfect, woman. She is compassionate,<br />
thoughtful, faithful, pure, and virtuous. [T2C: 210‐211]<br />
13. B Charles is extremely loving in his relationship with Lucie,<br />
referring to her as his life and the heart that beats for him.<br />
The couple communicates about their problems, each<br />
opinion seemingly receiving an equal weight. [T2C: 210‐211]<br />
14. E Carton tells Darnay that he is "incapable of all the higher<br />
and better flights of men," and that Stryver would affirm<br />
this statement. Darnay tells Carton that he would rather<br />
form his own opinion. [T2C: 209, 3]<br />
15. E Charles Darnay tells Sydney Carton that he is not alarmed<br />
by Carton's earnestness when Carton apologizes for his<br />
drunkenness after the trial. [T2C: 208, 9]<br />
16. D<br />
17. E<br />
18. D<br />
19. A<br />
20. A<br />
21. B<br />
22. E<br />
23. D<br />
24. A<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 27<br />
CHAPTER 2.21 ECHOING FOOTSTEPS<br />
1. C Lucie often sits in her home listening to the echoes of<br />
footsteps outside. When she becomes pregnant, her<br />
thoughts are invaded by worries over death in childbirth.<br />
During the time of her pregnancy, women frequently died<br />
in childbirth, even when attended to by the best of doctors.<br />
[T2C: 211,8]<br />
2. E Lucie gives birth to a girl and a boy, but the boy dies early<br />
on. In that time, nearly half of the children born died before<br />
the age of five. [T2C: 212, 1‐3]<br />
3. C Little Lucie learns to speak "in the tongues of the Two Cities<br />
that were blended in her life," English and French. [T2C: 213, 1]<br />
4. C Sydney Carton visits the Darnays about a half‐dozen times a<br />
year, earning the affection of Lucie's children. He is the first<br />
stranger to whom little Lucie holds out her arms, and<br />
before Lucie's little boy dies he says, "Poor Carton! Kiss him<br />
for me!" [T2C: 213, 3]<br />
5. C Stryver is compared to a boat engine pushing through<br />
turbid water, with Carton as the boat towed behind in his<br />
wake. [T2C: 213, 4]<br />
6. B Stryver marries a widow with three children and property, a<br />
life he had previously suggested for Sydney Carton. Dickens<br />
says that the children "had nothing particularly shining<br />
about them but the straight hair of their dumpling heads."<br />
[T2C: 213, 4]<br />
7. C Stryver brings his three children to Darnay for tutoring, but<br />
Darnay politely rejects the offer. Stryver is angered by this<br />
rejection and tells his children to "beware the pride of<br />
Beggars, like that tutor‐fellow." [T2C: 214, 1]<br />
8. A Stryver often drunkenly tells his wife and other lawyers that<br />
Lucie tried to "catch" him, but he used his wits to keep<br />
himself from being caught. [T2C: 214, 1]<br />
9. D Doctor Manette believes Lucie to be even more devoted to<br />
him in marriage, and Charles finds that "no cares and duties<br />
seemed to divide her love for him or her help to him."<br />
Darnay asks her, "What is the magic secret, my darling, of<br />
your being everything to all of us, as if there were only one<br />
of us, yet never seeming to be hurried, or have too much to<br />
do?" [T2C: 214, 2]<br />
10. E Little Lucie is six‐years‐old when the French Revolution<br />
begins in 1789. Therefore, she was born in 1783. [T2C: 215, 1‐2]<br />
11. E The French Revolution, which is described as a "great storm<br />
in France with a dreadful sea rising," began on July 14,<br />
1789. [T2C: 214, 2]<br />
12. E The Darnays are married in 1781, and have little Lucie two<br />
years later in 1783. Eight years pass between their marriage<br />
and the beginning of the French Revolution. [T2C: 215, 2]<br />
13. E The French Revolution causes bank customers to be<br />
uneasy. They take their property from France and send it to<br />
England, creating a "run of confidence" upon Tellson's<br />
English branch. [T2C: 215, 3]<br />
14. E Doctor Manette offers to play backgammon with Lorry, but<br />
Lorry refuses, saying he is "not to be pitted" against<br />
Manette that night. [T2C: 215, 10]<br />
15. D Defarge's wine shop is the vortex in the whirlpool of activity<br />
surrounding the storming of the Bastille. The Defarges are<br />
leaders of the revolution, issuing orders and weapons<br />
amongst the crowds. [T2C: 217, 1]<br />
16. D Madame Defarge carries an axe in her hands, in place of her<br />
knitting needles, and keeps a pistol and knife at her waist.<br />
[T2C: 217, 3]<br />
17. D Dickens uses alliteration to create a harsh sound in the<br />
phrase, "Defarge of the wine‐shop at his gun, grown double<br />
hot by the service of Four fierce hours." Consonant sounds<br />
are repeated in the words "gun" and "grown," and "four"<br />
and "fierce." [T2C: 218, 2]<br />
18. D Dickens creates a more tangible impression of the storming<br />
of the Bastille by using onomatopoeia, or words that<br />
imitate a sound. He writes of "bravery without sting, boom,<br />
smash and rattle, and the furious sounding of the living<br />
sea." [T2C: 218, 2]<br />
19. A A parley is a discussion or conference. During the storming<br />
of the Bastille, a white flag of surrender is raised from<br />
within the fortress a parley occurs before Defarge goes<br />
inside the towers. [T2C: 218, 3]<br />
20. E When the Bastille is taken by the revolutionaries, the cry<br />
most taken up is, "The Prisoners!" Seven prisoners are<br />
released from the Bastille. [T2C: 219, 3]<br />
21. C Defarge finds Doctor Manette's initials, "A.M.," carved into<br />
the walls of One hundred and five, North Tower. He also<br />
discovers the words "a poor physician," and a calendar<br />
scratched onto the stone. He does not find anything hidden<br />
inside the wood or straw within the cell. [T2C: 220, 7]<br />
22. D The governor of Saint Antoine is killed at the Hotel de Ville,<br />
or the town hall. [T2C: 221, 6]<br />
23. C Madame Defarge cuts off the governor's head after he is<br />
beaten and stabbed by the large crowd of people<br />
surrounding him. [T2C: 221, 7]<br />
24. D Seven prisoners are released from the Bastille, all appearing<br />
scared and lost amidst the sea of revolutionaries. [T2C: 222, 3]<br />
25. E In contrast with the seven released prisoners, seven guards<br />
are killed and their heads hoised up on pikes "to be left on<br />
guard." [T2C: 222, 3]
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 28<br />
CHAPTER 2.22 THE SEA STILL RISES<br />
1. E The Vengeance serves as Madame Defarge's lieutenant in<br />
leading the revolutionary women. She is the "plump wife of<br />
a starved grocer" and has three children. [T2C: 224, 1]<br />
2. D Defarge wears a red cap, known as a "Phrygian cap." The<br />
caps were worn as symbols of patriotism. [T2C: 224, 5]<br />
3. C Foulon, a wealthy man, said that the starving people should<br />
eat grass. [T2C: 224, 9]<br />
4. E Foulon fakes his own death in order to escape the<br />
revolutionaries. He organized his own funeral to avoid<br />
emigration. [T2C: 224, 13]<br />
5. D Foulon is held prisoner at the Hotel de Ville, the town hall<br />
outside which the governor of Saint Antoine is killed. [T2C: 224,<br />
13]<br />
6. A Foul is described as a "wretched old sinner of more than<br />
threescore years and ten." A score is 20 years, so Foulon is<br />
about 70 during the storming of the Bastille. [T2C: 224, 14]<br />
7. A The Vengeance shrieks and flings her arms about on her<br />
way to kill Foulon, resembling all of the Furies at once. [T2C:<br />
225, 2]<br />
8. B The revolutionary women are "a sight to chill the boldest"<br />
on the way to the murder of Foulon. They lash out in a blind<br />
frenzy, striking at anyone nearby, angry over Foulon's lack<br />
of compassion for their hunger and need. [T2C: 225, 3]<br />
9. D The Defarges, The Vengeance, and Jacques Three are at the<br />
forefront of the mob when going to murder Foulon. [T2C: 226,<br />
1]<br />
10. E A bushel is a measurement of grain or produce. Dickens<br />
refers to "winning of many bushels of words," suggesting<br />
that the crowd at Foulon's murder separates out the<br />
important segments of Madame Defarge's speech for<br />
repetition. [T2C: 226, 3]<br />
11. E Foulon is hanged three times. The first two times the rope<br />
broke, but the third time it was "merciful" and killed him.<br />
[T2C: 227, 1]<br />
12. A After Foulon is hanged, his head is put up on a pike. He is<br />
stuffed with "grass enough in the mouth for all of Saint<br />
Antoine to dance at the sight of." [T2C: 227, 1]<br />
13. E Foulon's son‐in‐law is killed after Foulon. His head and<br />
heart are put up on a pike to keep Foulon company. [T2C: 2]<br />
14. A Viands are articles of food. Though the people of Saint<br />
Antoine have little to eat, Dickens writes that their<br />
companionship brings them some nourishment. [T2C: 228, 1]<br />
15. C The voice of the drum is the only one unchanged by the<br />
"blood and hurry." The other voices grow hoarse from<br />
yelling through the course of the revolution. [T2C: 228, 5]<br />
16. B<br />
17. B<br />
18. C<br />
19. A<br />
20. A<br />
21. C<br />
22. E<br />
23. D<br />
24. B<br />
25. E
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 29<br />
CHAPTER 2.23 FIRE RISES<br />
1. E The road mender's village is desolate, with all of its grass<br />
and crops shriveled and its people poor, miserable, and<br />
worn out. [T2C: 229, 1]<br />
2. A Dickens uses the individual appellation of "Monseigneur" to<br />
represent the aristocracy as a whole. This is an example of<br />
metonymy. [T2C: 229, 2]<br />
3. C Dickens writes, "Monseigneur began to run way from a<br />
phenomenon so low and accountable," referring to the First<br />
Emigration in 1789, when a number of aristocrats fled the<br />
country. [T2C: 229, 2]<br />
4. A The mender of roads spends much of his solitary working<br />
time thinking about his hunger. Dickens remarks that<br />
though the road mender works in the dust, he does not<br />
reflect that "dust he was and to dust he must return." [T2C::<br />
229, 4]<br />
5. D The village fountain is surrounded by "lean kine" brought<br />
there to drink. Kine is an old word for cattle. [T2C: 232, 5]<br />
6. B Gabelle, who sees the villagers out late at night, informs the<br />
church official in charge of the equipment that he might<br />
need to ring the alarm bell, known as the tocsin. [T2C: 232, 5]<br />
7. D Dickens refers to the four figures who burn the Marquis'<br />
chateau as "East, West, North, and South," furthering the<br />
portrayal of the revolution as a force of nature. [T2C: 233, 1]<br />
8. B While the Marquis' chateau burns down, the road mender<br />
and "two hundred and fifty particular friends" stand at the<br />
fountain and watch the fire in the sky. They remark that the<br />
fire is about forty feet tall. [T2C: 233, 2]<br />
9. B The villagers say that the fire from the burning of the<br />
Marquis' chateau rises to about forty feet, the same height<br />
as the gallows used to execute Gaspard earlier in the novel.<br />
[T2C: 233, 2]<br />
10. D The soldiers are asked to help save valuable items from the<br />
fire at the burning chateau, but they are unsympathetic.<br />
They shrug their shoulders and say, "It must burn." [T2C: 233, 4]<br />
11. E Monsieur Gabelle, a tax collector, is named after a pre‐<br />
revolutionary tax on salt. [T2C: 235, 1]<br />
12. D Gabelle is a "Southern man of retaliative temperament."<br />
The "Southern" temperament is stereotypically passionate.<br />
[T2C: 235, 1]<br />
13. E Gabelle climbs up on his roof and hides behind his<br />
chimneys until morning comes and the villagers disperse<br />
from his home. He plans to jump from his parapet and<br />
crush others as he plummets to his death if his house is<br />
broken into. [T2C: 235, 1]<br />
14. A The Marquis' chateau is burned down in the month of July,<br />
showing that the revolution moves quickly to the<br />
countryside after the storming of the Bastille. [T2C: 230, 1]<br />
15. E Dickens writes that villagers light fires in many other<br />
villages, often getting caught and hanged. However, the<br />
killing of some revolutionaries does not prevent the starting<br />
of many other fires elsewhere. The forces of nature steadily<br />
run their course, and the gallows cannot hang enough<br />
revolutionaries to end the fight. The narrator says, "The<br />
altitude of the gallows that would turn to water and quench<br />
16. A<br />
17. C<br />
18. D<br />
19. E<br />
20. D<br />
21. D<br />
22. B<br />
23. D<br />
24. B<br />
25. B<br />
it, no functionary, by any stretch of mathematics, was able<br />
to calculate successfully." [T2C: 235, 3]
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 30<br />
CHAPTER 2.24 DRAWN TO THE LOADSTONE ROCK<br />
1. B Sardanapalus is an Assyrian king known for his very lavish<br />
lifestyle. [T2C: 236, 4]<br />
2. A Chapter 24 jumps ahead three years, to 1792, when the<br />
Monseigneur have scattered. Darnay receives news of<br />
Gabelle's imprisonment and feels it is his duty to rescue<br />
him. [T2C: 237, 1]<br />
3. B Tellson's Bank is Monseigneur's gathering place in London.<br />
Dickens says, "Spirits are supposed to haunt the places<br />
were their bodies most resorted, and Monseigneur without<br />
a guinea haunted the spot where his guineas used to be."<br />
[T2C: 237, 2]<br />
4. A Lorry is sent to Tellson's Paris office to salvage precious<br />
books and papers that might be destroyed if the city was<br />
sacked or burnt down. [T2C: 238, 8]<br />
5. A Jarvis Lorry takes Jerry Cruncher with him to Paris as a<br />
bodyguard. He says that he is used to Jerry from working<br />
with him for so many nights in the past. [T2C: 239, 5]<br />
6. D Dickens compares Stryver's implausible plans for<br />
exterminating the French peasants with the proverb about<br />
killing birds by sprinkling salt on their tales. The birds will<br />
certainly not stay still long enough to be killed. [T2C: 240, 2]<br />
7. D The general opinion of the people at Tellson's is that the<br />
Marquis St. Evremonde is a degenerate, coward who<br />
deserves the wrath of his people. [T2C: 241, 3‐6]<br />
8. B Gabelle is held in the Prison of the Abbaye, a prison famous<br />
for holding many aristocrats during the revolution. It was<br />
destroyed in the 1850s to accommodate changes in the<br />
Paris streets. [T2C: 243, 3]<br />
9. A Gabelle is imprisoned for treason because he allegedly acts<br />
against his people for an emigrant, the Marquis St.<br />
Evremonde. [T2C: 243, 5]<br />
10. A Darnay is driven back to France with the "influence of the<br />
Loadstone Rock," which alludes to a rock with a naturally<br />
magnetic mineral used in compasses. [T2C: 245, 2]<br />
11. E Darnay compares himself to Lorry, calling him the "brave<br />
old gentleman in whom duty was so strong." [T2C: 245, 2]<br />
12. E Darnay writes letters to Lucie and Doctor Manette<br />
explaining his obligation to go to Paris and assuring them<br />
that he is not in any danger and will write when he arrives<br />
safely. [T2C: 246, 15]<br />
13. E Charles Darnay cries out, as he departs for Paris, "For the<br />
love of Heaven, of justice, of generosity, of the honour of<br />
your noble name!" Gabelle also writes this in his letter to<br />
Darnay. [T2C: 247, 2]<br />
14. E Darnay sends Lorry with a verbal message for Gabelle, as a<br />
written message might be too dangerous to take across the<br />
border. He asks Lorry to inform Gabelle that the Marquis St.<br />
Evremonde has received the letter and will come. [T2C: 246, 9]<br />
15. E Darnay realizes, in retrospect, that his renunciation of his<br />
place as the Marquis St. Evremonde was hurried and<br />
incomplete. He feels obligated to return to France to<br />
correct his mistakes. [T2C: 244, 1]<br />
16. D<br />
17. B<br />
18. D<br />
19. E<br />
20. D<br />
21. B<br />
22. D<br />
23. C<br />
24. E<br />
25. B
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 31<br />
CHAPTER 3.1 IN SECRET<br />
1. C Gabelle's letter from prison allows Darnay to get through<br />
many guard‐houses while traveling through Paris. [T2C: 252, 1]<br />
2. D Darnay is required to pay for the escort of two armed<br />
patriots in order to make it to Paris. [T2C: 252, 11]<br />
3. D On the day Darnay leaves England to rescue Gabelle, a<br />
decree passes in France allowing the state to confiscate the<br />
property of emigrants. [T2C: 254, 5]<br />
4. D Darnay, or Evremonde as he is called in France, is 37‐years‐<br />
old when he is imprisoned. [T2C: 256, 7]<br />
5. B Darnay is consigned to La Force Prison, while Gabelle is in<br />
the Prison of the Abbaye. [T2C: 256, 13]<br />
6. E The officer handling Darnay's imprisonment writes the<br />
words, "In secret," on a paper that Defarge bring with him<br />
to the prison. "In secret" means that Darnay is kept in<br />
solitary confinement. [T2C: 257, 1]<br />
7. E Defarge escorts Darnay to prison, inquiring about whether<br />
Darnay is the one who married Lucie, but offering no<br />
assistance. [T2C: 257]<br />
8. A Darnay asks Defarge to convey a message about his<br />
imprisonment to Lorry, who is in Paris at the time. Defarge<br />
responds that he will do nothing for Darnay, his duty is to<br />
his country and people. [T2C: 258, 3]<br />
9. E Darnay's jailer is irritated by another prison, especially in<br />
solitary confinement, when the prison is already "full to<br />
bursting." [T2C: 259, 2‐7]<br />
10. D La Force Prison has the "horrible smell of foul sleep."<br />
Dickens remarks that this noisome smell is present in all<br />
such places that are not taken care of well. [T2C: 259, 6]<br />
11. B Darnay compares his fellow prisoners to ghosts looking at<br />
him with "eyes that were changed by the death they had<br />
died in coming there." [T2C: 260, 4]<br />
12. C Darnay is not permitted to buy pen, ink, and paper in<br />
prison. He is only allowed to purchase food. [T2C: 261, 11]<br />
13. C Darnay's jailer is extremely bloated, as though he had<br />
drowned and filled with water. [T2C: 259, 2]<br />
14. B Darnay's paces out his cell, measuring it at five paces by<br />
four and a half. [T2C: 262, 1]<br />
15. D After being locked away in solitary confinement, Darnay<br />
paces his cell, counting, and talking to himself about Doctor<br />
Manette and the other prisoners. [T2C: 262, 1]<br />
16. D<br />
17. C<br />
18. C<br />
19. A<br />
20. B<br />
21. B<br />
22. D<br />
23. A<br />
24. D<br />
25. E
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 32<br />
CHAPTER 3.2 THE GRINDSTONE<br />
1. D Tellson's Bank is located in the Saint Germain Quarter of<br />
Paris. It is located inside the wing of a large house formerly<br />
owned by the Monseigneur. [T2C: 262, 2]<br />
2. D Dickens says that the Monseigneur had to flee from<br />
revolutionaries, but is the same Monseigneur in his<br />
metempsychosis, or transmigration of the soul. [T2C: 262, 2]<br />
3. D Dickens remarks that if the Paris Tellson's were in London,<br />
it would be driven to the Gazette. This means it would go<br />
bankrupt, resulting in a notice in the London Gazette. He<br />
writes that the Paris branch is distastefully decorated with<br />
orange‐trees in boxes and a whitewashed Cupid over the<br />
counter and the clerks there are not old. [T2C: 263, 2]<br />
4. B Jarvis Lorry occupies rooms in the Bank house while<br />
working at the Paris branch. The other residents, who are<br />
patriots, keep the building safe. [T2C: 264, 1]<br />
5. E Lucie Manette informs Jarvis Lorry that her husband has<br />
been imprisoned in France. [T2C: 265, 9]<br />
6. D Darnay is in prison for about three or four days before Lucie<br />
brings word of it to Lorry. [T2C: 265, 9]<br />
7. E Doctor Manette is respected in France because of his status<br />
as a Bastille prisoner. The patriots allow him to pass<br />
through the barrier and will not do him any harm. [T2C: 265, 14]<br />
8. C The courtyard outside Tellson's contains a throng of about<br />
forty or fifty people sharpening their weapons on the<br />
grindstone. [T2C: 266, 6]<br />
9. B Dickens portrays the grindstone scene as hellish, with the<br />
men turning the grindstone depicted as wild savages and<br />
demons. [T2C: 266, 8]<br />
10. E The people at the grindstone sharpen their weapons in<br />
order to murder the prisoners. Lorry urges Doctor Manette<br />
to use his status to rescue Darnay from La Force Prison<br />
before he is killed there. [T2C: 267, 2]<br />
11. A The people at the grindstone stand with shoulders linked<br />
and shout out, "Live the Bastille prisoner! Help for the<br />
Bastille prisoner in front there! Save the prisoner<br />
Evremonde at La Force!" [T2C: 268, 1]<br />
12. B Everyone sharpening their weapons at the grindstone is<br />
covered in blood. Their clothing and bodies are stained with<br />
the red of blood, and when they finish, the grindstone itself<br />
is red. [T2C: 266, 8]<br />
13. E Lucie waits in a back room while Lorry and Doctor Manette<br />
discuss how to rescue Charles Darnay. She then sleeps and<br />
moans through the night while her father is gone. She is<br />
fearful, and unable to do anything to help, but hopeful for<br />
her husband's rescue. [T2C: 266, 3; 268, 2‐4]<br />
14. B Dickens describes Earth as "the great grindstone," referring<br />
to the grindstone outside Tellson's as "the lesser<br />
grindstone." [T2C: 269, 1]<br />
15. C The grindstone scene is reminiscent of the scene in which<br />
the cask breaks outside Defarge's wine shop. In both, the<br />
people are frenzied, smeared with blood, and inhuman in<br />
their mob mentality. [T2C: 266, 8]<br />
16. D<br />
17. A<br />
18. C<br />
19. B<br />
20. A<br />
21. E<br />
22. E<br />
23. C<br />
24. B<br />
25. B
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 33<br />
CHAPTER 3.3 THE SHADOW<br />
1. A Lorry finds another dwelling‐place for Lucie and her<br />
daughter, rather than allowing them to stay at Tellson's,<br />
because he does not want to endanger the business by<br />
harboring the family of an emigrant prisoner. [T2C: 269, 2]<br />
2. C Lorry leaves his bodyguard, Jerry Cruncher, to protect Lucie<br />
and her family at a temporary dwelling near the bank. [T2C:<br />
270, 1]<br />
3. D Defarge, described as a "strongly made man with dark<br />
curling hair, from forty‐five to fifty years of age" delivers<br />
Lorry a note from Doctor Manette. He requests to bring<br />
another note from Charles Darnay to Lucie. [T2C: 270, 11]<br />
4. B Doctor Manette sends Lorry a note that Charles is safe, but<br />
they cannot yet leave the prison. He sends Defarge with a<br />
note for Lucie, as well. [T2C: 270, 11]<br />
5. D Seventeen years pass between Doctor Manette's rescue<br />
from imprisonment and Darnay's imprisonment. [T2C: 271, 2]<br />
6. C The Defarges, The Vengeance, and Jarvis Lorry all visit<br />
Lucie, bringing a note from Charles Darnay. His note tells<br />
her to take courage and kiss little Lucie for him, but not to<br />
answer. [T2C: 271, 1‐6]<br />
7. A Jarvis Lorry tries to appease, or propitiate, Lucie by the tone<br />
and manner of his voice. [T2C: 272, 2]<br />
8. C Miss Pross, not intimated by anybody, calls The Vengeance<br />
"Boldface" and coughs on Madame Defarge. [T2C: 272, 3]<br />
9. D Dickens says that Madame Defarge has a "shadow<br />
attendant" that falls on Lucie and little Lucie, threatening<br />
them both. [T2C: 272, 6]<br />
10. E Lucie asks for Madame Defarge's help in saving her<br />
husband, imploring her as a wife and mother. However,<br />
Madame Defarge says that the wives and mothers she has<br />
seen have had their husbands and fathers kept prisoners<br />
while the woman and children suffered. [T2C: 273, 8]<br />
11. A The Defarges and the Vengeance visit Lucie so that they can<br />
recognize her and protect her from street uprisings. [T2C: 271,<br />
11]<br />
12. D Charles Darnay writes a hopeful note to his wife from<br />
prison, telling her to take courage as he is well and her<br />
father has influence in his favor. [T2C: 271, 8]<br />
13. D Ernest Defarge is described as a "strongly made man with<br />
dark curling hair." He is between 45 and 50‐years‐old at the<br />
time of Darnay's imprisonment. [T2C: 270, 4]<br />
14. A Lucie is found weeping in her temporary domicile when the<br />
Defarges, The Vengeance, and Lorry bring her a note from<br />
her imprisoned husband. [T2C: 271, 7]<br />
15. A Madame Defarge seems to be complimented by Lucie's<br />
admission of fear of her. While Lucie is hopeful about her<br />
husband's status in prison, she worries about the shadow<br />
cast upon her by Madame Defarge. [T2C: 273, 1‐2]<br />
16. D<br />
17. B<br />
18. E<br />
19. D<br />
20. E<br />
21. E<br />
22. D<br />
23. C<br />
24. A<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 34<br />
CHAPTER 3.4 CALM IN STORM<br />
1. A Doctor Manette spends four days with Darnay in prison,<br />
watching as the revolutionaries massacre other prisoners.<br />
[T2C: 274, 4]<br />
2. A Dickens writes Darnay's time in prison during the historic<br />
September Massacres. The revolutionaries kill<br />
approximately 1,100 prisoners during that time. [T2C: 274, 4]<br />
3. C The prison tribunal offers Charles Darnay safe custody<br />
because of Doctor Manette's status as a Bastille prisoner.<br />
[T2C: 275, 1]<br />
4. B Doctor Manette is empowered by his prison experience,<br />
saying that it was not "mere waste and ruin" because it<br />
allows him to restore his daughter's husband, as she once<br />
restored him. [T2C: 276, 1]<br />
5. E Doctor Manette uses his influence with the revolutionaries<br />
to become the physician for three prisons, including La<br />
Force, so that he can keep an eye on Darnay. [T2C: 276, 2]<br />
6. A Doctor Manette visits Darnay in La Force Prison weekly.<br />
Darnay is moved into the general body of prisoners rather<br />
than solitary confinement. [T2C: 2]<br />
7. D Doctor Manette has a sense of pride while living in France<br />
because he is able to offer strength and influence to help<br />
his daughter, who has previously done so much for him.<br />
[T2C: 277, 3]<br />
8. E Jarvis Lorry finds Doctor Manette's sense of pride in France<br />
somewhat curious, but natural and worthy. He think, "take<br />
the lead, my dear friend, and keep it; it couldn't be in better<br />
hands." [T2C: 276, 3]<br />
9. C Dickens refers to the new Republic as the "Republic of<br />
Liberty, Equality, Fraternity, or Death." [T2C: 277, 1]<br />
10. E The black flag outside Notre Dame after the execution of<br />
the French king represents danger of foreign attack, as<br />
other European countries are upset by the act of regicide.<br />
[T2C: 277, 1]<br />
11. E King Louis XVI is beheaded on January 21, 1793; his wife is<br />
executed on October 18, 1793. Dickens rounds this to<br />
"eight weary months of imprisoned widowhood and<br />
misery." [T2C: 277, 2]<br />
12. A Dickens says that the guillotine was a popular theme for<br />
jokes. "It was the best cure of headache, it infallibly<br />
prevented the hair from turning grey, it imparted a peculiar<br />
delicacy to the complexion, it was the National Razor which<br />
shaved close: who kissed La Guillotine, looked through the<br />
little window and sneezed into the sack." [T2C: 278, 2]<br />
13. B The guillotine is "worn on breasts from which the Cross was<br />
discarded, and it was bowed down to and believed in where<br />
the Cross was denied." Dickens uses the worshipping of the<br />
guillotine, rather than the cross, to symbolize the<br />
secularization of France during the Reign of Terror. [T2C: 278, 2]<br />
14. C Dickens described the execution of "two‐two friends of high<br />
public mark, twenty‐one living and one dead." The group to<br />
which he refers is the Girondin Party. One member of the<br />
party committed suicide before being beheaded by the<br />
guillotine with the rest of the political faction. [T2C: 278, 3]<br />
15. D Charles Darnay spends one year and three months in<br />
prison. Doctor Manette remains confident throughout that<br />
he will be able to rescue his daughter's husband. [T2C: 279, 1]<br />
16. B<br />
17. E<br />
18. D<br />
19. C<br />
20. E<br />
21. A<br />
22. D<br />
23. B<br />
24. D<br />
25. B
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 35<br />
CHAPTER 3.5 THE WOOD‐SAWYER<br />
1. D Lucie wears plain dark dresses, like mourning dresses,<br />
during Darnay's imprisonment. However, she generally<br />
remains pretty and neat. [T2C: 280, 3]<br />
2. B Doctor Manette tells Lucie that Charles is able to see out a<br />
certain window around three in the afternoon on some<br />
days, and she can stand in a certain spot outside so that he<br />
might see her. Lucie goes between two and four every day<br />
to maximize Charles' chances of seeing her. [T2C: 280, 5]<br />
3. C Lucie stands outside the prison, often with little Lucie, for<br />
two hours each day. She arrives and two and leaves at four,<br />
hoping that that Charles will see her at some point in<br />
between, even though she cannot see him. [T2C: 281, 2]<br />
4. A The wood‐sawyer, whose house is near the prison, was<br />
formerly the road mender from the Marquis' village. [T2C: 281,<br />
9]<br />
5. D The wood sawyer, trying to understand what Lucie is doing<br />
near the prison each day, points at the prison and puts his<br />
fingers over his face to represent bars. He peeps through<br />
his fingers "jocosely," meaning humorously or jokingly. [T2C:<br />
281, 9]<br />
6. B The wood‐sawyer calls his saw "Little Guillotine" and "Little<br />
Sainte Guillotine." He appears overly enthusiastic about his<br />
pretend sawing of wooden heads. [T2C: 282, 3]<br />
7. A The wood‐sawyer refers to himself as the "Samson of the<br />
firewood guillotine." Samson is known for having<br />
extraordinary strength, used to combat his enemies. 20 [T2C:<br />
282, 5]<br />
8. D As Lucie must stand near the wood‐sawyer in order to be<br />
seen by Charles, she tries to earn his good will by speaking<br />
with him first and offering him drink‐money. [T2C: 282, 6]<br />
9. B Lucie kisses the prison wall each day before she leaves.<br />
Darnay sees her from the window about once in five or six<br />
times. [T2C: 282, 8]<br />
10. E The revolutionaries dance the Carmagnole near the prison,<br />
frightening Lucie while she stands nearby. [T2C: 284, 1]<br />
11. C Darnay is moved to the Concierge, an old prison adjacent to<br />
the Palais de Justice, where many prisoners spent their last<br />
days before being executed by the guillotine. [T2C: 284, 12]<br />
12. D Darnay sees his wife from the prison window about once in<br />
five or six times, but Lucie willingly stands by the window<br />
daily to preserve that possibility. [T2C: 282, 8]<br />
13. B A decree during the revolution forced everybody to refer to<br />
each other as "citizen" and "citizeness." [T2C: 281, 6]<br />
14. D After Lucie watches the dancing of the Carmagnole outside<br />
the prison, she sees the snow fall quietly and "lay as white<br />
and soft, as if it had never been." The snow represents her<br />
purity and love for Darnay, which Madame Defarge soon<br />
walks by and overshadows. [T2C: 284, 1]<br />
15. D Doctor Manette assures Lucie that nothing can happen to<br />
her husband without his knowledge, and he feels confident<br />
that he will be able to save Darnay. [T2C: 280, 3]<br />
20 Two of my best friends happen to be named Isaiah and Obadiah;<br />
apparently I get along well with people named after biblical characters.‐<br />
Melanie<br />
16. D<br />
17. C<br />
18. B<br />
19. B<br />
20. E<br />
21. B<br />
22. D<br />
23. D<br />
24. C<br />
25. D
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 36<br />
CHAPTER 3.6 TRIUMPH<br />
1. C The tribunal consists of five Judges, the Public Prosecutor,<br />
and a jury. [T2C: 286, 1]<br />
2. D Darnay is accused as an emigrant. A decree, passed after his<br />
return to France, demands the life of all emigrants. [T2C: 288, 1]<br />
3. D The court spectators are fickle in their reaction to Darnay.<br />
At first they act impatient to sent him off to be executed,<br />
but upon hearing his relation to the Manettes, they cry in<br />
sympathy. [T2C: 289, 3]<br />
4. A Darnay tells the court that he did not return to France<br />
sooner than at Gabelle's request because he had resigned<br />
his only means of living in France, while he could work at a<br />
tutor of French language and literature in England. [T2C: 289, 6]<br />
5. C Gabelle is released from prison three days before Darnay's<br />
trial, in time to serve as a witness. [T2C: 289, 9]<br />
6. E Darnay's surrender satisfies Gabelle's Jury. They consider all<br />
accusations against him answered for, and release him<br />
from prison three days before Darnay's trial. [T2C: 289, 9]<br />
7. D Doctor Manette is a witness for Darnay at his trial, arguing<br />
in favor of his loyalty to the Manettes and his previous trial<br />
for treason by the English government. Lorry's<br />
corroboration of the trial helps convince the jury of<br />
Darnay's innocence. [T2C: 290, 1]<br />
8. D The five people tried as one after Darnay are all sentenced<br />
to death, indicated by the customary prison sign of a raised<br />
finger. [T2C: 291, 1]<br />
9. A The court where Darnay is tried is next to the bank of the<br />
Seine. Dickens compares the running of the river as "mad,<br />
like the people on the shore." [T2C: 291, 2]<br />
10. A Darnay is carried home on a chair after his acquittal. The<br />
court audience throws a red flag over the chair and binds a<br />
pike with a red cap on it to the back. Despite Doctor<br />
Manette's entreaties, the people carry him up on their<br />
shoulders in a procession that makes Darnay wonder if he is<br />
not actually on his way to the guillotine. [T2C: 291, 3]<br />
11. B The court spectators dance the Carmagnole in celebration<br />
of Darnay and Lucie's reunion. [T2C: 292, 1]<br />
12. E Doctor Manette tells Lucie, as she lays her head on his<br />
chest, that she "must not be weak" because he has saved<br />
Darnay. [T2C: 292, 7]<br />
13. B Lucie and Charles pray in thanks to God for saving Charles<br />
and returning him home to Lucie. [T2C: 292, 4‐5]<br />
14. E Madame Defarge is seen knitting during Darnay's trial, an<br />
ominous reminder that Darnay's name is still on the<br />
register. Though he is acquitted, he is not yet safe from her<br />
vengeance. [T2C: 287, 3]<br />
15. D The court spectators at Darnay's trial are examples of the<br />
very malleable nature of the French people. Their opinions<br />
change quickly, first lusting for Darnay's execution, then<br />
supporting his innocence. However, it is implied that this<br />
flexibility can just as easily reverse again. [T2C: 289, 3]<br />
16. B<br />
17. D<br />
18. C<br />
19. E<br />
20. D<br />
21. A<br />
22. E<br />
23. D<br />
24. D<br />
25. D
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 37<br />
CHAPTER 3.7 A KNOCK AT THE DOOR<br />
1. C The Darnays are frugal in their housekeeping and do not<br />
have a servant because they are not rich, primarily because<br />
Charles had to spend much of his money on prison<br />
expenses, and they consider it safer. There is less risk of<br />
having a domestic spy in their home, and they are less likely<br />
to offend people. [T2C: 293, 4]<br />
2. E The Republic requires everyone to paint their names on the<br />
door or doorpost of their home in a certain size, at a certain<br />
height from the ground. Darnay hires a painter to add his<br />
name to the list on his door. The list also includes Jerry<br />
Cruncher, who essentially lives with the Darnays on retainer<br />
from Lorry. [T2C: 294, 1]<br />
3. D Doctor Manette and the other members of his household<br />
must go each evening to purchase various household items<br />
in small quantities at several different shops. They aim to<br />
avoid talk and envy as much as possible, so they do not<br />
want to be seen purchasing too much at any one place. [T2C:<br />
294, 2]<br />
4. B Miss Pross and Jerry Cruncher procure goods for the<br />
Doctor's household, with Miss Pross carrying the money<br />
and Jerry Cruncher carrying the basket. [T2C: 294, 3]<br />
5. E Miss Pross always bargains with the shopkeepers when she<br />
goes shopping for household supplies. Though she speaks<br />
no French, she communicates her price by holding up one<br />
less finger than the merchant, regardless of the number.<br />
[T2C: 294, 3]<br />
6. D After living in the Manette household for some time, the<br />
rust from grave robbing wears off of Jerry Cruncher's<br />
fingers. However, Dickens says "nothing would file his spiky<br />
head down." [T2C: 295, 1]<br />
7. C Jerry Cruncher tells Miss Pross, "It will be much the same to<br />
your knowledge, miss, I should think, whether they drink<br />
your health or the Old Un's." He clarifies that he is speaking<br />
of Old Nick, a name for the devil. [T2C: 295, 5]<br />
8. A Miss Pross, as a citizen of England, says that her maxim is,<br />
"Confound their politics, Frustrate their knavish tricks, On<br />
him our hopes we fix, God save the King!" [T2C: 295, 12]<br />
9. B Four "rough men in red caps, armed with sabres and<br />
pistols" arrest Darnay shortly after his acquittal, confirming<br />
Lucie's suspicions that the danger is not yet past. [T2C: 297, 1]<br />
10. A The men arresting Darnay tell him that he, is accused by<br />
Saint Antoine. Later, one admits that the Defarges and one<br />
other accused Darnay. [T2C: 297, 16]<br />
11. E One of the men arresting Darnay tells Doctor Manette that<br />
he should stop asking questions. He says, "Citizen Doctor,<br />
ask no more. If the Republic demands sacrifices from you,<br />
without doubt you as a good patriot will be happy to make<br />
them. The Republic goes before all. The people is<br />
Supreme." [T2C: 297, 18]<br />
12. C Though it is against the rules, one of the soldiers arresting<br />
Darnay tells Doctor Manette that the Defarges and one<br />
other person denounced Darnay. [T2C: 298, 4]<br />
13. B When Doctor Manette asks the soldier of Saint Antoine<br />
who the third person to denounce Darnay is, the solder<br />
responds that he is "dumb," or speechless. [T2C: 298, 8]<br />
14. A Charles Darnay is freed from prison, and then immediately<br />
taken back by order of the Defarges. Madame Defarge did<br />
much the same with Foulon, letting him escape before<br />
catching and killing him. She is ruthless in her games of cat<br />
and mouse with those whom she wishes to have killed. [T2C:<br />
296‐298]<br />
15. A Doctor Manette tells Miss Pross she can take the liberty of<br />
asking a question, but she responds, "For gracious sake,<br />
don't talk about Liberty; we have quite enough of that." [T2C:<br />
295, 10]<br />
16. B<br />
17. B<br />
18. D<br />
19. D<br />
20. C<br />
21. E<br />
22. C<br />
23. D<br />
24. E<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 38<br />
CHAPTER 3.8 A HAND AT CARDS<br />
1. C Miss Pross and Jerry Cruncher visit a wine shop called The<br />
Good Republican Brutus of Antiquitity. The shop name<br />
likely refers to Lucius Junius Brutus, who helped to establish<br />
the Roman Republic. 21 [T2C:298, 10]<br />
2. D Miss Pross refers to Jerry Cruncher as her cavalier. A<br />
cavalier was originally a knight, but later came to refer to a<br />
gentleman. [T2C: 298, 10]<br />
3. C Miss Pross screams when she sees her brother in the wine<br />
shop, but the other customers look as though expecting<br />
that somebody was assassinated over a difference of<br />
opinion. [T2C: 299, 2‐3]<br />
4. D Solomon Pross is vexed by encountering his sister in a wine<br />
shop. He worries that she will blow his cover as a spy. He is<br />
not surprised, telling her that he already knew she was in<br />
France. [T2C: 300, 1]<br />
5. B Miss Pross explores "the depths of her reticule," which is a<br />
small bag like a purse, in order to pay for her wine and go<br />
outside to speak to her brother. [T2C: 300, 8]<br />
6. D Jerry Cruncher and Sydney Carton recognize Miss Pross'<br />
brother Solomon as John Barsad from Darnay's previous<br />
trial in England. [T2C: 301‐302]<br />
7. B Sydney Carton appears almost out of nowhere in the wine<br />
shop, identifying Solomon Pross as John Barsad, while Jerry<br />
Cruncher can only partially remember Pross' English name.<br />
[T2C: 302, 6‐8]<br />
8. A Solomon Pross is a tergiversator, one who uses evasions or<br />
subterfuge, or who forsakes a position of allegiance. [T2C: 306,<br />
5]<br />
9. A Sydney Carton discusses all the cards he has in his hand,<br />
relative to Solomon Pross' poor hand of cards, as a<br />
metaphor for the power that he holds. [T2C: 305‐307]<br />
10. C Solomon Pross put paving stones and dirt in Roger Cly's<br />
coffin, helping to fake the man's funeral. He is revealed as<br />
the only mourner at the funeral. Pross tells Carton that Cly's<br />
unpopularity prevented him from following the remains,<br />
but he helped to lay Cly in his coffin. [T2C: 309, 8]<br />
11. D Sydney Carton threatens to denounce Solomon Pross for<br />
communicating with Roger Cly, another spy for the<br />
aristocratic English government. The former employer of<br />
the two spies is the enemy of France, the country for which<br />
they now work, but would likely sentence them to death if<br />
this information were revealed. [T2C: 309, 13]<br />
12. B Jerry Cruncher, who attempted to rob Roger Cly's grave,<br />
reveals that Cly was not actually buried. Rather, his coffin<br />
was filled with stones and dirt so that he could escape from<br />
England, where he was extremely unpopular. Cruncher, of<br />
course, has a hard time explaining how he knows about this<br />
funeral deception. [T2C: 309]<br />
13. B Solomon Pross is frightened of Madame Defarge, who knits<br />
while talking to him and has an ominous look. He knows<br />
that, given his occupation, it is unlikely that he can escape<br />
her registers. [T2C: 306, 5]<br />
21 Interestingly, if you search Google Maps for Paris wine shop, Defarge's<br />
wine shop appears as a placemark in A Tale of Two Cities.‐Melanie<br />
14. A Sydney Carton tells Jarvis Lorry that times are desperate,<br />
but that Doctor Manette can play the winning came while<br />
he will play the losing one, sacrificing himself for Darnay.<br />
[T2C: 305, 6]<br />
15. E Sydney Carton refers to Solomon Pross as a "Sheep of the<br />
Prisons," a name for one who spies in prisons in order to<br />
obtain incriminating evidence about a prisoner. [T2C: 302, 9]<br />
16. B<br />
17. B<br />
18. B<br />
19. B<br />
20. A<br />
21. B<br />
22. A<br />
23. B<br />
24. E<br />
25. D
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 39<br />
CHAPTER 3.9 THE GAME MADE<br />
1. E Jarvis Lorry reprimands Jerry Cruncher for working as a<br />
grave robber, telling him that he will be fired from Tellson's.<br />
[T2C: 311, 6]<br />
2. C Jerry Cruncher tells Mr. Lorry that there might be "medical<br />
doctors at the present hour, a picking up their guineas<br />
where a honest tradesman don't pick up his fardens."<br />
"Fardens" are actually farthings, coins worth a quarter of a<br />
penny. [T2C: 311, 7]<br />
3. C Jarvis Lorry tells Jerry Cruncher not to prevaricate, or lie,<br />
about his illegal activity robbing graves. 22 [T2C: 312, 3]<br />
4. B Jerry Cruncher asks Mr. Lorry to let his son assume his job<br />
at Tellson's so that the boy can take care of his mother. [T2C:<br />
312, 4]<br />
5. B Jerry Cruncher plans to become a grave digger to "make<br />
amends for what he would have un‐dug." He says that he<br />
will dig them "with conwictions respectin' the futur' keepin'<br />
of 'em safe." [T2C: 312, 4]<br />
6. C Barsad and Carton make a deal that if things do not go well<br />
for Darnay, Carton can visit him once in prison. [T2C: 313,4]<br />
7. E Carton tells Lorry that he is a "good man and a true friend,"<br />
and that he cannot stand to see him weep any more than<br />
he could if Lorry was his own father, but says that Lorry is<br />
"free from that misfortune." [T2C: 314, 1]<br />
8. A Sydney Carton speaks with the wood‐sawyer outside La<br />
Force Prison, who tells him that Samson, the executioner<br />
,complains of being exhausted. [T2C: 317, 5]<br />
9. B The wood‐sawyer times the speed of the executions by the<br />
number of pipes he smokes; when speaking to Carton, he<br />
said that 63 people were killed that day in two pipes. [T2C:<br />
317, 9‐10]<br />
10. D Sydney Carton visits a chemist's shop after speaking with<br />
Barsad, Lorry, and then the wood‐sawyer. He writes down<br />
what he wants on a scrap of paper, keeping it a mystery to<br />
the reader. The chemist indicates that the substances are<br />
dangerous if they are mixed together. [T2C: 317, 18]<br />
11. D As Carton walks the steets at night, seemingly preparing to<br />
die, he hears a quote in his head that was read at his<br />
father's funeral: "I am the resurrection and the life, saith<br />
the Lord: he that believeth in me, though he were dead, yet<br />
shall he live: and whosoever liveth and believeth in me,<br />
shall never die." This passage is from the Book of John, and<br />
commonly recited during burial services. [T2C: 318, 9]<br />
12. B Dickens describe the darkness during Sydney Carton's<br />
night‐time walk, saying that the time when the moon and<br />
stars turned pale, it looked as if "Creation were delivered<br />
over to Death's dominion." After, the sun rises and warms<br />
his heart. This represents resurrection, a common theme<br />
throughout the novel. [T2C: 319, 5]<br />
13. A The court says that three people openly denounced Charles<br />
Darnay, the Defarges and Doctor Manette. [T2C: 321, 12]<br />
14. D Defarge found a written paper in One Hundred and Five,<br />
North Tower in the Bastille. The paper was written by<br />
22 Prevaricate is a common SAT and GRE word. When Cruncher says it,<br />
the word is "prewaricate."‐Melanie<br />
Doctor Manette, and is considered his denouncement of<br />
Darnay. [T2C: 323, 2]<br />
15. C Carton and Lorry reflect on what makes life worthwhile,<br />
primarily an emotional connection with other people.<br />
When Carton asks Lorry whether his childhood memories<br />
seem far off, Lorry replies that they once did, but as he gets<br />
older he feels closer to the beginning. [T2C: 316, 5]<br />
16. D<br />
17. A<br />
18. D<br />
19. D<br />
20. C<br />
21. B<br />
22. C<br />
23. D<br />
24. D<br />
25. A
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 40<br />
CHAPTER 3.10 THE SUBSTANCE OF THE SHADOW<br />
1. E Doctor Manette hid away a letter explaining the cause of<br />
his imprisonment. Defarge found the paper in the chimney<br />
walls within his cell, expecting that it might be found after<br />
his death. [T2C: 323, 5]<br />
2. C Doctor Manette wrote the letter explaining the reasons<br />
behind his imprisonment in the last month of the 10 th year<br />
of his captivity. [T2C: 324, 1]<br />
3. B Doctor Manette was arrested in 1757, and rescued by his<br />
daughter 18 years later, the point at which the novel<br />
begins. [T2C: 324, 2]<br />
4. C The twin Evremonde brothers take Doctor Manette to treat<br />
a young woman who repeatedly says, "My husband, my<br />
father, and my brother." She then counts to twelve and<br />
says, "Hush!" [T2C: 326, 5]<br />
5. A The young peasant boy was stabbed by a sword. Doctor<br />
Manette, after seeing the wound, believes it too severe for<br />
him to have lived, even if seen without a delay of twenty to<br />
twenty‐four hours. [T2C: 328, 9]<br />
6. E Doctor Manette believe the young peasant woman has a<br />
high fever of the brain, something akin to delirium,<br />
followed by her collapse. [T2C: 326, 2]<br />
7. D Doctor Manette gives the sick peasant woman a dose of<br />
narcotic medicine, the only kind the Evremonde brothers<br />
seem to have. Manette says, "If I had wanted to use<br />
anything save narcotic medicines that were poisons in<br />
themselves, I would not have administered any of these."<br />
The medicine likely made her sleepy and less aware of her<br />
illness. [T2C: 327, 9]<br />
8. E The peasant girl's brother tells Doctor Manette that the<br />
Evremondes convinced her husband to lend her to them by<br />
harnessing him to their carts as a driver and making him<br />
stay out to quiet the frogs all night. [T2C: 330, 4]<br />
9. A The peasant boy takes his young sister somewhere out of<br />
the Evremonde brothers' reaches so that she cannot<br />
become their slave. He then tracked the brother who took<br />
his other sister, attempting to kill, but instead being killed<br />
himself. [T2C: 331, 2]<br />
10. C The Evremonde brothers raped the peasant woman, caused<br />
the deaths of her brother and father, and then imprisoned<br />
Doctor Manette to keep their crimes a secret. [T2C: 331, 2]<br />
11. D The peasant boy draws a cross in blood to signal his cure on<br />
the Evremonde brothers and their entire "bad race." [T2C: 322,<br />
1]<br />
12. A The Marquis believes that the "common bodies" of the<br />
peasant girl and her brother have no strength. Doctor<br />
Manette tells him, "There is prodigious strength in sorrow<br />
and despair." Prodigious means extraordinary or<br />
remarkable. [T2C: 333, 3]<br />
13. B Doctor Manette tells the Evremonde brothers that his<br />
communications with patients are received in confidence,<br />
but says that he is guarded in response because of the<br />
troubling nature of what he saw and heard. [T2C: 333, 5‐8]<br />
14. D Doctor Manette abridges his narrative of the incident with<br />
the Evremonde brothers because he fears being detected<br />
and moved to a dark, underground dungeon. He states,<br />
however, that he remembers every work spoken between<br />
him and the brothers. [T2C: 333, 10]<br />
15. D The Marquis' wife seeks out Doctor Manette to find out the<br />
name and location of the younger sister of the two<br />
murdered peasants. She hopes to help the sister, but<br />
Manette does not know where the girl was hidden. [T2C: 336, 1]<br />
16. E The Marquis' wife hopes to make amends for the actions of<br />
her husband and brother‐in‐law, worrying that if no other<br />
atones for their actions, her young boy Charles will be<br />
required to atone for them one day. [T2C: 336, 4]<br />
17. C Charles Evremonde, or Darnay, is about two or three years<br />
old when he and his mother go to Doctor Manette in an<br />
attempt to help the younger sister of the murdered<br />
peasants. [T2C: 336, 3]<br />
18. C Ernest Defarge is Doctor Manette's servant at the time<br />
Manette is imprisoned. He was only a youth at the time. [337,<br />
1]<br />
19. D The Evremonde family name was anathematized, or cursed,<br />
by Saint Antoine for a long time, and was knitted into<br />
Madame Defarge's fatal register. [T2C: 337, 6]<br />
20. B Darnay's jury votes unanimously to have him sent back to<br />
the Concierge and executed within twenty‐four hours.<br />
There is no sympathy for Doctor Manette's imprisonment,<br />
only vengeance against a member of the aristocracy. [T2C: 338,<br />
4]<br />
21. D<br />
22. B<br />
23. C<br />
24. A<br />
25. B
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 41<br />
CHAPTER 3.11 DUSK<br />
1. A John Barsad, one of the only jailers left in the courthouse<br />
after the trial, allows Lucie to embrace her husband for just<br />
a moment before he is taken back to jail to await his<br />
execution. [T2C: 339, 3]<br />
2. C Lucie believes that she will die of a broken heart and join<br />
her husband in death, but will first do her duty raising their<br />
daughter. [T2C: 339, 8]<br />
3. B Lucie says that when she dies of a broken heart, God will<br />
give little Lucie friends, as he once did for her. [T2C: 339, 8]<br />
4. D Darnay tries to comfort Doctor Manette after the trial,<br />
telling him that the outcome is not his fault. Darnay is<br />
grateful for Manette's struggle in accepting him despite his<br />
descent and working toward his freedom. [T2C: 339, 10]<br />
5. D After Lucie is separated from her husband for what she<br />
believes to be the last time, she lays her head on her<br />
father's breast and faints at his feet. [T2C: 340, 3]<br />
6. A Little Lucie asks Carton, who helps carry the unconscious<br />
Lucie home, to do something to help her mother and save<br />
her father. She implores him, "Can you, of all the people<br />
who love her, bear to see her so?" [T2C: 340, 9]<br />
7. E Carton whispers, "A life you love," to the unconscious Lucie<br />
before leaving her for the last time. This recalls his earlier<br />
conversation with her in the chapter, "A Fellow of No<br />
Delicacy," when he tells her that he would give his life for<br />
her or someone she loves. [T2C: 341, 3]<br />
8. A After Darnay is sentenced to death, Carton begs Doctor<br />
Manette to try to use his influence to persuade the judges<br />
before the execution. [T2C: 341, 5]<br />
9. E Sydney Carton, begging Doctor Manette to persuade the<br />
judges to change their minds about Darnay's execution,<br />
tells him that his efforts are worthwhile. He says, "Of little<br />
worth as life is when we misuse it, it is worth that effort. It<br />
would cost nothing to lay down if it were not." [T2C: 341, 9]<br />
10. C Sydney Carton and Doctor Manette plan to meet at<br />
Tellson's at nine o'clock on the night before the day Darnay<br />
is scheduled to be executed. [T2C: 342, 1]<br />
11. E Lorry tells Carton that he has no hope of saving Darnay,<br />
saying, "If any of these men, or all of these men, were<br />
disposed to spare him‐which is a large supposition; for what<br />
is his life or any man's to them!‐I doubt if they durst spare<br />
him after the demonstration in the court." Carton agrees,<br />
responding, "And so do I. I heard the fall of the axe in that<br />
sound." [T2C: 342, 5]<br />
12. E After Darnay's sentencing, the court empties into the<br />
streets to celebrate his imminent execution. [T2C: 339, 1]<br />
13. D Lucie and Darnay's parting is somewhat melodramatic, full<br />
of saccharine language such as "dear darling of my soul."<br />
[T2C: 339, 4‐8]<br />
14. B Doctor Manette plans to beg with the tribunal judges after<br />
their celebration in the streets, which is about an hour or<br />
two after dark. Carton says it will be dark around four, and<br />
asks to meet with Manette at Tellson's around 9:00 PM to<br />
discuss what happened. [T2C: 342, 1]<br />
15. E Charles Darnay, comforting Doctor Manette, tells him, "All<br />
things have worked together as they have fallen out. It was<br />
the always vain endeavor to discharge my poor mother's<br />
trust that first brought my fatal presence near you. Good<br />
could never come of such evil, a happier end was not in<br />
nature to so unhappy a beginning." [T2C: 340, 2]<br />
16. C<br />
17. E<br />
18. D<br />
19. E<br />
20. B<br />
21. A<br />
22. B<br />
23. A<br />
24. B<br />
25. E
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 42<br />
CHAPTER 3.12 DARKNESS<br />
1. D Sydney Carton goes to Defarge's wine shop to make his<br />
presence known to the local citizens. He debates this<br />
decision, but decides it is a sound precaution that makes<br />
sense if Darnay is to leave France under his name. [T2C: 342, 13]<br />
2. A On the night before Darnay's scheduled execution, the<br />
night before Carton himself is to die, he does not have a<br />
strong drink for the first time in years. The preceding<br />
evening he had only a small amount of light wine, and<br />
poured his brandy on Lorry's hearth. [T2C: 343, 2]<br />
3. B Jacques Three, who was also a member of Darnay's jury, is<br />
the only customer in Defarge's wine shop when Sydney<br />
Carton stops in to make his presence known in the city. The<br />
Vengeance is also there, but appears like a regular member<br />
of the establishment rather than a customer. [T2C: 343, 4]<br />
4. C Carton picks up a Jacobin journal and pretends to read it in<br />
front of Madame Defarge while she pours him a glass of<br />
wine. [T2C: 344, 3]<br />
5. D The Defarges are taken aback by Sydney Carton's presence<br />
in their wine shop because his appearance is so similar to<br />
Darnay's. [T2C: 344, 3]<br />
6. E Sydney Carton overhears Madame Defarge discussing her<br />
desire to exterminate Doctor Manette and Lucie Darnay,<br />
while her husband believes that they have gone far enough<br />
with Charles Darnay and must stop somewhere. [T2C: 345, 1‐3]<br />
7. A Madame Defarge reveals that she is the sister of the<br />
peasants who were killed by the Evremonde brothers. After<br />
being hidden away, she was raised by fisherman. This<br />
explains her ruthlessness in trying to annihilate the entire<br />
Evremonde line, as the matter goes beyond the Revolution<br />
to a very personal tragedy. [T2C: 345, 14]<br />
8. B Sydney Carton pays for his wine and asks Madame Defarge<br />
for directions to the National Palace, which is on the side of<br />
Paris opposite the wine shop. [T2C: 346, 4]<br />
9. C Doctor Manette was supposed to return to Tellson's at nine<br />
o'clock to discuss the results of his attempt to persude the<br />
tribunal against executing Darnay. However, he does not<br />
shop up at nine or ten. Lorry decides to return to Lucie<br />
while Carton waits for Manette. When Doctor Manette<br />
appears shortly after Lorry returns to Tellson's at midnight.<br />
[T2C: 347, 1‐2]<br />
10. E When Doctor Manette is unable to save Darnay from<br />
execution, he experiences a relapse and begins looking for<br />
his shoemaking bench so that he can return to his work,<br />
telling Lorry and Carton, "Time presses: I must finish those<br />
shoes." [T2C: 347, 6]<br />
11. E Carton asks Lorry to hold on to his passport as well as those<br />
of Doctor Manette and Lucie Darnay, though he does not<br />
fully explain his reasoning. However, he does inform Lorry<br />
that Madame Defarge plans to denounce Manette and<br />
Lucie, putting them in grant danger. [T2C: 348, 7‐11]<br />
12. A The wood‐sawyer is under the control of the Defarges. He<br />
tells them about Lucie's visits to the prison, where she<br />
makes signs and signals to prisoners. Carton worries that<br />
Madame Defarge could construe this as a prison plot,<br />
resulting in the execution of Lucie, her daughter, and her<br />
father, who have stood with her at the prison as well. [T2C:<br />
349, 4]<br />
13. A Carton believes that Madame Defarge will wait to<br />
denounce Lucie and Doctor Manette until about a week<br />
after Darnay's execution so that she can add the capital<br />
crime of mourning for a victim of the Guillotine to her<br />
charges against them. [T2C: 349, 6]<br />
14. A Lorry plans to bring Doctor Manette, Lucie, little Lucie, and<br />
Carton back to England at two o'clock on the day of<br />
Darnay's execution. He and Carton believe they must not<br />
delay any longer because their passports will be recalled if<br />
Madame Defarge denounces them. [T2C: 349,8]<br />
15. C Carton tells Lorry that he must not change or delay his<br />
plans to return to England with Doctor Manette, Lucie, little<br />
Lucie, and Carton or many lives will be lost. Lorry promises<br />
to remember Carton's words and do his part. [T2C: 350, 11]<br />
16. C<br />
17. D<br />
18. D<br />
19. D<br />
20. B<br />
21. C<br />
22. C<br />
23. A<br />
24. D<br />
25. C
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 43<br />
CHAPTER 3.13 FIFTY‐TWO<br />
1. C Fifty‐two people are condemned to die on the day of<br />
Darnay's execution, which Dickens points out is the same<br />
number as the weeks of the year. [T2C: 351, 1]<br />
2. A Darnay writes letters to Lucie, Doctor Manette, and Lorry<br />
on the night before he is to be executed. He asks them to<br />
comfort and take care of each other. However, Dickens<br />
notes that Darnay never once thinks of Carton, who will<br />
soon sacrifice himself for Darnay. The next day, as he is<br />
waiting to die, he paces and prays. [T2C: 352, 4‐6]<br />
3. D Charles Darnay confides his wife and daughter to the care<br />
of Doctor Manette, hoping that caring for his family will<br />
keep Manette from heading toward relapse into<br />
depression. [T2C: 353, 1]<br />
4. C The night before Darnay is to be executed, he dreams that<br />
he is back in Soho with Lucie. She tells him that everything<br />
was just a dream and he never left for Paris. He awakes to<br />
the realization that it is the day of his death. [T2C: 353, 4]<br />
5. E Darnay paces in his prison cell, awaiting his death, and<br />
counting down the hours he will never see again. At about<br />
1:00 P.M., Sydney Carton surprises Darnay by visiting him.<br />
[T2C: 355, 5]<br />
6. E Carton convinces Darnay to swap clothes with him,<br />
including his cravat, or neckband. [T2C: 356, 2]<br />
7. C John Barsad helps Carton trade places with Darnay, getting<br />
Darnay to the coach where his family awaits so long as<br />
Carton stays true in the exchange to the death. [T2C: 358, 2]<br />
8. A Carton drugs Darnay with vapors made by the ingredients<br />
he purchased at the chemist's shop. Barsad can then take<br />
Darnay out, pretending that Carton fainted from the stress<br />
of his meeting, and bring him to the coach where his family<br />
waits to leave Paris. [T2C: 357]<br />
9. A A seamstress who was previously imprisoned with Darnay<br />
sees Carton in line awaiting the wagons headed to the<br />
guillotine. She asks to hold his hand for comfort in the<br />
wagon, and asks if he is dying for Darnay. [T2C: 360, 11]<br />
10. E The Republican working at the Barrier tells little Lucie to<br />
kiss him, saying, "Now, thou hast kissed a good Republican;<br />
something new in they family; remember it!" [T2C: 361, 11]<br />
11. D Jarvis Lorry replies to all the questions of the official at the<br />
Barrier between England and France, while the others in<br />
the coach do not seem to be holding up as well. [T2C: 361, 17]<br />
12. C Lorry tells Lucie that they cannot drive too quickly after<br />
leaving the Barrier or it will look like flight and rouse<br />
peoples' suspicions. [T2C: 362, 6]<br />
13. D Someone stops Lorry's coach, giving all a fright that they<br />
are being pursued, to ask how many people are being<br />
executed by guillotine at the last post. [T2C: 363, 5]<br />
14. D As Lorry, Doctor Manette, Lucie, little Lucie, and Darnay<br />
flee France, the narrative switches from third‐person to<br />
first‐person. Dickens begins writing using "we" and "our."<br />
This first‐person narrative continues with Carton's death.<br />
[T2C: 362‐363]<br />
15. B While awaiting their executions, a seamstress believes she<br />
recognizes Darnay from imprisonment in La Force. She<br />
approaches him to speak and ask to hold his hand in the<br />
16. D<br />
17. B<br />
18. B<br />
19. D<br />
20. E<br />
21. B<br />
22. E<br />
23. D<br />
24. E<br />
25. A<br />
wagon for comfort. The seamstress tells Carton, before<br />
realizing that he is not Darnay, "I am not afraid to die,<br />
Citizen Evremonde, but I have done nothing. I am not<br />
unwilling to die, if the Republic which is to do so much good<br />
to us poor, will profit by my death; but I do not know how<br />
that can be, Citizen Evremonde. Such a poor weak little<br />
creature!" [T2C: 360, 5]
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 44<br />
CHAPTER 3.14 THE KNITTING DONE<br />
1. C Jacques Three believes that Ernest Defarge's weakness for<br />
Doctor Manette is "not quite like a good citizen." Madame<br />
Defarge insists that, despite this, her husband is a good<br />
Republican. [T2C: 364, 3]<br />
2. B Jacques Three speaks of Lucie going to the guillotine, saying<br />
"She has a fine head for it. I have seen blue eyes and golden<br />
hair there, and they looked charming when Samson held<br />
them up." Dickens remarks that he speaks like an epicure,<br />
or a person with refined tastes. [T2C: 364, 5]<br />
3. D Jacques Three says that Manette and Lucie must not escape<br />
from France because not enough people are being<br />
guillotines. He thinks six score, or 120, should be killed a<br />
day. [T2C: 364, 9]<br />
4. D The wood‐sawyer plans to testify that Lucie Darnay,<br />
sometimes with her child, stood outside the prison for two<br />
hours every day signaling to the prisoners. He believes this<br />
is a clear indication of plotting, the crime for which the<br />
seamstress is executed. [T2C: 365, 2]<br />
5. E Miss Pross and Jerry Cruncher do not leave France at the<br />
same time as the rest of their household. They plan to leave<br />
an hour later, allowing the other coach to go through the<br />
Barrier with less time required for inspection of the<br />
passengers. Further, they do not want to overload the<br />
other coach and slow it down. [T2C: 368, 1]<br />
6. C Jerry Cruncher promises Miss Pross that if Lucie and Darnay<br />
escape France safely he will stop grave robbing and beating<br />
his wife for praying. [T2C: 369, 4]<br />
7. B Jerry Cruncher plans to stop interefering with his wife's<br />
flopping, or praying, when he returns home from France.<br />
He tells Miss Pross that he hopes his wife is praying during<br />
his escape. [T2C: 369, 4]<br />
8. A Miss Pross believes it best that the coach taking her back to<br />
England leave from a location other than the household<br />
from which Lorry's coach departed. She sends Cruncher to<br />
get the coach and wait for her at Notre Dame Cathedral.<br />
[T2C: 370, 8]<br />
9. A Miss Pross is laving, or washing, her swollen, red eyes when<br />
Madame Defarge appears in the doorway of her home.<br />
Pross drops her water basin and cries out in surprise. When<br />
Defarge asks her where Lucie is, Miss Pross' first instinct is<br />
to close all the doors in the home to avoid suspicion that<br />
Lucie has fled. [T2C: 371, 2]<br />
10. A Miss Pross says Madame Defarge looks like the wife of<br />
Lucifer, but insists that Defarge will not get the better of<br />
her because she is an Englishwoman. [T2C: 271, 7]<br />
11. A Dickens describes the battle between Miss Pross and<br />
Madame Defarge as on between love and hate,<br />
foreshadowing that Pross will succeed by saying that love is<br />
always stronger than hate. [T2C: 374, 2]<br />
12. D Miss Pross' murder of Madame Defarge occurs very quickly.<br />
Dickens writes, "Madame Defarge's hands were at her<br />
bosom. Miss Pross looked up, saw what it was, struck at it,<br />
struck out a flash and a carsh, and stood alone‐blinded with<br />
smoke." The noise of the gunshot deafens Miss Pross. [T2C:<br />
374, 4]<br />
13. A The noise of the gunshot that kills Madame Defarge<br />
deafens Miss Pross. When she goes to meet Jerry Cruncher<br />
at the Cathedral, she hears no noises in the streets. When<br />
Cruncher tries to speak to her, she understands him only<br />
through nods. Though Pross is able to overcome Defarge,<br />
she makes a large sacrifice in the process. [T2C: 375]<br />
14. D Miss Pross and Jerry Cruncher meet at the Cathedral at 3:00<br />
P.M., an hour after the rest of their group departs, to flee<br />
France and return home to England. [T2C: 368, 1]<br />
15. C Miss Pross stands up to Madame Defarge, telling her, "If<br />
those eyes of yours were bed‐winches, and I was an English<br />
four‐poster, they shouldn't loose a splinter of me."<br />
However, Defarge and Pross cannot understand each other,<br />
as Defarge speaks French and Pross English. Throughout<br />
their lengthy conversation, they gauge everything by look<br />
and manner. [T2C: 372, 5]<br />
16. C<br />
17. B<br />
18. B<br />
19. A<br />
20. D<br />
21. E<br />
22. C<br />
23. E<br />
24. E<br />
25. C
<strong>LANG</strong> & <strong>LIT</strong><br />
NOVEL FOCUSED QUIZ 45<br />
CHAPTER 3.15 THE FOOTSTEPS DIE OUT FOR EVER<br />
1. B Dickens writes, "Crush humanity out of shape once more,<br />
under similar hammers, and it will twist itself into the same<br />
tortured forms. Sow the same seed of rapacious licence and<br />
oppression over again, and it will surely yield the same fruit<br />
according to its kind." Thus, he considers the horrors of the<br />
Revolution inevitable given the inhumanity and oppression<br />
that preceded it. [T2C: 376, 3]<br />
2. B Six tumbrils carry the 52 people being sent to their deaths<br />
on the day Carton sacrifices himself. Approximately nine<br />
people are in each cart. Carton is in the third cart. [T2C: 376, 3]<br />
3. B The French citizens are accustomed to seeing death‐carts<br />
roll through the streets. When Carton and the others<br />
sentenced to die are taken to the guillotine, nobody stops<br />
what they are doing to go look. [T2C: 377, 1]<br />
4. C John Barsad stands watching the carts of prisoners to be<br />
executed, ensuring that Carton is following through on his<br />
promise. When a man cheers for Darnay's execution,<br />
Barsad tells him to be quiet and let him be at peace before<br />
he pays the forfeit. [T2C: 378, 7]<br />
5. B The Vengeance repeatedly calls out for Madame Defarge<br />
before the executions begin, surprised by her absence<br />
because she has never missed one before. The Vengeance<br />
saved her a seat and held onto her knitting, and is vexed<br />
and disappointed when she does not appear in time to see<br />
Darnay beheaded. [T2C: 378, 12]<br />
6. C The seamstress thanks Carton for comforting her. He holds<br />
her hand until the moment she goes to be executed and<br />
blocks her sight of the guillotine. She says, "But for you,<br />
dear stranger, I should not be so composed, for I am<br />
naturally a poor little thing, faint of heart." [T2C: 379, 4]<br />
7. D The seamstress asks Carton if it will feel like a long time<br />
before she sees her cousin, who is her only relative, in<br />
Heaven. Carton assures her that there is no time or trouble<br />
in Heaven. [T2C: 380, 5]<br />
8. C The seamstress is executed right before Carton, at which<br />
point the knitting‐women count 22 deaths. [T2C: 380, 11]<br />
9. C Before the seamstress releases Carton's hand to go to her<br />
death, she and Carton kiss. She has a "sweet, bright<br />
constancy" on her face when she leaves him. [T2C: 380, 11]<br />
10. B Before he dies, Carton recites the biblical passage that was<br />
read at his father's funeral: "I am the Resurrection and the<br />
Life, saith the Lord: he that believeth in me, though he were<br />
dead, yet shall he live: and whosoever liveth and believeth<br />
in me shall never die." [T2C: 380, 12]<br />
11. E As Carton dies, it is said that he looks peaceful, sublime,<br />
and prophetic. [T2C: 381, 1]<br />
12. B Dickens uses first‐person narration to convey Carton's last<br />
thoughts. However, it is unclear whether they are actually<br />
his thoughts, or those prophesized by the narrator. The<br />
narrator says, "One of the most remarkable sufferers by the<br />
same axe‐awoman‐had asked at the foot of the same<br />
scaffold, not long before, to be allowed to write down the<br />
thoughts that were inspiring her. If he had given an<br />
utterance to his, and they were prophetic, they would have<br />
been these." 23 [T2C: 381‐381]<br />
13. E In Carton's last thoughts before death, he predicts that the<br />
oppressors during the revolution will die by their own<br />
instrument and France will rise out of its abyss. He sees<br />
Jarvis Lorry living another ten years, Doctor Manette<br />
returning to work as a doctor, and Lucie and Charles having<br />
a son who bears Carton's name. Carton believes that child<br />
will follow the path he himself never took in life and make<br />
his name illustrious. [T2C: 381]<br />
14. C Sydney Carton's famous last words are, "It is a far, far<br />
better thing that I do, than I have ever done; it is a far, far<br />
better rest that I go to than I have ever known." His words<br />
provide a soothing resolution to the novel through their use<br />
of repetition. [T2C: 381, 2]<br />
15. D Carton's last words make use of anaphora, the repetition of<br />
words at the beginning of neighboring clauses. In this way,<br />
Dickens ends the book much like he begins it. [T2C: 381, 2]<br />
16. B<br />
17. E<br />
18. D<br />
19. C<br />
20. A<br />
21. B<br />
22. C<br />
23. A<br />
24. E<br />
25. D<br />
23 The woman to whom he refers is Madame Roland, a member of the<br />
Girondin party who did indeed ask to write down her thoughts at the<br />
guillotine.‐Melanie