The Callans and McClarys, by John Edward Callan - Callanworld
The Callans and McClarys, by John Edward Callan - Callanworld
The Callans and McClarys, by John Edward Callan - Callanworld
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ter. <strong>The</strong>y said there was a guy<br />
on one of the near<strong>by</strong> side streets,<br />
Shirley Paul Hees, who did<br />
restringing in the area. I went<br />
over <strong>and</strong> knocked on his door.<br />
He said, “I will call you<br />
when it is ready. When you<br />
come to pick it up, bring the<br />
youngster with ya.”<br />
I picked up dad at work,<br />
picked Al up at school <strong>and</strong> we<br />
went over to Shirley Paul’s for<br />
the first time. He took us down<br />
in the basement music room, he<br />
got out one of his fiddles <strong>and</strong><br />
had Al play a tune. He played<br />
some classical number.”<br />
Shirley said, “That crap<br />
won’t make it around here. He<br />
said, you gotta play the real stuff,<br />
not sissy music.”<br />
Shirley played this real<br />
complicated hoe down, played it<br />
through once. He h<strong>and</strong>s Al the<br />
fiddle, <strong>and</strong> says let’s see what you<br />
can do. Al played it through<br />
perfect. Shirley said, “Okay,<br />
Wednesday night you come over<br />
here for practice.”<br />
So Al started going over<br />
every Wednesday night for<br />
practice. Of course he didn’t sing<br />
in those days, just played the<br />
fiddle. <strong>The</strong>n Shirley Paul got<br />
him going on the guitar. And<br />
then the drummer quit. So he<br />
put Al back on the drums. Al<br />
turned out to be the best<br />
doggone drummer in twenty<br />
counties. You can tell a good<br />
drummer <strong>by</strong> the number of<br />
people that get up <strong>and</strong> dance.<br />
Shirley put a mike back <strong>by</strong><br />
the drums <strong>and</strong> finally got him<br />
singing. He would just sing the<br />
words at first. I said, Al if you are<br />
going to make it, you have to<br />
make every woman in the room<br />
think you are singing to her, you<br />
can’t just sing words. He sure did<br />
that.<br />
When Al started playing<br />
out in bars, he was only 14. We<br />
had to go up to Jeff City, the<br />
state capitol, to make sure it was<br />
okay. He was mainly playing in<br />
beer gardens. <strong>The</strong>y said as long<br />
as he had a guardian with him it<br />
was okay, but if he ever touched<br />
a drink he was out.<br />
I used to take him to all the<br />
fiddle contests in the area. I<br />
remember when we were in<br />
Springfield, we went to a contest<br />
<strong>and</strong> all the girls were throwing<br />
their keys at him, he was around<br />
16. His brothers were home<br />
from college <strong>and</strong> they were<br />
wondering how come Al was<br />
getting all the action.<br />
Al called me when Nancy<br />
first came up to Seattle. He<br />
called me <strong>and</strong> told me he was<br />
going out with a new girl. He told<br />
me the story of them going out in<br />
college. He says, Mom, I think<br />
this is it. So then he was hanging<br />
around <strong>and</strong> hanging around <strong>and</strong><br />
not getting around to asking her.<br />
I said “Al, get busy kid.”<br />
“He said, I can’t ask her<br />
until I have a ring.<br />
“I said, she doesn’t care<br />
about a ring, she cares about<br />
you.”<br />
~ 63 ~<br />
<strong>The</strong> <strong><strong>Callan</strong>s</strong> <strong>and</strong> <strong>McClarys</strong>