03.05.2013 Views

Download - Altea Gallery

Download - Altea Gallery

Download - Altea Gallery

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>Altea</strong> <strong>Gallery</strong><br />

Catalogue No1 • Summer 2012


<strong>Altea</strong> <strong>Gallery</strong> Limited<br />

35 Saint George Street<br />

London W1S 2FN<br />

Tel: + 44 (0)20 7491 0010<br />

Fax: +44 (0)20 7491 0015<br />

info@alteagallery.com<br />

www.alteagallery.com<br />

Company Registration No. 7952137<br />

With thanks to Miles Baynton-Williams and<br />

Graham Bush for their help and expertise.<br />

Front cover: item 42. Back cover: item 84<br />

Item 5<br />

Terms and Conditions:<br />

Each item is in good condition unless otherwise noted in the description, allowing for<br />

the usual minor imperfections. Measurements are expressed in millimeters and are<br />

taken to the plate-mark unless stated, height by width. (100 mm = approx. 4 inches)<br />

All items are offered subject to prior sale, orders are dealt with in order of receipt.<br />

Prices are quoted in UK Pound Sterling (£/GBP) except Earth Platinum which is priced<br />

in US Dollars (US $). Sales tax (VAT) is included where applicable.<br />

All goods remain the property of <strong>Altea</strong> <strong>Gallery</strong> Limited until payment has been<br />

received in full.<br />

We accept all major credit cards<br />

Our bank details:<br />

HSBC<br />

133 Regent Street, London W1B 4HX United Kingdom<br />

Account Name: <strong>Altea</strong> <strong>Gallery</strong> Ltd<br />

Bank Sort Code: 40-06-02<br />

Account No: 44232860<br />

IBAN : GB07MIDL40060244232860<br />

SWIFT: MIDLGB22<br />

Catalogue produced by atgmedia


INTRODUCTION<br />

<strong>Altea</strong> <strong>Gallery</strong><br />

Catalogue No1<br />

Summer 2012<br />

Index Page<br />

The Civitates Orbis Terrarum 2<br />

Three Ortelius Atlases 4<br />

De Bry’s American Voyages 6<br />

Early Printed Maps 9<br />

Italian Engraving 12<br />

The de Jode Family 18<br />

Romeyn de Hooghe 20<br />

London 22<br />

Wall Maps 28<br />

Cloth Maps 32<br />

The Other Side of the World 37<br />

Naval Battles 39<br />

Curiosity & Caricature maps 41<br />

Games 45<br />

General Selection 48<br />

This year I will have been dealing in antique maps for twenty years. Having been introduced to the wonders of cartography<br />

by a friend, I have spent the past two decades improving my expertise and knowledge on the subject. It is always a thrill to<br />

find a map of particular importance or interest and I have been lucky enough to have come across several on my journey.<br />

Up until now I have never issued a printed catalogue as my web site is easily accessible, making it convenient to<br />

immediately see what I have in stock.<br />

However, I decided that a catalogue would be a fitting way to celebrate my twenty years in the business, and here it is.<br />

It is not a conventional catalogue, one organised geographically, but a personal selection of items I have in stock that I find<br />

exciting and that remind me why I chose to make antiquarian cartography such an important part of my life.<br />

Hopefully my passions have successfully transferred to the printed page: if it inspires anyone to look deeper into the<br />

subject my full web catalogue can be found at www.alteagallery.com<br />

Massimo De Martini


2 ALTEA GALLERY<br />

1 BRAUN, Georg & HOGENBERG, Frans.<br />

The ‘earliest systematic city atlas’<br />

Civitates Orbis Terrarum.<br />

Cologne: 1572-1618.<br />

Six volumes, folio, contemporary vellum with gilt titles on spine; containing 6 engraved title-pages and 363 double-page plates of maps and views.<br />

£150,000<br />

A fine example of this monumental city atlas, produced as a companion to Ortelius’s ‘Theatrum Orbis Terrarum’ atlas, with text by Georg Braun<br />

and plates engraved by Frans Hogenberg and others. The first volume was originally published in 1572, but these are a later printing, making a<br />

uniform set with the last volume, the sixth, which first appeared in 1617. The 363 plates are an impressive record of the notable towns of the<br />

period, mostly in Europe but also some in Asia and Africa, and even two in the New World, Mexico City and Cusco. The inclusion of dress and<br />

events in the foreground add extra local detail.<br />

KOEMAN: Vol 2, p 10: ‘the earliest systematic city atlas’; TOOLEY: ‘one of the great books of the World... a wonderful compendium of knowledge of life in Europe in<br />

the sixteenth century’.<br />

S/N: 13029<br />

WWW.ALTEAGALLERY.COM


TEL: +44 (0)20 7491 0010<br />

See also items 33 & 94<br />

ALTEA GALLERY 3


4 ALTEA GALLERY<br />

THREE ORTELIUS ATLASES<br />

Abraham Ortelius is one of the best-known names in early map-making, and his world atlas, the ‘Theatrum Orbis<br />

Terrarum’, is a landmark publication, regarded as the first atlas in the modern sense of the word. The style he developed<br />

was the template for atlas production for several centuries.<br />

Here are three atlases in different formats: a ‘Theatrum’, an ‘Additamentum’, a collection of new maps, and a ‘Parergon’,<br />

his atlas of the ancient world.<br />

2 ORTELIUS, Abraham.<br />

Ortelius’s Theatrum in a fine binding<br />

Theatrum Orbis Terrarum... Antwerp: Gillis van den Rade, 1575, Latin text edition. Folio, rebound in contemporary blind-stamped calf gilt; pp. (xix), 70 maps<br />

in fine colour with gold highlights.+ (92) (Synonymia & Index) + (6) (De Mona Druidum Insula...) + (2) (Privilege & Colophon).<br />

£80,000<br />

An early example of the world’s first regularly-produced atlas, with uniform maps and text designed to be bound, published only five years after<br />

the first edition. In that time the number of maps had increased from 53 to 70 and the text had been enlarged with the inclusion of the ‘Synonymia<br />

Locorum’ and ‘De Mona druidum Insula’ (Welshman Humphrey Llwyd’s letter to Ortelius about the druids of Anglesey).<br />

Originally this example must have been a large-paper example, which someone put to use with extensive old ink marginalia (Italian-language<br />

geographical notes) on some maps, particularly the East Indies. When the atlas was rebound in a standard-sized binding great care was taken to<br />

preserve the writing, so the edges of some maps are folded in.<br />

VAN DEN BROECKE: p.25, estimating 100 copies printed; KOEMAN: Ort 13.<br />

S/N: 12866<br />

WWW.ALTEAGALLERY.COM


The rare fourth Additamentum, with the first regular<br />

appearances of the maps of Iceland and the Pacific<br />

3 ORTELIUS, Abraham.<br />

Additamentum IV Theatri Orbis Terrarum.<br />

Antwerp: Officina Plantiana, 1590. Folio, contemporary gilt-tooled calf.<br />

Letterpress title page and 22 maps with text on reverse, without pagination,<br />

as called for.<br />

Two old ink mss. ownership inscription on titlepage.<br />

£32,000<br />

A fine example of the fourth Additamentum atlas by Ortelius,<br />

containing the twenty-two maps engraved since the 1587 edition of<br />

the Theatrum Orbis Terrarum, arranged in alphabetical order. As the<br />

volume was meant to compliment this earlier edition, not many copies<br />

were printed: van den Broecke estimates only 100 were printed, of<br />

which he could trace 50 existing examples.<br />

Of these new maps eight are ‘modern’ and fourteen are maps for the<br />

Parergon, Ortelius’s atlas of the ancient world. The ancient maps<br />

include the ‘Wanderings of Abraham’, surrounded by 22 roundel<br />

scenes; the world as known by the ancients; and a two-sheet map of<br />

ancient Britain with a huge vignette sea-battle. The ‘modern’ maps<br />

include two of the most popular maps by Ortelius, the superb ‘Maris<br />

Pacifici’, the first map of the Pacific Ocean, and ‘Islandia’, showing<br />

Iceland surrounded by sea-monsters.<br />

The front board has the stamped coat-of-arms of David von Spaur,<br />

provost of Bressanone, who also added his signature to the bottom of<br />

the title page.<br />

KOEMAN: Ort 25; VAN DEN BROECKE: p. 25.<br />

S/N: 12947<br />

TEL: +44 (0)20 7491 0010<br />

Ortelius’s atlas of the Ancient World<br />

4 ORTELIUS, Abraham.<br />

Theatri Orbis Terrarum Parergon; sive sive Veteris Geographiæ<br />

Aliquot Tabulæ, Commentarijs Geographicis et Histroricis illustratæ.<br />

Editio Novissima, Tabulis aliquot acuta, et varie emendata atque<br />

innovata, Cura et Studio Balthasaris Moreti. [with] Nomenclator<br />

Ptolemaicus...<br />

Antwerp, Officiana Plantiniana, 1624.<br />

Two books in one. Folio, modern vellum over limp boards; engraved<br />

title, arms of Philip IV of Spain, dedication; pp. (iv) + xlix (sheets)<br />

containing 36 maps on 39 double-page sheets, 3 double-page views,<br />

1 costume plate on two double-pages, as called; pp. 34 (Nomenclator);<br />

woodcut printer’s colophon.<br />

£19,500<br />

The last and largest edition of the Parergon, Ortelius’s personal<br />

project, with new maps of the Eastern and Western parts of the Ancient<br />

World, surrounded by text; and the four-sheet Peutinger Table. These<br />

were added to other maps with both classical and biblical themes,<br />

including the wanderings of Odysseus, Abraham and Paul the Apostle.<br />

Unlike the maps in the ‘Theatrum’, Ortelius drew these himself. The<br />

first to appear were published in an Additamentum to the Theatrum in<br />

1579, but as more were completed the Parergon became an atlas in its<br />

own right.<br />

S/N: 13026<br />

ALTEA GALLERY 5


6 ALTEA GALLERY<br />

DE BRY’S AMERICAN VOYAGES<br />

Theodor De Bry’s collection of Great Travels contains important first-hand accounts of attempts to settle North America,<br />

including the English colony at Roanoke and the French in Florida. Among the illustrations are John Smith’s drawings of<br />

Virginia and Jacques Le Moyne’s of Florida, the first realistic representations of the Americas available to Europeans.<br />

Here we have a volume containing approximately the first half of the Voyages, and two of the most significant maps from<br />

the series.<br />

The Great or American Voyages<br />

5 DE BRY, Theodore et al.<br />

Frankfurt: 1594-1617. Parts I-VI only (of 13) in one volume. Latin text. Folio (335 x 235 mm), 17th century vellum over pasteboard, the flat spine with small panel<br />

outlined in gilt with rolls, titled in gilt within the panel.<br />

Various neat repairs, part VI lacking 2nd section (from page 108 including 2nd frontis. and 28 plates), binding with neat repairs to spine and the<br />

board edges, endpapers replaced.<br />

£120,000<br />

Containing:<br />

I. [Thomas Hariot’s Virginia.] Admiranda narratio fida tamen, de<br />

commodis et incolarum ritibus Virginiae ... Anglico scripta sermone a<br />

Thoma Hariot. Frankfurt: Johann Wechel, “1590” [ but c.1608].<br />

II. [Jacques Le Moyne’s Florida.] Brevis narratio eorum quae in Florida<br />

Americae provi[n]cia Gallis acciderunt ... auctore Iacobo Le Moyne.<br />

Frankfurt: Johann Wechel, “1591” [but 1609].<br />

III. [Hans Stadius’s Brazil.] Americae tertia pars memorabile[m] provinciae<br />

Brasiliae historiam contine[n]s, germanico primum sermone scriptum a Ioane<br />

Stadio. Frankfurt: apud Matthiam Beckerum, 1605.<br />

IV. [Girolamo Benzoni’s History of the New World.] Americae<br />

pars quarta sive, insignis & admiranda historia de reperta primum<br />

Occidentali India a Christophoro Columbo anno MCCCCXCII scripta<br />

ab Hieronymo Be[n]zono. Frankfurt: Ad invistiss. Rudolphus II..., 1594.<br />

V. [Benzoni’s History continued.] Americae pars quinta, nobilis<br />

& admiratione plena Hieronymi Be[n]zoni ... secundae sectionis<br />

Hi[stori]a[e] Hispanorum tum in Nigrittas servos suos, tum in Indos<br />

crudelitatem, Gallorumq[ue] pirataru[m] de Hispanis toties reportata<br />

spolia. Frankfurt: Theodore de Bry, “1595” [but c. 1617].<br />

VI. [Benzoni’s History concluded.] Americae pars sexta, sive historiae<br />

ab Hieronymo Be[n]zono ... scriptae, sectio tertia. Frankfurt: Theodore de<br />

Bry, 1596. First section only (of 2).<br />

WWW.ALTEAGALLERY.COM


TEL: +44 (0)20 7491 0010<br />

ALTEA GALLERY 7<br />

De Bry’s important collection of voyages of exploration to the Americas, containing several landmark maps of the continent.<br />

Included are Hariot’s account of the English colony in Virginia (second edition, second issue, 1606), with the important map of the Roanoke colony<br />

in Virginia and plates after John White; Jacques Le Moyne’s Florida (second edition, 1609), with his map of south east North America and scenes of<br />

Florida and its inhabitants; Hans Stadius’s Brazil (second edition, first issue, 1605) with his map of Peru and Brazil; and Girolamo Benzoni’s History<br />

of the New World (first two parts second editions, 1594 & 1617, the third the first edition of 1596), with maps of the Western Hemisphere, the<br />

West Indies and New Spain, and a view of Cusco.<br />

S/N: 12946<br />

Items 6 & 7 are also present in this volume


8 ALTEA GALLERY<br />

Maps from De Bry’s American Voyages<br />

Influential map of the Eastern Seaboard<br />

6 MOYNE DE MORGUES, Jacques le.<br />

Floridae Americae Provinciae Recens & exactissima descriptio...<br />

Frankfurt, Theodore de Bry, 1591. 370 x 360mm.<br />

Strenghtened with thin tissue on verso of top left corner; an excellent<br />

example with a fine impression.<br />

£14,000<br />

A superb map of the Eastern Seaboard from Cape Lookout to Florida,<br />

with Cuba and the Bahamas, by the official artist of the second French<br />

Huguenot expedition to their colony at Charlefort, 1564. When the<br />

Spanish destroyed the colony of ‘heretics’ Le Moyne fled into the wild,<br />

but eventually joined other Huguenot émigres in London. Working<br />

from memory (having lost most of his possessions in the swamps)<br />

he produced this map and a number of watercolours (only one now<br />

extant). In 1587 de Bry met le Moyne in London and tried to buy his<br />

papers, but as le Moyne was working for Sir Walter Raleigh he refused<br />

to sell. However le Moyne died the following year and de Bry was able<br />

to buy this map and some sketches from his widow.<br />

Of interest is the large expanse of water at the top of the map, either<br />

representing the Great Lakes or Verrazzano’s Sea; the waterfall,<br />

believed to be based on the local Indians’ accounts of Niagara; and Port<br />

Royal named on a map for the first time.<br />

BURDEN: 79; CUMMING: 14; GOSS: Mapping of North America 16, “one of<br />

the most attractive maps of North America”.<br />

S/N: 11877<br />

An early map of South America<br />

7 DE BRY, Theodore.<br />

Americae Pars Magis Cognita.<br />

Frankfurt, 1592. 365 x 445mm.<br />

Narrow margins, some restoration to printed border, backed on<br />

japanese paper.<br />

£3,500<br />

An important map of South America, published in the third part of De<br />

Bry’s ‘Grand Voyages’ to illustrate the voyages of Johann van Staden &<br />

Jean de Lery in the mid-16th century. The mapping of South America<br />

is based on that of Peter Martyr, 1587, and Gastaldi’s map from his<br />

edition of Ptolemy, 1561. The southern part of North America is taken<br />

from Le Moyne’s map of Florida (also published by De Bry), although<br />

Cuba differs substantially.<br />

S/N: 12708<br />

WWW.ALTEAGALLERY.COM


EARLY PRINTED MAPS<br />

9 PTOLEMY, Claudius.<br />

TEL: +44 (0)20 7491 0010<br />

ALTEA GALLERY 9<br />

Incunable maps have always fascinated me. It is amazing that you can acquire maps printed over 500 years ago, in the<br />

age that Columbus discovered America and a century before Shakespeare wrote ‘Hamlet’. The first three maps in this<br />

section are true incunabula (i.e. printed before 1501), two have existed for at least half-a-millennium, and the last is a later<br />

printing from a woodblock cut in 1491.<br />

Poland & the Ukraine from a landmark edition of Ptolemy<br />

8 BERLINGHIERI, Francesco de Nicola.<br />

Tabula Octava d Europa<br />

Florence, 1482. Two sheets joined, as usual, paper size 430 x 560mm.<br />

Trimmed to plate top and bottom.<br />

£6,000<br />

Poland, Lithuania, the Ukraine, etc, from the third edition of Ptolemy’s<br />

Geography to have printed maps, the first to be printed in the<br />

vernacular and the first with ‘modern’ maps’.<br />

Francesco Berlinghieri (1440-1501), an Italian scholar and humanist,<br />

started work on a revision of Ptolemy in 1464, updating the Ptolemiac<br />

maps, supplementing them with modern maps (France, Italy, Spain and<br />

the Holy Land) and writing a commentary in Italian verse. The maps<br />

were engraved by Niccolò Tedesco, a German printer, unusually with<br />

equidistant meridians and parallels, and rectangular borders rather<br />

than trapezoid. The completed work was published as “Septe Giornate<br />

della Geographia di Francesco Berlinghieri” (“The Seven Days of<br />

Geography”).<br />

S/N: 11704<br />

Important incunable map of Arabia<br />

Sexta Asie Tabula.<br />

Ulm, Johan Reger, 1482-86. Woodcut, original hand colour. 300 x 565mm.<br />

Some restoration.<br />

£24,000<br />

The Arabian peninsula from an early German edition of Ptolemy, within a trapezoid border with metal type for the lettering. The title is on the<br />

verso with a Latin-text description, with a coloured capital.<br />

See TIBBETTS: 8.<br />

S/N: 11381


10 ALTEA GALLERY<br />

The first “modern” map of Palestine<br />

10 PTOLEMY, Claudius.<br />

Tabula Moderna Terre Sancte.<br />

Ulm, Johan Reger, 1482-86. Original hand colour with blue finishing on the sea area and rivers. Woodcut, 325 x 560mm.<br />

Very minor restoration at centrefold.<br />

£15,000<br />

Palestine from an early German edition of Ptolemy’s Geography, but one of five ‘modern’ maps added. Despite this it still shows the tribal divisions.<br />

A highly collectible map, here in very fine condition and striking colouring.<br />

See LAOR: 603<br />

S/N: 9266<br />

An early 16th century T-O world map<br />

11 FORESTI, Giacomo.<br />

[Untitled T-O world map.]<br />

Venice: c.1503. Woodcut, 90 x 130mm, set in Italian text.<br />

£1,600<br />

An early diagrammatic world map from Foresti da Bergamo’s<br />

‘Novissime Hystoriæ’, in a decorative border also containing a climate<br />

map. The depiction is ‘Tripartite’ or ‘T-O’, with the world divided<br />

into three by great waterways. Europe is separated from Africa by the<br />

Mediterranean and from Asia by the river Don; and Asia and Africa are<br />

separated by the Nile.<br />

Foresti was a noted historian in his day: his ‘Supplementum<br />

Chronicarum’ (1491), was plagarised by Hartmann Schedel, appearing<br />

word for word in the more famous ‘Nuremberg Chronicle’ (1493).<br />

SHIRLEY: p.xx, plate 2.<br />

S/N: 12005<br />

WWW.ALTEAGALLERY.COM


“one of the first examples of 16th Century two-colour printing”<br />

12 SYLVANUS, Bernard.<br />

Duodecima et Ultima Asiae Tabula.<br />

Venice, 1511. Woodcut on two sheets conjoined, printed surface 395 x 370mm.<br />

Minor staining at top of centrefold.<br />

£1,750<br />

A rare map of the island of Tabrobana, usually associated with Sri Lanka, from Sylvanus’s<br />

edition of Ptolemy’s Geography. Having many names printed in red makes it one of the<br />

first examples of two-colour printing, achieved by printing the sheet twice. It is also<br />

what Shirley calls “an isolated example of Venetian cartographic enterprise”, forty years<br />

before Gastaldi’s version of Ptolemy. It was never reissued. While decoration is kept to a<br />

minimum the title cartouche features a pair of elephant heads. As the maps were printed on<br />

both sides of the sheet, this has half of the map of the Malay Peninsula on the reverse.<br />

S/N: 11501<br />

TEL: +44 (0)20 7491 0010<br />

A medieval woodblock T-O world map<br />

ALTEA GALLERY 11<br />

13 Anonymous.<br />

[Untitled circular world map from a woodblock of 1491.]<br />

Paris, Nicolas Couteau, 1543. Woodblock, two sheets joined. Circular map, diameter 300mm, letterpress in borders. A fine example.<br />

£16,500<br />

A scarce circular woodblock world map, first issued in the 1491 edition of ‘La Mer des Hystoires’, published in Lyon. It is orientated with east at<br />

the top of the map, with Asia filling the top half, Africa bottom right and Europe bottom left, with Jerusalem at the centre. The map shows different<br />

countries and cities as hills or islands, with the Pope shown behind the walls of the Vatican and England and Ireland on the edge just left of the<br />

centre. Other vignettes include the Devil, the Tree of the Sun and the Moon, dragons and a phoenix.<br />

‘La Mer des Hystoires’ was a French translation of the ‘Rudimentum Novitiorum’, 1475, an encyclopaedic world history based on medieval<br />

theology, which contained the first detailed maps ever printed, pre-dating the illustrated editions of Ptolemy.<br />

Although this map is smaller than the 1475 original a number of mistakes were corrected and the text is much clearer than in the previous editions.<br />

Campbell calls it ‘the work of a thinking individual’.<br />

SHIRLEY: Mapping of the World, 17.<br />

S/N: 10204


12 ALTEA GALLERY<br />

ITALIAN ENGRAVING<br />

The Italians were the first to use copper engraving to print maps (the technique evolving from decorative metalwork)<br />

and were responsible for some of the most flamboyant maps. From the early Lafreri-school engravers, through Lucini and<br />

Coronelli to the later work published by Zatta and Cassini, Italy produced maps on which there was as much artistry in<br />

the style of engraving as the content.<br />

Item 14<br />

Item 15<br />

Item 16<br />

14 GASTALDI, Giacomo.<br />

The ‘Upside-Down’ map of Africa<br />

Prima Tavola.<br />

Venice, c.1563. Trapizoid, 275 x (at greatest) 385mm.<br />

Two sheets joined. Fine and crisp impression.<br />

£1,900<br />

The famous ‘upside-down’ map of Africa, engraved with north to the bottom<br />

of the map, decorated with various sea-monsters, galleons and animals. Gastaldi<br />

produced this finely-engraved version after his original woodcut for Ramusio’s<br />

‘Delle navigationi et viaggi’ was destroyed in a fire at the printing house in 1557.<br />

It is likely that the orientation is supposed to represent the view from Europe.<br />

BETZ: 7; NORWICH: 6.<br />

S/N: 12717<br />

The ‘Upside-Down’ map of the Indian Ocean<br />

15 GASTALDI, Giacomo.<br />

Seconda Tavola.<br />

Venice, Giunti, 1606. Trapizoid, 280 x (at greatest) 385mm.<br />

Small repair bottom centrefold.<br />

£1,600<br />

Engraved with north to the bottom of the map, it shows Arabia (with Bahrain)<br />

on the right, India, Ceylon and the Maldives, with the edge of Sumatra top left.<br />

Published in Ramusio’s ‘Delle navigationi et viaggi’.<br />

S/N: 8172<br />

A “Lafreri-School” map of Iberia<br />

16 FORLANI, Paolo.<br />

[Untitled map of Iberia.]<br />

Venice: Ferrando di Bertelli, c.1567. Two sheets joined, total 435 x 545mm.<br />

Evidence of a crack in the printing plate on the lower left edge.<br />

£9,800<br />

An exceptional example of this rare separate-issue map of Iberia, on paper with an<br />

anchor watermark with margins of at least 4cm on all sides.<br />

Forlani was one of the most prominent members of the ‘Lafreri-school’ group of<br />

mapmakers in Italy. Not only did he publish his own maps, his skills as engraver,<br />

particularly for lettering, made other publishers commission him to make maps for<br />

them: maps attributed to him were published by, among others, Camocio, Bertelli<br />

and Zaltieri in Venice, and Duchetti in Rome. This is one of the few to bear his<br />

name: of the 97 maps attributed to him by David Woodward, eighty are unsigned.<br />

WOODWARD: The Maps and Prints of Paolo Forlani; MAPFORUM.COM: Issue 11,<br />

biography, & Forlani’s Works, 68.<br />

S/N: 7437<br />

WWW.ALTEAGALLERY.COM


An early engraved map of southern Africa<br />

17 SANUTO, Livio.<br />

Africae Tabula X.<br />

Venice, Damiano Zenaro, 1588, 400 x 520mm<br />

Lateral margins extended, excellent impression.<br />

£3,250<br />

A very finely engraved map of Southern Africa, showing the course<br />

of the Limpopo River and Great Zimbabwe, the capital of the Shona<br />

empire. Sanuto described the granite walls of the city ‘the work not<br />

of humans but the devil’, as they were better than the Portuguese<br />

fortresses on the coast.<br />

Livio Sanuto (c.1520-1576), a Venetian cosmographer, mathematician<br />

and maker of terrestrial globes, belonged to the prestigious Lafreri<br />

school of engravers, whose output signalled the transition between the<br />

maps of Ptolemy and the maps of Mercator and Ortelius. He and his<br />

brother Giulio planned a massive and comprehensive atlas to include<br />

maps and descriptions of the whole world, which he believed would be<br />

more accurate than any previously published. Unfortunately, he died in<br />

1576 having only completed 12 maps of Africa, which were eventually<br />

published in 1588 under the title “Geografia Di M. Livio Sanuto...”.<br />

For his maps Sanuto relied on Gastaldi’s 1564 map and Portuguese<br />

sea charts for the mapping of the coasts and for the interior used<br />

accounts by Duarte Barbosa and João de Barros. After its publication<br />

in 1588 this work was copied by other leading map makers for nearly<br />

a century afterwards.<br />

NORWICH: 152; see BETZ 22.<br />

S/N: 10944<br />

18 DUDLEY, Robert.<br />

TEL: +44 (0)20 7491 0010<br />

Scarce sea chart of Norway<br />

Carta di Noruegia piu moderna.<br />

Florence: Francesco Onofri, 1646. 495 x 375mm.<br />

£1,250<br />

A rare sea chart of Norway, published in Sir Robert Dudley’s<br />

monumental atlas, ‘Dell’Arcano del Mare’ (Secrets of the Sea). It was<br />

the first English sea-atlas to be printed (albeit engraved and published in<br />

Italy), breaking the Dutch monopoly of such publications. As a friend of<br />

Drake and brother-in-law of Thomas Cavendish he had enviable access<br />

to the latest information. The engraver Antonio Francesco Lucini wrote<br />

in the introduction to the second edition that he worked for 12 years on<br />

the copper plates, which weighed 5000 lbs. His clear style of engraving,<br />

with florid script, make the Dudley charts instantly recognisable.<br />

The son of the Earl of Leicester, favourite of Queen Elizabeth I, Dudley<br />

was born in secret to avoid her jealousy. Well-educated, he joined the<br />

Elizabethan maritime adventurers and led an expedition to the Orinoco<br />

in 1594, raiding Trinidad en route. After failing to prove his legitimacy<br />

in 1605 he left England for Italy, and forfeited all property after illegally<br />

assuming the title of Earl of Warwick. He died in 1649, two years after<br />

the first edition of the ‘Arcano’.<br />

S/N: 12043<br />

Item 17<br />

Item 18<br />

ALTEA GALLERY 13


14 ALTEA GALLERY<br />

19 BLAEU, Willem Janszoon.<br />

Unrecorded carte-à-figures map of the world<br />

Orbis Terrarum Tipus De Integro Multis In Locis Emendatus auct: G. Iansonio.<br />

Bologna, Francesco Sabatini?, dated 1655 but c.1670, 440 x 750mm.<br />

£50,000<br />

A splendid and extremely rare carte-à-figures map of the World, engraved by Pietro Todeschi. The world is drawn in two hemispheres at the centre<br />

surrounded by a wealth of decorative detail. Australia is connected to New Guinea and a great Southern landmass and entitled “Terra Australis<br />

Incognita”, and a northwest passage is shown through the Straits of Anian.<br />

This is a hitherto unrecorded pirate copy of Willem Blaeu’s map of the world, probably taken from the intermediate Italian piracy recorded by<br />

Shirley. It was probably published by Francesco Sabatini, one of the many fringe figures in Italian map-publishing in the late seventeenth century.<br />

Unfortunately characters are so shadowy that we do not have accurate dates for his life and death, and often the only clues to dating his work are<br />

the dedications on the maps. He was apparently active as a printer, publisher and possibly engraver in the 1670s, probably in Bologna. Although this<br />

World map bears a Venetian address (only partially legible) it seems plausible that this is spurious.<br />

cf. SHIRLEY “The mapping of the World” No. 333, Plate 253 for the intermediate piracy.; Klaus Stopp, ‘Drie Karten von Francesco Sabatini’, Mappæ Antiquæ Liber<br />

Amicorum Günter Schilder, p.281-285.<br />

S/N: 10523<br />

WWW.ALTEAGALLERY.COM


20 CORONELLI, Vincenzo Maria.<br />

TEL: +44 (0)20 7491 0010<br />

A two-sheet map of North America<br />

ALTEA GALLERY 15<br />

America Settentrionale Colle Nuoue Scoperte fin all’Anno 1688.<br />

Venice, 1691. Two sheets conjoined, total 605 x 880mm.<br />

£10,000<br />

A large and highly decorative two-sheet map of North America, with two large cartouches and many vignettes from de Bry engraved in the interior<br />

and seas. Despite showing California as an island the map contains the most current information: as map-maker to Louis XIV Coronelli had access<br />

to the most recent reports by French explorers, including Marquette (1673) and La Salle (1682). Cumming notes that ‘his delineation of the Great<br />

Lakes is the best and most accurate on a general map before the eighteenth century’.<br />

CUMMING: Exploration of North America, p.148.<br />

S/N: 12017


16 ALTEA GALLERY<br />

A 17th century Italian atlas in two volumes<br />

21 DE ROSSI, Giovanni Giacomo.<br />

Mercurio Geografico overo Guida Geografica in Tutte le Parti del<br />

Mondo conforme le Tavole Geografiche del Sanson Baudrand e<br />

Cantelli.<br />

Rome, c.1696. Two vols, folio, contemporary vellum; Vol. I: engraved frontis.<br />

and 95 double-page maps; Vol II: engraved frontis. and 40 double-page maps.<br />

All maps numbered in old ink mss. on verso, nearly all with original outline<br />

colour. Old ink mss. index on front endpaper, marginalia on some maps and<br />

index at rear of first volume.<br />

£30,000<br />

A fine example of De Rossi’s atlas, which, like Coronelli’s atlas of the<br />

same period, has no standard collation. The 95 maps of the first volume<br />

are dated between 1667 and 1689 and the forty in the second between<br />

1690 and 1696, they are mainly derived from Sanson and Cantelli da<br />

Vignola. Maps of particular interest are: the celestial hemisphere after<br />

Francesco Brunacci; Cantelli’s four-sheet wall map of the Low Countries;<br />

Ameti’s four-sheet maps of the Patrimonio di S. Pietro and Lazio,<br />

showing the environs of Rome in early Christian and contemporary eras;<br />

and Cantelli’s four-sheet map of Piemonte.<br />

S/N: 12951<br />

WWW.ALTEAGALLERY.COM


One of the most decorative maps of Australia<br />

23 CASSINI, Giovanni Maria.<br />

La Nuova Olanda e la Nuova Guinea.<br />

Rome, 1798. Coloured, 365 x 490mm.<br />

£2,800<br />

A fine map of Australia and New Guinea, published in the ‘Nuovo<br />

Atlante Geografico Universale’. The emphasis of the map is the charting<br />

of Captain Cook down the east coast: most of the marked features<br />

are those named by Cook and his crew between the Torres Strait and<br />

Tasmania, which is shown as part of the mainland. The title is within a<br />

decorative title cartouche with two aboriginies, one of whom strangely<br />

carries a bow.<br />

S/N: 7541<br />

TEL: +44 (0)20 7491 0010<br />

Cook’s charting of New Zealand<br />

22 ZATTA, Antonio.<br />

La Nuova Zelanda trascorsa nel 1769 e 1770 dal Cook comandante<br />

dell’Endeavour vascello di S.M. Britannica.<br />

Venice, 1794. Original outline colour. 455 x 360mm.<br />

£1,800<br />

This is one of the most decorative versions of Cook’s map of New<br />

Zealand, engraved by Zuliani after Pasquali. Cook’s route around the<br />

islands is marked in colour, and the title vignette shows a Maori village.<br />

This is the second state with the new engraved date of 1794, issued<br />

in Zatta’s edition of Cook’s Voyages rather than his atlas; as such it is<br />

scarcer than the original edition.<br />

TOOLEY: Australia 1433.<br />

S/N: 9556<br />

Item 23<br />

Item 22<br />

ALTEA GALLERY 17


18 ALTEA GALLERY<br />

THE DE JODE FAMILY<br />

The Speculum Orbis Terrarum atlas of Gerard De Jode was completely overshadowed by Ortelius’s Theatrum. Despite<br />

the beauty of his maps (helped by the engraving skills of the brothers Lucas & Jan van Doeticum) and the superior<br />

cartographic content, the atlas was not a commercial success. De Jode’s son Cornelis published an enlarged edition, the<br />

Speculum Orbis Terræ in 1593, with a similar lack of sales, and the atlas was never reissued. After the death of Cornelis<br />

De Jode in 1600 the printing plates were bought by Vrients, then the owner of the Ortelius plates, merely to stop them<br />

reappearing. Therefore, despite being published at the same time as the Ortelius maps, the De Jode maps are far more<br />

scarce, especially in original colour.<br />

Item 24<br />

Item 25<br />

Item 26<br />

The first edition of this rare map of the Middle East<br />

24 DE JODE, Gerard.<br />

Secundæ Partis Asiae typus...<br />

Antwerp, 1578, Latin text edition. 325 x 500mm.<br />

£7,000<br />

Egypt & the Nile, Abyssinia, Arabia (with Bahrain marked), southern<br />

Persia, and the west coast of India & Maldives. Based on Gastaldi,<br />

it was engraved c.1566-1570 by Lucas & Jan van Doeticum and<br />

published in De Jode’s ‘Speculum Orbis Terrarum’. KOEMAN: Jod 1;<br />

TIBBETTS: 38.<br />

S/N: 11681<br />

Portugal in fine original colour<br />

25 DE JODE, Gerard.<br />

Portugalliae quæ olim Lusitania Vernando Alvaro Secco Auctore<br />

Recens Descriptio.<br />

Antwerp: Arnold Coninx for the widow and heirs of Gerard de Jode, 1593.<br />

Fine original colour. 320 x 520mm.<br />

£2,500<br />

Portugal, engraved by Johannes & Lucas van Doeticum for De Jode’s<br />

‘Speculum Orbis Terrarum’, based on the map by Secco published<br />

1561. The seas are filled with finely-engraved galleons, galleys and sea<br />

monsters, with the Spanish royal arms.<br />

KOEMAN: Jod 2.<br />

S/N: 12610<br />

The Far East in fine original colour<br />

26 DE JODE, Gerard.<br />

Tertiae partis Asiae quæ modernis Indi orientalis dicitur acurata<br />

delineatio. Autore Iacobo Castaldo Pedmontano. Gerardus de Iode<br />

excudebat.<br />

Antwerp, Arnold Coninx for the widow and heirs of Gerard de Jode, 1593.<br />

Fine contemporary hand colour. 325 x 495mm.<br />

£12,000<br />

The Far East, with India, the Malay Peninsula (with ‘Cingatola’),<br />

the Philippines & Moluccas, engraved c.1566 by Lucas & Jan van<br />

Doeticum. This example comes from the ‘Speculum Orbis Terrae’,<br />

published two years after De Jode’s death.<br />

KOEMAN: Jod 2.<br />

S/N: 11603<br />

WWW.ALTEAGALLERY.COM


The Mediterranean islands in fine original colour<br />

27 DE JODE, Gerard.<br />

Sicilia Insula Maris...; Cyprus Insula Maris...; Corsica Olim Cyrnus<br />

Insula...; Candia Olim Aeria Curetis...; Maiorica et Minorica Sardoi<br />

maris Insulae; Melita Africi... Mitylene Aegei Maris Insula...<br />

Antwerp, Arnold Coninx for the widow and heirs of Gerard de Jode,1593.<br />

Fine contemporary hand colour. 340 by 510mm.<br />

£9,000<br />

Six maps on one sheet: Sicily, Cyprus, Corsica and Sardinia (shown<br />

side by side), Crete, the Balearics, Malta and Mitilene.<br />

ZACHERAKIS 3rd edition: 1761; BANK OF CYPRUS: 29.<br />

S/N: 11602<br />

TEL: +44 (0)20 7491 0010<br />

Asia with superb original colour<br />

28 DE JODE, Cornelis.<br />

Asia, Partium Orbis Maxima.<br />

Antwerp, 1593, Latin text edition. Original colour. 365 x 455mm.<br />

Tiny pin-hole in map area.<br />

£11,000<br />

A fine map of Asia, with the title set in a panel with strapwork designs<br />

and two heads; the seas are decorated with galleys, ships, sea monsters<br />

and fishermen, the land with tents and men with spears and bows.<br />

The Great Wall of China is highlighted in red. It was engraved for<br />

Cornelis de Jode’s enlarged edition of his father’s atlas, the ‘Speculum<br />

Orbis Terrae’.<br />

S/N: 11608<br />

The British Isles in fine contemporary colour<br />

29 DE JODE, Gerard.<br />

Angliae Scotiae et Hibernie Nova Descriptio.<br />

Antwerp, Arnold Coninx for the widow and heirs of Gerard de Jode,1593.<br />

Fine contemporary hand colour. 350 x 495mm.<br />

£7,500<br />

The British Isles, engraved 1570, but this example from the enlarged<br />

edition of the De Jode family atlas, the ‘Speculum Orbis Terrae’<br />

published by his son Cornelis. The outline of the islands is taken from<br />

Mercator’s eight-sheet map, 1564, but the text comes from the George<br />

Lily map of 1546.<br />

SHIRLEY: 85 & 119, second state, with “Cum privilegio” added.<br />

S/N: 11601<br />

Item 27<br />

Item 28<br />

Item 29<br />

ALTEA GALLERY 19


20 ALTEA GALLERY<br />

ROMEYN DE HOOGHE<br />

Romeyn de Hooghe (1645-1708) was not just an etcher of maps: he was also a successful painter of Baroque subjects,<br />

a sculptor and caricaturist. When he turned his hand to map production he produced some of the most sumptuous<br />

work of the period. His Cartes Marines a l’Usage des Armées du Roy de la Grande Bretagne, a suite of nine sea charts,<br />

are described by Koeman as ‘the most spectacular type of maritime cartography ever produced in 17th century<br />

Amsterdam... intended more as a ‘show-piece than something to be used by the pilots as sea’. It was a propaganda piece,<br />

in support of William of Orange, the Dutchman who had become king of England after the Glorious Revolution of 1688,<br />

six years before.<br />

30 HOOGHE, Romeyn de.<br />

A stunning chart of the Mediterranean Sea<br />

Carte Nouvelle de la Mer Mediterranee ou sont Exactement Remarques Tous les Ports, Golfes, Rochers, Bancs de Sable &c.<br />

Amsterdam: Pierre Mortier, 1694. Original colour with additions. Three sheets conjoined, total 585 x 1390mm.<br />

£32,500<br />

A monumental sea chart of the Mediterranean Sea in superb colour, with 38 insets of harbours, also in full colour. Throughout the seas are<br />

numerous galleons and galleys, while allegorical figures and sea monsters adorn the insets.<br />

Of the nine charts in the series the Mediterranean is the largest, being on three sheets rather than two, and is the the largest and most intricately<br />

decorated of the nine.<br />

KOEMAN: M. Mor 5, and vol iv p.424.<br />

S/N: 12094<br />

Item 30<br />

WWW.ALTEAGALLERY.COM


31 HOOGHE, Romeyn de.<br />

Carte Maritime de l’Angleterre depuis les Sorlingues jusques à<br />

Portland...<br />

Amsterdam, Pierre Mortier, 1693. Coloured. Two sheets conjoined, total<br />

600 x 950mm.<br />

Repairs to edges and a split in map area.<br />

£2,800<br />

A superb sea chart of south-west England from the Scilly Isles to<br />

Portland, with an inset detail of the Scillies and prospects of Portland,<br />

Truro and Wolf Rock (half-way between the Scilly Isles and the Lizard,<br />

and a renowned maritime hazard).<br />

KOEMAN: vol 4. p. 423-4, M.Mor 5.<br />

S/N: 12606<br />

TEL: +44 (0)20 7491 0010<br />

South-West England South-East England<br />

32 HOOGHE, Romeyn de.<br />

ALTEA GALLERY 21<br />

Carte Nouvelle des CostesD’Angleterre depuis la Riviere de la Tamise<br />

jusques à Portland..<br />

Amsterdam, Pierre Mortier, 1693. Coloured. Two sheets conjoined, total<br />

600 x 950mm.<br />

Repairs to edges.<br />

£2,800<br />

The most impressive sea-chart of south-east England showing the<br />

Thames to London, and the sea coast round to Portland with the Isle of<br />

Wight and Aldernay, an inset detail of the Strait of Dover and prospects<br />

of Portsmouth and Rochester & Chatham.<br />

S/N: 12607<br />

Item 30 detail


22 ALTEA GALLERY<br />

LONDON<br />

The explosive growth of my adopted city fascinates me, from the walled and moated city depicted in the Braun and<br />

Hogenberg map to the Horwood plan that shows a metropolis with public parks with a larger area than the ‘Square Mile’.<br />

Below are some of the landmark maps and prospects recording this development.<br />

The earliest available printed map of London<br />

33 BRAUN, Georg & HOGENBERG, Frans.<br />

Londinum Feracissimi Angliae Regni Metropolis.<br />

Cologne, c.1574. Original colour with additions. 330 x 490mm.<br />

Centre fold reinforced.<br />

£6,500<br />

The earliest town plan of London to survive, a ‘map-view’ with the major buildings shown in profile, and no consideration for perspective. It was<br />

published in the ‘Civitates Orbis Terrarum’, the first series of printed town plans, inspired by the success of the ‘Theatrum’, the atlas compiled<br />

by Abraham Ortelius. This example is from the second state of the plate, issued two years after the first, with the spelling ‘West Muster’ and the<br />

addition of the Royal Exchange.<br />

It is believed that the plan was engraved by Frans Hogenberg, and copied from a 15-or-20-sheet printed map, probably commissioned by the<br />

merchants of the Hanseatic League, who had significant commercial interests in England. For over two centuries they had enjoyed tax and customs<br />

concessions in the trade of wool and finished cloth, allowing them to control that trade in Colchester and other cloth-making centres. Their base in<br />

the City was the Steelyard (derived from ‘Stalhof’), named ‘Stiliyards’ by the side of the Thames on this map and described in the text panel lower<br />

right. They purchased the building in 1475; part of the deal was their obligation to maintain Bishopsgate, the gate through the city walls that led to<br />

their interests in East Anglia. The rump cities of the Hanseatic League sold the building in 1853 and it is now the site of Cannon Street Station.<br />

The map must have been drawn fifteen years or so before publication: in the centre is the old St. Paul’s Cathedral, with the spire that was hit by<br />

lighting and destroyed in 1561 and not replaced before the Great Fire of London destroyed the building in 1666.<br />

HOWGEGO: 2 (2).<br />

S/N: 13028<br />

WWW.ALTEAGALLERY.COM


A rare broadsheet map of the Great Fire of London<br />

34 DE WIT, Frederick.<br />

Platte Grondt Der Stadt London Met De Aenwysinghe Hoe Die<br />

Afgebrandt Is.<br />

Amsterdam, 1666, original colour, 560 x 530mm.<br />

Laid on contemporary paper as issued.<br />

£3,000<br />

A broadsheet map of London in original colour, produced in the same<br />

year as the Great Fire and showing the extent of the damage caused.<br />

Extending from Bunhill to St. George’s Southwark, and from<br />

St. James’s to Redriff, with a description below of the Great Fire in<br />

Dutch and French and an inset view of London in Flames.<br />

Broadsheets such as these would have been sold by booksellers and<br />

street-vendors as newspapers, and through them the news of the<br />

catastrophe of the Great Fire spread around Europe.<br />

HOWGEGO: 16 State 2.<br />

S/N: 10479<br />

Scarce plan of London at the Dutch Accession<br />

35 DE RAM, Johannes.<br />

Londini Angliæ Regni Metropolis Delineatio Accuratissima Auctore<br />

Ioanne de Ram.<br />

Amsterdam, c.1690. 495 x 590mm.<br />

Top and bottom margins extended, otherwise a very fine example.<br />

£3,800<br />

A fine Dutch plan of London, published to celebrate William III of the<br />

House of Orange-Nassau and his wife Mary becoming joint monarchs of<br />

England after the Glorious Revolution of 1688. Their portraits appear<br />

lower right, within garlands decorated with oranges. Top left putti<br />

place Williams’s crown on top of the English royal arms.<br />

Underneath the map is a detailed prospect of London, centred on<br />

Wren’s St Paul’s Cathedral. At the time of publication the building was<br />

still not complete and so the depiction here bears little resemblence to<br />

the finished building.<br />

HOWGEGO: 40, First State. Later editions were published by de la Feuille,<br />

de Witt & van der Aa.<br />

S/N: 11096<br />

TEL: +44 (0)20 7491 0010<br />

ALTEA GALLERY 23<br />

Item 35 detail


24 ALTEA GALLERY<br />

36 HOMANN HEIRS.<br />

A three-sheet map of Georgian London<br />

Urbium Londini et West-Monasterii nec non Suburbii Southwark accurata Ichnographia... 1736.<br />

Nuremberg, 1736. Original colour. Three sheets conjoined, total 520 x 1720mm.<br />

Tear skilfully repaired.<br />

£3,200<br />

A long town plan of London, showing from Grosvenor Square and Buckingham House in the west to Stepney Church in the east, Clerkenwell in the<br />

north and Southwark in the south. Many of the most important buildings are shown in profile. A large title cartouche with the Royal arms of George<br />

II completes this very striking map. This map often appears just as a two-sheet map. The right sheet here, half of which is taken up with a view of<br />

St James’s Square and elevations of St Paul’s, the Royal Exchange and the Custom House, was only included in a deluxe edition.<br />

HOWGEGO: 81.<br />

S/N: 13019<br />

An unrecorded pre-First State of Rocque’s majestic 16-sheet map of London<br />

37 ROCQUE, John.<br />

An exact Survey of the Cities of London and Westminster, the Borough of<br />

Southwark, with the Country near ten Miles round; Begun in 1741, and<br />

finished in 1745, and publish’d in 1746, according to Act of Parliament,<br />

By John Rocque Land-Surveyor: Engrav’d by Richard Parr, and Printed by<br />

W. Pratt.<br />

London, John Rocque, 1746. Large folio, later half calf gilt, original marbled boards;<br />

title with engraved allegorical vignette, pp. (2) (list of subscribers and index), 16 map<br />

sheets, each c.490 by 670mm.<br />

A few repaired tears.<br />

£12,500<br />

Rocque’s first plan of London, covering from Canonbury to Mile End,<br />

St. George’s Fields and Osterley, on a scale of 5½" to a statute mile<br />

(1:11,500). Joined together the map would measure c.1.9 x 2.7 metres.<br />

Although the title page of this example matches Howgego 94 (2), the<br />

map lacks a number of features listed in the first state description, most<br />

prominently the additional titles in Latin and French at the top of the map and<br />

the table showing the arrangement of map sheets on plate 1.<br />

Superbly decorated, the map has an ornate frame-line border with a large<br />

allegorical vignette including a prospect of London and a large dedication<br />

cartouche (to Lord Burlington). The quality of the engraving is also high, and<br />

the map has hachuring to differentiate between types of agriculture, with a key<br />

on the bottom right plate.<br />

John Rocque, a French Huguenot émigré, arrived in London in the 1730s and<br />

produced an important series of large scale plans of estates and towns before<br />

starting his ambitious project to survey the whole of London.<br />

HOWGEGO: Printed Maps of London, 94.<br />

S/N: 12166<br />

WWW.ALTEAGALLERY.COM


38 HORWOOD, Richard.<br />

TEL: +44 (0)20 7491 0010<br />

An enlarged edition of Horwood’s large-scale survey of London<br />

ALTEA GALLERY 25<br />

Plan of the Cities of London and Westminster, with the Borough of Southwark including the adjacent Suburbs, In which every Dwelling House is<br />

described & numbered. Surveyed and first published by Richard Horwood, MDCCXCIX. Third Edition... This Edition has likewise been augmented<br />

with eight new copper plates, extending the Plan eastward to the River Lea; thereby comprehending those important objects, the London, West<br />

India and East India Docks... Fourth Edition.<br />

London: William Faden, 1819.<br />

Folio, later half-morocco; 40 sheets joined in pairs to make 20 double-page maps, with some original hand colour.<br />

£15,000<br />

An enlarged edition of Horwood’s large-scale map of London. Having ruined himself creating a map of London that Howgego describes as the<br />

‘largest and most important London map of the eighteenth century’, Horwood died in poverty in 1803. William Faden bought the copper plates<br />

and issued a new edition in 1807, extended to cover the new Docks in east London, but also re-surveying the existing areas, updating the plates<br />

accordingly. Additions include Regent’s Park & Canal, Millbank Prison & Vauxhall Bridge, the Grand Surrey Canal, the Tower of London (which<br />

Horwood was refused permission to survey), Waterloo Bridge, Regent Street and Commercial Road.<br />

HOWGEGO: 200 (4), and pp.21-22.<br />

S/N: 12722


26 ALTEA GALLERY<br />

39 CRUCHLEY, G.F.<br />

Cruchley’s New Plan of London Improved to 1843<br />

London, 1843. Original colour. Dissected and laid on linen as issued, total<br />

565 x 1410mm.<br />

£3,500<br />

A decorative map of London, extending west to Hammersmith and<br />

Kensal Green, north to Regents Park, east to Bromley-by-Bow and the<br />

East India Docks, and south to Kensington and Chelsea. Of interest is<br />

the outline of the streets in the new development at Notting Hill.<br />

The decorative border, which contains the title, is on strips of paper<br />

pasted over the edge of the map: thus Cruchley could market the same<br />

map in different formats.<br />

Also of interest are the three printed labels stuck on the linen backing:<br />

two list ‘G.F. Cruchley’s Extensive Catalogue of Maps, Atlases, &c.’;<br />

and the third is an advert for ‘Cheap Maps by the Late Mr Arrowsmith,<br />

hydrographer to his late Majesty’.<br />

HOWGEGO: 304, C state 7.<br />

S/N: 12867<br />

Early Victorian plan of London<br />

Item 39<br />

Panorama of pre-Fire London<br />

Item 40<br />

40 MERIAN, Mattheus.<br />

London.<br />

Frankfurt, c.1650. 220 x 690mm.<br />

£2,600<br />

One of the last pre-Fire prospects of London, with a 43-point key<br />

underneath. The view shows from the King’s Palace at Whitehall to<br />

the Tower of London and St Katherine’s Church in the East. London<br />

Bridge still has buildings across it, and the heads of several criminals<br />

decorate the bridge’s southern gate. The Globe (Shakespeare’s theatre)<br />

and the bull-baiting ring can be seen in Southwark.<br />

HOWGEGO: p.7.<br />

S/N: 8457<br />

WWW.ALTEAGALLERY.COM


TEL: +44 (0)20 7491 0010<br />

Prospect of the Great Fire of London, 1666<br />

Item 41<br />

Item 42<br />

ALTEA GALLERY 27<br />

41 GUALDO PRIORATO, Gabriel.<br />

42 NICHOLLS, Sutton.<br />

Londra. Incendio Della Gran Citta di Londra Metropoli del Regno A Prospect of Greenwich, Deptford and London Taken from<br />

d’Inghilterra succæsso ADI 21 Settembre 1666 dal Quale in 4 Giorni Flamstead Hill In Greenwich Park.<br />

FU Abbrvcciata la piv gran pares con danno inestimabile.<br />

London, Henry Overton, 1723, 560 x 950mm.<br />

Italy, c.1675. Coloured. Two sheets conjoined, total 280 x 880mm.<br />

£5,500<br />

Binding folds flattened, with minor repairs.<br />

A rare view of London taken from the unusual viewpoint of Greenwich,<br />

£3,600<br />

with the Royal Observatory on Flamstead Hill in the foreground and<br />

A prospect of London during the Great Fire of 1666, as seen from Greenwich Hospital on the right, with a 42-point key below. Due to<br />

above Southwark. The extent of the flames can be seen, with the the unusual viewpoint the perspective in the middle ground has had to<br />

burning St. Paul’s Cathedral dominating the centre. In the foreground be compressed, thereby bringing London closer and over-emphasising<br />

of this prospect are the Globe and Swan Theatres, and the bull-baiting the meanders of the Thames.<br />

ring. The heads of traitors adorn the gates of London Bridge.<br />

Gabriel Gualdo Priorato, Conte del Galeazzo, was a soldier, historian,<br />

tactician, diplomatist and military draughtsman.<br />

S/N: 12367<br />

S/N: 9214<br />

A rare prospect of London from Greenwich Park


28 ALTEA GALLERY<br />

WALL MAPS<br />

Antiquarian maps were not just produced for atlases: cartographers recognised the potential for wall display and<br />

produced maps accordingly, printed on several sheets and joined, with the size giving more scope for elaborate borders.<br />

However, lacking the protection of an atlas’s binding, these wall maps frequently got damaged or were thrown away when<br />

they became obsolete, making surviving examples scarce.<br />

43 SCHENK, Pieter.<br />

Rare wall map of Africa in fine original colour<br />

Nova Totius Africæ Tabula.<br />

Amsterdam, c.1710. Original colour. Four sheets conjoined, total 830 x 945mm.<br />

Laid on old canvas probably as issued, minor losses as usual with wall maps.<br />

£25,000<br />

A superb wall map of Africa, drawn up by Philip Tideman, with inset prospects of Minae, Cairo, Tangiers, Algiers and Tunis under the map. The<br />

title is on a banner held aloft by putti with garlands of fruit; a second title is surrounded by allegorical figures representing Africa, the Nile and<br />

Mercury. Hidden among them are the signatures of Philip Tideman as artist, Willem van der Gouwen as engraver and Schenk as publisher.<br />

All wall maps of this period are scarce: the unfaded state of the fine original colour makes this example exceptional.<br />

S/N: 9270<br />

WWW.ALTEAGALLERY.COM


44 FER, Nicolas de.<br />

TEL: +44 (0)20 7491 0010<br />

A monumental wall map of Spain early in the War of the Spanish Succession<br />

ALTEA GALLERY 29<br />

Espagne Triomphante sous le Regne de Philippe V.<br />

Paris: De Fer, 1704. Coloured. Four sheets conjoined, total 1000 x 1280mm.<br />

Some restoration, as usual with these separate-issue maps, backed on canvas.<br />

£12,500<br />

A superb wall map of Iberia, published soon after the accession of Philippe V to the throne of Spain in 1700. This gave the French reason to celebrate<br />

as Philippe was grandson of the French king Louis XIV (the ‘Sun King’), meaning a closer connection between the two thrones. In the huge<br />

ornamental border are medallion portraits of Philippe and his wife, Marie Louise of Savoy, and 81 medallion portraits going back to the Visgoth king<br />

Athaulf (410-5). Bottom left is a plan of Madrid; bottom right is a view of the Escurial Palace.<br />

Not all of Europe was as happy as France to have Bourbon kings on the throne of both Spain and France, and soon the War of the Spanish Succession<br />

(1701-14) broke out, with Charles of Austria the rival claimant. During the war Spain lost both Gibraltar and Minorca to Britain.<br />

S/N: 12932


30 ALTEA GALLERY<br />

45 MOITHEY, Maurille Antoine.<br />

An 18th century wall map of the world<br />

Le Globe Terrestre Divisé en ses deux Hémisphéres Oriental et Occidental...<br />

Paris: Moithey 1788. Original colour. 720 x 1020mm.<br />

Some restoration to bottom edge with manuscript reinstatement.<br />

£12,500<br />

A large scale and impressive double-hemisphere world map, with a dedication cartouche in the upper cusp and allegorical figures of the<br />

four continents in the lower one. The rest of the borders are filled will astronomical diagrams. On the map the voyages of the important<br />

circumnavigators are marked, and an attempt has been made to show the discoveries of Cook’s Third Voyage to the Bering Strait, although<br />

not accurately.<br />

S/N: 11723<br />

WWW.ALTEAGALLERY.COM


An Italian wall map of the<br />

United States of America<br />

46 CASSINI, Giovanni Maria.<br />

Gli Stati Uniti dell’America Delineati sulle ultime<br />

Osservazioni...<br />

Rome, 1797. Outline colour. Six sheets conjoined,<br />

total size 960 x 940mm.<br />

£6,500<br />

Cassini’s uncommon six-sheet map of the United<br />

States from his ‘Nuovo Atlante Geografico<br />

Universale’. Each sheet has a separate illustrated<br />

title cartouche, and in the bottom right corner is<br />

an inset of Newfoundland.<br />

S/N: 7392<br />

Four-sheet map of France<br />

in fine colour<br />

47 INSELIN, Charles.<br />

La France Dressée Suivant les Nouvelles<br />

Observations...<br />

Paris: Bernard Jaillot, 1713. Original colour.<br />

Two sheets conjoined, total 610 x 935mm.<br />

Repairs to original folds.<br />

£2,000<br />

A large and detailed map of France in fine colour,<br />

decorated with a large title cartouche, and two<br />

others around engraved text descriptions of<br />

France and its provinces.<br />

Inselin is better known for his engraving for<br />

Nicolas de Fer’s atlases.<br />

S/N: 11666<br />

TEL: +44 (0)20 7491 0010<br />

ALTEA GALLERY 31


32 ALTEA GALLERY<br />

CLOTH MAPS<br />

Sometimes it was preferable to print maps on cloth, particularly when you wanted a map that could be easily carried.<br />

The two main disadvantages of maps printed on paper were that continually folding and unfolding them weakened them,<br />

and if they got wet great care needed to be taken when drying them. It was far better for a traveller to have a cloth map,<br />

printed either on silk, linen or cotton, which could be thrust into a pocket like a handkerchief. Examples known include<br />

travelling maps and town plans, military campaign maps, racecourses and souvenirs.<br />

48 MORDEN, Robert.<br />

A rare 17th century map of the British Isles on silk<br />

A New Mapp of England Scotland and Ireland Sold By Robert Morden at the Atlas in Cornhill and By Phillip Lea at the Atlas & Hercules in<br />

Cheapside and By John Seller at the West end of St Paul’s at ye sign of the Mapp of the World London.<br />

London: Morden, Lea & Seller, c.1687. Engraving on silk. 515 x 585mm.<br />

Some loss to printed area, laid on restorer’s tissue.<br />

£2,000<br />

A rare map printed on silk, with the imprint of Morden’s separate-issue map of the British Isles, first issued 1678 and described by Shirley as ‘both<br />

striking and important’ in its paper form. It includes updated cartography for Ireland, based on the wall map of 1674 by Morden & Greene, the<br />

roads of England and Wales from Ogilby, and several roads in Scotland. The North Sea is filled with a genealogical table, originally running from<br />

William the Conqueror to Charles II, but this example extended to James II and his daughters, later Queen Mary II and Queen Anne.<br />

This map is from the third state and would have been printed on silk for portability. Shirley only mentions a silk example of the fourth state<br />

(published by Lea alone), but apparently did not see it.<br />

SHIRLEY: Morden 4, state iii of iv.<br />

S/N: 12301<br />

WWW.ALTEAGALLERY.COM


49 BODGER, John.<br />

TEL: +44 (0)20 7491 0010<br />

A rare plan of Newmarket Racecourse, printed on silk<br />

ALTEA GALLERY 33<br />

To his Royal Highness the Price of Wales, The Noblemen & Gentlemen Members of the Jockey Club, This Print of Newmarket Heath, Is by<br />

Permission dedicated by their most obedient humble servant - John Bodger. Published as the Act directs, October 29th, 1787, & Sold by the<br />

Proprietor John Bodger, Land Surveyor, at Stilton, Huntingdonshire. - Mess.rs Boydell, No 90 Cheapside. Mr Weatherby No. 7 Oxendon Street,<br />

Haymarket, London: and at the Coffee Room Newmarket, Where may be had, Charts of Whittlesea Mere, the most Spacious Fishery in England.<br />

Aquatint with line engraving, printed on silk, touches of hand colour. Printed area 450 x 680mm.<br />

Some old folds, one split reinforced with archivist’s tape on verso; however it is in remarkable condition for silk of this age.<br />

£1,800<br />

A very unusual plan of the famous racecourse, on a scale of c.1:9,600, marking the starting and finishing points of 18 different races. The various<br />

texts give a history of the course and a calendar of events. Above the title is a vignette view of a three-horse race approaching the finish line.<br />

Apart from being printed on silk, this map is unusual for its use of aquatint: this etching process leaves areas of tone, here used to represent the<br />

grass of the heath. All the lines, including the lettering, have been added using more traditional etching. As aquatint had only been introduced into<br />

England in the 1770s it represents quite an early use of the technique.<br />

John Bodger was a land surveyor who dabbled in publishing sporting pictures: he and his co-publisher Weatherby published one of the most famous<br />

racing portraits, Wootton’s ‘The Father of the Turf. Tregonwell Frampton Esqre”, 1791. He is known to have published one other map, the chart<br />

of the Whittlesea Mere fishery mentioned in the publication line. The other publishers, John & Josiah Boydell, were significant London printsellers<br />

who made only a few forays into maps. In 1790 the older brother, John, became Lord Mayor of London.<br />

Because silk reacts to sunlight the map has been framed with high-quality UV-sensitive glass.<br />

S/N: 10326


34 ALTEA GALLERY<br />

A scarce handkerchief map<br />

of London<br />

50 Anonymous.<br />

London and its Environs for 1832.<br />

Engraving on cotton. 915 x 890mm.<br />

Faint tape stain.<br />

£2,800<br />

A map of London framed by an acanthus scroll<br />

border with the Union Crest above and dragons<br />

with ‘Domine Dirige’ below, printed in black<br />

on an ivory cotton handkerchief. Thus the plan<br />

could be thrust into a pocket without fear of<br />

damage, unlike one printed on paper, which,<br />

needing the protection of covers and backing,<br />

would have been much heavier.<br />

HOWGEGO: 328a, editions for 1831, 1832 & 1837,<br />

but no attribution.<br />

S/N: 12249<br />

Early 19th century handkerchief map<br />

of London<br />

51 CRUCHLEY, G.F.<br />

Cruchley’s New Plan of London Shewing all the<br />

New and Intended Improvements to the Present<br />

Time... A New Edition Improved to 1st Jan.y<br />

1837.<br />

London, 1837. Original colour. Cotton handkerchief,<br />

525 x 605mm.<br />

Slight spotting.<br />

£800<br />

Detailed map of London laid on linen, showing<br />

New London Bridge (now in Arizona) and the<br />

new railway to Greenwich. The majority of these<br />

maps were issued dissected as pocket maps. This<br />

example was printed on linen for S.W. Silver &<br />

Co., 9 & 10 Cornhill. In this format the map was<br />

less bulky and more resistant to water damage<br />

than those on paper.<br />

HOWGEGO: 307, 9.<br />

S/N: 12293<br />

WWW.ALTEAGALLERY.COM


A rare railway map on cloth<br />

52 BRADSHAW, George?<br />

The Railways in Great Britain also the line of<br />

Navigation from the principal Sea Ports to both<br />

home amd Foreign Stations.<br />

Manchester? c.1850. Printed on cloth in black and red.<br />

580 x 600mm.<br />

Some faint toning.<br />

£1,500<br />

A scarce map on cloth of England, Wales and<br />

Southern Scotland with the railways overprinted<br />

in red. It shows a line to Plymouth, opened in<br />

1848; and the line from London to Norwich is<br />

named the Eastern Counties Railway, before it<br />

became the Great Eastern Railway in 1862. The<br />

title cartouche features a train crossing a viaduct.<br />

Bradshaw published a smaller map on paper with<br />

the same title in 1843.<br />

S/N: 12333<br />

The Baltic Theatre of the Crimean War<br />

printed on silk<br />

53 DOPTER.<br />

Map of the War in the Baltic Sea.<br />

Paris, Dopter, c.1855. Engraved map, printed on silk.<br />

650 x 610mm.<br />

£1,750<br />

A rare handkerchief map of the Baltic Sea during<br />

the Crimean War, when the British and French<br />

sent their fleets to blockade St Petersburg. It<br />

is decorated with vignettes of St Petersberg,<br />

Kronstadt, naval scenes and French and British<br />

coat-of-arms.<br />

S/N: 12272<br />

TEL: +44 (0)20 7491 0010<br />

ALTEA GALLERY 35


36 ALTEA GALLERY<br />

Item 54<br />

Item 55<br />

Plan of Philadelphia printed on cotton<br />

54 Anonymous.<br />

Map of Philadelphia.<br />

Philadelphia, 1877. Lithographic map on cotton, printed in two colours.<br />

670 x 600mm.<br />

£2,800<br />

A town plan of Philadelphia printed as a handkerchief, published for the<br />

1876 ‘Centennial International Exhibition’, the first World’s Fair in the<br />

U.S. Held to commemorate the centenary of signing of the Declaration<br />

of Independence, it received over 10 million visitors. Around the map<br />

are portraits of Penn, Washington, Franklin and Jefferson, and vignette<br />

views of the Main Exhibition Building, the Horticultural Building, the<br />

Art <strong>Gallery</strong>, and Agricultural Building. The border, printed in black<br />

and orange, has an oak garland and an inch measure.<br />

S/N: 12505<br />

Handkerchief published to raise money<br />

for the families of Boer War Soldiers<br />

55 DAILY MAIL PUBLISHING.<br />

The Absent-Minded Beggar.<br />

London, the Daily Mail Publishing Co. Ltd, c.1899. Linen handkerchief printed<br />

in blue, c. 460 x 470mm, stretched over board.<br />

Some staining.<br />

£500<br />

A printed handkerchief published by the Daily Mail to rise funds for the<br />

“Soldiers’ Families Fund” after the outbreak of the Second Boer War<br />

(1899-1902), the first charitable effort for a war.<br />

The map shows the theatre of war, around the South African Republic<br />

(the Transvaal) and the Orange Free State. The poem, “The Absent-<br />

Minded Beggar” by Rudyard Kipling, was specially commissioned for<br />

the Fund, and was given a musical score by Arthur Sullivan (of Gilbert<br />

& Sullivan fame). The two portraits are of Lord Roberts, commander<br />

of the British Troops, and Queen Victoria, the British Monarch for the<br />

first half of the war.<br />

Despite Roberts’ portait being entwined in the title, the absent-minded<br />

beggar of Kipling’s poem is the British ‘Tommy’ (private soldier),<br />

forgetfully leaving their dependents in need while fighting for their<br />

country. The Daily Mail paid Kipling £250 for the poem, which he<br />

donated to the fund, as did Sullivan with his £100 payment. Soon<br />

afterwards Kipling was offered a knighthood, which he declined. It<br />

was not Kipling’s favourite work: in his autobiography he wrote that<br />

it “lacked poetry” and became “wedded... to a tune guaranteed to pull<br />

teeth out of barrel-organs”. This did not stop it being a huge success,<br />

giving the fund the nickname, “the Absent-Minded Beggar Relief<br />

Corps”, and helping it raise £340,000 by the time it was wound up in<br />

1903. Not only was it published worldwide (the New York Journal<br />

paid $25 for the privilege), it was recited by actresses including Lily<br />

Langtree and Lady Maud Beerbohm Tree.<br />

Organising the fund was a coup for the Daily Mail, which had been<br />

founded only in 1896. This campaign capitalised on the jingoistic mood<br />

of the British public and the paper’s circulation soared to over a million<br />

issues a day by 1902, the highest in the world.<br />

The handkerchief was published by The Graphic and is probably the<br />

most famous item of British ephemera produced during the South<br />

African War.<br />

S/N: 11516<br />

WWW.ALTEAGALLERY.COM


THE OTHER SIDE OF THE WORLD<br />

56 ORTELIUS, Abraham.<br />

TEL: +44 (0)20 7491 0010<br />

The first map of the Pacific<br />

Maris Pacifici, (quod vulgo Mar del Zur) cum regionibus<br />

circumiacentibus, insulusque in eodem passim sparsis, novissima<br />

descriptio.<br />

Antwerp, 1592. Original colour with additions. 345 x 495mm.<br />

£7,500<br />

The most sought-after map from Ortelius’s atlas, depicting the<br />

Pacific and most of the Americas. Engraved in 1589, it pre-dates the<br />

concept of California as an island, has a huge island of New Guinea<br />

and an unrecognisable Japan. The south Pacific is filled with a vignette<br />

of the ‘Victoria’, Magellan’s ship: his route through the Magellan<br />

Straits is shown, with Terra del Fuego depicted as part of the huge<br />

‘Terra Australis’.<br />

VAN DEN BROECKE: 12.<br />

S/N: 13017<br />

ALTEA GALLERY 37<br />

Here are four maps of the world’s extremities as viewed from Europe. It amazes me how much had been discovered by<br />

explorers with such small ships, with primitive methods for storing food and water, who made these voyages not knowing<br />

where they were going. Whether they were trying to reach the Indies via the Magellan Strait, searching for the North West<br />

Passage or Terra Australis Incognita, or even fighting sea battles for supremacy in the East Indies, it is surprising any of<br />

them managed to return home to tell the tale.<br />

Scarce first state of Jansson’s chart of the Pacific<br />

57 JANSSON, Jan.<br />

Mar del Zur Hispanis Mare Pacificum.<br />

Amsterdam, c.1650. Original colour. 450 x 545mm.<br />

Centrefold reinforced on verso.<br />

£2,500<br />

Half-a-century after Ortelius Jansson published his chart of the Pacific<br />

in the ‘Waterwereld’, or Volume V of the ‘Atlas Novus’, described by<br />

Koeman as the ‘first sea-atlas (in the real sense of the world) printed in<br />

the Netherlands’. With the ‘islands’ of Korea and California, a ‘Terra<br />

Incognita’ filling the North Pacific, Australia shown only by the west<br />

coast of Carpentaria, and a chain of islands stretching from Cape Horn<br />

half-way across the Pacific, this map demonstrates how little was known<br />

away from the coastlines of America and Asia.<br />

This example is from the first state: a second state has the partial<br />

coastlines of Tasmania and New Zealand added, following the 1642<br />

voyage of Abel Tasman.<br />

McLAUGHLIN: 10.<br />

S/N: 12092


38 ALTEA GALLERY<br />

Item 58<br />

59 HONDIUS, Jodocus.<br />

Poli Arctici, et Circumiacentium Terrarum Descriptio Novissima.<br />

Amsterdam, c.1639, French text edition. Original colour. 435 x 500mm.<br />

£1,500<br />

The Northern Hemisphere, south to 50º, so including the British Isles,<br />

surrounded by four views of the whaling industry, published in the<br />

‘Nouvel Atlas’.<br />

The beginning of the 17th century saw increased exploration of the<br />

waters of the Arctic: firstly because of competition between the English<br />

and Dutch whalers, and secondly the desire to find both a North West<br />

Passage above America and a North East Passage over Russia, enabling<br />

the two nations to reach the East Indies without interference from the<br />

Spanish and Portuguese.<br />

The different spheres of influence can be seen in the place names:<br />

eastern Greenland has “M.Forbishers Streate”, “Q.Elisabeths forland”<br />

and “London coast”; Spitzbergen has “S.Thomas Smyths Land”; but<br />

Labrador is marked with “Orange Bay” and various ‘hoecks’.<br />

BURDEN: 246.<br />

S/N: 7938<br />

The first European map of Singapore<br />

58 DE BRY, Theodore.<br />

Contrafactur des Scharmutz els der Holander.<br />

Frankfurt, 1603. 330 x 255mm.<br />

Centerfold restored, with minor loss. A few spots, otherwise a fine example.<br />

£2,750<br />

A rare map of the Straits of Singapore, with exquisite calligraphy and superb detail, published<br />

in De Bry’s ‘Grand Voyages’. It shows the southern coast of Singapore, with the west coast<br />

marked ‘unknown’, suggesting that Europeans had not circumnavigated the island at this time.<br />

The map records a naval battle between the Dutch and Portuguese, probably in 1603, with<br />

alphabet letters to code the various ships involved. A Portuguese galleon, the Santa Catherine<br />

(possibly ship D and L on the map) was captured by the Dutch and its cargo sold in Amsterdam<br />

for a princely sum of 3.5 million guilders. Depicted are the Dutch ships Zierickzee,<br />

Enkhuysen, Amsterdam and Hollandse Zaan.<br />

Suarez, Early Mapping of Southeast Asia, Fig.100.<br />

S/N: 7844<br />

A decorative map of the Arctic The Antarctic; showing Tasman’s discoveries<br />

in Tasmania and NZ<br />

60 HONDIUS, Henricus.<br />

[Untitled map of the South Pole.]<br />

Amsterdam, Valk & Schenk c. 1700. Fine original colour. 435 x 490mm.<br />

Some reinforcing to centerfold.<br />

£1,750<br />

The third state of an important map of the southern hemisphere to just<br />

north of the Tropic of Capricorn. When it was first issued in 1639 it<br />

was one of the first maps to show the discoveries of Pieter Nuyts on the<br />

southern coast of Australia, 1627. The second state merely had Jansson’s<br />

name as publisher added, and has a blank dedication cartouche removed.<br />

However it was the discoveries of Tasman in 1642 that necessitated the<br />

reworking for the third state: the title cartouche has been removed so<br />

that Tasman’s discovery of New Zealand could be added, and Tasmania<br />

appears well away from mainland Australia. Also, Cape Horn has<br />

been added to the tip of South America.In each of the four corners are<br />

vignettes of different races of the Southern Hemisphere.<br />

This edition is the fourth state with the publishers names added to<br />

the plate.<br />

PERRY: Plate 20; SCHILDER: Map 44, first state illus.<br />

S/N: 7923<br />

WWW.ALTEAGALLERY.COM


NAVAL BATTLES<br />

62 DECKER, Paul.<br />

TEL: +44 (0)20 7491 0010<br />

The British attack on Majorca in 1706<br />

La Sommissione di Maiorca Isola Balearica nel Mare Meditterano...<br />

Augsburg, Jeremias Wolff, c.1720. Etching, 470 x 375mm.<br />

Long tear very skillfully repaired (almost unnoticeable)<br />

£1,200<br />

The attack on Majorca by Admiral John Leake in September 1706, part of the War of the<br />

Spanish Succession (1701-1714), in which England gained both Gibraltar and Minorca. The<br />

central scene is surrounded by a rococo border with an inset map of the island and an Italian<br />

text description printed from a separate plate.<br />

This plate was etched by Johann August Corvinus after a painting by Paul Decker, and was<br />

published by Wolff in “Repraesentatio belli, ob successionem in Regno Hispanico...”,<br />

a history of the War of the Spanish Succession.<br />

S/N: 11246<br />

ALTEA GALLERY 39<br />

Sea battles have always been popular with artists, with ships, flags & glory, and map-makers are no exception. Here the<br />

maps are more like views, with the decoration more important than the detail.<br />

The French siege of Genova in 1684<br />

61 BEAULIEU, Sébastian de Pontault.<br />

Les Attaques de la ville de Gennes, et du Fauxbourg de St Pierre d’ Arene, par l’Armée<br />

Navale du Roy, commandee par le Marquis du Quesne, le 24 May 1684.<br />

C. Berey, Paris, c.1694, 450 x 540mm.<br />

Extra wide margins.<br />

£1,500<br />

A very attractive view of the successful maritime siege of Genova by the French forces<br />

in 1684, showing a wide variety of contemporary ships engaged in combat in front of a<br />

panoramic view of Genova. Published in Beaulieu’s atlas “Les Glorieuses Conquestes<br />

de Louis le Grand”.<br />

S/N: 10054<br />

Rare broadsheet plan of Nelson at the Battle of Copenhagen, 1801<br />

63 FAIRBURN, John.<br />

Fairburn’s Plan of Park and Nelson’s Victory before Copenhagen, April 2.d 1801.<br />

London: Fairburn, April 22nd, 1801. Broadsheet plan. Original colour. Engraving, 340 x 450mm,<br />

set in letterpress, sheet size 565 x 480mm.<br />

A few repairs.<br />

£2,500<br />

A broadsheet published only twenty days after the naval battle regarded as Nelson’s hardestfought<br />

battle. The engraving is divided between a chart of the ‘Passage of the Sound to<br />

Copenhagen & Drago’ and a view of Nelson’s attack on the Danish fleet. The text contains<br />

a key to the view, listing the ships, the despatches from Parker and Nelson (neither<br />

mentioning Nelson disobeying Parker’s order to withdraw) and a list of casualties.<br />

S/N: 12715<br />

Item 61<br />

Item 62<br />

Item 63


40 ALTEA GALLERY<br />

64 [The Spanish Armada entering the English Channel.]<br />

The story of the Spanish Armada from the House of Lords tapestries<br />

PINE, John.<br />

[The Spanish Armada.]<br />

Four plates from ‘The Tapestry Hangings of the House of Lords’, drawn by Clement Lemprière, engraved and published by John Pine.<br />

In 1591 ten tapestries were commissioned from the Dutch marine painter Hendrik Cornelisz Vroom by Lord Howard of Effingham to commemorate<br />

the defeat of the Armada three years earlier. Unfortunately they were all destroyed when the Houses of Parliament burnt down in 1834, leaving<br />

Pine’s book as the only record. It is lucky that Pine worried that “’Time, or Accident, or moths may deface these valuable shadows”.<br />

MCC: 4.<br />

Item 64<br />

Item 66<br />

London, John Pine, 1739. Printed from three plates, outer plate 380 x 610mm.<br />

£1,200<br />

A pair of sea charts of the English Channel, printed in blue, within a<br />

decorative border printed from a third plate. The left plate shows the<br />

Spanish Armada of 1588 entering the Channel, blown by a delicatelyengraved<br />

windhead, watched by two putti and an allegorical figure of<br />

Britannia. The right plate shows the Armada in the famous crescent<br />

formation, with the English fleet behind them, pushing them up the<br />

Channel. In the centre of the decorative border is a portrait of<br />

Elizabeth I.<br />

S/N: 12114<br />

65 [The Spanish Armada entering the English Channel.]<br />

London, John Pine, 1739. Printed from two plates, outer plate 380 x 610mm.<br />

£1,200<br />

A depiction of the Spanish Armada of 1588 entering the English<br />

Channel, printed in blue, within a decorative border printed from<br />

a second plate, containing eight roundel portraits of the English<br />

commanders.<br />

S/N: 12115<br />

Item 65<br />

Item 67<br />

66 [The Spanish Armada off Dover.]<br />

London, John Pine, 1739. Printed from two plates, outer plate 380 x 610mm.<br />

£1,200<br />

The Spanish Armada of 1588 anchored off Dover, with the English<br />

blocking their retreat. The view is printed in blue, within a decorative<br />

border, printed from a second plate, with eight roundel portraits of the<br />

English commanders.<br />

S/N: 12116<br />

67 [The English sending the fire-ships in among the Spanish Fleet.]<br />

London, John Pine, 1739. Printed from three plates, outer plate 380 x 610mm.<br />

£1,200<br />

A pair of sea charts of the English Channel, printed in blue, within<br />

a decorative border drawn printed from a third plate. The left plate<br />

shows the Spanish Armada at anchor off Calais, and the eight fire-ships<br />

bearing down on them, blown by a delicately-engraved windhead. The<br />

right plate shows the Armada, having cut their anchors to escape the<br />

fire-ships, fleeing north in disarray. The decorative border has roundel<br />

portraits of Elizabeth I, Pope Sixtus V, Phillip II of Spain and Alessandro<br />

Farnese, governor of the Spanish Netherlands, and two putti weeping<br />

over the loss of life.<br />

WWW.ALTEAGALLERY.COM


CURIOSITY & CARICATURE MAPS<br />

TEL: +44 (0)20 7491 0010<br />

ALTEA GALLERY 41<br />

Maps do not always have to be serious. Here is a selection of maps that have a more light-hearted view of the world.<br />

Ptolemaic Wind Heads Fantasy map of Asia as Pegasus<br />

68 WÄLDSEEMÜLLER, Martin.<br />

[Wind Heads.]<br />

Strassburg, c.1522. Woodcut, printed area 315 x 270mm.<br />

£850<br />

A text illustration from the Fries reduction of<br />

Wäldseemüller’s edition of Ptolemy, showing an<br />

armillary surrounded by wind heads.<br />

S/N: 11233<br />

Item 68 detail<br />

69 BÜNTING, Heinrich.<br />

Asia Secunda pars Terræ in Forma Pegasir.<br />

Hanover, 1581-, German text edition. Woodcut, printed area 300 x 370mm.<br />

Excellent condition.<br />

£2,500<br />

The famous fantasy map depicting Asia as Pegasus, the winged horse of Perseus. The<br />

head is Turkey and Armenia, the wings Scythia and Tartary, forelegs Arabia, hind legs<br />

India and the Malay Peninsula.<br />

This strange map appears in Bünting’s Itinerarium, in which the author, a theologian,<br />

rewrote the Bible as a travel book, with other fantasy maps including the World as<br />

a cloverleaf and Europe as a queen. Although the title and text under the map are in<br />

Latin, the text on verso is German.<br />

S/N: 12709


42 ALTEA GALLERY<br />

Item 71 detail<br />

A satirical map on the Mississippi Bubble<br />

70 Anonymous.<br />

Afbeeldinge Van’t Zeer Vermaarde Eiland Geks-Kop.<br />

Amsterdam, 1720, 290 x 230mm.<br />

Trimmed close to neatline, bottom right corner repaired.<br />

£980<br />

A map of the island of “Geks-Kop” (fools cap) from “Het Groote<br />

Tafereel Der Dwaasheid” (The Great Mirror Of Folly). The title<br />

translates as “A representation of the very famous island of Mad-head,<br />

lying in the sea of shares, discovered by Mr. Law-rens, and inhabited by<br />

a collection of all kinds of people, to whom are given the general name<br />

shareholders”.<br />

At the center of the image is a map of an island depicted as the head of<br />

a Fool wearing his traditional cap; the place names include Blind Fort,<br />

Bubble River, and Mad House, surrounded by the islets of Poverty,<br />

Sorrow, and Despair. Around the map are scenes including a crowd<br />

stoning the headquarters of the Compagnie and a creditor fleeing his<br />

investors in a land-yacht.<br />

This satirical engraving of the Mississippi Bubble is one of the most<br />

famous cartographic curiosities. It represents the collapse of the French<br />

Compagnie de la Louisiane d’Occident, founded by the Scottish<br />

financier John Law in 1717, which was granted control of Louisiana.<br />

Its plans to exploit the resources of the region (the ‘Mississippi<br />

Scheme’) captured the popular imagination and people rushed to invest:<br />

share prices opened at 500 livres, but rapidly rose to 18,000 livres. At<br />

this point speculators indulged in profit-taking, causing a run on the<br />

shares. Confidence collapsed, causing a run on the company’s capital<br />

and the company went bankrupt, ruining many, not only in France, but<br />

throughout Europe.<br />

As a consequence of this failure, confidence in many colonial schemes<br />

collapsed, forcing many companies into bankruptcy, including<br />

the English South Sea Company and a number in the Netherlands,<br />

prompting this satire.<br />

S/N: 10616<br />

A German ‘Utopia’<br />

71 HOMANN, Johann Baptist.<br />

Accurata Utopiæ Tabula. Das ist Der Neu=entdeckten Schalck=Welt,<br />

oder des so oft benannten und doch nie erkannten Schlaraffenlandes...<br />

durch Authorem Anonymum. Nuremburg, c.1720. Original colour.<br />

500 x 580mm.<br />

£1,200<br />

Despite the name Utopia in the title this map relates to the German<br />

‘Schlaraffenland’, an imaginary land of idleness and luxury, equivalent<br />

to ‘Cockaigne’. Located on the Equator, it is divided into regions,<br />

including ‘Tobacco Island’ and the ‘Great Stomach Empire’, while one<br />

of the neighbouring states is a ‘Terra Sancta’, marked ‘Incognita’.<br />

The title cartouche depicts eating & drinking (and vomiting), smoking<br />

and card-playing.<br />

S/N: 11222<br />

WWW.ALTEAGALLERY.COM


73 ROSE, F.W.<br />

TEL: +44 (0)20 7491 0010<br />

A map of the ‘Isle of Marriage’<br />

72 LE NOBLE, Eustache.<br />

Carta Topografica dell’Isola del Maritaggio di Monsieur Le Noble<br />

per la Prima Volta Tradotta Dal Francese in Italiano. In Cosmopoli,<br />

MDCCLXV.<br />

Italy, 1765. 8vo, contemporary vellum; letterpress title, pp. 40, folding map,<br />

250 x 355mm, with repaired tear.<br />

£1,800<br />

A treatise on the Island of Matrimony, written as a travel book,<br />

describing: how to reach the island, through the ports of ‘Love’,<br />

‘Bad Advice’ or ‘Self-interest’; and where to live, including the<br />

provinces of ‘the Jealous’ and ‘the Cuckolds’, and the ‘Mountains of<br />

in-laws’. Once on the island it is impossible to leave, but it is possible<br />

to go to the peninsulas of ‘Widowhood’ and ‘Divorce’, the ‘Great<br />

Mausoleum’ and, for the truly masochistic, ‘Bigamy Island’. The title<br />

cartouche features a man with the ‘cuckold’s horns’.<br />

S/N: 13030<br />

Caricature map of Europe<br />

ALTEA GALLERY 43<br />

Angling in Troubled Waters. A Serio-Comic Map of Europe by Fred. W. Rose Author of the ‘Octopus’ Map of Europe.<br />

London: G.W.Bacon, 1899. Coloured chromolithograph. Sheet 485 x 690mm.<br />

This example laid on board as originally issued. Tear repaired.<br />

£4,500<br />

A caricature map of Europe with each country depicted as an angler having various levels of success in hooking colonies: John Bull has a huge catchbag<br />

(Ireland), with Egypt as a crocodile on the end of his line; France is a scuffle for control of the Third Republic between the military and civilian,<br />

their rod with an empty hook, with Napoleon’s shade looking on from Corsica; Spain is watching sadly as their former catch (fish marked Cuba,<br />

Porto Rico and Phillippines) is being dragged away on the lines of an unseen U.S.A.; Belgium has the Congo; the Austro-Hungarians are mourning<br />

the assassination of Empress Elisabeth by an anarchist; Turkey has a hook in ‘the Cretan spike fish’, and a stain on his trousers is a skull marked<br />

‘Armenia’; Greece has pricked a finger trying to catch the spike fish by hand; larger than all others is Russia, shown as Nicholas II with an olive<br />

branch in one hand and a line stretching to the Far East in the other.<br />

This kind of ‘curiosity map’ is very much sought after by map collectors.<br />

HILL: Cartographical Curiosities, 57; MCC 1: Geographical Oddities, no 82.<br />

S/N: 12850


44 ALTEA GALLERY<br />

Early 19th century hand-painted tile map of Europe<br />

74 Anonymous.<br />

Europa.<br />

French, early C19th. 30 hand-painted glazed tiles, each 200 x 200 x 20mm, arranged 5 by 6, making a total of 1000 x 1200mm, mounted on hardboard.<br />

Some tiles cracked, others with surface wear.<br />

£12,500<br />

A very unusual set of earthenware tiles with a hand-painted and glazed map of Europe, surrounded by portraits of European rulers. These are<br />

Alexander the Great, Julius Caesar & Charlemagne; English monarchs William the Conqueror, Henry VIII & Elizabeth I; Holy Roman Emperors<br />

Otto I, Maximillian I and Charles VI; Ferdinand III of Castille; Pope Urban II; and French kings Clovis I and Louis IX. The text around the portraits<br />

is in French.<br />

The style of the cartography mimics Gerard Mercator (1512-94) and is decorated with a compass rose, a sea monster, Neptune riding a dolphin and<br />

seven ships.<br />

S/N: 12344<br />

WWW.ALTEAGALLERY.COM


GAMES<br />

TEL: +44 (0)20 7491 0010<br />

18th century playing-card maps<br />

ALTEA GALLERY 45<br />

Maps have always been about knowledge, so it is not surprising that they were adapted for use as educational games.<br />

Because they were designed to be used surviving examples are rare, especially complete, because they were often<br />

disposed of when they were damaged or the players had no more use for them.<br />

RABATTA, Augusto & BAILOU, Jean Baptist de.<br />

Florence: Aniello Lamberti, 1779. Original colour.<br />

A collection of rare miniature maps engraved by Lamberti for the ‘Minchiate’, the Florentine version of the Tarot, with each card marked with an<br />

arcane symbol. The full set was published in Augusto Da Rabatta & Jean Baptiste De Baillou’s pocket atlas ‘Nuovo Atlante Generale’.<br />

75 America.<br />

Sheet size 105 x 64mm.<br />

£600<br />

S/N: 12969<br />

76 Europa.<br />

Sheet size 105 x 64mm.<br />

£450<br />

S/N: 12968<br />

77 Imperio del Giappone.<br />

Governo Monarchico.<br />

Sheet size 116 x 73mm.<br />

£650<br />

WALTER: 84.<br />

S/N: 12958<br />

78 Nuova Zelanda Scoperta<br />

Da Tasman, E Riconosciuta Dal<br />

Cap, Cook Nel 1769.<br />

Sheet size 113 x 73mm.<br />

Wormholes in margins filled<br />

£1,800<br />

Published less than 10 years after<br />

Cook mapped New Zealand.<br />

S/N: 12953<br />

A sample of other cards, which<br />

can be found on our web site by<br />

searching for ‘Rabatta’


46 ALTEA GALLERY<br />

Rare playing card maps of the Continents<br />

HEGRAD, S.L.<br />

Vienna, 1785. Original colour. 115 x 65mm.<br />

Playing cards from Hegrad’s ‘Jeu des cartes géographiques’, with coloured squares instead of suit marks. The number under the title followed by a<br />

square is the area of the continent probably in square German miles. A lettered key gives the placenames in French underneath the map.<br />

KING (Second Edition): p.214.<br />

79 L’Europe.<br />

Slight surface loss in the key.<br />

£750<br />

S/N: 12706<br />

80 L’Amerique.<br />

£750<br />

S/N: 12703<br />

81 L’Afrique.<br />

£750<br />

S/N: 12704<br />

82 L’Asie.<br />

£750<br />

S/N: 12705<br />

An early 19th century board game<br />

of European travel<br />

83 WALLIS, Edward.<br />

The Panorama of Europe. A New Game.<br />

London: J. & E. Wallis, 1815. Original colour.<br />

Dissected and laid on linen, as issued, total<br />

470 x 630mm, with 12pp. rule book, within red<br />

marbled slip-case with publisher’s illustrated label.<br />

Slipcase rubbed.<br />

£2,400<br />

The players use a ‘totum’ and ‘pyramids or<br />

travellers’ to compete: each player in turn<br />

rolls the totum and moves from Oporto to<br />

London, via Malta, Constantinople, Moscow,<br />

etc, with each city described in the rule book.<br />

It is unusual for the rule book to still accompany<br />

these board games.<br />

S/N: 12351<br />

WWW.ALTEAGALLERY.COM


A French 19th century educational geographical game<br />

84 COCQUET.<br />

L’Univers. Jeu Pittoresque.<br />

Paris: Cocquet, c.1870. Illustrated cardboard box, rules on label in lid;<br />

illustrated hollow boxed board with central spinning pointer; 18 lithographed<br />

country cards; 18 bone marker pins in a box; box of red card tokens.<br />

£3,250<br />

A highly decorative French board game with illustrations of the 5<br />

continents on the box lid. National costumes of 18 countries around<br />

the spinning dial. Each country card has a map of the country showing<br />

five cities and their population with armorial at the top and illustration<br />

at the bottom. For example, Great Britain shows a shipyard advertising<br />

its maritime dominance; North America has Niagara Falls; Austria has a<br />

view of Venice, which it controlled at the time.<br />

The object of the game: each country on the board has a hole for each<br />

of the five cities on the card. The cards are assigned to the players; the<br />

pointer is spun and each time it lands on a country a hole is filled. The<br />

winner is the player who holds the completed country card.<br />

Games such as this are rarely found complete.<br />

S/N: 12904<br />

TEL: +44 (0)20 7491 0010<br />

ALTEA GALLERY 47


48 ALTEA GALLERY<br />

GENERAL SELECTION<br />

Here is a selection of maps and atlases that have no grouping other than that they are the ones I first thought of when<br />

I decided to compile this catalogue, firstly atlases & books then maps.<br />

The standard navigation guide for the West Indies in the 16th century<br />

85 MEDINA, Pedro De.<br />

L’Arte del Navegar, in laqual si contengonolere gole, dechiarationi, secreti, & avisi alla bona navegation<br />

necessarii & tradotta de lingua Spagnola in volgar Italiano, à beneficio, & utilità de ciascadun Navigante.<br />

Venice, Giovanni Battista Pedrezano, 1555. First edition in Italian, second issue. Large 8vo, modern vellum; pp.<br />

(xxiv)+(274), each leaf numbered in Roman numerals up to 137; title & 7 sectional titles, all with woodcut<br />

illustrations, other woodcuts throughout, including a full-page map of the North Atlantic.<br />

Old ink mss on title and rear endpaper.<br />

£7,500<br />

An Italian translation of the Spaniard Pedro de Medina’s treatise on navigation, the first practical work<br />

on the subject, instructing how to ascertain location by astronomical observation, and the first reliable<br />

guide to navigating American waters.<br />

Medina’s information was the best available at the time: not only had he travelled with Cortés to the<br />

Americas, but following his return to Spain he was employed debriefing returning expeditions. The<br />

quality of the text ensured his book remained the standard navigation guide for the Atlantic route well<br />

into the seventeenth century, running through many editions.<br />

Among the numerous explanatory diagrams is a very important map of the North Atlantic, depicting<br />

the trade routes between Spain and her American colonies, carefully demarcating the line dividing the<br />

world between Spain and Portugal. It shows the discoveries of Hernando de Soto around the the Yucatán<br />

(although this Italian version has been ‘updated’ to make the peninsula an island), and those of Jacques<br />

Cartier around the St Lawrence river in Canada.<br />

This second issue, the year after the first, was made up with sheets from the first issue; the only<br />

difference is the letterpress date on the title changed from ‘MDLIIII’ to ‘MDLV’.<br />

SABIN: 47346; PALAU: 159679; BORBA DE MONAES: II, 549-50; See BURDEN No. 21 for the map.<br />

S/N: 11049<br />

WWW.ALTEAGALLERY.COM


86 BLAEU, Johannes.<br />

Le Theatre du Monde Ou Nouvel Atlas Contenant Les Chartes et<br />

Descriptions De tous les Païsde la terre Mis en lumiere Par Guillaume<br />

et Jean Blaeu.<br />

Amsterdam, Johannes Blaeu, 1645, French edition.<br />

One volume only, of two. Two parts in one; folio, original vellum gilt;<br />

with two engraved titles and 120 maps, all in original hand colour.<br />

£38,500<br />

A fine example of a volume from a French edition of Blaeu’s ‘Theatrum<br />

Orbis Terrarum’, with superb original hand colour. Among the maps<br />

are the classic maps of the World and Europe surrounded by vignettes,<br />

Iceland, Russia by Gerritz, Frankfurt, and folding maps of the Danube,<br />

Rhine and Lithuania.<br />

KOEMAN: Bl 19B.<br />

S/N: 12756<br />

TEL: +44 (0)20 7491 0010<br />

A complete example of Volume I of Blaeu’s Theatrum<br />

ALTEA GALLERY 49


50 ALTEA GALLERY<br />

The first western atlas of China, in fabulous original colour<br />

87 BLAEU, Johannes.<br />

Seste deel van de Nieuwe Atlas, oft Tooneel des Aerdrijex...<br />

Amsterdam, 1655, Dutch edition.<br />

First edition. Folio; full vellum gilt; pp. (iv) + 212 + (20) (Register)<br />

+ xviii (Cathay) + 40 (Tartary); 2 engraved titles and 17 double-page<br />

maps, all in fine original colour. Bottom corners of titles, first map and<br />

text to page 8 repaired.<br />

£35,000<br />

The First Edition of Blaeu’s Atlas of China, the first Western atlas<br />

devoted to the country. Unusually for Blaeu atlases the maps have no<br />

text on verso. This example was published as the last of the six-volume<br />

atlas with the Latin title ‘Theatrum Orbis Terrarum’. Later the maps<br />

were incorporated into the Asia volume of the ultimate Blaeu atlas,<br />

the ‘Atlas Major’, which was the most expensive publication of the<br />

17th century.<br />

Blaeu used the maps of Father Martino Martini (1614-1661), a Jesuit<br />

missionary who went to China in 1643, remaining there eight years,<br />

travelling extensively and collating knowledge. He left China in<br />

1651 to go to Rome, but, as the best available passage was with a<br />

Dutch privateer, his route included Norway, Amsterdam, Munich &<br />

Vienna. He met with scholars (finally proving that China was indeed<br />

the ‘Cathay’ of Marco Polo) and publishers, who wanted to publish<br />

his writings and his maps, which were far more detailed than anything<br />

previously available.<br />

The Blaeu/Martini atlas was a significant breakthrough concerning<br />

China: even in the early C20th it was called ‘the most complete<br />

geographical description of China that we possess, and through which<br />

Martini has become the father of geographical learning on China.’<br />

(Ferdinand von Richthofen, 1833-1905).<br />

KOEMAN: Bl 52.<br />

S/N: 12129<br />

WWW.ALTEAGALLERY.COM


88 BLOME, Richard.<br />

Britannia: or, a Geographical Description of the Kingdoms of England,<br />

Scotland, and Ireland with the Isles and Territories thereto belonging.<br />

And for the better perfecting the said Work, there is added an<br />

Alphabetical Table of the Names, Titles, and Seats of the Nobility<br />

and Gentry that each County of England and Wales is, or lately was,<br />

enobled with. Illustrated with a Map of each County of England,<br />

besides several General ones. The like never before Published.<br />

London: Thomas Roycroft for Richard Blome, 1673.<br />

Original full red morocco binding, all edges gilt; title, (xii) including<br />

dedication to Charles II, preface & ‘Table of Benefactors’ + 464 + (2)<br />

(new benefactors); 23 engraved plates of benefactor’s armorials and<br />

51 maps, all in original colour, as called for. Ink ownership inscription<br />

of Sir John Shaw (dated Ao Dom. 83) on first endpaper; bookplate of<br />

T.W. Falcon on front pastedown. One armorial excised and reinstated<br />

with mss. facsimile.<br />

£25,000<br />

A superb subscriber’s example of Blome’s “Britannia” atlas in fine<br />

original colour, in a special binding of red morocco. Maps include<br />

folding maps of England & Wales, North & South Wales, Scotland,<br />

Ireland and British islands, double-page maps of the English counties,<br />

and Hollar’s single-page map of London.<br />

The ownership inscription appears to be that of Sir John Shaw, 2nd<br />

Baronet (c. 1660-1721), son of the first baronet, also John, who<br />

is number 257 in the list of ‘Benefactors’ (i.e. subscribers). At the<br />

Restoration Charles II leased the manor of Eltham, including the<br />

derelict Eltham Palace, to the family: the first Sir John built a new<br />

residence, Eltham Lodge, designed by Hugh May. At some stage the<br />

family armorial was carefully excised from one of the Benefactors<br />

plates, perhaps having taken a child’s fancy: this has been skilfully<br />

replaced with a mss copy.<br />

Blome’s “Britannia” was originally conceived as the third volume in an<br />

“English atlas” dealing with the whole world. It was not well-received:<br />

he was accused of merely reproducing work by Camden and Speed,<br />

and the atlas was not a success. However the ‘Britannia’ is a landmark<br />

in British map publishing: Blome was the first to fund an atlas by selling<br />

subscriptions. His 1670 ‘Proposal’ set out the charges:<br />

‘Those that will be pleased for the advancement of the said Work to<br />

subscribe and pay unto the said Richard Blome the summe of 20s. Shall<br />

have one of the said Books presented them, in which they shall have<br />

their Coat of Arms (so as allowd of by the Kings at Arms) affixed to the<br />

Mapp of the county to which they are related unto, and by them made<br />

choice of as Friends to the said Work, to remain to Future Ages: 10s.<br />

To be paid down towards the Charges thereof, and Allowance of the<br />

said Coat of Arms, and the remaining 10s. To be paid upon the delivery<br />

of one of the said Books as aforesaid. But if mentioned in more than<br />

one County, then 5s. More for every other County they are so<br />

mentioned in’.<br />

Thus Sir John Shaw has his name in the ‘Britannia’ three times: in<br />

the Benefactor’s List, under his armorial and in the list of Nobles and<br />

Gentry of Kent.<br />

SKELTON 90; MAPFORUM Issue 9.<br />

S/N: 10883<br />

TEL: +44 (0)20 7491 0010<br />

A ‘Benefactor’s’ example of Blome’s “Britannia” in fine original colour<br />

ALTEA GALLERY 51


52 ALTEA GALLERY<br />

90 BORDONE, Benedetto.<br />

Early 16th century map of Scandinavia<br />

89 WÄLDSEEMÜLLER, Martin.<br />

Tabula Moderna Norbegie Et Gottie.<br />

Strasbourg: Johannes Schott, 1520. Woodcut, printed area 320 x 590mm.<br />

£11,000<br />

This scarce woodcut map of Scandinavia appeared in the supplemental section of modern maps in the “Geographiæ Opus Novissima...”, and is a copy<br />

of the Ulm map of 1482. Cities marked include “Asto” (Oslo), “Begensis” (Bergen), “Nodrosia” (Nidaros) and “Stauargerensis” (Stavanger).<br />

This map was first printed in 1513: this example dates from 1520, with all but one of the lines of letterpress text in the borders removed.<br />

GINSBERG: Printed Maps of Scandinavia & the Arctic, 5.<br />

S/N: 10605<br />

The first printed map of Japan<br />

Ciampagu; Iava Maggiore.<br />

Venice, 1528. Woodcut with original body colour, 85 x 145mm set in text<br />

£3,500<br />

The earliest known printed map of Japan, issued in Bordone’s ‘Isolario’ in 1528, twenty years before the first recorded visit by a European. It is<br />

based on Marco Polo’s description in his book “Il Milione”, in turn based on accounts Polo hear at the court of the Chinese emperor. He named the<br />

island Zipangu, his approximation of the Chinese ‘Jihpenkuo’.<br />

On the verso is a map of Java and two of its surrounding islands, well known as a result of the Portuguese spice trade. It was a ship blown off course<br />

from the Java trade route that brought the first European visitors to Japan.<br />

The Italian text gives particulars about the supposed locations of both islands and the habits of their inhabitants.<br />

WALTER: fig 5 and Pg. 185.<br />

S/N: 10259<br />

WWW.ALTEAGALLERY.COM


Ortelius’s landmark map of China<br />

91 ORTELIUS, Abraham.<br />

Chinae, olim Sinarum regionis, nova descriptio.<br />

auctore Ludovicio Georgio.<br />

Antwerp, 1598, French text edition. Coloured.<br />

370 x 470mm.<br />

£5,000<br />

The most decorative map of China. Oriented<br />

with north to the right, there are cartouches<br />

for the title, scale and privilege; on the map<br />

are elephants, Tartar tents and land-yachts.<br />

Japan has an extra landmass to the east, with its<br />

further reaches hidden by the scale cartouche.<br />

The Philippines appear, but with little accuracy<br />

or detail; they were not even named until the<br />

second state (c.1588).<br />

WALTER: 11f, illus; VAN DEN BROECKE: 164.<br />

S/N: 11643<br />

An extremely influential map of Russia<br />

92 GERRITSZ, Hessel.<br />

Tabular Russiæ ex autographo, quod<br />

delineandum curavit Foedor filius Tzaris<br />

desumta...<br />

Amsterdam, 1614. 425 x 540mm.<br />

Narrow margins.<br />

£7,000<br />

Map of Russia with a townplan of Moscow, a<br />

vignette prospect of Archangel, three figures and<br />

a martial title cartouche.<br />

Engraved in 1613, Gerritsz published this second<br />

state with the date changed to 1614; the third<br />

was issued by Willem Blaeu, with the same date<br />

but Gerritsz’s address removed, published after<br />

Gerritsz’s death in 1632.<br />

Gerritsz (1581-1632) was an engraver,<br />

cartographer, publisher and bookseller of<br />

Amsterdam. Having finished his engraving<br />

apprenticeship to the Blaeu family he set himself<br />

up in business, although he continued to do some<br />

work for the Blaeus. The plan of Moscow top<br />

left was published by Blaeu in an enlarged form<br />

in 1662.<br />

S/N: 11679<br />

TEL: +44 (0)20 7491 0010<br />

ALTEA GALLERY 53


54 ALTEA GALLERY<br />

94 BRAUN, Georg & HOGENBERG, Frans.<br />

Speed’s famous map of the Saxon Heptarchy<br />

Prospect of Krakow from the ‘Civitates Orbis Terrarum’<br />

93 SPEED, John.<br />

Britain As It Was Devided in the tyme of the Englishe Saxons especially<br />

during their Heptarchy.<br />

London, John Sudbury & George Humble, 1614-16. Coloured. 385 x 505mm.<br />

£3,000<br />

An early example of the most decorative map of the British Isles,<br />

engraved by Jodocus Hondius for Speed’s ‘Theatre of the Empire of<br />

Great Britain’. First published in 1611, this comes from the second<br />

English edition, published 1614-16. The first part of the atlas is dated<br />

1614 and the second-to-fourth parts 1616; it is believed that the delay<br />

was caused by the death of the original printer, William Hall, soon after<br />

the printing started.<br />

England is shown divided into the seven Saxon kingdoms, with the<br />

kingdoms of the Scots, Picts and Welsh also marked. Flanking the map<br />

are two columns of vignettes: on the left can be seen the first king of<br />

each Saxon region; on the right the conversions of their successors to<br />

Christianity, persuaded by discussion, preaching, visions and violence.<br />

The English text on verso gives an outline of the history.<br />

Speed’s map was so striking that it was copied by both Blaeu and<br />

Jansson for their atlases of the British Isles.<br />

SHIRLEY: 344; SKELTON: 10.<br />

S/N: 13027<br />

Cracovia Metropolis Regni Poloniae.<br />

Cologne, 1617. Original colour with additions. Two sheets conjoined, total 365 x 1055mm.<br />

Laid on archival paper to reinforce verdigris weaknesses.<br />

£5,500<br />

An early prospect of Krakow, less common than most of the other plans in the ‘Civitates Orbis Terrarum’ because it only appeared in the sixth and<br />

last volume. It shows the city from the west, with the neighbouring towns of Kazimierz & Kleparz. Their names are given on banners in the sky<br />

alongside their armorials. In the foreground is a procession transferring the Polish king from his castle in Krakow, Wawel, to his country residence<br />

at Lobzów. This would date the view to before 1596, when King Sigismund moved the capital to Warsaw, abandoning Wawel.<br />

KOEMAN: B&H 6.<br />

S/N: 12675<br />

WWW.ALTEAGALLERY.COM


95 HONDIUS, Jodocus II.<br />

Germaniae Nova et Accurate Descriptio.<br />

Amsterdam: Frederick de Wit, c.1665. Original outline<br />

colour. 455 x 560mm.<br />

£4,500<br />

Rare panelled map of Germany designed and<br />

published by Jodocus Hondius Jr. in 1625, here<br />

re-issued by de Wit circa 1665.The map has<br />

decorative pictorial panels on all four sides;<br />

the upper panel with equestrian figures of the<br />

Holy Roman Emperor and the seven Electors<br />

of the Empire; the side borders have three<br />

costume figures interspersed with prospects of<br />

German cities, with a further ten prospects with<br />

accompanying armorials in the lower border,<br />

making eighteen in total.<br />

Schilder: Monumenta Cartographica Neerlandica, IV,<br />

Map 37.4, noting two institutional locations and a<br />

single private location, the Stopp Collection.<br />

S/N: 7922<br />

96 GOOS, Pieter.<br />

Pascaerte Van Westindien De Vaste Kusten En<br />

de Eylanden.<br />

Amsterdam, c.1666. Original colour. 459 x 540mm.<br />

Two short tears repaired at left and right sides.<br />

£2,500<br />

Decorative chart of the West Indies, with the<br />

Eastern Seaboard north to Delaware Bay. An<br />

inset shows the coastline of Cuba around Havana.<br />

BURDEN: 389.<br />

S/N: 11906<br />

TEL: +44 (0)20 7491 0010<br />

Carte-à-figures map of Germany<br />

17th century sea-chart of the West Indies<br />

ALTEA GALLERY 55


56 ALTEA GALLERY<br />

Speed’s classic set of the world & four continents<br />

97 SPEED, John.<br />

A New and Accurat Map of the World...; Europ...; America...;<br />

Asia...; Africæ...<br />

London, Bassett & Chiswell, 1676. Coloured. Five plates, ea. c.395 x 515mm.<br />

£30,000<br />

A set of landmark maps from Speed’s ‘Prospect of the Most Famous<br />

Parts of the World’, the first English atlas of the world. The world has<br />

decorative borders illustrated with the Elements, portraits of explorers,<br />

astronomical diagrams and celestial hemispheres in the cusps; each of<br />

the continents has costume vignettes down each side and prospects of<br />

famous cities along the top.<br />

Complete sets of these decorative maps are becoming increasingly<br />

uncommon.<br />

SHIRLEY: World, 317; BURDEN: North America, 217;<br />

BETZ: Africa, 62.<br />

S/N: 9777<br />

WWW.ALTEAGALLERY.COM


98 SPEED, John.<br />

The Kingdome of Scotland.<br />

London, Bassett & Chiswell, 1676. Coloured.<br />

390 x 510mm.<br />

Split in centrefold margin repaired, edge of left<br />

margin reinforced.<br />

£2,400<br />

A rightly famous map of Scotland, with an inset<br />

of the Orkneys. First issued 1611-12, the plate<br />

originally had portraits of James VI of Scotland<br />

and I of England, his wife Anne and their two<br />

sons. However in 1652 the Puritan ascendancy<br />

made it politic to re-engrave the plate: away<br />

went the Royal family, to be replaced by costume<br />

vignettes of a “Scotch” (i.e. lowland) man &<br />

woman and their wilder “Highland” neighbours.<br />

The checked garments worn by the second pair<br />

are considered to be one of the earliest depictions<br />

of tartan.<br />

S/N: 9773<br />

99 PLOT, Robert.<br />

To the Right Reverend Father in God by<br />

divine permission Ld Bishop Oxon The Map of<br />

Oxfordshire being his Lordship’s Diocess, newly<br />

delineated, and after a new manner, with all<br />

imaginable Reverence is humbly dedicated by<br />

R.P. L.L.D.<br />

Oxford, 1677. Coloured. 510 x 490mm.<br />

£2,000<br />

A superbly decorated map of the county,<br />

surrounded by 181 armorials of colleges and<br />

noblemen, with a title cartouche featuring the<br />

escutcheon of the Bishop of Oxford, a pillar for<br />

the key, a scale with putti holding surveying<br />

instruments and a compass rose.<br />

The map was engraved by Michael Burghers for<br />

Plot’s ‘The Natural History of Oxford-shire’, a<br />

study of Oxfordshire encompassing everything<br />

from farming techniques to geology. Plot made<br />

an extensive study of ‘formed stones’ or fossils,<br />

arguing that fossil shellfish were crystallizations<br />

of mineral salts and that large quadruped fossils<br />

were the remains of giants, except for one he<br />

believed to be an elephant. The illustration<br />

of this is considered the first depiction of a<br />

dinosaur fossil.<br />

S/N: 9180<br />

TEL: +44 (0)20 7491 0010<br />

A classic decorative map of Scotland<br />

Oxfordshire, surrounded by armorials<br />

ALTEA GALLERY 57


58 ALTEA GALLERY<br />

The scarce Oxford edition in original colour<br />

100 KEERE, Pieter van den.<br />

Nova Totius Terrarum Orbis Geographica Ac Hydrographica Tabula.<br />

Oxford: Jan Jansson à Waesberg & Sons, Moses Pitt and Stephen Swart, 1680.<br />

Original colour. 450 x 535mm.<br />

Minor verdigris cracking reinforced on verso.<br />

£11,000<br />

The world in planisphere, decorated with allegorical figures of the<br />

seven known planets along the top, the seven wonders of the world<br />

underneath, the Four Elements on the left and Four Seasons on<br />

the right.<br />

Keere, a prolific engraver of maps whose career spanned nearly half a<br />

century, engraved this copy of Blaeu’s world map in 1608. Ownership<br />

of the plate passed to Jan Jansson c.1620, then after his death onto<br />

Jan Jansson à Waesberg. He went into partnership with two English<br />

publishers, Pitt and Swart, to produce a twelve-volume ‘English Atlas’<br />

to compete with Blaeu’s. This plate was updated for that publication,<br />

with a new dedication to the Bishop of Oxford, the re-engraving of<br />

California as an island, the insertion of the partial outline of Australia,<br />

Ezo and Spitzbergen (enough for Shirley to assign a new entry to it).<br />

Between 1680 and 1683 four volumes of the atlas and the text for the<br />

fifth were printed in Oxford, but the mounting costs were too much.<br />

Production ceased, and for a time Pitt was locked up in the Fleet Prison<br />

for debt.<br />

SHIRLEY: 504 (see 264 for the original issue.)<br />

S/N: 7937<br />

With an early view of New York<br />

101 VISSCHER, Nicolas Jansz.<br />

Novi Belgii Novæque Angliæ Nec Non Partis Virginiæ Tabula...<br />

Amsterdam, c.1684, coloured, 470 x 550 mm.<br />

Very fine condition, good margins.<br />

£6,250<br />

State four of this scarce and important map derived from that of<br />

Jansonius. Its importance lies in the inclusion of a prospect of New<br />

Amsterdam, the second published view of the city. There is much<br />

attractive detail in this map, turkeys, beavers and bears amongst other<br />

fauna are shown, as well as a depiction of a Mohican Indian settlement.<br />

Of interest is the fact that the second state of this map was used in one<br />

of the first boundary disputes by William Penn and Lord Baltimore<br />

of Maryland.<br />

BURDEN: 315.<br />

S/N: 9599<br />

WWW.ALTEAGALLERY.COM


TEL: +44 (0)20 7491 0010<br />

A Jacobite map of the British Isles<br />

102 DESGRANGES.<br />

La Carte des Royaumes d’Angleterre d’Ecosse et d’Irlande dediée a<br />

sa Majesté Britannique Par son tres humble et tres obeissant Serviteur<br />

Desgranges Géographe du Roy 1689.<br />

Paris: Desgranges, 1689. Sheet 440 x 555mm.<br />

Trimmed to printed border.<br />

£1,500<br />

A separately issued French map of the British Isles, published in<br />

support of James II, the Catholic king of England deposed in the<br />

Glorious Revolution of 1688. Louis XIV of France had just declared<br />

war on England (The Nine Years’ War) to restore James to his throne<br />

and break the Anglo-Dutch alliance created by William of Orange’s<br />

accession to the British monarchy.<br />

To the right of the title cartouche are portraits of James, his wife Mary<br />

of Modena and infant son James Francis Edward, later called ‘The Old<br />

Pretender’ or (by his supporters) James III. Top right is an inset map<br />

of the Faroes, Orkneys and Shetlands, with a list of British possessions<br />

abroad underneath; top right is a chart of the English Channel.<br />

The map was engraved by Roussel and the elaborate title cartouche<br />

by Dolivart. Little is known about Desgranges: the Dictionary of<br />

Mapmaker lists his surname only, no personal dates, and, despite the<br />

appelation ‘Géographe du Roy’ on this map, only three maps (1688,<br />

1689 & 1702).<br />

SHIRLEY: Desgranges 1, state 1 of 6.<br />

S/N: 12794<br />

Saxton’s map of Cornwall as revised by Philip Lea<br />

103 SAXTON, Christopher.<br />

Cornwall Described by C. Saxton Corrected and many Additions as the<br />

Roads &c. by P. Lea.<br />

London: Lea, c.1694. 380 x 490mm.<br />

£5,000<br />

The first map of the county of Cornwall, here printed one and a half<br />

centuries after its original publication.<br />

Over the years a number of changes had been made to the plate: the<br />

original title was replaced by the view of Launceston in c.1665; the<br />

arms of Elizabeth I were replaced by those of Charles I then Charles II;<br />

the panel of armorials were added c.1665 by an unknown publisher;<br />

and Lea added his name and Ogilby’s roads in 1689 and changed the<br />

title for the second time in 1694.<br />

Still this was not the end of the Saxton plates: they were issued again by<br />

George Willdey, Thomas Jefferys and Cluer Dicey into the 1770s.<br />

Despite the number of editions any example of Saxton’s map of<br />

Cornwall is uncommon.<br />

S/N: 11945<br />

ALTEA GALLERY 59


60 ALTEA GALLERY<br />

104 MORTIER, Pieter.<br />

English colonies in America<br />

Carte Nouvelle de L’Amerique Angloise<br />

Contenant La Virginie, Mary-Land, Caroline,<br />

Pensylvania Nouvelle Jorck, N.Jarsey<br />

N: France , et Les Terres Nouvellement<br />

Descouerte...<br />

Amsterdam, c.1705. Original colour.<br />

605 x 920mm.<br />

£2,600<br />

A large and decorative map of North<br />

America east of the Mississippi. Untranslated<br />

English phrases, like ‘Copper Mine’ and<br />

‘Mines of Iron’, point to the map being<br />

based on the Morden-Brown map of 1695.<br />

Cumming states that it is not usually found in<br />

Sanson/Jaillot atlases, but this example was<br />

bound in a Mortier issue of Jaillot’s ‘Atlas<br />

Nouveau’.<br />

KOEMAN: Mor 1; CUMMING: 129.<br />

S/N: 8703<br />

Fine panorama of Jerusalem<br />

105 PROBST, George Balthasar.<br />

Ierusalem, Hodierna.<br />

Augsburg: Heirs of Jeremiah Wolff, c.1750.<br />

Two sheets conjoined, total 380 x 1110mm.<br />

Wide margins, a very fine example.<br />

£2,800<br />

A prospect of early 18th century Jerusalem,<br />

with an 80-point key in German.<br />

Views by Probst are becoming increasingly<br />

scarce.<br />

S/N: 9358<br />

North & South America<br />

Item 104 Item 106<br />

Item 105<br />

106 DANET, Guillaume.<br />

L’Amerique Meridionale Et Septentrionale...<br />

Paris: L.C. Desnos, 1760. Original colour with<br />

later addition. 480 x 690mm. Centre fold restored,<br />

narrow margins as issued<br />

£2,600<br />

Map of the Americas decorated with a large<br />

baroque title cartouche and a decorative<br />

border containing roundel portraits and the<br />

signs of the zodiac. In the north west is the<br />

fictitious ‘Mer de l’Ouest’ with a presumed<br />

channel leading to Hudson’s Bay. Bottom<br />

right is an inset showing the supposed<br />

Russian discoveries in the North Pacific as<br />

reported by Joseph de l’Isle.<br />

The map was only occasionally published<br />

in composite atlases and is therefore<br />

quite scarce.<br />

S/N: 10430<br />

WWW.ALTEAGALLERY.COM


108 SMYTH, William Henry.<br />

TEL: +44 (0)20 7491 0010<br />

An 18th century plan of Venice<br />

107 UGHI, Ludovico.<br />

Nuova Pianta dell’Inclita Citta di Venezia Regolata l’Anno 1787.<br />

Venice, Ludovico Furlanetto, 1787. 515 x 680mm, with separately printed key<br />

pasted underneath.<br />

Minor repairs to folds.<br />

£2,800<br />

A reduction of Ughi’s 8-sheet map of 1725, this version first published<br />

in 1747. This is an example of the second state, with a title and date<br />

added in the scale cartouche, and a grid engraved over the map,<br />

referred to by the extensive key printed on a separate sheet and<br />

attached under the map.<br />

There are three more states known, the last in 1829.<br />

MORETTI: Venetia, 188, state 2 of 5.<br />

S/N: 11225<br />

19th century chart of Sicily<br />

Sicily, Schmettau’s Map Corrected to the Points and Coast Survey of<br />

Captain W. H. Smyth, R.A, Knight of S. Ferdinand & Merit.<br />

London, Hydrographical Office of the Admiralty, c. 1824. 475 x 630mm.<br />

Narrow bottom margin.<br />

£800<br />

A detailed chart of Sicily. In 1815, at the end of the Napoleonic War,<br />

Lieut. Smyth was posted to Sicily, which he used as a base to survey the<br />

coasts of Italy and Africa, with the islands in between. Thirty-two of<br />

his charts and views were published by the Admiralty, which remained<br />

the core hydrography of the central Mediterranean until the end of the<br />

century. He published his own account, “Memoir descriptive of the<br />

resources, inhabitants, and hydrography of Sicily and its islands...”,<br />

in 1824. His final naval rank was admiral.<br />

S/N: 9181<br />

Superbly detailed plan of Valetta<br />

109 SMYTH, William Henry.<br />

Plan of the Harbours and Fortifications of Valetta In the Island of<br />

Malta...<br />

London, Hydrographical Office of the Admiralty, 1823 [-1852] .<br />

650 x 490mm.<br />

Mint condition, on Whatman Turkey Mill paper watermarked 1852.<br />

£1,100<br />

A detailed plan of the city, with inset views of the city, the Castle of<br />

S.Angelo and the Castle and Lighthouse of S.Elmo.<br />

S/N: 9184<br />

Item 107<br />

Item 108<br />

Item 109<br />

ALTEA GALLERY 61


62 ALTEA GALLERY<br />

Blue-back chart of the Eastern Seaboard<br />

published during the Civil War<br />

110 HOBBS, John Stratton.<br />

Chart of North America from Boston to the Strait of Florida and<br />

Havana. (In Four Sheets.)<br />

London, Charles Wilson, 1863. Four sheets conjoined, backed with blue paper<br />

edged with linen, total. 900 x 2780mm.<br />

Fine condition.<br />

£6,500<br />

A fine ‘blue-back’ sea chart, orientated with north to the right, showing<br />

the Eastern Seaboard from Havana in Cuba to Richmond Island in<br />

Maine, and the Gulf coast to Apalachicola. Ten insets show details of<br />

New York Harbour, Boston, Cape Charles, Harreras Shoals, Ocracoke<br />

Inlet (the entrance to Pamlico Sound), the entrance to the Delaware,<br />

Charleston Harbour. Cape Fear River, Frying Pan Shoal (off Cape<br />

Fear), the Savannah River & St John’s River (near Jacksonville, Florida.<br />

A table shows the designations of the beacons of the Florida reefs.<br />

The chart was published in 1863, half-way through the American Civil<br />

War. Britain was officially neutral, but two Confederate warships<br />

were built by the British shipyard John Laird & Sons; and most of<br />

the ships involved in running the Federal blockade of the South were<br />

British, many specifically built for that purpose. It is likely that this<br />

exceptionally-large chart was published for merchants wishing to profit<br />

from the conflict.<br />

S/N: 11867<br />

WWW.ALTEAGALLERY.COM


An uncommon 19th century Spanish sea chart of Tenerife<br />

111 VIDAL, Alexander.<br />

Oceano Atlantico Septentrional. Carta de la Isla de Tenerife en las<br />

Canarias, levantada por el Capitan A.T.E. Vidal de la M.R. Inglesa en<br />

1838. Corregida en 1868.<br />

Madrid: Direccion de Hidrografia, 1868. Touch of original colour.<br />

485 x 650mm. Blind stamp of the Direccion de Hidrografia.<br />

£2,500<br />

A scarce chart of Tenerife, one of the largest and most detailed map<br />

of the island of the period, showing the relief of the mountains with<br />

hachuring. Lighthouses are marked in colour.<br />

Captain Vidal, a Royal Navy hydrographer, worked his way up through<br />

the ranks to become an admiral, and married the daughter of the British<br />

consul in Maderia.<br />

S/N: 12575<br />

An uncommon Spanish sea chart of Gran Canaria<br />

112 ARLETT, William.<br />

Oceano Atlantico Septentrional. Carta de la Isla de la Gran Canaria,<br />

levantada por el teniente Arlett de la M.R. Inglesa en 1834. Corregida<br />

en 1868.<br />

Madrid: Direccion de Hidrografia, 1868. Touches of original colour.<br />

480 x 630mm. Blind stamp of the Direccion de Hidrografia.<br />

£2,400<br />

A scarce Spanish chart of Gran Canaria, one of the most detailed map<br />

of the island of the period, showing the relief of the mountains with<br />

hachuring. Lighthouses are marked in colour.<br />

S/N: 12572<br />

TEL: +44 (0)20 7491 0010<br />

Sea chart of Singapore<br />

113 RIUDAVETS, José Maria.<br />

Carta Esferica del Estrecho de Singapore segun los datos mas recientes<br />

ingleses y holandeses.<br />

Madrid: Direccion de Hidrografia, 1863. Touches of original colour.<br />

640 x 990mm. Blind stamp of the Direccion de Hidrografia.<br />

£3,500<br />

A scarce Spanish chart of the environs of Singapore, in superb detail,<br />

with numerous depth soundings. The lighthouses are marked in colour.<br />

S/N: 12455<br />

Item 111<br />

Item 112<br />

Item 113<br />

ALTEA GALLERY 63


64 ALTEA GALLERY<br />

114 NEWTON & Son.<br />

A handsome pair of floor-standing library globes<br />

Newton’s New & Improved Terrestrial Globe Embracing every recent Discovery. [&] Newton’s New & Improved Celestial Globe On which all the<br />

Stars, Nebulæ & Clusters contained in the extensive Catalogue of the late F.Wellaston are accurately laid down...<br />

London, Newton & Son, 1842.<br />

£29,000<br />

Pair of 12” (30cm) diameter globes, each standing 90cm high, with a single pedestal stand with three legs, with four quarter circles supporting the<br />

horizon ring. Each globe has 2 sets of twelve copper-engraved half gores, coloured and varnished. The meridian rings are brass, as are the Englishstyle<br />

hour circles between the meridians and the globes. The horizon rings are also copper-engraved and varnished.<br />

S/N: 8521<br />

WWW.ALTEAGALLERY.COM


115 Earth Plantinum<br />

The <strong>Altea</strong> <strong>Gallery</strong> is proud to be able to offer for sale Number 2 of 31 copies of<br />

EARTH PLATINUM: The World’s Largest Atlas<br />

Australia: Millenium House, 2012. Leather binding,<br />

1.8 x 1.4 metres; 128 pages of maps, pictures and text.<br />

Number 2 of a limited edition of 31.<br />

US $100,000 (Publisher’s fixed price)<br />

A monumental publication, the largest atlas ever<br />

created, weighing in at 150 kilograms. After 25 years<br />

in development, at a cost of over US $1 million, Earth<br />

Platinum was published in January 2012 in an edition<br />

strictly limited to 31 copies, of which the example we are<br />

offering is Number Two.<br />

Such is the scale of the mapping that towns, rivers and<br />

islands that normally would not be shown due to size<br />

restrictions are clearly visible.<br />

Professionals from around the globe have contributed<br />

their knowledge and skills, including photographers,<br />

oceanographers, cartographers, computer programmers<br />

and a shipwreck expert who has located the exact position<br />

of wrecks worldwide.<br />

The pictures in the atlas, including the 6 x 9ft view of<br />

Machu Pichu, were created using the Gigapan process,<br />

which compiles one image from thousands of photographs.<br />

The Shanghai skyline is made up of 12,000 individual<br />

images and so is the largest photograph in the world.<br />

EARTH The World’s Largest Atlas


<strong>Altea</strong> <strong>Gallery</strong> Limited<br />

35 Saint George Street<br />

London W1S 2FN<br />

Tel: + 44 (0)20 7491 0010 Fax: +44 (0)20 7491 0015<br />

info@alteagallery.com www.alteagallery.com<br />

ALTEA GALLERY CATALOGUE No1 SUMMER 2012

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!