03.06.2013 Views

logo guidelines. - Blip Press

logo guidelines. - Blip Press

logo guidelines. - Blip Press

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Identity Guidelines


Introduction<br />

These <strong>guidelines</strong> have been created to help standardize<br />

the <strong>Blip</strong> graphic identity. The pages that follow explain the<br />

essential elements of the identity system and demonstrate<br />

their correct use across a broad sampling of applications<br />

and media.<br />

The proper implementation of the graphic identity program<br />

will further the goal of conveying a consistent, unified sense<br />

of who <strong>Blip</strong> is and what it does.<br />

2


Table of Contents<br />

2. Introduction<br />

Basic elements<br />

5. Wordmark<br />

6. Alternate version for smaller sizes<br />

7. Clear space<br />

8. Primary <strong>logo</strong> color<br />

9. Secondary <strong>logo</strong> and background colors<br />

10. Primary typography<br />

11. Secondary typography<br />

12. Supporting typography<br />

13. Tagline<br />

14. Tagline use<br />

15. Logo and tagline lockup<br />

16. Misuse of the <strong>logo</strong><br />

Stationery<br />

18. Business card<br />

19. Letterhead<br />

20. Envelope<br />

21. Mailing label<br />

22. <strong>Press</strong> release<br />

23. One pager<br />

24. Note card<br />

25. Sticker<br />

26. Email signature<br />

Digital applications<br />

28. Web specifications (buttons, fonts, colors)<br />

29. Destination site identification<br />

30. Destination site grid<br />

31. Destination site header<br />

32. Destination site subscription pages<br />

33. Player identification<br />

34. Watermark<br />

35. Endcap<br />

36. Advertisement, shout-out, off site subscriptions<br />

37. Audience favorite<br />

38. Presence on ROKU, Google TV, Sony TV<br />

39. Branding O&O sites<br />

40. Presence on YouTube<br />

41. Social media - Facebook, Twitter<br />

42. <strong>Blip</strong> blog<br />

43. Email newsletter<br />

44. iPad, iPhone, Android apps<br />

3D<br />

46. Logo on the reception desk<br />

47. Reception desk measurements<br />

48. Merchandise (mugs, hats etc.)


Basic Elements


Wordmark<br />

The <strong>Blip</strong> <strong>logo</strong> consists of specially<br />

designed and spaced letterforms.<br />

Each element has been carefully<br />

drawn and spaced to create a unified<br />

whole. Always use the supplied<br />

artwork for reproduction. Do not<br />

attempt to redraw or recreate the<br />

<strong>Blip</strong> <strong>logo</strong> using computer fonts.<br />

5


Alternate Version<br />

for Smaller Sizes<br />

An alternate version of the <strong>logo</strong> has<br />

been developed for instances where<br />

the <strong>logo</strong> needs to appear in small<br />

sizes, such as on an iPhone app. Use<br />

this version for all situations where<br />

the <strong>logo</strong> is smaller than 0.4 inches<br />

high. Do not attempt to recreate<br />

this version. Always use the original<br />

artwork provided.<br />

Basic <strong>logo</strong><br />

Logo for small sizes<br />

1 inch high and bigger<br />

0.4 inch high<br />

0.39 inch high<br />

0.175 inch high<br />

6


Clear Space<br />

The <strong>Blip</strong> <strong>logo</strong> should be displayed<br />

prominently and clearly to maximize<br />

its impact. Allow it to breathe by preserving<br />

a minimum clear space area<br />

around all four sides. The minimum<br />

clear space is equal to the “L” height<br />

(marked as “x” on the diagram on the<br />

right) around the entire <strong>logo</strong>. This<br />

applies both to the <strong>logo</strong> as well as to<br />

the <strong>logo</strong> and tagline lockup.<br />

Use the clear space area between the<br />

<strong>logo</strong> and any other graphic elements<br />

such as type, images, or other <strong>logo</strong>s<br />

to ensure that the <strong>Blip</strong> <strong>logo</strong> retains a<br />

strong presence wherever it appears.<br />

Where possible, allow even more<br />

space around the <strong>logo</strong>.<br />

x<br />

x<br />

x<br />

x<br />

x<br />

7


Primary Logo Color<br />

Color is a critical element in creating<br />

a memorable impression. The primary<br />

<strong>Blip</strong> brand color is bright red. It can<br />

help convey an energetic and optimistic<br />

character for all <strong>Blip</strong> communication<br />

materials, both web/TV (RGB and web<br />

safe values) and print (Pantone and<br />

CMYK values).<br />

The approved CMYK, RGB and<br />

Websafe values are listed below.<br />

When changing from Pantone to<br />

CMYK, RGB or Websafe color values,<br />

use these formulations.<br />

When color printing is not available,<br />

as in newspapers or on fax, the black<br />

and white version of the <strong>logo</strong> should<br />

be used.<br />

Pantone 485C<br />

C=0, M=100, Y=100, K=0<br />

R=255, G=25, B=25<br />

HEX=FF0000<br />

<strong>Blip</strong>_color_positive <strong>Blip</strong>_color_negative<br />

<strong>Blip</strong>_b&w_positive <strong>Blip</strong>_b&w_negative<br />

8


Secondary Logo and<br />

Background Colors<br />

Due to its simplicity and<br />

recognizability, the <strong>Blip</strong> <strong>logo</strong> can<br />

function in any color. The open<br />

color palette allows for a dynamic<br />

range of possibilities. This flexibility<br />

requires careful treatment and<br />

attention to the <strong>logo</strong> as well as to<br />

the contrast with the background.<br />

However, all main <strong>Blip</strong> communication<br />

channels (destination website,<br />

stationary, newsletter, and so forth)<br />

should use the primary <strong>Blip</strong> red for<br />

the <strong>logo</strong> (for specs see Color page).<br />

9


Primary Typography<br />

Berthold Akzidenz Grotesk has been<br />

designated as the primary typeface<br />

for <strong>Blip</strong>. This sans-serif typeface<br />

should be used on all main <strong>Blip</strong><br />

communication materials such as<br />

stationery, headlines in advertising,<br />

titles in brochures, or signage. It<br />

can also be used on the web by<br />

employing cufon code. Examples<br />

of proper use are shown in the<br />

following pages.<br />

<strong>Blip</strong>.tv is the place to discover<br />

the best in original web series,<br />

from professional and up-and-<br />

coming producers.<br />

Berthold Akzidenz Grotesk Light<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890&@#$%*:;.,!?<br />

Berthold Akzidenz Grotesk Regular/Italic<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />

Berthold Akzidenz Grotesk Medium<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />

Berthold Akzidenz Grotesk Medium<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />

10


Secondary<br />

Typography<br />

Due to its good legibility, Myriad<br />

typeface should be used for<br />

all running text on the web (for<br />

example, on the destination site).<br />

Example of running text on web<br />

<strong>Blip</strong>.tv enables advertisers to associate brands with the targeted, highly engaged<br />

audiences of web series. We offer a wide range of ad sizes and placements, and<br />

our custom solutions can include RSS feeds, DVR reminders, content downloads<br />

and the syndication and distribution of multiple videos. We are constantly<br />

pushing our technologies with innovative new ideas.<br />

Myriad Regular/Italic<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />

Myriad Bold<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />

11


Supporting<br />

Typography<br />

Two standard fonts have been<br />

designated as supporting typefaces<br />

for use whenever the primary and<br />

secondary typeface is not available: a<br />

sans serif for web materials and a serif<br />

for print materials. Arial should be used<br />

as the typestyle for all running text<br />

on web and digital platforms when the<br />

use of Cufons is not possible. Times<br />

New Roman should be used for all<br />

running text on letterhead, press release,<br />

or other printed materials. Examples for<br />

use are shown on the right.<br />

Web supporting typeface Print supporting typeface<br />

This is a body text in Arial<br />

Regular. Arial is a web safe<br />

font, and it should be used<br />

for the running text in <strong>Blip</strong><br />

web materials, such as the<br />

destination site and email<br />

newsletters. Text can be<br />

emphasized in Arial Italic.<br />

This is a body text in Times<br />

New Roman. Times New<br />

Roman should be used for<br />

the running text in <strong>Blip</strong><br />

print materials, such as the<br />

content of letters on <strong>Blip</strong><br />

stationery. Text can be<br />

emphasized in Times New<br />

Roman Italic.<br />

Arial Regular/Italic<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />

Arial Bold<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />

Times New Roman Regular/Italic<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />

Times New Roman Bold<br />

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />

12


Tagline<br />

The <strong>Blip</strong> tagline should appear on<br />

<strong>Blip</strong> communications whenever<br />

possible to help position the brand’s<br />

offerings. The tagline has been set<br />

in Berthold Akzidenz Grotesk Medium<br />

and has been carefully letterspaced.<br />

Always use the provided artwork; do<br />

not attempt to recreate the tagline<br />

from computer typefaces.<br />

Two line tagline / limited use<br />

Discover the best<br />

in original web series.<br />

The two-line version of the tagline<br />

should only be used in instances<br />

where space is limited and there is<br />

no room for the primary, single-line<br />

version.<br />

Discover the best in original web series.<br />

13


Tagline Use<br />

Even though the <strong>logo</strong> and the tagline<br />

appear together, they should not be<br />

locked into a single unit. Instead, they<br />

should be treated as two separate<br />

graphic elements (see examples on<br />

the right).<br />

Discover the best in original web series.<br />

June 22, 2010<br />

Addressee’s Name<br />

Company Name<br />

Address<br />

City, State Zip<br />

Dear Mr. Smith,<br />

Ilit el ilis nos diam dit iriurer si.<br />

Ommy nonum eui tet iriurercip essequat doluptatum ad et lore er sumsandreet ad et, vel eugiam nibh erat<br />

iure duisi. Irilit vulluptatem aut alis nissequat la at. Sandre ver sequam, quiscil laorem nisl elenim dolorti<br />

onsequi exeriurem zzriurem alit, con henibh elit estrud ex eugait aut num dolum nosto dio od et adit wisl<br />

eu feugiat alissit ulputpa tueriuscilit laorerat adiat ate molorpe riureri urercil eugiat ver iurem digna<br />

feumsandre modit velenis cilisi blan henisl inisit dolenim vendiam, si tat, vel exerci blaorpe riusto<br />

ercidunt wis num dolor iriurero ent nosto eniam zzrit iliquat velit adigniam dolortio delisi.<br />

Dolorer ostrud dolor iriustrud tem iustrud eugiam ipsusci tis dolor suscip eros nim delisci te facil ing et<br />

luptat ad magna feugait prat lorperci tat volobor alit, quate tat acilla feu faccum init vulput il elisci bla<br />

facillaore ex ea feugiam, conulla ndiatue dolobore ea augiatummy nonulputat, consed eugiam, verostie<br />

mod esectet vullam incipsum dolorero eugueri liquat.<br />

Adipis nulpute ver sisi eumsandit dolutpatummy nit at. Ut autpatie commolore dolendio et, sectem ing<br />

exerosto enit iliquat, qui eugue delit amconsed molor am ing eugait eui ex euguer sit lut wissequatem<br />

dolut vullaore tat. Ut praesto od tet at vel dolut acipit lumsan utat praesectet eum nisl inisl dolorper sum<br />

vero ero conulput lortisi. Onsequi psumsan e feu faccum dit lorem ipisit wisit delendre do do eugiat nim<br />

alit dolorperat alit aliquatin velit am amet, si.<br />

It ad dolore molestrud tem eu faci bla faccum irillutpatem do dolutpat. Ut lore doluptat ipsuscin ulla<br />

commy nos eros acipsusci ero dit aliquat utem quam, quipit alit iusto odio dion henit luptat aut il estio eu<br />

facipit, quat, summy nis dolortionum venis ad essi.<br />

Dina Kaplan<br />

Co–Founder<br />

Discover the best in original web series.<br />

636 Broadway, 3rd Floor<br />

New York, NY 10012<br />

917.699.6961 dina@blip.tv<br />

www.blip.com<br />

14


Logo and Tagline<br />

Lockup / Limited Use<br />

This special configuration of the <strong>Blip</strong><br />

<strong>logo</strong> and tagline should be used only<br />

in non–<strong>Blip</strong> environments. In all other<br />

cases, use the tagline separated from<br />

the <strong>logo</strong>, as shown on page 13.<br />

Because of the difference in visibility<br />

conditions between print and web<br />

applications, two different sizes have<br />

been specified for the smallest use.<br />

On the web, do not reduce the<br />

configuration below 0.4 inches high.<br />

In print, the configuration’s height<br />

should be above 0.25 inches.<br />

Always use the original artwork<br />

provided. Do not attempt to recreate<br />

with computer fonts.<br />

Smallest size for web<br />

> 0.4 inch (30 pixels) high<br />

Smallest size for print<br />

> 0.25 inch high<br />

½ x<br />

x x<br />

x x<br />

x<br />

x<br />

15


Misuse of the Logo<br />

1. Do not distort the <strong>logo</strong><br />

2. Do not place the <strong>logo</strong> into a shape<br />

3. Do not outline the <strong>logo</strong><br />

4. Do not use drop shadow<br />

5. Do not use a pattern in the <strong>logo</strong><br />

6. Do not use the <strong>logo</strong> in gradient color<br />

7. Do not use the <strong>logo</strong> in perspective<br />

8. Do not mask an image with the <strong>logo</strong><br />

9. Do not reposition the dot in the <strong>logo</strong><br />

10. Do not use a second color in the <strong>logo</strong><br />

11. Do not recreate the <strong>logo</strong> with computer fonts<br />

12. Do not add elements to the <strong>logo</strong><br />

1.<br />

4.<br />

7.<br />

10.<br />

2.<br />

5.<br />

8.<br />

11.<br />

3.<br />

6.<br />

9.<br />

12.<br />

16


Stationery<br />

17


Business Card<br />

Format<br />

3.5” x 2”<br />

Colors<br />

PMS 485<br />

Cool Gray 10<br />

Type<br />

Name:<br />

Berthold Akzidenz Grotesk Bold<br />

Size: 9 pt<br />

Title & Address:<br />

Berthold Akzidenz Grotesk Regular<br />

Size: 7 pt (6.5 pt for numbers, @ sign)<br />

Leading: 8.5 pt<br />

Paper<br />

Neenah Classic Crest Solar White<br />

Smooth Finish 100lb cover<br />

Shown here at 100%<br />

.25”<br />

.25”<br />

Dina Kaplan<br />

Co–Founder<br />

636 Broadway, 3rd Floor<br />

New York, NY 10012<br />

dina@blip.com 917.699.6961<br />

2”<br />

Center<br />

Discover the best in original web series.<br />

.625”<br />

.375”<br />

.375”<br />

18


Letterhead<br />

Format<br />

8.5” x 11”<br />

Colors<br />

PMS 485<br />

Cool Gray 10<br />

Type<br />

Address:<br />

Akzidenz Grotesk Regular<br />

Size: 7 pt (6.5 pt for numbers)<br />

Body Text:<br />

Times Roman<br />

Size: 10 pt<br />

Leading: 14 pt<br />

Paper<br />

Neenah Classic Cotton Solar<br />

White no. 10 square flap 24lb<br />

Shown here at 60%<br />

.5”<br />

1.75”<br />

.5”<br />

1” .75”<br />

Discover the best in original web series.<br />

June 22, 2010<br />

Addressee’s Name<br />

Company Name<br />

Address<br />

City, State Zip<br />

Dear Mr. Smith,<br />

Ilit el ilis nos diam dit iriurer si.<br />

Ommy nonum eui tet iriurercip essequat doluptatum ad et lore er sumsandreet ad et, vel eugiam nibh erat<br />

iure duisi. Irilit vulluptatem aut alis nissequat la at. Sandre ver sequam, quiscil laorem nisl elenim dolorti<br />

onsequi exeriurem zzriurem alit, con henibh elit estrud ex eugait aut num dolum nosto dio od et adit wisl<br />

eu feugiat alissit ulputpa tueriuscilit laorerat adiat ate molorpe riureri urercil eugiat ver iurem digna<br />

feumsandre modit velenis cilisi blan henisl inisit dolenim vendiam, si tat, vel exerci blaorpe riusto<br />

ercidunt wis num dolor iriurero ent nosto eniam zzrit iliquat velit adigniam dolortio delisi.<br />

Dolorer ostrud dolor iriustrud tem iustrud eugiam ipsusci tis dolor suscip eros nim delisci te facil ing et<br />

luptat ad magna feugait prat lorperci tat volobor alit, quate tat acilla feu faccum init vulput il elisci bla<br />

facillaore ex ea feugiam, conulla ndiatue dolobore ea augiatummy nonulputat, consed eugiam, verostie<br />

mod esectet vullam incipsum dolorero eugueri liquat.<br />

Adipis nulpute ver sisi eumsandit dolutpatummy nit at. Ut autpatie commolore dolendio et, sectem ing<br />

exerosto enit iliquat, qui eugue delit amconsed molor am ing eugait eui ex euguer sit lut wissequatem<br />

dolut vullaore tat. Ut praesto od tet at vel dolut acipit lumsan utat praesectet eum nisl inisl dolorper sum<br />

vero ero conulput lortisi. Onsequi psumsan e feu faccum dit lorem ipisit wisit delendre do do eugiat nim<br />

alit dolorperat alit aliquatin velit am amet, si.<br />

It ad dolore molestrud tem eu faci bla faccum irillutpatem do dolutpat. Ut lore doluptat ipsuscin ulla<br />

commy nos eros acipsusci ero dit aliquat utem quam, quipit alit iusto odio dion henit luptat aut il estio eu<br />

facipit, quat, summy nis dolortionum venis ad essi.<br />

Sincerely,<br />

Your name<br />

636 Broadway<br />

3rd Floor<br />

New York, NY 10012<br />

www.blip.com<br />

1.25”<br />

19


Envelope<br />

Format<br />

No. 10 Envelope<br />

9.5” x 4.125”<br />

Square Flap<br />

Colors<br />

PMS 485<br />

Cool Gray 10<br />

Type<br />

Berthold Akzidenz Grotesk Regular<br />

Size: 7 pt (6.5 pt for numbers)<br />

Leading: 8.5 pt<br />

Paper<br />

Neenah Classic Cotton Solar<br />

White no. 10 square flap 24lb<br />

Shown here at 60%<br />

<strong>Blip</strong>.tv<br />

No. 10 Envelopes (9.5” x 4.125”)<br />

2c/0 PMS 485, Cool Gray 10<br />

Address Typeface: Akzidenz Grotesk Regular 7pt (6.5pt for numbers), 9pt leading<br />

Tagline Typeface: Akzidenz Grotesk Bold 9pt<br />

Paper: Neenah Classic Cotton Solar White no. 10 square ap 24lb or similar<br />

.375”<br />

.375”<br />

1.6875”<br />

.375”<br />

636 Broadway, 3rd Floor<br />

New York, NY 10012<br />

Center<br />

Discover the best in original web series.<br />

20


Mailing Label<br />

Format<br />

3” x 6”<br />

Colors<br />

PMS 485<br />

Cool Gray 10<br />

Type<br />

Berthold Akzidenz Grotesk Regular<br />

Size: 7 pt (6.5 pt for numbers)<br />

Leading: 8.5 pt<br />

Paper<br />

Neenah Classic Crest Solar<br />

White Label Stock 70T<br />

Shown here at 100%<br />

.375”<br />

.375”<br />

636 Broadway, 3rd Floor<br />

New York, NY 10012<br />

.375”<br />

21


.75”<br />

1.25”<br />

.75”<br />

<strong>Press</strong> Release<br />

First page Last page<br />

1” 2.75” .8” .75”<br />

Shown here at 50%<br />

1.175”<br />

Berthold Akzidenz<br />

Grotesk Bold<br />

21/25pt<br />

Berthold Akzidenz<br />

Grotesk Medium<br />

14/18pt<br />

Times New<br />

Roman 12/14pt<br />

Berthold Akzidenz<br />

Grotesk Medium<br />

9/11pt<br />

Berthold Akzidenz<br />

Grotesk Regular<br />

9/11pt<br />

.5”<br />

.75”<br />

22


One Pager<br />

Shown here at 60%<br />

4”<br />

.75”<br />

Berthold Akzidenz<br />

Grotesk Bold 14 pt<br />

Berthold Akzidenz<br />

Grotesk Regular<br />

12/15pt<br />

.75”<br />

.75” .8”<br />

2.75”<br />

.75”<br />

1”<br />

1.75”<br />

1.75”<br />

23


Note Card<br />

Format<br />

3.75” x 5.25”<br />

Color<br />

PMS 485<br />

Paper<br />

Neenah Classic Crest Solar White<br />

Smooth Finish 130lb DTC<br />

Shown here at 100%<br />

.75”<br />

.30”<br />

.25”<br />

24


Sticker<br />

Format<br />

2.75” diameter<br />

Die cut circle<br />

Colors<br />

PMS 485<br />

Paper<br />

Coated Label Stock 70T<br />

Shown here at 100%<br />

Center<br />

2.75” 1”<br />

Design A (Positive Print) Design B (Reverse Print)<br />

25


Email Signature<br />

Colors<br />

Red:<br />

R=255, G=25, B=25<br />

HEX=FF0000<br />

Gray:<br />

R=102, G=102, B=102<br />

HEX=666666<br />

Type<br />

Name:<br />

Arial Bold, 11 pt, Grey<br />

Address:<br />

Arial Regular, 11 pt, Grey<br />

Tagline:<br />

Arial Bold, 11 pt, Red<br />

Shown here at 100%<br />

40 px<br />

26


Digital Applications<br />

27


Web Specifications<br />

This page is created as a cheat sheet<br />

for all <strong>Blip</strong> digital applications. Please<br />

follow all the specified rules to ensure<br />

a consistent look across the various<br />

platforms.<br />

<strong>Blip</strong> favicon<br />

16 px<br />

16 px<br />

Colors<br />

Shades of gray<br />

<strong>Blip</strong> red<br />

FF0000<br />

<strong>Blip</strong> background red<br />

EE0000<br />

<strong>Blip</strong> gradient red<br />

FF0000 - AA0000<br />

<strong>Blip</strong> link and background<br />

blue 000066<br />

<strong>Blip</strong> gradient blue<br />

000033 - 3366CC<br />

<strong>Blip</strong> gradient gray<br />

CCCCCC - 666666<br />

000000<br />

<strong>Blip</strong> body text gray<br />

333333<br />

<strong>Blip</strong> title gray<br />

666666<br />

999999<br />

CCCCCC<br />

<strong>Blip</strong> background gray<br />

EEEEEE<br />

<strong>Blip</strong> large color areas<br />

<strong>Blip</strong> background red EE0000<br />

<strong>Blip</strong> gradient red FF0000 - AA0000<br />

<strong>Blip</strong> link and background blue 000066<br />

<strong>Blip</strong> background gray EEEEEE<br />

Typography<br />

Title 1 Akzidenz<br />

Bold 16pt, blue<br />

Title 2 Akzidenz Bold<br />

13pt gray 666666<br />

This is a body text in Myriad<br />

Roman 12/15pt gray 333333.<br />

The text can be emphasized<br />

in Myriad Italic. Blue 000066<br />

indicates a link inside the text.<br />

Hover State Title 1<br />

Hover State Title 2<br />

Hover state link in the text<br />

<strong>Blip</strong> buttons<br />

<strong>Blip</strong> gradient blue<br />

<strong>Blip</strong> gradient gray<br />

Web conversions<br />

16pt = 22px | 1.4em | 140%<br />

13pt = 17px | 1.05em | 105%<br />

11pt = 15px | 0.95em | 95%<br />

28


Destination Site<br />

Identification<br />

29


Destination Site Grid<br />

The entire destination site should be<br />

built based on a 6 column grid. This<br />

will result in a sense of order and<br />

a clean site layout. Elements can<br />

spread over one or multiple column<br />

widths as long as the main structure<br />

is preserved.<br />

30


Destination Site<br />

Header<br />

When creating the destination site<br />

header, place all the elements within<br />

the specified six column grid, as<br />

shown below.<br />

31


Destination Site<br />

Footer<br />

The <strong>Blip</strong> <strong>logo</strong> should be used on the<br />

destination site footer as an identifier.<br />

It should appear on the far right<br />

side, to the right of the copyright<br />

information. The <strong>logo</strong> should be 40<br />

px wide in 50% black, as shown.<br />

32


Destination Site<br />

Subscription Pages<br />

For subscription pages, in addition to<br />

the already-specified rules, follow the<br />

examples on this page.<br />

33


Player Identification<br />

When using the <strong>Blip</strong> <strong>logo</strong> on players,<br />

make sure to use the small-sizes<br />

version of the <strong>logo</strong>. To allow flexibility<br />

and coherence with the rest of the<br />

player toolbar, the <strong>Blip</strong> <strong>logo</strong> can<br />

be used in any color on any color<br />

background (for more details on color<br />

use, see page 9 of these <strong>guidelines</strong>).<br />

The <strong>logo</strong> will also appear on the<br />

left of the info overlay bar that<br />

showcases the name of the video<br />

playing. In both cases it will act as a<br />

link to the <strong>Blip</strong> homepage.<br />

34


Watermark<br />

In instances when branding the<br />

player is not possible, a <strong>logo</strong><br />

watermark can be used instead. The<br />

watermark should be placed in the<br />

bottom left corner of the screen. It<br />

should be white in 50% opacity.<br />

35


Endcap<br />

For branding the endcap, use the<br />

white <strong>Blip</strong> <strong>logo</strong> in 50% transparency,<br />

40 pixels wide. Make sure to stay<br />

inside the grid and to align visual<br />

elements (such as next episode and<br />

recommended shows) whenever<br />

possible.<br />

36


Advertisements,<br />

Shout Outs, Off-Site<br />

Subscriptions<br />

To ensure strong visual impact for<br />

subscription advertisements, use<br />

the white <strong>logo</strong> on the red gradient<br />

background and a blue subscribe<br />

button. The <strong>logo</strong> area could be<br />

animated to showcase a show’s<br />

posters before the <strong>logo</strong> appears.<br />

All new show shout outs should be<br />

branded with the <strong>Blip</strong> <strong>logo</strong>. In these<br />

cases, the <strong>logo</strong> can be any color that<br />

harmonizes with the design.<br />

A special “subscribe to <strong>Blip</strong>” button<br />

for off-site presence has also<br />

been designed. This button should<br />

never be used on the <strong>Blip</strong> website<br />

or on <strong>Blip</strong>-related platforms. It is<br />

meant to be used as a tool to bring<br />

subscriptions from other websites like<br />

O&O sites.<br />

Off-site subscribe button<br />

Subscribe advertisement<br />

Shout outs<br />

37


Audience Favorite<br />

In the “Audience Favorite” section of<br />

the site, use the red radial gradient<br />

background with white type to<br />

announce popular, trending, and new<br />

shows (see the example on the right).<br />

38


Presence on Roku,<br />

Google TV, Sony TV<br />

etc.<br />

On streaming platforms such as<br />

Roku, GoogleTV or SonyTV, some<br />

limitations may appear. If possible,<br />

use the white <strong>Blip</strong> <strong>logo</strong> on a red<br />

gradient for identification, as shown<br />

here on Roku. If the <strong>logo</strong> needs to be<br />

shown on a black background (as on<br />

GoogleTV and SonyTV), use the red<br />

<strong>Blip</strong> <strong>logo</strong>.<br />

Roku<br />

Sony TV<br />

Google TV<br />

39


Branding O&O Sites<br />

Two options are available for branding<br />

O&O sites. The first, preferred option<br />

includes a band on top of the site,<br />

which is also a link to the <strong>Blip</strong> website.<br />

The second option should be used<br />

only in instances where the O&O site<br />

does not want to use the top band. In<br />

this case, the <strong>Blip</strong> <strong>logo</strong> is moved to the<br />

footer of the site and also functions as<br />

a link to the <strong>Blip</strong> website.<br />

Top band<br />

Bottom band<br />

40


Presence on<br />

YouTube<br />

41


Social Media<br />

<strong>Blip</strong> on Facebook<br />

<strong>Blip</strong> on Twitter<br />

42


<strong>Blip</strong> Blog<br />

43


Email Newsletter<br />

Type<br />

Titles:<br />

Arial Bold<br />

18/22 pt, 000000<br />

Body text:<br />

Arial Regular<br />

14/18 pt, 666666<br />

Shown here at 100%<br />

35px<br />

20px<br />

25px 100px<br />

145px<br />

44


iPad, iPhone,<br />

Android Apps<br />

The <strong>Blip</strong> <strong>logo</strong> easily translates into an<br />

app button. Use the white <strong>logo</strong> on a<br />

red gradient ground for all handheld<br />

gadgets (iPhone, iPad, Android, etc.).<br />

Some automatic shading may be<br />

added by the device company.<br />

45


3D Applications<br />

46


Reception desk<br />

47


Reception desk<br />

The <strong>Blip</strong> <strong>logo</strong> on the reception desk<br />

should be made of letters cut from<br />

¾” solid aluminum with a horizontal,<br />

lightly brushed finish. The centering<br />

of the letters is optical: the negative<br />

spaces of letters b and p are aligned<br />

with the vertical center of the panel.<br />

The letters should be mounted to<br />

project ¼” from the surface. The<br />

front panel should be covered with<br />

red laminate (Wilsonart 1511-60<br />

Mandarin Red).<br />

Front panel<br />

Vertical center<br />

10”<br />

12.5”<br />

¼”<br />

¾”<br />

28”<br />

48


Merchandise<br />

49


<strong>Blip</strong><br />

636 Broadway, 3rd Floor<br />

New York, NY 10012<br />

www.blip.com<br />

50

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!