logo guidelines. - Blip Press
logo guidelines. - Blip Press
logo guidelines. - Blip Press
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Identity Guidelines
Introduction<br />
These <strong>guidelines</strong> have been created to help standardize<br />
the <strong>Blip</strong> graphic identity. The pages that follow explain the<br />
essential elements of the identity system and demonstrate<br />
their correct use across a broad sampling of applications<br />
and media.<br />
The proper implementation of the graphic identity program<br />
will further the goal of conveying a consistent, unified sense<br />
of who <strong>Blip</strong> is and what it does.<br />
2
Table of Contents<br />
2. Introduction<br />
Basic elements<br />
5. Wordmark<br />
6. Alternate version for smaller sizes<br />
7. Clear space<br />
8. Primary <strong>logo</strong> color<br />
9. Secondary <strong>logo</strong> and background colors<br />
10. Primary typography<br />
11. Secondary typography<br />
12. Supporting typography<br />
13. Tagline<br />
14. Tagline use<br />
15. Logo and tagline lockup<br />
16. Misuse of the <strong>logo</strong><br />
Stationery<br />
18. Business card<br />
19. Letterhead<br />
20. Envelope<br />
21. Mailing label<br />
22. <strong>Press</strong> release<br />
23. One pager<br />
24. Note card<br />
25. Sticker<br />
26. Email signature<br />
Digital applications<br />
28. Web specifications (buttons, fonts, colors)<br />
29. Destination site identification<br />
30. Destination site grid<br />
31. Destination site header<br />
32. Destination site subscription pages<br />
33. Player identification<br />
34. Watermark<br />
35. Endcap<br />
36. Advertisement, shout-out, off site subscriptions<br />
37. Audience favorite<br />
38. Presence on ROKU, Google TV, Sony TV<br />
39. Branding O&O sites<br />
40. Presence on YouTube<br />
41. Social media - Facebook, Twitter<br />
42. <strong>Blip</strong> blog<br />
43. Email newsletter<br />
44. iPad, iPhone, Android apps<br />
3D<br />
46. Logo on the reception desk<br />
47. Reception desk measurements<br />
48. Merchandise (mugs, hats etc.)
Basic Elements
Wordmark<br />
The <strong>Blip</strong> <strong>logo</strong> consists of specially<br />
designed and spaced letterforms.<br />
Each element has been carefully<br />
drawn and spaced to create a unified<br />
whole. Always use the supplied<br />
artwork for reproduction. Do not<br />
attempt to redraw or recreate the<br />
<strong>Blip</strong> <strong>logo</strong> using computer fonts.<br />
5
Alternate Version<br />
for Smaller Sizes<br />
An alternate version of the <strong>logo</strong> has<br />
been developed for instances where<br />
the <strong>logo</strong> needs to appear in small<br />
sizes, such as on an iPhone app. Use<br />
this version for all situations where<br />
the <strong>logo</strong> is smaller than 0.4 inches<br />
high. Do not attempt to recreate<br />
this version. Always use the original<br />
artwork provided.<br />
Basic <strong>logo</strong><br />
Logo for small sizes<br />
1 inch high and bigger<br />
0.4 inch high<br />
0.39 inch high<br />
0.175 inch high<br />
6
Clear Space<br />
The <strong>Blip</strong> <strong>logo</strong> should be displayed<br />
prominently and clearly to maximize<br />
its impact. Allow it to breathe by preserving<br />
a minimum clear space area<br />
around all four sides. The minimum<br />
clear space is equal to the “L” height<br />
(marked as “x” on the diagram on the<br />
right) around the entire <strong>logo</strong>. This<br />
applies both to the <strong>logo</strong> as well as to<br />
the <strong>logo</strong> and tagline lockup.<br />
Use the clear space area between the<br />
<strong>logo</strong> and any other graphic elements<br />
such as type, images, or other <strong>logo</strong>s<br />
to ensure that the <strong>Blip</strong> <strong>logo</strong> retains a<br />
strong presence wherever it appears.<br />
Where possible, allow even more<br />
space around the <strong>logo</strong>.<br />
x<br />
x<br />
x<br />
x<br />
x<br />
7
Primary Logo Color<br />
Color is a critical element in creating<br />
a memorable impression. The primary<br />
<strong>Blip</strong> brand color is bright red. It can<br />
help convey an energetic and optimistic<br />
character for all <strong>Blip</strong> communication<br />
materials, both web/TV (RGB and web<br />
safe values) and print (Pantone and<br />
CMYK values).<br />
The approved CMYK, RGB and<br />
Websafe values are listed below.<br />
When changing from Pantone to<br />
CMYK, RGB or Websafe color values,<br />
use these formulations.<br />
When color printing is not available,<br />
as in newspapers or on fax, the black<br />
and white version of the <strong>logo</strong> should<br />
be used.<br />
Pantone 485C<br />
C=0, M=100, Y=100, K=0<br />
R=255, G=25, B=25<br />
HEX=FF0000<br />
<strong>Blip</strong>_color_positive <strong>Blip</strong>_color_negative<br />
<strong>Blip</strong>_b&w_positive <strong>Blip</strong>_b&w_negative<br />
8
Secondary Logo and<br />
Background Colors<br />
Due to its simplicity and<br />
recognizability, the <strong>Blip</strong> <strong>logo</strong> can<br />
function in any color. The open<br />
color palette allows for a dynamic<br />
range of possibilities. This flexibility<br />
requires careful treatment and<br />
attention to the <strong>logo</strong> as well as to<br />
the contrast with the background.<br />
However, all main <strong>Blip</strong> communication<br />
channels (destination website,<br />
stationary, newsletter, and so forth)<br />
should use the primary <strong>Blip</strong> red for<br />
the <strong>logo</strong> (for specs see Color page).<br />
9
Primary Typography<br />
Berthold Akzidenz Grotesk has been<br />
designated as the primary typeface<br />
for <strong>Blip</strong>. This sans-serif typeface<br />
should be used on all main <strong>Blip</strong><br />
communication materials such as<br />
stationery, headlines in advertising,<br />
titles in brochures, or signage. It<br />
can also be used on the web by<br />
employing cufon code. Examples<br />
of proper use are shown in the<br />
following pages.<br />
<strong>Blip</strong>.tv is the place to discover<br />
the best in original web series,<br />
from professional and up-and-<br />
coming producers.<br />
Berthold Akzidenz Grotesk Light<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz1234567890&@#$%*:;.,!?<br />
Berthold Akzidenz Grotesk Regular/Italic<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />
Berthold Akzidenz Grotesk Medium<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />
Berthold Akzidenz Grotesk Medium<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />
10
Secondary<br />
Typography<br />
Due to its good legibility, Myriad<br />
typeface should be used for<br />
all running text on the web (for<br />
example, on the destination site).<br />
Example of running text on web<br />
<strong>Blip</strong>.tv enables advertisers to associate brands with the targeted, highly engaged<br />
audiences of web series. We offer a wide range of ad sizes and placements, and<br />
our custom solutions can include RSS feeds, DVR reminders, content downloads<br />
and the syndication and distribution of multiple videos. We are constantly<br />
pushing our technologies with innovative new ideas.<br />
Myriad Regular/Italic<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />
Myriad Bold<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />
11
Supporting<br />
Typography<br />
Two standard fonts have been<br />
designated as supporting typefaces<br />
for use whenever the primary and<br />
secondary typeface is not available: a<br />
sans serif for web materials and a serif<br />
for print materials. Arial should be used<br />
as the typestyle for all running text<br />
on web and digital platforms when the<br />
use of Cufons is not possible. Times<br />
New Roman should be used for all<br />
running text on letterhead, press release,<br />
or other printed materials. Examples for<br />
use are shown on the right.<br />
Web supporting typeface Print supporting typeface<br />
This is a body text in Arial<br />
Regular. Arial is a web safe<br />
font, and it should be used<br />
for the running text in <strong>Blip</strong><br />
web materials, such as the<br />
destination site and email<br />
newsletters. Text can be<br />
emphasized in Arial Italic.<br />
This is a body text in Times<br />
New Roman. Times New<br />
Roman should be used for<br />
the running text in <strong>Blip</strong><br />
print materials, such as the<br />
content of letters on <strong>Blip</strong><br />
stationery. Text can be<br />
emphasized in Times New<br />
Roman Italic.<br />
Arial Regular/Italic<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />
Arial Bold<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />
Times New Roman Regular/Italic<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!?<br />
Times New Roman Bold<br />
ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890&@#$%*:;.,!<br />
12
Tagline<br />
The <strong>Blip</strong> tagline should appear on<br />
<strong>Blip</strong> communications whenever<br />
possible to help position the brand’s<br />
offerings. The tagline has been set<br />
in Berthold Akzidenz Grotesk Medium<br />
and has been carefully letterspaced.<br />
Always use the provided artwork; do<br />
not attempt to recreate the tagline<br />
from computer typefaces.<br />
Two line tagline / limited use<br />
Discover the best<br />
in original web series.<br />
The two-line version of the tagline<br />
should only be used in instances<br />
where space is limited and there is<br />
no room for the primary, single-line<br />
version.<br />
Discover the best in original web series.<br />
13
Tagline Use<br />
Even though the <strong>logo</strong> and the tagline<br />
appear together, they should not be<br />
locked into a single unit. Instead, they<br />
should be treated as two separate<br />
graphic elements (see examples on<br />
the right).<br />
Discover the best in original web series.<br />
June 22, 2010<br />
Addressee’s Name<br />
Company Name<br />
Address<br />
City, State Zip<br />
Dear Mr. Smith,<br />
Ilit el ilis nos diam dit iriurer si.<br />
Ommy nonum eui tet iriurercip essequat doluptatum ad et lore er sumsandreet ad et, vel eugiam nibh erat<br />
iure duisi. Irilit vulluptatem aut alis nissequat la at. Sandre ver sequam, quiscil laorem nisl elenim dolorti<br />
onsequi exeriurem zzriurem alit, con henibh elit estrud ex eugait aut num dolum nosto dio od et adit wisl<br />
eu feugiat alissit ulputpa tueriuscilit laorerat adiat ate molorpe riureri urercil eugiat ver iurem digna<br />
feumsandre modit velenis cilisi blan henisl inisit dolenim vendiam, si tat, vel exerci blaorpe riusto<br />
ercidunt wis num dolor iriurero ent nosto eniam zzrit iliquat velit adigniam dolortio delisi.<br />
Dolorer ostrud dolor iriustrud tem iustrud eugiam ipsusci tis dolor suscip eros nim delisci te facil ing et<br />
luptat ad magna feugait prat lorperci tat volobor alit, quate tat acilla feu faccum init vulput il elisci bla<br />
facillaore ex ea feugiam, conulla ndiatue dolobore ea augiatummy nonulputat, consed eugiam, verostie<br />
mod esectet vullam incipsum dolorero eugueri liquat.<br />
Adipis nulpute ver sisi eumsandit dolutpatummy nit at. Ut autpatie commolore dolendio et, sectem ing<br />
exerosto enit iliquat, qui eugue delit amconsed molor am ing eugait eui ex euguer sit lut wissequatem<br />
dolut vullaore tat. Ut praesto od tet at vel dolut acipit lumsan utat praesectet eum nisl inisl dolorper sum<br />
vero ero conulput lortisi. Onsequi psumsan e feu faccum dit lorem ipisit wisit delendre do do eugiat nim<br />
alit dolorperat alit aliquatin velit am amet, si.<br />
It ad dolore molestrud tem eu faci bla faccum irillutpatem do dolutpat. Ut lore doluptat ipsuscin ulla<br />
commy nos eros acipsusci ero dit aliquat utem quam, quipit alit iusto odio dion henit luptat aut il estio eu<br />
facipit, quat, summy nis dolortionum venis ad essi.<br />
Dina Kaplan<br />
Co–Founder<br />
Discover the best in original web series.<br />
636 Broadway, 3rd Floor<br />
New York, NY 10012<br />
917.699.6961 dina@blip.tv<br />
www.blip.com<br />
14
Logo and Tagline<br />
Lockup / Limited Use<br />
This special configuration of the <strong>Blip</strong><br />
<strong>logo</strong> and tagline should be used only<br />
in non–<strong>Blip</strong> environments. In all other<br />
cases, use the tagline separated from<br />
the <strong>logo</strong>, as shown on page 13.<br />
Because of the difference in visibility<br />
conditions between print and web<br />
applications, two different sizes have<br />
been specified for the smallest use.<br />
On the web, do not reduce the<br />
configuration below 0.4 inches high.<br />
In print, the configuration’s height<br />
should be above 0.25 inches.<br />
Always use the original artwork<br />
provided. Do not attempt to recreate<br />
with computer fonts.<br />
Smallest size for web<br />
> 0.4 inch (30 pixels) high<br />
Smallest size for print<br />
> 0.25 inch high<br />
½ x<br />
x x<br />
x x<br />
x<br />
x<br />
15
Misuse of the Logo<br />
1. Do not distort the <strong>logo</strong><br />
2. Do not place the <strong>logo</strong> into a shape<br />
3. Do not outline the <strong>logo</strong><br />
4. Do not use drop shadow<br />
5. Do not use a pattern in the <strong>logo</strong><br />
6. Do not use the <strong>logo</strong> in gradient color<br />
7. Do not use the <strong>logo</strong> in perspective<br />
8. Do not mask an image with the <strong>logo</strong><br />
9. Do not reposition the dot in the <strong>logo</strong><br />
10. Do not use a second color in the <strong>logo</strong><br />
11. Do not recreate the <strong>logo</strong> with computer fonts<br />
12. Do not add elements to the <strong>logo</strong><br />
1.<br />
4.<br />
7.<br />
10.<br />
2.<br />
5.<br />
8.<br />
11.<br />
3.<br />
6.<br />
9.<br />
12.<br />
16
Stationery<br />
17
Business Card<br />
Format<br />
3.5” x 2”<br />
Colors<br />
PMS 485<br />
Cool Gray 10<br />
Type<br />
Name:<br />
Berthold Akzidenz Grotesk Bold<br />
Size: 9 pt<br />
Title & Address:<br />
Berthold Akzidenz Grotesk Regular<br />
Size: 7 pt (6.5 pt for numbers, @ sign)<br />
Leading: 8.5 pt<br />
Paper<br />
Neenah Classic Crest Solar White<br />
Smooth Finish 100lb cover<br />
Shown here at 100%<br />
.25”<br />
.25”<br />
Dina Kaplan<br />
Co–Founder<br />
636 Broadway, 3rd Floor<br />
New York, NY 10012<br />
dina@blip.com 917.699.6961<br />
2”<br />
Center<br />
Discover the best in original web series.<br />
.625”<br />
.375”<br />
.375”<br />
18
Letterhead<br />
Format<br />
8.5” x 11”<br />
Colors<br />
PMS 485<br />
Cool Gray 10<br />
Type<br />
Address:<br />
Akzidenz Grotesk Regular<br />
Size: 7 pt (6.5 pt for numbers)<br />
Body Text:<br />
Times Roman<br />
Size: 10 pt<br />
Leading: 14 pt<br />
Paper<br />
Neenah Classic Cotton Solar<br />
White no. 10 square flap 24lb<br />
Shown here at 60%<br />
.5”<br />
1.75”<br />
.5”<br />
1” .75”<br />
Discover the best in original web series.<br />
June 22, 2010<br />
Addressee’s Name<br />
Company Name<br />
Address<br />
City, State Zip<br />
Dear Mr. Smith,<br />
Ilit el ilis nos diam dit iriurer si.<br />
Ommy nonum eui tet iriurercip essequat doluptatum ad et lore er sumsandreet ad et, vel eugiam nibh erat<br />
iure duisi. Irilit vulluptatem aut alis nissequat la at. Sandre ver sequam, quiscil laorem nisl elenim dolorti<br />
onsequi exeriurem zzriurem alit, con henibh elit estrud ex eugait aut num dolum nosto dio od et adit wisl<br />
eu feugiat alissit ulputpa tueriuscilit laorerat adiat ate molorpe riureri urercil eugiat ver iurem digna<br />
feumsandre modit velenis cilisi blan henisl inisit dolenim vendiam, si tat, vel exerci blaorpe riusto<br />
ercidunt wis num dolor iriurero ent nosto eniam zzrit iliquat velit adigniam dolortio delisi.<br />
Dolorer ostrud dolor iriustrud tem iustrud eugiam ipsusci tis dolor suscip eros nim delisci te facil ing et<br />
luptat ad magna feugait prat lorperci tat volobor alit, quate tat acilla feu faccum init vulput il elisci bla<br />
facillaore ex ea feugiam, conulla ndiatue dolobore ea augiatummy nonulputat, consed eugiam, verostie<br />
mod esectet vullam incipsum dolorero eugueri liquat.<br />
Adipis nulpute ver sisi eumsandit dolutpatummy nit at. Ut autpatie commolore dolendio et, sectem ing<br />
exerosto enit iliquat, qui eugue delit amconsed molor am ing eugait eui ex euguer sit lut wissequatem<br />
dolut vullaore tat. Ut praesto od tet at vel dolut acipit lumsan utat praesectet eum nisl inisl dolorper sum<br />
vero ero conulput lortisi. Onsequi psumsan e feu faccum dit lorem ipisit wisit delendre do do eugiat nim<br />
alit dolorperat alit aliquatin velit am amet, si.<br />
It ad dolore molestrud tem eu faci bla faccum irillutpatem do dolutpat. Ut lore doluptat ipsuscin ulla<br />
commy nos eros acipsusci ero dit aliquat utem quam, quipit alit iusto odio dion henit luptat aut il estio eu<br />
facipit, quat, summy nis dolortionum venis ad essi.<br />
Sincerely,<br />
Your name<br />
636 Broadway<br />
3rd Floor<br />
New York, NY 10012<br />
www.blip.com<br />
1.25”<br />
19
Envelope<br />
Format<br />
No. 10 Envelope<br />
9.5” x 4.125”<br />
Square Flap<br />
Colors<br />
PMS 485<br />
Cool Gray 10<br />
Type<br />
Berthold Akzidenz Grotesk Regular<br />
Size: 7 pt (6.5 pt for numbers)<br />
Leading: 8.5 pt<br />
Paper<br />
Neenah Classic Cotton Solar<br />
White no. 10 square flap 24lb<br />
Shown here at 60%<br />
<strong>Blip</strong>.tv<br />
No. 10 Envelopes (9.5” x 4.125”)<br />
2c/0 PMS 485, Cool Gray 10<br />
Address Typeface: Akzidenz Grotesk Regular 7pt (6.5pt for numbers), 9pt leading<br />
Tagline Typeface: Akzidenz Grotesk Bold 9pt<br />
Paper: Neenah Classic Cotton Solar White no. 10 square ap 24lb or similar<br />
.375”<br />
.375”<br />
1.6875”<br />
.375”<br />
636 Broadway, 3rd Floor<br />
New York, NY 10012<br />
Center<br />
Discover the best in original web series.<br />
20
Mailing Label<br />
Format<br />
3” x 6”<br />
Colors<br />
PMS 485<br />
Cool Gray 10<br />
Type<br />
Berthold Akzidenz Grotesk Regular<br />
Size: 7 pt (6.5 pt for numbers)<br />
Leading: 8.5 pt<br />
Paper<br />
Neenah Classic Crest Solar<br />
White Label Stock 70T<br />
Shown here at 100%<br />
.375”<br />
.375”<br />
636 Broadway, 3rd Floor<br />
New York, NY 10012<br />
.375”<br />
21
.75”<br />
1.25”<br />
.75”<br />
<strong>Press</strong> Release<br />
First page Last page<br />
1” 2.75” .8” .75”<br />
Shown here at 50%<br />
1.175”<br />
Berthold Akzidenz<br />
Grotesk Bold<br />
21/25pt<br />
Berthold Akzidenz<br />
Grotesk Medium<br />
14/18pt<br />
Times New<br />
Roman 12/14pt<br />
Berthold Akzidenz<br />
Grotesk Medium<br />
9/11pt<br />
Berthold Akzidenz<br />
Grotesk Regular<br />
9/11pt<br />
.5”<br />
.75”<br />
22
One Pager<br />
Shown here at 60%<br />
4”<br />
.75”<br />
Berthold Akzidenz<br />
Grotesk Bold 14 pt<br />
Berthold Akzidenz<br />
Grotesk Regular<br />
12/15pt<br />
.75”<br />
.75” .8”<br />
2.75”<br />
.75”<br />
1”<br />
1.75”<br />
1.75”<br />
23
Note Card<br />
Format<br />
3.75” x 5.25”<br />
Color<br />
PMS 485<br />
Paper<br />
Neenah Classic Crest Solar White<br />
Smooth Finish 130lb DTC<br />
Shown here at 100%<br />
.75”<br />
.30”<br />
.25”<br />
24
Sticker<br />
Format<br />
2.75” diameter<br />
Die cut circle<br />
Colors<br />
PMS 485<br />
Paper<br />
Coated Label Stock 70T<br />
Shown here at 100%<br />
Center<br />
2.75” 1”<br />
Design A (Positive Print) Design B (Reverse Print)<br />
25
Email Signature<br />
Colors<br />
Red:<br />
R=255, G=25, B=25<br />
HEX=FF0000<br />
Gray:<br />
R=102, G=102, B=102<br />
HEX=666666<br />
Type<br />
Name:<br />
Arial Bold, 11 pt, Grey<br />
Address:<br />
Arial Regular, 11 pt, Grey<br />
Tagline:<br />
Arial Bold, 11 pt, Red<br />
Shown here at 100%<br />
40 px<br />
26
Digital Applications<br />
27
Web Specifications<br />
This page is created as a cheat sheet<br />
for all <strong>Blip</strong> digital applications. Please<br />
follow all the specified rules to ensure<br />
a consistent look across the various<br />
platforms.<br />
<strong>Blip</strong> favicon<br />
16 px<br />
16 px<br />
Colors<br />
Shades of gray<br />
<strong>Blip</strong> red<br />
FF0000<br />
<strong>Blip</strong> background red<br />
EE0000<br />
<strong>Blip</strong> gradient red<br />
FF0000 - AA0000<br />
<strong>Blip</strong> link and background<br />
blue 000066<br />
<strong>Blip</strong> gradient blue<br />
000033 - 3366CC<br />
<strong>Blip</strong> gradient gray<br />
CCCCCC - 666666<br />
000000<br />
<strong>Blip</strong> body text gray<br />
333333<br />
<strong>Blip</strong> title gray<br />
666666<br />
999999<br />
CCCCCC<br />
<strong>Blip</strong> background gray<br />
EEEEEE<br />
<strong>Blip</strong> large color areas<br />
<strong>Blip</strong> background red EE0000<br />
<strong>Blip</strong> gradient red FF0000 - AA0000<br />
<strong>Blip</strong> link and background blue 000066<br />
<strong>Blip</strong> background gray EEEEEE<br />
Typography<br />
Title 1 Akzidenz<br />
Bold 16pt, blue<br />
Title 2 Akzidenz Bold<br />
13pt gray 666666<br />
This is a body text in Myriad<br />
Roman 12/15pt gray 333333.<br />
The text can be emphasized<br />
in Myriad Italic. Blue 000066<br />
indicates a link inside the text.<br />
Hover State Title 1<br />
Hover State Title 2<br />
Hover state link in the text<br />
<strong>Blip</strong> buttons<br />
<strong>Blip</strong> gradient blue<br />
<strong>Blip</strong> gradient gray<br />
Web conversions<br />
16pt = 22px | 1.4em | 140%<br />
13pt = 17px | 1.05em | 105%<br />
11pt = 15px | 0.95em | 95%<br />
28
Destination Site<br />
Identification<br />
29
Destination Site Grid<br />
The entire destination site should be<br />
built based on a 6 column grid. This<br />
will result in a sense of order and<br />
a clean site layout. Elements can<br />
spread over one or multiple column<br />
widths as long as the main structure<br />
is preserved.<br />
30
Destination Site<br />
Header<br />
When creating the destination site<br />
header, place all the elements within<br />
the specified six column grid, as<br />
shown below.<br />
31
Destination Site<br />
Footer<br />
The <strong>Blip</strong> <strong>logo</strong> should be used on the<br />
destination site footer as an identifier.<br />
It should appear on the far right<br />
side, to the right of the copyright<br />
information. The <strong>logo</strong> should be 40<br />
px wide in 50% black, as shown.<br />
32
Destination Site<br />
Subscription Pages<br />
For subscription pages, in addition to<br />
the already-specified rules, follow the<br />
examples on this page.<br />
33
Player Identification<br />
When using the <strong>Blip</strong> <strong>logo</strong> on players,<br />
make sure to use the small-sizes<br />
version of the <strong>logo</strong>. To allow flexibility<br />
and coherence with the rest of the<br />
player toolbar, the <strong>Blip</strong> <strong>logo</strong> can<br />
be used in any color on any color<br />
background (for more details on color<br />
use, see page 9 of these <strong>guidelines</strong>).<br />
The <strong>logo</strong> will also appear on the<br />
left of the info overlay bar that<br />
showcases the name of the video<br />
playing. In both cases it will act as a<br />
link to the <strong>Blip</strong> homepage.<br />
34
Watermark<br />
In instances when branding the<br />
player is not possible, a <strong>logo</strong><br />
watermark can be used instead. The<br />
watermark should be placed in the<br />
bottom left corner of the screen. It<br />
should be white in 50% opacity.<br />
35
Endcap<br />
For branding the endcap, use the<br />
white <strong>Blip</strong> <strong>logo</strong> in 50% transparency,<br />
40 pixels wide. Make sure to stay<br />
inside the grid and to align visual<br />
elements (such as next episode and<br />
recommended shows) whenever<br />
possible.<br />
36
Advertisements,<br />
Shout Outs, Off-Site<br />
Subscriptions<br />
To ensure strong visual impact for<br />
subscription advertisements, use<br />
the white <strong>logo</strong> on the red gradient<br />
background and a blue subscribe<br />
button. The <strong>logo</strong> area could be<br />
animated to showcase a show’s<br />
posters before the <strong>logo</strong> appears.<br />
All new show shout outs should be<br />
branded with the <strong>Blip</strong> <strong>logo</strong>. In these<br />
cases, the <strong>logo</strong> can be any color that<br />
harmonizes with the design.<br />
A special “subscribe to <strong>Blip</strong>” button<br />
for off-site presence has also<br />
been designed. This button should<br />
never be used on the <strong>Blip</strong> website<br />
or on <strong>Blip</strong>-related platforms. It is<br />
meant to be used as a tool to bring<br />
subscriptions from other websites like<br />
O&O sites.<br />
Off-site subscribe button<br />
Subscribe advertisement<br />
Shout outs<br />
37
Audience Favorite<br />
In the “Audience Favorite” section of<br />
the site, use the red radial gradient<br />
background with white type to<br />
announce popular, trending, and new<br />
shows (see the example on the right).<br />
38
Presence on Roku,<br />
Google TV, Sony TV<br />
etc.<br />
On streaming platforms such as<br />
Roku, GoogleTV or SonyTV, some<br />
limitations may appear. If possible,<br />
use the white <strong>Blip</strong> <strong>logo</strong> on a red<br />
gradient for identification, as shown<br />
here on Roku. If the <strong>logo</strong> needs to be<br />
shown on a black background (as on<br />
GoogleTV and SonyTV), use the red<br />
<strong>Blip</strong> <strong>logo</strong>.<br />
Roku<br />
Sony TV<br />
Google TV<br />
39
Branding O&O Sites<br />
Two options are available for branding<br />
O&O sites. The first, preferred option<br />
includes a band on top of the site,<br />
which is also a link to the <strong>Blip</strong> website.<br />
The second option should be used<br />
only in instances where the O&O site<br />
does not want to use the top band. In<br />
this case, the <strong>Blip</strong> <strong>logo</strong> is moved to the<br />
footer of the site and also functions as<br />
a link to the <strong>Blip</strong> website.<br />
Top band<br />
Bottom band<br />
40
Presence on<br />
YouTube<br />
41
Social Media<br />
<strong>Blip</strong> on Facebook<br />
<strong>Blip</strong> on Twitter<br />
42
<strong>Blip</strong> Blog<br />
43
Email Newsletter<br />
Type<br />
Titles:<br />
Arial Bold<br />
18/22 pt, 000000<br />
Body text:<br />
Arial Regular<br />
14/18 pt, 666666<br />
Shown here at 100%<br />
35px<br />
20px<br />
25px 100px<br />
145px<br />
44
iPad, iPhone,<br />
Android Apps<br />
The <strong>Blip</strong> <strong>logo</strong> easily translates into an<br />
app button. Use the white <strong>logo</strong> on a<br />
red gradient ground for all handheld<br />
gadgets (iPhone, iPad, Android, etc.).<br />
Some automatic shading may be<br />
added by the device company.<br />
45
3D Applications<br />
46
Reception desk<br />
47
Reception desk<br />
The <strong>Blip</strong> <strong>logo</strong> on the reception desk<br />
should be made of letters cut from<br />
¾” solid aluminum with a horizontal,<br />
lightly brushed finish. The centering<br />
of the letters is optical: the negative<br />
spaces of letters b and p are aligned<br />
with the vertical center of the panel.<br />
The letters should be mounted to<br />
project ¼” from the surface. The<br />
front panel should be covered with<br />
red laminate (Wilsonart 1511-60<br />
Mandarin Red).<br />
Front panel<br />
Vertical center<br />
10”<br />
12.5”<br />
¼”<br />
¾”<br />
28”<br />
48
Merchandise<br />
49
<strong>Blip</strong><br />
636 Broadway, 3rd Floor<br />
New York, NY 10012<br />
www.blip.com<br />
50