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- Page 32: 2 INTRODUCTION often through minor,
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14 ACCENTUATION IN THEORY weak.’
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16 ACCENTUATION IN THEORY The parts
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18 ACCENTUATION IN THEORY Ex. 1.6.
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20 ACCENTUATION IN THEORY Ex. 1.7.
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22 ACCENTUATION IN THEORY Ex. 1.9.
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24 ACCENTUATION IN THEORY Ex. 1.14.
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26 ACCENTUATION IN THEORY there was
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28 ACCENTUATION IN THEORY editions
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30 ACCENTUATION IN PRACTICE generat
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32 ACCENTUATION IN PRACTICE shorten
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34 ACCENTUATION IN PRACTICE Ex. 2.4
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36 ACCENTUATION IN PRACTICE Ex. 2.8
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38 ACCENTUATION IN PRACTICE Ex. 2.1
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40 ACCENTUATION IN PRACTICE separat
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42 ACCENTUATION IN PRACTICE notatio
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44 ACCENTUATION IN PRACTICE Ex. 2.2
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46 ACCENTUATION IN PRACTICE Ex. 2.2
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48 ACCENTUATION IN PRACTICE Ex. 2.2
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50 ACCENTUATION IN PRACTICE subordi
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52 ACCENTUATION IN PRACTICE the tim
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54 ACCENTUATION IN PRACTICE It is t
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56 ACCENTUATION IN PRACTICE Ex. 2.3
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58 ACCENTUATION IN PRACTICE Ex. 2.3
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60 NOTATION OF ACCENTS AND DYNAMICS
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62 NOTATION OF ACCENTS AND DYNAMICS
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64 NOTATION OF ACCENTS AND DYNAMICS
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66 NOTATION OF ACCENTS AND DYNAMICS
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68 NOTATION OF ACCENTS AND DYNAMICS
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70 NOTATION OF ACCENTS AND DYNAMICS
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72 NOTATION OF ACCENTS AND DYNAMICS
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74 NOTATION OF ACCENTS AND DYNAMICS
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76 NOTATION OF ACCENTS AND DYNAMICS
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78 NOTATION OF ACCENTS AND DYNAMICS
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80 NOTATION OF ACCENTS AND DYNAMICS
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82 NOTATION OF ACCENTS AND DYNAMICS
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84 NOTATION OF ACCENTS AND DYNAMICS
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86 NOTATION OF ACCENTS AND DYNAMICS
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88 NOTATION OF ACCENTS AND DYNAMICS
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90 NOTATION OF ACCENTS AND DYNAMICS
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92 NOTATION OF ACCENTS AND DYNAMICS
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94 NOTATION OF ACCENTS AND DYNAMICS
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96 NOTATION OF ACCENTS AND DYNAMICS
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98 NOTATION OF ACCENTS AND DYNAMICS
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100 NOTATION OF ACCENTS AND DYNAMIC
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102 NOTATION OF ACCENTS AND DYNAMIC
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104 NOTATION OF ACCENTS AND DYNAMIC
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106 NOTATION OF ACCENTS AND DYNAMIC
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108 NOTATION OF ACCENTS AND DYNAMIC
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110 NOTATION OF ACCENTS AND DYNAMIC
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112 NOTATION OF ACCENTS AND DYNAMIC
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114 NOTATION OF ACCENTS AND DYNAMIC
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116 NOTATION OF ACCENTS AND DYNAMIC
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118 NOTATION OF ACCENTS AND DYNAMIC
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120 NOTATION OF ACCENTS AND DYNAMIC
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122 NOTATION OF ACCENTS AND DYNAMIC
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124 NOTATION OF ACCENTS AND DYNAMIC
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126 NOTATION OF ACCENTS AND DYNAMIC
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128 NOTATION OF ACCENTS AND DYNAMIC
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130 NOTATION OF ACCENTS AND DYNAMIC
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132 NOTATION OF ACCENTS AND DYNAMIC
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134 NOTATION OF ACCENTS AND DYNAMIC
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136 NOTATION OF ACCENTS AND DYNAMIC
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4 Articulation and Phrasing Just as
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140 ARTICULATION AND PHRASING expre
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142 ARTICULATION AND PHRASING deliv
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144 ARTICULATION AND PHRASING he ag
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146 ARTICULATION AND PHRASING symme
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148 ARTICULATION AND PHRASING evide
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150 ARTICULATION AND PHRASING Ex. 4
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152 ARTICULATION AND PHRASING Ex. 4
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154 ARTICULATION AND PHRASING Ex. 4
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156 ARTICULATION AND PHRASING Ex. 4
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158 ARTICULATION AND PHRASING ‘ei
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160 ARTICULATION AND PHRASING movem
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162 ARTICULATION AND PHRASING Ex. 4
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164 ARTICULATION AND PHRASING Ex. 4
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166 ARTICULATION AND PHRASING the p
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5 Articulation and Expression The i
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170 ARTICULATION AND EXPRESSION In
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172 ARTICULATION AND EXPRESSION Tow
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174 ARTICULATION AND EXPRESSION A c
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176 ARTICULATION AND EXPRESSION Ex.
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178 ARTICULATION AND EXPRESSION The
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180 ARTICULATION AND EXPRESSION Ex.
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182 ARTICULATION AND EXPRESSION amb
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184 ARTICULATION AND EXPRESSION Ex.
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186 ARTICULATION AND EXPRESSION Ex.
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188 ARTICULATION AND EXPRESSION Ex.
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190 ARTICULATION AND EXPRESSION Ex.
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192 ARTICULATION AND EXPRESSION Ex.
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194 ARTICULATION AND EXPRESSION Ex.
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196 ARTICULATION AND EXPRESSION pra
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198 ARTICULATION AND EXPRESSION str
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6 The Notation of Articulation and
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202 NOTATION OF ARTICULATION AND PH
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204 NOTATION OF ARTICULATION AND PH
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206 NOTATION OF ARTICULATION AND PH
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208 NOTATION OF ARTICULATION AND PH
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210 NOTATION OF ARTICULATION AND PH
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212 NOTATION OF ARTICULATION AND PH
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214 NOTATION OF ARTICULATION AND PH
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216 NOTATION OF ARTICULATION AND PH
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218 NOTATION OF ARTICULATION AND PH
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220 NOTATION OF ARTICULATION AND PH
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222 NOTATION OF ARTICULATION AND PH
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224 NOTATION OF ARTICULATION AND PH
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226 NOTATION OF ARTICULATION AND PH
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228 NOTATION OF ARTICULATION AND PH
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230 NOTATION OF ARTICULATION AND PH
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232 NOTATION OF ARTICULATION AND PH
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234 NOTATION OF ARTICULATION AND PH
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236 NOTATION OF ARTICULATION AND PH
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238 NOTATION OF ARTICULATION AND PH
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240 NOTATION OF ARTICULATION AND PH
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242 NOTATION OF ARTICULATION AND PH
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244 NOTATION OF ARTICULATION AND PH
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246 NOTATION OF ARTICULATION AND PH
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248 NOTATION OF ARTICULATION AND PH
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250 NOTATION OF ARTICULATION AND PH
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252 NOTATION OF ARTICULATION AND PH
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254 NOTATION OF ARTICULATION AND PH
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256 NOTATION OF ARTICULATION AND PH
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258 NOTATION OF ARTICULATION AND PH
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260 STRING BOWING FIG. 7.1. Woldema
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262 STRING BOWING were many accepte
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264 STRING BOWING Ex. 7.2. (a) Picc
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266 STRING BOWING Ex. 7.2.cont.
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268 STRING BOWING Dictionary of Mus
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270 STRING BOWING requires the same
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272 STRING BOWING were still oppose
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274 STRING BOWING extremely exact.
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276 STRING BOWING From this and oth
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278 STRING BOWING style was modifie
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280 STRING BOWING often, one violin
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8 Tempo Historical evidence and con
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284 TEMPO tempo when once taken, he
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286 TEMPO Presto of the fourth move
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288 TEMPO different traditions ofte
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290 TEMPO Late Eighteenth-Century a
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292 TEMPO (particularly in England
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294 TEMPO In his discussion of 2/4,
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296 TEMPO the so-called chamber sty
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298 TEMPO 1791. 556 Comparison of T
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300 TEMPO assumes that, in general,
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302 TEMPO Table 8.4. Beethoven's Me
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304 TEMPO courtly dances, the yards
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306 TEMPO Ex. 8.1.Hummel, A Complet
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308 TEMPO Ex. 8.3.Hummel, A Complet
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310 TEMPO fast as smaller notes in
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312 TEMPO composer. We are not accu
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314 ALLA BREVE same problem bedevil
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316 ALLA BREVE true value and is on
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318 ALLA BREVE mixture of antiquari
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320 ALLA BREVE striking. It is like
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322 ALLA BREVE cases, however, move
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324 ALLA BREVE Table 9.2. The Relat
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326 ALLA BREVE Table 9.3. The Relat
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328 ALLA BREVE Table 9.4. The Relat
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330 ALLA BREVE Table 9.5. The Relat
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332 ALLA BREVE R11b Un poco lento
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334 ALLA BREVE passionato ? = 84 ?
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10 Tempo Terms As the connotations
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338 TEMPO TERMS derive from them, h
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340 TEMPO TERMS mark, a tempo term,
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342 TEMPO TERMS Not all musicians,
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344 TEMPO TERMS of semiquavers than
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346 TEMPO TERMS The metronome marks
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348 TEMPO TERMS Ex. 10.1.cont. (b)
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350 TEMPO TERMS ‘andante con moto
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352 TEMPO TERMS slower than ‘anda
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354 TEMPO TERMS In Rossini's music,
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356 TEMPO TERMS than that indicated
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358 TEMPO TERMS gave metronome mark
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360 TEMPO TERMS and usually regarde
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362 TEMPO TERMS note a small gap oc
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364 TEMPO TERMS Maestoso Löhlein c
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366 TEMPO TERMS Allegretto Reichard
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368 TEMPO TERMS useful to consider
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370 TEMPO TERMS there was a very ma
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372 TEMPO TERMS seem faster. Wagner
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374 TEMPO TERMS Cantabile ‘Cantab
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376 TEMPO MODIFICATION certain spec
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378 TEMPO MODIFICATION (b) There ca
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380 TEMPO MODIFICATION Ex. 11.2. T
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382 TEMPO MODIFICATION remarking th
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384 TEMPO MODIFICATION a nicety in
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386 TEMPO MODIFICATION the middle c
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388 TEMPO MODIFICATION regards regu
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390 TEMPO MODIFICATION surpasses it
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392 TEMPO MODIFICATION noted for hi
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394 TEMPO MODIFICATION Conservatoir
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396 TEMPO MODIFICATION Modication o
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398 TEMPO MODIFICATION Türk had st
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400 TEMPO MODIFICATION Ex. 11.8. (a
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402 TEMPO MODIFICATION Ex. 11.9.con
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404 TEMPO MODIFICATION Ex. 11.9.con
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406 TEMPO MODIFICATION Ex. 11.12. B
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408 TEMPO MODIFICATION Ex. 11.14.co
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410 TEMPO MODIFICATION Ex. 11.16.co
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412 TEMPO MODIFICATION Ex. 11.17. C
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414 TEMPO MODIFICATION case, like a
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416 EMBELLISHMENT, ORNAMENTATION, I
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418 EMBELLISHMENT, ORNAMENTATION, I
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420 EMBELLISHMENT, ORNAMENTATION, I
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422 EMBELLISHMENT, ORNAMENTATION, I
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424 EMBELLISHMENT, ORNAMENTATION, I
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426 EMBELLISHMENT, ORNAMENTATION, I
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428 EMBELLISHMENT, ORNAMENTATION, I
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430 EMBELLISHMENT, ORNAMENTATION, I
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432 EMBELLISHMENT, ORNAMENTATION, I
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434 EMBELLISHMENT, ORNAMENTATION, I
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436 EMBELLISHMENT, ORNAMENTATION, I
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438 EMBELLISHMENT, ORNAMENTATION, I
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440 EMBELLISHMENT, ORNAMENTATION, I
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442 EMBELLISHMENT, ORNAMENTATION, I
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444 EMBELLISHMENT, ORNAMENTATION, I
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446 EMBELLISHMENT, ORNAMENTATION, I
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448 EMBELLISHMENT, ORNAMENTATION, I
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450 EMBELLISHMENT, ORNAMENTATION, I
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452 EMBELLISHMENT, ORNAMENTATION, I
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454 EMBELLISHMENT, ORNAMENTATION, I
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456 APPOGGIATURAS, TRILLS, TURNS fo
- Page 944:
458 APPOGGIATURAS, TRILLS, TURNS Ex
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460 APPOGGIATURAS, TRILLS, TURNS th
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462 APPOGGIATURAS, TRILLS, TURNS 6)
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464 APPOGGIATURAS, TRILLS, TURNS On
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466 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 964:
468 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 968:
470 APPOGGIATURAS, TRILLS, TURNS De
- Page 972:
472 APPOGGIATURAS, TRILLS, TURNS Ex
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474 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 980:
476 APPOGGIATURAS, TRILLS, TURNS co
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478 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 988:
480 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 992:
482 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 996:
484 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 1000:
486 APPOGGIATURAS, TRILLS, TURNS sl
- Page 1004:
488 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 1008:
490 APPOGGIATURAS, TRILLS, TURNS Fr
- Page 1012:
492 APPOGGIATURAS, TRILLS, TURNS st
- Page 1016:
494 APPOGGIATURAS, TRILLS, TURNS
- Page 1020:
496 APPOGGIATURAS, TRILLS, TURNS Jo
- Page 1024:
498 APPOGGIATURAS, TRILLS, TURNS fi
- Page 1028:
500 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 1032:
502 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 1036:
504 APPOGGIATURAS, TRILLS, TURNS fa
- Page 1040:
506 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 1044:
508 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 1048:
510 APPOGGIATURAS, TRILLS, TURNS Ex
- Page 1052:
512 APPOGGIATURAS, TRILLS, TURNS Ex
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514 APPOGGIATURAS, TRILLS, TURNS Ex
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516 APPOGGIATURAS, TRILLS, TURNS wh
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518 VIBRATO also have been applied
- Page 1068:
520 VIBRATO Ex. 14.2.Lussy, Musical
- Page 1072:
522 VIBRATO vibrato in singing (for
- Page 1076:
524 VIBRATO Studies of wind instrum
- Page 1080:
526 VIBRATO whether the adagio is p
- Page 1084:
528 VIBRATO Such views, though perh
- Page 1088:
530 VIBRATO gives the sound of the
- Page 1092:
532 VIBRATO by this great fault. Th
- Page 1096:
534 VIBRATO At about the same time
- Page 1100:
536 VIBRATO have sounded quite diff
- Page 1104:
538 VIBRATO most solo players. 1023
- Page 1108:
540 VIBRATO Ex. 14.9.Lasser, Vollst
- Page 1112:
542 VIBRATO mentioned. For the flut
- Page 1116:
544 VIBRATO flute methods. It is di
- Page 1120:
546 VIBRATO Indications of a change
- Page 1124:
548 VIBRATO Ex. 14.20.Löhlein, Anw
- Page 1128:
550 VIBRATO and in his later flute
- Page 1132:
552 VIBRATO Ex. 14.27.Baillot, L'Ar
- Page 1136:
554 VIBRATO would have been expecte
- Page 1140:
556 VIBRATO Ex. 14.33.Weber, Der Fr
- Page 1144:
15 Portamento The term ‘portament
- Page 1148:
560 PORTAMENTO Whatever the words u
- Page 1152:
562 PORTAMENTO like the Bourgeois G
- Page 1156:
564 PORTAMENTO And he went on to ad
- Page 1160:
566 PORTAMENTO and close parallels
- Page 1164:
568 PORTAMENTO Not only could the
- Page 1168:
570 PORTAMENTO Ex. 15.10.García, N
- Page 1172:
572 PORTAMENTO Ex. 15.13.Bériot, M
- Page 1176:
574 PORTAMENTO This ornament is eff
- Page 1180:
576 PORTAMENTO Ex. 15.17.Dotzauer,
- Page 1184:
578 PORTAMENTO Ex. 15.21.Spohr, Vio
- Page 1188:
580 PORTAMENTO Ex. 15.25.Bériot, M
- Page 1192:
582 PORTAMENTO Ex. 15.28.Meyerbeer,
- Page 1196:
584 PORTAMENTO Ex. 15.34.Berwald Vi
- Page 1200:
586 PORTAMENTO Ex. 15.37.cont. Towa
- Page 1204:
The Fermata 16 Paralipomena The fer
- Page 1208:
590 PARALIPOMENA 1. ‘Each embelli
- Page 1212:
592 PARALIPOMENA Ex. 16.4. D. Corri
- Page 1216:
594 PARALIPOMENA Ex. 16.7. Haydn, S
- Page 1220:
596 PARALIPOMENA Ex. 16.10. Weber,
- Page 1224:
598 PARALIPOMENA Ex. 16.12. HÄser,
- Page 1228:
600 PARALIPOMENA The recitatives of
- Page 1232:
602 PARALIPOMENA keyboard instrumen
- Page 1236:
604 PARALIPOMENA Ex. 16.18. Meyerbe
- Page 1240:
606 PARALIPOMENA he implied that or
- Page 1244:
608 PARALIPOMENA Ex. 16.20. Meyerbe
- Page 1248:
610 PARALIPOMENA Ex. 16.22. Clement
- Page 1252:
612 PARALIPOMENA Ex. 16.24. P. A. C
- Page 1256:
614 PARALIPOMENA written equal pair
- Page 1260:
616 PARALIPOMENA Ex. 16.30. Haydn,
- Page 1264:
618 PARALIPOMENA Ex. 16.34. Schuber
- Page 1268:
620 PARALIPOMENA Ex. 16.35.cont. fi
- Page 1272:
622 PARALIPOMENA Violinspielen posi
- Page 1276:
624 PARALIPOMENA Ex. 16.41. Mozart,
- Page 1280:
626 PARALIPOMENA Ex. 16.43. Schuber
- Page 1284:
628 PARALIPOMENA of its systematize
- Page 1288:
630 PARALIPOMENA [Takttheile] (beat
- Page 1292:
632 PARALIPOMENA musicians might se
- Page 1296:
634 BIBLIOGRAPHY AUER, LEOPOLD, Vio
- Page 1300:
636 BIBLIOGRAPHY CRUTCHFIELD, WILL,
- Page 1304:
638 BIBLIOGRAPHY HABENECK, FRANÇOI
- Page 1308:
640 BIBLIOGRAPHY MARTIN, DAVID, ‘
- Page 1312:
642 BIBLIOGRAPHY SASLOV ISIDOR, ‘
- Page 1316:
644 BIBLIOGRAPHY WEIPPERT, JOHN ERH
- Page 1320:
646 INDEX appogiando , seearpeggiat
- Page 1324:
648 INDEX cadenza 158, 420, 543, 54
- Page 1328:
650 INDEX fermata ; pause 588, 591;
- Page 1332:
652 INDEX Joachim, Joseph 258, 268,
- Page 1336:
654 INDEX mezza voce 61 mezzo forte
- Page 1340:
656 INDEX portato 129, 130, 131, 20
- Page 1344:
658 INDEX Schumann, Robert Alexande
- Page 1348:
660 INDEX terms of tempo and expres
- Page 1352:
662 INDEX Weber, Carl Maria von ; E