giulio cesare - Naxos Music Library

et Fabio Biondi. Parmi ses engagements récents, citons Alcina de Haendel à l’Opéra de Kiel ;
Il trionfo del Tempo e della Verità de Haendel à Bolzano avec l’Orchestre baroque de Bolzano
et Claudio Astronio ; Agrippina de Haendel au Teatro La Fenice de Venise et au Festival Opera
Rara de Cracovie ; La Calisto de Cavalli au Théâtre des Champs-Élysées à Paris ; le Stabat Mater
de Pergolèse à Vicence et Vérone ; et une reprise d’Agrippina au Festival Via Stellae de Saint-Jacques
de Compostelle ; un enregistrement et une exécution en concert de la Petite Messe solennelle
de Rossini sous la direction de Tito Ceccherini ; Le Cinesi de Gluck aux Musikfestspiele de
Potsdam et à Winterthur ; Berenice de Haendel avec Il Complesso Barocco et Alan Curtis ; L’Olimpiade
de Pergolèse au Festival Pergolèse de Jesi avec Alessandro De Marchi ; le Requiem de Mozart sous
la direction de Christopher Hogwood ; et une tournée de concerts européenne de Giulio Cesare
avec Il Complesso Barocco et Alan Curtis.
Milena Storti completed her musical education at the Conservatory in Pescara, her hometown,
with Nicoletta Panni. She attended masterclasses with Erik Werba and Claudio Desderi and in 1996
won the Inner Wheel Best Lyric Voice prize at the Scuola di Musica di Fiesole.
She made her operatic debut in 1992 with Rossini’s La Cenerentola at the Teatro Verdi in Pisa,
followed by Le Comte Ory in Turin, Mistress Bentson/Lakmé in Palermo, Meg/Falstaff at the
Aldeburgh Festival and in Turin, Maddalena/Rigoletto, Federica/Luisa Miller, Zita/Gianni Schicchi.
Milena Storti is particularly interested in the twentieth-century and contemporary repertoire,
and has devoted an important part of her career to seventeenth- and eighteenth-century music,
participating in numerous productions with Christophe Rousset, Ottavio Dantone, Alan Curtis, Mike
Fentross, and Fabio Biondi. Among her recent engagements are Handel’s Alcina at the Kiel Opera;
Handel’s Il trionfo del Tempo e della Verità in Bolzano with Bozen Baroque Orchestra and Claudio
Astronio; Handel’s Agrippina at the Teatro La Fenice in Venice and the Opera Rara Festival in
Cracow; Cavalli’s La Calisto at the Théâtre des Champs-Élysées in Paris; Pergolesi’s Stabat Mater
in Vicenza and Verona; a revival of Agrippina at the Festival Via Stellae in Santiago de Compostela;
a recording and concert performance of Rossini’s Petite Messe solennelle under Tito Ceccherini;
Gluck’s Le Cinesi at the Musikfestspiele in Potsdam and in Winterthur; Handel’s Berenice with
Il Complesso Barocco and Alan Curtis; Pergolesi’s L’Olimpiade at the Pergolesi Festival in Jesi
with Alessandro De Marchi; Mozart’s Requiem under the baton of Christopher Hogwood; and a
European concert tour of Giulio Cesare with Il Complesso Barocco and Alan Curtis.
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