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The Supreme Doctrine - neo-alchemist

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T1st<br />

mode:<br />

2nd mode:<br />

3rd mode:<br />

4th mode:<br />

5th mode:<br />

Chapter Six<br />

THE FIVE MODES OF THOUGHT OF<br />

THE NATURAL MAN—PSYCHOLOGICAL<br />

CONDITIONS OF SATORI<br />

HE psychological consciousness of the natural man functions in five<br />

different ways which form a single series.<br />

Deep sleep, without dreams. <strong>The</strong> mentality contains no images.<br />

A mode of functioning which is non-functioning.<br />

Sleep with dreams.<br />

Waking with reveries.<br />

Waking with definite thought that takes account of the real<br />

external present.<br />

Waking with pure intellectual thought.<br />

Except in the first mode the mentality contains an imaginative film but<br />

of a kind which differs from the second to the fifth. An imaginative film, of<br />

whatever kind it may be, is characterised in one respect by the nature of its<br />

images; these may be concrete, particular, based on the concrete reality of the<br />

present or not present; or they may be abstract, general (based on general<br />

reality, to which the words 'present' and 'not present' no longer apply). An<br />

imaginative film is characterised in another respect, by the manner in which<br />

the images are arranged in it, the style of their association. Three styles can<br />

be distinguished: symbolical, realistic, pure intellectual.<br />

<strong>The</strong> imaginative film, or, to put it in a simpler way, the thought of<br />

sleep-with-dreams, is characterised before all else by its symbolical style of<br />

association. In this symbolical style the meaning of the film does not lie in its<br />

form, in its expression; it lies behind the form, and this merely serves to<br />

indicate it. <strong>The</strong>re is a difference between form, which is only a means, and<br />

informal substance, which is its aim (and at the same time evidently its<br />

principle).<br />

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