SUPER BORING - Wayne Barker
celebrating 25 years of Wayne Barker’s work (catalogue), 2010, Marelize van Zyl (ed). Published by SMAC Gallery, Stellenbosch (RSA); ISBN: 978-0-620-46718-6
celebrating 25 years of Wayne Barker’s work (catalogue), 2010,
Marelize van Zyl (ed). Published by SMAC Gallery, Stellenbosch (RSA);
ISBN: 978-0-620-46718-6
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
50<br />
<strong>Wayne</strong> <strong>Barker</strong>’s drive to make an art project happen has never been more evident<br />
than in his curatorial exercise, ‘Laager’. Not invited as a participant onto the 1 st<br />
Johannesburg Biennale in 1995, <strong>Barker</strong> contrived to place himself and thirteen other<br />
young artists at the dead centre of the offi cial Biennale events, somehow commandeering<br />
fourteen empty shipping containers and having them placed in an embattled circle midway<br />
between the MuseumAfrica and the Electric Workshop. Artists included himself, Brett<br />
Murray, Lisa Brice, Hentie van der Merwe and Kate Gottgens, one to each container.<br />
Acknowledged as a major attraction at the Biennale, ‘Laager’ drew an invitation for all the<br />
artists to exhibit in Chile the following year.<br />
WAYNE BARKER<br />
SUE WILLIAMSON<br />
When I fi rst met <strong>Wayne</strong> we were on our way to an exhibition and he was telling<br />
someone how he had been struggling all day on a painting which wasn’t working properly.<br />
I felt strangely comforted because I had only been painting for a while, and here was<br />
<strong>Wayne</strong> who was already famously famous for the FIG Gallery, et al., conferring to doubts<br />
and diffi culties not dissimilar to my own.<br />
After that initial meeting he invited us to one of his legendary dinners in Troyeville<br />
where he had a studio next to Bob’s Infamous Bar. We arrived to a long table laden with<br />
plates of prawns and overfl owing with bottles of wine. Jollility reigned and raucous it was,<br />
and that was the beginning of a long friendship….<br />
And now a decade later, after being so familiar with <strong>Wayne</strong>’s world, I look at the four<br />
paintings we have of his hanging on our wall at home and realize how amazingly talented<br />
he really is. His deep compassion and concern for humanity, a poetic vulnerability if you<br />
will, underpins I think the underlying quality in all of his work. He’s not afraid to express his<br />
pleasure or his pain, and that takes courage especially in today’s world where art can be<br />
so conceptual and where the idea behind the work has become more important than the<br />
feeling in the work itself.<br />
DIANA HYSLOP<br />
<strong>SUPER</strong> <strong>BORING</strong><br />
51