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DM-4800 OWNER'S MANUAL - zZounds.com - Tascam

DM-4800 OWNER'S MANUAL - zZounds.com - Tascam

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Module setup<br />

The fourth channel module screen is called the SETUP<br />

screen and allows the setting of general parameters<br />

affecting the use of the module. Note the block diagram<br />

at the top of this screen, showing the current<br />

configuration of the channel module, along with the<br />

enabled/disabled status of the <strong>com</strong>ponents (dynamics<br />

processors, EQ, etc.). As changes are made to the setting,<br />

this block diagram is updated to reflect the current<br />

status of the module:<br />

Figure 5.14: Channel module SETUP screen<br />

As with the other module screens, the cursor keys are<br />

used to move a box around the screen, and the POD<br />

encoders and ENTER key are used to make changes<br />

to the parameters.<br />

NOTE<br />

Note that buss modules allow the setting of Aux 1–2<br />

level and pan here, together with stereo level and pan.<br />

Aux modules provide only stereo level and pan here,<br />

and the stereo buss provides only Aux 1–2 level and<br />

pan.<br />

INPUT/RETURN selection On channels 1<br />

through 48, as explained earlier, two different inputs<br />

may be selected, which may be switched or “flipped”<br />

globally in blocks of eight (“Flipping the channels”<br />

on page 60) or may be changed on this screen using<br />

the on-screen INVERT SRC (source invert) button (POD<br />

1, first row).<br />

When you press ENTER, a popup message asking<br />

you to press ENTER once more to confirm the flip<br />

operation (or a cursor key to cancel).<br />

5 – Channel modules : Module setup<br />

GATE switching Use POD 2 on the first row as a<br />

rotary switch to turn the gate for the module on or<br />

off.<br />

AUX 1-2 SOURCE It is suggested that the aux 1<br />

and 2 sends are used as studio foldback (cue) sends.<br />

The fourth POD control on the first row of this screen<br />

allows you to choose pre-fader or post-fader inputs<br />

or the return channel to be used as the feed to aux 1-2<br />

(this is independent of the input return selection).<br />

Dynamics insert point Depending on the basic<br />

type of processor (<strong>com</strong>pressor or expander) that has<br />

been recalled from the library, the screen may show<br />

COMP (<strong>com</strong>pressor) or EXP (expander). Use POD 1 to<br />

move the insert point pre- or post-EQ.<br />

Dynamics on/off Depending on the basic type of<br />

processor (<strong>com</strong>pressor or expander) that has been<br />

recalled from the library, the screen may show COMP<br />

(<strong>com</strong>pressor) or EXP (expander) here. Use the POD 2<br />

encoder (second line) to turn this dynamics processor<br />

on or off.<br />

Assignable insert position Use the POD 3<br />

encoder (second line) to turn the insert point of the<br />

assignable “soft” insert to pre- or post-fader position.<br />

Phase control Use the POD 1 encoder of row 3 to<br />

reverse the input phase of the channel module. If two<br />

channels are linked, then a phase control for each<br />

channel will be shown (POD 1 and POD 2). Also, see<br />

“Phase/trim/delay” on page 84 below.<br />

Module delay A delay can be applied to channels<br />

on an individual basis, to <strong>com</strong>pensate for the latency<br />

of other equipment, the acoustic delays caused by<br />

microphone placement, etc. The delay time can be<br />

expressed in milliseconds or in samples.<br />

The delay point can also be set to be pre- or postmodule<br />

(see also “Delay” on page 85).<br />

Use the POD 3 encoder to set the delay time (in<br />

0.1ms or single sample steps).<br />

Move the cursor to the pre-post field and choose<br />

either pre- or post-module delay.<br />

TASCAM <strong>DM</strong>-<strong>4800</strong> User’s Manual 83

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