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THE SEaTTlE TranSgEndEr film fESTival may 13–16 2010

THE SEaTTlE TranSgEndEr film fESTival may 13–16 2010

THE SEaTTlE TranSgEndEr film fESTival may 13–16 2010

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<strong>2010</strong><br />

<strong>THE</strong> <strong>SEaTTlE</strong> <strong>TranSgEndEr</strong> <strong>film</strong> <strong>fESTival</strong> <strong>may</strong> <strong>13–16</strong>


EXPLORING OUR LIVES<br />

When the idea of a<br />

transgender <strong>film</strong> festival<br />

was being tossed around<br />

Three Dollar Bill Cinema’s office a<br />

little less than a decade ago, I didn’t<br />

think much about its future. But now<br />

Translations: The Seattle Transgender<br />

Film Festival has existed for five<br />

consecutive years (two years in<br />

conjunction with the Gender Odyssey<br />

conference and three years as its<br />

own stand-alone event), and all of a<br />

sudden, here it is, a milestone I never<br />

imagined.<br />

As a festival founder, I’ve had<br />

the unique opportunity to see how<br />

the quality of transgender <strong>film</strong> has<br />

changed and grown over this period.<br />

Story lines are better developed, and<br />

some of the cinematography is pretty<br />

damn impressive. Documentaries are<br />

shifting from simple transition stories<br />

into larger explorations of our lives as<br />

people. This is exciting progress.<br />

I’m especially excited this year<br />

about our opening night <strong>film</strong>: Riot Acts<br />

is a perfect fit for this music centric,<br />

transgender-positive city. I thought I<br />

knew who all the transgender musicians<br />

were—until I saw this <strong>film</strong> and was<br />

blown away by the diverse collection<br />

of talented and thoughtful musicians.<br />

And after the screening, we’ll enjoy a<br />

rare opportunity to see some of these<br />

amazing artists perform live.<br />

Another stand out is Amateur.<br />

This powerful and provocative short<br />

<strong>film</strong> delves into the intimacies of<br />

human interaction, exploring fear<br />

and forgiveness on both sides of the<br />

attraction equation. I can’t wait to<br />

see more from this young and very<br />

talented <strong>film</strong>maker.<br />

Thank you for your support of<br />

Translations: The Seattle Transgender<br />

Film Festival. Here’s to the next five years.<br />

Cresdan maite, Festival Founder


DIAGNOSING DIFFERENCE<br />

(Annalise Ophelian; 2009; US; 63 min)<br />

Most of us know that Gender Identity<br />

Disorder (GID) is a disorder listed in<br />

diagnostic manuals used by the medical<br />

community and insurance companies to<br />

categorize transgender people. While some<br />

in the transgender and gender variant<br />

communities support the purpose of a GID<br />

classification, others say it’s completely<br />

useless and some believe it’s outright<br />

harmful. Diagnosing Difference examines<br />

the issues surrounding GID through<br />

interviews with a diverse group of scholars,<br />

activists, and artists who identify on the<br />

trans spectrum. This topical, informative,<br />

FILMS<br />

and occasionally humorous documentary<br />

brings an important issue facing the trans<br />

community front and center. Preceded by<br />

DAY OF REMEMBRANCE (2009; US; 3 min).<br />

A student produced report on the signing<br />

of the historic, gender identity inclusive,<br />

hate crimes bill. Sat, May 15, 1pm, NW<br />

Film Forum<br />

DINAH EAST<br />

(Gene Nash; 1970; US; 90 min) Have<br />

you ever heard the rumor that actress<br />

and icon Mae West was actually a man?<br />

Dinah East takes that story and runs<br />

with it in this campy cult classic. Jeremy<br />

Stockwell and Warhol superstar Ultra<br />

Violet star in this sexy and scandalous<br />

rags-to-riches story of a girl who makes<br />

it in Hollywood while hiding an explosive


secret. The movie itself spawned even<br />

more rumors–did the real-life West<br />

have the <strong>film</strong> pulled from distribution<br />

and all copies destroyed? Or did she<br />

see it ten years before her death and<br />

find the whole thing hilarious? While<br />

it helps to have a sense of humor and<br />

imagination to enjoy Dinah East, at<br />

its core is a refreshing story focusing<br />

on the importance of individual human<br />

relationships, while steering away from<br />

labels and the conjecture of identity.<br />

Sat, May 15, 9pm, NW Film Forum<br />

FOREVER’S GONNA START<br />

TONIGHT<br />

(Michelle Lawler; 2009; US; 54 min)<br />

In her heyday, Vicki Marlane was<br />

part of the first wave of people on the<br />

performance circuit of what we currently<br />

understand to be drag. But Vicki is not in<br />

drag, she is a performer in her seventies<br />

who still works in San Francisco’s<br />

nightclubs, bringing down the house and<br />

putting female performers more than<br />

half her age to shame. This revealing<br />

documentary follows Vicki’s wild journey<br />

through life, from carnival sideshows<br />

and romantic road trips to present day.<br />

Preceded by JANENe (Joriah Goad; 2009; US;<br />

5 min). Seattle performer Anita Goodman<br />

plays a lonely escort, enjoying the last<br />

few hours of her day before a rendezvous<br />

with a sailor. Sat, May 15, 3pm, NW<br />

Film Forum<br />

\<br />

LOVE INTERESTS:<br />

SHORT FILmS<br />

You’ll surely be smitten with this care–<br />

fully curated collection of transgender<br />

short <strong>film</strong>s that examine the dynamics


of love in a myriad of relationships.<br />

Calpernia Adams plays a woman unsure<br />

about coming out to her new boyfriend<br />

and goes through a hilarious process to<br />

make her apartment TRANSPROOFED<br />

(Andrea James; 2009; US; 14 min). CAT’S CRADLE<br />

(Raymond Rea; <strong>2010</strong>; US; 4 min) uses a childhood<br />

game to represent our relationships to<br />

others and ourselves. REMEMBER ME<br />

IN RED (Hector Ceballos: <strong>2010</strong>; US; in Spanish;15<br />

min) is the wish one woman tries to fulfill<br />

and to rightfully honor her friend’s<br />

memory, while a secretive SEÑORITA<br />

(Vincent Sandoval; 2009; Philippines/US; in Tagalog;<br />

15 min) leads a double life to be a guardian<br />

to a young boy in her care. GOSSAMER<br />

WALLS (Malic Amalya & Peter Miller; 2007; US; 5<br />

min) show an abstract memory of family<br />

and childhood through the negative<br />

lens. A rumination on the dangers of<br />

first crushes and the value of clean<br />

guns, BLINK (Silas Howard; 2009; US; 11 min)<br />

also reveals the habits of sea cucumbers.<br />

And, AMATEUR (Daniel Treviño; 2009; US; 15<br />

min) is about staying in the moment,<br />

taking a risk, and learning to forgive.<br />

Don’t miss this collection of thoughtprovoking<br />

and entertaining short <strong>film</strong>s!<br />

Total Running Time: 79 min. Sun,<br />

May 16, 3pm, NW Film Forum<br />

mAGGOTS AND mEN<br />

Maggots And Men is an experimental<br />

historical narrative set in a mythologized,<br />

post-revolutionary Russia that reimagines<br />

the 1921 rebellion of the radical<br />

and courageous Russian Kronstadt sailors<br />

with a twist of gender anarchy. The <strong>film</strong> is<br />

set in an all male Russian naval base, but<br />

cast with actors from a range of masculine<br />

gender expressions, resulting in a <strong>film</strong><br />

that redefines male, challenges the binary<br />

gender construct, and intentionally creates<br />

confusion. And acknowledging a long<br />

tradition of homosexuality amongst sailors,<br />

the <strong>film</strong> has provocative sex scenes that<br />

evolve organically out of teamwork in close<br />

quarters. Maggots And Men positions<br />

the struggle for gender equality within a<br />

larger struggle for peace and justice, and<br />

illuminates the gender revolution currently<br />

taking place in our society. Sat, May 15,<br />

7pm, NW Film Forum


mAINSTAY<br />

(Elliot Montague; 2009; US; 50 min)<br />

In the wintry landscape of rural Maine,<br />

Fischer has just returned home upon<br />

hearing of his ex-lover Hannah’s sudden<br />

death. After a two-year absence, Fischer<br />

is well into his transition from female to<br />

male–an experience that he shared only<br />

with Hannah. With the loss of this source<br />

of validation, Fischer begins to rebuild his<br />

fragile relationship with his brother and<br />

mother. In the public realm of the small<br />

town, Fischer must engage with the people<br />

of his past, thus forcing him to negotiate<br />

the tenuous boundaries between his queer<br />

identity and his perceived “straight” male<br />

body. Preceded by AMATEUR (Daniel<br />

Treviño; 2009; US; 15 min). A withdrawn country<br />

boy goes on a camping trip and becomes<br />

interested in a confident gender-bending<br />

girl named Sam. Sat, May 15, 5pm, NW<br />

Film Forum<br />

mY BUDDY CLAUDIA<br />

(Dácio Pinheiro; 2009; Brazil; in<br />

Portuguese; 86 min) For over thirty<br />

years Brazilians came to know Claudia<br />

Wonder through music, magazines, and<br />

<strong>film</strong>. She was a transwoman from São<br />

Paulo who managed to come out of the<br />

newspapers’ crime section to become<br />

a highlight in the culture pages. My<br />

Buddy Claudia follows this remarkable<br />

woman from her difficult childhood, to<br />

her role as the first travesti to act in ’70s<br />

mainstream soft-core, to her days of<br />

activism and being a rock star in the ’80s.<br />

Through the <strong>film</strong> we learn much about<br />

Brazil itself, while being exposed to<br />

Claudia’s many facets from courageous<br />

to profane. Sun, May 16, 5pm, NW<br />

Film Forum Warning: Contains brief<br />

nudity and sex on screen.


OPEN<br />

(Jake Yuzna: 2009; US; 90 min) Winner<br />

of the Special Jury Award for LGBT <strong>film</strong><br />

at the <strong>2010</strong> Berlin International Film<br />

Festival, Open presents a visually striking<br />

and emotionally moving portrayal of<br />

relationships for a new millennium.<br />

When the young hermaphrodite Cynthia<br />

meets Gen and Jay, a couple recovering<br />

from plastic surgery, she learns of<br />

Pandrogeny, in which two people merge<br />

their facial features in order to reflect<br />

one unified entity. Cynthia abandons her<br />

suburban life to embark on a road trip<br />

with Gen through anachronistic America.<br />

A young transman, Syd, meets a young<br />

punk, Nick, and after a sexual encounter<br />

they find themselves falling in love. But<br />

are Syd and Nick ready to deal with the<br />

implications of their unique romance?<br />

Open’s cast of real hermaphroditic,<br />

pandrogynous, and transpeople bring<br />

authenticity to this story of emerging<br />

possibilities for human connection. Sun,<br />

May 16, 7pm, NW Film Forum<br />

QUEERLY CANADIAN<br />

These <strong>film</strong>s from our neighbors up<br />

north present two unique perspectives<br />

on gender queer experiences.<br />

COMPROMISING POSITIONS (Auden<br />

Cody Neuman & Mik Turje; 2008; Canada; 35 min)<br />

presents the world of queer wrestling,<br />

where scrappy young queers willingly<br />

risk injury by one another’s hands. This<br />

unruly combat sport is a sub-cultural<br />

phenomenon popping up in urban centers<br />

across Canada. Two genderqueer rascals<br />

with a passion for kicking ass, embark<br />

on a <strong>film</strong>making adventure to explore<br />

queer identity through combat. AND<br />

<strong>THE</strong> REST IS DRAG (Melisa Brittain; 2009;<br />

Canada; 31 min) explores gender from the<br />

perspective of drag kings who consciously<br />

and politically queer their gender, both


on and off stage. Using an eclectic mix of<br />

performance footage, still photography,<br />

and interviews, the <strong>film</strong> draws audiences<br />

into the sexy, rebellious, and sometimes<br />

humorous world of drag kinging. Sun,<br />

May 16, 1pm, NW Film Forum<br />

REALITY TG<br />

Is visibility a means to social acceptance? Do<br />

the drawbacks of too much (or unchecked)<br />

visibility outweigh the good it can<br />

accomplish? There has been an explosion<br />

of transgender people on talk shows,<br />

dramas, and especially reality television.<br />

We’ll screen some recent reality programs<br />

that feature transwomen as cast members<br />

and discuss how this representation affects<br />

the whole trans community. Join Sara<br />

Michelle Fetters, <strong>film</strong> and TV reviewer,<br />

and Three Dollar Bill Cinema Executive<br />

Director, Rachael Brister for a discussion<br />

on this fascinating broadcast trend. Thurs,<br />

May 13, 6:15pm, Capitol Hill Library<br />

RIOT ACTS<br />

(Madsen Minax; 2009; US; 72 min)<br />

Riot Acts follows the careers of some<br />

of the best transgender musicians<br />

playing across North America today.<br />

With interviews and performances<br />

by first rate musical acts such as The<br />

Clicks, Coyote Grace, and Katastrophe,<br />

Riot Acts explores the passion these<br />

musicians have for their craft, the<br />

impact gender has on their careers,<br />

their audiences, and their lyrics.<br />

Through interviews with artists across<br />

every genre and gender, Riot Acts<br />

illuminates the challenges and triumphs<br />

of transgender people. Following the<br />

exhilarating screening of Riot Acts<br />

director Madsen Minax and featured<br />

musician Adhamh Roland will give<br />

an exclusive performance during our<br />

Opening Night party! Fri, May 14,<br />

7:30pm, erickson Theatre


Buy your tickets in advance and save $1 per ticket! (not available for youth/senior<br />

discount). Box office opens 1 hour before the first screening of the day. After that time<br />

you can buy tickets to any screening for that day. REALITY TG is a free program. Your<br />

ticket to RIOT ACTS includes the Opening Night Party with live music performances.<br />

mORE INFO AND TICKETS<br />

sponsorED BY:<br />

TICKETS<br />

$50 for a festival pass $8 for single tickets<br />

$6 for single tickets for Three Dollar Bill Cinema<br />

members. (Limit two tickets per member per screening.)<br />

$5 youth & senior discount<br />

(youth are 21 and under, seniors are 65 and over). Youth and Senior discount is only<br />

available day of show at the box office. Must present ID.


THURS, MAY 13 CAPITOL HILL LIBRARY 425 Harvard Ave. E.<br />

6:15pm Reality TG<br />

FRI, MAY 14 ERICKSON <strong>THE</strong>ATRE 1524 Harvard Ave.<br />

7:30pm Riot Acts<br />

SAT, MAY 15 NORTHWEST FILM FORUM 1515 12th Ave.<br />

1pm Diagnosing Difference<br />

3pm Forever’s Gonna Start Tonight<br />

5pm Mainstay<br />

7pm Maggots And Men<br />

9pm Dinah East<br />

SUN, MAY 16 NORTHWEST FILM FORUM 1515 12th Ave.<br />

1pm Queerly Canadian (Compromising Positions / And The Rest is Drag)<br />

3pm Love Interests: Short Films<br />

5pm My Buddy Claudia<br />

7pm Open<br />

SCHEDULE

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