Xenakis - Black Angel, A Life of Arshile Gorky by Nouritza Matossian
Xenakis - Black Angel, A Life of Arshile Gorky by Nouritza Matossian
Xenakis - Black Angel, A Life of Arshile Gorky by Nouritza Matossian
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
www.rfh.org.uk/xenakis 08703 800 400<br />
XENAKIS<br />
architect in sound<br />
7-9 october 2005<br />
Queen Elizabeth Hall . Purcell Room<br />
builder <strong>of</strong><br />
dense and<br />
dazzling<br />
sonic<br />
masses<br />
sonic<br />
explorer,<br />
architect <strong>of</strong><br />
musical<br />
space
South Bank Centre London<br />
Queen Elizabeth Hall . Purcell Room<br />
XENAKIS<br />
architect in sound<br />
7-9 october 2005<br />
crackling<br />
electricity, sonic explorer,<br />
muscle and rhythm,<br />
frightening and thrilling,<br />
onslaught, astonishing,<br />
violent, hurtling, furious,<br />
viscerally exciting,<br />
ritualistic, raw, mad<br />
tingle, teasingly complex,<br />
physical impact,<br />
ferocious, playful, frozen<br />
music, stretch your ears,<br />
freedom fighter, extreme<br />
Iannis <strong>Xenakis</strong> was a pioneer: an explorer <strong>of</strong> the furthest extremes <strong>of</strong> sound, a<br />
builder <strong>of</strong> dense and dazzling sonic masses, an architect <strong>of</strong> musical space.<br />
This is music <strong>of</strong> visceral power, at once organic and hi-tech, suggesting huge<br />
natural rock formations as much as futuristic architecture, rainstorms as much<br />
as mathematical constructions. <strong>Xenakis</strong> was a brave outsider: as a young Greek<br />
resistance fighter, he was left for dead, wounded <strong>by</strong> a British bomb in the<br />
aftermath <strong>of</strong> World War ll. A mathematician, engineer and architect who worked<br />
on some <strong>of</strong> Le Corbusier’s most famous buildings, <strong>Xenakis</strong> stood apart from the<br />
post-war musical orthodoxy, and rewrote the book on composing music from his<br />
highly individual perspective. It is this bold individuality that has made him an<br />
inspiration to younger generations <strong>of</strong> composers, electronic artists and<br />
performers.<br />
BBC SYMPHONY ORCHESTRA<br />
BBC SINGERS<br />
FRI 7 OCT QEH 7.30PM<br />
Jac van Steen and Stephen Betteridge conductors<br />
Varèse Integrales<br />
<strong>Xenakis</strong> Nuits<br />
<strong>Xenakis</strong> Sea Nymphs<br />
<strong>Xenakis</strong> Schaar<br />
<strong>Xenakis</strong> Alax<br />
Stravinsky Canticum Sacrum<br />
The BBC Symphony Orchestra and the BBC Singers start the weekend<br />
with a monumental programme. Architectural forms are evoked in the<br />
clusters <strong>of</strong> sound and sweeping curves <strong>of</strong> Schaar, while in Alax the<br />
orchestra splits itself into three groups to articulate musical space.<br />
Voices are treated like instruments in the intensely dark Nuits, dedicated<br />
to political prisoners under the Greek military regime. The concert is<br />
framed <strong>by</strong> two ritualistic works <strong>by</strong> composers admired <strong>by</strong> <strong>Xenakis</strong>:<br />
Varese’s start sonic expoloration Integrales and Stravinsky’s Canticum<br />
Sacrum, written for the cavernous spaces <strong>of</strong> St Mark’s in Venice.<br />
£22, £18, £14, £11, £8<br />
ROLF HIND PIANO<br />
SAT 8 OCT PR 4PM<br />
<strong>Xenakis</strong> Mists<br />
Messiaen Canteyodjaya<br />
Feldman Palais de mari<br />
<strong>Xenakis</strong> Evryali<br />
Speaking <strong>of</strong> Morton Feldman, whom he greatly admired, <strong>Xenakis</strong> said<br />
‘the only difference between us is that his average level is very s<strong>of</strong>t,<br />
mine is very high!’. In this recital, Rolf Hind contrasts Feldman’s<br />
extreme stillness with the virtuosity <strong>of</strong> two <strong>Xenakis</strong> piano pieces.<br />
Both Mist and Evralyi are like forces <strong>of</strong> nature. The music grows and<br />
proliferates organically, like the branches <strong>of</strong> trees. Rolf Hind<br />
completes his recital with Messiaen in his most experimental mode<br />
in the complex and compelling Canteyodjaya.<br />
£12<br />
ROUND-TABLE DISCUSSION<br />
SAT 8 OCT PR 6PM<br />
Dennis Marks chairs a panel <strong>of</strong> speakers including <strong>Nouritza</strong> <strong>Matossian</strong>, journalist, broadcaster and author <strong>of</strong> a<br />
major biography <strong>of</strong> <strong>Xenakis</strong>.<br />
Admission free<br />
www.rfh.org.uk/xenakis (£1.50 transaction fee)<br />
08703 800 400 (daily 9.30am – 8pm, £1.50 transaction fee)<br />
In person at the Box Office (daily 11am – 8pm, no fee)<br />
Concessions 50% <strong>of</strong>f (limited availability / Jobseekers Allowance,<br />
Income Support, Senior Citizens, 16 and unders, full time students /<br />
Appropriate cards will be checked on admission)<br />
˘ ˘<br />
www.rfh.org.uk/xenakis 08703 800 400<br />
ARDITTI STRING QUARTET<br />
NICOLAS HODGES PIANO<br />
Sat 8 Oct QEH 7.30pm<br />
<strong>Xenakis</strong> Tetora, for string quartet<br />
<strong>Xenakis</strong> ST/4, for string quartet<br />
<strong>Xenakis</strong> Kottos, for solo cello<br />
<strong>Xenakis</strong> Akea, for piano quintet<br />
<strong>Xenakis</strong> Dikhthas, for violin and piano<br />
<strong>Xenakis</strong> Ikhoor, for string trio<br />
<strong>Xenakis</strong> Tetras, for string quartet<br />
<strong>Xenakis</strong> treasured the musicianship <strong>of</strong> the Arditti Quartet - ‘they can<br />
hold a sound with undiminished beauty’, he said - and he worked<br />
closely with the group to create deeply authentic performances <strong>of</strong> his<br />
works. In this programme, the full expressive range <strong>of</strong> the Ardittiis is<br />
to the fore. The virtuosic glissandi <strong>of</strong> Tetras contrast with the shifting<br />
clouds <strong>of</strong> sound in ST/4, one <strong>of</strong> a series <strong>of</strong> works in which <strong>Xenakis</strong><br />
employed ‘stochastic’ principles: mathematical notions <strong>of</strong> probability.<br />
£16, £12<br />
SOMETHING RICH AND STRANGE<br />
SUN 9 OCT QEH 5.30PM<br />
Mark Kidel’s beautiful film traces <strong>Xenakis</strong>’ extraordinary life in music, science and architecture and takes him<br />
back to his school on the Greek island <strong>of</strong> Spetsa to reveal memories <strong>of</strong> his childhood and education. In a<br />
touching moment, <strong>Xenakis</strong> stands in an ancient amphitheatre and, in a word-perfect flashback to a schoolboy<br />
performance, recites part <strong>of</strong> The Tempest: ‘Nothing <strong>of</strong> him doth remain, but doth suffer a sea-change, into<br />
something rich and strange’.<br />
Admission free<br />
LONDON SINFONIETTA<br />
SUN 9 OCT QEH 7PM<br />
Diego Masson conductor ˘<br />
Elisabeth Chojnacka harpsichord<br />
XXX mezzo-soprano<br />
XXX piano<br />
<strong>Xenakis</strong> Waarg<br />
<strong>Xenakis</strong> A l’ile de Gorée<br />
<strong>Xenakis</strong> Jalons<br />
<strong>Xenakis</strong> ST/10<br />
<strong>Xenakis</strong> Akanthos<br />
<strong>Xenakis</strong> Eonta<br />
Diego Masson, who conducted the first performances <strong>of</strong> many <strong>of</strong> <strong>Xenakis</strong>’s works, fronts the London<br />
Sinfonietta in a programme <strong>of</strong> colourful and theatrical ensemble pieces. Two spectacular keyboard concertos<br />
form the pillars <strong>of</strong> the programme: A l’ile de Gorée for harpsichord and ensemble was written as a homage to<br />
black slaves traded at the market on the island <strong>of</strong> Goée, and in Eonta, a pianist plays a wild, computer<br />
generated piano part while brass players circle round in a choreographed ritual, their sounds alternately<br />
reverberating on its strings or calling into space.<br />
£22, £18, £14, £11, £8<br />
SOUND INTERMEDIA<br />
SUN 9 OCT QEH 9.30PM<br />
<strong>Xenakis</strong> La Légende d’Eer<br />
HOW TO BOOK SERIES SAVINGS<br />
La Légende d’Eer is <strong>Xenakis</strong>’s most impressive and ambitious tape piece, and has been hailed as a<br />
masterpiece <strong>of</strong> electronic music. First created for performance in the Diatope, a red, organically shaped tent<br />
designed <strong>by</strong> <strong>Xenakis</strong> for the space outside the Pompidou Centre, the work takes its title from Plato’s tale <strong>of</strong><br />
the hero who miraculously comes to life having been seemingly fatally wounded. <strong>Xenakis</strong>’s choice <strong>of</strong> subject<br />
must surely echo his own experience <strong>of</strong> wartime survival in the face <strong>of</strong> terrible injuries.<br />
£5<br />
(not available online)<br />
Book 2 paid events and save 10%<br />
Book 3 or 4 paid events and save 15%<br />
Book 5 paid events and save 20%<br />
˘<br />
˘