OPERATION MANUAL - Best Service

More documents

Recommendations

Info

44 CHAPTER 3 Elastique Time-Stretch & Pitch-Shifting Approach for dynamic use Generally any pitch parameters of samplers create pitch-shifting by the speed-up or slowing-down of the playback tempo of an audio file - so to speak only the playback tempo is changed and the pitch retains. „Elastique“ however changes the original pitch of an audio file in real-time and retains the playback tempo. So as soon as „Elastique“ is activated, the „pitch“ parameter in Engine automatically switches accordingly - both on the „Mapping“ page and the „Modules“ page. The Mapping page „pitch“ parameter is qualified for static changes of the pitch, whereas the „pitch“ parameter on the Modules page is qualified for dynamic pitch changes. You can create changes of the pitch (destination „pitch“) and of the tempo (destination „tempo“) with the use of the internal sources, like LFO, Step Modulator, Free Envelope, etc., for example. Switch to the “Modules” page after the selection of “Elastique” in the “read model” pulldown menu. Two new buttons “auto tempo” and “formants” are now available: „auto tempo“: If activated, the current BPM settings for all audio files of the Mapping page get used - if BPM values are available. In this case any further editing of the parameters „tempo“ and „pitch“ on the „Modules“ page will be based on these existing BPM values. If „auto tempo“ is not activated, all files get processed without the consideration of their BPM values. „formants“: (Formanten beibehalten) If activated the formants of the audio file get preserved during the processing. This option improves the time-stretch quality.
The relevant destinations for Elastique are „pitch“ and „tempo“: <strong>Best</strong> <strong>Service</strong> Engine 1.0 Manual Pitch: Changes the pitch of an audio file without changing the original tempo. Very useful for manipulation and effects. Tempo: Changes the length of an audio file. Thus the playback speed can be faster or slower. 100% correspond to the original tempo. Higher values cause a speed-up - lower values a slowing-down. 45
Page 1: U l t i m a t e Sa m p l e pl a y e
Page 4 and 5: The information in this document is
Page 6 and 7: Quick Edit ........................
Page 8 and 9: Gater .............................
Page 10 and 11: 10 CHAPTER 1 Welcome Welcome Thank
Page 12 and 13: 12 CHAPTER 1 Welcome One of the mos
Page 14 and 15: 14 CHAPTER 1 Welcome The profession
Page 16 and 17: 16 CHAPTER 1 Welcome On the Engine
Page 18 and 19: 18 CHAPTER 2 Basics & User Interfac
Page 46 and 47: 46 CHAPTER 4 Quick Edit Quick Edit
Page 48 and 49: 48 CHAPTER 5 Pro Edit Pro Edit Next
Page 50 and 51: 50 CHAPTER 5 Pro Edit Module Editor
Page 52 and 53: 52 CHAPTER 5 Pro Edit The left part
Page 54 and 55: 54 CHAPTER 5 Pro Edit Keyboard Opti
Page 56 and 57: 56 CHAPTER 5 Pro Edit Filters Meanw
Page 58 and 59: 58 CHAPTER 5 Pro Edit The AHDSR env
Page 60 and 61: 60 CHAPTER 5 Pro Edit Beside the
Page 62 and 63: 62 CHAPTER 5 Pro Edit Click on the
Page 64 and 65: 64 CHAPTER 5 Pro Edit IMPORTANT: So
Page 66 and 67: 66 CHAPTER 5 Pro Edit Release Veloc
Page 68 and 69: 68 CHAPTER 5 Pro Edit LFO (Low Freq
Page 70 and 71: 70 CHAPTER 5 Pro Edit AHDSR Envelop
Page 72 and 73: 72 CHAPTER 5 Pro Edit Use the „sy
Page 74 and 75: 74 CHAPTER 5 Pro Edit Glide (Portam
Page 76 and 77: 76 CHAPTER 5 Pro Edit „loop“ pu
Page 78 and 79: 78 CHAPTER 5 Pro Edit „dynamic”
Page 80 and 81: 80 CHAPTER 5 Pro Edit The Arranger
Page 82 and 83: 82 CHAPTER 5 Pro Edit If even this
Page 84 and 85: 84 CHAPTER 5 Pro Edit „input quan
Page 86 and 87: 86 CHAPTER 5 Pro Edit randomizers
Page 88 and 89: 88 CHAPTER 5 Pro Edit The Time Modu
Page 90 and 91: 90 CHAPTER 6 Browser Browser Overvi
Page 92 and 93: 92 CHAPTER 6 Browser ... or you can
Page 94 and 95:
94 CHAPTER 6 Browser File display T
Page 96 and 97:
96 CHAPTER 6 Browser MIDI files As
Page 98 and 99:
98 Mixer CHAPTER 7 Mixer „The mix
Page 100 and 101:
100 CHAPTER 7 Mixer Group Editor Ma
Page 102 and 103:
102 CHAPTER 7 Mixer Channel Display
Page 104 and 105:
104 CHAPTER 7 Mixer BUS sends Engin
Page 106 and 107:
106 CHAPTER 7 Mixer Panorama chart
Page 108 and 109:
108 CHAPTER 8 Automation Select the
Page 110 and 111:
110 CHAPTER 8 Automation • „no
Page 112 and 113:
112 CHAPTER 9 Insert Filter and Eff
Page 114 and 115:
Page 116 and 117:
116 Filters CHAPTER 9 Insert Filter
Page 118 and 119:
Page 120 and 121:
Page 122 and 123:
Page 124 and 125:
Page 126 and 127:
Page 128 and 129:
128 Delay CHAPTER 9 Insert Filter a
Page 130 and 131:
Page 132 and 133:
Page 134 and 135:
Page 136 and 137:
136 Reverb Reverb CHAPTER 9 Insert
Page 138 and 139:
138 Special CHAPTER 9 Insert Filter
Page 140 and 141:
Page 142 and 143:
Page 144 and 145:
Page 146 and 147:
Page 148 and 149:
Page 150 and 151:
150 CHAPTER 10 Pro Surround Environ
Page 152 and 153:
152 CHAPTER 10 Pro Surround Environ
Page 154 and 155:
154 CHAPTER 11 Preferences & Help P
Page 156 and 157:
Page 158 and 159:
Page 160 and 161:
160 CHAPTER 12 Credits Credits Idea
Page 162 and 163:
162 CHAPTER 13 License Agreements 5
Page 164 and 165:
164 Index CHAPTER 14 Index Symbole
Page 166 and 167:
166 CHAPTER 14 Index Notepad—33 L
Page 168:
168 CHAPTER 14 Index VST Effects—
show all

OPERATION MANUAL - Best Service

Create successful ePaper yourself

Delete template?

Save as template?