TCR MARQUEE - Autumn 2013
In this issue The Second Coming Jesus Christ Superstar: A Timeline Classes You’ll Want to Take Raising the Curtain on 80 Seasons Up Close & Personal with TCR’s Staff & Board Brewed + TCR = Something Awesome What’s Up With Costumes Run like a (NewBo) Chicken! Why TCR’s 80th Season ROCKS And so much MORE! (This IS TCR, right?)
In this issue
The Second Coming
Jesus Christ Superstar: A Timeline
Classes You’ll Want to Take
Raising the Curtain on 80 Seasons
Up Close & Personal with TCR’s Staff & Board
Brewed + TCR = Something Awesome
What’s Up With Costumes
Run like a (NewBo) Chicken!
Why TCR’s 80th Season ROCKS
And so much MORE! (This IS TCR, right?)
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TheaTre Cedar rapids<br />
<strong>MARQUEE</strong><br />
AUTUMN <strong>2013</strong><br />
In thIs Issue<br />
the second Coming<br />
Jesus Christ superstar: A timeline<br />
Classes You’ll Want to take<br />
Raising the Curtain on 80 seasons<br />
up Close & Personal with tCR’s staff & Board<br />
Brewed + tCR = something Awesome<br />
What’s up With Costumes<br />
Run like a (newBo) Chicken!<br />
Why tCR’s 80 th season ROCKs<br />
And so much MORe! (this Is tCR, right?)<br />
The second coming of<br />
Jesus<br />
Christ Superstar
Why <strong>TCR</strong>’s 80th Season ROCKS<br />
by Casey Prince<br />
<strong>TCR</strong> Executive Director<br />
Something’s coming.<br />
This special season was officially kicked off at The<br />
Curtain Raiser on September 6th and things haven’t<br />
been the same since. On that night we announced<br />
that our 80th Season concessions service provider<br />
would be Brewed Café. We announced our special<br />
invitation to produce Mary Poppins in our next and<br />
81st Season. Most importantly, we previewed this<br />
our 80th Season for more than 300 guests. That night<br />
included familiar faces like Doug Jackson (To Kill a<br />
Mockingbird, 1999), Jim Kern (The Music Man,<br />
1992) and Steve Rezabek (Jesus Christ Superstar,<br />
1986). It also included a video endorsement sent to us<br />
from Hugh Jackman, recorded in his Australia home<br />
mere days earlier with the hopes of congratulating<br />
us on 80 Seasons at our special kickoff event. All<br />
signs that night made it very clear: this is going to be<br />
a special anniversary season.<br />
As I write this, the 80th theatre season is hurdling<br />
toward us all like a tidal wave. The air is thick with<br />
theatre around <strong>TCR</strong> these days. More than half of<br />
the season has been cast and many of those shows<br />
are rehearsing in every nook and cranny around<br />
the venue. Fall classes will soon be starting and<br />
thanks to the energy and expertise of new Education<br />
Director Matthew Kerns, there are so many exciting<br />
programs in store.<br />
The experience outside our walls will be improved<br />
for you too! All of our neighbors have completed<br />
construction and have their lights on. Sidewalks are<br />
finally open and there is a new parking alternative<br />
for you right next door to our building.<br />
The Costume Run will be here on October 26th<br />
and registrations are already coming in. Costumed<br />
runners will again start at <strong>TCR</strong>, run or walk a 5K course<br />
through downtown with multiple activities (including<br />
haunted house) along the way and end at the New Bo<br />
City Market on their one-year anniversary day with<br />
live music and revelry to follow. Plans are also well<br />
underway for the 10th annual ladies luncheon on<br />
May Day 2014. And to cap it all off, the June 20th<br />
season finale opening night of Les Misérables will<br />
be a gala night to remember, in the vein of our grand<br />
reopening three short years ago.<br />
With the The Underground Festival taking the<br />
stage in the Grandon Studio and The Music Man<br />
taking the stage at the Paramount, the energy on the<br />
main stage is building like a pressure cooker. Soon<br />
it will explode with Jesus Christ Superstar and<br />
before you know it, Santa will be here for Miracle on<br />
34th Street. And yes, there will again be a special<br />
screening of It’s a Wonderful Life on December<br />
17th.<br />
If ever there were a year to do a little more with <strong>TCR</strong>,<br />
this is it. But act now, because it’s coming at us<br />
all so very fast. Thanks to broad-based community<br />
support, so many shows have sold out in recent years.<br />
I encourage you to make your plans now to celebrate<br />
80 Seasons with us. If not for the role you play, our<br />
organization may very well have celebrated only 75<br />
Seasons as that big anniversary occurred during<br />
the floods of 2008. But your support ensured we’d<br />
remain a point of community pride for generations to<br />
come. Celebrate THAT with us this season. All you<br />
have got to do is show up. We promise to provide<br />
great theatre. Together, we create the magic of live<br />
theatre.
The Cast of Neil Simon’s<br />
JAKE’S WOMEN<br />
Philip Schramp<br />
Heather Akers<br />
Susan Scharnau<br />
Lily Palmersheim<br />
Katie Vogel<br />
Jen Boettger<br />
Angela Billman<br />
Traci Rezabek<br />
FALL & WINTER SESSIONS<br />
KIDS CLASSES<br />
Just Right for Me!<br />
A class for kids on the Autism Spectrum<br />
Treasure Trunk Theatre<br />
Grades 1-2<br />
Staging Stories<br />
Grades 2-5<br />
Upcoming at Theatre Cedar Rapids<br />
Jesus Christ Superstar – Lyrics by Tim Rice, Music by<br />
Andrew Lloyd Weber. This groundbreaking rock opera<br />
explores the last seven days of Christ’s life. Filled with<br />
struggle, love, faith, and music, this rock opera debuted<br />
on Broadway in 1971, and changed the face of musical<br />
theatre forever. Superstar was last produced at <strong>TCR</strong> in<br />
1986. Opens October 11, <strong>2013</strong> Rated PG (Note: Some<br />
content could be intense for our younger audience<br />
members)<br />
Neil Simon’s Jake’s Women – Neil Simon. Jake faces a<br />
marital crisis by daydreaming about the women in his<br />
life. The wildly comic and sometimes moving flashbacks<br />
played in his mind are interrupted by visitations from<br />
actual women. Jake’s women include his dead first<br />
wife, his daughter now and back then, his bossy sister,<br />
his opinionated analyst, his soon-to-be-ex-wife, and a<br />
prospective third wife. <strong>TCR</strong> last did this show in 1997.<br />
Opens November 1, <strong>2013</strong> Rated PG (Note: Subject<br />
matter and attention span for elementary-aged audience<br />
members)<br />
Miracle on 34th Street – Adapted from the novel by<br />
Valentine Davies and based on the Twentieth Century Fox<br />
motion picture. Based on one of the most heartwarming<br />
holiday films, Miracle on 34th Street follows a man who<br />
claims to be Kris Kringle while he works as Macy’s<br />
Santa. Kris unleashes waves of good will with Macy’s<br />
customers, and touches the heart of everyone he meets.<br />
However, not everyone believes in Santa Claus, and Kris<br />
ends up in court, where the Spirit of Christmas prevails.<br />
<strong>TCR</strong> last produced this classic in 1998. Opens November<br />
29, <strong>2013</strong> Rated G (Note: Perfect for the ENTIRE family)<br />
Monty Python’s Spamalot – Book and Lyrics by Eric Idle,<br />
Music by John Du Prez. Lovingly ripped off from the classic<br />
film comedy, Monty Python and the Holy Grail, Spamalot<br />
retells the legend of King Arthur and his Knights of the<br />
Round Table, and features a bevy of beautiful showgirls,<br />
killer rabbits, cows, and French people. Truly, one of the<br />
funniest shows to come out of Broadway in a long while.<br />
This is <strong>TCR</strong>’s first production of Spamalot. Opens January<br />
24, 2014 Rated PG-13 (Note: Although funny, some mild<br />
questionable language, situations, adult humor)<br />
Check theatrecr.org for dates!<br />
Youth Ensemble<br />
Grades 6-8<br />
Teen Acting Ensemble<br />
Freshmen-Senior H.S.<br />
College Audition Prep Class<br />
Juniors & Seniors H.S.<br />
For Colored Girls Who Have Considered Suicide When The<br />
Rainbow Is Enuf – Ntozake Shange. This groundbreaking<br />
choreopoem is a spellbinding collection of vivid prose<br />
and free verse narratives about and performed by Black<br />
women. Capturing the brutal, tender and dramatic lives<br />
of contemporary Black women, For Colored Girls...<br />
offers a transformative, riveting evening of provocative<br />
dance, music and poetry. This is the first time <strong>TCR</strong><br />
has presented this show. Opens February 21, 2014<br />
Rated R (Explicit language and subject matter)<br />
To Kill A Mockingbird – Adapted by Christopher Sergel<br />
from the novel by Harper Lee. Based on the renowned<br />
novel by Harper Lee, To Kill A Mockingbird is the story<br />
of Scout, a young girl in a quiet southern town in 1935,<br />
who, along with her older brother, is, being raised by<br />
her widowed, lawyer father, and their strong-minded<br />
housekeeper. As Atticus defends a young Black man<br />
wrongfully accused of a grave crime, Scout learns about<br />
prejudice, compassion, justice, and love. This play was<br />
last produced by <strong>TCR</strong> in 1999. Opens March 21 , 2014<br />
Rated G (Note: Attention span for younger audience<br />
members)<br />
God of Carnage – Yasmina Reza, translated by<br />
Christopher Hampton. Winner of the 2009 Tony Award,<br />
this play is a brutally entertaining and hilarious story<br />
of two sets of Brooklyn parents brought together for a<br />
meeting regarding a playground altercation between<br />
their eleven-year-old sons. This is the first production<br />
of God of Carnage at <strong>TCR</strong>. Opens April 25, 2014<br />
Rated R (Note: Explicit language and subject matter)<br />
Les Misérables – Book by Alain Boublil and Claude-<br />
Michel Schonberg, Music by Claude-Michel Schonberg,<br />
Lyrics by Herbert Kretzmer. An international smash-hit<br />
that quite possibly is the most popular musical in the<br />
world, Les Misérables is the moving story of Jean Valjean<br />
and his struggle for redemption and peace. Set against<br />
the backdrop of 19th century France and the French<br />
revolution, this popular masterpiece promises to be one<br />
of <strong>TCR</strong>’s biggest undertakings ever. Opens June 20, 2014<br />
Rated PG (Note: Some content could be intense for our<br />
younger audience members)<br />
ADULT CLASSES<br />
Adult Acting Ensemble<br />
Figure Drawing<br />
Playwriting<br />
Cabaret Performance Class<br />
IMPROV & Beer<br />
DANCE & FITNESS<br />
Tap<br />
Yoga
The Cast of JESUS CHRIST SUPERSTAR<br />
Lorene Anderson - Ensemble<br />
Megan Anderson - Apostle<br />
Treashana Baker - Mary Magdalene<br />
Stephen Banks - Apostle<br />
Aaron Brewer - Jesus<br />
Jay Burken - Apostle<br />
Cameron Byrd - Apostle<br />
Jon Day - Pilate<br />
Samie Douglass - Ensemble<br />
Emma Drtina - Soul Girl<br />
Doug “D.J.” Jackson - Priest<br />
Eric Johnson - Herod<br />
Malcolm Kelly - Peter<br />
Ben LaFayette - Judas<br />
Andy Lesieur - Apostle<br />
Marnie Marshall - Ensemble<br />
Danny Mulka - Apostle<br />
Krista Neumann - Apostle<br />
Timm Palmersheim - Apostle<br />
Tracy Stanford Price - Priest<br />
Steve Rezabek - Priest<br />
Dan Schmidt - Caiaphas<br />
Logan Schultz - Simon Zealot<br />
Greg Smith - Annas<br />
Alicia Strong - Soul Girl<br />
Laurie Thomas - Ensemble<br />
Lacie Thompson - Ensemble<br />
Jamie Toledo - Ensemble<br />
Kenneth Van Egdon - Apostle<br />
Sheila L. Wagner - Soul Girl
The Second Coming (of Jesus Christ Superstar)<br />
by Leslie Charipar<br />
<strong>TCR</strong> Artistic Director<br />
Jesus Christ Superstar has been<br />
around forever. At least for my forever.<br />
The process of this show began when<br />
I was three, and it became a Broadway<br />
hit by the time I was five. I grew up<br />
with this show. While I was in Catholic<br />
elementary school, I commandeered<br />
my mom’s Jesus Christ Superstar<br />
album and learned every word of it.<br />
And when I came back to this music<br />
some 40 years later, I found that I still<br />
knew all of it. It was in my bones.<br />
The fact that it’s been around for over 40 years and<br />
has continued to be produced worldwide for all of<br />
that time, enjoying two successful revivals in the<br />
last 20 years, poses an interesting question: What<br />
changes about this production every time a theatre<br />
company does it? As the world changes, what does<br />
that do to the style of the show, the look, and the<br />
vision?<br />
We decided that we’d start with the question: if<br />
Jesus came back right now, what would it look like?<br />
The images that kept coming up were rooted in the<br />
unrest in the Middle East, peppered with the political<br />
divisiveness of our own country right now. The more<br />
we talked about it, the more it made sense to let<br />
today’s issues influence the style of our production.<br />
The world sometimes feels violent and ugly and<br />
scary, and that’s the place we decided to establish,<br />
the world we decided to have Jesus walk into.<br />
From a scenic perspective, that meant sand – lots and<br />
lots of sand, eight tons of sand – as both a symbolic<br />
representation of where we are and as a design<br />
element. Bret Gothe, Scenic Designer, became more<br />
interested in the notion of sand as we considered<br />
how the surface of the sand will change every time<br />
performers walk or dance on it. As the texture and<br />
pattern of the sand changes, so will the look of the<br />
central playing area, going from tidy to messy.<br />
The sand is surrounded by steel and mesh, giving the<br />
space a kind of cage-like feel. The upper levels are<br />
reserved for the higher powers of this society (the<br />
Priests, Pilate, Herod), while the “regular” people are<br />
relegated to the lower levels. As Jesus and his crew<br />
enter into the space, it feels as if they’re intruding on<br />
a world that doesn’t want them there but desperately<br />
needs them.<br />
The lighting is harsh and artificial. Continuing the<br />
feeling that this place isn’t comfortable or pleasant<br />
or necessarily safe, the lighting makes it feel like a<br />
prison yard, where you’re free to live but someone<br />
is always watching you, and you will be punished if<br />
you break the rules. Derek Easton, Technical Director<br />
and Lighting Designer, has combined traditional<br />
theatre lighting elements with practical lighting<br />
instruments, and it creates an interesting and slightly<br />
disconcerting blur between the line of theatre and<br />
the line of real life.<br />
The costumes represent a whole host of times and<br />
archetypes. Joni Sackett, Costume Designer, has put<br />
together a conglomeration of looks – a kind of bleak<br />
Mad Max meets Seattle Grunge meets hippies meets<br />
Vegas meets Cirque meets rebel fighters. Because<br />
we’d like people to consider the question, what would<br />
happen if Jesus came back right now, we wanted to<br />
pull the story closer to now, so that the audience will<br />
participate with us in answering that question. One<br />
of the easiest ways to do that is through the clothes<br />
that the performers wear.<br />
Of course, the play is still set in Jerusalem. It’s<br />
still rooted in the history of that time. But, because<br />
there are similarities between the power structure<br />
then and now, because there is still a desire to fight<br />
through oppression, because there are still people<br />
in this world fighting for their freedom, because<br />
people are still suffering, and because people are<br />
so clearly still looking for someone to give them<br />
answers that will provide them with purpose and<br />
peace, we wanted to reduce the distance between<br />
the historically traditional Jesus and a Jesus that<br />
might appear now. Andrew Lloyd Webber and Tim<br />
Rice used rock and roll as a means to make this<br />
story relevant in the 70s. Through the use of more<br />
contemporary materials and clothes and technology,<br />
we’re trying to honor the writer’s objective to bring<br />
this story closer to us now.
September 1969<br />
Because, in the words of Andrew Lloyd<br />
Webber, “no on was interested in doing<br />
Jesus Christ Superstar on stage,”<br />
it began life as a groundbreaking<br />
rock double-album, with lyrics by<br />
Tim Rice and music by Andrew Lloyd<br />
Webber who, at the ages of 25 and 21<br />
respectively, were just embarking on<br />
what would become extraordinarily<br />
long and successful entertainment<br />
careers. The album’s composition<br />
began with the seminal song<br />
‘Superstar’ – Andrew had written the<br />
melody down on a napkin.<br />
OctOber 5, 1969<br />
In order to get the concept album<br />
– Jesus Christ Superstar – off the<br />
ground, Decca first gave Andrew Lloyd<br />
Webber and Tim Rice money to make<br />
the single, ‘Superstar’ and begin the<br />
album. The single was recorded at the<br />
renowned Olympic Studios in Barnes,<br />
London. Andrew and Tim were backed<br />
by MCA and spent a small fortune<br />
on the recording, including using a<br />
full orchestra, the backing vocals of<br />
the Trinidad Singers, and the Grease<br />
Band, one of the best rhythm sections<br />
in the world at that time.<br />
NOvember 21, 1969<br />
In the UK, the single, Superstar sold<br />
as many as 3,500 copies in one day.<br />
Martin Sullivan, The Dean of St Paul’s<br />
Cathedral and former Archdeacon<br />
of London, supplied liner notes for<br />
Jesus Christ supe<br />
the sleeve of the single. “There are<br />
some people who may be shocked by<br />
this record,” he wrote. “I ask them<br />
to listen to it and think again. It is<br />
a desperate cry. ‘Who are you Jesus<br />
Christ?’ is the urgent enquiry, and a<br />
very proper one at that… The singer<br />
says ‘Don’t get me wrong, I only want<br />
to know.’ He is entitled to some<br />
response.”<br />
The single performed more strongly<br />
outside the UK, rocketing to number<br />
one in Holland, Belgium, and Brazil<br />
-- above Led Zeppelin and Elvis, and<br />
making the Top 10 in Australia and New<br />
Zealand. In the US, it reached number<br />
14 and was number 27 in Billboard’s<br />
‘Top 100 Songs of 1971’ list, above<br />
hits such as George Harrison’s ‘My<br />
Sweet Lord’, the Carpenters’ ‘Rainy<br />
Days and Mondays’ and ‘Proud Mary’<br />
by Ike & Tina Turner.<br />
The international performance of the<br />
single meant Andrew and Tim had<br />
permission from MCA to go ahead<br />
with the rest of the album.<br />
December 4,1969<br />
Tabloid papers linked John Lennon<br />
to the musical and Time Magazine<br />
reported that there were rumors John<br />
had said he would only do it if Yoko<br />
Ono played Mary Magdalene. There<br />
were also rumors Marianne Faithful<br />
would be Mary – all of these were<br />
unfounded and Ian Gillan from the<br />
band Deep Purple was brought in to<br />
sing Jesus.<br />
OctOber 1970<br />
The album was released worldwide.<br />
In the US, a Time Magazine review<br />
of the album said: “What Rice and<br />
Webber have created is a modernday<br />
passion play that may enrage<br />
the devout but ought to intrigue and<br />
perhaps inspire the agnostic young.”<br />
Meanwhile, according to Tim Rice’s<br />
autobiography, mail from all over the<br />
world flooded in, most of it thanking<br />
the young writers “for making<br />
the Gospel story clearer and more<br />
relevant.”<br />
NOvember 21,1970<br />
The album packaging was changed<br />
for the release in the USA, where<br />
the double album was released at St<br />
Peter’s Church, New York. The album<br />
entered the Billboard chart at #40.<br />
July 12, 1971<br />
The first official concert of Jesus<br />
Christ Superstar opened at the<br />
Pittsburgh Arena to an audience of<br />
over 13,000 people, breaking the<br />
attendance record set there by Tom<br />
Jones the year before. The Pittsburgh<br />
event kicked off a sell-out concert<br />
tour of the US. That concert production<br />
toured to 54 locations across the US<br />
and performed the show 74 times.<br />
The first tour was so successful and<br />
demand so great that by the end of<br />
the summer of 1971, there were<br />
two arena concerts simultaneously<br />
touring America.
star: a timeline<br />
September 29, 1971<br />
The arena tour of Jesus Christ<br />
Superstar sold out two nights at Los<br />
Angeles’ famous Hollywood Bowl,<br />
taking in $200,000 with a top ticket<br />
price of $10.<br />
OctOber 12, 1971<br />
Jesus Christ Superstar went to<br />
Broadway. The director of Hair, Tom<br />
O’Horgan, directed the production. The<br />
show opened at the Mark Hellinger<br />
Theatre and starred Jeff Fenholt as<br />
Jesus, Ben Vereen as Judas, and<br />
Yvonne Elliman and Barry Dennen in<br />
the same roles as they had performed<br />
on the original album – Mary and<br />
Pilate. By now the double album<br />
had sold over 3.5 million copies, and<br />
the show’s opening gross was $1-2<br />
million, ensuring immediate success.<br />
The show closed at the end of June<br />
1973.<br />
1973<br />
Nominated for two Oscars and six<br />
Golden Globes, the Jesus Christ<br />
Superstar movie was released by<br />
Universal Pictures and grossed<br />
$13.2 million at the box office. The<br />
soundtrack was conducted by the<br />
legendary Andre Previn. One 17<br />
year old auditioned unsuccessfully<br />
for a part, but producer Robert<br />
Stigwood kept him in mind for<br />
future productions. Three years later<br />
Stigwood would cast John Travolta<br />
for the lead in Saturday Night Fever.<br />
1991<br />
In 1991, the Shiki Theatre Company<br />
attended the Japan Festival in London,<br />
and performed the Japonesque<br />
version of Jesus Christ Superstar<br />
with Japanese cast at the Dominion<br />
Theatre with great success. (This<br />
Kabuki production was revived in<br />
May 2007.)<br />
1993<br />
Ted Neeley and Carl Anderson reprised<br />
their 1973 movie roles as Jesus and<br />
Judas in the North American touring<br />
revival of Jesus Christ Superstar in<br />
1993 – titled the AD Anniversary Tour.<br />
Originally expected to run for three<br />
or four months, the tour ended up<br />
running for five years and grossed<br />
almost $100 Million.<br />
NOvember 19, 1996<br />
A revival production opened in London.<br />
It was directed by Gale Edwards (who<br />
had been discovered by Andrew<br />
Lloyd Webber when she directed his<br />
Aspects Of Love in Australia). The<br />
production received a 1997 Olivier<br />
nomination for ”Outstanding Musical<br />
Production.” The show closed after a<br />
16 month run.<br />
April 16, 2000<br />
In the summer of 1999, London’s<br />
Really Useful Theatre Company<br />
announced its plans to open Superstar<br />
on Broadway for Easter of 2000.<br />
Rehearsals began on Valentine’s<br />
Day 2000 and Superstar became<br />
the second show to be at the Ford<br />
Centre when it opened on April 16th.<br />
The show was once again directed<br />
by Gale Edwards and received three<br />
nominations for the Tony Awards and<br />
Outer Critics Circle Awards.<br />
mAy 2, 2011<br />
A new revival of Jesus Christ<br />
Superstar debuted at Canada’s<br />
Stratford Shakespeare Festival before<br />
it moved on to La Jolla Playhouse in<br />
San Diego. Andrew Lloyd Webber said<br />
of the production “I have just seen a<br />
fabulous production of Jesus Christ<br />
Superstar. It is very probably the<br />
best-acted performance of the show<br />
I have ever seen and fully worthy of<br />
the fantastic reviews it has received.<br />
I pass my congratulations to Des<br />
McAnuff and everyone involved<br />
with the production at the Stratford<br />
Festival, Ontario.”<br />
January 17, 2012<br />
Andrew Lloyd Webber announced that<br />
a new UK Arena Tour of Jesus Christ<br />
Superstar would launch in September<br />
2012, and offered a unique opportunity<br />
to play the title role via a brand new<br />
ITV television show ‘Superstar’.
Classes You’ll Want to take<br />
by matthew r. Kerns, mFa<br />
tCr education Director<br />
it is believed that the walls between the<br />
arts have fallen and a new interdisciplinary<br />
training has emerged as a result of this<br />
renaissance. From visual to performing and<br />
from music to dance artists are marrying<br />
the forms across the globe and tCr is on the<br />
pulse of that movement.<br />
Figure drawing is believed to strengthen a<br />
director’s eye for stage picture. Yoga is being<br />
studied as a movement practice in most<br />
collegiate level conservatories across the<br />
country. actor training is moving away from<br />
the traditional forms and melding skill sets<br />
in an ensemble based studio format, while<br />
dance is infusing ballet with slam poetry. the<br />
walls are gone and a new art has emerged.<br />
An art filled with projections, improvisations,<br />
environmental installations and plays that are<br />
breaking the rules of realism all over again.<br />
training the modern artist is like weaving a<br />
tapestry of interests. a tapestry that is rich<br />
and vibrant in its execution of new works and<br />
re-telling of current pieces. in example, sleep<br />
no more, and immersive theatre experiment<br />
based loosely on shakespeare’s Macbeth<br />
and told through the lens of promenade<br />
style theatre juxtaposed with Facebook, the<br />
musical. Both of these pieces devised through<br />
the idea of fusing existing forms together to<br />
create dynamic new works.<br />
partiC<br />
as society changes the arts respond. if you<br />
have an idea and the moxie to make artistic<br />
work then come take a class. Join playwriting<br />
and see your work realized. this is an exciting<br />
We’re only in October and we have already had over 200 volunteers<br />
time for artists, audiences and society at large.<br />
No experience is necessary, just a willingness<br />
to explore your imagination.<br />
take a Class. see a show.<br />
-Matthew<br />
involved with the season! It’s an exciting time. And there is more to come.<br />
We will be searching for casts and crew for some dynamite shows like<br />
Spamalot, For Colored Girls Who Have Considered Suicide When the Rainbow<br />
is Enuf, and Les Miserables. And that’s just through December! Also, there<br />
are still opportunities to usher for Miracle on 34th Street. Plus, keep an<br />
eye out for special holiday events such as lobby decorating and a special<br />
meet and greet with Santa for the little ones. We hope to see you around the<br />
theatre! Thanks for helping us keep the magic alive! Audition dates through<br />
the end of December are listed to the right...
What’s up With Costumes?<br />
by Joni sackett<br />
tCr Costume Director<br />
For <strong>TCR</strong>’s 80th season, we started off<br />
with some costume bits and pieces for<br />
the concert version of Music Man, in<br />
partnership with Orchestra Iowa. What<br />
a great project! We used the backstage<br />
spaces of the gorgeous Paramount Theatre,<br />
so it was a bit like being on tour, without<br />
the endless bus rides.<br />
Next up is Jesus Christ Superstar back<br />
at <strong>TCR</strong>. Costume Assistant Marnie Marshall<br />
has been creating some fabulous scarves<br />
inspired by Pinterest images, so look for a<br />
fun Pinterest-themed class in the not-toodistant<br />
future.<br />
We’re excited for the period costuming<br />
we’ll be doing in Miracle on 34th Street<br />
and To Kill a Mockingbird, as well as<br />
the distinct challenge of contemporary<br />
costuming for the Grandon shows. Doing a<br />
“now” show requires just as much thought<br />
as a fantasy or period show, which might<br />
not be obvious—they’re just clothes, right?<br />
In fact, character needs to be indicated in<br />
a more subtle way, whether it’s a choice<br />
of color, fabric, fit, or style, and often all of<br />
these.<br />
We’ve got some big shows coming up this<br />
season (you may have heard), so how will<br />
we manage the costuming? For Spamalot,<br />
due to the size and timing of the show,<br />
we’re taking the unusual step of renting<br />
the full costume plot, as it’s called. The<br />
costumes are by the original designer of the<br />
Broadway musical, Tim Hatley, so they’ll be<br />
awesome, which is always our goal.<br />
ipate.<br />
And what about Les Misérables? We’ll be<br />
using all our resources to produce costumes<br />
that recreate the time period, express<br />
character, and help transport you into that<br />
magnificent story. The most important<br />
of those resources is our volunteers—in<br />
other words, YOU! If you’ve ever wanted to<br />
be part of a <strong>TCR</strong> production but feel more<br />
Spamalot November 10 and 11 at 7:00 pm<br />
comfortable off the stage, we are always<br />
For Colored Girls… December 8 and 9 at 7:00 pm<br />
looking for people who can sew, craft, cut a<br />
Les Miserables Kids Auditions:<br />
straight line, style hair, or would like to help<br />
-December 27 and 28 at 3:00 pm as backstage costume crew (no experience<br />
Adult Auditions:<br />
necessary).<br />
-December 28 and 29 at 7:00 pm<br />
Interested? Email Joni Sackett at<br />
joni@theatrecr.org. Hope to see you soon!
Danny Mulka Jesus Christ Superstar Cast Member<br />
Brian Glick Music Man in Concert Assistant Director<br />
Derek Easton and Rebecca Sullens<br />
<strong>TCR</strong> Staff Member and Volunteer<br />
Nicole Agee Amanda Larson<br />
Mallory Mohwinkle Kaitlin Oswood<br />
<strong>TCR</strong> Volunteers<br />
Images by Von Presley Studios<br />
Steve and Traci Rezabek<br />
Jesus Christ Superstar and<br />
Jake’s Women Cast Members
Lacie Thompson Jesus Christ Superstar Cast Member<br />
Raising the Curtain on 80 Seasons<br />
by Julie Coppock,<br />
<strong>TCR</strong> Development Director<br />
I work at Theatre Cedar Rapids, so I know I’m<br />
biased, but we do a lot of really cool things<br />
around here! Not only do we produce a variety<br />
of high quality plays and musicals each year<br />
thanks, in part, to our very talented and generous<br />
volunteers, but we also have a top-notch theatre<br />
education program. And this program is growing<br />
and getting even better under the direction of<br />
our new education director, Matthew Kerns.<br />
Welcome to <strong>TCR</strong>, Matthew!<br />
<strong>TCR</strong> is a non-profit organization and we do all<br />
of this programming with an annual budget of<br />
just over $2 million. About half of that amount<br />
comes from tickets sales and other small<br />
revenue sources. This means we need to find<br />
ways to raise slightly over $1 million annually<br />
in other ways. That’s where we count on the<br />
generosity of foundations, corporations and<br />
individuals like you. We do this through our<br />
theatre memberships, show sponsorships and<br />
through special events.<br />
The most recent special event at <strong>TCR</strong> was The<br />
Curtain Raiser – A Toast to 80 Seasons held<br />
on Friday, September 6. With many costumed for<br />
the 1920’s speakeasy theme, the 300 attendees<br />
perused the decades and learned facts from<br />
<strong>TCR</strong>’s history, saw previews of the shows in the<br />
season ahead, and heard Hugh Jackman (winner<br />
of the Golden Globe Best Actor Award for his role<br />
as Jean Valjean in the movie Les Misérables)<br />
give a personal video endorsement of <strong>TCR</strong> as we<br />
prepare to do that same musical next summer.<br />
To culminate the evening, they witnessed <strong>TCR</strong><br />
board member Nicole Agee literally fly through<br />
the air as she announced that <strong>TCR</strong> is one of a<br />
handful of community theatres in the country<br />
invited to produce Mary Poppins in our 2014-<br />
15 season. (Videos available at www.youtube.<br />
com/theatrecedarrapids)<br />
It was a wonderful evening to kickoff our 80th<br />
Season! Of course, it was a fundraiser so there<br />
was an opportunity to make a donation at the<br />
event to support <strong>TCR</strong> education and theatre<br />
programming. If you have already made a<br />
donation to support our 80th season, my sincere<br />
thanks. If you haven’t, now is your chance to<br />
help <strong>TCR</strong> produce our fabulous line up of shows<br />
during the season ahead. Please mail your taxdeductible<br />
donation to Theatre Cedar Rapids<br />
today or make a gift online at www.theatrecr.<br />
org/donate<br />
I thank you for supporting <strong>TCR</strong> and I hope to see<br />
you at the Theatre very soon!
Cast from The Music Man in Concert with Orchestra Iowa at The Paramount<br />
Image by Von Presley Studios
Buy Local... See a Theatre Cedar Rapids Production<br />
by Richie Akers<br />
<strong>TCR</strong> Sales & Marketing Director<br />
Take a close look at all of the supercute<br />
faces on the opposite page. Do you<br />
recognize any of them? Have you seen them<br />
anywhere before? Those faces have been<br />
in all kinds of <strong>TCR</strong> productions, camps, and<br />
classes... Meet Me in St Louis, Still Life<br />
with Iris, and The Wizard of Oz, just to<br />
name a few. It’s a long list of shows for a<br />
handful of kids, right?<br />
This picture was taken on stage at the amazing Paramount<br />
Theater by a fabulous local photographer and <strong>TCR</strong> volunteer,<br />
Alisabeth Von Presley. She is also just setting up shop in a<br />
studio in Czech Village.<br />
The little guy with the hole in his knee (Dylan) is six years<br />
old, and literally stopped the show twice when my family and<br />
I saw The Music Man in Concert during the final Sunday<br />
matinee on September 29. He was magnetic when dancing<br />
choreography among “the big kids” and looked so joyful, so<br />
happy to be on stage. They ALL did.<br />
The coolest part: they are all getting this experience locally.<br />
It’s an opportunity so few know about - community theatre<br />
- yet those who participate either by walking on stage or<br />
sitting in the audience talk time and time again about how<br />
life-enhancing it is.<br />
These are experiences I wouldn’t have possibly fathomed at<br />
age six. I didn’t find theatre until high school, even though<br />
I lived just a few miles away in Cedar Hills. It’s not because<br />
<strong>TCR</strong> didn’t exist yet, and it certainly wasn’t due to a lack<br />
of communication or marketing. My family just wasn’t<br />
tuned into the Arts scene. The value of live theatre and how<br />
transformative it can be at a personal, community, and even<br />
regional level didn’t play a part in our lives. All of the chances<br />
to make new friends, to become a better public speaker, or<br />
even learn a little bit more about how to be a good listener<br />
- all of that didn’t happen for me until my freshman year at<br />
Jefferson High School. I am thankful everyday for going to<br />
the first play audition (The Dark of the Moon) and giving<br />
it my best.<br />
Think about the faces on the opposite page again, and ask<br />
yourself if those local kids having the times of their lives<br />
could possibly do enough singing, dancing, and acting to<br />
make YOU feel as joyful as they are? I think so.<br />
How amazing is it that we have so many LOCAL outlets to<br />
create? Schools, organizations, non-profits by the handful are<br />
waiting in the Corridor for the opportunity to show what they<br />
can do. It all goes along with the “fresh and local” movement<br />
we are witnessing with markets and groceries. Supporting<br />
local farmers and keeping our dollars in the community for<br />
the sake of the community. I ask you - who has the best bread<br />
in town? Personally, I think a certain place in the NewBo City<br />
Market (the one with the pretzel rolls!) offers the best bread.<br />
They are consistantly amazing, and I know everytime I go to<br />
the Market, I am going to get wonderful customer service.<br />
The money I spend on those deliciously salty pretzel rolls will<br />
remain in the community.<br />
<strong>TCR</strong> sets are built in the heart of NewBo in The Cherry Building.<br />
Promotional photography is shot by Von Presley Studios of<br />
Czech Village. Local craft beer and fresh snacks are served<br />
by Brewed Cafe in <strong>TCR</strong>’s Linge Lounge, incidentally they are<br />
the same local company that serves at Legion Arts CSPS<br />
and the new Cedar Rapids Public Library. All of us at <strong>TCR</strong><br />
are constantly working towards making the “next step” in<br />
supporting our local partners.<br />
When you see Jesus Christ Superstar in the Auditorium or<br />
Jake’s Women in The Grandon Studio, you are putting your<br />
dollars to work in the community. For example, those dollars<br />
are literally being used to send Matthew Kerns, Emma Drtina,<br />
and Leslie Charipar to The Meth-Wick Retirement Community<br />
once a month to take the arts beyond the four walls of the<br />
Iowa Theater Building. Those same dollars help support<br />
<strong>TCR</strong>’s classes for kids on the Autism spectrum, and to offer<br />
arts classes to all ages and experience levels. Again, think<br />
about what early arts experiences do for kids.<br />
Aside from the fact that we have CEDAR RAPIDS in our name,<br />
<strong>TCR</strong> is about as LOCAL as it gets. Our volunteer performers are<br />
your co-workers, neighbors, and loved ones. Our productions<br />
are repeatedly heralded as “professional quality” yet we are a<br />
non-profit organization with a modest staff and a passionate<br />
community of volunteers. As we begin our 80th Season, please<br />
remember to “BUY LOCAL” when considering entertainment<br />
options, and remember to bring a friend who maybe doesn’t<br />
yet know about Theatre Cedar Rapids. Chances are, a little bit<br />
of <strong>TCR</strong> could have a life-long impact!
Matt Losch<br />
Maintenance & Custodial Manager<br />
matt@theatrecr.org<br />
Matt is a proud veteran of the Army’s 82ND<br />
Airborne Division and had tours in Panama<br />
and Desert Shield/Storm in the early 90’s.<br />
He is married to Tressa and they have three<br />
children; Jake (20), AJ (17), and Paige (13).<br />
In his spare time he stays busy supporting<br />
his kids’ many after school activities. He also<br />
enjoys fishing, camping, and spending time outdoors.<br />
Olivia Lestrud<br />
Theatre Experience Manager<br />
olivia@theatrecr.org<br />
Olivia graduated from Waldorf College<br />
with degrees in Theatre and Humanities<br />
after completing a summer internship<br />
with Theatre Cedar Rapids. She joined the <strong>TCR</strong> staff<br />
in January <strong>2013</strong> and in July signed on as the Theatre<br />
Experience Manager. Olivia’s favorite memory of <strong>TCR</strong><br />
was when she saw the quality of skill taught to <strong>TCR</strong>’s<br />
students during a performance her brother participated<br />
in during a Summer Camp Showcase. Whether you are<br />
a volunteer, need to buy tickets, or are interested in<br />
becoming involved with Theatre Cedar Rapids, Olivia<br />
would be happy to help you.<br />
Want to volunteer usher, check<br />
out a script or book a group to<br />
see a show? ...I can help!<br />
-Olivia<br />
Are you looking to work<br />
on sets or volunteer<br />
backstage on production<br />
crews? Let me know!<br />
-Derek<br />
Marnie Marshall<br />
Costume Assistant<br />
marnie@theatrecr.org<br />
Casey Prince<br />
Executive Director<br />
casey@theatrecr.org<br />
Casey is responsible for executive leadership,<br />
theatre staffing, operation management and<br />
fund development oversight. He also directs the<br />
occasional musical production. Prince is currently<br />
president of the board for the Cedar Valley<br />
Montessori School, an Innovation Council member<br />
for the CR Metro Economic Alliance and he was<br />
the founding chair of the A+C+E district. He is in the CR Washington<br />
Performing Arts Hall of Fame, a recipient of the Iowa Community Theatre<br />
Association’s Best Director Award and a “40 Under 40” selection by the<br />
Corridor Business Journal. His first role on the <strong>TCR</strong> stage was as Billy<br />
Crocker in Anything Goes and his favorite roles include that one as well as<br />
Shoeless Joe Hardy in Damn Yankees and Dr. Frank-n-Furter in The Rocky<br />
Horror Show. His most powerful <strong>TCR</strong> memory is the standing ovation that<br />
preceded the curtain going up at the Grand Reopening in 2010.<br />
meet the theatre Ce<br />
Daniel Kelchen<br />
Scenic Artist & Props Master<br />
daniel@theatrecr.org<br />
Daniel has been employed<br />
at <strong>TCR</strong> since May 2012.<br />
Daniel has a B.F.A. from<br />
Cornell College with majors<br />
in American and World<br />
Histories for good measure.<br />
When not at work, Daniel<br />
enjoys any and all time with his beautiful daughter,<br />
Kaylie Dee. Daniel also enjoys catfishing, chalk art,<br />
Hawkeye football, and hunting everything you can<br />
hunt in the great state of Iowa.<br />
Derek Easton<br />
Tech Director & Lighting Director<br />
derek@theatrecr.org<br />
Derek is originally from Waterloo,<br />
IA and a graduate of the University<br />
of Northern Iowa with a degree in<br />
Theatre: Design and Production.<br />
Having worked for the Aspen Music<br />
Festival’s Opera Program and at<br />
Actors Theatre of Louisville before<br />
joining the staff at Theatre Cedar<br />
Rapids one month before the flood of 2008. In his free<br />
time he enjoys running and cooking. One of his fondest<br />
memories was the feeling of excitement and nervousness<br />
on the opening of The Producers, the first show to reopen<br />
the Iowa Theatre Building. “It was a lot of hard work but<br />
felt amazing to cross that finish line”.<br />
J. David Carey<br />
Finance & Admin Director<br />
jdavid@theatrecr.org<br />
J. David has been affiliated<br />
with <strong>TCR</strong> since he first<br />
appeared on stage as<br />
Young Patrick in the 1962<br />
production of “Auntie<br />
Mame.” Though he<br />
grew up in Cedar Rapids,<br />
his theatre and arts<br />
administration career led<br />
him to Minneapolis, Seattle,<br />
Iowa City and Cheyenne,<br />
WY. He returned to <strong>TCR</strong> in<br />
1991 as marketing director<br />
and as artistic associate<br />
director staging more than<br />
30 productions.<br />
Ever since Marnie was little, in her American Girl style bows, she and her mom would always make fun costumes<br />
and other accessories in their free time. She attended Illinois Institute of Art – Chicago focusing on Costume Design.<br />
Noticing that Cedar Rapids was rejuvenating into a fun town, she and her husband Jonathan decided to move back<br />
home to start a family. Shortly after having their first son Liam, Marnie was talked into volunteering for the costume<br />
crew for White Christmas by her friend Madelyn who was in the production. She volunteered for every show after that<br />
and was taken on as Joni’s costume assistant about a year later. Her favorite part is getting to know new volunteers<br />
with each show and forming the bonds that will last forever.
Matthew Kerns<br />
Education Director<br />
mkerns@theatrecr.org<br />
Matthew R. Kerns, MFA is in his inaugural term<br />
as <strong>TCR</strong>’s Director of Education Matthew has been<br />
the Director of Theatre at Sonoma Academy, Chair<br />
of the Theatre Department at the Chicago Academy<br />
for the Arts & on Faculty at Loyola University.<br />
Matthew earned a Kennedy Center Honor in 2006<br />
for excellence in Arts and Education. His original<br />
works Chicken and GayFantasia, an immersion theatrical experience,<br />
received critical acclamations. His work as a director has also been<br />
touted as, “Critics Choice”. Matthew is thrilled to have joined the family<br />
at <strong>TCR</strong> and looks forward to meeting the many faces of this community.<br />
Get in touch with me if you<br />
have questions about classes at <strong>TCR</strong>!<br />
-Matthew<br />
Dar rapiDs staFF<br />
Leslie Charipar<br />
Artistic Director<br />
leslie@theatrecr.org<br />
This is Leslie’s<br />
fifth season as<br />
Artistic Director at<br />
<strong>TCR</strong> where she is<br />
currently directing<br />
her 24th show. She<br />
also founded Urban<br />
Theater Project of Iowa and is a founding<br />
member of Classics at Brucemore. She<br />
has appeared as an actor and/or director<br />
at <strong>TCR</strong>, Urban Theater Project, Riverside<br />
Theatre, Old Creamery Theatre, SPT, and<br />
Classics at Brucemore. Leslie has her<br />
MFA in Acting from The Theatre School at<br />
DePaul University.<br />
Questions about<br />
auditioning for a<br />
show? I’d love to<br />
answer them!<br />
-Leslie<br />
Emma Drtina<br />
Program Assistant<br />
emma@theatrecr.org<br />
Richie Akers<br />
Sales & Marketing Director<br />
richie@theatrecr.org<br />
A <strong>TCR</strong> volunteer since<br />
Hello Dolly in 1997,<br />
Richie’s beautiful dance<br />
partner in the yellow dress<br />
eventually became his<br />
wife, and they have shared<br />
dozens of great <strong>TCR</strong><br />
experiences since. Some of his most sweaty <strong>TCR</strong><br />
experiences include portraying Juan in Altar Boyz<br />
and proudest <strong>TCR</strong> moments as Bob Cratchet in<br />
A Christmas Carol; a production he is especially<br />
fond of, as he was able to share the stage with<br />
Heather and their kids Harrison and Zoey. Richie’s<br />
favorite activities include doing anything (hiking,<br />
cooking, community events, yard work!) with his<br />
family, outdoor running, and enjoying craft beer<br />
with good friends. Richie looks forward to many<br />
more years of directing communications and<br />
marketing efforts for the amazing opportunities<br />
<strong>TCR</strong> offers our community!<br />
Emma is new to the <strong>TCR</strong> staff, after volunteering with<br />
the organization since 2010 She started her journey<br />
at <strong>TCR</strong> with Rent and has been seen in many other<br />
shows since. From Hairspray to [title of show] to<br />
assistant directing The Wizard of Oz or teaching in her theatre<br />
classes, she has always had wonderful experiences with<br />
Theatre Cedar Rapids. When she’s not at the theatre, Emma<br />
loves hanging out with her friends and family, reading, writing,<br />
painting, shopping at Target, and sharing hilarious puns. Emma<br />
is ecstatic to have this great new opportunity at the theatre and<br />
can’t wait to continue to be involved!<br />
I’m happy to help if you’d like to become a <strong>TCR</strong><br />
Member or advertise in our show playbills!<br />
-Julie<br />
Contact me with <strong>TCR</strong><br />
Communications, space rental, and<br />
private performance questions!<br />
-Richie<br />
Julie Coppock<br />
Development Director<br />
julie@theatrecr.org<br />
Julie has worked at <strong>TCR</strong> as the<br />
Development Director for the<br />
past two years. She has over 20<br />
years of fundraising experience<br />
including working six years at<br />
Mount Mercy College and 12<br />
years at Tanager Place. When not<br />
trying to find more money for <strong>TCR</strong> she enjoys time with<br />
her three kids: 23-year old twins, Dain and Erin, and her<br />
17-year-old daughter Kiley. Some of her favorite hobbies<br />
include watching Kiley play volleyball for Linn Mar,<br />
attending live concerts (80’s music, country music and<br />
Jimmy Buffett) and sailing.<br />
Joni Sackett<br />
Costume Director<br />
joni@theatrecr.org<br />
Whether studying at<br />
the University of Iowa<br />
and the University of<br />
Memphis, in an ‘80’s<br />
band in London, at<br />
a software design<br />
company in New<br />
York or running a small design business—<br />
costuming has always been a part of Joni’s<br />
life. Joni unexpectedly got her dream job<br />
when she moved back to Cedar Rapids and<br />
met Leslie Charipar, auditioning for the role<br />
of Costume Designer by embellishing hippie<br />
jeans for Hair at <strong>TCR</strong> Lindale. She started her<br />
first full season with Altar Boyz, and it’s been<br />
a wild and wonderful ride ever since.<br />
If you’ve ever considered helping<br />
with costumes or working on the<br />
costume crew during a production,<br />
let mw know, and I’ll give you<br />
the scoop!<br />
-Joni<br />
Ben Godwin<br />
Assistant Technical Director<br />
ben@theatrecr.org<br />
Ben Godwin, started in theatre in<br />
2001 at Washington High School<br />
by working with <strong>TCR</strong> sound leg<br />
and Dave Schmoldt. After graduating<br />
from Washington, he began<br />
to volunteer his time at <strong>TCR</strong><br />
leading up to his joining the <strong>TCR</strong><br />
staff as an Assistant Technical<br />
Director in 2011.
Lydia Brown (President)<br />
Partner, Skywalk Group<br />
Lydia is a partner in a professional<br />
services firm specializing in Human<br />
Resources, Organizational Development<br />
and Recruiting. She is an active community<br />
volunteer involved with numerous nonprofit<br />
organizations. Lydia and her husband,<br />
Mike, have three teenage children, Logan,<br />
Hannah and Tory, who have enjoyed being<br />
a part of <strong>TCR</strong> in one way or another -<br />
attending shows, planning events or participating in camps.<br />
Todd Bergen (Vice President)<br />
Managing Director, AEGON USA<br />
Todd holds a Bachelor of Arts degree in Political Science with<br />
a minor in Economics and a Master of Arts degree in Urban<br />
and Regional Planning both from the University of Iowa. Todd<br />
is past Chairman of the Eastern Iowa Airport and serves as<br />
a board member of several not for profit organizations in the<br />
Cedar Rapids area. Todd is married and has three children.<br />
S c o tt Arensdorf ( Tr e a s u r e r )<br />
Controller, RuffaloCODY, LLC<br />
Scott joined the Board of <strong>TCR</strong> in 2009 and serves as the Treasurer. He has three children, Cole,<br />
Jack and Angela, who attend Jackson Elementary School. His wife, Sheryl, is a veterinarian<br />
at Edgewood Animal Hospital. He also serves as a member of the Trustees of the Community<br />
Theatre Building Corporation and on the Board of the Indian Creek Nature Center.<br />
B r add Bro wn (Pa s t P r e s i d e n t )<br />
Partner, OPN Architects<br />
Bradd is the Board’s immediate Past President and is also a<br />
member a member of the Board of Trustees. He has spent a total<br />
of 12 years on the <strong>TCR</strong> Board. Brad considers <strong>TCR</strong> to be one of<br />
our communities best assets. As a Partner in OPN Architects<br />
he has had the chance to lead a number of local flood recovery<br />
projects, including <strong>TCR</strong>’s new space, the Paramount Theatre<br />
Renovation, Orchestra Iowa’s Renovation and Expansion, and<br />
the new Library. He believes that Cedar Rapids’ best days are<br />
coming and is excited to be a part of this terrific community. He<br />
and his wife Janan are the proud parents of two great kids, Colin and Adria.<br />
N a ncy Hart<br />
Dentist, North Liberty Dental and The<br />
Community Health Free Clinic<br />
A native of Dubuque, Nancy grew up<br />
with music and theatre and continued<br />
that passion at the University of Iowa.<br />
She has three children that also<br />
participated in fine arts as they grew<br />
up in Cedar Rapids. Nancy believes the<br />
arts enrich the lives of everyone in the<br />
community.<br />
Dick Meisterling (Secretary)<br />
Vice President, Coe College<br />
In recent years, Dick has been the<br />
President of Advancement Resources, LLC. He has theatrical<br />
experience as a youngster, garnering such roles as Louis in<br />
The King & I. He is married to Mary Meisterling who works<br />
at Alliant Energy and is currently the President of the Cedar<br />
Rapids School Board. They have twin boys and their daughter<br />
Angela has made many appearances on the <strong>TCR</strong> stage.<br />
meet the <strong>2013</strong>/14 tCr BOarD OF DireCtOrs<br />
N i n a Brundell<br />
Owner, Kieck’s Career Apparel and Uniform<br />
Nina has been a <strong>TCR</strong> volunteer since 1994 when she was in a few shows and has been around ever since. She was the Campaign<br />
Coordinator for The Next Act and participated in the whole renovation process with the staff. Nina is very proud of the new building<br />
transformation and how we came out of the flood. She has been involved in many of the fundraisers over the years especially<br />
The Ladies’ Luncheon. <strong>TCR</strong> is a fabulous place to call home!<br />
Jeff Phelps<br />
Sr Director of Corporate Strategy, Rockwell Collins<br />
After graduating with a Bachelor of Science in<br />
Electrical Engineering from the University of Iowa,<br />
Jeff began his career at Rockwell in 1993 as an<br />
engineer. Now, he is responsible for the long term<br />
growth of all Rockwell Collins’ portfolio and product<br />
businesses. Jeff also serves on the board for the Boys<br />
and Girls Club of Cedar Rapids, where he was formerly<br />
president. Jeff enjoys spending time with<br />
his three children, wood working, playing<br />
jazz and classical guitar, biking and reading.<br />
Patrice M. Carroll<br />
President & Gen Manager, ImOn Communications<br />
Patrice M. Carroll is an active member of the corridor<br />
community. She has served on the United Way Women’s<br />
Leadership Initiative Advisory Board and the Regina Catholic<br />
Education Center Board of Directors. Patrice also serves on<br />
the Junior Achievement of Eastern Iowa Board of Directors<br />
and The Economic Alliance Business Support Innovation<br />
Council. Patrice has a B.S. degree in Mathematics from St.<br />
Mary’s College, Notre Dame, Ind. Patrice is married to Tom<br />
Carroll and they have two children.<br />
Lisha Coffey<br />
Reg. Director Customer<br />
Operations, Alliant Energy<br />
An Iowa transplant, Lisha<br />
is in her third year on the Board. She has a love of<br />
the arts fostered by her mother and grandmother,<br />
both artists in their own right in St. Louis. Lisha<br />
is thrilled to carry on that tradition with her<br />
husband and two daughters and says given she<br />
has no discernable artistic talent (it skipped her<br />
generation) she is grateful to be able to support the<br />
arts community in this way.<br />
Marty Norton<br />
Sr. Investment Associate, RBC Wealth Management<br />
Marty has been involved at <strong>TCR</strong> since 1994, including the<br />
Volunteer Board, the Board of Directors and the Board of<br />
Trustees. Marty enjoys volunteering on stage and back stage<br />
as well. Marty also serves as a volunteer docent and actor at<br />
Brucemore.<br />
Heather Fortune Vestweber<br />
Wealth Advisor, Wells Fargo Private Bank<br />
Originally from Webster City, Heather has been very active in<br />
Cedar Rapids since moving here. A wealth advisor, and mom who’s<br />
married to Jason Vestweber, she is busy both at home and at work.<br />
In addition to other community board roles, Heather is an active<br />
volunteer for <strong>TCR</strong> fundraisers and committees.<br />
Randy Rings<br />
General Counsel, TrueNorth Companies<br />
Randy Rings has worked with TrueNorth since<br />
2006, and is licensed to practice law in four<br />
different states. Randy has also appeared on<br />
the <strong>TCR</strong> stage in the past, and played a key role<br />
in the theatre’s recent Capital Campaign and<br />
flood recovery.
LeAnn Erenberger<br />
Sr. Financial Advisor, CFP US Bancorp Investments, Inc.<br />
LeAnn is a Financial Advisor with US Bancorp Investments,<br />
Inc with more then 20 years of financial industry<br />
experience.. She is a graduate of Wartburg College and<br />
is active in numerous community organization. LeAnn<br />
and her husband, Mark have one daughter, Kendall. They<br />
have enjoyed participating in <strong>TCR</strong> by attending numerous<br />
N i c ole Agee<br />
Anchor/Reporter, KCRG-TV9<br />
This is Nicole’s second year on the <strong>TCR</strong> Board of Directors.<br />
In addition to chairing this fall’s Curtain Raiser, Nicole<br />
serves on a variety of committees and appeared on stage<br />
in last season’s production of Legally Blonde. If you’re<br />
an early riser, you may have seen Nicole anchoring the<br />
morning and midday news on KCRG-TV9. She’s thrilled to<br />
have the opportunity to be involved at <strong>TCR</strong>, despite her<br />
crazy schedule. The Corridor Business Journal recently<br />
named Nicole a “Forty under 40” honoree for <strong>2013</strong>.<br />
Steve Pace<br />
Attorney & Shareholder, Shuttleworth & Ingersoll PLC<br />
Steve is married to Tina and has 5 children, 4 boys and<br />
1 girl. He is from Iowa and graduated from Iowa State<br />
University undergrad and the University of Iowa College<br />
of Law. He has volunteered at and been involved with a<br />
number of community organizations including the YMCA,<br />
Horizons, SPT Theatre, Leadership for Five Seasons, Boy<br />
Scouts, and others. He is currently also President of the<br />
Linn County Bar Association.<br />
Geoff Eastburn<br />
Vice President of Operations, Ryan Companies<br />
Geoff Eastburn is Vice President of Operations for<br />
Ryan Companies’ Iowa offices and he has been<br />
with the company for fifteen years. He is proud<br />
to be an Iowa State Construction Engineering<br />
graduate and a veteran of the United States Navy<br />
Seabees. Geoff is a native of Monticello, Iowa and<br />
enjoys cycling as his hobby of choice.<br />
Suzy DeWolf<br />
Co-owner and Director of Health & Wellness, Lil’ Drug Store Products, Inc.<br />
After growing up in Cedar Rapids and moving away for 10 years, Suzy and<br />
her husband, Chris, returned in 2000 to get involved in the family business,<br />
Lil’ Drug Store Products, Inc. Although most of her time is spent raising three<br />
children and volunteering, Suzy’s passion for Health & Wellness has evolved<br />
into developing and leading a Health & Wellness program for the employees of<br />
Lil’ Drug Store. In her spare time, Suzy enjoys fitness, travel, tennis, the arts<br />
and engaging with family and friends.<br />
Kristin Roberts<br />
Executive Director, Ronald McDonald House Charities of E. Iowa & W. Illinois<br />
Kristin has served in both the development field and the television industry, and<br />
now works in the non-profit world. Kristin has completed two marathons and a<br />
handful of halfmarathons. She is married to interior designer Mark Roberts and<br />
enjoys reading and cooking.<br />
N e i l Boudreaux<br />
Owner, Neil Boudreaux Salon<br />
Neil moved to Marion from New Orleans<br />
twelve years ago with his partner of<br />
17 years, Donald Linder. Neil’s hobbies<br />
include golf, volleyball, gardening, tennis<br />
and attending productions at <strong>TCR</strong>.<br />
Jennifer Boettger<br />
Community Volunteer<br />
Jennifer has been volunteering at <strong>TCR</strong><br />
onstage and behind the scenes since 1999<br />
and is currently serving her second year<br />
on the <strong>TCR</strong> Board. A Cedar Rapids native,<br />
Jen graduated from Kennedy High School,<br />
Luther College and received her MA at the<br />
University of Iowa. Last year, Jen left her<br />
10-year career at Cornell College behind<br />
to be a full-time mom at home and parttime<br />
“hired gun” in project management. Husband, Allan, is<br />
also a longtime <strong>TCR</strong> volunteer and performer and is the Director<br />
of the Pomerantz Career Center at the Univ. of Iowa. They have<br />
two growing boys attending McKinley Middle School.<br />
Matt Stoner<br />
Controller, Shive-Hattery, Inc.<br />
Matt lives in Cedar Rapids with his wife,<br />
Amy, and one year old son, Weston. He<br />
earned his undergraduate degree from Coe<br />
College in 2007. He received his CPA in 2012<br />
and while employed at McGladrey. Matt<br />
is also involved as Daybreak Rotary Board<br />
Member and works as the fundraising chair.<br />
meet the <strong>2013</strong>/14 tCr BOarD OF DireCtOrs<br />
Dina Linge<br />
Community Volunteer<br />
Dina returned to the <strong>TCR</strong> Board in 2011, having<br />
previously served for six years, making this her<br />
ninth year on the board. She is a member of <strong>TCR</strong>’s<br />
Board of Trustees and serves on a number of other<br />
community boards as well.<br />
Eric Lange<br />
Theatre Dept. Chair,<br />
U. of Northern Iowa<br />
Eric has worked at<br />
UNI for the last 17<br />
years, having served<br />
9 years as Technical<br />
Director and now<br />
serving as Dept. Head.<br />
Eric has worked professionally for a number<br />
of theatres including the Alley Theatre in<br />
Houston. Prior to working at UNI, he was the<br />
staff technical director for the Theatre Dept. at<br />
Vanderbilt University. Since 1983 Eric has<br />
worked as a designer, technician, consultant<br />
and manager for productions in regional,<br />
community and educational theatres. Eric<br />
is looking forward to serving on the board<br />
and further exploring the rich range of arts<br />
experiences that <strong>TCR</strong> provides. It’s nice to<br />
see so many UNI alumni helping to make it<br />
happen.<br />
Matthew Doty<br />
VP Corporate Communications, Great America Financial Services<br />
Prior to joining GreatAmerica in 1998, Matt was a Reporter/Anchor for a CBS News<br />
affiliate, then a writer with the Associated Press. He followed his writing career to the Bermuda Institute of Ocean Sciences as<br />
a Communications Officer. He was the founder of Strong Productions, Inc., a Cedar Rapids marketing/design firm, leading it for<br />
seven years prior to joining GreatAmerica. Matt earned a B.U.S. degree in Latin American Studies from the University of New<br />
Mexico and serves on the boards of Big Brothers Big Sisters, SPT Theatre, and Theatre Cedar Rapids.
tCr<br />
BOarD<br />
OF<br />
trustees<br />
Marc Gullickson, President<br />
Pat Deignan, VP & Treasurer<br />
Rick Fry, Secretary<br />
Audrey Linge, In Memoriam<br />
Tom Aller, Emeritus<br />
Todd Bergen<br />
Dennis Boatman, Emeritus<br />
Tom Hanley, Emeritus<br />
Eric Hender, Emeritus<br />
Bob Moorman, Emeritus<br />
Sally Novetzke, Emeritus<br />
Terry Abernathy<br />
Scott Arensdorf<br />
John Ballard<br />
Todd Bergen<br />
Lydia Brown<br />
Mary Day<br />
Bob Kazimour<br />
James Kern<br />
Dina Linge<br />
Dick Meisterling<br />
Bill Munsell<br />
Diane Ramsey<br />
Sarah Richardson<br />
Randall Rings<br />
Your next Visit to tCr<br />
by Olivia lestrud,<br />
theatre experience manager<br />
Theatre Cedar Rapids is thrilled to welcome you back for the <strong>2013</strong>-14 historic 80th Season!<br />
As we begin to celebrate our 80th Anniversary as Cedar Rapids’ thriving Community Theatre,<br />
we continue to make your experience here at Theatre Cedar Rapids a top priority. In doing so,<br />
I’ve taken this opportunity to include a few updates you can expect to see during the <strong>2013</strong>-14<br />
Season.<br />
PARKING<br />
Whether this is your first time visiting Theatre Cedar Rapids, or you are a long time supporter<br />
of the magic of theatre, you may have questions about finding a parking spot before a performance.<br />
Free Street Parking is an option during all performances; however, located on Third<br />
Street SE directly across from <strong>TCR</strong>’s front entrance, the US Bank parking lot has grown to be a<br />
favorite of <strong>TCR</strong> patrons. This lot is open one and one half hours before a performance at $5.00<br />
per vehicle, with all proceeds benefiting Theatre Cedar Rapids.<br />
Conveniently located one block away from Theatre Cedar Rapids and east of the US Cellular<br />
Convention Center is the Five Season Parking Ramp. Hourly visitor parking is available when<br />
paid with a credit card at departure. Fees associated with the parking ramp: the first hour is<br />
free and each additional hour costs $0.75. The Convention Center Ramp located right next door<br />
to <strong>TCR</strong> is now open at the same hourly rate as the Five Season Parking Ramp.<br />
CONCESSIONS & PREFERRED CATERER<br />
Something new to expect at Theatre Cedar Rapids is our new preferred caterer and concession<br />
group, Brewed Café. Brewed Café’s healthy appetizer options and multiple concession stands<br />
in the Auditorium Lobby and Linge Lounge maximize convenience adding to the exciting adventure<br />
that is <strong>TCR</strong>’s 80th season. In addition to being food allergy conscience, Brewed Café<br />
has provided the Linge Lounge with a draft beer counter including six options and multiple<br />
beverage choices.<br />
Log on to www.theatrecr.org to view a detailed menu and preorder your appetizers now! Preorder<br />
may also be done in advance through the Theatre Cedar Rapids Box Office.<br />
PRESHOW/POSTSHOW<br />
Don’t forget to check the back of your tickets for special deals and promotions from a ton of<br />
Cedar Rapids’ favorite vendors. Whether you are looking for something to do before the show<br />
or a way to keep the fun going, <strong>TCR</strong> has what you need. When you present your ticket at the<br />
time of purchase, you are redeeming an exclusive offer to Theatre Cedar Rapids patrons only!<br />
Vendors include: DoubleTree, Red’s Public House, White Star Ale House, Citywide Cleaners, The<br />
Blue Strawberry, La Cantina Bar & Grill, Jerseys Pub & grill, The YMCA, and Stella’s.<br />
If you have any questions about your Theatre Cedar Rapids adventure, contact our Business<br />
Office Monday-Friday 9am- 5pm.
OCtOBer 26, <strong>2013</strong><br />
run liKe a (neWBO) ChiCKen!<br />
The Costume Run is co-presented by two Third Street<br />
nonprofits - Theatre Cedar Rapids and NewBo City<br />
Market. This is the second year of an annual tradition<br />
putting an interactive and theatrical twist on the<br />
traditional 5K fun run/walk. The race starts at <strong>TCR</strong> and<br />
follows a path downtown. The course is focused on<br />
the trail, including Greene Square Park, along the river<br />
and features a stretch that actually runs through the<br />
Circle of Ash haunted house (with the lights on). That<br />
isn’t the only interactive feature of the run as there will<br />
be an activity approximately every kilometer or five<br />
times along the course. The race ends at the NewBo<br />
City Market.<br />
In addItIon to an awards ceremony followIng the race,<br />
there wIll be entertaInment on the newbo cIty market<br />
lawn provIded by the bands SIGNIFICANCE OF SIMON,<br />
SOUTHEAST SIDE EFFECT, and JORDAN BERGREN<br />
Cost to participate in the race is $30 on or before October 15th<br />
and $35 beginning October 16th through race day. (The fee<br />
comes with so much swag that participants actually make<br />
money by registering for this event!)<br />
Last year, the first year of the event, there were 175 participants.<br />
Based on early registrations, the expectations for the <strong>2013</strong><br />
run exceeds 300 participants. Register online today!
Theatre Cedar Rapids<br />
102 Third St. SE<br />
Cedar Rapids, IA 52401-1246<br />
The Cast of neil simon’s JaKe’s WOmen Opening November 1, <strong>2013</strong><br />
Image by Von Preseley Studios<br />
non profit org<br />
U.S. Postage<br />
PAID<br />
Permit No. 206<br />
Cedar Rapids, IA